#mainly with eric/adam

[ericeffiorg]

so i finished another rewatch of sex education season 1 and this was probably the one that gave me the most to think about, so i'm gonna put them here in little sections.

maeve - definitely the best written character. there is so much rawness to her that it's impossible not to love her, even when she does bad things. she is by far the most well-thought out character (followed by otis) and i think she could easily have a spin-off that would work just as well as this one.

i especially love how every mistake she makes has a good reason behind. she was trying to be a good girlfriend to jackson, but she literally couldn't because she's going through a lot, can't understand his problems, and is bitter, but nothing she did was ever malicious and i love how that came across. i do think people focus way too much on jackson being 'bad' in this relationship but other than that, it was well done.

adam (and eric lol) - this features an s3 spoiler btw but anyway i've never liked adam in the first two seasons but i don't think i've ever disliked him as much as i did this time around. something that i realised is that almost every single thing that happens to eric ends up being about adam (and never vice versa). eric's big story this season is him getting beaten up for being so openly queer and trying to "de-gay" himself by wearing hoodies and self-hating, and eventually he learns to not do that and to embrace his femininity. this then leads to a really beautiful moment where eric's dad admits he's learning to stand up for himself because of his brave son. and just as they finish hugging we cut to adam looking all sad and depressed bc his dad doesn't love him. this would be fine if this didn't happen every single time eric and his dad deal with something. even when eric punched anwar and a few eps later anwar tells him he has a "nice shirt", instead of focusing on this interesting dynamic between those two, we pan to adam, looking gloomy. eric literally can't do anything without it being made about adam.

something else that's really infuriating is that every bad action that adam does towards eric is always treated lightly. him calling eric "tromboner" is a joke, him shoving him into a locker is full of "jokes" that make us roll our eyes and smile at, and if it's not a joke it's us feeling sorry for adam because they remind us that his dad hates him. so even when eric is getting bullied by adam (which includes being stolen from, having dog poo thrown on his family car, physically attacked and more) it's seen as a silly little joke, so of course by the time season 3 comes around the audience is going to switch on eric for doing one (1) bad thing. adam has always been at the centre of both his and eric's "individual" stories, and eric has never actually had his own.

the show prides itself on its diversity by putting eric on all of the promotional material yet his story isn't about him, it's about his white counterparts (including otis).

jackson - jackson suffers a similar fate to eric in that his story is mostly about two white people. it's not as bad as jackson does get a lot of development throughout, but his white mother and maeve are really huge parts of his story and whilst it works somewhat in jackson's favour, the issue with eric makes me feel a bit about this. do the writers not know how to make us sympathise with black people without making it about white people? we even see scene of mr groff hugging jackson which is then followed by adam looking on gloomily. it works for the general story but the amount of times black characters have to sacrifice their development for the sake of white ones is really frustrating. i'm just glad that season 2 changes this for him, but he does fall down in the rankings in terms of importance as aimee becomes more of the core five than he does.

but i really do love jackson. he's got such a compelling story and i think the racial dynamic could've been a really interesting thing to dive into, rather than just having it be there, but oh well.

the adults - these people are genuinely horribly written. there are so many plot holes and unbelievable sides to them it's clear they were focused on way too late in the game to matter.

mr groff prides himself on ensuring the school is at its best, and he even ignores certain rules to get there. he lets his son keep an award that wasn't his and he lets ola join the school because she will raise the grade average, yet when maeve (a high achieving student) is caught with drugs (which are obviously not hers) he suspends her. i just don't think he of all people would do this, especially as he's the only one that knew, but anyway.

jean is also just the worst. she is so invasive and weird and it genuinely makes no sense that she's licensed to be a sex therapist. she has ruined otis' life and i just don't get how it's real but yeah

the last bit is that despite eric getting bullied by adam, mr hendricks leaves the pair in a room alone for some reason. in the second season mr groff says that adam will no longer bully him, so it's clear the school knows of it, yet why would someone like mr hendricks do that??

but yes, anyway, it was a good season, there are just some really annoying parts about it that i can't stand. unfortunately it was a perfect season before but now it's just so messy idk

[littlespoonevan]

episode 6 is the best episode of s4 of sex education and i'm 150% sure it's because all of the main characters actually got to sit in a room together and interact for the majority of it

[unabombingg]

TCC People as Chiikawa characters ^o^

Adam would be Chiikawa, I felt that it fit mainly cause Chiikawa isnt as extroverted as the other Chiikawa characters and only speaks once or twice through out the show

Dylan would be Usagi. Like Dylan, Usagi can sometimes get rough/violent with others, but also has many moments where they are kind and funny ^_^

Eric would be Momonga. Both Eric and Momonga are perceived as being rude, violent, and irredeemable. The amount of people I've seen on tiktok hating on Momonga is WILD.

Although I dont know much about Andrew Blaze, I think she would be Hachiware as they are both into art ! Andrew being into video making and Hachiware loving photography, also their love of art/drawing ! ^_^

David Katz would be Shisa ! They both work hard to get better at what they love. Shisa working hard to make ramen at the shop she works at while also studying to get her alcohol license, and David working hard to become one of the best Madden players !

I might make a part 2 if this one does well ^_^

[suitendencies]

⋆｡°✩ Intro !!

im (kinda) new to tumblr 😞

⋆｡°✩ Lauri/Jam , 15 , idm any pronouns but mainly she/her

some of my main interests:

✩ tcc: i like anything tcc, but im mostly into the "basics" like Andrew Blaze/Randy Stair, Eric+Dylan, Adam Lanza, Dylann Roof and Pekka-Eric Auvinen. I secretly like bobby lemon n dollyflesh too but it's kind of a love hate relationship 😞

✩ films: zero day, lilja 4-ever, archies final project, klass, elephant, tpobaw, saw, christiane f, the dirties, duck!, l0l1ta, deadpool and many other depressing movies !!

✩ psychology and philosophy

✩ music: msi, kmfdm, sematary, HIM, the cure, mayhem, depeche mode, curta n wall, fried by fluoride, korn, suicidal tendencies, leftöver crack, she wants revenge and others. i listen to almost anything

✩old militaria and history, especially finnish war history and ww2. i also like guns!!

✩ story games like tlou and until dawn. i also play other games like cod, rusty lake, roblox and sometimes fortnite

✩ writing. i like to write essays on topics i like (mostly tcc related stuff) and i also keep a journal

✩ i play the electric guitar but not very well, also i can somewhat play the piano and ukulele

✩ urbex

✩ editing

I'm not really new to tcc, I've previously been mostly on tiktok, posting edits and other random tcc shit there (the same stuff I'll probably be posting on here)

⋆｡°✩ My tiktok: b3n1ce2m

(ask for discord)

I'm open to making friends with similar interests :3

[humbledragon669]

S1E4 – Saturday Morning Funtime Write Up P2 - Saturday (The last day of the World) from The Fields of Megiddo to "You're better off without him."

Given the rather abrupt interruption I made to the previous part of the write up for this episode, let’s just get stuck straight in and pick up where I left off. Other than the lovely implication that selfies are the work of the devil, there’s only one thing I want to talk about in relation to this scene, and it’s the music. It’s been a while since I waxed lyrical over David Arnold’s soundtrack, so I’m sure it’s about time I brought it up again. We can hear a piece of incidental music playing throughout the conversation between Hastur and Eric (or Junior Demon if you’re looking at the original script), the character of which perfectly underscores the tone of the conversation. There are three sections to it – one for each iteration of the disposable demon, each growing less playful than the last (represented by the harpsichord in the orchestration). What I especially love about this little piece of music is that if you listen really, really carefully, you can pick out some instances of the motif from the theme music (played by a glockenspiel). It’s a lovely reminder of how much music enriches our experience of film and television without us even realising it.

Without giving a blow-by-blow description of what’s going on in the episode (which I’m sure you’d agree would be tedious both to write and read), I don’t have much to say about the next scene either, other than pointing out Anathema’s pathological desire to feed the kids whenever they appear. It makes me wonder if she’s like that with everyone (in which case Aziraphale would probably adore her) or it’s just children (in which case, creepy). It is interesting to see that Adam’s nature is starting to be corrupted by his powers – where the consequences were previously of a childlike innocent nature, they are now starting to manifest in his attempts to dominate others. We also have confirmation that the change in his nature is now being noticed by others in his vicinity.

Hastur’s next scene, other than providing some lovely moments of perfectly delivered black comedy, forms a mainly narrative purpose, serving nicely to remind us why Aziraphale was so incredulous at the Antichrist being left with an American diplomat’s family in the first place – they’re abhorrent. The Dowlings I mean, not all Americans. Or even all American diplomats. Not that I know any American diplomats to say any different. Anyway. We also see how quick Hastur is to come to the (correct) conclusion that Crowley is to blame for this monumental cock up. Given that Hastur shows his dislike of our demon just prior to the baby switcheroo 11 years earlier (and who knows how long he’s actually felt that way), it’s almost surprising that it’s taken him this long to find something concrete against Crowley.

Alright, Easter egg time! The scene of Crowley in the cinema has a couple. Let’s start with the one glaring at us from the movie theatre screen.

That’s our episode title, right there in front of our eyes! I don’t know whether these creepy little rabbits were always intended to be holding the banners and this is where the episode title came from, whether the episode title came first, or whether it’s somewhere between the two but I love the meta-reference nonetheless. Whilst we’re on the topic of those weird little fuckers, has anybody stopped to wonder why, in the name of all that is and isn’t holy, has Crowley would pick this film to watch? I know we get that deliciously dark sequence of a bunny massacring another bunny as a result, but it’s an odd choice for the demon you have to admit.

Second Easter egg:

The only other audience member in the movie theatre, in case you didn’t already know, is played by a certain Neil Gaiman. Who also happens to provide the voice for the cutesy-wutesy bunny rabbits on the screen. It’s tempting to ask the same question about why on earth an adult man would choose this child’s cartoon to watch, alone, on a Saturday morning but really I’m just chuffed to bits that they found a cameo for Neil.

As a quick side note, I also want to point out that the attention to detail has not been neglected in the cartoon – the frog (toad?) on Hastur’s head can be seen gesticulating in line with his speech. Not to mention you can sporadically hear a “ribbit” in the background. Bloody genius.

Back with Anathema (who, for once, does not offer her guest any food) and Newton, there’s an interesting return to the idea that the same word can be used to convey different meanings dependent on its recipient. Remember back when Adam showed up on her Anathema’s doorstep and she renamed herself to accommodate his preconceived ideas? Well she switches right back to calling herself a witch here, for the exact same reason, but with Newton instead. In fairness, he’s playing the same game in calling himself a computer engineer. And whilst I appreciate the need to remove matches from this particular individual, I wasn’t actually aware that he had any, though we do know he has firelighters.

Side note: there is a note written on a newspaper article pinned on the board in this scene:

It might be nothing at all, but if anybody has any suggestions as to whether there’s an Easter egg to be found here, I’m all ears.

Moving on into Adam’s rapidly increasing decline into his true nature, the only thing I have to say about the scene with The Them being dragged through the woods is that the speech delivered by the aspiring Antichrist here is incredibly relevant to current day.

Everything’s being killed or used up and no one takes it seriously. Everyone thinks somehow it’ll all get better again.

Makes it rather difficult to argue with him, doesn’t it? Don’t get me wrong, I don’t believe global extinction is the way to go about fixing things, but his point is valid. And from a child’s perspective, it might actually seem logical that the way to solve the problem is to just start everything from new.

OK, I need to take a moment here to do a little bit of an outline, because for some reason, my brain really struggles to comprehend the timeline of the Crowley and Aziraphale scenes for the rest of this episode. Which isn’t so unusual, given that we don’t see them all in chronological order, but there’s just something about these scenes that I find hard to make them piece together into a whole story. So, here’s the sequence as I understand it:

Crowley visits the movie theatre, where he discovers that Hell knows he has something to do with the Antichrist mix up.

Crowley goes to Soho to try and convince Aziraphale to run away together.

Aziraphale is confronted on the street by a group of archangels, telling him he has to choose a side (complete with a threatening wall slam).

Aziraphale attempts to talk to God, where he discovers that Heaven intends to have their war, regardless of any external circumstances.

Hastur and Ligur arrive at Crowley’s apartment (probably concurrent with Aziraphale talking to Metatron) to “collect” him.

Aziraphale calls Crowley to tell him he knows where the Antichrist is (and presumably to suggest they do something about it together), approximately 28 minutes after his attack.

Shadwell enters the book shop, triggering the Aziraphale’s discorporation and causing the fire to start.

Crowley leaves his apartment to go and get Aziraphale having heard the voicemail he left. This may or may not be after Aziraphale has already been discorporated.

I think that’s it. Even now I feel confused about it all, and I have no idea why. I probably didn’t need to spell it all out quite so explicitly for anyone other than myself but hey, this is my write up, so my rules.

OK, let’s move on to another horribly painful exchange between Crowley and Aziraphale, shall we? Before we get there though, it would be remiss of me not to talk about the Bentley’s registration plate. I *think* this is the first time we see it properly, as it’s obscured by the front bumper in most of the shots in episode 2.

It’s a pretty poor picture, but the registration is “NIAT RUC”. As in “curtain” backwards. As I understand it, this is a reference to some writing on the wall of a mausoleum in “Monty Python’s Meaning of Life”, paying homage to Terry Gilliam (one of the Monty Python members) who was involved in the first attempt to bring Good Omens to the screen.

Alright, first question about the upcoming scene. Why doesn’t Crowley just park the Bentley in his usual parking spot and go looking for Aziraphale? We can be pretty sure that the only reason he would be driving through that particular street in Soho is going to be something to do with Aziraphale. The space across the book shop is empty when he drives past it, yet he barely slows down to take the corner. Why not just park?

Next question about the exchange that takes place between our hero pair. What exactly is Crowley apologising for? By my reckoning it was Aziraphale that delivered the deciding blow during the breakup in the previous episode, even if his reasons were honourable.

My money on the answer to this question is that Crowley is in full panic mode at this point. He knows that apologising is likely the only way he’s going to be able to spark any sort of conversation with Aziraphale, hopefully taking him so off guard that he simply does as instructed. And it nearly works – you can see the angel’s relief when his shoulders relax.

He’s desperate – why else would he offer such a carte blanche apology for “whatever he said”? The fact that Hell have finally twigged to his involvement has sent him into full flight mode and the only thing he’s stopped to collect on his way out of dodge is the only thing that really matters to him – Aziraphale. He doesn’t believe he has time to talk about it – it has to be now and he’s asking Aziraphale to trust him. As a human resident on Earth, I feel obliged to side with Aziraphale on this one, seeing as he’s still trying to find a way to stop the obliteration of the human race. But that doesn’t make the rejection any less heartbreaking, even though he does seem to give it a micro-second of consideration before he digs his heels in.

And can we just take a pause on Crowley’s choice of words for his plea? “Run away together”, that’s what he says. This is such a clear indication of the true nature of their relationship to me – running away together is generally not the sort of thing people entertain in a platonic way, is it? Noticeably, Aziraphale doesn’t reject the idea of being “together”, which further serves to the idea that they are already familiar with exactly what the connotations of the word, and that it’s something he’s comfortable with. His rejection is actually grounded in the fact that he thinks he can still persuade the powers that be to just call the whole thing off by simply talking some sense into them, so he brushes Crowley’s panic off as “ridiculous” (side note: the music kicking in at this point should tell us that this discussion is on a road to nowhere – we’ve got slushy strings in a minor key again). What he fails to realise is that even if he can by some miracle (no pun intended) actually pull that off, Hell will still be looking to wreak some sort of personal revenge on Crowley for his involvement in the Antichrist mix-up. Crowley hasn’t forgotten that though, you can see the panic written all over his face as the realisation that Aziraphale isn’t on the same page as him.

What Crowley has failed to realise is that he’s not the only one panicking. Aziraphale is on that train too, but he’s taking a very healthy dose of denial with him. He simply cannot contemplate the possibility that the whole situation can’t be fixed. Crowley’s pleading might be painful to hear but I find it harder to watch Aziraphale’s version of the same emotion – you can almost hear him screaming at Crowley, trying to explain how terrified he is and how much he needs him on side.

Let’s not forget that Aziraphale desperately wants to be a company man. He wants to believe that his side is the inherently good side. That everything they do can be justified by sound moral decisions. Asking him to stop believing that would undo everything he is and ever has been. Even if it is completely ridiculous. We shouldn’t forget that because Crowley, in his panic, does.

You’re so clever. How can somebody as clever as you be so stupid?

That one little line, emotionally vomited as it is, conveys so much about Crowley’s feelings. I’m trying to think of another instance where he reveals an opinion he holds about Aziraphale, particularly one that is complimentary, and I am coming up blank. Admittedly I don’t know the entire script by memory (probably not far off) so I wouldn’t swear by it, but I think those three words about Aziraphale’s intelligence are exceptional as far as Crowley’s talking of the angel is concerned. And then he has to go and spoil it by calling Aziraphale “stupid”. There is little doubt at how affronted he is at that particular term.

We all know what’s coming next. Aziraphale’s very own stick-the-knife in phrase to counter Crowley’s use of the “s” word.

It’s not the first time we have seen Aziraphale express a desire for Crowley to be forgiven, but it is the first time we see him actually offering forgiveness. When I watched this scene through for the first time, I found myself wondering what Aziraphale thinks he’s forgiving Crowley for, but having seen the fleeting looks of panic on his face we’ve seen throughout this conversation, I think it’s for not understanding he needs him to stay, for not hearing the subtext he has been trying to convey. I also happen to think that Aziraphale actually uses this 3-word phrase as a coded way of telling Crowley that the conversation is over, nothing more to discuss, not unless the demon makes a compromise. I will be talking about that a fair bit when I get to its use in the Final 15, but for now let’s just say it has its desired effect – Crowley’s response is one of frustration and the discussion is indeed over.

What I find interesting is that Aziraphale appears to be confused by the reaction he gets, before the pain of watching Crowley walk away again sets in. It’s almost as if he realises he might have misjudged the situation, failed to understand how frightened Crowley is, and I think we can see real self-doubt there for a second before the demon delivers the final blow as he characteristically runs away from the difficult situation.

I think there is likely a bit more than a literal meaning to Crowley’s statement that he’s going to be “off in the stars”, particularly given what we saw of Lesley demise earlier in the episode. As briefly mentioned, the concept of entities residing within starlight at the end of their mortal lives is something that Neil uses in other works too (and not just in his work – this idea can be found in varying guises across multiple faith systems). Perhaps this is part of the reason Aziraphale is so reluctant to go with him? Either way, I don’t think it’s too much of a stretch to say that Crowley is clearly bluffing with his departing line, and knows he is.

WON’T EVEN THINK ABOUT YOU GIF

The whole dismissal feels full of holes really, after all, why on earth why would you need to go and get anything at all if you were planning on leaving the planet? Why didn’t he just take the things he wanted when he left his apartment on his way to Soho in the first place? Honestly, I don’t think he thought he’d entertained the idea that the conversation with Aziraphale would have resulted in anything other than them joining forces again, one way or the other, but the fact that he announces to Aziraphale that he’s going home says to me that he has no intention of doing anything other than that. He knows he has to reassess his options now that he doesn’t have what he came for. And how much do we all love that passer-by? He sees their relationship for what it really is, just from a single line of heated argument.

I’ve been there. You’re better off without him.

Importantly, Aziraphale doesn’t try to correct him in his assumption that they are a couple. And the passer-by is wrong of course, we all know that Crowley and Aziraphale are much stronger when they’re together. Better together you might say. Even Aziraphale knows it.

Right, that’s the lot for this part! As usual, comments, questions, discussion, always welcome. See you next time 😊

[nicollohatessundays]

Little introduction from Nicollo!

🌟 My name is Miriel Nicollo!, but you can call me Nico or Miri!!

🌟 I'm 14 years old, I'll be 15 in October :P (I get hurt when people talk about my age,

🌟 I'm Brazilian, but I understand English but I write with a translator!

🌟 I'm not close to the subcommunity, I only interact with TCC, I ask to stay away from SHEDtbr

🌟 He/She !!

🌟 I'm in my first year of high school!! :D

🌟 I'm a drummer, keyboardist, flutist, music producer, gamedev, gamedesigner, technology technician (under study) , seamstress, programmer, artist...many things, I do a lot lol

🌟 I am dyslexic and have psychosis!

🌟 I'm completely obsessed with columbine!:D I know several things about it ^__^

Some things I like!

I'm a fan of various musical styles, usually Brazilian music! Like pluggnb! I'm a fan of many underground bands and I've been to several shows!

I'm not much of a fan of watching series or movies, but I like some things !!!

Musical preferences!

Quem é você Alice, ilyushin, bella e o olmo da bruxa, kmfdm, nightmare at hanging rock, snob value, mindless self indulgence, tally hall, loopcinema, link do zap, virgingod (fav!!), alex g, sign crush motorist, car seat headrest, chard la plaga, radiohead, the Strokes, Chococorn and the sugarcanes... And many, many others!

Films, animes, series (...)

SCOTT PILGRIM!, zero day, yuukoku no moriarty, the case study of vanitas, wotakoi, Jojo's bizarre adventures, Madoka magica, Doukyuusei series, TOKYO GHOUL !!!!!!!, turma da Monica jovem, Sakura card captor, pokemon series, vincent the secret of myres, yumme nikki, omori, Persona, Monster high, danganronpa, zelda, OSU, rhytimic Thief, Over the garden wall, old cartoon shows [...]

Random stuff

I really like fashion, I follow the Vkei style (Kurofuko/Mehera), I'm trying to join Lolita!, I love steampunk and its variants! I have a strange obsession with explosives production (I've already made some !!), I like to watch some true crime cases (mainly about school shooting) just for fun, I have no strange intentions . . .

Some cases that I like!

I'm a big fan of Academy Maniacs and Columbine, in the sense of idolizing them!

I'm still seeing about some cases, but, Adam Lanza, Kip Kinkel, Brenda Spencer, Suzano, Realengo, Devon Erickson, Andrew Blaze, Supreme gentleman, pekka eric, vlad roslyakov, Alyssa Bustamante, Takatsuka, salvador ramos, Maniaco da Cruz, Futoshi Matsunaga, David Kalac, Tatsuya Ichihashi, Trey sesler [...] They are really interesting to me!

End !!

I hope to make friends :), I need friends, I feel hurt for being alone for so long, I want friends who agree with me and understand me :D Someone to share the same pains and thoughts. . . . How sad!:<

Instagram: nicohatessundays

Discord: ycropaesecakes

Twiter: italopaesecakes

[bonthefuckjourx]

Music Headcannons!!

The next chapter has a little something to do with music. 😉 It’ll be out in the next few hours!

Lucifer: Loves to listen to 80’s music, but also is impartial to musicals. He’s the person who got Charlie into musicals too. Tends to stick to the more popular songs/genres.

I was made for Lovin you- Kiss

Take a Chance on Me- ABBA

Hot Stuff- Donna Summer

The Phantom of the Opera- The Phantom of the Opera Musical

Hungry Eyes- Eric Carmen

Hurricane- Deathnote the Musical

Charlie: Takes after her Dad and loves musicals. Sapphic music or LGBT is the other half of what she listens to.

Little Miss Perfect- Write Out Loud

She Keeps Me Warm- Mary Lambert

Crush- Tessa Violet

Girls- Girl in Red

Seventeen- Heathers the Musical

Monster- Frozen the Musical

Apex Predator- Mean Girls the Musical

Popular- Wicked

Vaggie: Didn’t listen to music until Charlie showed her. Mainly listens to LGBT, but typically edger stuff. Loves rock and anything with a guitar in it really.

Bad Idea-Girl in Red

Just Like You- Three Days Grace

Sweater Weather- The neighborhood

Want Me- Baby Queen

Starts with One- Shiny Toy Guns

Angel Dust: Loves pop and mainly sticks to upbeat fast songs. What can he say he lives the fast life. At night however when he’s all alone he’s a total swiftie. Definitely cries himself to sleep sometimes.

Red Cup (I Fly Solo)- Cash Cash

Call Me By Your Name- Lil Nas X

Super Psycho Love- Simon Curtis

All Too Well (10 Minute Version)- Taylor Swift

Cardigan- Taylor Swift

You’re Losing Me (From the Vault)- Taylor Swift

Boys will be Bugs- Cavetown

Husk: Definitely a hopeless romantic. If Angel is ever listening to Taylor he’ll dance with him around the room. Loves to romance Angel as he never really had that before.

Lover- Taylor Swift

Mr. Loverman- Ricky Montgomery

Save Tonight- Eagle Eye Cherry

Set the Fire to the Third Bar- Snow Patrol

Golden Hour- JVKE

Line Without a Hook- Rickey Montgomery

Cherri: Loves Kesha and 2010’s pop music. Would definitely see her at a rave.

Die Young- Kesha

For Your Entertainment- Adam Lambert

You Know You Like It- Aluna George and DJ Snake

Timber- Pitbull (ft. Kesha)

Everywhere I Go- Hollywood Undead

Intoxicated- Martin Solveig

Y/N: You listen to a variety of music. Here’s some of your “current” favs:

Art Deco- Lana Del Rey

Nonsense- Sabrina Carpenter

Kiss the Go-Goat- Ghost

In The Middle- dodie

She’s the prettiest girl at the party and she can prove it with a solid right hook- Frank Iero

Work Song- Hozier

I Wanna Be Your Slave- Maneskin

The Summoning- Sleep Token

Losing My Religion- Frank Iero and the Future Violents

Hideaway- Kiesza

[kittenfangirl20]

Devil Child au

Charlie heaved a sigh as she lay down on the couch. Another unsuccessful day of trying to recruit sinners. It had been six months since the failed extermination and attack on her hotel.

A lot had happened since then. First, after a week past she received news of Sir Pentious ascension. Then her dad found Adam as a sinner, and during the first three months she had spread the news to all of pride that redemption was possible as well as starting Adam’s path to redemption.

She thought is she could redeem not only sinners but a fallen angel then she would have the overpopulation problem be swept up finally.

However, reality is far from kind.

During those three months not only were many sinners uninterested in the possibility of paradise if it meant giving up their sadistic ways. But her father and Adam had grown close together during this time. Incredibly close.

So close in fact that they fell in love and with some melancholy told Charlie that the first man could no longer be apart of the program if it meant being separated.

Now while Charlie understood and was happy for her dad to finally find love after being alone for so long. It also meant she was basically back at square one.

Didn’t help that many of Heaven’s superiors wanted to see progress. And soon.

Charlie felt like pulling her hair when she heard a tentative knock from the door. She perked up and got over to answer it.

Charlie: Hello?

?: Hi there!

A young, raspy voice from bellow drew her attention. She saw that it was a young sinner, a child. He was a little butterball that was wearing a red t shirt and brown pants.

He mainly looked human except that for instead of shoes he had hooves. As well as little, red horns and a red tail. He looked up at her and smiled cutely,

?: Excuse me miss, but is this the place where people can go to Heaven?

Charlie beamed: It sure is, here at the Hazbin Hotel we redeem lost souls and get them up there to the pearly gates!

The little boy smiled again except this time there was something underneath. If Charlie had been paying proper attention she would have seen it.

?: Alright! So I was wondering can I stay here?

Charlie: Of course you can sweetheart, what’s your name?

“Eric, Eric Cartman.”

What Charlie didn’t know about the laws of Hell since she lives such a sheltered life was that children don’t go to Hell when they die. God declared children to be in a state of innocence giving them an automatic ticket to Heaven. The Egyptian children during the story of Moses were in Heaven when the Angel of Death and took the first born of every family who didn’t put lamb’s blood above the door because they were not guilty of the sins the adults committed against the slaves. But there was an exception to the rule about children, Eric Cartman. Cartman’s evil was so great that he was on a list of people who will never see the golden gates of Heaven. The list included the likes of Lilith, Hitler and other genocidal leaders as well as people who willingly followed their orders, serial killers like Ted Bundy and Jeffery Dhamer, Jeffery Epstein, and the Goetia Princess Stella. Not even Lucifer and the other Deadly Sins were on this list of people too evil for Heaven. Cartman had the dishonor being the youngest person on the list.

Charlie: Come on in Eric, room and board are taken care of so you don’t have to worry about paying for anything.

Cartman: Sweet.

Charlie showed Cartman around the hotel. Later that day Adam went to visit his friends at the hotel when his eyes widened when he saw Cartman. He had been told that if he ran across this child in Hell that he must kill him without any questions. He got most of the list of people who would never see the gates of Heaven, though he wondered why Lilith snuck her way into Heaven when she is the reason why things like abuse and rape exist. While Adam didn’t care about going back to Heaven because he had Lucifer’s love, he had to get rid of this great evil.

Cartman: So who is the big guy?

Charlie: That is Adam the first man.

Adam: Call me Dickmaster.

Adam felt nothing but contempt for Cartman.

Cartman: Yeah, well, my dick is 13 inches long.

Adam rolled his eyes, Cartman had the record for the smallest dick ever and it never going to grow even if he had reached adulthood. This child was unbearably annoying. It looked like Adam was going to need some help.

@talesfromawannabewriter

[motherofplatypus]

Bisan Owda is a journalist in Gaza that keeps updating about the barbaric genocide actions that israel committed with weapons supplied mainly by US, all the while living through that genocide itself.

Over 30k+ has been killed, and over 15k+ of those are children and babies.

The celebs and artists who wanted to rescind Bisan's nomination are as follow:

Ari Ingel, Executive Director, Creative Community for Peace

David Renzer, Former Chairman/CEO Universal Music Publishing Group, CCFP Chairman & Co-Founder

Steve Schnur, Worldwide Executive & Music President, Electronic Arts, CCFP Co-Founder

Rakefet Abergel, Actor/Director, Cyclamen Films

Orly Adelson, Former President of ITV Studios, America

Marty Adelstein, CEO, Tomorrow Studios

Anne-Marie Asner, Co-Founder, Animation Israel

Jeff Astrof, TV Producer/Showrunner, Other Shoe Productions

Michael Auerbach, Partner, Jackoway Austen Tyerman Wertheimer Mandelbaum Morris Bernstein Trattner Auerbach Hynick Jaime LeVine Sample & Klein

Dean Bahat, Attorney, Ziffren Brittenham

Andrea Ballas, VP Comms, CBS

Jackie Barrie, A&R Manager, Nvak Collective

Richard Baskind, Partner & Head of Music, Simons Muirhead & Burton

Aton Ben-Horin, Executive VP of Global A&R, Atlantic Records Group

Steven Bensusan, President, Blue Note Entertainment Group

Adam Berkowitz, Founder and President, Lenore Entertainment Group

Sharon Bialy, Casting Director, Bialy/Thomas & Associates

Josh Binder, Co-Founder and Partner, Rothenberg Mohr & Binder, LLP

Neil Blair, Founding Partner, The Blair Partnership

Selma Blair, Actress, Author, Advocate, Sainted Productions

Rebecca Blumberg, SVP Ad Sales, Paramount

Evan Bogart, Songwriter & CEO, Seeker Music

Benjamin Budde, CEO, Budde Group GmbH

Bruce Burger, Producer, RebbeSoul

David Byrnes, Attorney, Ziffren Brittenham

Civia Caroline, Social Impact Consultant, CLiC Impact

Pamela Charbit, Director of A&R, Warner Music Group

Emmanuelle Chriqui, Actor, Yellow Ray Entertainment

Leanne Coronel, Talent Manager, The Coronel Group

Raye Cosbert, Managing Director, Metropolis Musi

Paul Craig, Ceo, Nostromo Management

Doug Davis, NATAS Member, 2x Emmy winner, The Davis Firm

Rebecca De Mornay, Actor

Jamie Denbo, Co-Executive Producer, Grey’s Anatomy, ABC/Disney

Josh Deutsch, Chairman/CEO, Premier Music Group

Avi Diamond, Director, Film/TV Sync, Warner Music Canada

Craig Dorfman, President and Owner, Frontline MGMT

Rachel Douglas, Manager, Range Media Partners

David Draiman, Frontman, Disturbed

Jeremy Drysdale, Screenwriter, bigbamboo

Craig Emanuel, Ryan Murphy Productions

Hannah Epstein, Agent, CAA

Rami “Kosha dillz” Even-Esh, Rapper/Comic/Actor

Lindsay Fabes, Actor

Ron Fair, Record Producer & CEO, Faircraft Inc.

Sharon Farber, Composer, Score by Score Music

Danny Federman, Owner, Maccabi Tel Aviv Basketball Club

Eric Feig, Attorney and TV Academy Member, Feig/Finkel

Patti Felker, Attorney, Felker Toczek Suddleson McGinnis Ryan LLP

Ken Fermaglich, Partner, United Talent Agency

Ross “Remedy” Filler, Artist

Shalom Fisch, President, MediaKidz Research & Consulting

David Fishof, CEO, RRFC Films, LLC

Siri Garber, Publicist, Platform

David Gardner, President, Artists First

Barbara Garshman, CEO, Garshman Productions LLC

Gary Gersh

Gary Ginsberg, Senior VP, SoftBank Group Corp.

Brian Ralston, Composer/Producer, Studio 74 Music, LLC

David Glick, Founder & CEO, Edge Group

Zusha Goldin, Celebrity Photographer, Zusha Goldin

Michael Goldwasser, President, Easy Star Records

Andrew Gould, President, Music Publishing

Scott Greenberg, Partner, LBI

Steven Greenberg, Founder and President, S-Curve Records

Daniel Grindlinger, Writer

Ronnie Harris, Partner, Harris & Trotter

Michael Hirschhorn, Manager, Streaming and Sales, Atlantic Records

Linda Edell Howard, Attorney, Novick Law

Rich Ingram, Artist/Creator

Neil Jacobson, Former President, Geffen Records, Founder & CEO of Hallwood Media

Michael Kaplan, Writer/Producer

Sam Katz, Music Manager, Homebase MGMT, LLC

Zach Katz, CEO & Co-Founder, Fixated

Ketura Kestin, Film Producer, Serendipity Productions

Amanda Kogan, Manager, Aaron Kogan Management

Keetgi Kogan Steinberg, Writer/Producer/Showrunner

Jason Kozel, Creative Executive, Range Media Partners

Rick Krim, CEO, Krim Music + Media

Evan Lamberg, President, North America, Universal Music Publishing Group

Sherry Lansing, Former CEO, Paramount Pictures

Colin Lester OBE, Founder/Chairman, JEM Music Group

Sean Liebowitz, Agent

Koura Linda, Founder & CEO, Space Dream Productions

Marci Liroff, Intimacy Coordinator/Casting Director

Cory Litwin, Managing Partner, Range Media Partners

David Lonner, CEO, The David Lonner Company

Ben Maddahi, President, Unrestricted Publishing & Mgmt

Gabriel Mann, Composer

Deborah Marcus, Executive, CAA Foundation

Susan Markheim, Full Stop Mgt., The Azoff Company

Amanda Markowitz, Actor/Producer, SAG/AFTRA & PGA

Orly Marley, President, Tuff Gong Worldwide

Devra Maza, Screenwriter

Debra Messing, Actor/Producer

Hilary Michael, Agent and Partner, WME

Beth Milstein, Writer

Jennifer Morrow, Actor, CAA

Patrick Moss, Writer, Moroccan Boychik

Robert Munic, Writer/Showrunner, Pull The Pin Productions, Inc.

Lisa Nupoff, Manager, iminmusic management

Scott Packman, Founder and Managing Member, SSP Partners LLC

Mark Pinkus, President, Rhino Records

Jonah Platt, Actor/Producer

Wendy Plaut, SVP Music & Celebrity Talent, Paramount Global

Jessica Poter, Writer, Gustavo Anibal Productions

Golan Ramraz, Writer/Producer, EGX Film Factory

Bruce Resnikof

Frederic Richter, Producer, Writer & Researcher

Wendy Robbins, Executive Producer, Creators Inc

Dan Rosen, President, Warner Music Australasia

Rick Rosen, Co-Founder, Endeavor, WME

Aaron Rosenberg, Partner, Myman Greenspan Fox Rosenberg Mobasser Younger & Light

Gregg Rossen, Screenwriter

Michael Rotenberg, CEO, 3 Arts Entertainment

Joshua Rothstein, CEO/Founder, Ice Cream For Dinner

Haim Saban, Chairman and CEO, Saban Capital Group

Glenn Sanders, Writer/Director/Creative Director, Masonry Creative

Ayelet Schiffman, SVP Head of Promotions, Island Records

Paul Schindler, Senior Partner, Greenberg Traurig LLC

Jordan Schur, CEO and Chairman, Mimran Schur Pictures and Suretone Entertainment

Adam Schwartz, Writer

Sam Schwartz, Partner, Gorfaine/Schwartz Agency

Jay Schweid, Founder/CEO, ephelants/Village

Adam Segal, President, The 2050 Group

Ben Silverman, Chairman and Co-CEO, Propagate Content

Ralph Simon, Chairman & Chief Executive Officer, Mobilium Global Limited

Tamar Simon, Owner/CEO, Mean Streets Management

Martin Singer, Attorney, Lavely and Singer

Halle Stanford, President of Television, The Jim Henson Company

Mimi Steinberg, Writer/Producer

Jonathan Steinsapir, Partner, Kinsella Holley Iser Kump Steinsapir

Gary Stiffelman, Founder, GSS Law

Traci Symanski, CEO, Co-Star Entertainment

Aaron Symonds, Film Composer

Fernando Szew, President, Fox Entertainment

Tal Tavin, Actor

Adam Taylor, President, APM Music

Michael Testa, Casting Director, Michael Testa Casting

Fred Toczek, Partner, Felker Toczek Suddleson Abramson McGinnis Ryan LLP

Eric Tuchman, Writer/Producer, MGM-TV

Noa Vinshtok, Streaming, Range Media Partners

Joshua Washington, International Recording Artist, JoDavi Music LLC

Avi Weider, Filmmaker, Loop Filmworks

Jon Weinbach, President, Skydance Sports

Nola Weinstein, Tech Executive

Ilana Wernick, Writer/Producer, Fox

Modi Wiczyk, Co-Founder, MRC

Evan Winiker, Managing Partner, Range Music

Seth Yanklewitz, Casting Director, Yanklewitz Pollack Casting

Sharon Tal Yguado, Founder & CEO, Astrid Entertainment

Ky Zaretsky, Manager, Range Media Partners

David Zedeck, Global Co-Head of Music

[Sources: here, here, and here]

[hallucinateships]

"can you feel my lovebuzz?"

kurt 　 adam 　 dylan 　 eric

14 year old fanfic writer　　𓏴

non human　　:　　vampirekin , angelkin , zombiekin , godkin , therian.

heavily disordered　　:　　narcissistic personality disorder , borderline personality disorder , autism , did , adhd , complex ptsd , amnesia / memory loss , psychosis , depression , anxiety , experiences delusions and hallucinations , insomnia , substance abuse disorder , schizophrenia , "obsessive love disorder" , anti-contact paraphile.

fandoms i will post to　　:　　saw (2004-2010 + 2023) , scream (mainly 1996) , motley crue , guns n roses , natural born killers , brooklyn nine nine , twilight , it , two broke girls , the good place , kiss , zero day , bon jovi.

heads up　　:　　most of my saw fics are based on turnipodditys chainshipping art, godsplatters coffinshipping art, and bathroomtrapped 3dshipping art, make sure to check them all out.

tw / cw　　:　　due to heavy amounts of trauma , that i will not be sharing , i post dead dove do not eat fics - with proper warnings. fics can and most likely will include sexual content , violence , drug / substance (abuse) , and triggering topics of course (s/h , sa , ect).

dni　　:　　i have no dni. please block me if i fit yours though, and i block freely based on how i see fit. although i have certain stances that will make certain people on tumblr pissy, such as: i am anti endo , anti-transid/radqueer/goodfaith , i may be a paraphile but i do not consider acting on my thoughts and i believe in NOT legalizing harming ones or ones that cannot consent.

[sawtastic-sideblog]

Dumbest thought of the day:

Prima ballerina Adam

Douche bag manager Hoffman (mans is secretly a dancer but life happened and now he's a bitter man who dances I secret)

Ballerina bff Amanda

(Only open if you wanna see my incoherent sleep deprived ramblings. I haven't slept in 2 days because insomnia and my anxiety has decided to 🎶 kick it up a notch 🎶 I currently have no filter)

Obsessed audience member that wants Adam...idk probably William or Logan...fuck it it's Ivan

Logan works in props

William (this is emmerson schenk whatever btw) works with the lights

Theater owners John and Jill (they hate hoffman and love Adam)

Buff head stangehand Strahm

Zeke is a principal dancer as well and they whore him out to film and other theater productions (they can spare him but not Adam because Adam puts asses in the seats)

Remember Addy? The middle aged lady that works for William Easton? Yeah she was prima ballerina back in her day but an injury to her out of the game. Now she's the dance teacher/instructor who adores Amanda and Daniel.

Speaking of William Easton he's the number one patron he's at every show and everyone calls him Uncle MoneyBags ™ because he dressed like Mr. Monopoly for Halloween ones fifteen years ago (Adam started it)

Brent Abbott you ask? He's just starting out in the big leagues. Adam has taken him under his wing

Corbett Denlon? Star of her class. Been dancing sine she was 3. She's at every performance she can get her parents to go to. The practice room she uses to rehearse is named after her late brother (who was also a student everyone adored)

And who is this up in the rafters changing the backdrops for scenes? Why it's Bobby Dagen the stage hand who is down bad for children's dance instructor and another principal dancer that gets lent out to other productions Joyce Young (in this universe Amanda and Joyce are cousins just go with it)

Where's our favorite Doctor Lawrence Gordon? (I know our actual favorite doctor is Lynn Denlon but for the sake of this post it's Larry (imagine cary elwes saying Larry from that one scene of men in tights)) well I'll tell you. He is the new front of house manager and he hates Hoffman and he went backstage to confront him but got distracted when he saw Adam dancing. Completely transfixed. He was smitten but has never talked to him in the 3 months he's Been there.

Zep is John's nephew. He's clumsy and spills his mop water on the daily. He's also the janitor/ maintenence man for the theater. He's been electrocuted many times. He's fine. His hair is permanently sticking up tho.

Remember Britt and Addison? Yeah they're the mean girls who constantly undermine everyone they dont like (mainly Amanda. They try to get into Adam's pants) (honestly they could hit me with a car and I'd say thank you)

Perez is Strahms BFF and costume designer

Cecil Adams? Of course he's here. He's the pervy stage hand nobody likes (think Joseph Buquet in Phantom of the Opera meets Ted Spankofski from Starkid's Hatchetfield series)

Art Blanc of course he's the theaters legal aid

Rigg is Amanda's dance partner. They're also like together but not

Kerry is there. She's Gordon's second in command.

Daniel Matthews was forced into dance classes by his mom when he got in trouble in school at 13. He's a natural. He still isn't the best but he takes extra lessons with Addy, Adam, Rigg, Amanda, and Joyce (everyone does one of one with him) and Brett helps him outside of the theater. (They're bffs)

Eric Matthews is head of security who is constantly watching Daniel. He's proud

Dan Erickson is here too. He's the accountant.

Jeff joined Eric's security after his son died so he could spend more time with Corbett

Lynn serves as the unofficial theater nurse. She's patched up many floor burns (trust me it fucking hurts when you fall on a stage/dance studio floor even with something to cover your skin think rug burn but from a wooden floor) and sprain ankles and a few broken toes, one time Daniel was a little over zealous and rammed himself into the mirror and broke his nose. She loves being the only unofficial nurse on the unofficial payroll (they're donations for new pediatrics wing of the hospital. John and Jill are grateful for her services but she won't accept payment so they donate to her new department she runs)

The theater is called "Gideon Theater" of course.

Other characters make up the orchestra but I'm too lazy to look them up rn. Up to your imagination but like Charles from 5 plays bass clarinet. The two from the pound of flesh trap are here too. I don't remember their names but the girl plays clarinet and the guy is percussion (I can see him playing xylophone the hammer bell things and crashing th cymbals) And the last surviving dude from the fatal 5 plays trumpet. I know their names my brain is just fried right now

Oh and Bobby's BFF I think he's named after spinach or some other leafy vegetable I can't remember but he's an investor in the theater too.

(Just because I don't have motivation to write this I'd love for people to write their own interpretation of this and tag me) (bonus points if we cross universes and Specs and Tucker show up) (I don't expect anyone to actually do this)

[boymeetsworldconfessions]

ABOUT:

Morgan Matthews is the younger sister of Cory and Eric, the older sister of Joshua, and the only daughter to Amy and Alan. Mainly used for comedic purposes, the character of Morgan is usually annoying to Cory, and seems closer to Eric. She was initially played by Lily Nicksay, but was replaced by Lindsay Ridgeway in season 3. Throughout the series, it becomes clear that Morgan is a good singer, as shown in Better Than the Average Cory and Shallow Boy.

Janitor Bud was the one-eyed janitor at John Adams High from Season 2 to partway through Season 3. He had a passion for his job, and would eagerly point out aspects of his work to anyone who would listen. He was found to be leaving work early to gamble on horses; as punishment, Mr. Feeny fired him as a janitor and hired him as a secretary.

[hoffmansbignaturals]

first off amazing username and your blog is very enjoyable second off I love the Jillsaw au and I was wondering. since Allison (Kerry) switches places w/ Eric and is in the nerve gas house but like. they're still the same people I assume (I just can't see her having framed ppl tbh)?? does that mean she could survive O_o

genuinely i am not sure, the thought came to me bc i thought jillsaw sounded cool and all those apprentice adam aus were pretty interesting

i don't think jill would put daniel in the nerve gas house, mainly because it's not testing eric. My initial thought was it would be Eric in the house but that wouldn't really last very long considering everyone in there recognizes him. In lieu of creating an entirely new character i think the guy from the start of 2 would be in the house- since he was an informant who worked with/for kerry and eric.

Does kerry survive? she probably could, but isn't the point of 2 that eric could also? people tend to forget that kerry wasn't a great person, she was shown encouraging eric's violent behavior and suggesting that he destroy jigsaws stuff (not to mention she had an affair with eric while knowing he was married-idk if that was ever confirmed or just popular theory/subtext). Kerry might be more level-headed, but in the end I think Jill would get to her.

tldr the venus flytrap dude is in the house instead of daniel and Kerry does get gotcha'd

[aninsecurewriter]

100 must-read books!

This is a list of books considered "must-reads" from various lists and online posters. I'll be reviewing them as I go but mainly keeping track of what I have and haven't read here.

American Gods by Neil Gaiman

Lord of the Flies by William Golding

Fahrenheit 451 by Ray Bradbury

Sophie's World by Jostein Gaarder

Wide Sargasso Sea by Jean Rhys

The Great Gatsby by F. Scott Fitzgerald

To Kill a Mockingbird by Harper Lee

Matilda by Roald Dahl

The Secret History by Donna Tart

Do Androids Dream of Electric Sheep by Philip K. Dick

The Godfather by Mario Puzo

Murder on the Orient Express by Agatha Christie

The Man Who Mistook His Wife for a Hat by Oliver Sacks

Noughts and Crosses by Malorie Blackman

In Cold Blood by Truman Capote

Frankenstein by Mary Shelly

Alice's Adventures in Wonderland by Lewis Carroll

Heart of Darkness by Joseph Conrad

Wuthering Heights by Emily Bronte

Nineteen Eighty-Four by George Orwell

The Grapes of Wrath by John Steinbeck

Norwegian Wood bt Haruki Murakami

One Flew Over the Cuckoo's Nest by Ken Kesey

The Man in the Iron Mask by Alexandre Dumas

The Color Purple by Alice Walker

The Girl with the Dragon Tattoo by Stieg Larsson

Lolita Vladimir Nabokov

Great Expectations by Charles Dickens

The Harry Potter Series by J.K Rowling

His Dark Materials trilogy by Philip Pullman

The Old Man and the Sea by Ernest Hemingway

The Picture of Dorian Gray by Oscar Wilde

The Road by Cormac McCarthy

Ulysses by James Joyce

Bad Science by Ben Goldacre

I Capture the Castle by Dodie Smith

Fear and Loathing in Las Vegas by Hunter S. Thompson

Les Miserables by Victor Hugo

The Catcher in the Rye by J.D Salinger

The Wind in the Willows by Kenneth Grahame

Wild Swans by Jung Chang

The Hitchhikers Guide to the Galaxy by Douglas Adams

Tinker, Tailor, Soldier, Spy by John le Carre

Crime and Punishment by Fyodor Dostoevsky

The Poisonwood Bible by Barbara Kingsolver

Adventures of Huckleberry Finn by Mark Twain

Gulliver's Travels by Johnathan Swift

The War of the Worlds by H.G Wells

Anna Karenina by Leo Tolstoy

Freakonomics by Steven D. Levitt

Persuasion by Jane Austen

The Help by Kathryn Stockett

Beloved by Toni Morrison

A Clockwork Orange by Anthony Burgess

American Psycho by Bret Easton Ellis

Notes from a Small Island by Bill Bryson

Macbeth by Shakespeare

The Lord of the Rings (trilogy) by J.R.R Tolkien

The Outsiders by S.E Hinton

Mrs. Dalloway by Virginia Woolf

The Handmaid's Tale by Margaret Atwood

A Wild Sheep Chase by Haruki Murakami

Schindler's Ark by Thomas Keneally

London Fields by Martin Amis

Sherlock Holmes and the The Hound of the Baskerville's by Arthur Conan Doyle

My Man Jeeves by P.G Wodehouse

The English Patient by Michael Ondaatje

The Mill on the Floss by George Eliot

The Count of Monte Cristo by Alexander Dumas

Little Women by Louisa May Alcott

Gladys Aylward the Little Woman by Gladys Aylward

Mindnight's Children by Salman Rushdie

Tess of the D'Ubervilles by Thomas Hardy

The Boy in the Stripped Pajamas by John Boyne

Hamlet by William Shakespeare

Goodnight Mister Tom by Michelle Magorian

Dissolution by C.J Sansom

The Time Machine by H.G Wells

Winnie the Pooh (complete collection) by A.A Milne

Animal Farm by George Orwell

The Diary of a Young Girl by Anne Frank

The Castle by Franz Kafka

Dracula by Bram Stoker

All Quiet on the Western Front by Eric Maria Remarque

Bridget Jones's Diary by Helen Fielding

The Kite Runner by Khaled Hosseini

Pride and Prejudice by Jane Austen

To The Lighthouse by Virginia Woolf

Memoirs of a Geisha by Arthur Golden

Misery by Stephen King

The Chronicles of Narnia by C.S Lewis

The Shining by Stephen King

The Odyssey by Homer

War and Peace by Leo Tolstoy

The Secret Garden by Frances Hodgson

Tell No One by Harlan Coben

Moby Dick by Herman Melville

A Tale of Two Cities by Charles Dickens

Middlemarch by George Eliot

Jane Eyre by Charlotte Bronte

[nepoboyfriend]

since we're here, let me talk a little bit about colman real quick:

col is my best friend's oc mainly, but i guess i am a co-creator. he's important to the script.

he's a little gay bastard frontman of a hardcore band called the dead boys club. straight edge but replaces substances with ... other habits that may not be that good for him (self destructive behavior).

grew up in a very homophobic household. built up a lot of self loathing because of it. deflects by being a cocky asshole, but is genuinely good deep down and a sweet person when he wants to be.

col and adam date for a time before adam meets alice. sort of an open relationship. they fuck other people, but they're very much obsessed with each other, extremely codependent, attached at the hip.

the relationship escalates during a joint headlining tour for blemishes and tdbc as col's mental health gets increasingly worse, fueled by sex addiction. adam loves him intensely, but they realize eventually that they fuel each other's bad behaviors and can't stay together. (best friend and i call this period 'the divorce'.)

they split up, but go back to being friends after awhile. col meets a good man named eric, falls in love, they have a little boy named nicky. later on, he's the godfather to adam and alice's little girl ophelia. (he's the one who nicknames her 'philadelphia eagles'.)

very sad boy. very tragic. adam and i adore him very much.

[immobiliter]

so i have managed to watch three eps of sex ed already and while there’s still a long way to go, aimee and adam’s storylines seem a little slowburn but i love what they’re doing so far (with only a couple of complaints, mainly that there’s not enough of either of them), i’m very much Undecided on jackson this season and i’m hoping it improves, and ruby & eric you will always be famous