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#me? overanalyzing a single line? it's more likely than you think
luvhughes43 · 1 year
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sabrina carpenter masterlist
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luvhughes43 masterlist🌙
notes: jacks never beating the cheating allegations that i made up😭 ALSO! im just posting this for a reference. i might change who the fics are for
vicious | trevor zegras
summary: media girl for the ducks, trev and her start hooking up + secret relationship but he tells people it’s not true & ruins her image in the process
lyrics: "oh, you're so vicious love me then pretend you didn't, crush my heart and wreck my image, why you gotta be so vicious?"
read your mind | luke hughes
summary: Luke hughes keeps toying with u
lyrics: "you say that you need to be alone, but night and day, want me at your beck and call"
"you say you know that you might be crossing a line, wasting all our time"
tornado warning | nico hischier
summary: nico and yn can't help but keep seeing each other, even though she knows it's not the best for her.
lyrics: "don't understand how quickly we get right back in our rhythm without missing a step, and logically the last thing i should have on my mind but i want you there sometimes"
"i guess maybe thats why im lying to my therapist, i keep saying things like "i never saw him and we never kissed"
because i liked a boy | jack hughes
summary: reader gets hate comments from her ex boyfriends fans, saying she's a homewrecker and a slut, despite them already being broken up when everything went down.
lyrics: "now im a home wrecker, i'm a slut, i got death threats filling up semi trucks, tell me who i am, guess i don't have a choice, all because i liked a boy"
already over | jamie drysdale
summary: relationship thats not
lyrics: "yeah, i say, "i'm done", but i'm still confused, how am i supposed to close the door when i still need the closure? and i change my mind, but it's still on you, how am i supposed to leave you now that you're already over?"
nonsense | quinn hughes
summary: youre so in love with quinn your speaking nonsense ! (insta edit)
bad for my business |
summary: you know your relationship is toxic but you're in love with unknown.
lyrics:
decode | quinn hughes
summary: youre done waiting for quinn hughes. his confusion and noncommittal attitudes towards your relationship completely exhausting you.
lyrics: "i let your confusion keep me up at night, i'm so tired, re-read every single undertone and i overanalyzed it"
"where else can we go? theres nothing else left here to decode"
opposite | jack hughes
summary: a few weeks after you're break up with jack hughes, you find out he's dating someone who looks absolutely nothing like you, making you question everything.
lyrics: "she looks nothing like me, so why do you look so happy, now i think i get the cause of it, you were holding out to find the opposite"
"oh, i know now even if i tried to change, that you'd end up with her anyway"
feather | trevor zegras
summary: you finally break up and move out from yours and trevors apartment.
lyrics: "i feel so much lighter like a feather with you out of my life"
"i slam the door, i hit ignore, i'm saying, no, no, no, no more, i got you blocked, excited to never talk"
lonesome | jack hughes
summary: after a rough break up because jack of cheating, yn thinks about how crazy the narrative change was when jack realized she wasn't who the public wanted for him.
lyrics: "tell me i was more than just a decent opportunity, or will you tell me anything i wanna hear to control how you're preceived?"
"isn't it kind of strange how it all changed when i wasn't the one they wanted you to love?"
things i wish i said | luke hughes
summary: after your bad break up with luke, youre left wishing things had gone differently.
lyrics:
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iodrawsandtalks · 9 months
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Yet another HSR lore discussion: Eidolons.
Thought it would be fun after overanalyzing E2 eyes, and thinking some more on E6’s
First off, E1’s.
yeah, there’s nothing special about 1st eidolons……They consistently feature the backs of heads.
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Things start getting interesting from E2’s however. While at first glance it seems to just be an eye of the given character, the eye sides arent consistent.
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as we see here, from a viewer’s perspective, herta’s eye is from her right side of her face, while bronya’s and serval’s are left. Applying this in relation to every in game eidolon so far give you this:
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….there’s strangely no correlation between eyes here. no moral alignment, no region based pattern. It may make more sense with more characters or it may continue to appear random.
E3’s are once again, inconsistent.
Characters E3’s and E4’s are interchangeably one holding a personal object, and one making a different expression.
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As you would guess, these are all E3’s, while these are their respective E4’s.
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Tingyun’s 3 and 4 are reversed in order but she isn’t the only one which once again rules out any pattern. Every single 5th one shows a character’s mouth so i am once again skipping over this to the most interesting Eidolon.
The 6th eidolon for every character shows them unconscious, and lacking their clothing/equipment.
My first assumption with these two details was that the character is dead.
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….except Imbibitor Lunae’s is clearly his hatching rebirth.
and the trailblazers have the stellarons on the outside of their bodies,
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so it’s probably their “births” too. It’s still not birth based though because almost everyone else is clearly the same age as in game. For once I’m bringing in names too because a lot of of final eidolon names are sus.
Fu Xuan — Omnia Vita (translate to All Life)
Luocha — Reunion with the Dust
Guinaifen — Catching bullet with bare hands
Luka — A Champion’s Applause
Dan Heng — The Troubled Soul lies in Wait
Arlan — Self-Sacrifice
Serval — This Song Rocks to Heaven!
most of these reference a termination of some sort. At the end of all life is death, which is also a reunion with the dust. Catching a bullet with bare hands sounds like it could be fatal if any mistake is made. Self sacrifice does not need an explanation. Neither does “rocks to Heaven”.
Now weirdly, Luka’s is referencing the end of a fight, not death or finality. Dan Heng’s is straight up saying he is merely asleep as that’s what lying in wait is. And most Eidolons besides these ones do not reference death or conclusions.
We also have 4 images in E6’s that don’t line up with the other characters.
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Hook and Bailu still have their full outfits but Hook is missing her goofy ugly oversized hat. Bailu is even stranger bc unlike Hook, nothing is missing. And unlike Imbibitor Lunae, the only other vidyadhara with eidolons, she doesnt appear in an egg. The one thing that sets this apart from her other eidolons is that she is shedding a tear. side note, hook is clearly doing that thing kids do when they’re trying to sleep.
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Welt’s 6th’s Eidolon is strange comparing it to Herta’s. Welt Yang’s E6 depicts the child form he appears as when new people came into the sea of quanta post-him being trapped there. This made me think Eidolons had some relation to a true self, because otherwise there is no relevance or reasoning behind Welt’s not being his current appearance. Welt’s younger self(birth name Joachim) pictured with appearance 8 years younger than HSR welt.
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Herta is very much not her true self as we know her puppets are proxies of the real Herta, which makes her doll being shown kinda strange. This one can be excused however bc maybe this Herta with eidolons is ONLY in game representing the doll, not the person.
ookayy there are a few more inconsistencies(why is NUMBY in topaz’s e6, when svarog isnt in clara’s?)
Here is a compilation of the words and meanings in the titles of sixth eidolons
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Lynx is ascending bc from my understanding she goes from exploring the unknown, to mapping it so others know
qingque’s sixth one is going beyond her game
fire trailblazer’s is city-forging bulwark(wall.) that word was just so stupid to scrolll past so wtf tier
the stupid tier being below the two “repeat” tiers is intentional. All of Yanqing’s start with S and contain two words……and all of Jing Yuan’s are three words and start with s. there is no reason for this.
gui’s tricks get more dangerous the further down in eidolon levels so while her 5th one could probably kill somebody if done incorrectly, i think there’s more room for error attempting to catch a bullet barehanded.
This is a discussion post bc as you can see there’s no conclusive pattern in eidolons that applies to EVERYONE
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inkedkoi · 1 month
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Hold On To “What If”: Overanalyzing and Rewriting Sonic Prime
aka Masterpost & References: Part One
💬 “But, Koi, Prime finished months ago…”
Hmm. What do you think I should do, Shadow?
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Shadow: "Determine your own destiny, just as I have."
Well, you heard the hedgehog. What better way to celebrate the Year of Shadow than by talking about the show where he had the best characterization: Sonic Prime. I may have my own bias towards the show due to a personal connection, but overall I think the show is pretty good. Animation, voice-acting, music/sound, editing, they were amazing. The writing, aside from Shadow’s character, is ok. There are definitely some good lines but there were “eh” moments as well. (We’ll get back to that.)
I thought I would give an insight into what I thought about Sonic Prime, from overanalyzing every single frame to rewriting Season 3, and finally explain whatever the hell I had on my bingo card (the one I made before Season 3 was released).
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Due to the image limit, this will be the masterpost for all of the sections:
References: [this post] // 2 // 3 Plot Holes (x) Connections: 1 // 2 // 3 // 4 // 5 Bingo Card: 1 // 2 // 3 // 4 // 5 // 6 Rewrite 1 // 2 // 3 Remaining Questions & Final Thoughts (x)
(also available in the "🌻 hold on to what if" tag down below)
⚠️ Spoilers for the whole series, all media here belong to their respective creators. ⚠️
✨//🌻//✨
Before we get into it…
As the internet is, I want to clarify some things:
1. I’m not a die-hard Sonic fan so some things may not be 100% accurate. I honestly entered into the fandom when Sonic Frontiers was announced. My first exposure to Sonic at all was the Sonic Unleashed Animated short film, “Night of the Werehog”, when I was like 14 so I caught myself up with Sonic lore in between releases of each season of Prime. Feel free to correct me if I’m wrong about anything.
2. There's this whole debacle on whether or not Prime is part of the canon. News has recently been brought up that the Prime Team didn't acknowledge the comments made by Ian and the lore team about inconsistencies. It didn't surprise me at all. The show wasn't going to be part of the canon to begin with, which was abundantly clear by the show's writing. It feels like the writers copied from a wiki. There were so many scenes where instead of taking the moment to breathe and have character development, they put fighting scenes, more so in season three.
💬 "What about the references, Shadow's characterization, etc?"
Actually, we wouldn't have them if not for some of the crew fighting SO hard to get that into the show. The animators, storyboard artists, voice actors, editors, and many others — some are legit Sonic fans and others wanted to please the fandom. They have done such a great service to the fans with what they could, so could we just give a round of applause to the creative crew behind this? 👏👏👏 To the crew, you did what you could for us, and we can’t thank you enough.
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Back to the whole "canon" thing, for this essay, we'll treat Prime as a stand-alone thing unless we absolutely have to affiliate it with canon.
3. Netflix did the weird thing of splitting up all the episodes of the series and called them “seasons”. I personally call them “batches” and I know there are some people who do the same, but for our sakes, they’ll be referred to as seasons, just so we don’t get confused. Okay? Cool!
Finally, this is for funsies, don’t take this too seriously. I want to establish that I have nothing against the people behind Prime or anyone else.
So grab your snacks, and get comfy. Now, let’s lock in, chat!
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References: Part One
Here’s a list of references to other Sonic media I picked up in Prime. Some of them on the list are from Felipe Sonic Hacks YT video I saw while drafting my bingo card predictions, so you can check it out (Link). Whether or not these are intentional, that’s up for interpretation unless said otherwise.
Chilidogs (EVERY. SINGLE. TIME.)
"Gotta Go Fast" (just an iconic Sonic line)
Sonic’s iconic gestures: waiting stance (S1 EP3), finger-wagging (S1 EP6) and nose-rub (S1 EP6 + S2 EP5)
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look at this lil' guy :)
[S1 EP1]
Eggman’s Badniks — the usual (designs primarily the same ones from the game Sonic the Hedgehog 1)
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Sonic’s super peel-out animation — a reference to Sonic the Hedgehog CD (and other games beyond)
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“...sonic boom of a headache” — a reference(???) to the Sonic Boom show
New Yoke City — a design reference to Eggman Land, he wasn’t wrong about the neon (seen in the game: Sonic Unleashed)
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Sonic balancing on the edge — a reference to Sonic’s balancing sprite animation from Sonic Games (matches perfectly with one in Sonic the Hedgehog 2)
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Sonic’s breakdancing — a reference to Sonic’s S Rank victory animation from Sonic Generations
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I mean, Sonic definitely is a breakdancer and incorporates it in his fighting style, prove me wrong.
Orbot and Cubot — returning characters from the franchise
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Side note: I screamed in joy when I first saw them :)
1992 — the year of Tails’ first appearance (Game: Sonic the Hedgehog 2)
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This whole scene explaining Tails' origin story — also a nod to the pixel games
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Obstacle test — a reference(???) to Chemical Plant
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[S1 EP 2]
Shadow’s hand back-spring in the first Sonic vs. Shadow fight — the same move done in Shadow the Hedgehog when Shadow encountered robot replicas of him
1998 — The year of Big the Cat’s first appearance (Game: Sonic Adventure 1)
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[S1 EP 3]
Sonic’s free falling from an edge — similar move in Sonic Movie 2 (does that count as a reference???)
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Rebel’s drill maneuver in beating the bots in the stairwell fight — same move Rouge uses in Sonic X (that I know of)
[S1 EP 4]
The Berries the Boscage Crew scavenged for — a nod to Chao Garden Fruits (confirmed to be intentional)
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(right photo credits to ChaoProfessor on Twitter)
Sound FX when Sonic getting prickled by spikes — same sound FX from the games
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To be continued...
Next Part
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skoulsons · 2 years
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Analyzing?? :) This is a long one again. And their second scene at the end of episode is really just gonna serve as a second parter to this bc there’s CONNECTIONS. I was going to make a cut and put this all below it, but tumblr was like deleting it so..no cut
“Ah, fuck, fuck, fuck, fuck.”
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Immediate reaction to her applying pressure to his wound is to grab her, hard. She reacts to it, hence her swears because he’s hurting her. But she would never tell him to stop because he’s in a lot of pain and can’t get it out any other way, so she lets him. But I think Joel recognizes he is hurting her. When it cuts to Joel’s face (possible continuity thing, but we’ll say no for the sake of overanalyzing bc this is my blog), he just has the side of his hand pressed, albeit hard, against her arm as opposed to gripping it. He recognized he was hurting her and tried to change to keep from continuing. He’s also trying to be quiet despite his very obvious need to scream about how much pain he’s in because he’s bleeding out with no medicine, no clean materials, and nothing to even try and disinfect his wound with.
“Come on, you gotta help me. Come on!”
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baby, he is in a lot of pain. I don't know how much more pressure he can add. But I also think, in a way, she’s saying this to keep him awake and giving him something to do while she goes upstairs to look for something. She can’t have him passing back out, not with a life threatening injury, so she tries to give him something to do.
And something else (and I’m not the first person to recognize this), he’s trying to be quiet still. He could scream blood murder because he wants to because this hurts, but he’s trying to
“Leave. Leave.’
“Shut up, Joel.”
“Take the gun-”
“Joel, shut the fuck up!”
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He is begging her to leave. Pleading with her as much as he can muster to get out. To leave him. To grab the rifle, because she can shoot, and go. He was just trying to leave her last episode because he was terrified for her and her safety because he knows he’ll kill her. And now, he’s begging her to leave him because he may kill her like this. It’s a harsh winter. She is giving him their warmth, food, and water. She is not taking care of herself the whole time because his life is on the line, and he is what matters. And knowing there is infected out there and people who she is all alone to defend herself against? She is capable to an extent, yes, but not to a group. Him being out like this could kill her, and he can’t risk that, not a single chance of it, so he tells her to leave him. Because he can’t fail her again, and dying while she’s still with him and not safe with Tommy is yet another fail.
And she tells him to shut up because what else is she supposed to do? She knows he’s trying to push her away because he just did it like a week prior to this. He can’t let people care about him, let alone letting them in in the first place. And this tiny, little girl was let in (with a little shove against that hard exterior of his) and she cares about him, more than he understands. That feeling being mutual and oh so complicated. No one since Tess has cared about him like this. But it goes deeper than that because this is a kid. His kid, now. She shouldn't ever need to do this or want to do this, but that’s the circumstances of their world, and he can’t help that. He can’t help the size of her heart or the fact that she cares so much about him because he did first. Through his protection, reassurances, and selfless caring in how he treated her, she grew to, too. And he never wanted that. Even now, the two of them being a ‘we’ now, she still shouldn’t have to because he’s the caretaker, and he’s failing.
“You go. You go. You go north. You go to Tommy. You go.”
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This. This is a father’s anger. The absolute certainty and seriousness and the listen-to-me attitude. He needs her to leave. Because, like we’ve all discussed on a number of occasions, she is his weakness and he is her strength. And he does not believe he is that to her, especially not on the level he truly is. But beyond this, he needs her safe, as I already mentioned. So he grabs her and pulls her to him so she sees and hears him. He shakes her his second “you go” because he needs her to listen to him. He needs her gone, as much as it kills him to. But her safety is his first and highest concern, even if it means separating. He is willing to be separated from her and die alone in a cold basement if it means she gets to safety and is able to fulfill her journey.
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This is after he shoves her and there’s already the glimmer of a tear in the corner of his eye. He does not want to send her away. He wants to be responsible for her. He wants to stay with her. He wants to hold her and he wants them to be okay. But he has to, for her safety. He reacts with force and he shoves her away, rejecting her care. Rejecting her help. And he just shoved her. Joel “ever so gentle with his little girl” Miller just shoved that little girl away from him, and that hurts.
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Even after being shoved away from him, she doesn’t walk away in anger. No. No, she stands and lets her hand fall to his, just to brush against his. Despite being angry, upset, fearful, and pretty amazed at the fact that he’s still trying to get rid of her and won’t let her just take care of him, she lays a brief hand on his. Comfort? Reassurance? “You’re an asshole, but I still love you”?
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And she moves to his coat, which I imagine she took off to better access his injury, and lays it across him. She evens it out across is abdomen and brings it all the way up to his chin to keep him as warm as possible. And Joel (pedro you mastermind I hate you) looks in…disbelief? Absolute unparalleled love at her that she loves him just the same? He just physically shoved her away. He has been nothing but physically gentle with her their whole journey, and now he just grabbed and shoved her away to reinforce his point. And in response, she quickly touches his hand and then lays his coat over him, covering him up to the chin. She is kind to him even after what he did, what he’s trying to do, and it’s almost insane to him. He’s used to violence. He’s used to using force and being given force back. And when he uses every ounce of power he has to use that force against Ellie to push her away, he is met with her kindness and unending care for him
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They watch each other for a minute, no spoken words, and Ellie walks away. And he sheds a tear watching her go. His breath gets rapid and shaky, in part because he’s cold and losing blood and dying, but he’s watching her walk away and thinks she actually is going. That she is leaving. That they’re done, for good. That this little girl that is so important to him and that he loves way, way too much is leaving. And he watches her, thinking she’ll be the last thing he gets to see before he dies. He burns her into his memory, so that even after she’s gone and safe, a part of her is still with him. That he can picture her clearly in his mind to keep coming back to as he fades away.
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And Ellie waits at the top of the stairs, but only for a moment. She waits. Does she think about what he said? Maybe for a split second, but no more. She needs him, but more than that she wants him. She wants to keep going with him. And, as much as he may hate it, that means suffering through it at his side and freezing through the nights just so he has a chance of surviving. She sits on what he told her, but she won’t listen because It’s him. Because It’s them. And that connection, that relationship, is worth it all
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a-moth-to-the-light · 4 months
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Current Top Ten Olivia Rodrigo Songs
I've found myself talking about Olivia Rodrigo's music a lot lately (mostly screeching about entry #2), so I'm finally going to give her a list! Though I've never been much of a "drivers license" fan, I still got really into her with the release of SOUR--the end of my junior year in high school could have been soundtracked solely with that album (+ "Rollin'" by Brave Girls!).
1. good 4 u
I mean, I would love to have a more surprising pick for number one, but this one's a classic for a reason! Like, I remember what was going on in my life when I first heard "good 4 u"--it's a landmark all on its own. And that dramatic lead-in to the bridge? I feel my heart explode in my chest every. single. time.
2. girl i've always been
This one is new, but it blew me away from the first listen. It's not a big spectacle like "so american", but the understated acoustic atmosphere is executed so well that I can't look away! This country-inspired sound is unusual for Olivia, but she acclimates to it so well, I think--I feel so comfortable in this song, it doesn't feel unfamiliar at all. And the line "well, I have captors I call friends" is worth a spot on this list all on its own.
3. jealousy, jealousy
This is my "brutal". In "jealousy, jealousy", the burn-it-all-down angst we know and love Olivia Rodrigo's music for has been smoothed out --it's cold, cruel, withdrawn. It's the girl dressed in all black who sits alone at lunch and glares at the popular kids from across the cafeteria, taking on her loneliness with grace and elegance and absolutely vicious resignation, and when I listen to this song, I get to feel as cool and above-it-all as that girl for a few minutes. I don't actually want to be this imaginary girl, but Olivia's music often lets me play a character for a bit--and this one is by far my favorite!
4. 1 step forward, 3 steps back
Okay this has, like, sentimental value. "1 step forward, 3 steps back" was there for me when I really needed it... I love how delicate it is, and I love harmonizing to the bridge, but it's really just here because I keep it like a security blanket.
5. all-american bitch
The ballads on GUTS didn't really work for me--the lyrics felt uncomfortably blunt, too generalized to be impactful, more like lectures than stories. But "all-american bitch", a big rock track with lots of screaming??? These lyrics GOT ME. My nonbinary experience of femininity has its own nuances, but all the stereotypes and expectations placed on the Perfect Good Girl still affect so much of who I am. In "all-american bitch", the bluntness of the lyrics actually works in its favor. It's scathing--just straight-up listing all the stereotypes and expectations and judgements placed on women is revealing, exposing their contradictions, and I think it takes away a little of their power. Honestly, this song is so powerful that it's a little much for me most of the time--I tend to avoid it, despite how much I like it--but I can't deny how fantastic it is.
6. favorite crime
Admittedly, I think "Partner in Crime - Spotify Singles" by Lucy Dacus is this song but better. I like both songs a whole lot, though, and the vocal layering in "favorite crime" is a shot right through the heart.
7. enough for you
This is pretty much interchangeable with "favorite crime"--a solid storyline with a genuine, compellingly fragile performance. I don't know, it just works!
8. get him back!
The flat delivery in the verses set against the soaring chorus is EVERYTHING. This is a low-stakes song, about a guy we never really liked anyway, so it's pure fun and wordplay and screaming just because you can.
9. can't catch me now
God, the vocal layering is breathtaking. (Look, I'm a man of simple tastes. I like when the harmonies do the harmony thing!!!!!)
10. ballad of a homeschooled girl
I think this song is hilarious--"ballad of a homeschooled girl" takes all the self-policing and overanalyzing and internal screaming required to be seen as 'normal', that constant stream of 'no don't do that no you can't say that no stop oh shit what did i just do she probably thinks i'm so weird', and turns up the intensity to the point where it's a sort of comedy skit. I think it's absolutely delightful to scream my worries out through this song, to honestly express the daily stresses of just existing outside my house and laugh about them, too. (Also, the "every guy I like is gay" line just makes me laugh, though I've heard that my take is an unpopular one.)
honorable mentions: happier, bad idea right?, love is embarrassing (WATCH AS I CRUCIFY MYSELF !!!!!), teenage dream (yeah i like this one, kind of against my will but i think it works way better than the other guts ballads!), so american (OH GOD I'M GONNA MARRY HIM / IF HE KEEPS THIS SHIT UP !!!)
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xalygatorx · 6 months
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just an a/n from ao3 about fic comments and messages on death in pink
I’m a little surprised this needs to be said, but I’ve also not discouraged it before now, so some of that’s on me—picking apart a chapter I’ve posted (criticizing it, overanalyzing it, projecting on it, whatever) except to like maybe note a line you liked or something is not conducive to the enthusiasm and joy it takes to continue and ultimately finish what’s essentially a serialized WIP.
Additionally hopping into my Tumblr DMs and getting overfamiliar with me is also a source of discomfort. Asking a question is fine if you don’t want to use an actual “ask” for that, I get it and it’s cool, but anything past that is more than I signed up for. Getting those critiques via DM is, believe it or not, also not great and is somehow more uncomfortable than the AO3 comments described above.
Maybe you think you’re helping. Like fair enough. But it’s not helpful. Please don’t do either. It freaks me out to a degree and adds pressure to something I am doing for fun and posting for fun. 
It’d be different re: the picking apart of actual pull quotes if this were a finished work fully posted but it’s not. Usually when I’ve posted a new chapter, I’ve been working on it up until literal seconds before it shows up in your inbox/bookmarks. Getting those sorts of comments or DMs within minutes of that sort of work is a fucking atrocity to my motivation and mental health because it’s the equivalent of getting the half-digested, chewed-up version of something I spent hours on spat back at me.
The answer isn’t continuing to do as I’ve done and tolerate and maybe unintentionally encourage it by responding and trying to nudge the conversation in a kinder direction (unfortunately). It’s not my job. :’)
I’m a sensitive person, it’s true, but I’m also published and no stranger to criticism…on a finished project that I’ve flung into the ether and have no immediate need to look at ever again if I don’t want to. I’m coming back to this every day, sometimes twice a day, and in the last couple of chapters’ worth of time, I’ve started to dread it. I’ll stop if I keep dreading it, so instead I’m writing a very uncomfortable A/N for the next chapter that I will now have to force myself through drafting. Or I’ll post this by itself. No idea.
I was going to just hide activity from users that this is happening with so only I had to deal with any fallout and didn’t create discomfort for the people causing me discomfort, but knowing what I’m like I’d find a way to read those sorts of things anyway. Honestly, I don’t even know who those comments are for—if they’re for me and meant to dissect what is essentially my ongoing draft in real-time, that’s kind of fucked; and if they’re meant to start a discussion with other readers, that’s cool and all but they come to my inbox and I read every single one.
No one’s called out. No one’s in trouble. Anything prior to this getting posted is off the board. That said, we can chill out and be lighthearted about the things we say from this point or the block button will become my new best friend bc I do want to keep writing this and I don’t have the emotional energy to afford space to people who make me uncomfortable. Especially after I've made my discomfort this (gestures vaguely) abundantly clear.
Anyway. This doesn't apply to the majority of people who have commented, so I also want to acknowledge and appreciate that amidst my boundary barf.
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fushiglow · 6 months
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Yo!
Here's the rambler anon that had sent in a whole ass worship piece of chapter eight ( the one who's dying from excitement with the way you integrate the titles into the 'over the threshold' fic's story)
I've read your reply literally far too many times to even be able to count on one hand and I might have been far too excited at 8am in the morning when I first read it!
I'm really glad that you continue trusting your gut and intertwining the metaphors into the story, simply because they add an extra layer of detail and allow for us to interpret and perhaps even add onto the connections you have already set up. (Something that I love since I'm down for overanalyzing every small detail)
The usage of the word 'counterpart' for Suguru had been accidental at first and I let it be since it fit so well with the title of the chapter as well. It's really intriguing how your mind quickly connected it to music and came up with such a pretty way of describing Suguru and Satoru as complimentary music lines.
Also, since you asked, I personally have no background in music other than being an avid listener. So, you can guess that I'm googling things up left and right to comprehend the definition of each title to see how it'll connect with the chapter itself. So if my interpretation of counterpoint is a bit different to how it's practically used during music production, that may be the reason, as I mostly rely and expand upon the definition given in the summary. (The closest thing to music I've gotten is learning the guitar which I gave up in two months, so we don't click that well)
P.S can I be called cookie anon? (I loved the tag you used far too much)
WELCOME BACK, COOKIE ANON 🍪
Well I'm glad to hear that goes both ways, because I have done the same thing every single time I've received an ask from you! Maybe I said this before, but I think I will have to put together all of the incredible, beautiful analyses I've received from you and a few other readers into a dedicated place one day, because I think they enrich the story — but I'm biased, of course!
If 'counterpart' was accidental, that makes it even better somehow. It makes me feel like those themes are seeping into your reading of the characters which is amazing! I do think counterpoint as a composition technique is more complex than my summary suggests, but it doesn't need any more detail than I provided to be understood in the way I intended — I'd like to think you're evidence of that! I'm definitely not as confident as I sound about it though lol...
Thank you so much for your investment in the fic, it's honestly incredible to hear that you're researching as you go! Hope to see you again sometime soon ♥️
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lowhowl · 2 years
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Hey, so I'm kinda starting to put a lot more focus into personal projects (currently writing the script for my next video) and as much as I was hoping to avoid this, I'm going to have to place this blog on hiatus until I start to get muse again, even if 'hiatus' is just tumblrspeak for 'So long, losers.'
I'm not going to definitively say I'm going away, or that I'll come back, but a lot of my inspiration for writing has gone elsewhere and I'd much rather pursue that than risk burning myself out.
I can be reached at my twitter @/WebbedSpiders (slight nsfw warning, account is minors dni) where I'm a lot more candid, mostly tweet at other creators, post my own stuff, and complain; or my Discord, for close mutuals.
also, a bit of an addendum below the cut- it's under a cut specifically bc it waxes negative but I feel like it's important to say because it is cutting into my ability to write here.
fair warning, I'm going to be very blunt and kind of serious with my words here. this also isn't an invitation to discussion, I am plainly stating my thoughts and I will not be swayed.
disclaimer: this is not directed at anyone. please, for the love of the gods, do not take any of this as 'oh did I do something?' you didn't. This is more about how the roleplay community as a whole operates, and no single person can be blamed for any of this.
There's always an air of pressure about Tumblr communities. In the time where I've just been here talking to people, interacting, not really causing problems as far as I know, I've still managed to get softblocked by people just because of association or because I don't mention something at all.
And while it's well within the right of these people to do this- these systems exist so you can curate a safe corner for yourself- it has still created a lot of stress for me and it has lead to me overly moderating and overanalyzing a lot of my own posts, and worrying about what exactly I'd done to push these people away. To be brutally honest, that's not fun and is not conducive to a creative platform. Logging on to realize that threads you were very much looking forward to have effectively been dropped forever is disheartening.
and I think the argument of "well you should think about why you got (soft)blocked" in regards to if I'd done anything wrong is bullshit, because in every case that someone has broken mutuals with me after there's been an amount of IC interaction, there's been no discussion. There's been no clarity. Which means that there's no direct path to improvement or closure unless I go around asking other people why I was blocked, softblocked, whatever, and I'm simply not going to do that because that feels like a breach of privacy. At the very least, it comes off as an indication that the other person simply does not want to interact with you and does not want to even talk to you.
Should note, this doesn't really bother me if it happens with people I haven't really spoken to. This is more of a 'I thought we established we were cool' thing. I know I'm also guilty of this in some cases, but at the same time- I do regret doing it. I hate that it's just accepted as a product of the systems this community has set up, and I feel like everyone- no matter how severe their actions- deserves to at least know what everyone at least thinks or knows they did.
I'm also not stupid, I know that this is just the community that Tumblr has curated over the years and I understand that this is just how it operates, but I'm starting to realize that maybe this space just isn't for me. Creating for myself without the necessity of leaning on others for continuous threads has really broadened my horizons and made me feel like I can do a lot more. I still love Whisper. I still love writing. but if I'm going to continue with this blog down the line when I have muse again, I'm going to be very selective and it's going to be very sparingly. I've found a passion I care about- something that I can actually put all of my creative skills towards that can reach an audience- and I'd much rather focus on that.
If you read all this, thank you, but also. I'm sorry? This probably reads as aggressive and upset- but I've been holding on to a lot of these complaints for upwards of years from how long I've been on this platform, floating between roleplay communities, but I can't hold it in anymore. I hate to say it, but in the time I've spent away from Tumblr, I've just felt better.
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dinogoose · 2 years
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swear to be overdramatic and true (to my lover)
Eddie leans closer, attempting a peak at what he’s making. Buck gently shoves him away. Partially because he wants it to be a surprise, partially because he doesn’t want Eddie’s bad luck infesting his soup.
“Are you kicking me out of my own kitchen?” When Buck just smirks and nods, Eddie continues. “That is so rude, I take back the good lookin’ comment.”
(or, the buddie soup fic not a single person wanted)
“Whatcha’ cookin’ good lookin’?” Eddie drawls, startling Buck so hard he almost cuts a finger off.
Eddie rushes forward, his face twisted with apologetic worry, but Buck waves him off.
“I love it when you objectify me.” Buck says, turning towards the stove. The butter has melted in his Le Creuset (he brought his own from home, Eddie thinks they are a waste of money) signaling it’s time for the onions. He dumps them in and they produce a sizzle that’s music to Buck’s ears.
Eddie leans closer, attempting a peak at what he’s making. Buck gently shoves him away. Partially because he wants it to be a surprise, partially because he doesn’t want Eddie’s bad luck infesting his soup.
“Are you kicking me out of my own kitchen?” When Buck just smirks and nods, Eddie continues. “That is so rude, I take back the good lookin’ comment.”
“Can’t take back the truth, Eds!” Buck sings songs, knowing Eddie produces the fattest eye-roll without even needing to look.
It had been a weird day for them both, Hen taking over for Bobby has thrown them for a loop. Not a bad one, she’s an incredible leader, it’s just different, so he and Eddie wanted to unwind after their shift.
Typically, they would do this with their favorite boy, Chris. He, however, is now a too cool pre-teen who wanted to go to a slumber party, instead of hanging with his dad and his Buck.
Both men pretended like this didn’t hurt their feelings. (Who are they kidding?)
Which is why Buck is now testing out a new recipe over at Eddie’s.
Cooking is the one escape Buck has outside of his job. It centers him, giving him peace and comfort. The different tasks soothing his overanalyzing mind. Although the fact that he only cooks when he’s with Eddie, may aid to the joy he finds in cooking. Just maybe.
“How do you feel about Hen being captain?” Eddie asks, a little gentle, as if he’s trying not to spook Buck.
Buck knows why he’s asking, he had a tiny tantrum about not even being considered. It was just frustrating to hear that no one believes you could lead.
But, after mulling it over, he knows everyone is right. He’s still learning everyday, and he’s too reckless to lead an entire team. He’s getting better though. Truly thinking before acting, out-weighing the pros and cons before a stunt. Always considering who is waiting for him at home.
Bobby not choosing him, is just making him want to be better, so that one day Bobby will choose him.
“She’s incredible. I know I got a little pissy,”
“A little?” Eddie interrupts, eyebrows raised, Buck ignores him.
“I swear I’m good though. I know what you meant, and I wasn’t the right choice. Or couch, or whatever.” Eddie laughs behind him, the sound rumbling through Buck’s chest. Buck hides his smile, turning to check the onions again.
They are caramelizing nicely. Patience is key.
“I’m glad. Plus Captain Wilson is a million times better than Captain Han.” Buck throws his head back in laughter, Eddie joining him. Then he raises his beer bottle.
“Amen to that.” They clink bottles, the sound echoing through the room.
Ever since Eddie came back to the 118- came back to Buck, things have shifted. The line in the sand is erased as they continue to push boundaries. Going past being ‘best friends’ and into something more. Something better.
Buck has always been too pushy, wanting more, more, more. But this, this is something he will not ruin. He won’t push this. He’s going to let it happen naturally, allow Eddie the time before this happens.
And it will happen. Buck is sure of it, and from the way Eddie looks at him, Buck knows he’s sure of it too.
So, here they are, two grown men not addressing their feelings, or longing touches, or every other little thing that screams their love.
Which isn’t avoidance. Buck knows how other people view them. Seeing them as grossly co-dependent (which is true), claiming they are just oblivious to their feelings.
But they aren’t. Buck isn’t, and he knows Eddie isn’t either. They’re just biding their time. Healing, getting better, so that when the time comes, nothing can destroy them. Together till’ the end. That’s the deal.
“Buckley, I think your onions are burning.” Eddie’s voice, and his words snapping Buck out of his thoughts.
“Oh shit, fuck!” Peering into the pot he sees his onions are fine, perfect even, the golden vegetables glistening in the harsh kitchen lights.
Eddie is apparently just a dick.
“I will hurt you.” Buck tells him, half-joking, before adding the red wine.
It splashes up, the red wine a gorgeous contrast to the light interior of the pot. He sprinkles in some flour so the mixture will thicken.
As he stirs it, he breaks up the clumps of flour. Evenly distributing it. Eddie just stands there, quietly watching, hooked on his every move.
Buck blushes under the attention, thankful for once, of the orange tinted lights in Eddie’s kitchen.
Once thickened, he pours in his beef broth, the onslaught of liquid going quickly, hitting him the face slightly. He laughs as a few droplets hit his face.
Covering the pot, he allows the soup to simmer.
In a blink of an eye, Eddie is there. Pushing him up against the counter (away from the stove, so Buck doesn’t burn in a fit of passion) effectively trapping him.
“What mmpf-“ Buck’s words quite literally get swallowed up by Eddie’s mouth.
Eddie is pressing up against Buck, chests touching, legs slotted together as he pushes Buck back.
While confused, he definitely isn’t going to stop this. Kissing Eddie is something he’s wanted to do since the competent fucker joined the 118. So, he happily obliges.
He brings his hands to Eddie’s waist. Hands stroking his sides, desperately craving to touch any part of Eddie he can.
Eddie deepens the kiss at this, nearly drinking Buck in. Buck lets him, keeping his hands to steady himself, giving into whatever Eddie wants.
He pulls away slowly, still not breaking contact.
“What was that for?” Buck asks embarrassingly out of breath. Eddie smirks up at him, keeping Buck trapped between the counter and his muscular body.
Buck wouldn’t mind being here forever.
“You’re just-“ Eddie runs a hand through his hair. “You.”
“Me?” Buck asks, incredulous. Eddie just smiles, the specific smile reserved for Buck before he leans down again, this time just a few pecks.
“Yes, you. Always you. Forever.” Now he’s kissing all along Buck neck, sucking a mark on the juncture of his collarbone. Sure to be dark and beautiful by tomorrow.
Buck honestly doesn’t know how to respond to that. No one has ever chosen him. Stayed. It’s been difficult to unlearn the notion that everyone will leave him. But he has been, and a huge part of that is because of Eddie.
“Why?” He asks, insecurity shining through
Eddie pulls back so he’s looking directly into Buck’s eyes.
“Because Buck, you’re my best friend. Ever since I’ve met you, you’ve been helping me, there for me. Expecting nothing in return. God- you’re the best partner I’ve ever had. Not just at work, at everything. We’ve been raising Chris together for years. You excitedly called me at three a.m, just to tell me about a new dinosaur exhibit that Chris would love.”
Eddie cups Buck’s face. “You’re even here right now, cooking for me. Holy-fuck Buck.” Eddie’s eyes are intense, and Buck has the sudden urge to deflect.
“Domesticity does it for you?” Buck has to bite his swollen lip to keep from laughing. Eddie lifts his hand, cups Buck’s chin, then uses his thumb to massage Buck’s bottom lip.
“You do it for me.” Buck can’t tear his gaze from Eddie’s, even as it burns him thoroughly with the pure love in his eyes.
“I love you. I love you, and I love Christopher. And I’d make you soup everyday to show that.” Eddie laughs, throwing his head back. It’s the most gorgeous sight Buck has ever seen, so he joins him.
They trade kisses, and soft laughs, until Buck remembers to check on his soup.
“Don’t laugh! If this burns I will never forgive you.” Eddie keeps laughing, Buck glares at him.
Taking the lid off, the aroma fills the room. The soup is still bubbling, almost as if it's talking. Buck smiles, happy, ecstatic even. It's perfect. And so is the soup.
[soup soup soup! here is this. happy 911 day!]
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twsthellhole · 3 years
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Night Raven boys after watching Encanto pt. 2!!
Kalim
(I literally forgot he was housewarden and not Jamil so he's getting his spot now)
- Cries the entire movie because "What a blessing it is to have such a beautiful family!!!"
- Will learn the entire soundtrack the next day and won't stop singing it. If he spots Floyd, they will sing Bruno's song together to the absolute terror of Azul, whose head is nearly imploding since Floyd's been humming the song for 2 weeks straight.
- Gets very interested in learning more about Colombian culture, is devastated when he finds out Colombia only exists in another dimensional reality
- "Yuu, if you ever go back to where you came from, take me with you so I can see all the beautiful places from your world!" Jamil overhears this conversation and dies on the spot.
Vil
- Is really upset when Isabela starts to go apeshit and destroys her perfect hair and dress like that.
- Agrees that Mirabel is a bad influence.
- He's very interested in the digital aspects of the movie. Even though Encanto's aesthetic is far from his aesthetic, he will go ranting about the interesting colour scheme choices that were made for the characters.
- "Look how great this shade of Blood Orange looks on Dolores. Compliments her complexion." Epel can be heard in the background mumbling about how just say it's fucking red... bloody orange... ridiculous.
Idia
- Immediately a Bruno simp. Is now daydreaming about living inside the walls and never talking to anyone.
- Goes on internet rants about every single aspect of the movie. From the musical structure to the characters plot lines. Buy the artbook and starts speculating about what the discarded characters should have been. Basically overanalyzes the movie and now knows every single piece of trivia about it.
- "If Lin Manuel doesn't get the Oscar for this soundtrack, I will explode."
- Rewatches it pretty often and says it's because Ortho really liked Encanto but he's lying. It's all him.
Malleus
- Did not watch the movie because no one remembered to invite him to movie night.
(Will eventually watch it with Yuu two months later. Thinks the movie is pretty fun, is bewildered at having such a large and noisy family, but enjoys more the experience of sitting down to watch a movie with someone else than the movie itself. Having a very powerful and strict grandma himself, he respects Abuela even before her redemption song.)
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☆ I'm stupid but finally I have proof!!! ☆
orz or not/// urrrkkkk I thought I did, but somehow I can't feel convinced.
I dunno who all remembers my post asking if anyone knew Yoosung's canonical height in the Valentine's after story and that I'd found a couple images circulating the internet stating that he had grown to 5'11'' or something, which I've still never seen proven.
See, I've come back to this tangent because my loser meticulous ass decided to start making a character style sheet of him for essentially no real reason only excused by "research" for my art, when I already know my mind just sometimes demands to study data points and overanalyze everything.
Anyway, originally my brain clicked and I realized Yoosung's arms are present in both his sprite images. I measured his wingspan because I remembered wingspan roughly equates to the height of that same person, and the arm lengths were the same.
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Of course the thought that they just.. used Yoosung's old sprite when they made his older version sprite.. Made me want to keep looking. I thought to myself, man I need to find a point of reference. Is everyone's skulls roughly the same height? No, right? The 7 1/2 to 8 heads rule... did not work for Zen's full body reference... orz He ended up being like... 9 1/2 of his own heads. Then I thought, "What age does one's skull stop growing in height size?" Google didn't have much for satisfactory answers, merely alluding to the idea that the skull stops growing to it's full size capacity at around 16-18, but will keep changing otherwise throughout life. But that 16-18 just kinda sounds like it grows in proportion to the rest of you, full body height included. Then, I thoght "Eye balls?? Don't they pretty much stay the same size all your life?" I think this would be the closest indicator if he grew, and they do match up one to one when sized up.
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Somehow, still didn't feel secure in my findings. I had another click moment while google searching Mystic Messenger heights images. I remembered the visual novel mode has the heights comparable to the other characters. Then I giggled jovially as I set up the visual novel reference of Yoosung standing next to Seven, then him in the Valentine's After Story. ohohohoho I got it this time, I thought to myself.
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I'd also say this is some pretty solid proof that he didn't grow any taller, but I still had to keep in mind that they very obviously used the same base. I thought about how his face seemed narrower, but then I realized they copied and flipped the side of his face that showed his ear to accommodate his hair change, though.. the neck from the other side was copied and flipped too actually...
On that thought, I became somehow curious about his dimensions again, "for research", trying to find his waist line under all the baggy clothing he tends to wear. I think back to how he said he used to be fat, and considering... For one, he weighs almost 20 lbs more than Saeran (Y 149 -> S 130) who is actually an inch taller than him (Y 5'7''-> S 5'8'', an inch shorter than his own twin.), but also Saeran is pretty frail. Saeyoung is 2 inches taller than Yoosung, but only a kg heavier, which is potentially muscle (Potentially *le shrug*). To my knowledge Yoosung doesn't do much for exercise or weight training, if not a sufficient amount at all. Of course we all carry our weight differently, so that's absolutely a thing.
If you take BMI into account, which is a bit more accurate if you don't do weight training, honestly, I'm not entirely sure where he is carrying the weight. lol
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I did actually look into examples of real people with the same sizes as Yoosung, and yeah, not a single one of them was without some softness, especially around the mid section, which could explain the baggy clothes... Yoosung's calculated BMI was 23.2, which according to asian BMI charts is pretty much at the cusp of normal and overweight (It does matter, supposedly Asians carry weight differently than western ethnicities and are susceptible to weight related illness at lesser weight/ body fat indexes than western people as well. Says medicine. On average. Apparently their bone mass tends to be less dense as well.) Of course, based on this data, I'd say Yoosung is pretty safe, but of course the sedentary lifestyle and consumption of not so healthy foods could be a cause for concern. I kind of came to a soft conclusion that Yoosung did used to be in what would be considered "over weight" territory before, but considering how beauty standards can be over there, I venture to wonder if it was like... 10 to 20 lbs heavier. If I were to guess, the weight pretty evenly distributed throughout his body, probably mostly in the mid section, as it tends to more so in men, then a bit more in the thighs, and a bit more in the upper arms. Of course to the pinchable cheeks. :9 I dunno man, his full body sprite looks so skinny to me lol.
If I were to consider the waistline I originally came up with, which was mainly based on his Valentine's after story, it does seem like he potentially lost more weight since getting into a relationship. That makes sense to me, as it was insinuated that together with his partner, he became more active and most probably ate more healthy foods. (I cry, it seemed like he doesn't really play games anymore by the Valentines after ending. T__T I'll just choose to believe he'll still game from time to time if his partner is also a gamer.) Come to think of it, looking at that gif comparing his VN sprites, his face really is narrower...
Personally, I embrace soft Yoosung. I'd bet he'd still be just as cute as he always is, and squish♥. :"3 But mostly of all, I'd want him to be as healthy as he can be and happy for a very long time (forever!) ♥
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it’s time for the “overanalyzing one-off lines” show!
so the very first thing magnus says when he sees pit in chapter 2 of kid icarus: uprising is as follows:
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“Well, I didn’t expect to see an angel here. Hope this doesn’t mean I’ve kicked the bucket.”
now, i’m not sure if you’re aware, but that’s a really weird thing for someone to say, and it’s even more weird that no one comments on it. pit and palutena go on talking about unrelated things, as if that’s a totally normal and expected thing for magnus to say.
now, if you’re like me, you probably also didn’t really react to this line the first few times you saw it. it’s the second chapter, kiu has a lot of slightly-odd lines which turn out to be foreshadowing. me, personally? my first thought was “oh, i guess angels are probably associated with escorting the dead to the afterlife,“ and then i moved on.
they’re not, though. that’s what reapers do. and there’s no way humans have these two races mixed up. just fucking look at them.
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do they look anything alike to you??? no. they don’t. which raises the question of why, exactly, magnus said that.
now, we don’t know a lot about angels as a whole. pit (and by extension dark pit) is emphatically not the gold standard of angeldom. we can assume he looks fairly ordinary for an angel, seeing as no one has trouble identifying him as such. beyond that, though, a lot of what we know about angels comes from what pit isn’t. for starters, he can’t fly. and there’s something else, too, but i’ll get to that later.
before that, though, i’m gonna go through the various unsubstantiated comments made by people with a dubious level of authority on the subject. (incidentally, i sourced these screenshots from the wiki— much more convenient than trying to dig through youtube for every single random conversation.)
without any further ado! let’s get into it!
Angels as Messengers
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Gaol: Aw, Palutena’s little messenger boy. And Magnus, it’s always a pleasure. (src)
in the specific context of overanalyzing magnus’s first line, this is an important sentence to pick out. magnus and gaol are both humans, both with presumably a fairly similar history as mercenaries up until gaol got stuffed in a suit of armor. but while magnus makes a weird comment about death, gaol calls pit a messenger.
and pit agrees with her!
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Viridi: I wish I had an angel to do my bidding. It’s like having an intern.
Pit: I’m not an intern. I’m a messenger of the gods!
Viridi: Poor Pit. Don't you know that the definition of angel is "errand spirit"? (src)
this particular conversation is the most insight we get into angels as a whole, i think. viridi thinks of angels as like divine interns, there to do little tasks for gods, and palutena doesn’t exactly disagree with her. pit says they’re specifically messengers, which lines up with biblical mythology. i could see the traditional role of angels in the world of KI being exactly that, showing up to tell the humans what the gods have to say because the gods themselves are too busy being petty jerks to do it themselves.
The Angel’s Code of Conduct
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Magnus: You go in fully dressed? Don't you at least want to change into a...swimming tunic or something?
Pit: Oh, no no no! The angel's code of conduct says that we must always be ready for duty.
Magnus: I guess you wouldn't be an angel if you didn't do things by the book. (src)
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Pit: Hey! You know the angel's code of conduct! I need to be prepared at all times! (src)
another random little thing is the angel’s code of conduct. without a larger sample size, we can’t know if it’s a real thing or just an excuse to save on laundry, but apparently it’s against the rules to not be on call at all times. in pit’s case, the duty he has to be ready for is doing palutena’s dirty work, but it can easily mean just about anything— including, of course, being a messenger.
No Warrior
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Chariot Master: But you are no warrior, angel. Tell me, why do you fight?
Pit: I fight for Lady Palutena. And I fight for the people under her protection!
Chariot Master: That's not reason enough for an angel. (src)
remember how i said there was something else weird about pit? the chariot master seems to think angels aren’t very prone to battle— or perhaps even that they’re actively opposed to it. this lines up well with the idea that they’re supposed to be messengers, peaceful go-betweens for gods and mortals. this does not line up well with pit, the adorable weapon of mass destruction.
and it also does absolutely nothing to explain the question driving the whole existence of this post.
you know what does kinda lean towards an explanation?
No Other Angels
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Pit: Do all gods have their own angels, like you have me?
Palutena: No, I don't think that's necessarily the case. (src)
i said before that the Intern Pit conversation had the most illuminating information on angels. this is what i was actually referring to. on its own, it’s pretty innocuous, but it’s just as weird as the magnus line. shouldn’t pit know about other angels, seeing as he is one himself? but he doesn’t know if there are other angels.
the only angels we ever see are him and his clone. no one ever directly references the existence of other angels, they only make general statements about what angels as a whole are like— statements which clearly don’t apply to pit, meaning they’re not just extrapolating based on the one angel that definitely does exist.
the one time someone does comment on the hypothetical existence of other angels, palutena gives a vague answer to the tune of “no,” the topic is changed, and no one brings it up again.
let’s go over everything i’ve established about angels up to this point. they can fly, they’re peaceful messengers of the gods, and pit is the only one that seems to exist as of the start of KIU.
it should be pretty obvious at this point what answer i’m dancing around, if it wasn’t obvious from the start. pit is the only angel around because all the other ones are dead. the reason why magnus said what he did is that his thought process went something like this:
See an angel.
Think “Aren’t angels extinct? Is that a ghost? Am I a ghost? I sure hope not.“
Make a quip about that.
Move on with his life, because he isn’t dead and evidently neither is this guy.
i’m not gonna pretend i went into this post with the intent of any other conclusion to that mystery. anyone who’s bothered glancing over a plot summary for the original kid icarus can draw that conclusion. it’s certainly what i did, reinforced by fics by people who had the same thought!
the truth, however, is that this was all a trick to get you to read my analysis of the theoretical nature of angels as a race. now that you’re invested, i’m going to dramatically throw aside my cape and reveal my TRUE FORM: telling people that fandom consensus is wrong, and my ideas are cooler and better than everyone else’s and you should all throw roses at my feet and bow before your king.
(or just, y’know, take it as the subjective analysis that it is. whatever floats your boat.)
Hot Takes
the original kid icarus does not actually tell you about angels going extinct. here’s the wiki article with the full text of the backstory, just for convenience, so you know what i’m on about for the rest of this post.
so, the part of the story that i think gets misinterpreted is this part about palutena’s army.
Medusa led a surprise attack on Palutena's army which could barely fend off the attack. Palutena's army suffered major losses and was heavily defeated in the final battle.
specifically, i think a lot of people interpret said army as having been made up at least partly of angels. sure, in the actual game it consists entirely of centurions, but you have to take old NES games with a grain of salt. i know i don’t buy for a second that pit was part of palutena’s guard before the original game (he was just too goddamn young), there’s nothing wrong with reinterpreting things.
recall everything i established about angels already, though. this is the hot official lore, from the game everyone knows and loves. angels are messengers, and if the chariot master is to be believed, never warriors. pit is an outlier. palutena’s army consists of centurions, not angels. if medusa wiped them out, it wasn’t because they were fighting for palutena.
(and honestly, i don’t think angels are necessarily associated with palutena exclusively. sure, she’s got the wing imagery, and she’s got the one known surviving angel working for her, at least up until pittoo is born. but angels are messengers of the gods, not messengers of palutena. again, pit is an outlier.)
which all brings us to the real question of this post.
what the FUCK happened to all the other angels? why is there only pit? why does magnus act surprised to see a messenger of the gods, and make a quip about being dead, if not because angels are otherwise extinct?! WHO KILLED THEM, AND WHY?!
thus concludes the “over analyzing one-off lines“ show. see you next, uh, maybe at some point if i feel like it!
(also another thought i had but couldn’t find room to fit it in properly: the gods don’t really act like angels are all extinct, but i feel like that can be explained through the sheer scale of a god’s lifespan. if we assume they were wiped out sometime around the original kid icarus (even if not as palutena’s army) then that’s a whole twenty-five years. that’s a long time for us humans, but for a god, that might as well be last tuesday. “yeah, i know what angels are like. sure wish i could have one. too bad palutena’s got a monopoly on the one single angel that medusa didn’t manage to wreck.”)
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bitchfitch · 2 years
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idk i have a lot of thoughts about Peregrine but I'm kinda like, unsure how to express them.
Peregrine is one of only a Very few characters of mine who got a design before I'd come up with the broad strokes of their story. it's basically always the other way around, with Evi and Evla being the only other two exceptions.
And that design is of a kind faced, pretty, black man.
I don't think I regret making him black, but there's this constant hesitation when I'm writing him or considering drawing him. I don't worry that his story or design are problematique ™ I worry about people deciding they are because they want to start shit.
I'm a gothic romance guy, I write stories about horrible tragic relationships that always feel at best bittersweet, but i worry putting a black man center stage in a story like that will be taken out of context. That Peregrine being unfaithful will be willfully given meaning it simply doesn't carry.
and like, it's that hesitation that keeps me from getting anything done with his story. I can't afford to pay sensitivity readers, and even if I did and made absolutely certain there was not a single problematic line in the whole thing, the people who see a black character as something to overanalyze and tear apart for having even a single character flaw will still start shit that could very well put an end to my art career. because that's just the risk you take when you're a small creator trying to do anything more inclusive or more complicated than a kids cartoon with a token poc background character and i just Hate that. for like, how it stifles not just me but all artists' ability to include poc in works deeper than a puddle without risking Everything to do it.
and tldr: I'm just so fucking Frustrated and just want to tell a story about a guy falling in love with his husband's secret Wolfman twin brother bc that's a fucking premise and a half but I'm having to worry about purity crusades instead.
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spenciegoob · 4 years
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How to Never Stop Being Sad
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A/N: Yes, this is another song inspired fic I am OBSESSED with them. If you’ve listened to how to never stop being sad by dandelion hands, are you okay? If you haven’t and you do because of this I would like to formally apologize. Okay so I started writing this and I just want to say that every single one of you is so beautiful because like wait hold on I’m getting flustered... Anyways, everything about you is beautiful that I just got so overly flustered and hot THINKING about it. Okay that’s all carry on.
Pairing: Spencer Reid x Fem!Reader
Summary: Spencer shows Reader how to stop being sad in tiny ways.
Category: Angst, Hurt/Comfort
Content Warnings: mentions of depression, loneliness, body image issues and self deprecating thoughts
Word Count: 21K
Masterlist
____
Time has proven that fooling yourself into believing the lies is the most effective way to deal with the things you have no control over.
She sat there, for too long if she was being honest, staring at a reflection that couldn’t have been real. The mirror in her bedroom had to have been replaced with one from a carnival, distorting the image as a sick, twisted joke.
Your thighs are huge.
Your hips are too wide.
Your stretch marks are disgusting.
She had enough, finally letting the tears that welled in her eyes escape, falling down like raindrops on a window as she sat back and rested her head between her knees. She couldn’t bare to see anymore, all the early morning jogs, gym memberships and diet remedies were for nothing. 
Her body had a mind of its own, and she couldn’t control it.
But then her front door clicked as Spencer all too excitedly used his brand new key, expecting to see his girlfriend sitting on the couch he fell in love with her on. The first day she invited him upstairs, the door was opened and his eyes immediately fell to the obscure, bright purple sofa that oddly enough went well with the rest of her simplistic, white furniture. 
“I saw it once at a thrift shop and it was too perfect not to buy it,” she said, noticing the way he was eyeing the couch. He let a smile break across his face, knowing in that moment that he may just be in love.
But she wasn’t there, and when the door clicked shut, she was also made aware of the presence in her home. 
Quickly, she pulled herself off the floor, wiped the tears that accumulated under her eyes and down her cheeks, and avoided looking at the reflection in front of her.
“Y/N? Are you here?” Spencer called from the living room. She knew he was slowly taking steps that he attempted to make as quiet as possible, just in case, towards the hallway that led to her. 
“Uh, y-yeah I’m here. Just a second!” She called back, rushed and stuttering as she looked for the biggest sweatshirt and sweatpants she could find. Deciding on gray sweats and a Caltech sweatshirt, both belonging to Spencer, she took one last look at her face hoping he won’t catch what her previous activities consisted of.
When she walked out of the bedroom, Spencer saw it. He always did.
But what she noticed was the fact Spencer was dressed up, even after stopping home from the office before coming to her. They had a date, and it wasn’t that she forgot, oh no, she remembered clearly, but in her attempts to find something to wear that would be enough, her spiral had begun.
“Come here,” was all Spencer said, opening his arms for her to waltz into, and she did, slowly dragging her fuzzy sock clad feet over to the man in front of her that held both the warmth and answers that she needed.
“I’m sorry, I just... I can’t-”
“I know, it’s okay.” His reassurance calmed the nerves she had for the past hour over if Spencer would be mad that she flaked on a date. “Usually I’m the one to cancel dates. Do you want to tell me what’s wrong?”
He wasn’t prying for answers, she knew that, and she also knew that if she said no, Spencer wouldn’t push it. That was the thing about Spencer; he didn’t need to know what was wrong, but he always knew how to fix it.
“Not yet,” she mumbled, her words muffled by his chest that she pressed her face into the moment she had the chance.
Spencer cradled the back of her head, forcing it off his chest softly to gaze down at her with a face full of worry, curiosity, but most importantly, adoration.
“Come on, sweetheart. I wanna try something,” Spencer said before grabbing her hand and leading her to the purple velour couch. He sat down first, pointing away from him with his free hand letting her know he wants her facing away.
The second she sat down, Spencer let go of her hand and replaced both on top of her shoulders.
“Spence, what are you doing?” She giggled slightly when his fingers brushed near her neck. Spencer will never quite get used to how ticklish she was.
“I’m giving you a massage, I could feel how tense your muscles were from across the room.” She knew it was a lie. He also knew it was a lie, but neither had the want to say anything about it. 
His hands caressed her shoulders before moving down to her back, his fingers resting on the sides of her body as his thumbs did all the work. She let her head lean back as a sigh left her body with the tension.
“You’re so beautiful,” Spencer whispered just loud enough for them to hear, and even though they were the only two in the room, the admission felt natural as a whisper like if he said it any louder, it may have broken the bubble they were in.
Slowly, she looked down to the left of her, watching Spencer out of her peripherals. The second her eyes started to glisten, he abandoned the massage altogether to wrap his arms around her waist and pull her directly against him.
“I’m sorry I don't know why I’m crying,” she said between gasps for air and soft sobs. Spencer simply shushed her, and held her close to his chest, brushing his fingers through her hair.
He tried to turn her body to face him, but in her stubbornness, she stayed with her back to his chest.
“Hey, look at me, sweetheart.” Spencer put a finger under her chin, delicately lifted her head to lock teary eyes with his loving ones. “You are the most beautiful girl in the world, and I promise to remind you that every day for the rest of my life.”
And Spencer Reid kept his promise.
Keep listening to the mixtapes they made you, overanalyze every single word you hear. "Was this a sign that things were going wrong?" No no, you were the one that cared too hard, not them.
The couple had impulsively decided to spend their two free days together in an impromptu vacation to New York City. Spencer never actually cared for the city, but when he watched the way she lit up as she suggested they go “be one with the New Yorkers,” how could he say no?
That’s how he found himself in the passenger seat of her broken down Volkswagen beetle listening to her sing along to the words of a song he’s never heard. Most of the songs she’s played so far he hasn’t known, but after watching her get lost in music she has no shame in showing she loves, he knows every line.
And when the song changes, his ears perk up because he knows this song. Spencer is aware that it doesn’t quite conventionally fit in his usual music library, but nonetheless, it’s adored just the same as Beethoven or Bach.
But then the channel is changed, the force used to push the button on the radio much stronger than needed. It was quiet for a second before Spencer spoke up.
“Are you okay?” It was simply put enough that if something was wrong, which evidently there was, she wouldn’t feel interrogated about it, only comforted.
“Uh, yeah. Everything’s cool,” she said in what could be the most unbelievable faux cheerfulness Spencer had ever heard. “That song just brings up some bad memories.”
“Oh,” Spencer whispered. When it didn’t look like she was going to elaborate, he continued. “Do you want better ones?”
“What?” She took her eyes off the road to look at Spencer like what he just asked was absolutely preposterous. “What do you mean?”
Instead of answering, he changed the station on the radio back. Time was on Spencer’s side this morning, because the peak of the song was about to play once he settled back.
She's a, she's a lady, and I am just a Line Without a Hook
BABY, I AM A WRECK WHEN I’M WITHOUT YOU
Spencer loudly sang along to the words, throwing his head back as he yelled and using his hands as he sang. She looked over at him with wide eyes that slowly shrunk as her smile grew.
The ice the song caused to freeze over her mind and heart slowly melted from the warmth Spencer’s love spread. Together, they sang the rest of the song, and when it was over, she still had a smile on her face.
“You’re a terrible singer, you know.”
“Oh, I know.”
Stay up every single night staring at your phone either attempting to gather up the courage to turn these demons, these constant reminders of your loneliness into nothing more than a bad dream, or praying just for one second you could feel the warmth of equally returned love.
There are many reasons one doesn’t answer their phone.
She could be on the phone with another person, but no that’s not possible. Her hatred for speaking over the phone ensued she never answered anyone but him.
Maybe her battery died, but that would mean she didn’t charge it overnight. Spencer watched her plug it in around midnight, even after he’s told her the dangers of doing that.
His mind unfortunately went to a darker place, because what he didn’t know was that hers did too.
She had watched her phone on her dresser vibrate insistently all three times until it fell to the floor with a deafening crash. She hoped that it didn’t crack, but that hope wasn’t strong enough to get her out of bed to check. 
Spencer in his panic never expected to walk into her apartment to find everything in its place. Her car keys sat where they always did, in the bowl by the front door. The boots she usually found an excuse to wear with everything were sitting where she struggled every day to get them off by the couch, and there wasn’t a single sign of a struggle.
And then he walked into her bedroom to check one last time before he called Garcia, and while he found signs of a struggle, it wasn’t the one he was dreading.
It was the one she was.
They made eye contact the second the door opened, and upon seeing her safe, Spencer bit back a sigh of relief. There was no relief flooding his veins when the sadness in her eyes traveled to his, creating a sick equilibrium.
Spencer’s mind no longer cared about the missed phone calls, there were more important matters at hand.
“Hi, sweet girl,” was all he said as he shuffled into the room. “I got to go home early today, so I was thinking I could cook dinner for us.” Spencer had started to pick up thrown clothes off the floor, securing them in the dirty hamper. He was about to start putting books back on her bookshelf when she called out.
“Spencer.” It was only a whisper, because anything louder would’ve been too much work.
“I know, I know. My cooking skills aren’t the greatest bu-”
“Spencer,” she said again, much louder this time, even if it was just a hoarse excuse of his name.
He turned to her this time, stopping his cleaning. She had sat up only slightly to catch his eye. Regret filled her veins when they met, but upon gazing into pools of honey that held no pity, but an understanding, it melted.
“What are you doing?”
Instead of truly answering the question, Spencer held up the books that were in his hands. “Do you organize by last name?” When she just gawked at him, he continued, “We’ll do last name.”
She had no energy to fight him, he was right about the last name at least. Instead, she just watched him organize the book shelf in record speed, her mind clearing the fog that laid dangerously close to her thoughts.
When Spencer picked up the last book to be put away, she called for him again.
“Can you read that one to me?”
“Of course, sweetheart.”
Go out for coffee four times a week by yourself, always bring your notebook, never stop writing. Leave little comics and thank you notes with your tip, watch them smile as you get in your car.
She always sat alone. It was the first thing Spencer noticed about her because he too enjoyed his coffee at a table with only one chair. He would watch her every day when he got the chance to go to this cafe, so much so that his brain associated her with the place. The small mismatched couches that gave it a homey feel would always remind him of her, even if she were not sitting on them.
Who she was? Spencer did not know, but he was going to make it his mission to find out.
He always sat alone. A man like that, one with features perfectly sculpted, and an aura of comfortability so strong she didn’t have to follow the jingle of the bells on top of the door to know it was him who entered. She would look up from her notepad filled with doodles of everyone who walked by her, and comments about the day. He would always be reading, it being a new book each time. 
One day when she looked up at him, wondering what he could possibly be reading now, their eyes met. She felt herself get lost in his eyes, like running through a forest, charting unknown territory carefree with no reason to turn back. Everything about him was so soft that she feared if he came any closer to her jagged thoughts, he may find himself ripped to shreds.
For the first time in Spencer’s life, his mind seized its constant running, the relief so strong he felt his limbs follow suit. She had paralyzed him with her stare, green meeting honey, mind numb except for the begging to get up and introduce himself.
In all the times he watched her, Spencer had never seen her smile until that moment. If there was any doubt that he shouldn’t talk to her, it was quickly washed away with the realization he would stop at nothing to see it again.
“Uh hi, I’m Spencer. Spencer Reid.” When she looked up at him from where she went back to writing, his heart faltered. Her gaze was so cathartic that it leaves his brain fuzzy and his heart giddy.
Spencer never believed in a god, but if there was one, she was sitting in front of him.
“I’m Y/N. Y/N Y/L/N. It’s nice to finally meet you.” Giddy and fuzzy.
When his phone rings, Spencer swore whoever dared interrupt the moment he’s been dreaming of every night for 4 months was going to feel a wrath unparalleled. He reached into his pocket, and upon reading ‘Hotchner’ in bold letters, his face fell. 
“It’s okay. We’ll see each other again,” she reassured him before he had the chance to queue her in on his need to leave. She just knew, the same way she knew it wasn’t going to be the last time she saw his face.
“Until then.”
“Until then.” She smiled as she watched him leave, and once the door shut behind him, she returned to her notebook. The smile never left.
Talk down on yourself whenever possible; my life is shit because I deserve it, right? You must have done something real bad, it’s nearly impossible for you to cry now.
It was always the little moments that Spencer let it slide. When he brought her coffee on the off chance he found a free day, and surrounded by her appreciation for his kindness was a mumbled ‘I don’t deserve you,’ he let it go. 
The time they walked by a small boutique, and a dress in the window caught her eye. It was short, purple silk loosely hanging off the collarbone of the mannequin, only to tighten at the waist. 
“I couldn’t imagine wearing something like that,” she told Spencer before the two continued to walk. He could.
Spencer thought she would look rather beautiful in it.
And now, they sat on her purple couch while Spencer attempted to pay attention to the TV show she was binging. He kept all his comments to himself, she liked to talk about what they watched after, and he vowed that this time, Spencer would actively participate in the conversation.
But when he looked down at the girl laying in his lap, he found she was no longer following the storyline, and instead looked a million lightyears away.
“Hey.” Her attention snapped to him instantly. “Where'd you go just now?”
“I was just thinking about you,” she admitted. Looking away she continued. “About us.”
She didn’t continue with that thought, but with the sadness that filled her voice, Spencer knew there was more than what she was letting on. He also knew that if she really wanted to share her demons with him, letting them dance circles around them in the dark until the sun came up, she would release them. So instead, he tried to shoo them away.
“You know I love you, right?” If reassurance was what she needed, he would be more than happy to grant her that.
“Why?” She whispered back, so softly that Spencer could’ve missed the way the room no longer just held the two of them. She could not find a singular thing she loved about herself in that moment, so what was Spencer actually seeing?
Spencer sat with that question for a moment.
“You make me smile, even when you’re not with me. When I’m away, thinking about you is the highlight of my day. You’re beautiful, it kind of knocks me off my feet for a second, and you’re so kind, even when people don’t deserve it. You’re a light in the dark. Plus you make really good cookies, but that’s just an added bonus. Does that answer your question?”
Spencer looked back down at her, finding a smile and tears, and somewhere in his mind, he knew to make a mental note of this image.
“Yes,” she whispered before reaching up and cupping his face. “But now I really want cookies.”
Avoid your friends for weeks even though they're the only sense of consistency you have left in your life, if they really wanted to see you they'd come, but they won't.
She could feel herself slowly closing off, and no matter how much she willed for the isolation to find its way out, it still crept in at night. Without care, she let it consume her, taking more and more time during the day to dissipate to inevitably crawl back at the first sign of dark. It infiltrated her mind like a parasite, latching on to the first vulnerable thought.
Spencer did nothing wrong, he was sure of it. What he wasn’t sure of, however, was the reason for his girlfriend’s abrupt distance. He knew that in relationships, sometimes space apart from one another is important, but that knowledge wasn’t enough to stop the nagging feeling.
Something else was wrong, he was sure of it.
Alone she sat staring out the window at cars that drove by and people enjoying the day in each other’s company. The sounds of the world were not enough to drown out her mind’s racing, the thoughts so loud that she could’ve missed the knock at her front door.
It happened again when she refused to move or make a sound that could inform whoever was on the other side of her door that she was home. By the third round of knocking, she grew irritated and stormed over to give whoever interrupted her self loathing a piece of her mind.
But she opened the door and there stood Spencer, and whatever obscenities she planned on yelling were forgotten. In their place, guilt flooded through her because Spencer didn’t storm in angry, or yell at her for avoiding him for a week. Instead, he just stood there, no anger, just unapologetically Spencer.
“It’s been a week,” he said, no heavy emotions in his voice, just very matter-of-factly. “I hope it’s okay I stopped by.”
No one had ever just “stopped by” before. 
“It’s more than okay.”
Allow yourself to lose interest in the things you love, watch as you begin to take a backseat to the world around you, don't fight it. Become a secondary character in your own motion picture.
Spencer wasn’t particularly snooping as he was curious. She was in the shower, and he spotted it. Before he even had the chance to force his eyes anywhere but the leather bound journal, it was too late. His mind was already too curious for any other decision besides to read what was inside.
It was the same journal she was so engrossed in every time he looked at her in the cafe.
The first few pages were simple sketches of people he recognized as regulars from the cafe. On the fifth page, what looked to be an unfinished drawing of a man was found with a little note next to it that read ‘My art doesn’t do him justice.”
Spencer could’ve sworn he had that same haircut 7 months ago.
Moving on, he flipped to a page with a drawing of a sunflower on it, the stem growing up the side of the page with a small flower on the top, leaning over what he suspected was a poem. It read,
with striking precision, my mind is full of thoughts
only i have not a soul to voice these nags
the episodes of Self Growth and Actualization that i long to not be
my reassurance alone.
if only my being was of a sunflower’s,
to sit in a field surrounded by those who are
Just Like Me.
Spencer read it over and over, scouring his brain for the poem’s author. He was trying so hard, his brain going into overdrive that he missed the sound of the shower turning off.
She walked out of the bathroom to find Spencer sitting on her bed, journal in hand.
“What’re you doing?” She asked, although no matter how hard she tried to sound serious and authoritative, it more or so came out joyous with the giggles that followed her question.
“Who wrote this poem?” Spencer asked, finally looking up at her. There she stood in the doorway of the bathroom, bright pink fuzzy pants and a white t-shirt on, drying her hair with a towel and she has never looked more beautiful.
“Which one?” She walked over and peaked at the page Spencer landed on. “Oh, that’s mine.”
It was so nonchalant that Spencer had to repeat it over in his mind to fully grasp what she said. 
“You wrote this?”
“Mhm.”
“Do you have more?” She laughed at his eagerness, but when she looked over at his dead serious face, her smile dropped.
“You can’t be serious. Spencer I wrote those so long ago. Eventually I realized it was going nowhere and just gave up. They’re really not that special.”
“They are to me.” The couple held eye contact, a silent standoff between the two. One of them had to back out eventually, and then the thought that no one in her life had ever told her that her art, whether it was huge painting or little doodles, long written out memoirs or tiny poems, was special. 
So she threw the competition, and sat down next to him on the bed.
“There’s another one on the next two pages.”
You don't need other people to drive away your loneliness, you just needed to find a way to talk to it.
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uweiy · 2 years
Note
39-42-50🙆
Thank youuuuu for the questions! Ily 💝
From this ask game by @clumsyclifford.
39. Is any aspect of your writing process inspired by other writers or people? If so, who?
Yes and no?
No, because I don't think I have a writing process lol. My writing process is –the process you'd have for a first draft of a novel maybe?– have a story idea and scribble everything onto a page lest you go insane, and because you want to know what happens. Then I reread it and tweak it and pepper in some foreshadowing, better the descriptions, better the characterization (since u always know the characters better at the end of a fic than at the beginning).
And yes, because in terms of the actual WRITING, probably every single fic I've ever read, every experience I've had, every book and every show I've seen.
42. Have you ever received a comment that particularly stood out to you for whatever reason?
My memory is terrible so nothing imprints really long-term but all types of comments stand out to me when I recieve them !! for like different reasons :
The "asjcidkdlodidjsbs" or like "loved it!" Comment : This person probably did not have a lot of time or didn't know exactly what to say but still wanted to tell you they enjoyed ur work 🥹👌yes good 10/10
Detailed quoting things back to you: U guys are the backbone of society. So GOOD to know which words struck a chord in different people. Thank you for the delicious fucking food. 🤤💯👌 10/10
The one line "I love the way you did [precise thing like characterisation, this scene etc.]": You probably touched the exact something I was insecure about, cradled it in your arms and told me it had worth. I am probably crying. 🥹😳👌 10/10
The repeat commenter: You can say whatever. I love your face. I am kissing you on the mouth. ❤️👌 10/10
50. Answer any question of your choice, or talk about anything you want to talk about!
Thankss!!!!!
2. Go to your AO3 “Works” page, to the sidebar with all the filters, and click the drop-down arrow for “Additional Tags.” What are your top 3-5 most used tags? Do you think they accurately represent your writing habits?
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Besides the one blurred out (fluff) i mean. Yes. That's what I write mostly! I love getting characters together with what canon gives me. Love me some tension first but dear lord happy endings. And canon universe! (Though I do write AUs sometimes).
The talk about anything
I love fanfiction writing.
I love it. It's so good. I love taking building blocks from canon universe and fill in the gaps and overanalyze and delve into the minds of the characters to craft a story that makes sense to me. I love getting into my favourite characters's heads. I love finding underlying themes and learning more about the show and myself and what I want to express.
I honestly never thought I could write fanfic 3 years ago. If you feel compelled to, if you are hesitating, if u like reading it but are like 'i could Never'. DO IT. TRY IT OUT.
Write two sentences in ur notes. Write for yourself. Post it if you want. Get some support.
It might not be for you. But again, it might!
10/10 recommend it! 👌💯
My ao3
Fandoms:
Asian Dramas: The untamed, the devil judge, Mriad, love is science?, Some others
more recently Stranger Things
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the-slasher-files · 4 years
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Alright allow me to overanalyze on Asa Emory’s character, if you don’t mind... 
THE COLLECTOR AND HIS DOGS
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Basically this is just me nerding out over dogs and the life of having working dogs also the connection Asa might have to them, so don’t mind me. Now if you do not know I am a person who owns 3 dogs myself, is a big dog lover, have worked with many many different types and characters of dogs, and also follow different sports and clubs with dogs involved. So from experience and research this is where I get this info I'm gonna share ;) hope you enjoy my ted talk🔪💕
In the first movie The Collector Asa has a German Shepard chained up outside the home, using it as a first of many strings in protection. Later on in the movie you get a better look at the dog and what it can do; searching and wanting to lock onto a target, any target. Now this is different from protection work and leads more into a German dog sport called schutzhund. This sport is the ability to test just how good your working dog is at working, it is based from protection work, to tracking, to obedience, to bite. 
This training style is very severe in some cases, and this is what the police use for their training more often than not. It takes a very particular person to have dogs in this sport, even if it is just for fun. And we all know just how particular Asa is lol. 
Now who is the type of person to put their dogs into this? A very interesting one. First of all, anyone who is really into this work will hand pick the type of dog they want, from breed to working lines (meaning how well the dogs parents did in competition, as well as how the breeder is with other dogs). Now you can choose as well where you get these dogs from, could be from Europe to America doesn’t matter, it is up to the soon to be owners choice. Either way these dogs are expensive and need heavy hours set into them to achieve the level of training Asa has his dogs working on, and even more so in the second movie by working together. These people often have a huge thing with power and control, which we already know from Asa, but also they usually need/have extreme self-discipline wanting to be perfect in every aspect, could be a dogs position next to you if they aren’t as close that gets you fucked up because they could not defend you properly. Everything needs to be flawless. 
With all this work, self-discipline and control it can be extremely rewarding, especially for Asa in this case to see someone get their face ripped off, it is in his sadistic nature. Even having the dogs presence is often enough to intimidate anyone, in a lot of police work situations people will flee or hide somewhere if they know it is just a single officer, but once the dog gets brought in people more than likely surrender, fast and easy. If anyone of Asa’s collection pieces chooses to run or hide, the dogs can sniff out where they go, they can out run people and will bite, at least without the dogs people could have a chance. Another good thing about dogs is that they alert, if Asa is working and the dogs bark he will know exactly where that person is easily. 
So to overview what I just rambled about before getting into the next topic, Asa is a very control oriented person, needing to have power over something and be very strategic in doing so. Getting off on the intimidation and fear factor of his victims, and even more so when people get bit. These dogs are also for his own protection, caring about himself and his beautiful collection first, and maybe even caring for the double life he leads more. It also can make Asa’s life easier, not having to always make the kill himself, and this leads me to believe that it isn’t really the kill that gets him off, it is the chase, the skill he has taken and the victims skill of getting away that drives him. Almost uses the dogs in more annoyance just because people aren’t dying and getting in his way or messing with his stuff. I mentioned skill a sentence back and I want to bring it up again because I think it’s important; Asa can appreciate the skill of his victims, it makes it more thrilling but also I think he has a deep appreciation for his dogs skills, being extremely hard working and intelligent creatures, like himself and some victims. Now with the thing about Asa taking his favorites, he is trying to find the right one, the perfect one, making more sense for him to have dogs, Asa can mold his perfect dog, using only working dogs, dogs that love to please and want to be perfect for you.            
Now moving on to the next topic - Connections. So this could go two ways, a good way and a bad, no in between. The majority of people grow extreme bonds with their dogs, especially their working dogs, all the hours you put into the training and you have to trust your dog and they have to trust you. In the military specifically dogs build one of the strongest connections with the soldiers, they are their comfort because they see the same things and yet still have a wagging tail, they can save each others lives, protect one another and appreciate each other deeply for skill and for love. Now there are other people, most common in police work because the dogs can sometimes be too intense or have certain contracts but, these people don’t take their dogs home or when they are home they stay in one room or kennel mostly. Sometimes there are dogs that just can’t adapt to home life and just want to work, but sometimes they can make wonderful family and house dogs. At the same time it is up to the owner choosing what they want for the dog. 
Something strikes me with Asa that he genuinely loves his dogs but at the same time some of his actions make me think twice. In the first movie the dog is chained up away from the dangerous traps of the inside, he is protecting the dog at first, but moving along in the movie he releases the dog into the home going after Arkin. Now this is the dogs job mind you, so Asa trusts him, but also you can see a lot of traps or dangers have been removed so the dog can work safely and knows the dog is smart enough to avoid some of the obvious traps. He lets him work but also wants to help the dog, perhaps not wanting the dog to get seriously hurt or maybe just finally finishing Arkin off. Also the scene where Asa is outside and calls off the dog when he is biting a guy, again maybe for safety of the pet maybe just to watch the man struggle. Ultimately the dog dies in the first one, but Asa watches very carefully when the dog is going after Arkin, and there is almost a ‘sadness’ or maybe curiosity to Asa’s face, and I think he knows in that moment his dog is sadly dead. 
In The Collection you don’t see the dogs really work that much, you only see them barking at Abby then barging in the room with Asa, so it is hard to really see any connections. From both movies I would say Asa takes the dogs with him for the most part, takes them to ‘jobs’ and brings them to the hotel. Now at the hotel it is important to notice the dogs do not have free range or else we would see them probably a lot more. My best guess is that Asa cares for the dogs and doesn’t want them getting hurt by his traps until he knows who the people are, that’s when he loses it, literally going in all guns a blazing. When he does bring the dogs out they are only with him, aka his control and protection side coming out. Now in this scene Asa has an assault rifle that he uses in tandem with the dogs, but I noticed carefully watching the scene, Asa never shoots towards the dogs, he lets them work, again trusting them deeply, if he did shoot around not caring for them the bullets would have defiantly hit Arkin and wounded him or killed him. Of course after this scene we don’t really get to see Asa in any sort of grief, (which I really wanted lol) he is just busy trying to kill everyone else and not get caught by the cops. 
Then in the final scene of The Collection we see Asa’s home, this is like months after the events at the hotel from what I can tell, but we see no dogs, not a trace. Simply he maybe could not have gotten anymore dogs since his collection was destroyed and he doesn’t really need dogs to protect his stuff any longer, or maybe Asa did not find new dogs that he wanted yet, or just maybe they were locked in the house away in a room, keeping his house spotless. Who knows it is all up to the person watching, I don’t think they expected a dog crazy person to be diving this deep lol.
So my final thoughts. I personally think Asa really likes his dogs and they bring him good company and something to have power over in his regular life. Once you have a dog, especially dogs that take so much work and training time it is very hard for people to just stop having dogs. Also being a biologist I think he can deeply appreciate them for their intelligence and skill. If anyone says Asa would like cats you can fuck off because look what happened to the cat in the first movie, it was clumsy and got itself killed, plus look at his house, not a thing knocked over lol, a cat would never do for him. Anyway thank you for coming to my ted talk and letting me nerd out! Fill free to add your own thoughts.       
This is Aero from the first movie, a German Shepard that might be from some European lines, but looks mostly American to me.     
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Now I sadly couldn’t find these dogs names, but these 2 are a little different. To me the one on the left looks like a European line longer fur german shep. While the one on the right looks like a belgian malinois maybe with some shepard in it. 
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