#mike Hernandez

[comicarthistory]

Black Canary pinup from All Star Squadron #42. 1984. Art by Mike Hernandez and Terry Austin.

[warhead]

[stardestroyerss]

Oscar with his brother on set

Credit to gustianhe on twitter

[atomic-chronoscaph]

Wonder Woman - art by Mike Hernandez (1983)

[uomo-accattivante]

At this point in its history, Marvel isn’t known for tinkering with its proven superhero formula. And yet “Moon Knight,” the studio’s current Disney+ series, has taken some unexpected chances.

Its debut episode introduced Steven Grant, a maladroit museum gift-shop clerk with a dodgy British accent, played by Oscar Isaac. Isaac also plays Marc Spector, a grizzled American mercenary who shares the same body with Grant — and who is also Moon Knight, the crime-fighting avatar of an ancient Egyptian deity.

As the story of “Moon Knight” has revealed, Spector has had dissociative identity disorder, or D.I.D., since childhood, and Grant is an alternate identity he created to shield himself from trauma and abuse.

“Moon Knight” was a risk for Isaac, too, even though his résumé already includes some of the biggest fantasy franchises Hollywood has produced. While he has made a whole career of projects that are many orders of magnitude smaller — performing “Hamlet” and “Romeo and Juliet” for the Public Theater and starring in intimate dramas like “The Card Counter” and “Scenes From a Marriage” — he has also been featured in film series like “Star Wars” and “X-Men.” Those blockbusters elevated Isaac to greater levels of recognition, but the grueling work they require and lack of input they typically allow made him hesitant when Marvel sought him for “Moon Knight.”

As Isaac, 43, explained in a video interview last week, the pleasure of “Moon Knight” was getting to explore the title character in a way that felt right to him, even if his approach did not always fit the Marvel mold.

Whether Moon Knight moves on to his own movie or a superteam like the Avengers “doesn’t matter so much,” Isaac said from the offices of the production company that he and his wife, the writer-director Elvira Lind, operate in Brooklyn.

“It’s a new character that we’re taking a chance on,” he said. “The nature of the story is this investigation, this slow-reveal mystery.”

“If it goes somewhere else, that’s great,” he added. “I’m glad it’s not just an advertisement for synergy.”

Ahead of the “Moon Knight” finale on Wednesday, Isaac spoke about the making of the series, of which he is also an executive producer. He also spoke about the unexpected oscillations of his career and about working for Disney while the company weathers a political firestorm. These are edited excerpts from that conversation.

Do you get two paychecks for playing two roles on “Moon Knight”?

I should, man. It’s funny because that’s what I was apprehensive about: I didn’t want it to feel like this masturbatory thing. When I started off, I was very adamant that I didn’t want to do the gimmicky, switching back and forth, Jekyll and Hyde part of it. I really segregated Marc and Steven, even asked if we could shoot them on different days. Just do it through reflections and don’t ask me to put on a different hat.

Some actors say they accept immediately when Marvel comes calling, but you didn’t. Why not?

I wasn’t, at that point, super eager to jump into a big production. I wanted to fall in love with acting again. I was a bit tired. I’ve got two young kids, and I was ready to take a step back, do smaller films that weren’t as big of a commitment. When this came, my immediate sense was, ugh, this is bad timing.

As a comics fan, did you feel like you were getting a B- or C-list character foisted on you?

Yeah, they’re pretty much down to the dregs. Although people said that for Iron Man, too — then it changes cinema forever and what an amazing performance that was. Part of the attraction was its obscurity, to be honest.

What were your inspirations for how you play Steven Grant?

It’s an homage to the things I love, like Peter Sellers and the British “Office” and “Stath Lets Flats” and Karl Pilkington. I was also watching “Love on the Spectrum” — these people are going on these dates, who are autistic, who are feeling all the same things that we all would feel, but they haven’t developed these masks to hide it all. It’s all out there in the open. There was something I found so moving about that. I started doing the character at home, and my kids were asking me to do him all the time

You spoke of feeling burned out on big-budget projects. When did you start experiencing that?

Toward the middle to end of the run on “Star Wars.” The commitment of time was such a long one, and the windows of availability were very specific. I started to get hungry for those character studies and working with those great directors.

You had worked professionally as an actor for several years and had some prominent theater roles. But did you find that big-budget films gave you some breakthrough opportunities?

There were a few supporting performances that gave me the opportunity to do really different characters on these big stages, like “Robin Hood” and “Sucker Punch.” What was fun was that nobody had any idea who I was. I played the King of England in “Robin Hood,” and nobody had a problem with that. Now that I’m more known, suddenly it’s like, can he play English? Should he play English? In this age, we know everything about everybody, and of course people have a problem with suspension of disbelief.

So as a Juilliard alumnus and a veteran Shakespeare performer, you didn’t think these types of films were somehow beneath you?

No, I didn’t feel like that. I wanted to make a living as an actor. I didn’t have the luxury of ethics; I didn’t have the luxury of integrity. [Laughs.] I felt like I could bring my point of view to whatever came my way. Early on, I was like, “If I had the one shot, I could prove …” And then I would get a chance, it would come and it would go, and I would realize, Oh! I guess I need another shot now. After a while, it was clear the only thing you can control is your craft and staying curious, and exercising that craft in whatever comes your way that you think is good.

Did starring in “Inside Llewyn Davis” feel like one of those opportunities for you?

That was completely life-altering in every single way. That was my first lead role. It was a Coen brothers movie. I played music. I still can’t believe that happened. I wanted it so badly and just worked my ass off beforehand. It was the serendipity of the moment that I did what I intended to do and the Coens took the risk on someone relatively unknown.

Was it strange that it led to even more fantasy franchise roles? Like, this is what they think of me?

I’ve been doing it long enough to know that there’s no “they” — it’s just people trying to make movies, whether they’re on a huge scale or a small scale. J.J. [Abrams] wanted to meet me [for “The Force Awakens”] while I was still shooting “A Most Violent Year.” I remember because Albert Brooks [his co-star on “A Most Violent Year”] left me a really funny message pretending to be J.J. before I went to go meet J.J. You take a leap of faith. And sure, had I not done that, perhaps I would have been available for some other thing that would have come my way. But no one ever knows.

You got an earlier shot at comic-book adaptations with “X-Men: Apocalypse.” It wasn’t well received, though I think it gets a bad rap. Is that a role you’ve disowned?

No, I don’t disown it. I know exactly what I went in there wanting to do and the reasons why. There were these amazing actors involved that I really wanted to work with, [James] McAvoy and [Michael] Fassbender and Jennifer Lawrence. I collected X-Men growing up, and I loved Apocalypse, I just found him such a freaky, weird character. And then you get there and you’re like, Oh my God, I’ve got all these prosthetics on. I’ve got a suit on. I can’t move. I can’t see anybody. All these actors I wanted to work with — I can’t even see who they are. I still think back to that time with fondness. I wish it would have been a better film and that they would have taken care of the character a little better, but those are the risks.

Would you count your time making “Dune” with Denis Villeneuve as one of your typical franchise film experiences?

Denis was the reason to do that. When he came to me, he actually didn’t have a role in mind for me yet. He was like, “I’m doing ‘Dune,’ are you interested? What role is interesting to you?” We decided it was Leto. It was challenging to be a very specific sound in a big symphony.

And you knew, going in, that it’s a character with a limited life span?

Yes, that was part of the attraction.

Was “Star Wars” your closest frame of reference when Marvel sought you for “Moon Knight”? Was that what made you wary?

They are such big, huge films. As fun as they can be, you’re outputting a lot of energy and then you leave and you’re just exhausted. That was part of the fear. I didn’t anticipate how much creative flexibility there was going to be — how much energy it gave me back.

How so?

Once Mohamed [Diab, a director on “Moon Knight”] and I started talking about what it could be if we could put our lens on it, we were like, it’s way more important that we’re true to D.I.D. than to some kind of comic-book back story. When you do the research on what causes D.I.D., it’s not like one thing. It’s not, you watched something horrible happen and suddenly you break out into all these different personalities. It’s from sustained trauma and abuse over time. This is a survival mechanism that clicks into place for someone who’s experiencing that. That they’re able to fracture their mind to survive it is kind of astounding.

For much of the series, Marc and Steven would interact in discreet ways, like talking to each other in a mirror’s reflection. How did you handle the sequences we saw in last week’s episode, where the two were often standing side-by-side?

I had my brother, Michael [the actor Michael Benjamin Hernandez], who is a great actor and shares my DNA, stand in as my alter. Other times, it was a huge challenge technically as sometimes, especially in the wide shots, I’d have to act with no one and remember the blocking I had done as the other character and respond to the lines being fed to me in an earpiece I wore.

Was D.I.D. a subject you knew about before making “Moon Knight”?

I didn’t. I had just done “The Card Counter,” which was all about trauma and living with P.T.S.D. I had been doing some research into that, and there was something that felt organic about seeing what’s on the other end of the spectrum.

Does “Moon Knight” speak to why stories about alternate identities and multiverses are becoming increasingly popular?

We live in a post-reality world. Things used to feel a lot clearer, and now they’re not. Nothing can be true or authentic anymore, and I think that’s being reflected in a lot of our popular culture.

You’re a prominent ambassador of Disney’s brand at a time when the company is experiencing conservative backlash and political retribution for its opposition to Florida’s “Parental Rights in Education” law, which its critics call “Don’t Say Gay.” Is this something you feel a personal investment in, and does that backlash affect you individually?

No, I’m not experiencing that. I’m not on social media, so luckily, if that is coming my way, I’m ignorant of it. But everything has a political undercurrent at the moment. Disney was forced to take a stand, and I’m glad that they took the right stand there. Sometimes silence or neutrality is just not going to work. It’s astounding to watch a vindictive politician try to own the libs. I grew up in Florida, and I recognize how dysfunctional the state is. But it’s an interesting time where everything is parsed, and if Disney is going to own so much of the entertainment industry, they’ve got to expect to come up against some tough decisions.

Are these the kinds of considerations you’re going to have to make now whenever you work for a major studio?

I’d rather not. [Laughs.] That’s going to require me to do a whole lot of research beforehand that I’d rather not do. I’d rather spend that time figuring out a good character.

There has to be some conscientiousness about it, but at the same time, you’re also trying to make a living and you’re trying to live in the world. I just want to make good stuff and hopefully try to do it in a responsible way.

###

[iamumbra195]

School Bus Graveyard incorrect quotes because I'm bored

o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o

Taylor: Look how creepy it is looking down this hallway.

Ashlyn: I'm gonna get vertigo.

Aiden: I'm a Virgo!

Tyler, deadpan: No, you're a virgin.

...

Aiden: You lying, cheating, piece of shit!

Tyler: Oh yeah? You’re the idiot who thinks you can get away with everything you do. WELCOME TO THE REAL WORLD

Aiden: I’m leaving you, and I’M TAKING ASHLYN WITH ME

Logan, picking up the monopoly board: I think we’re gonna stop playing now.

...

Taylor: Why is Tyler so upset?

Logan: He took one of those “Which Character Are You?” quizzes

Taylor: And...?

Logan: He got Aiden.

...

Ashlyn: What did you do with the phantom's body?

Aiden: What didn’t I do with the body?

Everyone:

Aiden: Okay, that sounded more sexual than I intended. I disposed of the phantom respectfully.

...

Aiden: Here’s a fun Christmas idea. We hang mistletoe, but instead of kissing, you have to FIGHT whoever else is under it.

Logan: Aiden, no.

Ben, with text to speech: Mistlefoe.

Logan: Please stop encouraging him.

...

Taylor: Who thinks I can fit 15 marshmallows in my mouth?

Tyler: You’re a hazard to society

Aiden: And a coward. DO TWENTY.

...

Emma, trying to be nice to Ashlyn's new friends: Would you like to stay for dinner?

Mike, excited for his daughter: WOULD YOU LIKE TO STAY FOREVER?

...

Logan: What's a word thats a mix between 'sad' and 'mad'?

Ben: Disgruntled, miserable, desolated-

Aiden: Smad.

...

Ashlyn: Why are you on the floor?

Aiden: I'm depressed.

Aiden: Also I was stabbed, can you get Ben, please.

...

Taylor: Aiden and I were crossing the street, and this dude drove by and honked at us

Ashlyn, sighing: What did he do?

Taylor: he chased him to the next red light, then reached into his window and...

Aiden: Who wants a steering wheel?

...

Aiden: If I accidentally sat on a voodoo doll of myself, would I be trapped forever in that position, doomed to starve to death?

Logan: How am I supposed to know?

Tyler: You say that as if we don’t use you as a source of knowledge of the occult.

Logan: ...You wouldn't be trapped.

...

Ashlyn: Tyler, keep an eye on Aiden today. He's going to say something to the wrong person and get punched.

Tyler: Sure, I’d love to see him get punched.

Ashlyn: Try again.

Tyler, sighing: I will stop Aiden from getting punched.

...

Aiden, holding a python: Guys I impulsively bought a snake, what do I name him

Tyler: You did WHAT–

Ben: William Snakespeare

...

Ashlyn: Dandelions symbolize everything I want to be in life

Taylor: Fluffy and dead with a gust of wind?

Ashlyn: Unapologetic. Hard to kill. Feral, filled with sunlight, bright, beautiful in a way that the conventional and controlling hate but cannot ever fully destroy. Stubborn. Happy. Bastardous. Friends with bees. Highly disapproving of lawns. Full of wishes that will be carried far after I die.

Aiden: edible

...

Taylor, whispering to Aiden, who’s on the phone with Ashlyn: Ask her something!

Aiden: How are you feeling?

Ashlyn: Fine.

Taylor: Something personal!

Aiden: At what age did you start hearing voices?

...

Aiden: If I die, my funeral is going to be the biggest party ever and you’re all invited

Logan: If?

Tyler: Great, the only party I’d actually go to and he might not even die.

...

Logan: We need a distraction.

Ashlyn: Is anyone here good at jumping up and down and making weird noises?

Aiden, whispering: My time has come

...

Tyler: Where are you going?

Taylor: To get ice cream or commit a felony, I’ll decide on the way there

Tyler: I'll come with

...

Mike, buying a whole bag of knives, guns and other weapons like he's going to war on a random Tuesday: I can explain

Jacob (shop owner): Can you?

Mike: If you give me thirty seconds to think of a lie.

...

Taylor: Heads up, if you try to make a candle with food colouring, it will just sink to the bottom of the glass, and when the flame eventually reaches the bottom all the food colouring will catch fire and become one giant tall flame that you cannot possibly blow out and the glass will start to crack and then you'll throw your tea on it in a panic and then the extremely hot food colouring will boil and sizzle horribly and then the glass will shatter.

Tyler, sighing: What did you do?

Taylor, wailing: A MISTAKE

...

Mr. Thomas: What are your goals?

Ashlyn: To pet all the dogs.

Mr. Thomas: No, I meant your goals for this trip.

Ashlyn: To pet all the dogs in Savannah.

...

Logan: Is letting someone win at chess sapiosexual bottoming?

Ashlyn: Does anyone in this godforsaken group ever think before they speak?

...

Taylor: Aiden isn’t answering their phone

Ashlyn: I’ll call

Taylor: Ben and I have both tried six times each, what makes you thi-

Aiden: Hello?

...

Aiden: I was arrested for being too cool.

Tyler: The charges were dropped due to a lack of supporting evidence.

...

Aiden: Jail is no fun. I’ll tell you that much

Taylor: You’ve been to jail?

Aiden: Once. In Monopoly.

...

Mike: You love me, right?

Emma: Normally, I’d say yes without hesitation, but I feel like this is going somewhere and I don’t like it.

...

Aiden: Let’s watch Sharkboy and Lavagirl.

Ashlyn: Okay

Aiden: And make out during the scary parts.

Ashlyn: The-

Ashlyn: The scary parts?

Ashlyn: Of Sharkboy and Lavagirl.

...

Ashlyn: How petty can you get?

Tyler: I once edited a Wikipedia article to win an argument I was wrong about.

Taylor: I KNEW IT-

...

Aiden: I've already sent good vibes your way… they’re coming. There’s nothing you can do to stop them.

Logan: This is the most threatening way I’ve ever been cheered up.

...

Mike: So what’s for dinner?

Emma, staring at the food she just burnt: Regret.

o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o

That's all for today!

[nuge]

teammates rallying beside him before walking off the field in solidarity against the racist chants from the crowd

mike maignan | AC MILAN v. UDINESE | 01.20.2024

[thefirsthogokage]

SAG-AFTRA and WGA on the Line!

[Image ID: A tweet from J.W. Hendricks (@JW_hendricks) from July 14th that reads:

Let's fucking go. #SAGstrike #WGAStrong

Under that is a black and white image of a person in a hat, sunglasses, and a Writers Guild of America shirt holding a sign that says "Now We Have SAG HO HO HO"

/End ID]

[Image ID: A tweet from Brig Muñoz-Liebowitz (@brigliebs) from July 14th that reads:

Seriously excited to see our picket line chants performed by talented professionals who know how to project from the diaphragm. #wgastrong #SAGAFTRAstrong /End ID]

[Image ID: A tweet from Dan Hernandez (@/cubanmissileDH) from July 13th, 2023 that reads:

People think writers and actors are soft. And we ARE attention-seeking validation magnets. But pursuing a career in the arts is also brave, foolhardy, and kinda batshit. We have all withstood incredible pain to get here, and we can take much more. #SAGAFTRA #WGA #Solidarity

/End ID]

[Image ID: A tweet from form L&O SVU writer Robert Brooks Cohen (@RobertBCohen) that reads:

The much-anticipated WGA/SAG-AFTRA crossover has begun. ✊✊ #WGAStrong #SAGAFTRAstrong #DUNDUN

With a picture of him holding a sign that says in full:

In the studio entertainment system, viewers are represented by two separate yet equally important groups: the Writers Guild of America, who create entire worlds, and the Screen Actors Guild who bring them to life. These are their stories. DUN DUN. /End ID]

Granted, there's also everyone in production, the set designers, the costume designers, the hair and make up people, lighting, sound engineers, etc. But I get his point. Anywho, the image of him in full:

I'll try to ID this one:

(link to first post)

[Image ID: Three tweets from three different WGA members from July 14th, 2023 that read:

Travis Helwig (@travishelwig):

Actors are tall

Mike Royce (@/mikeroyce):

a guy whipped his shirt off at like 9:01 this morning, we're in a different reality now

Jackie (Decembly) Penn (a strike captain) (@JackiePenn18):

We had like 5 actors do that this morning. We were not ready for it 😂.

[Image ID: Tweet from Justine Bateman (@justinebatemanl from July 14th, 2023 that reads:

This is what you get when you give over 100k actors a call time.

@sagaftra @WGAEast @WGAWest #ShowingUp

With a picture of many, many people striking.

/end ID]

[Image ID: a tweet from Will Landman (@WillTheLandMan) from July 14th, 2023 that reads:

Week 11, Day 74. The troops have arrived & gotdam did they arrive! Lovely to see so many familiar faces, all United fighting for a fair deal. The energy was off the roof at WB. I can imagine it was the same at every lot. We will win. #SAGAFTRAstrike #WGAStrike #DoTheWriteThing

After that are four pictures for their day striking.

Also, I just want to say for historical record: today was WGA Strike Captains Day, though idk if that was just at the WB lot or not.

[Image ID: a tweet from actor Christopher Gorham (@ChrisGorham) from July 14th, 2023 that reads:

Day 1. Again. I was there for the beginning of the @wgawest strike so you know we were going to be there for @sagaftra . Enough people at Disney today to wrap around the entire studio’s 1 mile perimeter. Here’s to the unrealistic militant minority! #sagaftrastrong #wgastrong

The post contains four photos from his time striking. /end ID]

Bonus: WGA West showing up for Teamsters on the Amazon Picket line:

[Image ID: a tweet from Liz Alper (@LizApls) on July 14th that reads:

When @Teamsters call, @WGAWest responds.

We joined Teamsters on their picket line at the @/amazon warehouse in Santa Clarita. Amazon drivers deserve fair compensation and safe work conditions (and AC). We'll see you next time, Teamsters. Don't order from Amazon.

Four pictures are included in the tweet from the day showing multiple people holding WGAW signs. /End ID]

Honestly, all this solidarity during all the strikes this summer is bringing a tear to my eye. I love seeing everyone standing up for each other and fighting together. Union Solidarity.is.stronger.than ever, and it's beautiful to see.

[clownin44]

You guys should totally give me art ideas for Ben, Alex, Ryan, Mike (ashs dad) or taylor.. just saying.. if you wanted to you could

[han-merlin]

The more I think about UCL Group F the messier it gets

The group of unparalleled horrors. Everyone is suffering in this group:

Sandro, and all of Milan with Sandro. Especially people like Theo, Davide, Spizzi, Rafa and Oli.

Probably all the NUFC players because of Sandro and his inevitable emotional turmoil.

Oli against Kylian.

Theo and Mikey defending against Kylian attacking is going to make me fucking vomit.

The showdown of the Hernandez brothers.

Lucas defending against Oli and potentially Theo attacking.

Gigio Donnarumma as Milan's previous goalie.

Even fucking Americaboy used to play at Dortmund.

Absolutely NOBODY is leaving this group unscathed.

[d4rkpluto]

𝔞𝔰𝔱𝔯𝔬𝔩𝔬𝔤𝔶 𝔬𝔟𝔰𝔢𝔯𝔳𝔞𝔱𝔦𝔬𝔫𝔰 𝔢𝔦𝔤𝔥𝔱𝔢𝔢𝔫

JUST TO SUPPORT

♇ those who have mars harshly aspecting mercury [ conjunctions included ] have terrible, terrible temper.

♇ aquarius placements really like to tussle or fight, [ including myself lol ] like all the people that used to fight a lot in my school had aqua placements or 11h placements or uranus placements.

♇ mike tyson has uranus aspecting pluto

♇ joseline hernandez an aqua mars

♇ i, an aquarius sun and im known for my moments here on tumblr

♇ people who have neptune aspect the ascendant, specifically sextile, get away with stuff, like a lot.

♇ having jupiter in the second house causes someone to have a big appetite to the point they dont know when to stop, well not all of them

♇ i think i mentioned this before but having sagittarius in your big six, or prominent in your chart, jupiter in your 1h or 4h along with it being prominent in your chart indicates that there is something foreign about your lineage. many people i've met who've had sag degrees, sag in their big six or whatever were always foreign.

♇ those with juno in the first house might be perceived as marriage material.

♇ those with south node in their 11h might've had a lot of karmic friends. or could've had friends that were friends with them in the past life.

♇ south node in the 7h = karmic relationships.

♇ south node isnt really spoken about in astrology; well tumblr, the south node doesnt only speak about your past life it can also speak about the present. the south node is known to be talented when it comes to spiritual gifts, if it is aspecting your moon it is a beacon of you being very spiritually talented. especially if it is aspecting your ceres or neptune.

♇ people with sagittarius and aquarius in their big two and not taking anything seriously or being very smiley people; bonus if aries is in their big six

-♇ i once had a post about how jupiter/neptune natives are truly the most loved. princess diana a sagittarius rising, michael jackson a pisces rising, and marilyn monroe had neptune in her first house. out of every celebrities, their death are always spoke about till this day.

♇ chiron in the 12h in a synastry or composite indicates of past life relationship; chiron in 12h natal chart definitely means there's some healing from the past life you need to do currently.

♇ those with cancer in there big six, specifically big three or prominent 4h placements have internet/youthful humour.

♇ sagittarius risings are also known for their smiles! and as it rules over the dolls, i must've said it before, but it makes them give big bratz vibes.

♇ main fandom houses are the 7h, 9h and 11h, so if you wanna see how your fans would be check there!

♇ even though leo is a fame sign, the main one is actually pisces; leo is more theatre kid and pisces is more flashlights, paparazzi and glamour.

♇ 20° is the ultimate obsessive degree, celebrities that are heavily fixated a lot have this degree in their chart, is the type of fame indicator which gets people hooked, for example, beyonce, ariana grande; ariana who has it on her rising and her appearance is always debated and copied. nba youngboy, travis scott, kim kardashian, kylie jenner, billie eilish, aaliyah, and selena gomez and so on.

♇ the degree is also an indicator of witch craft or just being around it or people theorise them doing it.

♇ pluto in 4h/12h/scorpio moon/8h moon/cancer 8h/cancer 12h = hidden pregnancy, or not being seen in public pregnant.

pluto

[e-electra]

AC MILAN as REDUCTRESS headlines.

[thefrogthief]

HAPPY OINGO BOINGO DAY!!!

For today I redrew what’s probably my favorite Oingo Boingo picture! :D

Click 4 quality! Original below the cut!

[andydrysdalerogers]

Sliding Into Home - A Frank Adler AU

Pairing: MLB!Frank Adler x Abigail Hernandez (OFC)

Synopsis:

After a trade from Boston to Los Angeles, first baseman Frank Adler would seem to have it all. Money, women, an amazing niece, yes Frank should have it all. Except for one thing. One thing that left after a mistake five years ago. Los Angeles should be the chance to start over. Except she is supposed to be in Boston. Not his new medical director.

* A Frank Adler AU x Major League Baseball Story**

Warning: ANGST (i can't stress this enough), second chances, cheating, eventual smut, slow burn, drug use, abandonment issues, betrayal, domestic violence (i may have missed some), flashbacks

AN: This is my new series I'm starting next week! I hope you all will like this one. Tagging my usual tag list but please let me know if you would like to be added or removed!

Taglist: @patzammit @firephotogrl74 @texmexdarling @slutforchrisjamalevans @jennmurawski13-writes @tinkerbelle67 @before-we-get-started @bunnyforhim

Master List and Preview below:

Frank was looking at a Los Angeles icon, Dodger Stadium.  It was his new home, his new team and hopefully his new life.  He asked a security guard where to go and was met at the door by an assistant.  She was a shameless flirt, commenting on Frank’s forearms and his tattoos, cooing about how good of a player he is.  There was zero chance of Frank being interested.  His Friday Night adventures were reserved for road trips only. His one-night stands worked out just fine, in his opinion.  

As he was guided into the conference room, Frank was met with the president of operations, Nick Stanton. “Mr. Stanton.” 

“Frank! Good to see you again.” He shakes hands with Frank. “We’re waiting for everyone so can I offer you a drink?” He gestures to Frank to sit at the table. 

“Just a cola, thanks.” Frank took the seat next to the head of the table.  

“How was the move?” 

“Smoother than I thought it would be. Mary, my niece, threw a couple of tantrums but between me and my nanny, we managed to get her here.”  

“Nanny?” 

“Oh yeah, Scott, he’s great. He was willing to move with us, which is great since Mary seems to only listen to him.” Frank chuckles. “Who would listen to your uncle/pseudo father?” 

“I remember that story,” Nick replies. “You are brave to take on a baby right after bring drafted.”  

Frank shrugged. “Its not that big of a deal. You would do anything for family, especially Mary.”  

More voices float towards the conference room and Frank stands as he sees his agent and lawyer walk in and shake his hand. Then the general manager for the Dodgers comes in, making small talk with Frank.  

“Ok, I think we are just missing the team doctor and our legal team,” Nick tells everyone. “Its not Natasha, she’s busy with another client.  She’s sending in their new associate.”  

Frank just nods as the GM goes over the training schedule and when he would meet the team.  The conference room door opens and Frank turns to see and his stomach drops. He feels himself become clammy and pale. Because this shouldn’t be happening.  

Fuck.  

He looks at the brunette that walked in.  

she’s definitely not supposed to be here.  

What the FUCK! 

Abby Hernandez, his ex-girlfriend, love of his life, walked into the room.  

It Doesn't Stay In Vegas

The Future is West

Are You Sure We Aren’t Going Crazy

You Were Enough; You Are Everything

Fastballs and Fiancés

You Left Me

Take Your Niece to Work Day

Don't You Know How to Spell Assume?

Wanna Feel Safe Again

Maybe I should Have Ducked?

When It All Falls Apart

WTF Just Happened!

D N A: Diane Nicole Adler

Not Just a Pretty Face

It's A Ruff Life

Status: All Star

Since When is Ice Cream Evil

On the Hunt for Mike Weiss

The Next Adventure

A Bump in the Road

Unexpected Surprises

For Reasons Unknown...

Evidence, Emotions, Whatever

Trial By Fire

The One With the World Series

Oh Captain! My Captain!

Finale

[nonsaremodellestar]

I MIEI RAGAZZI❤🖤

[yourfavealbumisgender]

Dead Man's Party by Oingo Boingo is Gay and Transgender!

requested by anon