Chapters: 7/7
Fandom: Star Wars: The Clone Wars (2008) - All Media Types
Rating: Explicit
Warnings: Graphic Depictions Of Violence, Rape/Non-Con
Relationships: CC-2224 | Cody/Obi-Wan Kenobi
Characters: CC-2224 | Cody, Obi-Wan Kenobi, Original Female Character(s), Other PT Characters
Additional Tags: Alternate Universe - Canon Divergence, Control Chip Removal and Aftereffects, Emotional Dysregulation, Pining, non-con not between the main pairing, And Occurs Off-Screen (See Author's Note for More Information), Temporary Obitine, Brief Quinobi, Therapy, Recovery from trauma, Eventual Happy Ending, Canon-Typical Violence, Some Brief Instances of Self-Harm, Coping Mechanisms, Healing, Abuse of Prisoners, Torture, Healthy Communication, relationship navigation, Implied Future Cody/Obi-Wan/Satine Hinge Relationship
Summary:
The very first piece of profanity Cody ever heard came from the mouth of one of his trainers. She’d been a quiet woman most of the time, especially during training, where she mostly communicated with her hands. But she’d tripped up, once, in the mess, and hissed out, “Kark,” under her breath after the clatter of sound from her armored foot striking a chair.
OR, the one where Cody sees some of the more horrific parts of the galaxy and takes the long and difficult road to recovery afterwards.
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Out of Context Stuff for a Danyal Al Ghul au i haven't posted - Pit Beast Danyal
Damian, 13: Look, Danyal, -- I am so sorry for everything that happened between us in the League, I hope you can forgive me.
Danny, 10 (allegedly): (has been secretly plotting to murder Damian this whole time, is still gonna do it obvs, but is going to make it significantly less painful now)
Danny: I-- of course, older brother. :]
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Bruce: what do you have there, Damian?
Damian:
Danny: (a hulking 10ft pit beast standing beside him, growling idly with ram horns gouging out his eyes and a second set of horns jutting into the air, spines down his back, and a long, spiked tail with an animalistic, skull-like face)
Damian, who smuggled him in (they've made amends): a smoothie, father
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Damian: this is my little brother Danyal, i murdered him when he was five. He festered in rage for the last half-a decade, took over a League mountain base in Switzerland, murdered everyone inside and then tried to murder me when I went to investigate with Drake.
Danny: hello!
Damian: we're cool now
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Damian: thoughts on resurrection
Danny, (a full ghost): i will succeed in murdering you if you try it
Damian: we'll put a pin in it then
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Danny (still instilled with League values): why don't we just murder him??
Damian, on patrol (Danny followed him): we don't murder people, Danyal
Danyal:,,,,are you sick, Dami?? Have you been possessed? Why not!?
(There is raucous laughing through the comms)
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Danny, five, pre-death: Dami! :D
Danny, dead, vengeful: Older brother (:
Danny, post-forgiveness: Dami! :]
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For some actual context: Danny is fully dead in this au, its a result of the classic DPxDC Demon Twins "death duel" trope but instead of Danny getting revived, he stays fully dead. Danny was five, Damian was seven. His ghost lingered though, and due to the proximity of the pits his ghost steadily absorbed the ambient energy it was letting off. The pits are not corrupted ectoplasm in this au, it's just liquid ecto.
Which means Danny's corruption from an angry and hurt little ghost boy to an unrecognizable monster is from his own doing. It's a result of him stewing in his hurt and anger for years, it physically warped him. He's very powerful. Danny can travel between League Bases but chose a small, out-of-the-way base in the Swiss mountains to fester in and then just. Never Left.
His influence steeped into the very foundations of the building, allowing him to transform and warp the rooms and hallways for his own bidding, Meaning he could turn it into a seemingly unending labyrinth if he so wished to, and block the entrance.
Eventually, blinded (both metaphorically and physically) by his own rage, Danny grew powerful enough to appear physically in the living realm and attacked everyone in the base, slaughtering them all and leaving the base abandoned. He attacks anyone who dares enter -- whether that be other league members, or the unfortunate hiker who stumbled across the base. His conscious is steeped into every nook and cranny of the building, there is nowhere you can hide where he can't find. Nobody leaves without his explicit say so. Nobody ever does.
Him appearing as ten years old before Damian in the skits above is his own physical doing. First it was to prevent Damian from being suspicious of him. Damian initially thought Danny was revived with the pits, he was too busy with his own training afterwards to notice that Danny never showed up again, and when he did notice, he assumed it was because Danny was too ashamed of his loss to face him. He'd always forget to ask about him.
Then it becomes a personal choice to appear as ten. It's how old he would've been had he been alive.
danny forgiving Damian is kinda for an offshoot branch of the main au. Whereas the main au takes the form of a ps4 first person horror game where Damian and Tim are investigating the Base for Plot Reasons. There's no sign of the rumored "monster" living inside until the end, where Danny, who was found inside the Base and has been happily "helping" them look around, manages to persuade Damian into splitting off from Tim in order to "show him something."
This something turns out to be Danny revealing that he never really forgave Damian for that fight, and he reveals through a horrifying transformation, that he was the monster the whole time. Which the game subtly hints at throughout as Danny's strange behavior becomes harder to ignore.
First from his insistence to only refer to Damian as "older brother" (when before the duel he always called him Damian or Dami), to him right off the bat denying the existence of a monster when questioned. ("There's no monster here, older brother. It's just me.") To other various things, like his knowledge of the outside world not matching up to modern times or things going on with the league outside of the base, or what happened to the other league members.
This whole idea was inspired by the song "Scylla" from Epic the Musical, with Danyal being the voice of Scylla as well as Odysseus, while Damian stands as Eurylochus. The instrumentals after Scylla says "hello" is him turning into the pit beast, and Scylla's "drown in your sorrow and fears" part is danny, as the pit beast, snarling at Damian while he attacks him.
There's a Good Ending, a Bad Ending, and a True Ending. The Bad Ending results in Damian being killed by Danny, it happens when Damian decides not to question or suspect Danny and treats him kindly. The Bad Ending is a cutscene, where Danny kills Damian quick and painlessly.
Meanwhile the Good Ending is Damian killing Danny. This is a boss fight, and it happens when Damian treats Danny coldly and suspiciously the whole time. Danny as a result, decides to make Damian's death painful as he had planned to, which is why it's a boss fight because it only causes him to double down on his anger.
The True Ending is Damian escapes with Tim. It happens when you treat Danny warmly up until the last minute, where when Danny proposes to Damian that he wants to show him something, Damian goes to talk to Tim and finally, reluctantly agrees that something is off with Danny, and that he'll be careful going in. It starts off with the boss fight until a third through, where it then changes to a cutscene where Tim manages to get the door open and Damian escapes out. It's then a chase scene down a never-ending hallway as the building actively works to keep you trapped inside. But you eventually make it to the exit so long as you avoid all the projectiles and doors.
Remember when I mentioned that Danny only lets people leave when he wants them to? That's where the treating Danny kindly throughout the game comes into play. It causes him to second guess himself and, eventually, reawaken and strengthen the love and admiration he had for Damian prior to his murder. It's why in the Bad Ending he kills Damian quickly -- because by then, he loves him enough that he doesn't want him to suffer, but is still so consumed by his rage and need for vengeance that he kills him anyways. That quiet part is what allows Damian (and Tim) to find the exit, because some part of Danny still loves Damian enough that he wants him to live.
The True Ending ends with a cutscene of Damian and Tim tumbling out into the snow/grass outside of the base. Damian looks up back to the entrance to see Danny standing there. But rather than a ten year old boy, there's a little five year old Danyal Al Ghul instead. He stares at Damian emotionlessly, blood seeping from his chest, staining his clothes, and little, bloody sword in his hands and tearstains on his cheeks, before he turns away and disappears back into the building.
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I think what's driving me insane about this specific arc for qcharlie is watching him slowly become more and more horrified at what's going on with the infection. he keeps brushing it off, and saying he's just going to let it run its course, and that if he has to change to be happy and to keep the people he loves safe, he'll be whatever he HAS to be.
but over the course of this stream, he's become increasingly aware and afraid of what's happening to him. his memory goes fuzzy when his body glitches out. he noticed the infection had spread even more, on his own, and quietly said "oh no." he spoke to maximus about the infection, and jumped from being relatively open about it to scrambling to change the subject when baghera asked what they were talking aboug. he started freaking out when all the glitching and the binary spread to the very land he lived on, and struggled to calm himself down.
and I think, after talking to maximus, he's realizing how much worse his infection is, even if maxo and etoiles have had theirs longer. I think, in the back of his mind, he KNOWS what's happening to him is codeflippa's fault, and that thought scares him more than the infection itself.
denial is something that charlie is very good at. but he's at the end of his rope. he has been for a long time. so I wonder how much more he can withstand before all of this just breaks him.
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the bear s3 spoilers
below the cut! thinking about claire and stuff we saw this season re: carmy/syd/the restaurant/donna, just finished the season so itll be a mess and also im comin in way too hot on this so my bad
sometimes...... sometimes i believe you guys are all watching different tv. im not sure how this season didnt feel like a direct through line from s2?? and im not sure WHY everyone is SO MAD about claire LITERALLY "haunting" this season. girl. come on. we need to have a sit down talk about how the berzatto generational trauma is the real meat of this show (this will make sense, just trust me). thats the MAIN EMOTIONAL POINT. syd's relationship with her dad, marcus and his mom, richie and evie, even tina and louie are all examples of parental relationships that are tender, sweet, supportive, etc. these are INTENTIONAL!! by creating these relationships we see PLAINLY how fucked donna is and how much she fucked up all of these kids. thats why "ice chips" was such a FANTASTIC episode. there was SO MUCH unpacked, so much revealed, so much worked through with sugar and her but at the end of the day she's still learning how to unlearn all of this horrific narcissistic bullshit. SHES STILL UNLEARNING THOUGH. thats where fucking DONNA of all people sits right now——somehow, she's learning how to heal. EVERYONE IS LEARNING. that's also what is so important about that episode.
now lets look at carmy. in "ice chips" we are LITERALLY told about how each berzatto is born: mikey fighting against the idea of being alive at all, nat into a quiet, soothing room, and CARMY is fucking born into EVERYONE SCREAMING and ARGUING and FIGHTING. we are BLATANTLY told that all carmy has ever known is HELL and all he's ever known how to communicate is through exploding. this is so violently against what we also know about his personality from childhood in "fishes" (anxious growing up, arts-oriented, had a hard time making friends). now, he works a violently stressful job, processing the trauma from both his mother (and chef fields [joel mchale], realistically) through the high-stress environment.
NOW. ENTER CLAIRE.
HOW is she not fascinating to you all. we don't see her whole story (because the bear, duh) but we are given just enough pieces here to put together that her story runs parallel to carmy's. how are you not getting this. walk with me.
claire. glasses, nerdy, quiet, sweet, girl next door. family friend! cute, but considered mid for a long time by everyone at school, but suddenly the berzatto men all badger carm, "oh she got a glow up, oh shes looking for you, she wants to see you," etc etc etc. what happened in between?
she finds herself. she finds the stressful thing she LOVES, which is the hospital. her job is objectively more stressful than carmy's (illustrated by that scene earlier in the season but i forgot the episode, where claire talks about the girl who got her shit wrecked by the glass table), and while we don't have an exact understanding of what her home life was like, we understand that her and carmy both have a level of internal anxiety that thrives on the stress of their careers. HOWEVER, claire does it because she loves it. carmy just doesn't know how to stop.
this is what makes claire feel like "peace" to carmy——because her high-stress job is a choice, an active choice she is making because it fulfills her. it's not to prove her dead brother wrong, or to honor his own legacy, or to prove that dickbag boss wrong, or to leave a mark on the world, or to make her own life worthwhile, or to prove that she doesn't need anyone else. she genuinely enjoys helping people even when the days are stressful, or scary. he's obsessed with this. he wants to know how she does this. every day she leaves that stress at home——and he wants to learn how to do that too.
claire is VITAL to this season and to understanding carmy's stress——and how far back he is in his healing process. it should only become more and more apparent, as we see characters like tina (the beef/the bear became vital to her success/development as a chef AND person, both for the people AND her love of food), marcus (not hiding his grief, but using it to help rationalize how much his mother loved him and wanted to be surrounded by people that love him), and richie (finding a purpose through service/expo and understanding he can start over again) push through their own traumas and struggles to become better people. if donna can be not only present at sugar's bedside during labor, but WELCOMED at this point in the show, it makes carmy's inability to heal all the more present. claire is an important part of this puzzle: she helps us see a window into a world where carmy is balanced emotionally, but unbalanced professionally, because he has no idea how to make the two coexist.
however, the idea that he can be balanced emotionally at all is so fucking enticing——with the help of someone who experiences stress in the same way as him (and who is familiar with his familial trauma), he has the opportunity to grow up and move on from his family trauma and wounds perpetuated by the industry he works in.
on the flip side of this....... his inability to process any of this is starting to impact syd. and frankly, that's some bullshit. his lack of communication, inability to community build/trust ANYONE, and his violent stubbornness is pushing her into the same space that he was in under chef fields, in a much slower, more subtle manner, and for slightly different reasons. her panic attack at the end of the season could read in two directions to me: her stress over the responsibility of changing so many people's lives has boiled over once she remembered that the beef once was truly great (hey five star review on the fridge!), OR, she realizes how much she isn't in it for the food. fuck a Michelin star: she wants to cook with her family. chef terry says at the end of "forever", in the garage with carmy, that she's so grateful she got to do whatever she wanted, whenever she wanted, where she wanted, with the people she wanted to do it with. sydney is so close to having those things at the bear——but carmy's dysfunction is keeping it just out of arms reach. the two of them are now on opposite sides of the approach from last season: syd dying for a star, and carmy dying to cook for the woman he loved. now, carmy is hungy for recognition again, desperate to prove something, and sydney is remembering (thanks to the conversation with other chefs during the ever funeral service) why she loved cooking in the first place. so this leaves us to wonder: should she stick it out? for the people? or make something of herself? is she carmy, or is she terry? i guess we will just have to see.
all this to say: every character is connected. the bear is a show about family, found and blood, and the choices we make for, with, and because of the people we love, for better or for worse. food is only the center of it, because it's the center of all of our lives. you can't hate claire without understanding where she sits in the web of the berzatto family. and really, you can't hate her if you understand what her presence means for carmy, for syd, and the restaurant as a whole.
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I really like your Cheated Design. I'm not sure if you or anyone talked about them that much but I would love to hear some ramble or some doodles of him (if you want to. it's totally fine). Love the idea of him being a broken ragdoll
Awwwww, thanks!! Recently messed with his design a bit to look more distinct and more like a 'broken ragdoll' as you put it lol. Not sure if it'll be an official redesign, still kinda playing with his shapes, but ye
I already had the idea of him having a 'detacheable arm', but might as well go all in and just make him even more frankeinstein'ed lol. I imagine his blood is really fucked, and it just kinda closes off any wound he might have immediately, including cut limbs. A sorta auto-healing that makes him look more fucked up the more it happens.
Because of that, Cheated learned not to get to attached to her own appearance, to avoid both low self-esteem and dysphoria (she's a boygirl thing, to me). And it works! For the most part. He's more focused on being a good and decent person through her actions and how he treats others than looking 'appealing' or conventionally pretty. The people that matter won't care about something like this anyway.
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