#mostly was doing it since there’s not a lot of propaganda going on but I don’t think it’s making much difference in the votes

[asterixlabs]

Hey could you make a tag specific to your blog for the poll reblogs please? I'd like to be able to see the original polls when they come out but filter out the later reblogs. Something like "#best of asterix reblogs" maybe?

Oh sure I can do that!

[asgardswinter]

A thread of Jon Bernthal being a zionist and why all of you should stop supporting him.

Especially if you actually care about Palestinians and ur going around cancelling zionists like Noah Schnapp and Amy Schummer.

You can read my thread on my twitter page:

https://x.com/aquasuperbat/status/1769431729385648594?s=46

First of all, Jon Bernthal has liked tons of pro-Israel propaganda posts on twitter

He signed a letter to Biden in support of Israel like many other celebrities

He never signed the letter calling for a ceasefire. I think that says enough that he still holds zionist views.

He platformed an ex idf soldier on his podcast. Giving people who have killed Palestinians and committed Genocide a safe place.

Jon Bernthal’s sister in law (his brothers wife) is Sheryl Sandberg, a billionaire who runs multiple technology companies.

She has spread a lot of misinformation about Hamas. Shes very pro-israel

After all of this, hes stayed silent on the massacres that has occured in Gaza. Hes stayed silent as children have been bombed and are currently being starved. Over 40,000 innocent lives, mostly women and children have been taken, but he doesnt hesitate to stay silent.

If you care about this then you will stop supporting Jon even if he plays ur favourite character. I LOVED his ver of Frank Castle. But i cant stand by him with his complicit in genocide while i see innocent lives being taken.

In the past month he hasnt liked any pro-israel content, most likely because he saw the amount of support Palestinians are getting and that celebs r being outed. Or his team has told him to stop. I dont believe hes changed his views.

In 2022 he followed the official Israel account on twitter but has since unfollowed it.

If ur gonna continue supporting Jon then block me. U disgust me if you do and you cant go around cancelling celebs like Noah Schnapp because then ur just a hypocrite. If ur against zionism then ull stop being fans of every zionist celeb.

This isnt the only disgusting thing hes done, he platformed an abuser on his podcast. Giving people like them a safe place. Most of the ppl he has on his podcast r men, particularly ex cops and military. Hardly any women. Dude reeks of blue lives matter.

[phoenixyfriend]

Why I think it's important to understand the geopolitical anxieties of Israelis

Oftentimes, it feels like even recognizing that those anxieties exist is viewed as siding with Israel in the current conflict.

And I think that it's... weird, to do that. Dismissing the anxieties wholesale makes it harder to resolve the situation. Addressing them directly is possibly the only way to resolve the situation, because America.

Let me explain.

This will have three parts:

Why the propaganda works

How it affects current policy

How we can pressure the (mostly US) government about Israel using what we know about propaganda

Why the propaganda works

A lot of it is just propaganda, yes, but a lot of it is based in history, and a lot is also sort of self-fulfilling at this point. They have had reason to believe that some of their neighbors want all Jews dead or gone for a long time (see: Syria, Lebanon, Yemen), so it's not that it comes from nowhere. When over half the population is either Mizrahi Jews who fled from nearby countries that were happy to have a place to kick their Jewish populations out to, or their descendants, it's not hard to see that 'if someone else is in charge, we'll have to flee again.'

You could tell the French in Algeria to go back to France, but are you going to tell Mizrahi Jews to go back to the ME countries that they left? Sure, some left willingly, but that kind of wholesale eradication doesn't happen unless there's some degree of systemic discrimination or threat of violence. You cannot send Yemeni Jews back to Yemen.

The threat is real. It is not as large as the propaganda claims. It does not in any way justify nearly 30,000 deaths, half of them children. But the threat is not just imagined.

The fact of the matter is this: the propaganda is fueled by actual violence and legitimate fears.

And unless those fears are recognized and accounted for, Israel cannot be talked down.

Being told that a threat does not exist when recent history clearly shows otherwise is not going to convince anyone. I cannot emphasize this enough: even if the far-right government is replaced tomorrow, those fears will persist.

Israel's current government is violently and militarily opposed to restructuring itself in a way that allows for either a secular democratic single state, or a truly free and independent Palestine in a two-state solution. Due to mandatory army service and large scale propaganda, many have been taught since early childhood that the only way for Jews to be safe is for Israel to exist and to be so incredibly overpowered for their size that other nations won't invade them. The fact that both distant history and more recent, across the world, is filled with antisemitic discrimination, feeds this paranoia. A lot of people are out to get them, and have been since well before Israel was established. The destruction of Judea, the Edict of Expulsion, the expulsion of Jews from Spain, pogroms, the Holocaust, the near-total eradication in Yemen, Jordan, and Syria, and so on... this shit keeps happening. Some of it long ago, some if it very recent.

But it does keep happening, and that is why the propaganda works. That is why the fearmongering has teeth. It has happened before, over and over and over again, and it is being loudly threatened again. The propaganda works in Israel, and it also works in Jewish communities, and non-Jewish people who just happen to hear it, based elsewhere in the world. Like America. (This is important.)

Before moving forward, I need to make this clear: There are Jewish Israeli activists, both within Israel and without, that are vocally against Israel's actions against Palestine. Some are organized, and some are individuals. Some stories even go viral: Israeli-born Natalie Portman's been criticizing Netanyahu for years and politicians have called for her citizenship to be stripped for it. Tumblr loves the story of the Swiftie Twitter that went to jail for refusing to join the IDF, and that's very common; plenty of young people get months-long prison sentences, sometimes multiple times. Right-wing mobs go after Jewish Israelis who speak in support of Palestine in any way, and these things get violent.

(In that same article, it also talks about how Israeli Palestinians are suffering much, much worse under the government's crackdown on free speech.)

How it affects current policy

The thing is, there are only really four ways for this to resolve:

Israel wins. They succeed in pushing Palestinians out of Gaza by killing anyone who doesn't comply, and take it over for themselves. (This is bad.)

Israel is cut off from any and all support from abroad, both 'here, you can help yourself with these guns' and 'here, we will fight your enemies for you,' and is very suddenly at risk of invasion, mass murder, and removal from the Palestinian Mandate by those groups they fearmonger about, the ones that include slogans like "death to Israel, a curse upon the Jews." (This is also bad.)

Israel is convinced to stop attacking Gaza, possibly through the threat of no more support, and settles in to figure out a solution with Palestine, whether two-state or secular single state or whatever, and normalizes relations with neighbors enough that they can start cutting back on their military. (This is the best option.)

A foreign power or coalition of powers invades and forces Israel to stop, and oversees a transition from military state to peaceful state while protecting from outside attack, like was done to Japan and Germany following WWII. (This one is... interventionism is bad, but also almost 30k people have died with no end in sight, so it's starting to look like a real possibility.)

We can all agree, I hope, that the first option is not an option. That is Bad.

I also hope we can agree that the second option is not an option. A number of Israelis may be settlers in the traditional sense of the word, but a lot of them are refugees from neighboring countries, survivors of the Holocaust, or descendants of such. "Just go back where you came from" doesn't work when many of them came from places that were also saying 'go back where you came from' because Israel now existed to expel them to. It's also been around for 75 years now, and some three-quarters of the population were born in Israel. Expelling them all, even the ones that were there before the early statehood aliyah? It's... I don't know. I understand in theory why some activists push for it, but I do think it is fundamentally different from any comparative colonization or settlement.

(Note: I do not include Israeli colonies in the Palestinian West Bank. Those do need to be returned to their owners. Give people their houses and land back.)

The third option is the one that most people, I think, would like to see happen. However, the Israeli government is clinging to the propaganda that they will be eradicated as a Jewish people if they do not forcibly take power where they can, and they are spreading it out among Israelis. Dissent by Israeli Jews may not be criminalized, but the society around them sure isn't receptive to it. The recent invasion of Gaza has also inflamed tensions across the region, which means that even countries which were slowly normalizing relations, or at least.

Netanyahu has not been convinced, and by all appearances cannot be convinced. The only thing that may force his hand is the threat of no more military aid, so he suddenly has to start conserving what missiles he does have in order to fend off a possible attack instead of continuing to hammer on Gaza.

Sounds great, right? This is why we are all (I hope) calling our senators or representatives or whatever your country has to tell them to stop supporting Israel monetarily or with military aid. This is why I keep giving suggested topics for Americans to call their senators about, even if I'm just one voice, and there are much louder ones saying the same thing, but better.

And yet, the Senate passed the aid bill. They snuck it into a Veteran Affairs thing as a last-minute amendment, but they passed it, and any failure in the House will have little to do with sympathy for Palestine and a lot to do with domestic border policy.

So... Americans are also pretty convinced of the whole 'if we stop supporting Israel, they will be invaded and killed off by the Iran-backed militias' thing. Many do feel sympathy for Palestinians, hence the 'Israel, you need to knock that shit off' comments, but they also are genuinely of a belief that the Israeli propaganda of 'we will be overrun by antisemitic Muslim extremist militias and exterminated like in the Holocaust' is true.

Like. Either they fear for Israelis due to the antagonistic forces in the region, or they belong to Christofascist ideologies about how supporting Israel is the way to avoid suffering in Armageddon.

You can't get to the latter on ethics or morality or whatever. You can only rely on ulterior motives (the border things) or telling them 'your reelection is in jeopardy, change your mind or you're going to be voted out.'

The former, though... you can. They believe the things that Israel claims and has been claiming since 1948, with regards to threats.

And if you acknowledge why the propaganda works, you can address it.

How we can pressure the government about Israel using what we know about propaganda

If you say that there is no threat to Israel from Yemen, Lebanon, Syria, Iran, or so on, you will be dismissed as an idealist who hasn't done any research. If you say that Israelis should be left to their own devices, you will be viewed as cruel, and if you say they should be removed and the land given back to Palestinians, you will be laughed away (silently, but it'll happen). You cannot convince the American government with these tactics.

What can you say?

Israel is making things worse for itself in regards to these exact threats. Pushing on Gaza is making neutral and nearly-normalized countries like Egypt and Saudi Arabia less inclined to get in the way of the 'death to Israel' militias. The campaign is creating a whole new generation of extremists who will join the militias out of a desire to prevent more of these deaths by Israeli hands, and that will only increase the threat to Israel.

Destroying Hamas isn't going to do shit if Hezbollah, Iraq, Iran, the Houthis, and so on, invade. Especially if twenty years down the line, all those orphans that Israel just created these past few months start a new Hamas for revenge because, hi, look how many orphans you just created.

Netanyahu is working against the interests of the Israeli people. He is trying to remain in power, and the Gaza war is a distraction from the charges being levied against him.

Netanyahu has a vested interest in seeing that Donald Trump is elected, as they are much closer than the at best strained relationship with Biden. This is very complicated but if your senator or rep is a Democrat, it is relevant.

Israel's continued offensive is leading to the risk of millions of Palestinian refugees entering Egypt and destabilizing them, which, in an already unstable country in an already wobbling region, is going to risk another war across the Middle East. The US still has not pulled out all troops from the last one.

The US cannot afford, monetarily or in terms of foreign relations, to aid in causing a new regional war.

If Israel slows, halts, and withdraws peacefully from Gaza, tensions will settle enough to avoid possible invasion by those hostile forces they're so worried about. The UN can, if necessary, deploy forces to maintain relative stability until peace treaties are worked out. We'd like to avoid option 4 if possible.

The only way I can see to convince the US government to stop supplying weapons to Israel is to push on the fact that continuing to do so will, due to Netanyahu and his party's actions, put Israel in more danger rather than less.

There are other things to say to your senators, and I'll be making a post about that soon (not today, but probably this weekend; stuff like Michigan, UNRWA, international reputation), but in regards to just the geopolitics surrounding the propaganda, this is it. This is why we have to understand it. Because the way we get the United States government to stop giving aid to Israel to defend itself is by telling them 'this is putting them in more danger due to their head of state's aggression.'

This was very long, but I've seen a lot of misinformation and a lot of generalization, and a lot of it is... not great. Well-meant, sometimes, but not great. I felt it necessary to be very clear and very specific. I'm anticipating a lot of comments to the effect of "you forgot about this" and "but that doesn't excuse their actions" and "well, not all activists believe--" and I know.

I know.

But I've had people say "Nobody is advocating for the removal of all Jewish Israelis" to my ask box hours after I was talking about Yemen, a country that enacted a removal of all Jews and largely under the control of a group that has a slogan about doing just that to the Jewish Israelis.

So let me be very clear that I have seen a lot on tumblr recently, a lot of it extremist, and I'm not pulling any of this out of my ass or making up a guy to be mad at. I may not know everything on this topic--I may not even know much at all, given that it covers centuries of conflict due to the Ottomans--but I've been listening to hours upon hours of news from a variety of sources (Al Jazeera, BBC, NPR, and more) every day just to make sure I understand.

Please trust that, even if I get some things wrong, even if I don't cite every detail or generalize just a bit here and there, that I mean well. Please trust that I am making this in good faith and am trusting you to respond to it in kind.

Call your reps. Write them an email. Donate to a Palestinian charity.

It's a slog, but we can make a difference.

[ohsalome]

the intention of comparing the reaction to Palestine vs Ukraine is typically not to criticize Ukrainian victims of war. The criticism is directed at American spectators, because the people in power here are insanely anti Palestinian but have made overtures to help Ukraines resistance efforts despite comparable situations. Regular citizens also mostly support Ukraine but many hate Palestinians. People are just comparing palestine to Ukraine as a point of reference to try to make those people understand.

As kindly as possible, I do not think you can educate people out of islamophobia by appealing to their conscience, at the very least because if they had one they wouldn't be islamophobic in the first place.

And when it comes to people in power, appealing to their empathy in the case with Palestine is fruitless because the help Ukraine got wasn't motivated by emotion either. I do not expect you to know the history of current russo-ukrainian war well, so you probably don't know that the western world was perfectly happy to watch russia roll all over us punishment-free as long as they felt that other "properly european countries" won't be involved. Russia has been butchering us since 2014, and nobody gave a fuck about it. Even during the first few weeks of the full-scale invasion NATO refused to send us any military help, because they expected us to fall and were okay with it.

The current support we have did not fall on us from the sky by the graceful kindness of "our american overlords" - it is a consequence of the cumulative effort of our diplomats, pre-existing agreements with NATO countries, and the economical ripples the full-scale war caused (Ukraine being one of the major world exporters of grain being one of the most relevant).

This is why, sadly Palestine cannot follow the Ukrainian scenario of foreign support. The surrounding circumstances of both of our wars are way to different, and while it is easy to ignore them while making simplistic quick-dopamine-hit posts on hellbr dot com, they do influence the real-world situation on the ground. Which is what posts like the one I replied to do - they create a no-nuance misinformed image of the war in Ukraine. Which amplifies the problem even more, because even though "most americans" can agree on a generic "war in Ukraine bad", their idea of what is going on here is hugely misinformed as it is. And this has harmful real-life consequences on which our very survival depends.

Look. I understand that the war between Palestine and Israel has been going on for decades. I understand that there are many contexts that are obvious to the people in the respective countries that I am oblivious to by the virtue of never being there and not speaking arabic nor hebrew. I understand that there is a lot of propaganda that I may accidentally spread out of my ignorance, and therefore I try to be careful to avoid doing so, out of respect to the people living there. So why is it too much to ask you to give the same respect to us?

Like I have said before, the biggest issue with that infographic post is that it spreads misinformation. In the simplest of terms, misinformation is bad. People are trying to do any smallest thing to help Palestinians - who are currently barely surviving in inhumanely horrifying conditions - and out of ignorance they are spreading anti-ukrainian propaganda. Downplaying the number of ukrainian victims (and, as a result, making russian war crimes look "not as bad") is anti-ukrainian propaganda. Making it seem as we are getting "too much american help" is anti-ukrainian propaganda, because USA is our biggest military exporter, and getting less ammo/vehicles/etc will have catastrophic effect on the amount of death.

Which is why am not staying silent on this, even if your collective intentions are noble and good. Because, I will repeat myself again, your intentions do not matter if the consequences of your actions are harmful. And if (a) comparing Ukraine and Palestine is uneffective; (b) it portrays your ignorance of either one or both of the wars; and (c) simultaneously with spreading support for the palestinian cause you are spreading harmful anti-ukrainian pro-russian propaganda, I do not think it is too much to ask you to stop.

[catholic-character-tournament]

Round 1 - Side B

Propaganda below ⬇️

Matt

Matt's faith in the show is really important and well explored; one of the first scenes of the show is Matt going to confession (or, well, talking to his priest since he's not really confessing at that point). Matt struggles a lot with what he's supposed to do; everyone's telling him to kill the villain and he kinda wants to, but he literally says: "I know my soul is damned if I take his life". He struggles with his faith and goes with his doubts to his priest, and it's beautiful—also when he finally gets a costume for his vigilanteing he chooses to dress as the devil, lol. (His priest tells him that nothing makes people run to Church faster than the feeling of having the devil on their heels.)

a lot of the show is about how he justifies his vigilante actions with his faith, and whether he's doing the right thing in trying to help people or just using it as an outlet for his anger. the literal first scene of the show has him in a confession booth talking to his priest (who is a really interesting character too). this is not the scene I was talking about but it's such an excellent scene with matt talking to his priest: https://youtu.be/XHZ3NbEIDdw

canonically catholic but dresses like a demon to be quirky

honestly i dont wanna type too much but i feel that matt is a great example of someone who battles with his faith because he rarely loses his faith but rather fights with why he was made the way he was and put through what he was. He believes himself to have the devil inside him but believes that God put him there

ok in the comics barring the most current run matt has Mostly been a non-practicing Catholic that very rarely actually does any catholic Activities but ends up falling back into the Mindset and very occasionally dramatically taking confession (ex. in that one issue where he takes confession, basically tells the father that he is uniquely terrible and is thinking about violently murdering someone and when the father says "you can be forgiven" hes like "AUGFH-- NO!!!!!!!!!!" and runs out) when he's gone through some shit. and i love that its so relatable

hello its me cct organizer. i have to come clean, i made this tournament because i need matt to win something. i dont think hell win the sadboy and he lost the ginger tournament and >:( hes my favoritest guy ever. Also @ who said he has religious trauma is wrong and i will fight u about it (nicely) on my main @usaigi

This guy so catholic he spends an ungodly amount of time just chilling in the church. And goes there whenever there is a moral conundrum about killing people being Bad even though it would solve a lot of problems and stop said people from killing other people. This happens every other episode. Matt is the Catholic Guilt Guy. There's actually a lot of catholic stuff in the show as a whole. Just a compilation would be like three whole episodes long.

Hes great hes catholic enough to not outrught murder people but not catholic enough to not fuck before marriage hes a bisexual disaster at all times hes besties with a priest might i add hes great hes my special little guy

his catholicism is a huge piece of his characterisation he was raised by nuns in a catholic orphanage, the first scene we ever see him (as an adult and not a flashback) is him going to confession, he is good friend with his priest and has regular debates with him, etc also in s3 he has a huge crisis of faith after he lost A Lot where he stops believing for a while and it's linked to his identity crisis where he actually wants to kill another person (a hard line he previously chose never to cross) and wants to be only daredevil and not matt murdock, when he is both and needs both to exist also when he was a kid his grandmother used to say "watch out for the murdock boys, they've got the devil in them" and it created a surprising lot of his issues

So he's both catholic in the comics and the show but he's More Catholic in the show. Like, raised in a catholic orphanage by nuns (ONE OF WHICH IS HIS *MOTHER*), second scene in the show has him in a confession box kind. Matt Murdock goes out and gets the shit beaten out of him nightly and also beats the shit out of other people and purposefully leaned into devil iconography as his theme. When his nurse friend says, he takes a lot of punishment without one complaint he says "That part's the Catholicism." It is a Core Aspect of his character (at least in the show). He makes me insane. Also the same chemicals that blinded him created the teenage mutant ninja turtles and everyone should know that.

They went to confession to a priest who they had saved as their costumed counterpart and the guy recognized them by the voice, proving that it's possible and everyone else is just dumb

he takes "i wanna fight god" to new and incredibly violent levels, while also being a sweetheart and a goofball

Actually strictly WILL NOT kill criminals. Goes wayyy out of his way to avoid it. Fights with the Punisher about it. Goes to confession booth after nightly vigilante excursions. Feels so much guilt. "How have you been holding up?" "Like a good Caltholic boy" "that bad huh" - actual conversation with his priest

So Daredevil struggles with his mission as a crime fighter because killing criminals goes against his faith. He makes it a point to not kill criminals, believing that even bad people deserve a second chance. This philosophy puts him at odds against The Punisher, who is a relentless killer. As a Catholic myself, while I love the concept of a morally conflicted superhero, I think the worldbuilding around Daredevil is lacking. If he struggles with violence and killing, why doesn't he pray to warrior saints like Saint Michael, Saint Ignatius of Loyola (a former knight), or Saint Joan of Arc? Why isn't there a community of other Catholics he can turn to for guidance, considering New York City has a sizeable population of Catholics? And why are the churches he goes to always empty? Doesn't he know that the Catholic Church supports the just war theory? I think that would have made his burden more bearable.

He goes to church and confesses to punching people and says "imma do it again can i apologize in advance" and the father dude says "no you're meant to stop now" and Matt says "no" and they do this everyday. I'm not remembering it properly but this is a canon interaction i swear

HELLO HI YES I LOVE HIM AND WILL INFOR DUMP ok so. he is a vigalantty and he got named daredevil and he is an orphan and after the age of 12 was raised in an orphanage at a Catholic church and his therapist is his priest via confession abd. also his mother is a nun he has a whole mental breakdown over god and called Job a pussy because he liked god until he got better and liked god again he said "I'm dearedrvil and not even god can stop that now" and he's so cool

matt is a freakish little babygirl who was raised by nuns and definitely has religious trauma. i hate him so much (affectionately)

he’s literally fucking insane about it i don’t know what to say here. he thinks he’s chosen by god to go on some sort of holy quest to save hell’s kitchen. joan of arc ass.

i already know hes in by default j just wanted to give him a personal shout out i love this angsty catholic dweeb

how practicing he is depends on the run, but in my favorite he is quite literally confessing to a member of the last extant order millitant who happens to be a priest at a church in hells kitchen.

i love him for having the funniest version of a trope i usually hate (person gets into confession booth and asks forgiveness not for what they've done, but for what they're about to do). usually this trope just looks silly to me bc like. the priest would just say "i can't do that" and you would have to either awkwardly explain yourself or just Leave. it's funny when matt does it because fr. lantom is probably like "what are you gonna do???" and matt's like "lol. lmao. 😊 hehehe." anyway we love this angry catholic man who dresses up like the devil to beat people up in hell's kitchen

Harrowhark

I'm pretty sure you've already got plenty of submissions for her so I'll just say she was raised in what is basically a cult (technically a nunnery but let's be real) dedicated to keeping the body of the thing that will kill God behind the rock. One of their prayers is actually "I pray the rock is never rolled away". Harrow is extremely devout as penance for her earlier heretical actions in the tomb as a child (spoiler!) so the Catholic guilt really comes through

imagine being a catholic nun and you meet god, but it turns out he’s a twitch streamer from new zealand who became god because everything got a little bit out of hand. and just before you met him you gave yourself a diy grief-fuelled lobotomy with the help of your best frenemy. imagine how insane you’d be. now multiply that insanity by nine. that’s the fictional love of my life right there.

she meets god. she’s not inspired

she’s number one practitioner of space Catholicism. The locked tomb is chock full of Christian (catholic) imagery themes metaphors etc. just look at her she’s got a bone rosary

They're Catholicism with extra bones. Everyone is a nun. They have what is basically a rosary made from knuckle bones. They technically worship the same God as everyone else, but they're waaaay more focused on The Body in the Tomb (Mary) and we get a moment where we find out that while everyone else prays the equivilent of The Lords Prayer, they're doing the equivilent of Hail Mary. And they paint their faces with skulls.

She thinks leaving dry bread in a drawer is taking care of someone. She's in love with a 10,000 year old corpse (the same one they worship). She spent ALL NIGHT digging with her bare hands to make sure a field had bones every 5 feet so she could fight her girlfriend - I mean, greatest enemy. Spoiler territory: She's been puppeting her parents corpses since she was 8 years old. Instead of grieving her dead girlfriend, she gives herself a lobotomy. She makes soup with bone in it so she can use the bone IN THEIR STOMACH to try and kill them.

The author is/was Catholic and the entire series had heavy Catholic overtones. https://www.tor.com/2020/08/19/gideon-the-ninth-young-pope-and-the-new-pope-are-building-a-queer-catholic-speculative-fiction-canon/ A good breakdown of how it's Catholic

[suburbanblkgirll]

I’ve seen people saying that Kobra Kid has autism (it’s true bc Kobra Kid told me himself) but I think all the Fab Four (including missile kid) have autism they just present incredibly differently and I have seen ZERO posts on that 😒

Don’t let the cyber bully Party Posion propaganda trick you into thinking Party Poison has low empathy, they are a high empathy autism along with Jet Star and you cannot argue with me otherwise or I’ll throw hands 😤😤

On the topic of that, Poison definitely has RSD it just doesn’t present as them crying or being sad, they get angry and it seems like you shattered their ego when that’s mostly not the case

Man I say Party Poison is a big bully (they are) but their actions and feelings are also simultaneously heavily misinterpreted

I believe in horse girl Fun Ghoul supremacy, except he’s definitely a wolf girl, he definitely be barking at strangers whenever they get too close to the diner (also bc I hc he was raised by a pack of coyotes)

Fun Ghoul’s REALLY blunt, like extremely blunt. He says whatever’s on his mind on the moment, he genuinely doesn’t understand the need for hinting at something, or sugarcoating things solely because it’s faster being blunt

TALKATIVE. Like REALLY talkative. Ever since they said their first word, they weren’t able to shut up. Ever. So he sometimes will accidentally insert himself into conversations at the wrong time

Don’t even get me started on Jet Star

He’s… Bad at socializing? Like there’ll be a really tense situation and he accidentally laughs. He definitely laughs out of nervousness

Jet HATES small talk, ESPECIALLY when he has a task to do. He already gets easily distracted and overwhelmed enough trying to do supply runs, why would anyone add another layer of stress onto him? So people assume wrongly that he’s an asshole 😔

He glitches a lot, he’ll be rambling about something then all the sudden lose his place. He’ll TRY to to remember what he was going to say, but fails to and just decides to shut up

[on-my-vigilante-sht]

Capitol Punishment XII

Haymitch x Reader

Summary: The Capitol continues to torture it’s victors no matter how long ago they won through punishment, exploitation, and worst of all; their relationships.

A story in which Haymitch’s lover is a plaything for the Capitol.

Warnings: Canon level violence, rape, alcohol, murder, systemic poverty, exploitation, rebellion (?), more reliance on movie than book, suicidal thoughts, swearing, illness, pregnancy, miscarriage, torture, sexual torture, medical stuff

Word Count: 3.4K

Part XI | Masterlist | Part XIII

It had been six weeks since they escaped the arena, five since Haymitch had seen that godforsaken video of you and that man. According to Beetee more have come in but he destroyed them immediately. Haymitch wasn’t sure how many had come in but he suspected Snow was making a lot of money from you.

But despite his constant worry for you he continued to do is duties in 13. Mostly because he didn’t want to be sent back to rehab. So he sat in on meetings to help with battle and propaganda plans. But when he was called into a secret meeting with only Coin, Plutarch, Boggs, Gale, and a few other special forces he was elated.

“We’re here to discuss the rescue of the victors,” Coin began. Haymitch was the most excited he had been since he arrived in this cultish hell hole. Not every soldier held the same feelings though.

“Why?” one asked, silencing the others. “Are you actually suggesting we put soldiers’ lives on the line so some people can get their girlfriend or boyfriend back?” he scoffed. As much as Haymitch wanted to punch the guy, he had a point.

“It’s more than that. The Mockingjay has demanded Peeta’s and the other victors’ rescue and the Mockingjay is necessary for this rebellion,” Coin explained. “However, this is a volunteer only mission. I won’t forcefully send any of you into the heart of the Capitol.”

“I’ll do it,” Gale immediately volunteered.

“So will I,” Haymitch spoke.

“That’s very generous, Haymitch,” Plutarch began, “but according to our medical files you’re not fit for combat.”

“And I won’t send civilians in on a special forces mission,” Coin added.

“But this is volunteer based,” Haymitch pressed, “and I don’t see any other volunteers.”

“I’ll go,” Boggs volunteered. Four more soldiers followed suit.

“Thank you for your sacrifice and bravery,” Coin said, not unlike a robot.

“We ship out first thing in the morning, the plan will be relayed to those going tonight. Not a word of this to anyone else, especially Katniss, got it?” Boggs ordered. Everyone in the room uttered agreements as they filed out.

As Haymitch began to shuffle out, Gale caught up with him. “Thanks for volunteering,” he said. “Katniss was telling me how you struggle being sober.” Haymitch took slight offense to that comment but didn’t let it show. Everyone treated him as some sickly old man, hell he was only 41. Granted he had drank most of his liver away and going cold turkey had been hard on his body at first but he was getting better.

Haymitch took a deep sigh. Being sober had somehow lowered his inhibitions and he found himself being more honest more often with people even if he didn’t really want to. Besides, Katniss hated him for letting Peeta be taken, Finnick was a mess, and he wasn’t remotely close with anyone else in 12, Gale was the closest thing he had to a friend aside from Effie who was stewing in her dorm, angry she couldn’t wear Capitol luxuries anymore. “I just— after seeing her in the interviews and what the Capitol’s doing to her— I just wanted to be the one to save her. I wasn’t able to save her from Snow for the past 8 years but I wanted to pull her from his clutches for the final time.”

Gale nodded, sighing deeply. “I’ll get her out. I’ll tell her you volunteered for the mission and that you’re waiting here for her, right at the hangar doors.”

“Thanks,” Haymitch smiled. “Can I ask, how come you’re going? Thought you were in love with Katniss and hated Peeta’s guts.”

Gale’s sigh turned exasperated. “She’s not happy. Not with Peeta in the Capitol. I just wanna make her happy.”

“Well good luck.”

~

Haymitch stood in the control room anxiously along with Katniss, Finnick, Beetee, and Plutarch. District 5 had just brought down the dam, cutting power in the Capitol, shutting down their defenses. Allowing Beetee to go in and wreak all kinds of havoc to keep them unaware of the airship about to enter the Capitol’s airspace. As they approached, Cressida entered the room. “Finnick? Haymitch? Can you come with me?”

“What for?” Haymitch immediately asked, not wanting to miss your rescue.

“I asked her to film some propo,” Beetee filled in, “keep their broadcasts clogged.”

Haymitch hesitated but Finnick seized the opportunity to help. “Okay,” he agreed, stepping out with Cressida. Wanting to not feel useless anymore, Haymitch followed the pair outside. Haymitch reveled in being above ground for the first time in six weeks. It was nice to breathe fresh air despite being surrounded by rubble and sinister white roses. Cressida directed them to the center of the rubble, lights pointed at them. “Okay, just take your time and don’t stop talking,” she instructed.

She held up her fingers, counting down from three before pointing one at the two victors, directing them to begin. Haymitch was admittedly not super comfortable in front of a camera so he let Finnick take the lead. “This is Finnick Odair, winner of the 65th Hunger Games.” He then paused.

“And I’m Haymitch Abernathy, winner of the 50th Hunger Games.”

“And we’re coming to you from District 13, alive and well. We’ve survived an assault from the Capitol but we’re not here to give you recent news. We’re here to tell the truth. Not the myths about winning the life of luxury or about gaining glory for your homeland.”

“The moment you leave that arena, you’re a slave,” Haymitch explained. “I won my games in a way I wasn’t supposed to and Snow slaughtered my family for it. But some punishments, whether earned or not, can last for years. It’s what happened to Finnick here, and my wife, Y/N L/N-Abernathy.”

“President Snow used to sell me and Y/N, or our bodies at least. We weren’t the only ones. If a Victor is considered desirable, the President gives them as a reward or allows people to buy them. If you refuse, he kills someone you love.”

“For seven years Y/N was ripped out of our bed in the middle of the night. Whether we were in the Capitol or in 12 they always came looking for her, never gave her a second to herself. And when she did return, I’d always find her battered and bruised. Usually in the same clothing she left in torn up into rags.”

“Now, to make themselves feel better, my patrons would make presents of money or jewelry. But I found a much more valuable form of payment. Secrets. See, I know all the depravity, the deceit and the cruelty of the Capitol's pampered elite. But the biggest secrets are about our good President, Coriolanus Snow. Such a young man when he rose to power. Such a clever one to keep it. How, you may ask, did he do it? One word. Poison. He stopped every mutiny before it even started. There are so many mysterious deaths to adversaries. Even to allies who were threats. Snow would drink from the same cup, to deflect suspicion. But antidotes don't always work, which is why he wears roses that reek of perfume. Help cover the scent of blood from sores in his mouth that will never heal. But he can't hide the scent of who he really is. He kills without mercy. He rules with deception and fear. His weapon of choice is the only thing suited to such a man. Poison. The perfect weapon for a snake.” Just as Finnick was about to continued Cressida stopped him.

“Wait,” she held a hand to her ear piece. “Beetee said they lost connection. The Capitol’s defenses are rebooting.”

Haymitch’s heart dropped. No, they had to get you out. They couldn’t be detected yet, he had to uphold his promise to protect you.

Probably thinking similar, if not the same, thing, he and Finnick both ran inside. They raced down into the control room just in time to hear Snow’s final words over the video. “Don’t you think I know your friends are in the Tributes Centre?” and with that all the screens in the room went dark.

There were various yells. Both from people trying to get in contact with the team and Katniss losing her mind. “We have to get them out, he knows,” she cried, turning to her mentor.

“There’s no signal, we can’t contact them,” Plutarch explained bluntly.

“No. Haymitch, he knew the whole time. He was taunting me.” Haymitch wrapped his arms around her in a fatherly embrace. “Did I lose them both tonight?” she cried into his chest, repeating the words over and over.

As much as Haymitch felt for the girl, he was grieving too. Grieving the loss of his wife as well as the broken promise he had made so long ago.

~

You had just been curled in a fetal position on your bed when Peeta’s broken voice called out. “Guys,” he caught everyone’s attention. You rolled over, spotting gas creeping along the floor. It was slowly crawling up the walls, climbing into the vents that led to each cell. You began to worry that it was a Capitol gas designed to torture you , similar to the fog Haymitch had talked about in the arena. But curiosity got the better of you as you pulled the thin blanket around your body tighter. Your hospital clothes had been destroyed so many times they had stopped bothering to give them to you. But you stepped off the bed, heading for the glass barrier where gas was just beginning to accumulate on your side. But just before you could reach it the chain around your ankle held, tripping you a little. Still defiant after weeks of torture you opted to get on your knees to stretch to try to reach the fog. But what you hadn’t noticed, as you carefully lowered yourself, was that the gas had really begun to fill the room. As you settled on the ground you caught a whiff of the gas, immediately making you lightheaded. Your limbs became heavy as it quickly lulled you to sleep, your last thoughts being of what the Capitol’s torture would be that required you to be asleep.

~

When you finally managed to pry your eyes open the first time you were blinded and hazy. You faintly heard someone yell, “Can we get her some clothes?”

You managed to turn your head to the side, realizing you were moving. Judging by the whiteness all around you, you were still in the hospital-torture place. But you soon lost consciousness again, not finding it until you were on the aircraft.

When you managed to open your eyes for good you were staring up at a black, dome like ceiling. Looking around just a little you could see the heads and shoulders of soldiers, judging by the all black gear. One face you spotted was Gale’s. His gaze, however, looked miles away as he stared at his feet.

You could hear the thrum of the aircraft, only ever hearing that when the Capitol transported you to the worst times of your life.

Adjusting yourself more you could now see your fellow prisoners also lying on the floor of the aircraft although you seemed to be the only conscious one. By now the soldier who’s feet you had been laying at noticed your movement. “Hey, my name is Commander Boggs, we rescued you from the Capitol. We’re taking you to District 13.”

District 13? The military man had told you that’s where the rebellion was operating out of. He said that’s where Haymitch was. You could cry you were so relieved. For the first time in your life you may know peace. Even if it’s just for a second before you have to finish this war.

Recognizing what you no doubt wanted to ask, the man spoke. “Yes, Haymitch is there. He’s waiting for you in 13.” Tears of joy slipped from your eyes for the first time in god knows how long. As you tried to sit up, Boggs gently pushed you back onto the collapsed gurney you were laying on again. “I need you to lie still. We suspect you have some internal injuries that need to be assessed before you really start moving.” You agreed, settling further on the hard cushion. You suspected that you had injuries that the Capitol wouldn’t bother to heal because they couldn’t see them. Largely from the harsh treatment of the men that had bought access to your body through Snow. Many of them had pulled out of you with blood coating them but it was always dismissed and you were left there, something clearly wrong but you were powerless to do anything.

“How long?” you managed to ask, your voice hoarse.

“About 15 minutes out. We’re gonna have to roll you in on the gurney though.” You didn’t really like the idea of being treated like you were mortally wounded but you nodded nonetheless.

Around you the others were starting to stir. The soldiers sitting above them murmuring comforts and explanations. No one really made a move until Johanna started screaming. She sat up, two soldiers immediately jumping on her to push her back to the ground. “Do you want us to sedate you again?!” One of the soldiers yelled. That finally got her to stop fighting. Once they released her she huffed, scooting over to another wall to lean against, sending everyone glares.

The next person to be fully conscious was Annie. You turned your head to find her already looking at you. “Annie,” you cried. You hadn’t caught more than a glimpse of her in weeks but you were all too familiar with her screams.

“Y/N!” she cried. She scrambled up from her spot on the floor, one of the soldiers moving to stop her but a signal from Boggs made them stop. She kneeled over you, pulling you into a hug. Despite the awkward positioning you began to cry at the first compassionate human contact you had had in weeks.

“You’re okay,” you said, observing her relatively untouched appearance. Her long red hair still flowed down her shoulders unlike Johanna’s shaved head. Her skin looked unmarred unlike you and the two other victors’ skin. The one thing that matched the three of you was how malnourished and tired she looked. You guessed that since she knew absolutely nothing about the rebellion and her fragile mental state protected her from Peeta and Johanna’s punishments.

“Annie,” Boggs caught her attention, “Finnick is waiting for you in 13.”

Tears filled her eyes. “He’s- he’s alive? Finnick’s alive?” she cried joyfully.

“Yes, he is,” Boggs smiled.

Your conversation was then interrupted by a man also dressed in all black gear walking into the cabin. “We’re landing pretty soon and are beginning to descend. Everyone should buckle in.”

With some gentle coaxing Annie went to sit on a proper seat beside the soldier whose feet she had been laid by previously. Johanna refused to move so they just let her hold onto something in her corner. Peeta was fine because he had stayed strapped to his gurney unlike Annie or Johanna because they didn’t require them. Meanwhile Boggs was reaching over you to strap you in. You gave him a startled, questioning look as he reached down. “It’s just to make sure you don’t slip out,” he explained. “Trust me you can get out of it anytime. See?” He unclipped the belt easily before fastening it again.

Relaxing a little you looked up at the ceiling, taking a deep breath as you felt the aircraft descend. When you felt the landing gear hit the ground you had a weird sense of feeling at home. You knew Haymitch was near.

~

Haymitch sat waiting with Katniss and Finnick for when you and the others would be back. The three victors sat in tense silence until the door slid open. Gale’s head peaked in. He didn’t need to speak, his presence said enough. The other victors were back.

Immediately he, Finnick, and Katniss were scrambling into the medical wing. There they found a scene of doctors and nurses running around trying to figure out how to help victims of torture. The first person Haymitch saw was Johanna. She looked so different, the only recognizable thing about her was her sneer as she fought the doctors.

“Finnick!” Annie’s desperate voice pierced the air.

The doctors then parted for a second, revealing you lying on a hospital bed, neck straining to find your husband. “Y/N,” Haymitch tried to call but it came out as more of a sob. The fact that you were confined to your bed wasn’t promising considering Annie had ripped an IV from her arm, leaping into Finnick’s.

As he got closer (he was in such a hypnotic-like state he was pretty sure he knocked a nurse over) he took in your appearance more. It actually broke him to see his wife look so frail, the Capitol clearly having starved you and men having abused you.

Once he reached your bedside he leaned over the rail, pulling you into a hug as best as he could. He could feel your nails dig into his back, trying to claw him closer as each of you began to cry into the crook of each others’ necks. “I love you,” he heard you whimper out.

“I love you too,” he cried. “I’m sorry. I’m so sorry. I never should’ve left your side.”

“No no. It’s not your fault.” Before you could say anything else a doctor interrupted you.

“Mr. Abernathy? We need to take her into surgery.” At the mention of surgery Haymitch reluctantly pulled away. He turned, finding a few medical staff standing behind the doctor ready to take you.

“Wh- why?” he stuttered out as the staff were already beginning to roll you away.

“No,” you cried, “don’t take me from him!” He faintly heard one of them trying to calm you down.

“We’re sorry but testing done in the field shows she has severe injuries to her reproductive organs. Most likely due to…” he hesitated with the next words, “repetitive rape. We’re going in to stop internal bleeding but we’re unsure of other things we’ll find. We’ll update you as soon as we can.” And with that the doctor rushed off.

Haymitch stood there helpless, unsure of what to do. He knew that you were safe and under the care of actual doctors who wanted to heal you but people died in surgery all the time, especially outside of the Capitol. He felt like you had been ripped from him all over again.

He looked around again, realizing he had yet to see one person. Peeta. He got his answer as to where the boy was when he heard a loud crash in another room. Rushing over he found Peeta with his hands wrapped around Katniss’ throat. Without thinking he ran at the boy, trying to pry him off the girl who he had once been madly in love with.

“Peeta let go!” Haymitch heard himself yell. He managed to get him off Katniss for a second before the boy managed to knock his former mentor off. Haymitch went stumbling backwards into some shelves as Peeta brought Katniss to the ground again. By now Gale and Boggs had entered the room, finding the same scene Haymitch had.

Gale immediately began trying to pry Peeta off of Katniss but even he was no match for the very determined Peeta despite his malnourishment. It took Boggs knocking Peeta in the head with an iron tray to get the boy off of Katniss.

Everyone took a second to breathe a breath of relief before they started aiding the two unconscious victors from 12.

Part XI | Masterlist | Part XIII

[hellishboots]

top ten reasons why you should vote for the ramshackle trio in the @obscure-skirmish showdown

sponsored by my huuge special interest and infodumping tendencies

pls read it i put a lotta effort and time into it 👉👈 (but ig the tl;dr is im incredibly autistic abt zeddy and her work and i really want them to win)

first off, who are these guys? skipp (the blonde-ish happy one), stone (the skrunkly emo boi), and vinnie (the pirate gremlin) are three hobos who do whatever they can to survive on the streets. pickpocketing, other kinds of theivery, murder, and general mischief. anything goes! the world theyre in is old-timey (@zeddyzi, the creator, has described it as walking into an antique shop). it was originally a comic on webtoon/tumblr, and now its getting an animated pilot sometimes! isnt that cool!?

so, do you like hobo children? the found family trope? little guys? amazing, unique art? funny characters? ramshackle has all of that and more!! so much more!

onto the actual list :3

reason #1: the comedy. ive already said this but lemme elaborate on it a bit more here. if you like comedy w heart, ramshackle might be the thing for you. the trio is just some dummies (endearing) doing dumb things together and they love each other and just waahhhh look at themm

reason #2: the art. just,

look

at it. zeddy mostly uses what i like to call a dirt color pallete. im just using more colorful examples bc i can. fun fact, my art style is heavily influenced by hers, and she also inspired me to draw a lot more. you should vote for that right?

reason #3: im really autistic abt ramshackle 🥺 and, and if you dont vote for it 🥺🥺youre being ableist🥺🥺🥺 /j (obviously vote for who you want to lmoo)

reason #4: uhh, i think im talking abt zeddy more than the actual ramshackle trio, so ehm, skipp! a happy-go-lucky air mandolin-playing apple enjoyer

he eats apples whole, core and all :0 also since he has no money he plays the air mandolin (and keep in mind this isnt rlly recent info so maybe its not canon anymore hehe, i dont rly see timestamps on posts). hes so dumb and sweet, youd vote for him right?

reason #5: stone. where do i start? hes a sopping wet pathetic emo whos addicted to monster energy, ciggies, and the weird goo leaking outta the old shack downtown (ok that one may not be... confirmed. yet). he also somehow has most of the fandom simping for him

reason #6: vinnie! the money gremlin! whos also vaguely pirate themed! and may or may not have stabbed someone in the dick (theres a post abt this but i cannot find it 😭)

if you dont vote for her, she might stab *you* in the dick. just sayin.

fuck. reason #7: i put a lot of effort into this propaganda post

🥺👉👈

reason #8: do you honestly need any more reasons for that? i just feel like if this much propaganda wont sway you, nothing will

reason #9: are any of these technically reasons? or just me seeing an opportunity to infodump abt my favorite thing and swooping in?

reason #10:

please.

[oscar-nominee-tournament]

Welcome to the Oscar Nominee of All Time Tournament!

In this tournament, I'll be pitting almost every actor nominated for (and/or has won) an Academy Award in an acting category against each other to find out who the ultimate Oscar nominated actor is.

There are of course...a lot of nominees so. This may take a bit, lol.

Because there's already a pre-determined list of participants, no submissions are needed for this tournament. However, once the polls start, propaganda for your favorite actors is welcome!

The initial round will be split up into four groups (A, B, C, and D). Again, since the starting pool is very large- this first round will probably last a while. Group A will go first; when their polls are mostly done, Group B will start, and so on.

Round 1 Matchups will be relatively random, especially considering how large the pool of candidates is, so expect to see some pretty different actors matched up against each other.

Rules for Submitting Propaganda:

You can submit propaganda through my ask box or by tagging me in a post for me to reblog!

General rules:

It has to be for actors that are part of ongoing matchups. So no "predictive" propaganda (i.e. for actors you know have a nomination/win but aren't part of the current set of polls)

Please keep it respectful

I probably won't take negative propaganda against a person, so if you really don't want someone to win, you can submit propaganda in favor of their opponent instead

You do NOT have to limit propaganda to only be about roles the actors were nominated/won for (though of course it can be about these roles)

ROUND 1, GROUP B will be next to start

Poll listings under the break

GROUP A (concluded)

GROUP B

[thegaybluejay]

Okay hi I’m back with another ramble-y ATLA character analysis since this is low key my brand on here lmao-

Today I want to talk about Zuko from the lens of someone who also had to deconstruct. This will be long, but please bear with me!

I was raised in a very white conservative evangelical Christian bubble where literally EVERYONE I knew for the majority of my childhood and teenage years thought mostly the same way. There was a lot of othering and shaming of anyone who thought too differently. Even if it was sometimes said more passively than cruelly, there was always that underlying tone. “The others/the people outside of our group/the worldly ones are lost and need our help because we’re better than them!”

While I strived to not be cruel, my beliefs were still harmful. I lost a few friends when I got to my mid-late teenage years because I didn’t yet know how to challenge what I’d been taught.

I see so much of myself in Zuko.

Zuko was surrounded by propaganda his entire life. He was steeped in it - steeped in the blood of those that the system he supported/represented had hurt and killed.

Anger is a huge part of all of this. While my anger was never quite as outward as Zuko’s (I hid it fairly well and was always known as the “pretty good kid”), I can still so heavily relate to his anger. His anger at always falling just short of being good enough or perfect enough. His later anger at himself for not understanding how fucked up the system was sooner. His anger at the people that failed and hurt him. His anger at realizing how he failed and hurt other people. All of it.

I also understand his backslides in Book 2 and early Book 3. When you begin tackling the first layers of harmful shit you’ve been taught, it can quickly become so tempting to just call it quits and go back. You almost start to romanticize the simplicity of life before you began this journey. The rules and goals were so straightforward back then, and deconstructing is messy as hell. Even if you were deeply hurting in your old life, at least you weren’t so damn confused. You used to know your next steps, but now everything is in disarray and you don’t have a direction to rebuild in yet. Going back almost feels like it would be a survival tactic, a way to have a sense of control again. Zuko definitely 100% needed to atone for what he did in Ba Sing Se because it hurt others, and while I’d like to think I would’ve made a different choice in his shoes, I also get it on some level. The confusion stage sucks, and it’s not always linear either.

But then.

One day, something just clicks. You eventually deconstruct enough that you truly come to full terms with how fucked up it all is. And you realize that you don’t belong there anymore, and the version of you that DID belong was just a facade. The blinders fully come off, they’re never going back on, and a spark lights in you that prompts you to make a big change. The deeper you go, the more urgent this deconstruction becomes in your mind because holy fuck I have to do something about this. I want this shit out of my brain for good and I want to help make things better. I want to learn who I am and finally live that out.

THAT is one of the most pivotal points in the journey, and I loved seeing it within Zuko’s arc when he comes to this realization after the war meeting in Book 3 and leaves to join the Gaang. I also loved that they didn’t trust him the first time he came to them - both he as an individual and the system that he had once supported/represented had hurt these people, and it took some real apologies and some time to build up trust. It also wasn’t done with half assed centrism either - it was “I acknowledge that this system is completely broken and wrong and I will do everything in my power to help gut it from the top-down and restore it with love”.

This leads to another pivotal point in the journey - instead of being motivated by fear like you were when you were deep in the indoctrination or by the raw anger you first felt as you initially left, you start to be motivated by love. And it’s the most freeing thing.

It was so cool to see Zuko learn that, while his anger was a helpful tool (ie: the confrontation with his father and his overall anger at the corruption he saw in his nation), he couldn’t be fueled by it any longer. He had to find another motivation to keep going, and he was then taught by the Sun Warriors and the dragons how to be motivated by light and life and love and also how to use those alongside an anger that was finally righteous.

And with this, he was ready to fight. To fight for a cause he knew to be good. To fight arm in arm with his newly acquired family. To fight to fix what his nation had done to the world and to itself. To fight for love and peace instead of division and hate and destruction.

And wow is it a beautiful journey.

TL;DR - Zuko’s story is so powerful to those who are deconstructing and I love him so much! I also just enjoy doing character analysis hehe.

(I really love talking about ATLA, so if y’all want me to analyze other characters or even plotlines through a specific lens, feel free to submit an Ask and I will happily do so!!!)

(Also, quick ending note - this is just my personal experience with deconstruction! Other people’s retelling of their own deconstructions may be different from mine, and that’s totally okay!!)

[haveyoureadthiscomic-poll]

Okay it is Infinity Inc. propaganda time it is time to show off the niche kiddos

Infinity Inc. propoganda under the cut

The day is Christmas Eve, 1983, and the JSA are having their annual Christmas Eve meeting, and Hawkman (blissfully unaware that his family is about to come to him) suggests adjourning the meeting so that all of them can get back to their families, and Green Lantern (blissfully unaware that fate is about to kick him in the balls... TWICE.) retorts that he doesn't have a family, this is kind of dickish of Alan but like... it's ALAN lol. Suddenly, the old men are being tormented by waves of stupid children, all demanding to be allowed to join the team... and also one of their villains children doesn't actually ask to join the team but he does... for some reason go "when I am asking for help from my father's enemies, the thing to do is to illusion myself to look like my father, and then tear a hole in their wall, wait, why are they trying to arrest me?! RUDE!!! I am sulking now!"

Thank you for your input Henry.

Anyway, since the old men respond... somewhat reasonably to whatever the fuck that was, their kids decide to band together and make their own superhero team, where they get PAID! (less than minimum wage).

Infinity Inc. is an interesting team series that I mostly enjoy because of the characters, a lot of the time in team books the characters all feel the same, and are all at each other's throats constantly, Infinity Inc. presents the reader with characters who all have very defined personalities, even if most of them do share the character trait of "stupid", and by the end of the series you feel like you genuinely love all of the characters and want to spend more time with them.

DC notably decided that all Infinity Inc. characters should spend the next decade dying or going evil btw.

BUT THEN THEY GET BETTER. The Infinitors are kind of notable in that there are entire arcs of JSA 1999 where the old men try to rescue their kids, and all of them end up being considered JSA kids, including Hank who is being chased around the planet by Jay Garrick holding adoption papers (uncertain if this is continuing now that Jay has Judy tbh I do not trust Geoff Johns)

(context, Wildcat hits Hank with the 'kid of a supervillain' stuff well after he thought the JSA was fine with his general existance, my favorite scene because all of the Infinitors are instantly protective, and all of them give vibes of being really close, even if DC refuses to allow a full team reunion)

Honestly in my years of getting people to read Infinity Inc. it's notable that every single time someone has come out with a different fave, and I think it's a testament to the characters being really good, ESPECIALLY HECTOR AND LYTA who are JSA characters and NOT Vertigo characters and Vertigo shouldn't be allowed to stop them appearing in JSA comics.

Also the boys do this in hallways for unknown reasons

What was meant by this?:

Read Infinity Inc. today so you too can be convinced that Hank King should be the next character DC makes gay, unless they decide to do Norda first...

Tbh if I'm being honest they should probably just pull a Young Avengers and make every Infinitor gay.

[demvalhaken]

Because you wanted it (I secretly did too. I love wasps)

Just like how I did it with the spiders, i’ll be explaining the wasps, not not a lot of history (Too complicated)

Their diet consists of mostly meats. Maggots are considered a delicacy in their kingdom, the maggot is usually snatched and beheaded before being served. They do incorporate plants into their food, like native Waspian fruits and vegetables. They seem to have a love for topping everything with basil (A basil-like plant that could be classified as a type of basil with bigger leaves. The plant does have thorns, so it’s not really basil)

The Waspian society is similar to the spiders. The queen MUST be a pure bred wasp, or a wasp with no other things mixed in. The queen controls everything and everyone, but the wasps can leave the colony if they feel like it. Wasp City IS NOT the only colony in their territory, it’s just the most popular and largest. A heir can take the throne by either killing the queen, but that’s seen as a very unfair method for other heirs. If the queen survives 50 winters then she is kicked off the throne or can choose to stay till she dies. Another way for a heir to take the throne is by secretly murdering their mother and making it look like an accident then propose they should take the throne in her honour. Still unfair, but at least they won’t be seen as a murderer. But the worst way is accidentally slipping on a puddle of water holding a plate WITH A KNIFE ON IT and then accidentally stabbing their mother, and then sob over her dead body because they’re too young to be queen... and miss their mother. That’s only happened once like at least in ancient times. Hierarchy - The queen and her heirs, people workings in her majesty’s army, citizens who have jobs, normal citizens and princes, homeless, war prisoners and normal prisoners.

As a side note, all other species fear wasps and spread propaganda about them. The common wasp stereotype is being bloodthirsty, angry, recklessly, and a ravenous murderer.

The wasps are as diverse or more than the spiders. They can ranges from yellows and browns, to blues and blacks, to reds and oranges, greens and whites. Queen Snow is not a normal coloured wasp, I thought it was cool to make her an albino wasp, WHICH IS VERY, VERY, VERY RARE. Pure bred have ancient Waspian traits like less curled antennae, serrated stingers, sharper features, and a sharper face. Impure have different species traits which include bigger eyes and a smooth, thick stinger. They can also possess no fur on their antennae or have smaller wings. They used to not really crossbreed with other species because the offspring usually die from complications but apparently they kinda learned to just cast a whole enchantment on the continent which would allow all hybrid offsprings to live a normal life. This is why some spider-wasp hybrids exist.

I JUST SAID I WASNT GONNA GET INTO THAT MUCH HISTORY

Anyways, let’s go onto some random information that didn’t fit in the three categories.

Wasps are one of the first species to hypothesise that only some people were born with the ability to enchant things and some weren’t.

Wasps are deeply related to hornets, since hornets branched off of wasps when some prehistoric species of wasp decided to ditch the colony and move to a different continent.

Wasps can see the widest range of colour which is why their paintings make other species eyes hurt trying to comprehend them completely.

Wasps have been painting since they were an early species because they wanted to show other species what things looked like on their continent.

The native language of the wasps was too complex for other species to even learn how to say “Good morning” so an ancient spider tried to convince them to learn the mostly universal language. The native language is still taught, after the age of 15 winters, they will start to learn the universal language as a second language

The wasps palaces are built using precious building materials like limestone, quartz, and reinforced gold for spectacular displays of their culture on the palace. The palaces also full of open windows and areas where wind passes through. Not related, but wasps are taught how to fly by LITERALLY THROWING THEM OFF THE HIGHEST LEVEL OF THE PALACE!

If you want me to draw another bug/base, put it in the comments

[hoedamn-eron]

baby, please - part 11

As you approach the middle of your pregnancy, you take Beth house hunting. She has an awful lot of wisdom.

Warnings: Small mention of being sick, so emetophobia warning. Hint of a panic attack. Talking about unresolved feelings. Not proofread whatsoever so there's definitely mistakes somewhere. Word count: 3,492 F!Reader, no use of Y/N.

We're officially half-way through this fic!

Disclaimer: I am not from the US, I am British. I just looked at houses that were up for sale in the Florida area and picked one 😂

Part 10 ● Series Masterlist ● Part 12

The next few weeks of your pregnancy are filled with work, bridesmaid dress appointments, and time spent with Santiago.

Ever since your disagreement (because it was not an argument), your interactions over the following few weeks with Santiago grew more frequent and purposeful. You’ve both made the effort to get to know each other a little bit more as people, and not just soon-to-be-parents. You found out more about his childhood, about how after his father passed away, his mother was alone to raise him and his older sisters. Like he mentioned on your first date, he hadn’t really spoken to them much, or any family really, but he was thinking of fixing that, and reaching out since he was going to be a father, and his parents weren’t there to see it. He thought his kids should have their Tías in their lives.

He wasn’t much of a rebellious kid in high school, because he dreaded the wrath of his mother, and that he joined the Army from the ‘propaganda they spew at high school kids on career days’. At the time he thought it was a good idea, and really, it was, since he got to build up his career, but he ‘could do without the bad knees and PTSD’. You told him that he was still a great guy ‘despite the shitty knees’. He’d laughed at that.

He’d come over to your place and you’d have dinner together. Maybe you’d watch a movie on your couch, that usually ended up with you fast asleep. He’d always wake you to let you know he was leaving, sometimes getting you into bed before he left. You even tried to go out once a week to a nice dinner together, when the time allowed it, where you’d both always battle it out on where to go. You always decided to just rock-paper-scissors and the winner got to choose.

But your favourite thing to do with Santi was go to the movies (even though you’d only been a handful of times with him). You both always pick a cheesy romance, and you sit together sharing a sweet popcorn (because going to the movies was expensive and you have two kids on the way! Of course, you were going to be stingy). You always sneak in a few bags of Sourpatch Kids, and you are willing to share a few with Santi. With each passing week, the bond between you deepened, merged with shared experiences and the anticipation of the future you were now shaping together.

And then, your journey together finds you in Santiago's apartment (managing to avoid Emily each time). It was exactly how you expected it to look; tidy, neat, mostly beige and brown, with a bit of navy dotted in there. It was a typical bachelor pad. Together, you started clearing out his spare room and meticulously planned and arranged it to be the twins' bedroom; you realised that this space was a room where your children would find their home, where they will share laughter and happy memories with their father. It left a warm and fuzzy feeling in your chest.

And not because Santi’s hand just brushed against yours as he passed you an old pair of boxing gloves to throw into the ‘donate’ box.

Yeah, things with Santiago were good. Really good. You’d settled into a nice routine, and you both weren’t to tense anymore. You felt more open, that if you had a problem, you felt like you could go to him now, and vice versa. You look forward to when you’re going to see him next. You consider yourselves good friends.

“So, you’re dating?” Beth asked with raised eyebrows as she gave you a quick glance from her place in the driver’s seat.

Your stomach flips at her question, but you put it down to morning sickness. You roll your eyes at her instead. “We’re not dating.”

“I dunno, sounds like dating to me,” Beth said, shaking her head lightly.

“It’s not…we’re not dating!”

“You meet up multiple times a week and hang out.” She gave you a pointed look. “You see him more than you see us. That’s dating.”

“No,” you say, glaring at her. “It’s…it’s not dating, we’re not dating!”

“The more you deny it makes it out like you’re dating,” Beth whispered, turning down a small and tidy neighbourhood.

“You’re so smug,” you say, giving her the finger, only for her to give it back to you as she pulled up outside the cute little white house with the blue trim.

“I’m just saying, that’s what Georgia and I did when we first got together,” Beth said as she unbuckled her seatbelt. “And here we are, two years later, arranging our wedding.”

You fought the urge to childishly stick your tongue out at her. “Let’s just…look at the house.”

You’d started furniture shopping and your living room was starting to become smaller and smaller since the boxes of baby stuff started piling up. You’d decided that it was time to start looking into moving into a bigger place; you were approaching the halfway mark of your pregnancy, and you were slowly outgrowing your apartment. And who better to ask than Beth? From her work, she knew all the nice neighbourhoods with the low crime rates and good schools, and she knew the good houses that were within your budget.

So, you’d asked her to help you go in for a few viewings, to help pick out the perfect place for you and your babies, to spend your lives together. You were excited, to know that this was the next step in the chapter of your life. You already had so many ideas on how you were really going to make a house your home.

“So this one has two bedrooms, and two bathrooms, but one of those bathrooms is an ensuite,” said Beth, looking at her phone at the house details. “Decent sized back garden, there’s a drive for your car…and it’s been recently renovated.”

“By you?” you ask, grinning.

“Not me, no,” Beth says grinning as you both enter the house.

There were other potential buyers meandering around the house, taking a look around the house. You give an impressed look at the house as you wander through with Beth. “It’s nice.”

“It is,” she says, looking around herself, checking out the wooden floors.

You and Beth walk through the house, oohing, and ahhing at the new flooring and the state-of-the-art bathroom that had just been put in. You did like the house, but after an hour of looking around, you and Beth decided it just wasn’t for you; the bedrooms were on the smaller side, and there wasn’t much closet space. You would struggle with all of your stuff and two kids in tow.

“To be honest, houses always look better when there’s still furniture in them,” Beth said as you both climbed back into here car. “Lucky for us, the next few houses are empty.”

“So they’ve been on the market for a while?” you ask, looking at her sceptically.

“They have but not because they’re bad,” said Beth, starting the car and pulling out. “It’s because everyone wants modern and renovated houses nowadays.”

You sit in a comfortable silence as Beth navigates through the streets and you’re back in another neighbourhood, which was a little more active than the other one. There were children out playing, and it was bright and colourful with flowers in the gardens and trees lining the sidewalks.

“This neighbourhood looks a little more child friendly,” you say as Beth pulled in front of another house, painted a light blue with a front porch. It looked a little run down but nothing a clean up and lick of paint couldn’t fix. “The other one looked…quiet.”

“Yeah,” Beth said, turning the car off and unbuckling her seatbelt. She waves at the estate agent, who was stood by the front door.

You both climb out the car and greet the agent. Beth introduces you both, declaring Harry an old friend from her college days. You smile and shake his hand, before Harry let’s you both in the house. “This is two bedrooms and one bathroom. As you could see from outside, it has a nice porch and the gardens, both front and back, are fairly big for the size of the house.”

You nod as Harry leads you through the house, talking about the old owners and how they moved to California for work. He talked about the neighbourhood, and you were right, it was mostly a place for families, that it was just around the corner from an elementary school. You liked the house, really, but it just didn’t feel like you. Beth could tell you were a little reserved, and suggested moving onto the next house, where Harry was going to follow you.

Throughout the day, you take a look at four (four!) more houses. You felt bad, that you were going through so many viewings and open houses, but they just didn’t feel right. I couldn’t see yourself living in them. It was only the first day but you were under a time limit, and you were disappointed that you hadn’t found what you were looking for yet.

Beth reassured you that there were more houses she had planned to look at, but when you reached house number six, you lightly gasped. It was a modestly sized house, and it was white with white stone accents, a garage attached with a small drive. The front garden was made of grass (overgrown, of course), and you could see tall white fencing cutting off the back garden from the public. You got an instant warm feeling from it.

Harry pulled up behind you both as you and Beth climbed out her car. He quickly joined you, pulling keys out of his pocket as he talked about the house. “This is actually three bedrooms with two bathrooms. It had a nice open plan kitchen and dining room, and a nice sized living room.”

“It’s a little dated,” Beth said to you. “But we can work on that.”

“The folks who owned it decided to sell and downsize, since their kids had grown up and moved out and started having their own kids,” Harry replied.

“So it wasn’t the area?” you ask him.

He shook his head. “No, it’s a very nice family friendly area. It’s a very quiet neighbourhood too, but the closest school is about fifteen minutes away by car.”

You nod, looking around the downstairs. It was dated, and the house could do with a revamp. You take a look in the back garden and see that it was just as overgrown as the front garden, but it was decently sized. You could hear Beth and Harry talking renovations on another house, so you meandered on upstairs. It was just as dated as the rest of the house, but the first two bedrooms were a nice size, but the third was fairly small; you could see yourself setting up an office for yourself. And there was a lot of storage space too.

You pause as you get to the master bedroom, seeing something on the doorframe. You lean down as much as you can with your bump, and smile as you see pencil markings in the wood, with names and dates written.

“Height marks,” you mutter to yourself with amusement.

The warmth that you felt when you first saw the house spread further through you. This was it. If the owners of this house loved it enough to keep their kid’s (and possible grandchildren’s) heights recorded on the doorframes, long after they had packed up and left, then maybe you could live here too, as a first home for your kids. You could love this house as much as the previous owners did, and you could raise your children in a warm, loving environment where they will thrive, and be able to play outside in the garden. You bite your lip and smile, before standing and making your way back downstairs.

Harry and Beth were still talking as you approached them. “Sorry, how much is this?”

“Uh…” Harry looked at the property sheet on his clipboard. “$350,000.”

Beth looked at you. “Why, are you interested? It’s within your budget.”

“It’s under my budget,” you say, before nodding. “I want it. It’s a nice house, and I get a warm, fuzzy feeling from it. I feel like it was a nice place to be brought up.”

Harry looked at you for a moment before giving a small laugh of relief. “Really? You’re interested?”

“Yeah, I am,” you say. “I want this house.”

“Great!” Harry said. “We can…we can arrange a meeting, we can get the paperwork all sorted, get in touch with your bank…we can get you this house.”

After sharing a few more pleasantries and sharing contact details, you and Beth say goodbye to Harry before climbing into Beth’s car. You both sit in silence for a moment, watching as Harry leaves before your turn to each other and you both let out screams of excitement.

“I’m going to be a homeowner!” you cry.

You bask in your excitement for a few moments before you both calm down. “Let’s go and have a late lunch, and we can celebrate.”

You end up at a swanky looking restaurant where Beth said she sometimes takes potential clients to talk about their renovations. When you’re both settled and you’d ordered your food and drinks, you sit back and relax, sighing as you sip at your raspberry lemonade (you would have ordered a Diet Coke but Beth told you, you just had to try something refreshing for once).

“So, wanna talk about Santi?” Beth asks, raising an eyebrow at you.

“I thought we were here to celebrate my new future purchase?” you say, groaning.

“We are, but I’m one of your best friends. Something is going on with you.”

“Nothing is going on! Is this because you think we’re dating?”

“Yes, kind of!” said Beth, laughing. “I understand that this has turned out different to your usual dates, because you’re having this guys kids, but…you do just seem a little more…I don’t know.” She shrugs. “I don’t want to say happier, because that’s fucking cheesy, but you do.”

You stare at her for a moment before shaking your head. “No, it’s…it’s not – “

“Come on,” Beth urged, looking at you seriously.

You look at her. You knew that something was different, and you didn’t want to address it. You thought it was pregnancy hormones, that it would pass. You get that Santiago was a good-looking guy, and nice, and funny, and he cared about you and your kids. It was just a fleeting moment. You know it is.

Your mind suddenly becomes a whirlwind of its own. The clinking of cutlery and the soft murmur of voices from the other patrons just seem too loud, and you suddenly feel overstimulated. Your chest feels too tight.

What's going on with me?

You look down at the table, your breathing a little heavier, trying to distract yourself from Beth’s gaze, and pushing down the emotions that threaten to spill over. Santiago was supposed to be a casual encounter, a one-night stand that held no expectations. And yet, here you are, 16 weeks pregnant, grappling with feelings you never thought would surface.

Am I overthinking this?

The memories of shared moments with Santiago dance before you – the movies, the dinners, the moments of laughter that felt like stolen fragments of happiness. They all carry an inexplicable weight now, a significance that's both thrilling and unnerving.

You feel like you might be sick.

“Okay, slow down, take a deep breath. It's okay to have feelings, you know.” Beth said, seeing your inner turmoil. “Santiago has been there for you through this, and it's only natural that you might feel a connection growing.”

“It's not…” you try to catch your breath, your throat suddenly feeling dry. You take a large sip of your lemonade. “It’s not just a connection, because I’m pregnant. I’m…I feel like I’m in high school, daydreaming about the future, about...about becoming more.”

Beth gives you a gentle look as she reaches across the table and holds your hand. “Look, I know this might be overwhelming, especially given the circumstances. But sometimes, life has a funny way of leading us down unexpected paths. It's okay to admit that your feelings have changed.”

“I'm pregnant with the guy’s twins, Beth,” you say. “I need stability and certainty. Santiago was just a one-night thing, and…and nothing serious was supposed to come out of this.”

“I get it, I really do. But have you talked to Santiago about how you're feeling?”

“No, are you kidding? He’s a bigger commitment-phobe than I am,” you say, taking another large sip of your drink.

“Okay, so, I think you need to talk to him. It's important to be honest with each other, especially when there's so much going on with you both.” She gives your hand a squeeze, causing you to finally look at her properly. “And remember, your happiness and comfort matter too. We’ve always said you’ve gotta do what’s best for you and your babies, and if that means something a little more…permanent with Santiago, then that’s how it is.”

You sigh at her, your brow furrowing. “What if I'm just imagining all of this? What if I'm mistaking just…niceness for something that it isn’t? What if it’s just pregnancy hormones?”

Beth nods “Yeah, babe, that could be it. But don't downplay your feelings either. Just take things one step at a time. Open up the conversation with Santiago. Share your thoughts and listen to his perspective too.”

You groan, letting go of her hand and burying your face in them. You take a few more deep breaths, calming down, the tightness in your chest melting away. You drop your hands and look at her helplessly. “I just need to know where we stand, for the sake of my own peace of mind. And the kids too, I suppose.”

“You can do that. Next time you see him, just…casually bring it up. And no matter what, I'll support you. Courtney and Gabs will support you. Just promise me that you'll prioritise your own happiness and safety. If Santiago feels the same, great! Wonderful! If not, you can just stay friends, co-parent your kids. That’s fine too.”

You look at her. “And if he…if it ends badly?”

“If it ends badly, which it won’t…you have us. The Dream Team. We’ll raise those babies to be the best they can be.”

You give her a small laugh as your eyes fill with tears. You wipe at them. “Sorry, I don’t know why I’m crying.”

“Eh,” Beth said, shrugging as takes a sip of her own drink (wine, obviously). “You’re pregnant. And evidently in love with your baby daddy. You’re allowed to cry.”

“Shut up, I’m not in love with him,” you say, snorting as she laughs.

She drops the subject after that, thank goodness. She talks about how she’ll share her Pinterest board with you, that you can take a look at for some inspiration on your house, because she will be looking at renovating it for you (“At a discount, of course, because I love you, and babies are expensive enough.”).

After your lunch, Beth drops you back off at your apartment building and you thank her for her help, for both the house and Santiago. She iterates again that she’s there for you, and it’ll be fine. Everything will be fine. Once you’re back in your apartment and settled in comfy pants and a too big t-shirt, you settle on your couch and think back about the conversation you both had. Could you really talk to Santiago about the feelings you’d been having? Would he look at you with disgust? Betrayal? You had both agreed to just co-parent, nothing else.

But what if Santiago turns around and wants nothing to do with you if you tell him that you may have feelings for him (because, after all, it may just be hormones…you hadn’t been with anyone since Santiago). What if you tell him, make it all weird, for it to go away with time, but it’s still weird? Would you want to risk your kids losing their father because you were feeling just a little bit glowy after having some male attention?

No, you needed to get a grip of yourself. It’ll fade, it always does, regardless of pregnancy hormones or not. You give a firm not to yourself. It’s settled then, you won’t tell Santi anything. It’ll be better that way, and you can go on like normal, because that works.

You sigh again, digging the heels of your hands into your eyes. You need a glass of wine.

Too bad you’re pregnant.

Tagged - @khonsulockley, @bluenredndeath, @superficialfeelings

[indigo-grimoire]

Hi-Fi RUSH theory rambling time

I was writing this for a wiki but why the hell not post it here too -

Chai's music player deliberately chooses songs that fit his emotions at the time. The game already implies that the music player's grafting to Chai affects more than his physical abilities and reacts to stress (like when The Rush starts playing when he's hit by the SBR-001), so it's entirely possible that this includes picking the song that would be the most personal.

With the streamer mode songs, that might even include the lyrics; even before the surgery, Chai is listening to "The Beacon" which is about being rescued from a dark, lonely place (possibly his own life prospects and hope about Project Armstrong), so it could be emulating the same habits. Notably, that song in specific could be suggesting he had depression or some sort of breakdown before the events of the game, but since Chai never shares about his life before this, no way of knowing.

(spoilers under the cut, to go into the songs individually:)

"I Got This", which only starts playing after he's started his escape, is about Chai's euphoria in getting freedom and attention, and having no intention of letting his new arm be taken away from him.

"Too Big To Fail" is similar, focusing on Chai's determination to fight anything that wants to take away his newfound freedom.

"Captive Normals" adds an extra layer to the ableist angle that being called a "defect" seems to have on him, as it insists on not submitting to anyone just to be "normal", even if that means acting well out of line. The lyrics have a LOT of ableist imagery mentioned (asylums, being shoved out of conversations, being “bed bound” and forgotten) further supporting that Chai has a lot of restrained anger about it.

"Buzzsaw" is Chai's first genuine act of teamwork instead of being mostly self serving, and the lyrics reflect a need to make it count despite the odds.

“This’ll Be Rough” speaks for itself; climbing Wing 2 is a pain and a break would be nice, but Chai is gonna do it anyway; fits his character well.

"My Heart Feels No Pain" seems to specifically relate to Mimosa's contribution to Chai joining the project. The female vocals insist it can't be a lie if he took the risks knowingly, while the male vocals have a realization that it was a mistake but it's not too late; culminating in the duet talking about Chai being truly free from her propaganda as the last bit of truth about Vandelay was fully revealed in the previous Track - not even Project Armstrong was Kale's idea in the first place, and his "coolness" was all manufactured through altering the truth about his family.

"Surfacing" is a reply to "The Beacon", having realized that a miracle wouldn't turn his life around, and instead Chai had to make the best out of his situation through effort.

"In a Blink" starts out mild as the music player is malfunctioning, describing a moment of hesitation leading to being manipulated (much like SPECTRA, but with the song playing at all, it’s clear Chai still had a little resistance left in him); but once 808 breaks him out of it, the song kicks in at full force, repeatedly telling himself to "snap out" as there is too much at stake, and face Kale head on.

EDIT: I saw a different interpretation of In a Blink’s lyrics that doesn’t match up at with the previous, so putting this alt here: assuming the themes use the vampirism allegory, it actually changes the context to something far more gay I mean vengeful. Kale put Chai in a world of lies set up to be a tool; but now that Chai is part of it, “it's my turn to feed”, as in, he’ll make full use of it to turn the tables instead of becoming the puppet. No seriously the vampirism angle only makes this more gay

In constrast, "Negotiation" and "Reflection" have no lyrics whatsoever or a licenced counterpart, as Chai is focusing on the task at hand fully.

[annalyticall]

Thoughts on Attack on Titan

Me being 10 years late to things, I was recently convinced to watch Attack on Titan and I ended up binge-watching the entire anime (and reading the final manga chapters) these last two weeks. I had purposefully been dragging my feet about watching this show since I had heard so much controversy surrounding it; that it was sexist, pro-fascist, pro-nazi, pro-imperialist, pro-propaganda, and heavily anti-Semitic. All pretty good reasons to stay away from something, I think.

But then I saw a video about how the criticisms leveraged against it were not quite so black-and-white, and how the show was more complex than those labels gave it credit for. Admittedly, that piqued my interest. I want to come to my own conclusions about the media I consume, so I decided to watch it with an open mind and a discerning eye.

And boy did I discern... a lot.

I am recording my very very lengthy opinions about Attack on Titan and its manga ending under the cut, mostly so that if anyone asks how I feel about certain things portrayed in the show, I can reference them to this post. Here's a quick table of contents:

The Themes

The Good

The Bad

The Problems

The Characters

Conclusion (and why Jean is the best character you can't change my mind)

Anime and Manga spoilers ahead.

The Themes

Attack on Titan tackles a lot of different themes throughout the course of the story. Possibly too many. Right now, I'm listing the big ones I noticed here because I will be referencing back to them later. Also note I am stating these themes as they are presented in the text, not as my own personal beliefs.

The human desire to create meaning in life and death. Does dying for a cause give life meaning? If the cause is hopeless, would dying for that cause be in vain? Is it enough to know that the living will continue your legacy after death? Does honoring the dead give their life meaning? Is the gift of life itself meaningless if not used to ensure humanity's ongoing survival? Is it enough to simply exist? Characters that most embody this theme: Zeke, Eren, Armin, Jean, Levi, Hange, Erwin, Historia, Ymir (of the Cadets), Marlow.

Everyone is shackled to a dream. Does the desire to fulfill a dream make you a slave to it? Will devoting your life to a dream of freedom make you paradoxically a slave to the very ideal? Will the hope of achieving a dream drive people to do terrible things they never would have otherwise? Is true freedom in the ability to let go of a long-held dream? Characters that most embody this theme: Erwin, Eren, Levi, Kenny, Armin, Jean.

The corrupting power of love and loyalty. Similar to an enslaving dream, will blind devotion to someone (in a romantic, platonic, subordinate, or familial relationship) drive that person to do terrible things just to be with them or make them happy? How far can that love go? Is blind devotion even love? Is it wise to love if it creates fatal weakness? Characters that most embody this theme: Mikasa, Armin, Eren, Zeke, Annie, Reiner, Falco, Historia, Ymir (of the Cadets), Ymir (The Founder).

The cycle of violence is endless. As long as more than one person is alive on Earth, there will always be conflict. Is it worth fighting to break the cycle when the cycle is inevitable? Is it necessary to perpetuate the cycle in order to survive in a world that forces violence? Is humanity worthy of saving if saving it demands the loss of one's own humanity? Characters that most embody this theme: Erwin, Eren, Armin, Reiner, Jean, Floch, Hange, Levi.

The pursuit of truth and wonder are the driving forces behind humanity's ability to work together. Propaganda and the obstruction of truth might work to pacify the populace short-term but will always be defeated once people put in the effort to truly understand others and the world they live in. The promise of discovery and truth are invaluable sources of hope and ingenuity. Characters that most embody this theme: Hange, Armin, Erwin.

People are people. Everyone is capable of great evil or great kindness, regardless of what nation, class, or race they were born into. Everyone has strengths and everyone has weaknesses. Everyone is influenced by their own hopes and dreams. The recognition of these innate similarities is crucial for forgiveness and acceptance across boundaries. Characters that most embody this theme: Reiner, Jean, Eren, Armin, Sasha, Gabi, Falco.

There is no accurate measure of good and evil. Being a "good person" is subjective, based more on personal goals and cultural ideals than on a base standard for "good." When faced with a difficult decision, perhaps it is best to choose whatever option will cause the least regret, a measure that is unique to everyone depending on an individual's values and on unknown outcomes. Live a life you can be proud of. Characters that most embody this theme: Armin, Annie, Levi, Jean, Eren, Reiner, Gabi, Ymir (of the Cadets), Historia

As you might have noticed, I chose to summarize many of these themes in a list of questions, and for good reason: oftentimes, the theme is raising a question but is almost never interested in giving it a straightforward answer. Instead, AOT will often raise a question, and over the course of the story, you get to come to your own conclusions depending on how the characters act. For example, I listed Jean as a character that embodies "meaning in life and death." Does Jean give Marco's death meaning by honoring his memory and values each time he's faced with a moral dilemma? That's up for the audience (and Jean) to decide.

Compared to other shonen that tackles similar themes and questions, this freedom of interpretation was novel for me, and for the most part, I loved it. Fullmetal Alchemist is the only other shonen I can think of that I've seen that touches on similar subject matter, but the tone of FMA is not nearly as dark, bleak, or ambiguous. While I also love FMA, the world of AOT is much more harrowing to navigate, and I found it exhilarating to have my preconceptions of its world challenged at every turn. Such a thematic approach felt grounded since real life is also not so easy to navigate. Unfortunately, this also has a glaring downside, which I will discuss in my "The Problems" section.

The Good

The first 3 seasons and almost everything that entails. To be quite honest I have very little to criticize about this show before the basement reveal. The pacing is almost perfect and I was always on the edge of my seat wanting to know more. The mysteries are intriguing and, upon slowly getting more and more answers, the narrative either only raised more tantalizing questions or completely recontextualized previous scenes, constantly giving the show new breath. The action is exciting, the stakes are heart-poundingly high, the losses are devastating, and the gore is graphic and stomach-churning but I think it necessary to absorb the horrifying and hopeless nature of the setting, which serves to heighten the few victories the characters actually do get to experience. There also isn't much of The Problems yet in these seasons.

The music. The soundtrack is undoubtedly one of the best aspects of this show and is quality throughout.

Animation. While I prefer the fluid and expressive animation of the first three seasons compared to MAPPA's comparatively stiffer animation of the final season, MAPPA still gave plenty of jaw-dropping sequences for the most impactful moments.

A tragic, queer, CANON romance. The fact that Ymir is canonically lesbian is amazing to me if only because I haven't watched a shonen yet where one of the main cast is actually lesbian, let alone has a significant portion of screen time devoted to establishing her unambiguous feelings for another woman who also reciprocates her feelings. AND THEN their romance ends tragically in-universe not because it's gay but because of narrative circumstances that were simply beyond their control or understanding. "My only regret is not marrying you." How romantic is that?

Female character design. Specifically all the big noses. As a big-nose-haver it makes me happy to see women have big noses and still being seen as pretty. That, paired with the fact that women are hardly ever sexualized and are often portrayed just as strong if not stronger than the men was nice to see after being exposed to so many infantilizing and sexualizing shonen tropes. That said, there could have been more diversity in body shape and skin tone.

The setting (of Paradis). I am going to stress here that I strictly like the world-building of Paradis, which is the main setting of the first three seasons. Marley and the rest of the world after Season 3? I'll get into that later.

Erwin vs. Armin. I consider Levi's decision to save Armin over Erwin to be the true thematic climax of this story, and I thought it was exceptionally well done. I've seen endless arguments about whether or not saving Armin was the right choice, so I'll throw in my two cents: if you think Levi should have saved Erwin, you are Missing The Point. In this moment, Levi, a character who fights for the greater good but is not quite as pragmatic as Erwin and who has a deep hope for humanity's future but is not quite as idealistic as Armin must make an emotional choice here, not a tactical one. Maybe saving Erwin might have been better for the Scouts, but the truth is Erwin was selfish, and Levi had already come to terms with this when he told his old commander to "give up on your dream and charge to your death." Armin, on the other hand, had a pure and selfless dream about the world outside the walls, and that is what Levi decided to value for humanity's future. That is the symbolic meaning of that decision, not whether or not Erwin would have been a tactically better commander.

It is enough to simply exist. Manga spoilers for the final chapters ahead. I said this was a question raised by one of the main themes of the story, "Is it enough to simply exist?", and I was pleasantly surprised that the ending gave it an answer through the conversation Armin has with Zeke. After so much deliberation about genocide, sterilization, war, the inherent and unbreakable cycle of violence, and so many other depressing themes surrounding the depraved nature of humanity, having the main takeaway for the series be "we were put on this Earth simply to enjoy it and to enjoy each other" was a cathartic release. I know I'm probably going to cry when that bit is animated.

The Bad

The frustrating thing that is Eren Yeager. I suppose this is biased but I really do not gel with Eren. Even in his Season 1-3 era I did not like him and his one-track angry boy mind, only ever finding him tolerable during the Uprising arc when he got a healthy dose of humility which he immediately ruined with his pitiful self-flagellation in the midst of a dire titan battle but I digress. This characterization does make a whole lot more sense though when he enters Season 4, when all of his personality traits are only slightly twisted in order to make him the villain, ala Walter White. Didn't make him any less frustrating.

The frustrating thing that is Mikasa Ackerman. She started out great. Then Eren turned into a titan for the first time and things quickly went downhill. After that, it seems like her character was retroactively changed from being the stoic and protective older sister to being the blindingly devoted and fussy love interest. I might have been okay with it if she had ANY other defining character traits, or hell, even any relationships outside of Eren and Armin. Manga spoilers, but she doesn't even have a strong relationship with Jean, who she apparently marries in the epilogue. Between Eren and Mikasa being two of the three main characters, I unfortunately felt very little towards them which was a not-so-small problem in my enjoyment of the series.

The humor is... fine. I get it, a show as dark as Attack on Titan probably shouldn't try to be funny, nor would I expect it to be. Still, the few attempts at humor it did have fell flat for me, especially when a lot of it leaned on Sasha's potato and meat gags (and a really uncomfortable torture gag after the Uprising Arc? Hey, what was that about? That was kinda fucked up, right?) Now that I think about it, the hardest I ever laughed while watching this show was when Reiner nonchalantly tells Eren that he and Bertolt are the Armor and Colossal Titans simply because I wasn't expecting the biggest bombshell reveal of the story thus far to be so casually dropped like that.

The Titan mechanics got so fucking convoluted. Don't get me wrong I love a good mystery and I don't necessarily mind the supernatural time-warping twists that the Titan storyline took up to a point. It's just that the story kept adding so many conditions to Titan powers and lore that it was getting hard to keep track of it all. Okay, so the Colossal Titan will create an unavoidable nuke during transformation even though it clearly didn't do that at the raid on Trost, sure. Okay, so Reiner can survive a fatal injury to his person as long as he manages to transfer his consciousness to the Titan body first, sure. Okay, so Eren can't awaken the Founding Titan's ability unless he's in contact with someone of royal blood, sure. Okay, so the Founding Titan's abilities can alter the biology of all Eldians, and also control all Titans, and also deactivate all Titan hardening, and also impose the will of the king onto all its future royal successors, but it's somehow NOT the Titan with the power to see the future? Sure? Okay, so Falco inherited the Jaw Titan, but because he was originally turned with Zeke's spinal fluid, he ALSO inherited aspects of the Beast Titan even though Zeke is still the Beast Titan and it's never been established that the spinal fluid used for the original Titan transformation affected the inheritance of Titan shifter abilities? Why not, at this point.

Uprising Arc and its overly simplistic military coup. I didn't dislike the arc as a whole, but it was a very lengthy detour from the main objectives the series was already on track for and added to the repetition of Eren getting kidnapped. Additionally, I thought the coup to overthrow the old government was too... easy? It was really only made up of two setups: one to expose the corruption of some random military police guy to the press and turn public opinion in favor of the Scouts, and one to expose the government's selfishness to the military commanders enough to convince them to depose their current leaders and pardon the Scouts. Then the Scouts essentially say "Hey Historia here just killed a Titan and has royal blood (trust us) so she's going to be the queen now. Please ignore the fact she is also a Scout and therefore could easily be a puppet queen for the military branch that was until very recently public enemy number one" and everyone just kinda accepts this. I don't know, it didn't do much to sell me on realism in a world that had done so up until that point.

Wow, the stakes are getting pretty high, I wonder if... WAIT, 80%?! That was kind of my reaction to the whole manga finale. I don't mind high stakes, but when we're talking about the horrific genocide of 80% of humanity at the hands of our main character, uh, that scale is a little hard to grasp. This also feeds into The Problems, which I'll get into later, but all in all, I think after a certain point the story just got too big for me to stay believably invested in what was actually happening.

Endgame plot thread irrelevance (especially for the female characters). Why did Historia get a whole story arc just to be sidelined and pregnant for the whole rest of the story? What happened to Yelena? What happened to Mikasa's relationship with the Azumabito clan? What's the deal with Ymir? So many things were rushed at the end that it was disappointing to see so much setup for very little payoff. Unfortunately, the female characters seemed to get the brunt of this.

The Problems

Okay, so this section is basically why I made this post to begin with. I want to address all of the criticisms I've seen for Attack on Titan and give my honest opinion on them because, yes, I do think it's more complex than I've seen people give it credit for, but neither is it free of harmful interpretations either.

On the topic of being Pro-Imperialist, Pro-Nazi, Pro-Facsist, and Pro-Propaganda: Attack on Titan is positioned against all these things. Just because a media depicts something doesn't mean it's condoning or endorsing it. Imperialism, fascism, and propaganda are all present in the story but are very often forces that the main characters must fight against. It might not go as far as to say "military bad" but it definitely says "war bad, genocide bad, euthanasia bad, blind devotion to one's country bad" and a whole host of other issues that it does not depict in a favorable light. Now, the viewpoints of the mangaka might be in question, and I can't say much about the way he supposedly views Imperialist Japan. I'm just saying, in the context of the show, I don't see an unquestioning approval of imperialism being portrayed here.

On the topic of Sexism: eh, maybe. It feels weird to be so nonchalant about that but to be honest, it's not prevalent enough to stand out compared to other shonen. Female characters might not always see fully fleshed-out arcs, but neither are they handled in a way I would deem sexist other than the very strange exception of Mikasa's one-sided obsession with Eren somehow mirroring the "love" a child bride sex slave had for her abuser 2000 years ago. That said, strong characters like Annie, Ymir (of the Cadets), and Gabi manage to have fairly compelling motivations and growth while also being love interests. There's really no fan service to speak of, and some of them even get to be gay. So, you know, I'll take it.

On the topic of Anti-Semitism (Disclaimer: I am not Jewish): yeahhhhhhh... so, up until the end of Season 3, I was confused about this claim. I mean, there were Titans, mindless man-eating monsters that could resemble the blood libel spread about Jewish people, but I thought it was a bit of a stretch. Besides, while the walled city is evidently based on 19th-century Germany, there isn't really a divide between the people who live there and the people who can turn into Titans; given the right conditions, any human character in the show could potentially turn into a Titan, so I didn't see the problem. If anything, I thought it was just a modified take on the zombie apocalypse genre.

Then the basement reveal happened, where it's revealed the walled city we had been following the last 3 seasons wasn't actually the last bastion of humanity as both the audience and the cast once believed; it is actually an island where distinct people called Eldians fled to escape the persecution they faced for their unique ability to turn into Titans. Turns out the rest of the world is populated by many diverse cultures who all hate the Eldians for their ancient Titan-enabled crimes against humanity. The Eldians who aren't trapped on the island of Paradis live in the gated ghettos of the Nazi-Germany-coded nation of Marley and are forced to wear star-embroidered armbands to denote their subhuman status.

Okay. Yikes, I thought. But I still gave it a chance, because as I mentioned before, just because something is depicted in media doesn't mean it's being supported or condoned. I was hoping that, at some point, the claim that Eldians committed atrocities with the Titans or the claim that only Eldians can turn into Titans would be proven wrong. Neither of these hopes came to fruition. It's revealed that Eldians did a lot of good with their Titan powers, true, but they also waged endless warfare in the name of a King that enslaved them. So, while they weren't really to blame, they certainly did commit the crimes that earned the world's ire.

This is a problem. If the imagery of the armbands and the WW2 ghettos were never involved, perhaps I could give the story the benefit of the doubt and see the Eldians as a fictional race created for the purpose of illustrating the cycle of violence and the need to relate to each other as humans first. But the problem is, they are very explicitly compared to Jewish people, thus insinuating, whether intentionally or not, that Jewish people do have these monstrous qualities and did commit crimes that earned them the oppression they continue to face when in reality, they did nothing to deserve it.

As an additional "yikes," there's also the questionable existence of the Tyber family, the only Eldian family in Marley allowed to have wealth and political influence. It's revealed that the Tybers have essentially been pulling Marley's strings the whole time, which... wow, really doesn't do much for anti-Semitic conspiracy theories that Jewish people are actually in control of everything, huh. Thankfully, the Tyber storyline is short-lived, but then there's the Yeagerists, a fascist Eldian party that wants to counter-genocide the entire world before it can genocide Eldians. Triple yikes. Let's throw in Zeke's plan for forced sterilization against his own people for a solid quadruple yikes.

However, there are also important distinctions to make between Eldians and Jewish people that are in the story's favor. While the Eldian people of Marley are mistreated and considered subhuman, Marley still puts in the effort to brainwash them into thinking they are the "good" Eldians in order to earn their unconditional loyalty and turn them into frontline soldiers in their war to conquer other nations and the island of Paradis, something that doesn't really mirror Nazi Germany and gives us a reason to sympathize with the Eldians who were once the "bad guys" of Season 1-3. There's also the fact that 95% of the show's main cast IS Eldian, and up until the basement reveal we've only known them as human. Everything until that point has essentially served to make us identify with Eldians more than anyone else. While the rest of the world may dehumanize them, we the audience react negatively to any mention of them being less than human because we've only ever seen them fight to survive in a world where they thought they were humanity's last hope. We want to see them make it out of this alive.

And here's where my internal conflict with the show lies; it would be so much better if it cut out the WW2 imagery. Sure, there would still be plenty of subtext that could lead people to compare Eldians to Jewish people, but it wouldn't be so distractingly obvious and spur additional real-world comparisons where there aren't any. The sudden jump to 20th-century Germany is also somewhat jarring and I wouldn't have minded if Marley was based more on just another nation of the same era rather than a 100-year jump forward of the same setting (though it does make in-universe sense, what with Paradis being 100 years behind technologically but I digress). Basically, I think a LOT of the story's problems with probably-unintentional-but-still-present anti-semitism could have been avoided if the war and race allegories weren't given the same tact and grace as a David Cage game.

But now that brings me to what I think is Attack on Titan's fatal flaw: thematic ambiguity. "But Anna," you may say, "you said the freedom of interpretation is what you loved about its themes." You're right, I did say that. I still do. But ambiguity is a double-edged sword: it gives the audience freedom to derive unique meaning from the text and connect with it in deep, personal ways, but on the other hand, if a theme is too ambiguous, the author runs the risk of either telling a meaningless story or telling a story that conveys an unintended meaning. I think an author must have SOME intention with a theme if it is to be included, and must provide some sort of guide (usually with a character or two) to point the audience in the right direction. I'll give an example of what I mean for both instances in Attack on Titan.

For an example of a well-executed ambiguous theme, I'll turn to the question "Is humanity worthy of saving if saving it demands the loss of one's own humanity?" that I listed under the "cycle of violence" umbrella. Specifically, this question is raised after the Battle of Stonhess, where Erwin allows a Titan battle to rage in the middle of a populated area for the slim chance he could capture Annie alive and extract information from her. This decision cost hundreds of innocent lives, and worse of all, Annie was of little use to him. Erwin stands behind his decision for the greater good and Armin rationalizes the battle as a net gain, but Jean presents Armin with a counterargument: "If it's that easy to let the fight turn us all into monsters, maybe we don't deserve to win." Still, we aren't given an outright answer to who's right and who's wrong here. Instead, the guide we are given is in the way ideologically-opposed characters like Erwin and Jean are treated by the story: Jean maintains his humanity, minimizes civilian casualties whenever possible, and in the end, is left with few regrets. Erwin, on the other hand, feels the weight of all the lives he callously sacrificed in the name of a "greater good," which we learn was perhaps more selfish than he let on. Upon resigning himself to death, he laments all the innocents who died at his command. It is through these characters that we learn who, ultimately, was in the right, and what that theme is trying to tell us (also coincidentally applying to the theme "live a life you can be proud of.")

For an example of a poorly-executed ambiguous theme, I'll turn to the question "Is it necessary to perpetuate the cycle of violence in order to survive in a world that forces violence?" that I also listed under the "cycle of violence" umbrella. This question is perhaps no more apparent than when the main characters are faced with the terrific power of the Rumbling, basically a Titan-powered WMD Eren uses to preemptively wipe out humanity before it can inevitably attack Paradis. While many characters deliberate the ethics of this, there are two characters who have starkly different viewpoints: we have Floch, a Yeagerist who is in full-hearted support of the attack and is uninterested in saving human lives if they are not Paradis Eldians, and we have Hange, who despite being a Paradis Eldian beats an impassioned fist against a table and delivers the rather on-the-nose line "Genocide is wrong!"

So who's right? Well, anyone with any sort of media literary sense will say "Hange, obviously." Because Hange is portrayed as a good person (usually) and Floch is portrayed as a villain (usually). The problem is both these characters fight valiantly in the name of their cause and incidentally die in the same scene while imparting their wishes to the heroes for how they want the world to be. Anyone watching who harbors even a fraction of Floch's nationalism might see that and say, "Floch was in the right. He righteously died for his country and he almost won against an impossible enemy." There's also the problem that Hange does not give an alternative answer to the Rumbling and even admits they don't have one, they just know the Rumbling is wrong, which doesn't do anything to add to the theme in question. Unfortunately, the Rumbling is presented as the only reliable line of self-defense for Paradis, as it's already established that diplomacy has almost no chance of working and that the only other plan is, of all things, sterilizing the Eldian people to appease the world that wants them dead with as little bloodshed as possible. What would have been the only other recourse, the order of a partial Rumbling to wipe out the world's military bases, is immediately taken off the table when it's revealed Eren never had any intention of doing that. Therefore, the story doesn't give us any answer to this question at all, since the characters never get to find an alternate solution for themselves and are forced to simply stop the Rumbling before it can kill too many people despite the risk of dying in the process or play along with Eren's predetermined plan. For a story so bent on saying "genocide is wrong" it does a weirdly good job of presenting it as a survival tactic.

Now, I wouldn't normally have that much of a problem if a story fumbled a theme or two. Not everything has to land perfectly. That said, Attack on Titan NEEDED to deliver these themes clearer than it did, because of one major reason: it was dealing with questions involving fascism, genocide, war, and eugenics. You should not casually raise these issues as a backdrop to a theme that can't be delivered on, because then you run the risk of attracting people who very much are pro-fascist, pro-genocide, pro-war, and pro-eugenics and will blatantly misinterpret everything in the text in order to warp it and fit their worldview (a risk I think FMA managed to avoid by being very blunt with where it stood on those same issues). On the flip side, you'll also repel people who otherwise might have loved the story because at some point they heard someone say "Oh yeah Attack on Titan is awesome, the Yeagerists are cool and I agree with the main character's plan for genocide," and rightfully be put off from that. Then they'll turn around and tell the next person, "Hey, don't watch that, I heard it's pro-fascist and pro-genocide," and that person will go "Oh thanks I didn't know that, I'll stay away from it," and that person will be me for the last ten years.

The Characters

Eren and Mikasa: I'm lumping these two together because I already talked about them at length, but I will say, for being the two main characters on which the finale hinged, I think they were both too simplistic to fully deliver on any of the complex themes they represented. Hell, when listing all the themes each character embodied, I only listed Mikasa under one of them, which is not great for a deuteragonist. Not only that, but Mikasa didn't even really deliver on her one theme: she broke the Titan curse by "letting go of her enslaving love for Eren," but did she really? She kissed and then absconded with his decapitated head to give him a proper burial, then returned each year to his grave with Jean and her family (who remained faceless) to leave a flower behind for him. I get it, he was important to her as a childhood friend and that alone means she should try to remember him despite the monster he turned into, but the framing of this suggests she never really let go of him and was shackled to his memory even as she tried to move on.

Armin: The thing about Armin is that while I ultimately think he's the heart of the story and the main driving force for good (as evidenced by the fact he's the only character I listed under ALL the themes I mentioned earlier), he also reads more like a symbol than a character. That's fine, a character doesn't need to go through an arc to be good, but for me, personally, a character in this kind of setting needs some form of growth for me to form an attachment to them. I'm not just talking about how Armin steadily grows okay with murder because that still doesn't do much to change his rosy outlook on life. The most excited I ever got about Armin's development was when he manipulated Bertholdt into thinking Annie was being tortured because holy shit that's kinda dark for Armin and I thought maybe his strategic mindset was going to start getting the better of his morals, but then that's never really touched on again. It's because I was never quite sure what the rhyme or reason was behind his actions that I found myself disconnected from him as a character, despite being inspired by him as a symbol.

Jean: My favorite character and a sorely underrated one at that. Won't say anything more about him here because I'm dedicating it to the Conclusion.

Levi: Second favorite character. Back when Attack on Titan's popularity was at its peak, I would see Levi on my dash all the time and I would roll my eyes thinking he was just another brooding anime bad boy the girls were fawning over. But I get it now. Yeah, he can brood, and yeah, he can be a bad boy as an ex-criminal who is no stranger to violence, but most of all he's compassionate. He cares deeply about the lives of his comrades and almost never values the "greater good" when decisions are left up to him. Granted, I think he becomes a little one-note after the Erwin vs Armin choice when he resolves that his only motivation from now on will be killing Zeke, but you know, after everything Zeke put him through, I think he earned it.

Hange: Third favorite character. They injected much-needed energy and sincerity into the story right from the start, and they only became more complex as the story went on and circumstances forced more and more responsibility onto them. I'm also glad that, while they are a good and moral character, they also don't mull over hard decisions that a veteran soldier probably wouldn't mull over. If worse comes to worst, they know they may have to resort to torture or violence to protect their comrades and the pursuit of truth. Still, they almost never push this any further than necessary, unlike Erwin before them.

Reiner: Fourth favorite character. I had basically no opinion on Reiner until Season 2 when he pushed Connie out of the way of a Titan's mouth and I thought "he's kinda cool." And then so so so much happens after that. I almost never knew how to feel about him. Is he the bad guy? He's killed so many people, he has to be. But then, why do I still like him? Why do I feel so bad for him? Season 4 only added to those mixed feelings, showing him to be suicidal and suffering from PTSD after all the violence he inflicted when he was just a child soldier. I think most of the themes about "people are people" is best illustrated in Reiner, and how he is able to overcome the pain of life through his dedication to the next generation and to the former friends he had hurt in the past.

Ymir (of the Cadets): Fifth favorite character. Like Reiner, I didn't really have any opinion on her until Season 2. While her contribution to the story is brief, it did a whole lot. Her backstory is technically our first introduction to a world outside the walls which also introduced a whole new mystery. Also, her love for Historia was probably the most genuine example of romantic love I can point to in the entire story, and the most emotionally touching one at that. She's also the one who introduces the theme "live a life you can be proud of" verbatim, which proves to be important for everyone.

Sasha and Connie: Truth is, I don't really have any favorites after Ymir, and how I feel about everyone else is some variation on neutral (except Floch). As for Sasha and Connie, I'm throwing them in the same bucket of "likable-enough comic-relief characters that have some semblance of a character arc but not nearly enough to justify their screentime." People might hate me for this, but I actually think Sasha contributed more to the narrative when she was dead than she did when she was alive. That doesn't mean I wasn't sad when she died, though.

Erwin: People might hate me for this too, but I think Erwin is overrated. I think many dudebro fans see him as the peak representation of heroic masculinity, as an unflinching and at times ruthless commander who takes charge and shows no weakness. That is not true. It's revealed Erwin does have a weakness, a selfish drive to redeem his father's suspicions about the outside world, a drive that makes him fear his own premature death, in the end. True, that drive has paved the way for the Scouts to clear impossible hurdles but also has it led to many senseless and brutal deaths that the story does not intend to justify. Erwin is flawed, incredibly so, and I wish more people could see that.

Historia: I had no opinion of her in Seasons 1-2, even during the love story she had with Ymir. It wasn't until the Uprising arc that she grew on me, as she started to mature beyond her "Disney princess" persona that had previously seemed so out of place in a story like this. That said, after she got pregnant in Season 4, I was disappointed to see that there wasn't much of a point to her character anymore despite being the literal queen.

Annie: I wanted to like Annie. I wanted so badly to like Annie. That's really only for aesthetic reasons because when the show was at its peak I saw her on my dash and fell in love with her as a fellow short blonde girl with a big nose and a name that starts with Ann. After getting to know her character... well, I don't dislike her. I think she served her role in the story well enough. She's just fairly simple once you learn her motivation, and she's hard to get attached to if you don't like emotionally-constipated characters.

Bertholdt: Oh, Berry. Unfortunately, every feeling I could have had for him I already felt 5x more for Reiner, so Berry became rather redundant. Also, his constant stare unnerved me. I did feel bad when he died though. RIP Berry.

Marlow: He didn't have a huge part in the story, but I think he was significant if only for one moment: the second before his death when he thinks of Hitch. Here we are given an everyman who wanted to rise to his calling and dedicate himself to the greater good, who was so driven by ideals and politics that he bravely gave his life for the cause he believed was right, but just before he meets his end, it's revealed to him that what he really wanted was a life with the girl he only just realized he loved. I think that one moment tragically encapsulated the main message of the story; we are here simply to enjoy life and enjoy each other.

Gabi: Again, people might hate me for this, but I liked Gabi. I think she did a good job of being a mirror of what Eren could have been had he been born in Marley, and/or if he had learned to sympathize enough with the enemy to have given up on his revenge plan. She went through a lot of horrors to get the growth she did, and I don't really understand the vitriol some fans have for her, even considering the fact she killed Sasha since killing Sasha and then learning that doing that was a bad thing through the kindness of Sasha's family was kind of the point. Also, as if Eren wouldn't have done the same thing in her shoes. She's a brainwashed child soldier, come on.

Falco: It was a breath of fresh air to have, like, one genuinely nice good kid for once. He's a necessary addition to Gabi's arc I think, since he's the one that keeps her grounded and helps her realize that the Paradis Eldians are not evil. His Jaw/Beast Titan powers are OP though.

Zeke: Hated him throughout all of Season 3 besides only knowing him as the Beast Titan. Season 4 rolled around and I did start to sympathize with him given his upbringing and the way his brother Eren used him after thinking he finally had a family he could be close with. I still didn't feel all that bad when bad things happened to him though, given the things he's willing to do to impose a sterilization "solution" to his own people.

Pieck: Getting into "they're fine but don't add much to the story" territory here. She's smart and has a sleepy-girl charm about her, I guess. She also has that one cool moment where she points to Eren as the enemy, but as far as her relationship with the main characters goes, she basically has none, which makes it hard for me to get invested in her.

Onyankopon, Yelena, Magath, and Kiyomi: Lumping all these characters together as the notable non-Eldians with their own agendas. I had no strong opinion on any of them. Onyankopon was cool, but I thought Magath changed his stance on Paradis too easily in the end, and Yelena and Kiyomi barely contributed anything that couldn't have been done by some other character. Their true purpose was really just to establish that there were different cultures outside of Paradis.

Floch: Saved the best for last. And by best, I mean worst. He's the anti-Jean, if you will; the everyman who, when faced with dire circumstances, turns to brutality and strength rather than humanity and compassion. It's fitting, I think, that he's the one who not only advocates saving Erwin, Jean's ideological opposite ("We need a devil!") but he's also the one who tempts Jean into a character regression since he's a representation of what Jean could have become if he stayed what he was like early Season 1. Other than that, he's a cupcake-head fascist whose dumb face I got tired of looking at even before he become a fascist. I just fucking hate Floch, man.

Every other character I either don't have anything much to say about, like Grisha, Shaddis, Pixis, Rod Reiss, and Hitch, or they died too early for me to say much about, like Porco, Petra, and Marco (although I did love Marco and I was incredibly sad when he died).

Conclusion (and why Jean is the best character you can't change my mind)

So, to take my thesis-length thoughts and distill them into one coherent sentence, my overall feeling on Attack on Titan is this: it's a well-paced, well-constructed story that is consistently engaging and thought-provoking about real-world issues, but is ultimately held back by its final act where the scale and allegory become too big and clunky for the story to properly handle. Many things that were so well set up in the previous three seasons sadly unravel at the finish line. That said, that doesn't mean there is no meaningful or worthwhile conclusion to be had in Attack on Titan; I think it still had a stronger finish than, say, HBO's Game of Thrones. I connected with it in a deep way that I haven't connected to any other piece of media lately besides maybe when I played Dragon Age last year, another story that raised thought-provoking themes about real-world issues but with admittedly clunky allegory. Most notably, though, I think my enjoyment of Attack on Titan was highly dependent on one character in particular, a character who acted as a reliable anchor point to come back to whenever the bigger ideas got away from the story.

Here's where Jean comes in. While Eren, Mikasa, and Armin are essentially mouthpieces and figureheads for the much-too-big themes they represent and are somewhat washed out as characters because of it, Jean delivers on all his themes perfectly while maintaining his believability as a character. In this world, he is basically just some guy; despite being talented, he's not as driven as Eren, he's not as strong as Mikasa, and he's not as idealistic as Armin. Jean himself recognizes all these things, but he also recognizes how their strengths also come with weaknesses that he can make up for. He sees Eren as cool but also suicidally reckless, he sees Mikasa as capable but also overly-dependent, he sees Armin as brilliant but also in need of a backbone. He then steps up to fill those deficiencies; to answer Eren's recklessness, he does everything he can to preserve his own life so that he can continue to serve others; to answer Mikasa's dependency on Eren, he makes his own decisions and creates strategies to get everyone out of trouble, not just Eren; to answer Armin's cowardice, he steps up and relays Armin's genius plans but with a stronger sense of leadership and authority.

But he wasn't always like this, and that's the most important part; Jean started as a selfish, cowardly, and entitled asshole. Floch says this outright. The only thing early Season 1 Jean cared about was securing his place in the top 10 and choosing a position among the Miltary Police where he could live the rest of his life in peace and luxury, the rest of the cadets be damned. I think this is a pitfall a lot of people in the real world can fall into: in a highly competitive and individualistic society, people have little incentive not to step on others in order to achieve a better life for themselves, and this is the very pitfall Jean nearly falls into. It's a relatable flaw, as little as people might want to admit it.

Yet, among all of Jean's negative pre-Trost qualities, he has two that can be seen as positive: his keen perception and his blunt honesty. Marco tells him as much. After the first battle in Trost, Jean, despite his reluctance to take up responsibility, sees opportunities to get his fellow cadets to safety and uses his insight into their strengths and weaknesses to guide as many of them as he can since he's the only one at the time who can take up leadership. Afterward, Marco tells him he makes a good leader not because he's strong, but because he knows what it means to be weak. He is able to lead because he doesn't delude himself with false hopes or illusions of grandeur; he knows exactly what is at stake and what hurdles everyone needs to overcome in order to have a chance at both winning and surviving. Jean is humbled and inspired by this, realizing that he would better serve in a field where he could potentially save lives instead of wasting his talents in the Military Police where he would have nothing to apply himself for.

But his real call to action is Marco's death. After losing his one true friend, Jean resolves to give up his dream of the Military Police and dedicate himself to the Scouts, where he can live up to the potential Marco always saw in him. If we are to take the theme of "true freedom is the ability to give up a long-held dream" to heart, then Jean is actually one of the first characters to achieve true freedom in this story. That doesn't mean it was easy. Freedom comes with the burden of responsibility, and his decision to join the Scouts isn't framed as triumphant or inspiring but instead as terrifying and traumatic. But that's another aspect of real life I think is captured by Jean's character: the decision to become a better person is not always easy, and it often requires a continual and conscious effort to push comfort zones, overcome bad habits, and step into the terrifying unknown, but you still have to do it.

While Jean does change for the better because of this decision (a change even his fellow cadets take notice of), his battle to grow as a person is never over. When faced with life-or-death situations as a Scout, he overcomes his cowardice to leap into action and save others whenever he knows he can. When faced with the selfishness of the Military Police, he is reassured by the knowledge that his decision not to join them saved him from that ignorant mindset. When faced with the consequences of "the greater good," he questions what it means for humanity if serving a grand purpose means they should turn a blind eye to the innocent. When faced with the prospect of having to kill other humans, he grapples with the morality of murder and what it means if he can't pull the trigger to save his friends. When faced with the crowning of Historia, he voices his concern against authority that they're forcing her into another role after she had just fought to reclaim her own identity from her father. When faced with the temptation to regress, ignore genocide, and settle for the easy life he always wanted in his youth, he resists the urge to fall back onto his dream and continues fighting even when it's the hardest thing he could ever do. When faced with the revelation that Reiner killed his friend Marco, he briefly gives into his resentment and anger but later works past it and admits there are more similarities between them than there are differences. When faced with no other choice but to stop the Rumbling, he's the first to bring Mikasa to the painful but necessary realization that they must kill their friend Eren in order to save countless innocent lives, as much as he doesn't want to do that.

Over and over again, Jean is presented with a moral dilemma, and over and over again, Jean chooses to come out of it as a better person despite it all. Because he achieved the freedom to choose who he wants to be so early in the story, the rest of his arc is a revelation that such freedom comes with constant and painful doubt. Yet, Jean never shies away from exploring the moral ambiguity of his world and the actions it makes him take. Because he is perceptive and honest, he's quick to question everything that is presented to him and never takes any one person's perspective as the only undeniable truth. Questioning life at every turn isn't easy either; it takes effort and courage and vigilance, and even when that way of life wears away at Jean, he does it anyway. If he doesn't, he'll end up just like the pitiful and ignorant Military Police he could have easily become. To me, that arc is so much more relatable than any other arc presented in this story. This is the very real struggle of a regular guy navigating a complicated world of war, eugenics, nationalism, and genocide, and is just trying to make it out as a decent person in the middle of it all. Really, isn't that all any of us are?

I think it's also telling that Floch tempts Jean to join the Yeagerists not with the argument that Eren and his plan for genocide is right, because deep down I think he knows Jean would have never agreed with that. Instead, he tempts him with the promise of comfort and a life free of resistance. I think that's the most revealing truth of all: Jean, the representation of humanity and its struggle with its own morality would never have gone along with genocide just for the sake of it. I think most people are too decent to think genocide is in any way justified when it's framed that way. Instead, Jean is only tempted by how the decision to join the Yeagerists and turn a blind eye would affect him and his own life, reframing the problem as a self-preserving one and retroactively justifying the Rumbling not as what is right but as what is futile for any one person to try to stop. That, I think, reflects the true struggle of humanity, the struggle to sacrifice your own self-interest whenever it conflicts with the need to help others.

While other characters like Mikasa, Eren, and Armin are more or less the same character at the end of the story as they are in the beginning, Jean is in a perpetual state of change, which means he also acts as a terrific mirror and foil for so many characters throughout the story depending on what stage of character development he's in. He starts as a foil to Eren, someone who harbors just as much hot-headed ego as Jean, but unlike Jean has all the conviction to back it up. As Jean grows, he continues to foil Eren by proving conviction can not only be gained but can be reigned in and redirected to be used as a force to do good instead of a force for destructive revenge. He then mirrors Armin, a character who is just as thoughtful and questioning as Jean but isn't as weighed down by selfish desires, but neither does that give much weight to Armin's moral dilemmas when he chooses to do the less moral thing than Jean does in his shoes. Jean and Armin eventually learn to work together, combining their respective strengths and weaknesses to become effective leaders in tandem. Interestingly, I learned that Armin and Jean were originally written to be the same character but were separated to reflect two different sides of humanity, perhaps to illustrate humanity's desire to reach outside the walls through Armin and humanity's struggle to resist the comfort of the walls through Jean. While I think that it was a good decision to separate them in the end, I also think that it robbed Armin of Jean's character development and robbed Jean of Armin's plot relevance. Then, of course, there's Jean's mirror for Floch, but I already touched on that in Floch's character summary so I won't retread it here.

But perhaps my favorite foil of Jean's is Reiner. More than Eren or Armin, Jean is inherently connected to Reiner through the death of Marco. While Reiner is positioned in Season 4 to also be a mirror for Eren, I think Reiner's similar loss of his friend Marcel (a friend who, unlike what Marco did for Jean, did the opposite of inspire Reiner by admitting that Reiner was never actually good enough for the role he got and only earned it by Marcel's intervention to protect his brother) positions Reiner as a more apt foil to Jean instead. Reiner is sent on a trajectory where he only clings harder to his dreams of becoming a hero for Marley, winning the affection of his mother and father, and proving himself worthy of his role, never willing to let those dreams go in the face of Marcel's death unlike Jean had done after losing Marco. Because he clings to this dream so dearly, he kills many innocent people to achieve it, again displaying the polar opposite mindset of Jean who fights instead to save innocent lives. But Reiner isn't without a heart, and eventually, the weight of his sins burdens him. How does he deal with it? Not by questioning or confronting reality like Jean does, but by compartmentalizing himself and rationalizing his actions through the use of multiple personas, essentially denying responsibility for his sins and avoiding the painful self-reflection he must undergo to accept accountability for what he's done.

Reiner is only able to truly self-reflect when he returns to Marley, where the reconciliation of who he is catches up with him and drives him to become suicidal, but neither is he deluded by the dream he once clung to anymore. Now that he's accepted responsibility, he joins up with Jean's group, admits he killed Marco, and accepts the brutal punishment Jean has for him. It's only after this moment that Jean makes the realization that they're the same because they are now. They've both undergone a change and while it took them in many different directions, in the end, they've come to the same point; despite their respective sins or lack thereof, they're both fighting to become better people than who they once were. And in the finale, it is Jean who reassures Reiner that he is and will always be a Scout because he's fighting to save humanity, just like they had sworn to do as youths. Jean never forgot what it was they were fighting for, and because of that, I think Jean earns his place as the true moral compass of the series.

Wow, this really got away from me; Do you love the color of the Attack on Titan thoughts post? Anyways, if you managed to read all of this, I'm flattered you stuck around to entertain all my ramblings on a series that is basically over after a decade-long run that I was too late to jump on. With all my thoughts out of the way, I'm going to go reblog some Jean posts now, because he's the best character and no, you can't change my mind.

[catholic-character-tournament]

Quarter Finals - Catholic Character Tournament

Propaganda below ⬇️

Matt

Matt's faith in the show is really important and well explored; one of the first scenes of the show is Matt going to confession (or, well, talking to his priest since he's not really confessing at that point). Matt struggles a lot with what he's supposed to do; everyone's telling him to kill the villain and he kinda wants to, but he literally says: "I know my soul is damned if I take his life". He struggles with his faith and goes with his doubts to his priest, and it's beautiful—also when he finally gets a costume for his vigilanteing he chooses to dress as the devil, lol. (His priest tells him that nothing makes people run to Church faster than the feeling of having the devil on their heels.)

a lot of the show is about how he justifies his vigilante actions with his faith, and whether he's doing the right thing in trying to help people or just using it as an outlet for his anger. the literal first scene of the show has him in a confession booth talking to his priest (who is a really interesting character too). this is not the scene I was talking about but it's such an excellent scene with matt talking to his priest: https://youtu.be/XHZ3NbEIDdw

canonically catholic but dresses like a demon to be quirky

honestly i dont wanna type too much but i feel that matt is a great example of someone who battles with his faith because he rarely loses his faith but rather fights with why he was made the way he was and put through what he was. He believes himself to have the devil inside him but believes that God put him there

ok in the comics barring the most current run matt has Mostly been a non-practicing Catholic that very rarely actually does any catholic Activities but ends up falling back into the Mindset and very occasionally dramatically taking confession (ex. in that one issue where he takes confession, basically tells the father that he is uniquely terrible and is thinking about violently murdering someone and when the father says "you can be forgiven" hes like "AUGFH-- NO!!!!!!!!!!" and runs out) when he's gone through some shit. and i love that its so relatable

This guy so catholic he spends an ungodly amount of time just chilling in the church. And goes there whenever there is a moral conundrum about killing people being Bad even though it would solve a lot of problems and stop said people from killing other people. This happens every other episode. Matt is the Catholic Guilt Guy. There's actually a lot of catholic stuff in the show as a whole. Just a compilation would be like three whole episodes long.

Hes great hes catholic enough to not outrught murder people but not catholic enough to not fuck before marriage hes a bisexual disaster at all times hes besties with a priest might i add hes great hes my special little guy

his catholicism is a huge piece of his characterisation he was raised by nuns in a catholic orphanage, the first scene we ever see him (as an adult and not a flashback) is him going to confession, he is good friend with his priest and has regular debates with him, etc also in s3 he has a huge crisis of faith after he lost A Lot where he stops believing for a while and it's linked to his identity crisis where he actually wants to kill another person (a hard line he previously chose never to cross) and wants to be only daredevil and not matt murdock, when he is both and needs both to exist also when he was a kid his grandmother used to say "watch out for the murdock boys, they've got the devil in them" and it created a surprising lot of his issues

So he's both catholic in the comics and the show but he's More Catholic in the show. Like, raised in a catholic orphanage by nuns (ONE OF WHICH IS HIS *MOTHER*), second scene in the show has him in a confession box kind. Matt Murdock goes out and gets the shit beaten out of him nightly and also beats the shit out of other people and purposefully leaned into devil iconography as his theme. When his nurse friend says, he takes a lot of punishment without one complaint he says "That part's the Catholicism." It is a Core Aspect of his character (at least in the show). He makes me insane. Also the same chemicals that blinded him created the teenage mutant ninja turtles and everyone should know that.

They went to confession to a priest who they had saved as their costumed counterpart and the guy recognized them by the voice, proving that it's possible and everyone else is just dumb

he takes "i wanna fight god" to new and incredibly violent levels, while also being a sweetheart and a goofball

Actually strictly WILL NOT kill criminals. Goes wayyy out of his way to avoid it. Fights with the Punisher about it. Goes to confession booth after nightly vigilante excursions. Feels so much guilt. "How have you been holding up?" "Like a good Caltholic boy" "that bad huh" - actual conversation with his priest

So Daredevil struggles with his mission as a crime fighter because killing criminals goes against his faith. He makes it a point to not kill criminals, believing that even bad people deserve a second chance. This philosophy puts him at odds against The Punisher, who is a relentless killer. As a Catholic myself, while I love the concept of a morally conflicted superhero, I think the worldbuilding around Daredevil is lacking. If he struggles with violence and killing, why doesn't he pray to warrior saints like Saint Michael, Saint Ignatius of Loyola (a former knight), or Saint Joan of Arc? Why isn't there a community of other Catholics he can turn to for guidance, considering New York City has a sizeable population of Catholics? And why are the churches he goes to always empty? Doesn't he know that the Catholic Church supports the just war theory? I think that would have made his burden more bearable.

He goes to church and confesses to punching people and says "imma do it again can i apologize in advance" and the father dude says "no you're meant to stop now" and Matt says "no" and they do this everyday. I'm not remembering it properly but this is a canon interaction i swear

HELLO HI YES I LOVE HIM AND WILL INFOR DUMP ok so. he is a vigalantty and he got named daredevil and he is an orphan and after the age of 12 was raised in an orphanage at a Catholic church and his therapist is his priest via confession abd. also his mother is a nun he has a whole mental breakdown over god and called Job a pussy because he liked god until he got better and liked god again he said "I'm dearedrvil and not even god can stop that now" and he's so cool

matt is a freakish little babygirl who was raised by nuns and definitely has religious trauma. i hate him so much (affectionately)

he’s literally fucking insane about it i don’t know what to say here. he thinks he’s chosen by god to go on some sort of holy quest to save hell’s kitchen. joan of arc ass.

i already know hes in by default j just wanted to give him a personal shout out i love this angsty catholic dweeb

how practicing he is depends on the run, but in my favorite he is quite literally confessing to a member of the last extant order millitant who happens to be a priest at a church in hells kitchen.

i love him for having the funniest version of a trope i usually hate (person gets into confession booth and asks forgiveness not for what they've done, but for what they're about to do). usually this trope just looks silly to me bc like. the priest would just say "i can't do that" and you would have to either awkwardly explain yourself or just Leave. it's funny when matt does it because fr. lantom is probably like "what are you gonna do???" and matt's like "lol. lmao. 😊 hehehe." anyway we love this angry catholic man who dresses up like the devil to beat people up in hell's kitchen

I'm sure Harrow is lovely and I respect the space lesbians but listen to me. Listen.

Matt Murdock is the Catholic character of all time, and if you make him lose, I am blowing up this website and everyone in it.

He is Catholic. His mother is a nun. He grew up in a catholic orphanage. Half the episodes in the show include him going to confession. When he needs therapy, he talks to his priest. He dresses up as a devil partly because of the Catholicism.

One time he got godly powers on loan from Heimdall (see below), and he did a lot of good with it, and then the second it was over he just... well. Also see below!

This man's every coping mechanism is Catholicism.

Please vote for Matt in the @catholic-character-tournament because he's the best and most realistic representation of what it means to be Catholic. Someone who's been punched and bet and crushed by life but still gets up every day to try. No, he's not a nun like his competition but he's not less devoted because of that. Not everyone is called to service. In the day he works at a defense lawyer to help people. Not for the money but to help people not get screwed over by the law. And at night, he dons a mask and beats up assholes when the law fails them. Is he perfect? No, that's the point. Matt is a broken man who is just trying his best to do well and live like Jesus.

He fully embodies the Catholic doctrine of faith and good works. He has faith in what he's doing even if others challenge him. He believes in forgiveness and repenting even when going up against "the devil."

"The people you murder deserve another chance." ... "No, Frank. To try again, Frank. To try. And if you don't get that, there's something broken in you you can't fix, and you really are a nutjob." "You think God made you a one-man firing squad. But you're wrong. There is goodness in people, even in you. And you're gonna have to kill me, 'cause I'm never gonna stop coming for you, until I take you down."

Daredevil Season 2 Episode 3

He (tries) to love his enemy. He believes in Elektra and Frank and maybe Dex and their ability to change. To be good. And when he can't, Matt refuses to compromise on his morals. While not quite "turning his cheek" he never scoops to their level. Because they don't get to destroy who he is.

Daredevil Season 3 Episode 13

All he does is for the love he has to his neighbors, his community. He loves New York. Not for self-fulfilling needs or for the money or for the fame. He does it because he believes in justice. Because the law was created by humans and is inherently sinful.

"But his competition met God and was disappointed and blah blah"

Daredevil is more grounded (at least the show, maybe less the comics). So now, Matt doesn't met God. But he sure gets mad at him. All of season 3 he angry at God for all the trauma he expired.

"You see, that was me, Sister. I suffered willingly. I gave my, uh... sweat and blood and skin without complaint. Because I too believed I was God's soldier. ( chuckles ) Well, not anymore. I am what I do in the dark now. I bleed only for myself. ( scoffs )" ... "You might hate God right now, but the feeling is not mutual." "No, I don't hate him. I've just seen his true face, is all."

Season 3 episode 1

As a Catholic I don't really want to fight God in a parking lot. Well I do but not in the same way that I've understood (primarily Jewish people but probably other Abrahamic religions) want to fight God in a Denny's parking lot. I want to yell and scream and cry at God and for the feeling to not be mutual. For Him to never stop loving me. As long as I have faith, He will reach out his hand.

Homura

she is a catholic lesbian whose girlfriend became god. she has been through so much.

shes such a lesbian for amdoke

Catholic guilt literally turned her into a demon

she literally watches everyone she knows die over and over and over again just so she can save madoka, the one girl who showed kindness towards her. when madoka ends up basically becoming god in order to stop the cycle of death and violence, homura RIPS AWAY THE HUMAN PART OF HER SOUL so that she can create a world where she and Madoka and their friends can live happily, effectively becoming the devil to madoka’s god

She has so much religious symbolism when it comes to her relationship to Madoka. Madoka is God and Homura becomes Lucifer so that she can save Madoka and give her happiness. She literally rips God from heaven and rewrites reality though. The way she sees her self and shapes reality is through the lense of Catholicism.

most fucked up little catholic girl. we love that for her.

Okay homuras entire fuckin arc is stemmed from the fact she is Catholic. Look at her trying to save Madoka over and over again and suffering for it because she thinks if she suffers enough and works hard enough Madoka will stay. Normal people do not go into time loops willingly. Catholics will.