#narrative twists

[joncronshawauthor]

Fantasy Writing Lessons from It's Always Sunny in Philadelphia

In the labyrinthine world of fantasy writing, inspiration can bubble up from the most unexpected fountains. Among these, “It’s Always Sunny in Philadelphia” might seem an unlikely muse, with its band of morally dubious characters and their often preposterous escapades. Yet, beneath its chaotic surface, this series offers a trove of insights for the fantasy writer willing to look beyond the…

[nicholasandriani]

The Marvelous Dance of Coincidence: When Destiny and Storytelling Collide

Writers and dreamers, gather ’round for a tale as old as time -aren’t they all?- a narrative element that has both captivated and confounded storytellers since the dawn of creativity: coincidence. Yes, my dear friends, today we embark on a journey to explore the craft of employing coincidence in our beloved forms of storytelling. We shall learn how to wield this powerful tool with finesse,…

[favroitecrime]

Palestinian freedom fighters breaking out of Gaza and reclaiming their occupied territories. They’ve taken over israeli tanks and have chased out the settlers that were on that land. They’ve launched rockets everywhere and the iron dome has failed to intercept. This is about to mark a momentous event in history.

From the river to the sea, Palestine will be free.

[nightswatchdisbandmentera]

Rhaegar Targaryen is easily one of GRRM’s best deconstructions of the genre and we don’t talk about it enough. He’s prince living in a world full of magic and wonder that has dwindled over time. His own family had a great monopoly on one of the most magical phenomena (dragons) to ever exist, but they lost this control over time and it was due to their own faults. But there’s an all encompassing hope that this magic, these dragons, will come back. They all live within the promise that it will all be back and with a huge bang. It’s all so romantic. Magical forces of ice and fire battling it out in a song.

Then there’s Rhaegar, a prince born for the sole purpose of being this song’s romantic hero. He already has his destiny mapped out and it will be a great one, greater than any other man who ever lived. It’s a song of ice and fire, and Rhaegar is its bard. You’d expect this to give him joy. Yet by all accounts, he was depressed as fuck. I think he’s unfairly earned the reputation of having an ego so big to think that he will be the hero….but that’s quite literally the point of his existence. He was born to be the hero. He paid the price at birth to be the hero. How can he revel and glory in this destiny when he has no say in it?

So it’s genuinely funny that when given the chance, Rhaegar immediately pivots to someone else taking on this burden. But how tragic for him that he cannot escape it too far. Because it will be none other than his own son who, under a “bleeding star”, is marked at conception for this great destiny without a say. More than his ego, Rhaegar is marked by the inability to escape this duty. His whole life is dedicated to fulfilling a duty he can never escape. He isn’t just a future king, prophecy dictates that the world’s survival is placed squarely on his shoulders. Even when he isn’t the hero, he’s now responsible for raising him…

…but then he makes one decision and it all comes crumbling like a pack of biscuits. He escapes this burden…but dies. And his successor dies too. And now the ones who will inherit his legacy are two people who never knew him. They never knew of his burdens, of this prophecy. But they too cannot escape its jaws. I think this does bring up some interesting questions about the nature of fate and destiny in the world of ice and fire. Can you really escape it? Rhaegar tried to, and paid the price for his defiance, but he never truly made it out because the burden instead jumped to the son (and sister) he never knew. Funny thing is that in a bizarre (and tragic, in its own way) twist of fate, this son was brought up entirely without the trappings of power that depressed Rhaegar. Rhaegar was a dazzling prince, Jon is a bastard. Rhaegar was marked by his great inheritance, Jon is marked by the lack thereof. Does fate say “well the first one got too depressed by having too much so let’s give the next one nothing?” Even Dany, who grows up a princess does not have the privileges that Rhaegar did. So how does upbringing craft a hero and the choices they make? Welll, GRRM had given us two versions of Rhaegar’s tragedy in Jon and Dany for us to see.

Rhaegar’s impact on the meta-narrative is honestly so massive. Like I’d put him right up there with Quentyn, Sansa, and Bran as one of the best genre deconstructions in the series and no one can tell me otherwise.

[charybdiaa]

Listen Vik the kid has a point. he should actually get MORE dangerous gigs. to impress the ladies

[egophiliac]

Sorry, most likely my memory being poor, but I thought Malleus' mom (don't know how to spell her name and too lazy to check how to spell it) was already an adult when Lilia ""proposed""?? Like I was always under the assumption that it was like a one-sided child crush on somebody completely out of your league you tend to have as a kid 💀

I don't think they say how old she was? although it's entirely possible I just misunderstood; my Japanese is...shaky. :') the actual line is "幼い頃に私に求婚したのは偽りか?", which I read as "isn't it true that you proposed to me as a kid?", and took as her being older than him, but not necessarily an adult (like, I was thinking of Lilia as being not quite a preteen and Mel being preteen/young teen). although I don't know if there's a connotation or something I'm missing that implies a bigger age gap, if that makes sense!

(and of course, I might also just be forgetting some other line -- if someone else knows, then please correct me! I need to know which headcanons need adjusting 👀)

BUT YEAH in a canon-y sense, Malleus is 178 and around the third-years developmentally. which makes me think that even though dragons have a way longer lifespan, they go through childhood at about the same rate as most fae (or at least the kind that Lilia is) and just kinda...slow waaaaay down once they hit adulthood. so it makes sense in my brain that he and Meleanor could've basically grown up together!

...it makes it angstier that way, anyway. :)

[katabay]

ALAN WAKE

god GOD what a fucking game. easily game of the century. to me. its so much better than I ever could have imagined it being, and I have been thinking about Alan Wake daily for thirteen years. so so so many thoughts turning around in my head about it, but I wanted to get a drawing of Alan down first because I Cannot Contain My Enthusiasm for this game. holy shit. what an experience.

bsky ⭐ pixiv ⭐ pillowfort ⭐ cohost

[valtsv]

i don't think i've ever liked anything where "normal" familial relationships prevail because to me all the best media involves either an absent family/parent or one that's present but in a way that makes you wish desperately that they weren't. ideally both.

[lastflowerofyourhouse]

NAV MEANS DEAD. NAV LITERALLY MEANS CORPSE.

I AM GOING TO EAT GLASS

[fell-e]

aceyuu but its that one time-travelling ace theory

[joncronshawauthor]

The Riftwar Saga: Crafting Epic Fantasy Worlds

In the well-trodden landscape of fantasy literature, Raymond Feist‘s “Riftwar” series is akin to a magical tempest – it came, it saw, and it decidedly left its mark. This wasn’t just another saga of swords and sorcery; this was an epic that tore through the fabric of the genre and stitched it back together with a twist. With its blend of traditional fantasy and bold narrative innovations,…

[poorly-drawn-mdzs]

Portrait pains

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[laniidae-passerine]

my post about Danver’s racism hits so much harder knowing now that she had an Indigenous son and she lost him, implicitly to someone white and drunk like the woman she arrests in an early episode. She made a life with a man she loved and she had a baby with him - someone she likely felt growing inside her, that was born with her eyes, that looked nothing else like her but was her baby. Her special little boy. And then this town, out of nowhere, stole him from her in the most horrific way. So love nothing. Protect no one. Let nobody in. Until Navarro with all her problems and her heart and her belief and that connection which allows her to see Holden, to tell Liz what he said, comes crashing in. And everything changes.

[fun-esta]

[i-have-a-lot-of-ocs]

Tempted to write a replaced au twst fic where Yuu (or alternatively, I'll use my Yuu, Riyuu, who is basically who I'm writing this for) used to be the cutest girl around, the cheery one who's always around everyone, the one you can't seem to dislike even if your crush falls for her because she earnestly says sorry (even though it's not her fault) and will always help you out if you need her back in her old school. But one day, a new girl comes around and her whole reputation got destroyed. She helps the new girl adjust, tells her all the rumours and introduces her to all the popular kids. But the girl ends up backstabbing her, telling the popular girls rumours about how she intentionally plays up the act to steal their crushes to her, and lies to the boys, telling them she's just playing with their hearts and that she's a horrible person.

Yuu ends up alone and excluded, being seen as "annoying" and only having a few close friends who doesn't really interact with her in public in fear of their reputation being ruined. She ends up miserable at school, and wishes to not go anymore. But one day comes a saving grace, she gets whisked by a mysterious black carriage into Twisted Wonderland, or more specifically, Night Raven College. She doesn't mind working if it meant she doesn't have to deal with her old school, there was still 1 and a half years left of school and she doesn't want to deal with all ghe group projects to be assigned that will inevitably end with everyone not wanting to team up with her. Plus, as annoying Grim is, he's like the animal friend all of the anime and storybook protagonists she knows has, and she doesn't mind him too much.

Some things did change after she and Grim got officially enrolled, but she had no problem adapting to the social expectations of the world, part time jobs with Sam -- and occasionally the canteen -- paid enough to get her tools for cooking basic but delicious food, and new friends without the weight of her past helped her get settled comfortably.

The existence of Overblots stunned her for a bit, but a peek into Riddle and Leona's memories helped her understand the concept, even if just a little. However, things began to change eerily simlarly to her old school when a new girl comes, also in a similar position to her, getting transported to a new, unfamilliar world, and seemingly hailing from a similar world to the Earth she knows. She warmly welcomes her, eager to finally befriend another girl, but it seems that the girl does not share the same enthusiasm.

The girl only barely responds to Yuu's attempts at forming a friendship, and always seems to talk her in a condescending way, and often dismisses her, and especially so whenever there are any boys around.

Yuu will not deny any statements claiming she's an attention seeker or that she plays up her sweet innocent girl act, but she knows to never, ever sacrifice a bystander for it. But if someone insists on war with her... well that's another, different story. She's learnt her lesson of being overly optimistic, and she will not make the same mistake twice. She will not let her make her life a living hell more than it already is with Crowley's irresponsibleness.

Aaand thus begins the story. Or well, however you wanna continue it. I'm honestly in favour of most Housewardens (Kalim, Vil, and Idia in particular. I'll put my reasoning in a few paragraphs down) Adeuce, Tweels, and Ortho for team Yuu. Why?

Well, first of all, Adeuce. This is mostly because the duo is like. with Yuu since Day 1, as much of a bitch as Ace is, I think those two are the most likely to trust and know Yuu well enough to not believe the lies R (< Replacer) tells. Especially Deuce, he doesn't want to betray a friend he knew for quite a while, that would not be very honor student-like of him!! And she helped him out in a lot of situations too! He doesn't want to hurt you after all the trouble you go through to help him, and also knowing how horrible your living conditions are. Ace would most likely give in to peer pressure if the student body is overwhelmingly in favour of R, but as of now, he maybe enjoys your company just a bit more than R. Just a bit, promise.

Tweels I feel like is self-explanatory. Those two are perceptive as fuck istg it scares me. Jade especially. I feel like the two would just toy with R for a bit despite her facade and lies before dropping her after she bothers them for attention and favours one too many times.

(Ortho ties in with Idia so I'll explain him in Idia's paragraph)

Kalim is actually very emotionally intelligent. He can come off annoying and stupid, but from all the scenes I see of him, he's actually really good at dealing with people. Have you seen how he deals with the Scarabia residents after Jamil's OB??? The way he phrases his sentences?? He didn't force or even plead with them to forgive Jamil, he simply asks them to wait before making permanent judgements, and I think he's gonna be uncomfy with how condescendingly R talks to Yuu, and even if he's used to people going after him for money, I feel like R mostly eyeing him for money and how she "secretly" sighs in annoyance everytime she goes out of the party for a "bathroom break" will only solidify his dislike/discomfort, even if he doesn't show it.

Vil is also kind of self-explanatory if you read into his character and not just the shell the official English localization makes for him. (I could rant for hours about how the official tl portrays his character istg. He's hardworking and he actually didn't attempt to poison Neige out of pure jealousy, he did it because he felt like all his efforts to be beautiful will never be able to surpass Neige, who, in his eyes, always seemed to be innocent and naturally beautiful. He feels like the villain in Neige's story. He feels like he is reduced to what he often plays as, a snobbish, overconfident villain obsessed with overthrowing the hero. And because of it, it became a twisted self-fulfilling prophecy, pushing him to, in a fit of despair, be that same villain everyone sees him as.) I really don't think he will take well to R's condescension to Yuu, who genuinely wants to befriend R. (I actually have a whole thing in my head where Yuu and Vil occasionally have sleepovers where they do skincare together after the whole VDC thing happened. I feel like this is also a "vent sesh" of sorts for the both of them, just to air out their grievances without much seriousness, and I think Yuu would admit to wanting a fellow girl in the school that she could befriend, since no matter what, being the only girl can be exhausting.) Ik Vil's not a girl but he is such a girls' girl istg.

Idia... this mostly ties into Ortho and The STYX Incident, but like,, I think we can all agree on this one,, Idia is smart and capital V Very pessimistic. Would you rather trust the girl you've known for a while, who saw your memories, who helped you in awkward social situations when she can and is besties with your brother or some random new girl who trash talks said girl behind her back? The former, right? Plus, even if Yuu did only hang out with him and his brother because she likes to secretly laugh at him behind his back, there's mo guarantee R wouldn't do the same, given his experience. And he would rather have someone who actively helps him and his brother out than someone who wouldn't.

I didn't put Malleus in because of how canon him actually treats Yuu. I feel like the fandom kind of put on rose-tinted glasses on with his character, and kind of ignored some things like, idk... him just leaving them to fend for themselves homeless during Octavinelle... maybe he thought Crowley would offer them a place to stay but like... I'm still bothered by how didn't atleast offer a spare room in Diasomnia. He's a housewarden goddamnit. He's not as distant or scary as the rumours say but like. still rubbed me the wrong way.

Anyways I don't think my attention span will let me write it to completion so if anyone likes this and wants to write it feel free. Pls tag me if you do tho. I would love to read it :3

[completeoveranalysis]

[9]

MOM HOLY FUCK THEY REALLY ARE SAYING IT

EXCUSE ME

EXCUSE ME

WAIT WAIT WAIT WAIT WAIT IS THIS THE GREATEST THING 

LET’S TALK ABOUT THIS

Clamp absolutely set the precedent for this with our visit to Shura/Shara all those years ago. We’ve SEEN the possibility of being in the past and future of the same world and teleporting between the two. We knew the feathers could appear pretty much anywhere in the timeline of a world, given how time works differently across the mutliverse, and we DID just straight up go backwards and forwards in time via Mokona, so it’s absolutely possible for them to appear in the Past of the Kingdom of Clow. 

WHICH IS APPARENTLY ACID TOKYO????

WHICH JUST ABSOLUTELY BLOWS MY MIND WHAT THE FUCK

WHAT A WAY TO TIE IT ALL TOGETHER??

X/1999 IS THE SET UP TO THE CLOW KINGDOM?

THE CLOW KINGDOM IS IN THE RUINED ECOLOGICAL DISASTER OF OUR OWN CURRENT WORLD??? 

Tsubasa Reservoir Chronicle as a pseudo-not-really-but-kind-of-sequel-event to Cardcaptor Sakura but ACTUALLY ALSO being the sequel-kind-of-but-not-exactly sequel to X/1999???? Or Alternate Timeline X/1999? Where things are ever so slightly different but the world was ruined in the same way?

AND THE RESERVOIR

THE RESERVOIR IN ACID TOKYO IS THE RESERVOIR IN THE CLOW RUINS????

I’m REELING OVER THIS

THEY SET THAT UP

SAKURA WALKED THROUGH THE DESERT TO PURIFY THE WATER TO SAVE THESE PEOPLE AND IT MADE THE RESERVOIR THAT LOVED SAKURA SO MUCH THAT IT PROTECTS HER

AND WATANUKI! WATANUKI WAS AN ESSENTIAL PIECE OF SETTING UP THE RESERVOIR IN A WORLD BEFORE HE EVEN EXISTED IN THAT TIMELINE

And that’s Definitely the feather they’re talking about, isn’t it? The feather that Sakura left in Acid Tokyo is still in the Reservoir right now, and is the reason the water is magic and loves her so much - because it’s a piece of her, and -... well, a piece of her clone. But it’s a piece of SAKURA, and so they resemble and resonate with each other, and that's why the water is so close to her, but 'Sakura' can’t absorb the feather because she’s already a full person and those aren’t her memories, but the memories of her clone.

Meanwhile Sakura (ie, our cloned Sakura) is currently on the other side of the portal at a point in time that DIDN’T exist a few seconds ago, for Original 'Sakura', but the rest of the universe has moved on and decades have passed (even though no time at all has passed for her) and now the feather from her clone has ended up in the past that set up the reservoir potentially centuries before she was even born. 

Timeline!

Oh my god?

Oh my god. 

I’m going to be thinking about this forever. 

No wait I’m not done ACID TOKYO WAS like THE point in the narrative where everything changed forever. And from a Tsubasa point of view it felt like a world picked at random for all the Important Narrative changes to take place - but it never was! It was the most important world of all! It was the Clow Kingdom!

So Syaoran lived his life in the Clow Kingdom, and then his soul collapsed in Acid Tokyo, which was ALSO the Clow Kingdom, and then he went and died defending Lava Lamp, in the Clow Kingdom. All at completely different points in the timeline but all in the exact same world. 

Though I will say I am thoroughly baffled by the connection between the Tokyo Metropolitan Government Building and THE CLOW RUINS???

ARE THEY SUPPOSED TO BE THE SAME BUILDING?

Oh my god they’re in the same location aren’t they. The reservoir was underneath it and now it’s under the ruins. I suppose they have Magic so they could probably reshape them however they want but WHAT A CON CLAMP HAVE PULLED ON US

TO SPEND THE ENTIRE MANGA STARING AT THE WINGS OF THE CLOW RUINS AND THEY WERE SECRETLY WAITING FOR THE RIGHT TIME TO TELL US THAT WE WERE ACTUALLY LOOKING AT THE TOKYO METROPOLITAN GOVERNMENT BUILDING ALL ALONG

THE AUDACITY OF IT ALL