Harry: Okay, here’s what we’re gonna do.
Draco: Yes, tell me.
Harry: You’re gonna stay at least five hundred feet away from me for the rest of our graduation party night.
Draco: Sensible plan.
Harry: I’m not done.
Draco: Of course you’re not.
Harry: Then at midnight, you’re gonna come to my dorm on the Gryffindor Tower where I’m going to do some very bad things to you.
Draco: …
Harry: Use my cloak so no one will see you coming in
Draco: Got it
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Can you please make incorrect quotes like the ones you done for Yelena in police uniform but for Y/N and Natasha with Y/N being one who is wearing cop uniform with them comically shooting suction cup into Tony's forehead?
Natasha saunters into Y/N’s room, wearing only a police uniform…
Natasha: I’m placing you under arrest
Y/N: what for, officer?
Natasha: for being too sexy. I’ll need to use my handcuffs (winks)
Tony walks over…
Tony: hey sorry to interrupt but you’re both needed-
Natasha shoots Tony with a suction cup dart…
Tony: I’ll tell Steve you’re both busy
Tony walks away, dart still attached to his forehead…
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Cilla Black first encountered The Beatles at Liverpool’s Cavern Club. She was a singer, and Lennon invited her to join the band onstage. She ran into The Beatles often. When she saw them, she hated being left alone with Lennon. He made her incredibly nervous.
“I remember I used to be dead scared of John, although he was the one who had helped me most,” she said. “He had this aura of superintelligence. I hated being left alone to speak to him. Once he said: ‘What’s wrong with you, girl? Don’t you like me?'”
“I confessed: ‘I’m frightened of you, John.’ He roared with laughter: ‘And I thought you were a snob!’ After that we often talked.”
Cilla changed her opinion of John due to how much he helped her career. He was the one who encouraged her to join The Beatles onstage. He’d also insisted that Epstein listen to her perform and consider signing her.
“Paul was at the recording session when I made Anyone Who Had A Heart,” she said “He said that he liked the composition and he and John would try to produce something similar. Well they came up with this new number, but for my money it’s nothing like the ‘Anyone’ composition.”
It's interesting that Paul and John's inspiration for "It's For You" was "Anyone Who Had a Heart." Lyrically Anyone Who Had a Heart
"Anyone who ever loved could look at me
And know that I love you
Anyone who ever dreamed could look at me
And know I dream of you
Knowing I love you so"
reminds me more of "I've got a feeling, a feeling I can't hide".
During the filming of "The Music of Lennon & Mccartney" in 1965 Cilla recalled: “I had to walk down the stairs, miming to the song, while the boys sat at the bottom, looking up at me.
“As I walked past, John whispered: ‘Great! No knickers!’ I reeled backwards, hand to my mouth, and couldn’t wait to get back to the dressing-room to check he was joking.”
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for the people in the back with cotton in their ears: 'REAL' QUEERNESS IS NOT JUST ANGSTY, TOXIC AND PROBLEMATIC. QUEERNESS CAN BE SIMPLE, SOFT AND KIND. IT CAN AND SHOULD BE ALL THE GOOD THINGS. Please don't keep seeing queerness through a single lens. You are just reinventing homophobia in a different font. Let girls kiss girls and be soft and happy. Let boys kiss boys and be soft and happy. That is unarguably QUEER AS FUCK. The point of queerness is you don't have to prove something. Realistic Queerness is just as much bad stuff as it is good stuff, you are not better for preferring one over the other and the person with the opposite pov isn't better or worse than you for their preferences.
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Apollo: How do you tell your partner that you want to have sex?
Hermes: Dunno about you but Iris would pin me down and say “Taste the rainbow motherfucker”.
Dionysus: Interesting.
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