So sorry if this is bothering you but so curious as well... why do you hate Guts?
Thanks for your time ❤
you’re not bothering me!
I think the simplest way to answer this is with one of Olivia’s own lyrics from pretty isn’t pretty when she sings “none of it matters and none of it ends” because. That is kind of her whole ethos about how life works. She believes that! And so her work, to me, is profoundly cynical and self-absorbed because it can’t point to anything bigger (none of it matters) so it revolves purely around her own feelings. It won’t ever situate itself in a wider picture. And I love whining in a song tbh. I love when an artist captures those uglier emotions —the discontent, the restlessness, the irritation, the blandness and staleness of it all and the railing against it—because those are all part of the human experience. I am continually shocked—it is shoCKING—by how many negative emotions I can and do experience over and over again. But it is thankfully against the backdrop of reality. My bad moods are something that can be so unpleasant to feel and so ugly to witness—I wrestle with how ugly and small my suffering is—but there is a way in which, all discourse about the validity of any and all of my feelings accounted for, those aren’t real. Just symptoms of my suffering and sometimes my convalescence (lol, love a symptom of convalescence) but reality is still always so much realer. It’s always ready to break in a million times a day; the beauty and sturdiness of reality, the texture of existence, as Flannery O’Connor once said, is always there and with enough time (and with patience and help and love) I can get back to contact with it. Not just the state of my own mind full of bitterness and worry and pain, endlessly stewing in its own unhappiness.
I am not good at that, it takes a lot to get me there. But I guess my point is—to circle back—Olivia’s music doesn’t try and doesn’t want to. Its scope is so narrow, every song no matter how pleasing at first eventually sours (lololololol) because it’s JUST rooted in her own experience, generally her own suffering. And there’s no sharpness or cleverness in the world (she can be both sharp and clever!) that can hide that lack of range. So you hear a song once—for me, it was brutal—-and you’re like YEAH. I recognize this kind of whininess because I’ve felt it before. There is something true to it! But the more she writes the more you watch her do it over and over again (sonically, too, she loves to speak-talk and tbh they’re just sub-par remixes of brutal) the more you start to be like “oh, is that it? We’re not going anywhere with this? There’s no turn or catharsis or bridge or anything that lifts us out of this even for a second?” and it’s just —blegh.
And the thing is there doesn’t even have to be, like, some triumphant girlboss victory where she feels better. I’m not saying her songs are bad because they’re sad and depressing. It’s that they establish no outside contact with reality. They are, for all her clever little film-noir references or whatever, only ever self-referential. And that gets old so fast no matter who is talking.
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it really is insane to me how in the mid 2010s netflix had a reputation of making cool, inclusive series as well as saving tv shows after their networks cancelled them, and now here we are today with every halfway decent netflix original show getting cancelled after 1-2 seasons and a bajillion episodes of bigmouth
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if i think about the hunger games in peeta's perspective i WILL start sobbing
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Once a Bad Bitch always a Bad Bitch
pose reference from @ Kaosdisabledsupport on tiktok
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no but you do not understand we collectively spent YEARS heartbroken over donna! and doctor never ever got over losing her! and now they are together, and they have chosen each other for family, and donna's family has warmth enough for him, and they are happy and having dinners, and 14th is casually sneaking his niece away on adventure while making sure not to tell donna because she would obliterate him and IT'S OKAY THEY'RE CHOSEN SIBLINGS IT'S WHAT THEY FUCKING DO.
listen. LISTEN.
donna's every day was taken away from her.
the doctor has been running every day ever since.
and now they get to spend time together. not a brief trip in a tardis. not a reunion before parting forever. but every. day. every day, one after the other. and they are finally home.
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Dunya Mikhail, from Diary of a wave outside the sea (trans. Elizabeth Winslow and Dunya Mikhail) [ID'd]
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You need to make art that nobody else likes. You need to make art that speaks to you alone. You need to cradle a serpent that eats its own tail and you need to love it until it loves you back
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Well, I guess you didn't have much of a choice either
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part 2 of Zoro in WCI
01 02 03 04
I tried to write something to sum up my thoughts on this, but then it got longer and longer and tbh I'm itching to write a fic set in this AU djjdkf I think I could develop on their inner feelings more than in the comic form
Before posting the first part I didn't realize people had such strong opinions on how this would play out lmaooo
imo, of course Zoro wants to fight Sanji, not with actual intent to harm (they threaten each other on the daily, come on), but because that's how they are together, how they communicate. He respects Luffy's decisions and their goal here, which is to learn what's really going on with Sanji, but he's gonna be pissy about it all he wants. They both have so many intense and conflicted feelings about this and neither has any idea how to resolve them. So they fight.
ofc yall are free to headcanon this interaction any other way you want <333
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Today at the thrift shop i found the best painting ever and i immediatly knew that she is coming home with me
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Jason ends up in a fight in some town called Amity Park.
He's partnering up with the local hero called Phantom.
It's against some ghost called Skulker, and he and Phantom are hiding behind a building while they regroup and take a moment to catch their metaphorical breath.
"I don't see any civvies around. You?" Phantom whispers, head invisible as he looks around the corner.
"Guess it's just us dead tonight," Jason deadpans (hah), loading his gun and checking to make sure there's no damages that would impact his ability to fire it accurately.
Suddenly Phantom is there, looking intense and serious in a way he never was in that fight, glowing eyes staring through Jason.
Taking him in.
"No," Phantom sighs, leaning away from a very spooked Jason and going back to fiddling with a thermos. "You aren't dead. You're alive, undeniably and in a way most people aren't."
Before Jason can ask what the fuck that's supposed to mean, a laser blast almost catches him in the leg.
He shelved it; both his questions and the weird fuzzy feeling that felt like relief at someone else telling him he was alive.
It felt like a weird vindication, but he never got that feeling when anyone else tried to tell him he was alive.
He'd parse it later; there was an ass to kick.
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The scarest thing about Nandor being actually smart in all things Guillermo is that this is the reason why he'll never make the move to be with him:
Nandor already knows how he feels about Guillermo.
He's not even repressing it. He's just made peace with it. Because Guillermo was never an option.
Guillermo is human. He'll choose to stay human. He's fleeting. He'll always leave in some form or fashion. Nandor doesn’t choose to act on his feelings for Guillermo for the same reason why he never turned him. It would just be a curse.
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Nothing in the world belongs to me
But my love, mine, all mine
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