#new vietnam and singles

[dustedmagazine]

CIVIC — New Vietnam & Singles (ATO)

Where to start with CIVIC? The Melbourne fivesome made its inroads outside Australia early in 2023 with a second album, Taken by Force. Produced by Rob Younger of Radio Birdman and, not coincidentally, brought out the band’s hard proto-punk surf sound in a clean, clear way. Yet if you want to really understand the primitive force of this hard-knocking, straight-up rock ‘n roll band, maybe you go back to the beginning, round about 2018, when, fresh out of the woodshed, they produced New Vietnam, their earliest EP, and a string of singles.

This reissue from ATO is the first look for most of us at CIVIC’s undiluted Aussie punk fury. Rough throated Jim McCullough is a dead ringer for the Saints’ Chris Bailey in battering proto-punk assaults like “New Vietnam” and doomed romantic epics like “Street Machine Dream.” That original line-up had only one guitarist, but Lewis Hodgson takes up space for two or three, ratcheting up tension with tight, fast, disciplined strumming, then blowing it up with unhinged solos. Gutty bass cadences anchor the chaos—that’s Roland Hvlaka holding down the maelstrom in “Call the Doctor” and the drums bang hard, without frills, brutal but never boring.

This reissue splits right down the middle, the first seven tracks from the debut EP, the backside an assortment of roughly contemporary material, including four from the later-in-2018 EP Those Who Know, two from the Selling, Sucking, Blackmail, Bribes single and one live version of “New Vietnam” recorded for PBS in 2018. Thirteen of the tracks are originals; the lone cover is a faithful but wall-shaking take of Brian Eno’s “Needle in the Camel’s Eye.”

This earlier material is both heavy and fast. You don’t think of sludge going this hard, but here on cuts like “Nuclear Son” and, especially, “New Vietnam,” the band pursues punk speed through a hard rock murk, held together by relentless drumming and sheer force of will. These couple of tracks are, perhaps, the most Stooge-like of the bunch, but a Motor City diesel haze hangs over the whole endeavor.

Birdman is another clear influence, especially on “Satellites,” with its clear, flaring guitars and arena-sized, not-quite-sung rhythmic chants. “What a time to be alive,” indeed. And the palm-muted, wrecked lyricism of “Street Machine Dream” taps directly into the Saints at their most epic, “This Perfect Day,” for one.  

You can hear this band taking shape even within the limited time frame that this disc covers. “Flick the Station,” recorded about six months after “New Vietnam” operates on a larger scale than the debut EP, with gigantic power chords and serrated anthemic hooks. “Heat” wallops just as hard but with more melody than the earlier material. Signs of softness? Hardly. “Selling, Sucking, Blackmail, Bribes” howls and crashes and makes no compromises. And the live version of “New Vietnam,” again six months out from the debut, goes right up to off-the-rails but pulls it off, blur speed and unhinged.

No question that CIVIC’s latest album Taken by Force is cleaner and clearer, with a stronger dose of surf rock thrown into a volatile punk-and-hard-rock mix. But these early songs are rough-crusted gems, the fire glinting out of corrosive settings.

Jennifer Kelly

[spilladabalia]

Eyehategod - New Orleans Is the New Vietnam

[rockoblanco]

Americans will look you in the eye & literally be like “yes im aware that the US government has lied about pretty much every single international affair over the past century, which has resulted, and continues to result, in the slaughter of literal dozens of millions of civilians across the world along with the catastrophic destabilization of entire regions that still live on to this very day, but the news told me that this one place is a crazy dystopian dictatorship so actually they’re right this time & if you try to even hint at anything otherwise you’re a brainwashed insane piece of shit” without ever using a single brain cell lol

[frownyalfred]

The Justice League and/or new recruits watching in horror as Batman and the Robins (Batlings ) go thru the TSA like xray security machine of the Justice Watchtower, seeing all the pins, rods, plates, and replacements barely keeping those people together: ...........are you guys ok?????

Bats: .....like metaphorically, or literally?

random JL member: “so do they just have a lot of weapons hidden on them or something? heh.”

every single super with x-ray powers, eyes going distant, seeing every single plate, screw and vertebra in the Bats like it’s their own personal Vietnam: “….something like that, yeah.”

[placedupon]

I think a lot of people don't realize that when they are reblogging or making posts about how "evil" China is, they are helping to manufacture consent for the US to go to war with China.

many people already have sinophobic beliefs that they didn't have 5-10 years ago, because here in the US (and the west in general) we are constantly inundated with propaganda about how china is aggressing the US and other countries, how they're spying on us, how oppressive the Chinese gov is. Every single western newspaper, news channel, many of our books and movies are sinophobic. And it's not just conservatives that believe this, it is also leftists and liberals.

I notice many so called leftists on this website reblogging the most ridiculously sinophobic posts with no sources. I think they justify it because many of these posts are made by diaspora asians-- but that doesn't actually make individual people reliable or neutral sources. It is well known in the Asian american community that many of us are very conservative, hold anti-communist and anti-Black beliefs because we too are surrounded by white supremacy. Many diaspora Asians in america came here because their families were wealthy or collaborated with Japanese, American or British colonizers. I'm not saying that every asian person who posts negative things about China is like this-- but obviously, this is a very complicated issue, and the "answers" isn't as simple as finding one asian person or asian organization to explain these issues to you. It's unlearning decades of anti-communist and racist propaganda.

Remember, this pattern has happened before. The US has flooded it's people with propaganda about how evil Korea, Vietnam, Iraq, Afghanistan, Yemen, Somalia, and many other countries are. As US americans, it truly doesn't matter your individual purposes-- when you post negative things about China, you are adding to the thousands of sources telling the west that it is ok to hate an entire country. And the consequences for this are incredibly dire-- just talk to Chinese people who remember the civil war, who remember the west pumping opium into our communities and selling bombs to the ROC to kill its own people. Read books like Assata Shakurs auto-biography, Mobo Gao, Han Suyin, and Frantz Fanon. The US wants you to hate China and Chinese people to justify it's own imperialist project.

[typhlonectes]

Sinobdella longitubulus, a new species of spiny eel (Pisces, Mastacembelidae) from the Zhu-Jiang Basin, with a note on the type locality of S. sinensis 

Peng Shan, Guangyu Li, E Zhang

Abstract

Background

The spiny eel genus Sinobdella belongs to the family Mastacembelidae of the order Synbranchiformes. Kottelat and Lim (1994) utilised Rhynchobdella sinensis as the type species to propose the genus. Currently, it contains a single species widespread in eastern and southern China and northern Vietnam.

New information

Sinobdella longitubulus, a new species of spiny eel, is here described from the Xi-Jiang of the Zhu-Jiang Basin in Guangxi Zhuang Autonomous Region, southern China. It differs from the single congeneric species S. sinensis in having a more or less white-brown reticulated pattern on the flank, two tubular anterior nostrils longer than or equal to the rostral appendage, an anal fin heavily mottled with dark brown markings and white spots and bearing a narrow white distal margin; shorter pre-anal length; and fewer abdominal vertebrae. The validity of this new species is corroborated by its monophyly recovered in a COI gene-based phylogenetic analysis and its significant sequence divergence with S. sinensis. A note on the type locality of S. sinensis is also given; its type specimen is possibly from mountain streams of Jiangxi Province, in the lower Chang-Jiang Basin.

Read the paper here: Sinobdella longitubulus, a new species of spiny eel (Pisces, Mastacembelidae) from the Zhu-Jiang Basin, with a note on the type locality of S. sinensis (Bleeker, 1870) (pensoft.net)

[gorgeys]

FOR YOU ★ katniss everdeen

katniss everdeen x fem!reader

you see katniss for the first time after she wins the 74th annual hunger games

warnings: just some cheesy fluff bc i watched the hunger games for the first time

word count: 1145

note: this takes place after the first movie bc i’ve only watched that one and the ballad of songbirds and snakes 🫣

also this is kinda based on that one forrest gump scene where he’s at the vietnam war protest and jenny starts running to him through the reflecting pool to get to him 😭😭

hope you enjoy!!

the second she steps off the train, she’s already surrounded by the crowd.  some people are chanting her name, others are offering her the three-finger salute, and some are even crying.  she feels peeta squeeze her shoulder as he steps off behind her, and she can sense the smile on his face.

but she can barely feel his fingers on her skin or hear district 12 celebrating around her.  she’s so focused, her eyes frantically scanning the crowd.  there were so many people there to congratulate and thank her yet she only wanted to see one person.

it takes a few seconds before she hears a faint shout of her name.

“katniss!” the voice calls out.  “katniss!”

her ears instantly perk up and she instinctively moves toward the source of the sound.

“katniss!”

it’s clearer now and she’s sure she knows who it belongs to.  she can see people getting shoved in the back of the crowd as someone makes their way to the front.  she doesn’t even need to see who it is before tears rim her eyes.

she involuntarily releases a strained noise of sheer desperation before she speeds up, the crowd kindly parting for her.  the same can’t be said for you as you use every bit of your strength to push past citizens, some of them leaving you irritated glances.

luckily you make quick work and suddenly your unkempt hair catches katniss’ eye.  she notices your rough, seasoned hands fighting those around you to get to her and now she’s nearly running toward you.

she screams your name, letting you know that she’s seen you and reminding you of how intensely she’s missed you.  her voice is raw and distraught.  she reminds you of how painful it is for her to be without you.

only when you’ve made it all the way to the front do you stop and does katniss get a clear look at you.  you stumble out of the crowd, nearly falling, but you catch yourself.  bystanders stare, questioning the importance of your presence, but all you do is look up and meet katniss’ eyes.

she stops fifteen steps ahead of you.  only then does she remember why she had fought so hard to stay alive; why she had killed; why she had refused to give up even when the odds were against her.  because, when she looked into your eyes—your perfect, beautiful, joyful eyes that reflected all of her own emotions—she remembered that it was all for you.

she refused to let her life end in that artificial forest because her life hadn’t truly begun until she was able to be with you.  you were her reason, the single thing that kept her going, that motivated her, that she thought about on every dark, cold, soulless night.  

she dreamed endlessly about returning to district 12 just to be wrapped in your warm embrace, to feel your chaste kiss on her cheek, and to start a new life with you.  in fact, she dreamed about this very moment that she was living in.  she dreamed about everything from how you would look to the way you would look at her.  she dreamed about how it would feel and what she would do, but once she was in the moment, everything was more powerful than she could have ever imagined.  everything was far more perfect than in her dreams.

she watched your own tears swell as your eyes settled upon her.  your hands came to your face, covering your mouth as you fought your natural crying face into a smile.

seeing you cry always made her so weak and she felt her tears start flowing down her cheeks.  she felt her ugly cry begin but she couldn’t help it.  it felt so good to see you that it was almost painful.  you had woven your way into her heart and now the two of you were one.

a tiny part of her brain was scared of what you might think of her.  would you be afraid of her after seeing her kill so ruthlessly?  would you lose your feelings after watching her at her lowest moment?  or worst of all, would you be angry at her after witnessing her onscreen romance with peeta?

she had played into her role during the games—the girl on fire who was head over heels for the baker’s son—but the games were over now and there was no need to pretend anymore.  while peeta may have loved her, katniss’ feelings for him were never close to what she felt for you.  she just hoped that you had realized that too.

no matter what peeta would say to her or how many people were there to worship her, everything seemed insignificant when she was face to face with you.  and you felt exactly the same.  that empty hole in your chest that had appeared when katniss had volunteered all those weeks ago was suddenly full.  with her return to district 12, katniss everdeen has also returned your heart.

she finally started toward you, slowly at first, and then faster.  it didn’t matter who was watching, whether it was peeta or the capitol or the whole world, she had a primitive need to be with you.  and you would accept her with open arms.

she tightly hugged your shoulders, her grip so strong that you couldn’t have pulled away even if you wanted to.  she pulled your body into hers and kept your face close to hers so that your noses were nearly touching.

your hands found solace holding each side of her face.  she knew how powerful your hands were from all the times you had been hunting together so it meant even more when you were able to hold her so gently.  you always touched her like she was glass that would break in your hands if you weren’t careful.  she relished the feeling; no one had ever treated her so softly and made her feel so special, not peeta, not gale.

when you felt her warm skin beneath your fingers, everything felt all the more real.  she was really there.  she had really survived the deadliest of arenas and now she was here with you.  she was here for you.

you shared a single loving gaze, one that conveyed every emotion.  you shared your sorrow, your pain, your excitement, your joy, your newfound relaxation.  you shared your bare love with each other.

only then did she press her lips to yours in a feverish kiss. your lips fit perfectly as your tears merged into a single stream.  you disregarded air and molded yourselves into each other, willing the moment to live on forever.

a single thought entered katniss’ mind, one that would’ve sounded crazy to anyone but her:

she would’ve done it all over again if it meant coming home to you.

omg i’m so sorry that i haven’t been writing any requests i have 9 sitting in my inbox 😭

the next story will prob be camille from house of usher and then i’ll work on those requests starting with naomi from wolf of wall street

i’ll try to be better y’all 😔

[mostlysignssomeportents]

Emil Ferris’s long-awaited “My Favorite Thing Is Monsters Book Two”

NEXT WEEKEND (June 7–9), I'm in AMHERST, NEW YORK to keynote the 25th Annual Media Ecology Association Convention and accept the Neil Postman Award for Career Achievement in Public Intellectual Activity.

Seven years ago, I was absolutely floored by My Favorite Thing Is Monsters, a wildly original, stunningly gorgeous, haunting and brilliant debut graphic novel from Emil Ferris. Every single thing about this book was amazing:

https://memex.craphound.com/2017/06/20/my-favorite-thing-is-monsters-a-haunting-diary-of-a-young-girl-as-a-dazzling-graphic-novel/

The more I found out about the book, the more amazed I became. I met Ferris at that summer's San Diego Comic Con, where I learned that she had drawn it over a while recovering from paralysis of her right – dominant – hand after a West Nile Virus infection. Each meticulously drawn and cross-hatched page had taken days of work with a pen duct-taped to her hand, a project of seven years.

The wild backstory of the book's creation was matched with a wild production story: first, Ferris's initial publisher bailed on her because the book was too long; then her new publisher's first shipment of the book was seized by the South Korean state bank, from the Panama Canal, when the shipper went bankrupt and its creditors held all its cargo to ransom.

My Favorite Thing Is Monsters told the story of Karen Reyes, a 10 year old, monster-obsessed queer girl in 1968 Chicago who lives with her working-class single mother and her older brother, Deeze, in an apartment house full of mysterious, haunted adults. There's the landlord – a gangster and his girlfriend – the one-eyed ventriloquist, and the beautiful Holocaust survivor and her jazz-drummer husband.

Karen narrates and draws the story, depicting herself as a werewolf in a detective's trenchcoat and fedora, as she tries to unravel the secrets kept by the grownups around her. Karen's life is filled with mysteries, from the identity of her father (her brother, a talented illustrator, has removed him from all the family photos and redrawn him as the Invisible Man) to the purpose of a mysterious locked door in the building's cellar.

But the most pressing mystery of all is the death of her upstairs neighbor, the beautiful Annika Silverberg, a troubled Holocaust survivor whose alleged suicide just doesn't add up, and Karen – who loved and worshiped Annika – is determined to get to the bottom of it.

Karen is tormented by the adults in her life keeping too much from her – and by their failure to shield her from life's hardest truths. The flip side of Karen's frustration with adult secrecy is her exposure to adult activity she's too young to understand. From Annika's cassette-taped oral history of her girlhood in an Weimar brothel and her escape from a Nazi concentration camp, to the sex workers she sees turning tricks in cars and alleys in her neighborhood, to the horrors of the Vietnam war, Karen's struggle to understand is characterized by too much information, and too little.

Ferris's storytelling style is dazzling, and it's matched and exceeded by her illustration style, which is grounded in the classic horror comics of the 1950s and 1960s. Characters in Karen's life – including Karen herself – are sometimes depicted in the EC horror style, and that same sinister darkness crowds around the edges of her depictions of real-world Chicago.

These monster-comic throwbacks are absolute catnip for me. I, too, was a monster-obsessed kid, and spent endless hours watching, drawing, and dreaming about this kind of monster.

But Ferris isn't just a monster-obsessive; she's also a formally trained fine artist, and she infuses her love of great painters into Deeze, Karen's womanizing petty criminal of an older brother. Deeze and Karen's visits to the Art Institute of Chicago are commemorated with loving recreations of famous paintings, which are skillfully connected to pulp monster art with a combination of Deeze's commentary and Ferris's meticulous pen-strokes.

Seven years ago, Book One of My Favorite Thing Is Monsters absolutely floored me, and I early anticipated Book Two, which was meant to conclude the story, picking up from Book One's cliff-hanger ending. Originally, that second volume was scheduled for just a few months after Book One's publication (the original manuscript for Book One ran to 700 pages, and the book had been chopped down for publication, with the intention of concluding the story in another volume).

But the book was mysteriously delayed, and then delayed again. Months stretched into years. Stranger rumors swirled about the second volume's status, compounded by the bizarre misfortunes that had befallen book one. Last winter, Bleeding Cool's Rich Johnston published an article detailing a messy lawsuit between Ferris and her publishers, Fantagraphics:

https://bleedingcool.com/comics/fantagraphics-sued-emil-ferris-over-my-favorite-thing-is-monsters/

The filings in that case go some ways toward resolve the mystery of Book Two's delay, though the contradictory claims from Ferris and her publisher are harder to sort through than the mysteries at the heart of Monsters. The one sure thing is that writer and publisher eventually settled, paving the way for the publication of the very long-awaited Book Two:

https://www.fantagraphics.com/products/my-favorite-thing-is-monsters-book-two

Book Two picks up from Book One's cliffhanger and then rockets forward. Everything brilliant about One is even better in Two – the illustrations more lush, the fine art analysis more pointed and brilliant, the storytelling more assured and propulsive, the shocks and violence more outrageous, the characters more lovable, complex and grotesque.

Everything about Two is more. The background radiation of the Vietnam War in One takes center stage with Deeze's machinations to beat the draft, and Deeze and Karen being ensnared in the Chicago Police Riots of '68. The allegories, analysis and reproductions of classical art get more pointed, grotesque and lavish. Annika's Nazi concentration camp horrors are more explicit and more explicitly connected to Karen's life. The queerness of the story takes center stage, both through Karen's first love and the introduction of a queer nightclub. The characters are more vivid, as is the racial injustice and the corruption of the adult world.

I've been staring at the spine of My Favorite Thing Is Monsters Book One on my bookshelf for seven years. Partly, that's because the book is such a gorgeous thing, truly one of the great publishing packages of the century. But mostly, it's because I couldn't let go of Ferris's story, her characters, and her stupendous art.

After seven years, it would have been hard for Book Two to live up to all that anticipation, but goddammit if Ferris didn't manage to meet and exceed everything I could have hoped for in a conclusion.

There's a lot of people on my Christmas list who'll be getting both volumes of Monsters this year – and that number will only go up if Fantagraphics does some kind of slipcased two-volume set.

In the meantime, we've got more Ferris to look forward to. Last April, she announced that she had sold a prequel to Monsters and a new standalone two-volume noir murder series to Pantheon Books:

https://twitter.com/likaluca/status/1648364225855733769

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/06/01/the-druid/#oh-my-papa

[the-amazing-boop]

This is the first I'm hearing of this today so I'm waiting for news outlets to confirm his death so I'm still looking for more information.

Regardless, Aaron Bushnell, thank you for your sacrifice. Self immolation is the most severe form of protest. I'm sorry it came to this.

First, the man in Congo, now this. Every single day, I feel ill.

Edit: several reports confirm Aaron has passed. I don't know if I'll stop crying before I go to bed. I may need day to take a break and sit with this. We haven't seen this much self immolation protests documented so forwardly since Vietnam.

[inthedayswhenlandswerefew]

1968 [Chapter 6: Athena, Goddess Of Wisdom]

Series Summary: Aemond is embroiled in a fierce battle to secure the Democratic Party nomination and defeat his archnemesis, Richard Nixon, in the presidential election. You are his wife of two years and wholeheartedly indoctrinated into the Targaryen political dynasty. But you have an archnemesis of your own: Aemond’s chronically delinquent brother Aegon.

Series Warnings: Language, sexual content (18+ readers only), violence, bodily injury, character deaths, New Jersey, age-gap relationships, drinking, smoking, drugs, pregnancy and childbirth, kids with weird Greek names, historical topics including war and discrimination, math.

Word Count: 5.2k

Let me know if you’d like to be tagged! 🥰

💜 All of my writing can be found HERE! 💜

Here at the midway point in our journey—like Dante stumbling upon the gates of the Inferno—would it be the right moment to review what’s at stake? Let’s begin.

It’s the end of August. The delegates of the Democratic National Convention in Chicago officially vote to name Aemond the party’s presidential candidate. His ascension is aided by 10,000 antiwar demonstrators who flood into the city and threaten to set it ablaze if Hubert Humphrey is chosen instead. At the end—in his death rattle—Humphrey begs to be Aemond’s running mate, one last humiliation he cannot resist. Humphrey is denied. Eugene McCarthy, dignity intact, boards a commercial flight to his home state of Minnesota without looking back.

Aemond selects U.S. Ambassador to France, Sargent Shriver, to be his vice president. Shriver is a Kennedy by marriage—his wife, JFK’s younger sister Eunice, just founded the Special Olympics—and has previously headed the Office of Economic Opportunity, the Peace Corps, and the Chicago Board of Education. He also served as the architect of the president’s “War on Poverty” before distancing himself from the imploding Johnson administration. Shriver is not a concession to fence-sitting moderates or Southern Dixiecrats, but an embodiment of Aemond’s commitment to unapologetic progressivism. Richard Nixon spends the weekend campaigning in his native California, a gold vein of votes like the mines settlers rushed to in 1848. George Wallace announces that he will run as an Independent. Racists everywhere rejoice.

Phase III of the Tet Offensive is underway in Vietnam; 700 American soldiers have been killed this month alone. Riots break out in military prisons where the U.S. Army is keeping their deserters. The North Vietnamese refuse to allow Pope Paul VI to visit Hanoi on a peace mission. President Johnson calls both Aemond and Nixon to personally inform them of this latest evidence of the communists’ unwillingness to negotiate in good faith. Daeron and John McCain remain in Hỏa Lò Prison. The draft swallows men like the titan Cronus devoured his own children.

In Eastern Europe, the Russians are crushing pro-democracy protests in the largest military operation since World War II as half a million troops roll into Czechoslovakia. In Caswell County, North Carolina, the last remaining segregated school district in the nation is ordered by a federal judge to integrate after years of stalling. On the Fangataufa Atoll in the South Pacific, France becomes the fifth nation to successfully explode a hydrogen bomb. In Mexico City, 300,000 students gather to protest the authoritarian regime of President Diaz Ordaz. In Guatemala, American ambassador John Gordon Mein is murdered by a Marxist guerilla organization called the Rebel Armed Forces. In Columbus, Ohio, nine guards are held hostage during a prison riot; after 30 hours, they’re rescued by a SWAT team.

The latest issue of Life magazine brings worldwide attention to catastrophic industrial pollution in the Great Lakes. The first successful multiorgan transplant is carried out at Houston Methodist Hospital. The Beatles release Hey Jude, the best-selling single of 1968 in the U.S., U.K., Australia, and Canada. NASA’s Apollo lunar landing program plans to launch a crewed shuttle next year, just in time to fulfill John F. Kennedy’s 1962 promise to put a man on the moon “before the end of the decade.” If this is successful, the United States will win the Space Race and prove the superiority of capitalism. If it fails, the martyred astronauts will join all the other ghosts of this apocalyptic age, an epoch born under bad stars.

The night sky glows with the ancient debris of the Aurigid meteor shower. From down here on Earth, Jupiter is a radiant white gleam, visible with the naked eye and admired since humans were making cave paintings and Stonehenge. But Io is a mystery. With a telescope, she becomes a dust mote entrapped by Jupiter’s gravity; to the casual observer, she doesn’t exist at all.

~~~~~~~~~~

What was it like, that very first time? It’s strange to remember. You’re both different people now.

It’s May, 1966. You and Aemond are engaged, due to be married in three short weeks, and if you get pregnant then it’s no harm, no foul. In reality, it will end up taking you over a year to conceive, but no one knows that yet; you are living in the liminal space between what you imagine your life will be and the cold blade of the truth. Aemond has brought you to Asteria for the weekend, an increasingly common occurrence. The Targaryens—minus one, that holdout prodigal son, always glowering from behind swigs of rum and clouds of smoke—have already begun to treat you like a member of the family. The flock of Alopekis yap excitedly and lick your shins. Eudoxia learns your favorite snacks so she can have them ready when you arrive.

One night Aemond takes your hand and leads you to Helaena’s garden, darkness turned to twilight in the artificial luminance of the main house. You can hear distant voices, chatter and laughter, and the Beatles’ Rubber Soul spinning on the record player in the living room like a black hole, gravity that not even light can escape when it is wrenched over the event horizon.

You’re giggling as Aemond pulls you along, faster and faster, weaving through pathways lined with roses and sunflowers and butterfly bushes. Your high heels sink into soft, fertile earth; the air in your lungs is cool and infinite. “Where are we going?”

And Aemond grins back at you as he replies: “To Olympus.”

In the circle of hedges guarded by thirteen gods of stone, Aemond unzips your modest pink sundress and slips your heels off your feet, kneeling like he’s proposing to you again. When you are bare and secretless, he draws you down onto the grass and opens you, claims you, fills you to the brim as the crystalline water of the fountain patters and Zeus hurls his lightning bolts, an eternal storm, unending war. It’s intense in a way it never was with your first boyfriend, a sweet polite boy who talked about feminist theory and followed his enlightened conscience all the way to Vietnam. This isn’t just a pleasant way to pass a Friday night, something to look forward to between differential equations textbooks and calculus proofs. With Aemond it’s a ritual; it’s something so overpowering it almost scares you.

“Aphrodite,” Aemond murmurs against your throat, and when you try to get on top he stops you, pins you to the ground, thrusts hard and deep, and you try not to moan too loudly as you surrender, his weight on you like a prophesy. This is how he wants you. This is where you belong.

Has someone ever stitched you to their side, pushing the needle through your skin again and again as the fabric latticework takes shape, until their blood spills into your veins and your antibodies can no longer tell the difference? He makes you think you’ve forgotten who you were before. He makes you want to believe in things the world taught you were myths.

But that was over two years ago. Now Aemond is not your spellbinding almost-stranger of a fiancé—shrouded in just the right amount of mystery—but your husband, the father of your dead child, the presidential candidate. You miss when he was a mirage. You miss what it felt like to get high on the idea of him, each taste a hit, each touch a rush of toxins to the bloodstream.

Seven weeks after your emergency c-section, you are healing. Your belly no longer aches, your bleeding stops, you can rejoin the living in this last gasp of summer. Ludwika takes you shopping and you pick out new swimsuits; you’ve gone up a size since the baby, and it shows no signs of vanishing. In the fitting room, Ludwika chain-smokes Camel cigarettes and claps when you show her each outfit, ordering you to spin around, telling you that there’s nothing like Oleg Cassini back in Poland. You plan to buy three swimsuits. Ludwika insists you get five. She pays with Otto’s American Express.

That afternoon at home in your blue bedroom, you get changed to join the rest of the family down by the pool, your first swim since Ari was born. You choose Ludwika’s favorite: a dreamy turquoise two-piece with flowing transparent fabric that drapes your midsection. You can still see the dark vertical line of where the doctors stitched you closed. Now you and Aemond match; he got his scar on the floor of the Breakers Hotel in Palm Beach, you earned yours at Mount Sinai Hospital in Manhattan. There are gold chains on your wrist and looped around your neck. Warm sunlight and ocean wind pours in through the open windows.

Aemond appears in the doorway and you turn to show him, proud of how you’ve pulled yourself together, how this past year hasn’t put you in an asylum. His right eye catches on your scar and stays there for a long time. Then at last he says: “You don’t have something else to wear?”

~~~~~~~~~~

It’s Labor Day, and Asteria has been descended upon by guests invited to celebrate Aemond’s nomination. The dining room table is overflowing with champagne, Agiorgitiko wine, platters of mini spanakopitas, lamb gyros, pita bread with hummus and tzatziki, feta cheese and cured meats, grilled octopus, baklava, and kourabiethes. Eudoxia is rushing around sweeping up crumbs and shooing tipsy visitors away from antique vases shipped here from Greece. Aemond’s celebrity endorsers include Sammy Davis Jr., Sonny and Cher, Andy Williams, Bobby Darin, Warren Beatty, Shirley MacLaine, Claudine Longet, and a number of politicians; but the most notable attendee is President Lyndon Baines Johnson, shadowed by Secret Service agents. He won’t be making any surprise appearances on the campaign trail for Aemond—in the present political climate, he would be more of a liability than an asset—but he has travelled to Long Beach Island tonight to offer his well-wishes. From the record player thrums Jimi Hendrix’s All Along The Watchtower.

When you finish getting ready and arrive downstairs, you spot Aegon: slouching in a velvet chair over a century old, hair shagging in his eyes, sipping something out of a chipped mug he clasps with both hands, flirting with a bubbly early-twenties campaign staffer. Aegon smiles and waves when he sees you. You wave back. And you think: When did he become the person I look for when I walk into a room?

Now Aemond is beside you in a blue suit—beaming, confident, his glass eye in place, a hand resting on your waist—and Aegon isn’t smiling anymore. He takes a gulp of what is almost certainly straight rum from his mug and returns his attention to the campaign staffer, his lady of the hour. You picture him undressing her on his shag carpet and feel disorienting, violent envy like a bullet.

Viserys is already fast asleep upstairs, but the rest of the family is out en masse to charm the invitees and pose for photographs. Alicent, Helaena, and Mimi—trying very hard to act sober, blinking too often—are chit-chatting with the other political wives. Otto is complaining about something to Criston; Criston is pretending to listen as he stares at Alicent. Ludwika is smoking her Camels and talking to several young journalists who are ogling her, enraptured. Fosco and Sargent Shriver are entertaining a group of guests with a boisterous, lighthearted debate on the merits of Italian versus French cuisine, though they agree that both are superior to Greek. The nannies have brought the eight children to be paraded around before bedtime. All Cosmo wants to do is clutch your hand and “help” you navigate around the living room, warning you not to step on the small, weaving Alopekis. When Mimi attempts to steal her youngest son away, he ignores her, and as she begins to make a scene you rebuke her with a harsh glare. Mimi retreats meekly. She has never argued with you, not once in over two years. You speak for Aemond, and Aemond is a god.

As the children are herded off to their beds by the nannies, Bobby Kennedy—presently serving as a New York senator despite residing primarily on his family’s compound in Massachusetts—approaches to congratulate Aemond. His wife Ethel is a tiny, nasally, scrappy but not terribly bright woman, five months pregnant with her eleventh child, and you have to get away from her like a hand pulled from a hot stove.

“You know, I was considering running,” Bobby says to Aemond, chuckling, good-natured. “But when I saw you get in the race, I thought better of it! Maybe I’ll give it a go in ’76, huh?”

“Hey, kid, what a tough year you’ve had,” Ethel tells you, patting your forearm. You can’t tear your eyes from her small belly. She has ten living children already. I couldn’t keep one. What kind of sense does that make? “We’re real sorry for your trouble, aren’t we, Bobby?”

Now he is nodding somberly. “We are. We sure are. We’ve been praying for you both.”

Aemond is thanking them, sounding touched but entirely collected. You manage some hurried response and then excuse yourself. Your hands are shaking as you cross the room, not really seeing it. You walk right into Lady Bird Johnson. She takes pity on you; she seems to perceive how rattled you are. “Oh Lyndon, look, it’s just who we were hoping to speak to! The next first lady of the United States. And how beautiful you are, just radiant. How do you keep your hair so perfect? That glamorous updo. You never have a single strand out of place.” Lady Bird lays a palm tenderly on your bare shoulder. She has an unusual, angular face, but a wise sort of compassion that only comes from suffering. Her husband is an unrepentant serial cheater. “I’ll make you a list of everything you need to know about the White House. All the quirks of the property, and the hidden gems too!”

“You’re so kind. We’ll see what happens in November…”

“Good evening, ma’am,” President Johnson says, smiling warmly. He’s an ugly man, but there’s something hypnotic that lives inside him and shines through his eyes like the blaze of a lighthouse. He pulls you in through the dark, through the storm; he promises you answers to questions you haven’t thought of yet. LBJ is 6’4 and known for bullying his political adversaries with the so-called “Johnson Treatment”; he leans in and makes rapid-fire demands until they forget he’s not allowed to hit them. “I have to tell you frankly, I don’t envy anyone who inherits that den of rattlesnakes in Washington D.C.”

“Lyndon, don’t frighten her,” Lady Bird scolds fondly.

“Everyone thinks they know what to do about Vietnam,” LBJ plods onwards. “But it’s a damned if you do, damned if you don’t clusterfuck. If you keep fighting, they call you a murderer. But if you pull the troops out and South Vietnam falls to the communists, every single man lost was for nothing, and you think the families will stand for that? Their kid in a body bag, or his legs blown off, or his brain scrambled? There’s no easy answer. It’s a goddamn bitch of a quagmire.”

Lady Bird offers you a sympathetic smirk. Sorry about all this unpleasantness, she means. When he gets himself worked up, I can’t stop him. But you find yourself feeling sorry for President Johnson. It will be difficult for him to learn how to fade into disgraced obscurity after once being so omnipotent, so beloved. Reinvention hurts like hell: fevers raging, bones mending, healing flesh that itches so ferociously you want to claw it off.

LBJ gives Lady Bird a look, quick but meaningful. She acquiesces. This has happened a thousand times before. “It was so nice talking to you, dear,” she tells you, then crosses the living room to pay her respects to Alicent.

The president steps closer, looming, towering. The Johnson Treatment?? you think, but no; he isn’t trying to intimidate you. He’s just curious.

“Do you know what Aemond’s plan is for ‘Nam?” LBJ asks, eyes urgent, voice low. “I’m sure he has one. He’s sworn to end the draft as soon as he gets into office, but how is he going to make sure the South Vietnamese can fend off the North themselves? We’re trying to train the bastards, but if we left they’d fold in months. It would be the first war the U.S. ever lost. Does he understand that?”

“He doesn’t really discuss it with me.” That’s true; you know his policies, but only because they are a constant subject of conversation within the family, something you all breathe like oxygen.

“We can’t let Nixon win,” LBJ continues. “It’s mass suicide to leave the country in his hands. The man can’t hold his liquor anymore, getting robbed by Kennedy in ’60 broke something in him. He gets sloshed and shoves his aids around, makes up conspiracies in his head. He’s a paranoid little prick. He’ll surveille the American people. He’ll launch a nuke at Moscow.”

You honestly don’t know what he expects you to say. “I’ll pass the message along to Aemond.”

“People love you, Mrs. Targaryen.” LBJ watching you closely. “Believe it or not, they used to love me too. But I still remember how to play the game. You’re the only reason Aemond is leading the polls in Florida. You can get him other states too. Jack needed Jackie. Aemond needs you. And you’ve had tragedies, and that’s a damn shame. But don’t you miss an opportunity. You take every disappointment, every fucked up cruelty of life and find a way to make it work for you. You pin it to your chest like a goddamn medal. Every single scar makes you look more mortal to those people going to the ballot box in November. You want them to be able to see themselves in you. It helps the mansions and the millions go down smoother.”

“President Johnson!” Aegon says as he saunters over, huge mocking grin. He thumps a closed fist against the Texan’s broad chest; the Secret Service agents standing ten feet away observe this sternly. “How thoughtful of you to be here, taking time out of your busy schedule, squeezing us in between war crimes.”

“The mayor of Trenton,” LBJ jabs.

“The butcher of Saigon.”

Now the president is no longer amused. “You’ve never accomplished anything in your whole damn life, son. Your obituary will be the size of a postage stamp. I’m looking forward to reading it someday soon.” He leaves, rejoining Lady Bird at the opposite end of the room.

You frown at Aegon, disapproving. You’re dressed in a sparkling, royal blue gown that Aemond chose. “That was unnecessary.”

Aegon is wearing an ill-fitting green shirt—half the buttons undone—khaki pants, and tan moccasins. “I just did you a favor.”

“What happened to your new girlfriend? Shouldn’t she be getting railed in your basement right now? Did she have a prior commitment? Did she have a spelling test to study for? Those can be tricky, such complex words. Juvenile. Inappropriate. Infidelity.”

“You know what he brags about?” Aegon says, meaning LBJ. “That he’s fucked more women by accident than John F. Kennedy ever did on purpose.”

“That sounds…logistically challenging.”

“He’s a lech. He’s a freak. He tells everyone on Capitol Hill how big his cock is. He takes it out and swings it around during meetings.”

“And that’s all far less than admirable, but he’s not going to do something like that around me.”

“How do you know?”

“Because he’s not an idiot,” you say impatiently. “He was perfectly civil. And I was getting interesting advice.”

Aegon rolls his eyes, exasperated. “Yeah, okay, I’m sorry I crashed your cute little pep talk with Lyndon Johnson, the most hated man on the planet.”

“I guess you can’t stop Aemond from touching me, so you have to terrorize LBJ instead.”

“Shut the fuck up,” Aegon hisses, and his venom stuns you. And now you’re both trapped: you loosed the arrow, he proved you hit the mark. He’s flushing a deep, mortified red. Your guts are twisting with remorse.

“Aegon, wait, I didn’t mean—”

He whirls and storms off, shoving his way through the crowd. People glare at him as they clutch their glasses and plates, sighing in that What else do you expect from the worthless son? sort of way. You’re still gaping blankly at the place where Aegon stood when Aemond finds you, snakes a hand around the back of your neck, and whispers through the painstakingly-arranged wisps of hair that fall around your ear: “Follow me.”

It’s not a question. It’s a command. You trail him through the living room, into the foyer, and through the front door, not knowing what he wants. Outside the moon is a sliver; the light from the main house makes the stars hard to see. “Aemond, you’ll never believe the conversation I just had with LBJ. He really unloaded, I think the stress is driving him insane. I have to tell you what he said about—”

“Later.” And this is jarring; Aemond doesn’t put anything before strategy. He grabs your hand as he turns into Helaena’s garden, and only then do you understand what he wants. Instinctively, your legs lock up and your feet stop moving. Aemond tugs you onward. He wants it to be like the very first time. He intends to start over with you, the dawning of a new age in the dead of night.

Hidden in the circle of hedges, he takes your face roughly in his hands and kisses you, drinks you down like a vampire, consumes you like wildfire. But your skull echoes with panic. I don’t want him touching me. I don’t want another child with him. “Aemond…”

He doesn’t hear you, or acts like he doesn’t, or mistakes it for a murmur of desire, or chooses to believe it is. He has you down on the grass under the vengeful gaze of Zeus, the fountain splashing, the sounds of the house a low foreign drone. He yanks off your panties, but he doesn’t want you naked like he always did before. He pushes the hem of your shimmering cobalt gown up to your hips and unbuckles his trousers. And you realize as he’s touching you, as he’s easing himself into you: He doesn’t want to have to look at my scar.

You can’t ignore him, you can’t pretend it’s not happening. He’s too big for that. It’s a biting fullness that demands to be felt. So you kiss him back, and knot your fingers in his short hair like you used to, and try to remember the things you always said to him before. And when Aemond is too absorbed to notice, you look away from him, from the statue of Zeus, and peer up into the stone face of Athena instead: the goddess who never married and who knows the answer to every question.

“I love you,” Aemond says when it’s over, marveling at the slopes of your face in the dim ethereal light. “Everything will be right again soon. Everything will be perfect.”

You conjure up a smile and nod like you believe him.

“What did LBJ say?”

“Can I tell you later tonight? After the party, maybe? I just need a few minutes.”

“Of course.” And now Aemond pretends to be patient. He buckles his belt and returns to the main house, his blood coursing with the possibilities only you can make real, his skin damp with your sweat.

For a while—ten minutes, twenty minutes—you lie there on the cool grass wondering what it was like for all those mortals and nymphs, being pinned down by Zeus and then having Hera try to kill them afterwards, raising ill-fated reviled bastards they couldn’t help but love. What is heaven if the realm of the immortals is so cruel? Why does the god of justice seem so immune to it?

When at last you rise and walk back towards the house, you find Mimi at the edge of the garden. She’s on her knees and retching into a rose bush; she’s cut her face on the thorns, but she hasn’t noticed yet. She’s groaning; she seems lost.

You reach for her, gripping her bony shoulders. “Mimi, here, let’s get you upstairs…”

“No,” she blubbers, tears streaming down her scratched cheeks. “Just go away. Leave me.”

“Mimi—”

“No!” she roars, a mournful hemorrhage as she slaps your hands until you release her.

“You don’t have to be this way,” you tell her, distraught. “You can give up drinking. We’ll help you, me and Fosco and Ludwika. You can start over. You can be healthy and present again, you can live a real life.”

Mimi stares up at you, her grey eyes glassy and bloodshot but with a vicious, piercing honesty. “My husband hates me. My kids don’t know I exist. What the hell do I have to be sober for?”

You weren’t expecting this. You don’t know what to say. “We can help make the world better.”

“The world would be better without me in it.”

Then Mimi curls up on the grass under the rose bush, and stays there until you return with Fosco to drag her upstairs to her empty bed.

~~~~~~~~~~

The next afternoon, you’re lying on a lounge chair by the pool. Tomorrow the family will leave Asteria and embark upon a vigorous campaign schedule that will continue, with very few breaks, until Election Day on Tuesday, November 5th. The children are splashing and shrieking in the pool with Fosco, but you aren’t looking at them. You’re staring across the sun-drenched emerald lawn at the Atlantic Ocean. You’re envisioning all the bones and splinters of sunken ships that must litter the silt of the abyss; you’re thinking that it’s a graveyard with no headstones, no memory. Your swimsuit is a red one-piece. Your eyes are shielded by large black Ray Bans aviator sunglasses. Your gaze flicks up to the cloudless blue sky, where all the stars and planets are invisible.

Jupiter has nearly a hundred moons; the largest four were discovered by Galileo in 1610. Europa is a smooth white cosmic marble with a crust of ice, beautiful, immaculate. Ganymede, the largest moon in our solar system and the only satellite with its own magnetic field, is rumored to have a vast underground saltwater ocean that may contain life. Callisto is dark and indomitable, riddled with impact craters; because of her dynamic atmosphere and location beyond Jupiter’s radiation belts, she is considered the best location for possible future crewed missions to the Jovian system. But Io is a wasteland. She has no water and no oxygen. Her only children are 400 active volcanoes, sulfur plumes and lava flows, mountains of silicate rock higher than Mount Everest, cataclysmic earthquakes as her crust slips around on a mantle of magma. Her daily radiation levels are 36 times the lethal limit for humans. If Hades had a home in our corner of the galaxy, it would be Io. She glows ruby and gold with barren apocalyptic fury. You can feel yourself turning poisonous like she is. You can feel your skin splitting open as the lava spills out.

Aegon trots out of the house—red swim trunks, cheap red plastic sunglasses, no shirt, a beach towel slung around his neck, flip flops—and kicks your chair. “Get up. We’re going sailing.”

“I don’t want to talk to anybody.”

“Great, because I’m not asking you to talk. I’m telling you to get in my boat.”

You don’t reply. You don’t think you can without your voice cracking. Aegon crouches down beside your chair and pushes your sunglasses up into your Brigitte Bardot-inspired hair so he can see your face. Your eyes are pink, wet, desperately sad. Deep troubled grooves appear in his forehead as he studies you. Gently, wordlessly, he pats your cheek twice and lowers your sunglasses back over your eyes. Then he stands up again and offers you his hand.

“Let’s go,” Aegon says, softly this time. You take his hand and follow him down to the boathouse.

Five vessels are currently kept there. Aegon’s sailboat is a 25-foot Wianno Senior sloop, just roomy enough for a few passengers. He’s had it since long before you married into the Targaryen family. It is white with hand-painted gold accents; the name Sunfyre adorns the stern. He unmoors the boat, pushes it out into the open water, and raises the sails.

You glide eastbound over the glittering crests of waves, slowly at first, then faster as the sails catch the wind. Aegon has one hand on the rudder, the other grasping the ropes. And the farther you get from shore, the smaller Asteria seems, and the Targaryen family, and the presidential election, and the United States itself. Now all that exists is this boat: you, Aegon, the squawking gulls, the school of mackerel, the ocean. The sun beats down; the breeze rips strands of your hair free. The battery-powered record player is blasting White Room by Cream. When you are far enough from land that no journalists would be able to get a photo, Aegon takes two joints and his Zippo out of the pocket of his swim trunks. He puts both joints between his lips, lights them, and passes you one. Then he stretches out beside you on the deck, gazing up at the September sky.

You ask as your muscles unravel and your thoughts turn light and easy to share: “Why did you bring me out here?”

“So you can drown yourself,” Aegon says, and you both laugh. “Nah. I used to go sailing all the time when I was a teenager. It always made me feel better. It was the only place where I could really be alone.”

You consider the math. “Wow. You haven’t been a teenager since before I was in kindergarten.”

“It’s weird to think about. You don’t seem that young.”

“Thanks, I guess. You don’t seem that old.”

“Maybe we’re meeting in the middle.” He inhales deeply and then exhales in a rush of smoke. “What do you think, should I get an earring?”

“Yeah.”

“Why?”

“It might shock Otto so bad it kills him.”

“I’ll get two.” And then Aegon says: “It’s not cool for you to mock me.”

You are dismayed; you didn’t mean to hurt him. “I wasn’t.”

“Yes, you were. You were mocking me. You mocked me about the receipt under my ashtray, and then you mocked me again last night. I’m up for a lot of things, but I can’t handle that. Okay?”

“Okay.” You turn your head so you can see him: shaggy blonde hair, stubble, perpetual sunburn, the softness of his belly and his chest, flesh you long to vanish into like rain through parched earth. “Aegon?”

He looks over at you. “Io?”

“I don’t want Aemond to touch me either.”

He’s surprised; not by what you feel, but because you’ve said it aloud, a treason like Prometheus giving mankind the gift of fire. “What are we gonna do about it?”

If you were the goddess of wisdom, maybe you’d know.

[hotvintagepoll]

Propaganda

Glynis Johns (Mary Poppins, The Court Jester)—LISTEN, I'd let that woman's voice with all its gravely hoarseness (positive) wash over me all goddamn day, but if that's not enough she managed to play the straight woman to Danny Kaye's jester, all with her cleavage so plunging it might as well have been catapulted into the ocean right after Basil Rathbone

Eartha Kitt (Anna Lucasta, St. Louis Blues)—My friend and I have a saying: NOBODY is Eartha Kitt. A thousand have tried, and they've all come up empty and will continue to do so. Everyone knows her for something: from "Santa Baby" to Yzma in Emperor's New Groove to Catwoman to making Lady Bird Johnson cry for the Vietnam War. She was a master of comedy and sex, an extremely vocal activist, and she aged like fine wine... I honestly don't know what I can say about her that hasn't already been said, so I'll stick to linking all my propaganda. Like what else do you want from me. She was iconic at everything she ever did. Literally name another. How can anyone even think of her and not want to absolutely drown?

This is round 4 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Glynis Johns:

She walks the line between sexy and cute. Her best role for me is in "The Court Jester as Maid Jean. She's fantastic as the soft but tough captain of the outlaw band and she looks stunning in every gown she wears throughout the film. And of course we can't forget her iconic turn as the suffragette mother, Mrs. Banks, in Mary Poppins! Also shoutout to her distinctive and beautiful voice, kind of smoky and husky. Extremely hot and set her apart from many of her peers."

"She was amazing in Mary Poppins (the Suffragette song is severely underrated) and apparently she was Welsh? National pride! And she advocated for arts funding in Wales, which is very cool. Also, she died recently (RIP) making her one of the last survivors of the Golden Age of Hollywood, according to Wikipedia. Also also, she just has a cheeky energy I like? And her eyes are beautiful!"

"She had this wonderful wit and charm to her no matter the role and the most distinctive, striking voice!"

"I mean, incredibly beautiful and talented, can do drama can do comedy. And she was a mermaid."

"Like Bette Davis she has eyes to die for. Unlike Bette Davis you felt comforted by them, even when she was batting her eyelashes at you. Would glady go to Downing Street with her and throw things at the Prime minister"

"Listen, listen. I was raised on Mary Poppins and "Votes for women! (step in time)" single-handedly taught me how to be a feminist. Also The Court Jester is one of my favourite movies of all time and she is UNBELIEVABLY gorgeous, charismatic, funny, and clever in it. She knocks several men out. Absolute icon."

"I love Glynis Johns. Most of the reason is The Court Jester where she's a sensible and capable foil to whatever what going on with Danny Kaye at the time. She was also the first star I based an OC on. An OC that I still have to this day! Anyway here have some YouTube links love u bye"

Mermaid clip:

Court Jester (sharing a bed trope):

Court Jester (seducing the king):

"VOTES FOR WOMEN! Well, votes for this woman. Please."

Eartha Kitt:

"A hot vintage woman who was not just known for her voice, beauty, poise, and presence, but also her unapologetic ways of speaking about how she was mistreated in the show business as a girl who grew up on cotton fields in South Carolina in the 1930s through the 1940s coming to Broadway first and then Hollywood."

"Have you watched her sing?? Have you seen her face?? Have you heard her talk?? How could you not fall instantly in love. She makes me incoherent with how hot she is."

"She can ACT she can SING she can speak FOUR LANGUAGES she is a GODDESS!!! Although she is (rightfully) remembered for her singing, TV appearances (Catwoman my beloved), and later film roles, her early appearances in film are no less impressive or noteworthy!! She’s an amazing actress with so much charisma in every role. She was also blacklisted from Hollywood for 10 years for criticizing the Johnson administration/Vietnam War, so. Iconic. Also Orson Welles apparently called her “the most exciting woman in the world.”

"She had such a stunning, remarkable appearance, like she could tear you to shreds with just a glance- but the most undeniable part of her hotness was her voice, and it makes sense that it's what most people nowadays know her for. Nothing encapsulates the sheer magnetism of her singing better than this clip of her and Nat King Cole in St. Louis Blues, she pops in at 2:49. Also I know it's post-1970 but her song that was cut from Emperor's New Groove is likely to make you feel Feelings."

Even with as racist as Hollywood was in the 1950s and 60s, Eartha Kitt STILL managed to have a thriving career. She also once had a threesome with Paul Newman and James Dean, and called out LBJ over the Vietnam War so hard that it made First Lady Johnson cry. Eartha Kitt was talented, sexy, and a total badass activist.

[mightyflamethrower]

“Name me a single objective we’ve ever set out to accomplish that we’ve failed on. Name me one, in all of our history. Not one!”

-President Joe Biden, August 16, 2023 

Joe Biden in one of his now accustomed angry “get off my grass” moods dared the press to find just one of his policies/objectives that has not worked. Silence followed.

Perhaps it was polite to say nothing, given even the media knows almost every enacted Biden policy has failed.

Here is a summation of what he should instead apologize for.

Biden in late summer 2021 sought a 20th anniversary celebration of 9/11 and the 2001 subsequent invasion of Afghanistan. He wished to be the landmark president that yanked everyone out of Afghanistan after 20 years in country. But the result was the greatest military humiliation of the United States since the flight from Vietnam in 1975.

Consider the ripples of Biden’s disaster. U.S. deterrence was crippled worldwide. China, Russia, Iran, and North Korea almost immediately began to bluster or return to their chronic harassment of U.S. and allied ships and planes. We left thousands of allied Afghans to face Taliban retribution, along with some Western contractors.

Biden abandoned a $1 billion embassy, and a $300 million remodeled Bagram airbase strategically located not far from China and Russia, and easily defensible. Perhaps $50 billion in U.S. weaponry and supplies were abandoned and now find their way into the international terrorist mart.

All our pride flags, our multimillion gender studies programs at Kabul University, and our George Floyd murals did not just come to naught, but were replaced by the Taliban’s anti-homosexual campaigns, burkas, and detestation of any trace of American popular culture.

Vladimir Putin sized up the skedaddle. He collated it with Biden’s unhinged quip that he would not get too excited if Putin just staged a “minor” invasion of Ukraine. He remembered Biden’s earlier request to Putin to modulate Russian hacking to exempt a few humanitarian American institutions. Then Russia concluded of our shaky Commander-in-Chief that he either did not care or could do nothing about another Russian invasion.

The result so far is more than 500,000 dead and wounded in the war, a Verdun-stand-off along with fortified lines, the steady depletion of our munitions and weapon stocks, and a new China/Russia/Iran/North Korean axis, with wink and nod assistance from NATO Turkey.

Biden blew up the Abraham accords, nudged Saudi Arabia and the Gulf States over to the dark side of Iran, China, and Russia. He humiliated the U.S. on the eve of the midterms by callously begging the likes of Iran, Venezuela, Russia, and Saudi Arabia to pump more oil that he had damned as unclean at home and cut back its production. In Bidenomics, instead of producing oil, the president begs autocracies to export it to us at high prices while he drains the nation’s strategic petroleum reserve for short-term political advantage.

Biden deliberately alienated Israel by openly interfering in its domestic politics. He pursued the crackpot Iran Deal while his special Iranian envoy was removed for disclosing classified information.

No one can explain why Biden ignored the Chinese balloon espionage caper, kept mum about the engineered Covid virus that escaped the Wuhan lab, said not a word about a Chinese biolab discovered in rural California, and had his envoys either bow before Chinese leaders or take their insults in silence—other than he is either cognitively challenged or leveraged by his decade-long grifting partnership with his son Hunter.

Yet another Biden’s legacy will be erasing the southern border and with it, U.S. immigration law. Over seven million aliens simply crossed into the U.S. illegally with Biden’s tacit sanction—without audits, background checks, vaccinations, and COVID testing, much less English fluency, skills, or high-school diplomas.

Biden’s only immigration accomplishment was to render the entire illegal sanctuary city movement a cruel joke. Given the flood, mostly rich urban and vacation home dwellers made it very clear that while they fully support millions swarming into poor Latino communities of southern Texas and Arizona, they do not want any illegal aliens fouling their carefully cultivated nests.

Biden is mum about the 100,000 fentanyl deaths from cartel-imported and Chinese-supplied drugs across his open border. He seems to like the idea that Mexican President Obrador periodically mouths off, ordering his vast expatriate community to vote Democratic and against Trump.

Despite all the pseudo-blue collar dissimulation about Old Joe Biden from Scranton, he has little empathy for the working classes. Indeed, he derides them as chumps and dregs, urges miners to learn coding as the world covets their coal, and studiously avoids getting anywhere near the toxic mess in East Palestine, Ohio, or so far the moonscape on Maui.

Bidenomics is a synonym for printing up to $6 billion dollars at precisely the time post-Covid consumer demand was soaring, while previously dormant supply chains were months behind rebooting production and transportation. Biden is on track to increase the national debt more than any one-term president.

In Biden’s weird logic, if he raised the price of energy, gasoline, and key food staples 20-30 percent since his inauguration without a commensurate rise in wages, and then saw the worst inflation in 40 years occasionally decline from record highs one month to the next, then he “beat inflation.”

But the reason why more than 60 percent of the nation has no confidence in Bidenomics is because it destroyed their household budgets. Gas is nearly twice what it was in January 2021. Interest rates have about tripled. Key staple foods are often twice as costly—meat, vegetables, and fruits especially.

Biden has ended through his weaponized Attorney General Merrick Garland the age-old American commitment to equal justice under the law. The FBI, DOJ, CIA, and IRS are hopelessly politically compromised. Many of their bureaucrats serve as retrieval agents for lost Biden family incriminating laptops, diaries, and guns. In sum, Biden criminalized opposing political views.

Biden has unleashed the administrative state for the first time in history to destroy the Republican primary front runner and his likely opponent. His legacy will be the corruption of U.S. jurisprudence and the obliteration of the American reputation for transparent permanent government that should be always above politics, bribery, and corruption.

If in the future, an on-the-make conservative prosecutor in West Virginia, Utah, or Mississippi wishes to make a national name, then he has ample precedent to indict a Democrat President for receiving bad legal advice, questioning the integrity of an election, or using social media to express doubt that the new non-Election-Day balloting was on the up-and-up, or supposedly overvaluing his real estate.

The Biden family’s decade-long family grifting will likely expose Joe Biden as the first president in U.S. history who fitted precisely the Constitution’s definition of impeachment and removal—given his “high crimes and misdemeanors” appear “bribery”-related. If further evidence shows he altered U.S. foreign policy in accordance with the wishes from his benefactors in Ukraine, China, or Romania, then he committed constitutionally-defined “treason” as well.

Defunding the police, and pandemics of exempted looting, shoplifting, smashing, and grabbing, and carjacking merit no administrative attention. Nor does the ongoing systematic destruction of our blue bicoastal cities, Los Angeles, New York, Portland, San Francisco, Seattle, and Washington, D.C. All that, along with the disasters in East Palestine or Maui are out of sight, out of mind from a day at the beach at Biden’s mysteriously purchased nearly 6,000 square-foot beachfront mansion.

Biden ran on Barack Obama-like 2004 rhetoric (“Well, I say to them tonight, there is not a liberal America and a conservative America — there is the United States of America).”

And like Obama, he used that ecumenical sophistry to gain office only to divide further the U.S. No sooner than he was elected, we began hearing from the great unifier eerie screaming harangues about “semi-fascists” and “ultra-MAGA” dangerous zealots, replete with red-and black Phantom of the Opera backdrops.

What followed the unifying rhetoric was often amnesties and exemptions for violent offenders during the 120 days of rioting, looting, killing, and attacks on police officers in summer 2020.  In contrast, his administration lied when it alleged that numerous officers had died at the hands of the January 6 rioters. In addition, the Biden administration mandated long-term incarceration of many who committed no illegal act other than acting like buffoons and “illegally parading.”

The message was exemptions for torching a federal courthouse, a police precinct, or historic church or attempting to break into the White House grounds to get a president and his family—but long prison terms for wearing cow horns, a fur vest, and trespassing peacefully like a lost fool in the Capitol.

Finally, Biden’s most glaring failure was simply being unpresidential. He snaps at reporters, and shouts at importune times. He can no longer read off a big-print teleprompter. Even before a global audience, he cannot kick his lifelong creepy habit of turkey-gobbling on children necks, blowing into their ears and hair of young girls, and squeezing women far too long and far too hard.

His frailty redefined American presidential campaigning as basement seclusion and outsourcing propaganda to the media. And his disabilities only intensified during his presidency. Biden begins his day late and quits early. He has recalibrated the presidency as a 5-hour, 3-day a week job.

If Trump was the great exaggerator, Biden is our foremost liar. Little in his biography can be fully believed. He lies about everything from his train rides to the death of his son to his relationship with Biden-family foreign collaborators, to vaccinations to the economy. Anytime Biden mentions places visited, miles flown, or rails ridden, he is likely lying.

Biden continues with impunity because the media feels that a mentally challenged fabulist is preferable to Donald Trump and so contextualizes or ignores his falsehoods. Never has a U.S. president fallen and stumbled or gotten lost on stage so frequently—or been a single small trip away from incapacity.

So, yes, Biden’s initiatives have succeeded only in the sense of becoming successfully enacted—and therefore nearly destroying the country.

[aly-cat-universe]

As a active duty member of the United States Navy I feel it is my duty to make it clear that I do not in anyway shape or form support the current genocide being undertaken in Palestine. It is terrible and awful and has no possible excuse.

Aaron Bushnell, active duty US Air force, age 25, self-immolated in front of the DC Israeli embassy on Sunday, February 25th as a act of extreme political protest against the genocide. In his words "My name is Aaron Bushnell, I am an active-duty member of the United States Air Force and I will no longer be complicit in genocide. I am about to engage in an extreme act of protest, but compared to what people have been experiencing in Palestine at the hands of their colonizers, it’s not extreme at all. This is what our ruling class has decided will be normal.”

Do not make the mistake of belittling this act. News articles today are flashing suicide hotlines or trying to shame him for wearing his military uniform because you aren't supposed to protest in uniform. The headlines do not mention it was an act of protest despite him making that very very clear.

I guess they could court martial his ashes if they wanted for protesting in uniform since he passed in the hospital this morning, however the uniform was part of the point. Maybe you aren't supposed to "engage in partisan activities" in uniform but having to act in support of a cause you are profoundly ethically against isn't exactly nonpartisan either.

Self immolation is a time honored historical act of extreme protest with a very high cost used for anti war and anti genocide. It has been used for centuries. Most people have likely seen the photo of the monk Which Quang Duc's self immolation during the Vietnam war. Aaron Bushnell isn't even the first person to do so in protest of the genocide in Palestine. An unidentified woman self immolated in Atlanta not long ago, though there was significantly less news coverage.

The genocide in Palestine has killed 30000 people so far and displaced 80% of their population.

Self immolation is shocking and horrifying but that is the point. Take care if you watch the video it is upsetting and disturbing- but it is supposed to be. That is the point. Bringing home the shock and horror of a fiery death as so many experience when their cities are bombed. It does not take long for a human body to burn. And every single one of these deaths, both Aaron's and every single one in Palestine was preventable.

He has been described as "extremely principled" and very kind. Rest in Power Aaron.

[in1-nutshell]

Hi!

How would TFA team and elite guard react to buddy children?

(Like for example: Buddy adopted some children)

Ooohhh! This is going to be fun! Since you did not specify which characters specifically, I will be picking them at random.

Hope you enjoy!

Optimus, Ratchet, Jazz, and the Jettwins reaction to single parent Human Buddy

SFW, platonic, familial, Human reader

TFA

Buddy was Sari's babysitter.

Well, her human babysitter. Professors Sumdac thought it was important to at least have another person in Sari's life that wasn't him or a robot.

And they were a great babysitter. They had the job roughly 3 years before the Autobots came to Detroit.

That was roughly the time they had recently adopted a set of baby triplets. They had opened their door one night and a classic wicker basket filled with the babies. The note on the basket simply said to take care of them. Buddy's original plan was to take them to Fanzone in the morning.

But Buddy had gotten attached to them.

Buddy explained their new situation to the Professor which was met with understanding and a pay raise with additional medical insurance.

Buddy's friends had noticed their sudden absences and tired look on their face. Everyone was getting worried. So, an intervention was called.

"Why is everyone here?"--Buddy

"It's an intervention kid."--Ratchet

"For who?"--Buddy

"For you! You've been so sleepy and tired recently."--Bumblebee

"Not to mention you missed our game tournament."--Sari

"The gaming--Oooh! I forgot to tell you guys!"--Buddy

"Forgot to tell us what?"--Optimus

"I'll show you guys tomorrow! Make sure to bring the Elie Guard if you guys want!"--Buddy

The next day Buddy came into the base with a baby carrier and two in the stroller.

To say everyone was surprised was an understatement.

Optimus

Vietnam flashbacks to the first episode.

Optimus is surprised to find out that Buddy was taking care of new born children. Even more finding out they are triplets.

Twins are something that rarely happens on Cybertron. Even fewer after the war was over. Triplets were in a sense unheard of.

He is nervous to even touch the little ones. They looked so fragile and tiny! They were even smaller than Sari!

The babies on the other hand were enamored by the firetruck.

By the end of 15 minutes, Optimus had his servos with the triplets who were crawling around and hugging his digits.

He swears to protect these kids with his life.

"Gah!"--Baby 1

"Aw they like you Prime! Isn't that cute, wait are you crying?"--Buddy

Optimus sniffling and trying not to let the tears spill.

"...no-no... I'm fine..."--Optimus

Ratchet

At first Ratchet thinks the smaller humans are the equivalent of human minibots.

Then he finds out they are babies, he stops for a good couple of seconds.

Rebooting: Grampa mode activated.

As said before, it's rare to have twins on Cybertron. He had never seen triplets in all of his technical career.

He suddenly understands why Buddy has been acting the way they had for the past months. They were taking care of the kids.

Ratchet makes sure to brush up on his knowledge of babies to help Buddy out a bit. While Buddy takes a break or a much needed nap, he makes sure the kids are well taken care of.

"Aww. The Doc bot's gone soft!"--Bumblebee

"Hear that kiddo. That's the sound of a bot who's going to get strapped to the medical slab in 5 minutes if he doesn't quit."--Ratchet

"Bah!"--Baby 2

Jazz

Jazz is floored by the amount of cuteness these babies are.

He totally gets why Buddy would be tired from these kids.

It's bad enough trying to keep track of the Jettwins and they are at least old enough to be here. Those babies still have a long way to go before even walking!

Jazz handles the babies with the utmost care. Makes sure that the babies are having fun while being safe.

The babies themselves are enamored by Jazz's voice. He is the to go bot for nap time. The babies fall asleep in record time.

"So these little guys are all related?"--Jazz

"Yeah they are."--Buddy

"I wish you luck then. If the Jettwins were hard enough now..."--Jazz

"...I know Jazz, I know..."--Buddy

Jetfire and Jetstorm

The twins are freaking out!

In a good way!

They've never seen another set of twins back on Cybertron, much less human twins.

Now they know that they know that there can be triplets!...

Jazz has to calm them down before they can hold the babies. And they have to promise Buddy that they will not use their powers around the babies.

The twins once they have the babies are uncharacteristically quiet and still. They take in the tiniest details of the babies and how each one differs from the other.

They promise each other to look after them, even when they get older. Siblings have to stay together. The triplets are now the twins siblings now. Buddy has two more robo kids to take care of.

"Buddy! It's my turn to get 1 but Jetfire isn't letting them go!"--Jetstorm

"Jetfire, listen to your brother and pass your siblings to him, gently."--Buddy

"Please! Just a little longer!"--Jetfire

"You either pass your siblings or they come with me and you have to go back to Sentinel."--Buddy

"Here brother!"--Jetfire

Somewhere on the Steelhaven.

"...Someone just insulted me..."--Sentinel

[sixteenseveredhands]

The Colugo: this mammal is able to glide through the air using a fur-covered membrane that stretches across most of its body margin

Colugos are often referred to as "flying lemurs," but genetic studies have shown that they are actually among the closest living relatives of primates, occupying a sister group.

They are native to the tropical rainforests of Southeast Asia, where they are divided into two extant species: the Philippine flying lemur (Cynocephalus volans) can be found in the Southern Philippines, and the Sunda flying lemur (Galeopterus variegatus) can be found in parts of Vietnam, Laos, Cambodia, Thailand, Myanmar, Malaysia, and Indonesia.

The fur-covered membrane that stretches across the colugo's body is known as a patagium; a similar membrane can be found in other gliding mammals (e.g. flying squirrels, sugar gliders, etc.) but the patagium of the colugo is far more extensive, surrounding almost all of the animal's body margin and stretching even between the tail and hind legs.

When they are not actively gliding, female colugos with young offspring will often pull their tails up against their bellies, effectively curling the patagium into a pouch in which the baby can be carried and protected. In order to glide, however, the mother must fully extend her patagium, meaning that she must unfold the pouch; if the baby has not yet learned how to glide on its own, then it must curl itself around the mother's torso and hold on tight as she glides from tree-to-tree.

The extensive size of their patagium means that colugos have far more "wing space" than other gliding mammals, which enables them to glide much further. In a single leap, a colugo may glide across a distance of up to 145 meters (about 475 feet) -- nearly the length of three Olympic-sized swimming pools. Studies have shown that they can glide a total distance of 1,342 meters (4,403 ft) per night, climbing a total of 320 meters (1,050 ft) up into the trees in order to do so. They have extremely strong claws, and the soles of their feet are able to mimic suction-cups, which enables them to maintain a tight grip on tree trunks and branches.

Colugos are most active at night, and they are strictly herbivorous, feeding only on young tree leaves.

I don't normally feature mammals on my blog, but this one in particular seemed too heartbreakingly adorable and too weird for me to ignore. I mean, look at it -- it's like a tiny dinosaur wrapped in a Snuggie!

Sources & More Info:

Science News: On a Cool Night in Malaysia, Scientists Track Mysterious Colugos Across the Treetops

Animal Diversity Web: Galeopterus variegates (the Sunda Flying Lemur)

BioMed Central Journal of Biology: Colugos: obscure mammals glide into the evolutionary limelight

World Wildlife Fund: Flying Lemurs

National Geographic: Why Do Flying Lemurs Glide?

Animal Diversity Web: Cynocephalus volans (the Philippine Flying Lemur)

[venusvity]

.⋆｡ 🍓 ࿔˚⋅ THE SWEETEST GIRL IN THE WORLD ... KLARA BLIX !

Klara Blix, formerly known as JIAH, was the second Venus member to debut solo after Baebi. Her image would greatly differ from that of her groupmates, taking on a much sweeter and teen-friendly image since she was just a teen herself. Debuting in August 2018 at just seventeen, her debut single album "Why, Why, Why?" would become an instant classic and beloved "confession" anthem among young girls. Klara's brand ranking would skyrocket, and she was dubbed "Korea's Favorite Foreigner" on every variety show she appeared on.

"For Girls" was the first mini album released by Klara in August of 2019. The title track, "Good Luck, Hun." was an excellent demonstration of Klara's vocal ability and cuteness. The song would not only be popular with her typical audiences but older audiences as well, specifically older women. Her first fansign held for this album would go viral for being filled with a majority of girls and old ladies. Good Luck, Hun would top multiple charts in not only Korea but in Japan as well, resulting in a Japanese version of Good Luck, Hun and Why, Why, Why?

Deciding to take her in a more vocal-focused and mature concept that wasn't even that mature, Klara would come back with her 2nd Single, "Moon, Sun, Stars," in June of 2019. While this song did not flop by any means, it was not popular amongst fans because of the concept change. A common phrase asked by netizens during this time was, "Where did Korea's little sister go?" despite Klara still being her cute self. Due to the poor reception and poor costume choices, this era would not be remembered fondly by Klara and is often forgotten by netizens.

After a four-year hiatus from solo music, Klara would finally return in May of 2023 with the adorable single "Teddy Bear!" which would catch the hearts of a new generation of young girls. Klara was clearly marketed as an idol for a younger audience, a role model, and even a Disney Star, but only on the weekends. Teddy Bear! would garner international attention for its viral dance challenge, which was done by virtually anyone with access to social media, putting Klara back on the map musically, though she never really left. It was clear Klara had a great time promoting Teddy Bear! and even went on her first solo tour of Asia, traveling to Japan, Thailand, China, Hong Kong, Vietnam, and the Phillippines. This would mark her most successful era since "For Girls."

Her most recent comeback would be in November of 2023 with the single "Like That," which wasn't even meant to be an actual promoted release but instead a gift to fans for giving her such a lovely tour. The fans would be very vocal about wanting at least ONE stage for the single, which, after much convincing, Klara would deliver. However, one stage turned into five and would later become a full-on promotional cycle. Like That would become a staple in her discography, many constellations asking her to perform the song to this day despite her saying, "It's a concert exclusive!". This era, though short, is very beloved by fans due to how connected she was with them. Towards the end of this era, Klara would announce she would be taking a hiatus from solo releases, wanting to focus on Venus and her acting career.

.⋆｡ 🍓 ࿔˚⋅ KLARA BLIX SOLOIST QUIX FACTS !

She has fifteen music show wins to her name. More than half of them being won by Why, Why, Why? and Good Luck, Hun.

During her performances of Why, Why, Why? Her background dancers would often rotate between DeepDive members, resulting in a lot of cute interactions and starting the groups public friendship. Fans favorite "Why, Why, Why?" boys would be Kiwoo, Finn, and Woojin. This would even result in a special stage where Klara and Kiwoo would perform a duet version of Why, Why, Why?

At Klara's first fansign, there was a photobooth where attendees could take pictures with her. Klara would put some of the pictures on her wall and they can still be seen in the background of her lives to this day.

Often, Klara would perform at retirement homes and still does to this day. Many videos of her have gone viral for dancing with the grandma and grandpas there. She says visiting old people is one of her favorite things to do because they all treat her like she's their granddaughter.

When asked if she wanted to try a more "mature" concept during the press release for Teddy Bear!, Klara immediately shook her head. "Last time I did that, I stopped making music for four years. I don't want to try that again. I like being successful and cute."

During Teddy Bear! Promotions, a picture taken by staff of a long line of idols wanting to film a TikTok with Klara was posted by staff with the caption "She's such a legend ㅋㅋㅋ," which would become a meme between constellations.