#next one will be up in 3 days

[floccinaucinihilipilificationa]

[delicourse]

Another year, Another lesbian pride gown moment🌸

[Prints]

[welcometogrouchland]

♫ I do what I want/Crying in the bleachers and I said it was fun/I don't need anything from anyone ♫

(ID in Alt) you guys ever think about your own posts and get upset?? Anyway Damian Wayne I love you I'm so sorry your life is like that

[furiosophie]

it's something sinister to love without regard for dear tomorrow

[kyouka-supremacy]

ATSUSHI NAKAJIMA | Bungo Stray Dogs Anime Novel

[poorly-drawn-mdzs]

I want you whipped into shape!

[First] Prev <–-> Next

[anyroads]

British people: these avocados must go they're past their prime please won't someone eat them

The avocados:

[coddda]

Hiiiiiii. Episode 25/26 lawlight analysis rant thingy here. I don't know how to write an intro for this so let's just get to it LOL

I think one of the reasons that the rain/foot scenes stick out so much (the. Sheer insanity of a Foot Massage Scene in an anime revolving around two guys trying to kill each other aside 💀) is the fact that the anime specifically suffers a bit in terms of adapting a few of the "emotional" moments in death note.

And I don't mean "emotionally impactful" exactly. For example I think the adaptations of scenes like Raye and Naomi's deaths were very impactful and the atmospheres of their final scenes were great, but I mean more from a characterization standpoint (if that makes sense). Being more focused on mind and logic games, Death Note as a whole isn't as invested in individual characters' deeper feelings as it is in its action (which isn't necessarily a criticism per say, it's simply part of the nature of a mystery thriller series). But just because they're fewer and farther between doesn't mean there are none at all. In the manga we do get to see, for example, how much Light actually cared for his family and especially Sayu, and how he actually felt more conflicted and suffered lack of sleep/appetite when he first used the Death Note.

The anime specifically as an adaptation is pretty good at adapting the main mind fuckery and action of Death Note, but its lacking in properly adapting scenes like the ones I mentioned above is a criticism I see somewhat often, and it's pretty fair imo. Compared to all the other adaptations, it certainly seems to fall short on an emotional level: the musical has entire songs going in depth about the characters feelings and relationships, the 2015 jdrama is. Insane and has its emotional moments in spades (because it's a TV drama, which are more focused on portraying emotional conflict and the like), even the 2006 movies has its emotional beats and L Change the WorLd is. Well. Oh Man.

Anime Light to a lot of people is like. Light but he's "already evil" (which I have my own thoughts on but I digress). Light but after using the Death Note for like 2 minutes he's already like "fuck yeah time to kill criminals". Basically the anime doesn't take as much time to delve into his less cynical sides or really delve into his already vague and harder to decipher feelings in general, he is noticeably colder from the get-go here, etc.

But that's part of why I think episode 25 manages to stand out so much tonally (apart from it being, y'know, the episode L literally Dies). I love the episode so much and could probably rant for hours about how much I love the artistic choices made in it but what I'm trying to get at here is that it's one of the very few moments where the show tries to go deeper into specific character's emotions, and one of the very few moments where the show Attempts (emphasis on "attempts" because, well, you'll see in a bit) to get more in-depth into Light's feelings apart from his cynicism/apathy/justice. ness.

L in these two scenes in episode 25 is, well, pretty damn open about how he feels. It's usually interpreted as him knowing that he's going to die, and you can see it. He visibly looks/sounds lost, somber, etc. He never really had much to hide around Light to begin with (since he doesn't really care about hiding himself the same way Light does) but especially not now and it Shows, and I personally thought it was pretty cool to delve into his thoughts/show how he feels this way. The somberness can be felt throughout the entire scene, even people who don't already know the plot of Death Note from the manga could probably tell that he's about to die.

In the manga, once L starts suspecting Misa again and Rem realizes what Light is trying to do, it goes straight to Watari and L's deaths, but the anime instead gives a distinct and unexpected pause in the middle of this where L contemplates his own death. It's fucking great, and the shift from straight action to slower emotional weight makes these scenes stand out a lot, since, like I said, the show usually focuses more on the former. But it's kind of ironic, too.

Not only does the anime open up L's feelings more in these scenes, but it also tries to dig deeper into Light's feelings as well through L. And it's really funny honestly because while, yes, these are the more "emotionally open" scenes of the anime Light still manages to be Incredibly avoidant and contribute almost nothing to the entire ordeal.

L is visibly upset -> "Yeah Ryuzaki, you're not making any sense at all" (Not addressing the obvious conflict from L)

"Tell me, Light. From the moment you were born, has there ever been a point where you've actually told the truth?" -> "[The most stale, over-explained, avoidant answer to a "yes/no" question that you could ever hear + blatant attempts to reframe the question]"

(L's half-smile here kills me) "I had a feeling you'd say something like that" -> [Nothing]

"I'm sorry" -> [Nothing]

"It'll be lonely won't it? You and I will be parting ways soon" -> [Nothing]

^ From this point Light continues to say literally Nothing for the rest of the scene. I'm not even joking, from then on the rest of Light's voicelines are reduced to nothing but vague noises of confusion.

Everytime L calls Light out as a person ("Has there ever been a point where you've actually told the truth?" / "I had a feeling you'd say something like that." / "Won't it be lonely?") he doesn't actually acknowledge anything. Out of those three lines, he only answers verbally to if he's ever told the truth, and even then it's the most blatantly people-pleasing answer ever, as it usually is with Light. And I don't think it's because Light just. Doesn't care about any of what L's saying at all, or that he doesn't know what the hell he's talking about (questioning Light's authenticity as a person, saying it would be lonely when they part), instead he's choosing not to acknowledge any of what this means about himself or him and L at all. He's like a fucking wall.

And like, for the truth question in particular, the show makes sure that you know it's not something that Light just. Doesn't care enough about to answer. The hard cuts to silence are a very rare but extremely effective way that the show conveys an extremely important moment (see: Light regaining his memories, Matsuda noticing Light opening the warehouse door before he escapes (not as much of a "direct" cut to silence but still)), and cuts to multiple angles/framings/zooms of the exact same shot are also used for the same purpose (see: Light hugging Misa when she was crying, Matsuda aiming his gun to shoot Light, Light regaining his memories Again). Just like the scene where Light gets his memories back, the moment L's question finishes the show utilizes both. That question cut Deep. There's is a solid Almost 5 seconds of silence before the sound of the rain gradually starts fading back in, and honestly that should be telling enough as is (but of course Light doesn't actually admit that. Or anything at all really, so). Oh also another fun detail! We do not see Light's face At All (except for the shot where you can see his mouth moving but not his eyes), for the Entire time that he's going on his spiel to L. We Will Be Revisiting This Later, by the way. This is not, in fact, the first time you're going to see this detail from Light.

The only sort of reciprocation that we see from Light during Any of these two scenes is when Light dries L's hair while L dries his feet. Biblical meanings/references aside it's interesting because it's the only time he directly does anything "for" L in these scenes, but even then he doesn't try to pass it off as anything meaningful really the same way L does ("You're still soaked", a purely neutral and factual statement. It doesn't Add Anything compared to L's. Sin atonement loneliness grieving stuff. While Light is showing his own reciprocation to this more personal moment he also tries to keep it impersonal enough that it doesn't actually have to mean anything deep). And when L says "I'm sorry" after he once again gets no response from Light. It's also after this that L gets that pained look on his face, like he knows that at this point he's not actually going to get anything meaningful from Light (again, very significant and rare from L in the show. We've seen him in distress (see: when Ukita died, hell, when Watari dies), but even then he mostly manages to keep his usually neutral expression), we never see him "look sad" like he does here):

I just think it's interesting that this is one of the few scenes in this particular adaptation of Death Note where they try to open up the character's thoughts/feeling (especially considering the fact that they. lowkey blunder in adaptations of original scenes from the manga), and L himself is being rather open (not that he ever really tries to hide what he thinks nearly as much as Light), and yet all Light contributes to it in return is like. Actually nothing. Bro fumbled it. There is no resolution to any of this, to any of what L asks at all, to any of the many opportunities for a meaningful conversation, and the only thing even relatively close to an answer that you can get from Light is what you can infer from how he acts in the episode after L dies, where he's just going through the motions, but hardly acting as if he's actually living at all.

(Honestly I think the transition from this scene with the taskforce to the subsequent scene with Misa says enough on its own. Light's expressions and tone says everything:)

(Oh sidenote but. This shit again:

"Light, this is our first date in forever. can't you enjoy yourself a little more?" ('Why don't you seem happy? We can finally be together since L is dead') -> No response, Light instead changing the topic to him wanting to move in with Misa without changing his mannerisms at all

Also there's that one detail again. You pretty much don't see Light's expression when he speaks here at all, except for one shot of his eyes, which is quite literally the exact same shot they used when he "saw" L, just altered for the new setting. You have No idea what he looks like when he's responding to Misa, although it's probably fair to assume that it's the same empty stare he has for the whole Two Shots where you can clearly see his whole expression in the entire scene.

Something something Light Yagami bad at feelings I think you get the point though)

I guess Light's Kind of showing what he's feeling now? He'll admit to himself that it's boring without L, but no more than that. Light never actually admits to anything "significant", and L's dead already anyway, so what would that even do?

And then we get, uh. Basically nothing from Light. For the next 5 Years. Except that he joined the NPA, so, uh, yay? Good job, Light you totally nailed it! Thank you for allowing us as an audience to delve deeper into your inner thoughts and feelings as a character so we can find out more about you as a person! Very helpful! Thank you for not sabotaging one of your few dedicated opportunities to look into yourself as a person and reflect on your relationships with others and being 100% honest with yourself! We stay winning guys.

Anyway, this got way too long for a scene that's over a decade old, and I've probably just said everything that everyone else has already said in this fandom before. But unfortunately this has been living in my head for way too long and I must scream. I just think this episode's neat is all :)

tl;dr Part of the reason why the rain/foot scene (tbh episode 25 in General) stands out so much is because the Death Note anime specifically was a bit robbed in terms of its more emotional character moments compared to the other medias, which makes more somber/introspective scenes like the ones in episode 25 stand out a Lot in comparison. But it's also incredibly ironic because it's one of the few moments where the show (or specifically L) tries to look deeper into Light's character, but because he is so avoidant for the entire duration of these two scenes he adds basically nothing at all. It's almost funny. Mostly sad. It's also very gay. Aand post

Okay actually nevermind one more thing I talked about how the jdrama is supposed to be more emotionally in-depth because it is a TV Drama and just for the record, same thing happens there! I could probably do an entire analysis of the Blue Scene in this context like I did with episode 25 but I'd literally be here forever, so uh, just take this iconic line as my main example:

Same Thing. L's statement "I wish we could have met some other way" is personal. It's his own wish, his own regret that he is expressing to Light. While Light's reply obviously has that same regret implied it's also phrased in a specifically impersonal way. It's closed off. "This is the only way we could have met" it closes off the topic and simply renders L's wish as ultimately futile. Light does not say that he Also wishes he could have met L a different way even if it was likely impossible, instead it's a cold statement of cynical fact.

Idk just. Something something L being able and Willing to be more openly sentimental/emotionally open towards Light/about Light vs. Light's inability to be honest with anyone including himself and his own nature preventing any form of meaningful reciprocation. Something something self-sabotage, y'know the drill. God don't even get me Started on how sincere L's tone is when he says "It'll be lonely won't it?"(at least in the eng dub) in the anime I could talk about his tone in that scene for ages. Also yes all of this relates to L Change the WorLd too by the way. Don't ask how it just does okay.

I do think that scenes like these (rain/foot scene, The Blue Scene. Uh. L Change the WorLd The Novel Adaptation) show, at least in those adaptations, that L does genuinely care for Light, and show that he values him as a friend not just in the mindgame-equal sense but also just like, a more sincere sense you know. Idk if that made any sense and that's a whole other topic for another day but you guys just have to believe me on this one alright please please believe me buries head in hands. Okay post over finally thanks for coming to my tedtalk hope you enjoyed my very-unnecessarily long analysis of the week

[intotheelliwoods]

A well deserved rest for these guys 😌 <3 <3

[johnslittlespoon]

buckbucky meet–cute where they first meet at thorpe abbotts; john and curt are the ones who met at flight school instead

john and curt are biking back to base very drunk after a night in town their first day after transferring and john goes "look no hands" as they're approaching the base entrance and promptly crashes into the gate and gale watches it happen as he's walking to his barracks

john hits him with a slurred out "are you an angel?" when gale rushes over to help him up, making a face at where john's lightly scraped his forehead (while curt leans against the wall weeping with laughter at the sound john had made when he flew over the handlebars)

gale walks with the two of them and their bikes to make sure curt gets to his barracks okay, then brings john to his own barracks where he's got a little medkit to patch him up, all while john shamelessly hits on him and embarrasses himself and is half convinced he's somehow hallucinating this pretty blond in a state of alcohol induced psychosis

[daredevils-advocate]

✨Good timezone everyone!✨

[ghosttotheparty]

based on this post of mine bc i had thoughts // tw surgery mention, anaesthesia, hospital environment (not detailed its just there)

“And who are you?”

Steve pauses by the door, setting his jacket on the back of the chair next to Wayne. He looks over at Eddie, laying in his bed, covered in a blanket, his hair a messy halo around his head. His eyes are shining brightly, staring intently at Steve.

“He’s very high,” Wayne says to Steve, smiling softly.

“Yeah, I got that,” Steve says, watching Eddie roll slightly, groaning loudly. “Surgery went well?”

“Went fine,” Wayne says lightly, and Steve can see the relief in him as he leans back, eyes watching Eddie like he’s scared to look away.

“Eds?” Steve says, moving closer to the bed. “How was surgery?”

“Was fu-u-un…”

“Yeah? You had fun?”

Eddie hums affirmatively, and Steve crouches next to the bed, looking at him. There’s a bandage on his cheek, and the sight of it makes Steve’s chest ache, but Eddie’s eyes are shining brightly, glazed over as he blinks at Steve.

“Whoa,” he breathes dramatically, and Steve suppresses a smile.

“What?”

Eddie lifts a hand, and it lands heavily on the side of Steve’s face, making him recoil slightly even as he laughs. Eddie’s fingers press into his skin, kneading his cheek.

“You’re fuckin’ beautiful.”

Steve’s eyebrows fly up, and his face burns as he hears Wayne laugh quietly behind him.

“Am I?”

Eddie hums again, smiling brightly, deliriously, wriggling as he shakes Steve’s face.

“Pretty boy,” he mumbles. “Pretty, pretty, pretty boy.” He releases his cheek to boop his nose a little too hard. “Who are you?”

“I’m Steve.”

“Ste-e-e-eve…” Eddie blinks at him, poking his face again. “Stevie, Stevie, Stevie.”

“Hi, Eddie,” Steve says softly.

“Princess Stevie,” Eddie slurs happily.

“Princess?”

“Mm. Princess. Pretty princess.”

Wayne laughs quietly behind Steve, and Steve turns to glare at him over his shoulder. He’s rubbing his forehead and smiling amusedly, and Steve starts to open his mouth to speak, but Eddie grabs at his face again, pulling him to face him.

Eddie’s eyes are almost closed, like his eyelids are heavy, and his fingers are petting at Steve’s cheek and jaw, rubbing his stubble. (He hasn’t shaved. He’s been too stressed. He was planning on shaving tonight after getting firm confirmation that Eddie is okay, but if Eddie likes it…)

Eddie lets go of his cheek and boops his nose a little to hard. And then he does it again, and again, humming a song that Steve doesn’t recognize.

“Do you like boys?” Eddie asks abruptly, his fingertip lingering on the tip of Steve’s nose. Wayne barks out a laugh behind Steve, and Steve’s face burns, and for some reason, even though Eddie isn’t going to remember this and Wayne is right there, Steve says, “Yes, I do.”

Eddie’s face lights up, and he tries to sit up, but Steve gently keeps him down, murmuring a soft, “Stay here, Eddie.”

“You do?” Eddie asks hopefully, flopping back down and looking up at Steve, who suppresses a smile, nodding.

“Yeah.”

Eddie’s eyes widen and he turns his face into his pillow, reaching up to pull his hair across his face shyly, shifting and fidgeting and wiggling, and Steve gazes fondly, contently. He hasn’t felt this calm in a good long while.

“Can I have a kiss?” Eddie asks shyly, and Steve raises his eyebrows. “Please.”

“You’re high, Eddie.”

“I’ve been higher,” Eddie says, his voice slurring, mumbly. Steve just looks at him for a moment, watching his eyes shine. “Please? I’ll be good.”

Steve’s stomach flutters, and he exhales, hesitating before he turns to look at Wayne, who’s still watching, smiling absently with his face resting on his hand. Steve raises his eyebrows, shrugging weakly, asking silently what to do as Eddie’s hand touches his cheek again.

Wayne shrugs, his smile growing, and then he points to his forehead with another shrug, and Steve sighs.

He turns back to face Eddie, who’s gazing at him blearily, his eyes glazed over.

“I won’t kiss your mouth,” Steve starts, cracking a smile when Eddie’s lips pout, his lower lip poking out, shining. “But I’ll kiss your forehead if you want.”

Eddie beams.

“Yes, please.”

Steve smiles, licks his lips, shifting on the ground as Eddie smiles up at him.

“Don’t move,” he says firmly, and Eddie nods, his body tightening and his eyes closing. He’s still smiling.

Steve takes a moment to gaze at him. At the lines in his skin from his smile, at his dark eyelashes and chapped lips. (Which Steve will kiss when he’ll be able to remember it.)

He brushes Eddie’s bangs back carefully, and Eddie inhales, his smile growing even more somehow, and then he leans close, pressing his lips to his forehead softly, leaving a lingering kiss on his skin.

Eddie sighs, still lying stiffly, unmoving, being good like he said he would, and when Steve pulls away to look at him, his cheeks are flushed pink. A second passes before Eddie's eyes flutter open, and then he's smiling so brightly his eyes are squeezing shut, and he rolls away a little bit, letting out an excited squeal that makes Steve burst into laughter.

"Wayne," Eddie calls, rolling over and looking across the room at Wayne, who's laughing even harder than Steve, covering his face with a hand. "A pretty boy kissed me, d'ya see?"

"I saw, Eds, 'm happy for you."

Eddie giggles deliriously and rolls over again, wiggling, and Steve presses his face to the side of his bed, his face hot, because even though it was Wayne's fucking idea, he forgot Wayne was watching him press the softest kiss humanly possible to Eddie's forehead, was probably watching his gaze at him before it. But Wayne is laughing, amused, and probably relieved to be hearing Eddie giggle and squeal happily after worrying for so long.

"Alright," Steve says after taking a moment to collect himself, reaching up and pulling at Eddie's shoulder. "You're gonna pull your stitches, honey, lay still."

"Honey," Eddie repeats, his eyes shining brightly, the bandage on his cheek wrinkling as his cheeks squish up under his smile. "Honey, honey, honey, honey..."

Steve's face burns again.

"You're so sweet, Stevie," Eddie says lightly, his voice mumbly. "Sweet boy. Sweetheart. Cotton candy boy."

"Cotton candy boy," Steve repeats under his breath, and Eddie hums affirmatively.

"Cotton candy. Sweet. Hubba Bubba. Bubblegum baby."

"He's a poet," Wayne quips behind Steve, and Steve turns to glare at him, but he can't fully suppress the smile that's making his face sore. Eddie is still mumbling to himself, now reaching up to rub Steve's face again.

"Sweet like iced tea. Like a lollipop." He giggles to himself, pressing his fingers into Steve's cheek again. "Wanna lick you."

A laugh bursts out of Wayne, and Steve's face floods with heat.

"Oh my god."

Eddie giggles.

He asks to hold Steve's hand after rambling a little while longer, after comparing Steve to cake frosting and strawberries and honeysuckle blossoms, and Steve lets him take it, watches their fingers lace and twist together, and Wayne finally brings a chair over to him with Eddie doesn't want to let go. Wayne kisses Eddie's head when he says goodnight, and then he kisses the top of Steve's. It makes Steve's eyes burn and fill with tears that he refuses to let fall until after the door's shut behind Wayne.

Eddie asks if he's okay, eyes filled with concern, and his fingers tighten on Steve's. Steve wipes his face and smiles, telling him he's fine. No one's kissed me like that in a long while. Eddie sighs and relaxes, still gazing at him. Tells him Wayne does it all the time, and he'd probably do it to Steve if he wants him to.

"I can kiss you like that if you want," he offers kindly, sleepily. Steve raises his hand to his lips and kisses his knuckles.

"Tomorrow."

"Okay."

(Eddie doesn't remember anything when he wakes up the next day, but when he opens his eyes to find Steve resting his head next to him on his bed and Steve's fingers twisted around his, he certainly doesn't complain.)

[mossy-paws]

could you draw the new vinestaff skin?? :)

Here ya go!

[zarnzarn]

(check the tags for more and also the tag for other fics in the story!)

athena, scowling as she gets bullied into marrying the people she pined over for the last 1000 years, suddenly realising something: wait a minute

odysseus: what?

athena, frozen: wait a damn minute you know what this gives me rights to do

penelope, also realising: oh fuck yes

odysseus: I don't like the sound of whatever's happening here what are you two fucking talking about?

athena, grabbing the marriage wine and tossing it back, then kissing her new wife and husband and handing penelope a spear as she picks up a mace: we'll be back shortly, you can start celebrations without us.

penelope: do u have anything that can start a fire

athena, pulling out an old contract and scanning it before throwing it over her shoulder: yes. are you scared of heights or can we fly.

penelope: fucking bring it I've waited years for this moment

zeus: where are they going

hermes, picking up the contract: they're going to... Ogygia? Oh fucking shit they're going to fucking kill Calypso- hey, hello, WAIT-

[dustykneed]

i saw a post that was like "the reason bones is always frowning is bc whenever he smiles, everyone in a 3 mile radius falls madly in love w him" and i think that is so true tbh

(anyways bonus spones scribble. ur welcome:

[kiitoskiitos]

main characters of a comic I'm hoping to dedicate a lot of my time to this year