#no but like. the way i act makes a lot more sense when you know why i exist and how i was for the first years

[tinytinyblogs]

Can you please do Stray kids members how they would act around the female 9th member

Welcome To The Team!

Skz has a new member and they trying to get close to you, too.

Hyung line, Maknae line (Coming soon)

💬I apologize for the delay in fulfilling this request—I’ve been quite overwhelmed with a lot on my plate and feeling exhausted. However, I’m here now and ready to assist. I genuinely appreciate receiving feedback and requests from all of you, and it always makes me happy to help. Wishing you all a wonderful day!

Stray kids masterlist

Your insights and reactions make these posts come alive. Love reblogs, comments, and all the good vibes welcome ✨

Chan

Meeting Chan for the first time feels effortless and comfortable. As the leader of the group, it’s only natural for Chan to take on the role of being the bridge between you and the rest of the members. True to his gentle nature, he has an uncanny ability to dissolve any awkwardness right from the start. There's something about the way he carries himself—calm and approachable—that instantly puts you at ease. Even if you tend to feel nervous around new people, his presence reassures you. It's as if he knows exactly how you're feeling, intuitively recognizing any discomfort you might have. What stands out most is how he helps you connect with others, easing you into the group dynamic without making it feel forced. He doesn't just leave you to fend for yourself but subtly helps guide the conversation, making sure you don't feel left out. It's his attentiveness that truly makes a difference. He’s always checking in with you, making sure you're comfortable, and adjusting the interaction to suit your pace. Chan’s genuine care and effortless charm create a space where meeting new people no longer feels daunting but enjoyable and even fun.

As you grow closer to Chan, his care and affection become more evident with each passing day. What started as a gentle and considerate friendship blossoms into something even more meaningful as he lets his affectionate side shine through. He enjoys being at the heart of the group, craving connection not just with the other members but with you in particular. It’s subtle at first—small gestures like sitting closer to you or casually brushing against your arm—but soon, he becomes more open with his warmth. Out of nowhere, he’ll wrap you in a hug, a gesture that feels both comforting and familiar. His eyes often linger on you, not in an intrusive way, but in a way that makes you feel truly seen. There’s an unspoken admiration in the way he watches you, as if he’s quietly appreciating every little habit and detail about you that makes you unique. Whether you’re laughing at a joke or lost in thought, Chan’s attention is always there, taking it all in. Sometimes, he would gently caress your hair, a soft, caring gesture that immediately made you feel more at home. His tone was always soft and considerate, and he'd ask questions to make sure you were okay: “Are you feeling alright? Are you comfortable? Is there anything bothering you?”

And while he’s affectionate, his care goes deeper than just hugs and soft looks. Chan isn't afraid to speak up when something’s wrong, giving you a playful scolding or a serious talk when he feels it’s necessary. His gentle reprimands come from a place of genuine concern, always with the intention of helping you grow or stay on the right path. But no matter the situation, he’s never far when you’re in need. If you're feeling down or overwhelmed, Chan is there in an instant, offering support and encouragement, making sure you know that you don’t have to face anything alone. Through it all, his affection and care create a sense of security, making you feel valued, protected, and understood. His gentle encouragement helped you find your place within the team, and he made it clear that you belonged. With Chan by your side, you never felt out of place or like an outsider; instead, he created an environment where you could flourish and grow, surrounded by the unwavering support of someone who genuinely cared. His thoughtful presence helped smooth out any initial awkwardness, allowing you to build a strong connection with the group and become part of the family.

Minho

Minho, being naturally the most reserved person in the group, approaches new situations and people with quiet caution. During your first meeting, he doesn’t say much beyond a polite, brief self-introduction. He tends to stay on the outskirts of conversations, observing everything around him with his sharp, thoughtful eyes. It's clear that he prefers to take his time, watching and absorbing the energy of new people before diving in. With you, it's no different—he doesn’t rush to interact, opting instead to silently evaluate and adjust to your presence. In those early moments, you may notice him sitting quietly or exchanging a few words when necessary, but his true nature lies in how carefully he observes everything. He’s taking note of the dynamics and your habits, making sense of the situation before he fully steps in. Minho’s approach to connecting is slow and deliberate. It’s his way of giving himself time to feel comfortable.

After some time, you’ll start to notice subtle changes. Slowly but surely, he begins to make his way into your world. At first, it’s small—he’ll join in on a group conversation where you’re involved, adding a comment or two, enough to make his presence felt but without drawing too much attention. Little by little, these moments grow more frequent. You start seeing him join in on light small talk, his words carefully chosen but meaningful. Over time, the walls he had built around himself start to lower. What began as casual contributions to group discussions evolves into more personal interactions. One day, you realize he’s seeking you out on his own, initiating conversations that aren’t just polite but thoughtful and genuine. As you grow closer to Minho, his reserved nature starts to melt away, revealing a more playful, talkative side. He begins to open up, often filling the space with his teasing and lighthearted jokes. He loves to mess with you, whether it's by cracking jokes or poking fun at you just to get a reaction.

He has a way of spotting you from across the room and coming over to talk, even if it's about something completely random—he doesn't mind, as long as he has your attention. When it comes to helping you with dance practice, Minho’s patience and focus shine through. He’s always ready to offer guidance, paying extra attention to your steps and making sure you’re on the right track. He’s supportive but never misses an opportunity to play around, and with a mischievous glint in his eye, he’ll warn you, “One more wrong step, and I’ll tickle you,” his playful glare letting you know he’s only half-serious. His combination of care and teasing makes the time spent with him both productive and fun, and it’s clear that he enjoys every moment of being around you. Even though he claims not to be a fan of physical touch, it's obvious that when it comes to you, that's far from the truth. His hands always seem to find their way around you—whether it’s a casual arm over your shoulder or a playful nudge. His actions speak louder than his words, and it’s clear that he enjoys being close to you, even if he won’t admit it.

Changbin

When you first meet Changbin, he greets you with a wide, infectious grin that instantly sets the tone for your interaction. It's clear from the start that he’s the most enthusiastic about meeting you, his excitement practically buzzing through the air. With his high-energy personality, he makes you feel immediately welcome, creating a warm atmosphere where it’s impossible to feel out of place. His positivity is contagious, and you quickly realize that with Changbin, there’s no room for awkwardness or hesitation. From that very first moment, you feel like you can lean on him. He has an effortless way of breaking the ice, making you feel comfortable despite the newness of it all. His easygoing nature shines through as he pulls you into conversations, introduces you to others, and helps you find your footing in the group. It's like he’s taking you under his wing, ensuring that you don’t feel like a stranger for long. His knack for building connections isn’t just limited to himself—he goes out of his way to help you become friends with the others, acting as the bridge that brings everyone together.

Changbin’s energy and enthusiasm create a space where you feel seen, appreciated, and instantly part of the group dynamic. Even during your first meeting, he makes you feel like you belong, as if being around him is the most natural thing in the world. Changbin had a genuine warmth about him, and though he was incredibly talkative, he was also incredibly thoughtful. He knew exactly where to draw the line, never pushing you too far outside your comfort zone. While he loved engaging with you and pulling you into conversations, he also had a strong sense of awareness about when to step back. If he noticed you growing tired or if the conversation began to lose its flow, he’d gracefully shift gears or allow you the space to take a break. As your bond with Changbin deepens, your interactions become a blend of playful mischief and genuine affection. You both find yourselves constantly teasing each other, exchanging nicknames, and engaging in spirited play fights.

Changbin often jokes about your height, laughingly declaring, “We’re definitely the shorty duo—don’t even try to deny it!” His light-hearted teasing and the friendly banter become a hallmark of your relationship, creating a dynamic where fun and laughter are always just around the corner. But beneath all the playful antics, Changbin's true nature shines through. When you’re feeling down or going through a tough time, he’s quick to shift his focus from fun to support. His primary goal becomes making you smile and bringing joy back into your day, no matter what it takes. Whether it’s through a silly joke, a heartfelt gesture, or just being there to listen, Changbin demonstrates that his care goes beyond just playful interactions. It’s this balance—between the fun, carefree side and the thoughtful, caring side—that makes your friendship with Changbin so special. No matter how much teasing or play-fighting there is, you know that when it really matters, he’s someone you can count on to brighten your day and be there for you, offering both laughter and support.

Hyunjin

When you first meet Hyunjin, he may come across as somewhat shy and reserved. He tends to keep his conversations brief and polite, not wanting to intrude or make a fuss. This initial reticence is part of his nature, and while he may not be very talkative at the beginning, he remains courteous and respectful. Hyunjin’s sensitivity can sometimes lead to misunderstandings, especially when you're still getting to know each other. This might result in a few minor disagreements or awkward moments as you both navigate the nuances of your interactions. These initial conflicts are often a result of miscommunications rather than any real friction. However, as you both spend more time together and become more familiar with each other, these early misunderstandings will gradually dissipate. Hyunjin’s true, warmer side will begin to emerge, revealing his more open and engaging personality. As you both get to know each other better, the initial shyness gives way to a deeper connection, allowing for a more comfortable and genuine friendship to develop.

Once you've had the chance to warm up and move past the initial awkwardness or silly disagreements with Hyunjin, he’s quick to make amends by engaging with you on a more personal level. He’ll start asking about your hobbies, interests, and what you enjoy doing in your free time. This genuine curiosity helps bridge the gap between you, and as you discover common interests and shared passions, you’ll find that your connection deepens. As you both open up to each other, Hyunjin becomes more expressive and involved. He’s eager to share his creative thoughts and ideas with you, enjoying the process of exploring and learning together. Whether it’s working on a project, diving into a new hobby, or just discussing your favorite topics, he takes pleasure in collaborating and spending time with you. His enthusiasm for sharing his new discoveries means that you become his go-to person for exciting news or fresh ideas.

Hyunjin’s approach to friendship is rooted in a desire to connect and grow together. He loves finding new ways to explore and learn, and he values having someone to share these experiences with. When he comes across something new or inspiring, you’re always the first person he wants to tell. This constant sharing and collaborative spirit make your relationship with him not only more meaningful but also filled with creativity and mutual support. "Don’t be silly—I told you to wear mine,” he says with a playful smile, tossing his hat in your direction. Sharing is something he truly enjoys, and he’s always happy to offer advice or lend a helping hand whenever you need it. His willingness to share extends beyond just material things; he also values open communication and turns to you whenever he needs someone to talk to. Whether he's seeking guidance, sharing a personal thought, or just needing a listening ear, he feels comfortable confiding in you, appreciating the support and understanding you provide.

[maximumqueer]

Ok, so I got to (and past) ep. 26 of Witchlight, where Gideon is hit with a fey love curse which has him be head over heels in love with Kremy. And it just has me thinking about how vastly different the two of them reacted to being fey cursed to be in love with the other (though we all know they are in love without the fey curse) and what that says about them as people, as well as the way that they view relationships.

When Kremy was under the effects of the fey curse, he was dead set on making sure Gideon (or anybody really) did not find out about him being in love. He, for all intents and purposes, did not act all that differently that he would have other than being more outwardly jealous of the fact that Gideon was marrying other people. (Richie saying "I know" with that smug look in his face will live rent free in my mind forever). This says a lot about Kremy, and the way he views romantic (or even just more intimate) relationships. He is so full of shame and insecurity at the prospect of being in love of Gideon that it all has to be done through a false lens of irony. And I think that is because Kremy, at the end of the day, is a conniving conman. He views relationships as advantageous. He is so clearly afraid of vulnerably that, even when under the effect of a love curse, is still trying his best to not let on that he is in love. (I also think this points to him actually being in love with Gideon, as it does not completely alter his behavior). He needs to maintain control on his feelings in order to be in control of every situation he is in, so that he can exploit the people he needs to, as well as make himself as un-exploitable as possible. Obviously he is friends with Gideon, Gricko, and Frost, but I can't help but believe that the trust we see him have in them was built slowly over years. Just look at the way he views Torbek earlier on. And as such, admitting that the relationship he has with Gideon goes deeper, and is more intimate that just friends and business partners, is a (nearly) impossible task for Kremy, as he does not want to feel or be viewed as vulnerable.

With Gideon, the second he gets cursed, he immediately goes all in. He says that he loves Kremy, that he is happy they are married, and goes out of his way to touch him, be close to him, compliment him. Now, this is more distinctly different from how Gideon usually behaves around Kremy, but I don't necessarily think that means that his love is completely fake. I do think, however, that it means that Gideon is unaware of the full extent of his feelings when it comes to Kremy. Because, while it was said in a joking manner, I believe that there is some truth to the claim that Gideon has commitment issues. Not in the sense that he is or ever would be unfaithful in a more committed relationship, but rather that some wires got crossed in his head (thanks to the years and years of trauma from the fucking train) and that he now views being 'tied down' to one individual in a romantic sense in a similar way as being imprisoned. He wants freedom, he doesn't want to feel beholden to a single person. And obviously this is an unhealthy way to view relationships, as a healthy one will not make you feel like you are being caged. But this does not seem to be based off of experience for Gideon, as all of his 'romantic' exploits seem to have been causal hookups that may end in him getting shotgun married and then immediately cutting town, but nothing more. It is the concept of romantic commitment that Gideon does not like, not the actual act of commitment itself. Because he IS committed to Kremy, and he has no qualms with being 'tied down' to Kremy in this way. As such, he doesn't view his feelings as being anything other than platonic, as he expects romance to feel like a cage. Until he gets slapped with fey magic, and those feelings about commitment temporarily go away.

Basically this is a really long way of saying that I LOVE how Richie and Mace both decided to play their characters being (explicitly) in love with the other. It makes for beautiful (and very funny) character work and gives us, the audience, a bit more insight into the dumbass minds (affectionate) of Kremy and Gideon.

[demodraws0606]

My thoughts on the latest episode (aka HU IS THE CULPRIT I WILL DIE ON THIS HILL)

Warning : My sassy attitude is not directed towards anyone else, I'm simply amusing myself and also I've only gotten barely 5 hours of sleep god save me.

This is gonna be very long and messy so strap in folks

It's so obviously not Eden or Ace it's painful (idc 'i'll die for my hubris). Not even just because Eden lying and being the culprit after all of that would be both underwelming and just...miserable. But also because of how the way we're getting the reveal in advance that it could only be Ace and Eden. The fact the cast was already on Eden's throat as well just makes this point even more clear to me.

This isn't like fucking Korekiyo in chapter 3 of DRV3, this isn't how a culprit reveal happens. Especially not when there's so much we don't know yet.

So who is the culprit ?

...

It's Hu, it's literally Hu.... and like 1 pourcent chance it's Nico but I think both of them are accomplices here.

The thing is, I don't buy any of the shit Nico is saying, their admission of guilt is strangely quick and detached. They also seem to go along with anything people say about them (like them framing Hu) which makes it even more suspicious, they could've just said they used Hu's weapon out of conveniance ? The only thing this episode has proved me is that Nico is an Active accomplice rather than a Passive one like I thought. For what reason ? I honestly don't know fully yet but again we don't know a lot about Nico anyways.

Hu's behavior really makes me think she did it and is acting out, mostly out of guilt. She seems really stressed this trial which while makes sense for character reasons, it also makes sense if she's the culprit and feeling guilty. It would explain her defending Eden and Nico mainly I think despite her probably being the culprit she doesn't want the perception that Eden/Nico has to be broken (especially not bc of her). I've already explained how Hu being the culprit makes sense from a character perspective so I'm not gonna get more into it.

By the way any arguments in this post being like "it would be out of character for Nico or Hu to do that" should honestly review their own hypocrisy if they think Eden did it, or even Ace for that matter.

Another thing that makes me even more convinced that it can't be Ace or Eden is that...you can't fucking prove any of them did it with 100 pourcent certainty. David fucking threw the BDA rule out of the window, so we can't be sure Eden didn't do it but like what decisive evidence would make it clear between the two of them.

The only pieces of evidence we have left is :

-The sticky ball of clothes (most likely turpentine because the soil of the relexation room would cause the ball to have stains on it)

-The alibi for the relaxation room water

-The missing glove (which I think i've changed my opinion on what it could mean here)

Eden did know about the ball of clothes (but that piece of fucking evidence has strings attached so we'll get to that) and Ace doesn't have an alibi against taking the water like Eden does.

The missing glove is the only evidence left untouched here and honestly I actually don't think it had anything to do with the glove having someone's hair or anything, mainly because first of all the culprit could've technically just removed any hair on the glove even if it was sticky.

And also there's something else that makes more sense.

I think they probably had to use the glove to avoid rope burn while trying to set up the mechanism to kill Arei. Especially with how high the playground's ceilling is, it wouldn't be child's play. I'm not really good at deciphering what could've possibly happenened directly in the murder but I'd argue it's just more likely that the culprit would be put in a situation were rope burn could happen. This murder set up would require a lot of physical effort, and if the culprit even slipped for a second their hands would end up being damaged from rope burn making them obviously look guilty (also ouchie), which I think is what happened.

It would also explain the scuffs on the floor, maybe the culprit was struggling to hold onto the rope leading to them causing marks with their feet while trying to pull on the rope.

The reason why I think the glove is missing is probably because it's damaged and the culprit wanted to avoid the cast knowing they used Arei's glove during the murder. In fact it's the only piece of evidence that is completely missing

But why ?

Has anyone realised something about, I argue, the three other main suspects here ?

Nico, Eden, Ace ?

They all have gloves.

"But a huge portion of the cast has gloves this doesn't mean anything, it's just a stylistic choice !!" Yeah, the majority of the cast has gloves.

I think now you can understand why the culprit wouldn't want the cast to know that the glove was used. Because if the cast did see the glove that was probably damaged, they would assume the culprit wore it and it would narrow down the suspect list to an extremely narrow pool. This forces them to basically take the glove and hope to fucking god the cast doesn't catch on which they clearly haven't yet.

You know who doesn't fucking wear gloves.

HU JING

My girl got no gloves on !!!!

So yeah, with the glove being untouched evidence yet I think it will be the main decisive thing to point out who the culprit truly is, and I just don't think it's just gonna be like "oh let's just search everyone to see which one has the glove !". For all we know the culprit could've fucking eaten the glove, I don't think we're getting another Min in trying to search shit on people's person.

Anyways I'm gonna transition to other stuff to explain how the Nico and Hu theory makes sense from a logical standpoint here.

Let's get on to the sticky ball of clothes.

First I want to get it out there that I do not think the ball being sticky is due to the soil of the relaxation room. Mono-TV's talk about the "special formula" was mostly to foreshadow the floor of the playground's properties, also the fucking ball would have stains on it.

For me this means the ball of clothes has to have been covered in turpentine especially now that we have confirmation from Ace directly.

This is extremely huge and I'm flabbergasted has no one has mentioned this. Pray tell where the fuck did that piece of cloth go, did it get isekai'd into another world ?

This question actually has multiple meaning here because that fucking ball of clothing actually has massive implications. It confirms a lot of things and also puts a lot of doubt in things that seemed to be confirmed.

Before that I also want to say that Arei 100 pourcent got knocked out with turpentine. I don't want to argue over and over again that it was used because I've done this before but I have to since there are multiple reasons why she had to have been knocked out.

The floor is extremely prone to scuffs, if Arei was struggling then we definitely would've seen more than just a few marks in one area.

The method of murder would have been extremely difficult if she was struggling, like to a ridiculous point. Especially with someone like Arei who has been shown to have been sneaky and very prone to attacking people in their weak spots.

The tape binding Arei's hand in hindsight actually probably wasn't to avoid her struggling, it was most likely due to how the mechanism of the murder work. Keep in mind how the murder had to have worked and imagine if Arei's hands were just loose and flopping around. There could have been possible injuries with her arms that would ruin the culprit's obvious plan to make it look like a suicide. It also just makes sense for weight reasons, again Arei having her arms flopping around would make moving her body even more difficult.

And even if you want disagree with all of that, the culprit could've just binded her tape to avoid the same mistake that happened with Ace with him waking up from the turpentine.

Now that I've made my case about Arei being knocked out, let's get on the actual new arguments I want to make.

First, we know for a fact that a piece of cloth was used to knock out Ace meaning it has to have gone somewhere, if you say "well they could've just thrown it away" I will personally come into your home and shit in your shoes. And you're also wrong because I've already proven that Arei had to have been knocked out.

This means the only piece of cloth available to us would be the sticky ball of clothes.

But...like let me just explain everything that's mind boggling about all of this.

-This ball of clothes had to have been made for Ace's murder to knock him out

-The only people who knew about the old clothes were Hu, Teruko and Whit. Eden only knowing later on, way after Ace's murder was planned probably, because Hu told her about it.

-The culprit used this ball of clothing against both Arei and Ace

-The cloth is suspiciously absent from the murder scene, which makes no sense considering Nico's account rely on them not having left the gym while trying to murder Ace. Them leaving to chuck the cloth aside only to come back to the gym doesn't make sense with the timeline in how we discover things.

Yep, I'm making the claim that Nico didn't actually kill Ace here, I still think it's Hu. Again you can try and complain all you want about how it's out of character for Nico but the reality is...shit is not adding up.

It's really suspicious how silent Hu becomes when her weapon is brought up, immediatly clamming up and not defending Nico anymore. When Teruko makes assumption that Nico lied to Hu to get her weapon, she doesn't reply with a betrayed "Nico is that true ?" or even a sentence she responds with "That's...". The amout of ellpises both Nico and Hu give are extremely suspicious and just make me side eye both of them extremely hard.

I'm gonna go on another tangent here, on the subject of Hu being suspicious. Mainly because I do wanna point out a moment that both makes Eden seem a lot more innocent and makes Hu a lot more guilty.

The subject of Arei potentially committing suicide.

Now, it's very clear that the way Arei was hung was meant to make it look like Arei killed herself, this was very much meant to be the culprit's intention. Both to hide the true murder mechanism and probably to mislead the cast. The fact that it's only an incidental red mark of Arei's wrist that proves she didn't kill herself, proves that the culprit intended for it to look like a suicide.

However guess who argues against this...Eden, which, if she is the culprit I don't see why she would do something like that (and if you say "well why is Hu defending Nico and Eden" I already explained it). Clearly the Eden!Culprit theory relies on her being capable of manipulation so there's no reason why she would be so caught up in her own feelings to just ruin her own plan like that.

You know who seems to really be into the idea of Arei killing herself though, Hu.

That's all I have to say on that, now let's get onto how I think Nico actually helped Hu.

I do think there's still a 50/50 on them working directly together or just Nico catching onto Hu's plans and deciding on their own to help her.

I do think Nico directly helped her though in two major ways

First, the water, it's the obvious one. Nico probably ended up giving the water the Hu here weither they did so with/without knowing Hu's intention doesn't really matter since they're deciding to keep quiet about it now.

I also want to quickly mention how Hu getting water from the relaxation room makes a lot of sense. Hu was busy with Eden in the kitchen and Teruko had taken all the drinks from the gym, so it's likely Hu was forced to take the water from the relaxation room.

Second, the note

Oooo baby let's get into my favorite realisation in watching this episode.

One piece of dialogue has made me realize something

This made me puzzled too, because yeah, who would be listening in and how did Arei not notice when she went into the room ?

Let me take you all back to Chapter 2 Episode 5

Rose and Teruko have a conversation about Rose's secret and that conversation lasts a good while, until...

Nico was actually shown to have been there the entire time, Teruko and Rose were talking without noticing they were there.

Nico then explains themselves like this, pretty much proving this is something they just like doing casually sometimes.

This actually would explain everything on how the eavesdropping happened, Nico was on the literal fucking floor of the infirmary leading to them listening to everyone's conversation. Which tmeans they could have had the information to write the note.

This would explain the inconcistencies as to why would the culprit know to eavesdrop and how they didn't get caught by Arei when she was barging into the room (if they were outside by the door).

Now this leads to two possibilities with Nico and their relation to Hu.

Either they worked together with Hu and they both came up with the murder together. Which means either of them could've written the note.

Or Nico helped Hu without her knowledge, making the note to help her (edit : just realised this doesn't make a lot of sense ignore this).

I believe this is all I have so far and I'm very tired so you won't get a conclusion

Oh wait I hear something in the background...

"WHAT ABOUT THE TAAAAAAAAPE"

First of all, y'all gaslit me into thinking Ace couldn't have taken the tape so I'm already sick of this tape bullshit being used as decisive unshakeable evidence.

You know what I think probably happened ? Ace took the tape, after all it disappeared when he woke up and it's possible that he just then threw it away in the trash.

I mean Ace did say he was gonna "commit a murder of his own", it would be in line with him taking the tape.

Why isn't he talking about it then ? Because he'd be seen as the fucking culprit and also Ace is not really the most honest bitch out need i mention Ace witholding info about David and Arei's conversation.

[reidswhre]

notes 4 you ; spencer reid x fem!reader

warnings: fluff! best friends in love

You were gathering your things from your desk while wondering what you were going to have for dinner. You hadn’t left any food prepared, and honestly, you didn’t feel like cooking, but nothing that a food delivery couldn’t fix.

“Hi.” Spencer smiled at you from in front.

“Hey, you.” You smiled back while slinging your bag over your shoulder.

“Are you heading home?” He asked.

“Of course, I’m going home, where else would I go at this hour?” You teased him.

“Oh- I don’t know- I- well.” He rubbed the back of his neck. “I thought maybe you could come to my place, I’m making pasta.”

“Your place? Oh God, sure! I’d love to.”

“Really?”

“Of course!”

You used to go to Spencer’s place often, and he to yours. You’d have dinner, watch a movie or two, and talk a lot. You spent all day together at work, but given the tragic cases you dealt with, seeing each other outside of work felt peaceful, a nice atmosphere that you both created.

You liked him a lot, and you were sure he liked you too. There were always moments when everything felt tense or you sensed something stronger than friendship between you, but neither of you ever acted on it.

“I missed it here,” you said as you entered Spencer’s apartment.

“Did you?” He asked as he watched you head straight to his bookshelf.

“Are you kidding? I love this place; it’s so cozy, so interesting, so lovely, so… you.”

“Do you love me?” He gave you a playful look as he set the groceries on the table for dinner.

“Of course, I do, silly.” You rolled your eyes and picked up the book on the coffee table. “This one’s new.”

“Yeah—actually, all those piled over there are new.” He pointed to a stack of about five books to your right.

“Oh, can I borrow this one when you're done?” you asked, grabbing one from the pile.

“You can take any of them, really.” He gave you that closed-lip smile.

“Wait, you’ve read all five already? You said they were new!”

“I read fast.”

“Of course you do.” You rolled your eyes again, smiling as you skimmed through the book.

“By the way! I finished reading that book you recommended, your favorite, remember?”

You felt a wave of happiness wash over you. “You’re kidding! I didn’t even know you bought it! How exciting! What did you think?”

“It was pretty good, though I think the dialogues in the book show some deficiencies in terms of plausibility and conversational dynamics. This homogeneity in the discourse negatively affects the characterization and pacing, creating a sense of stagnation in the dramatic development.”

You were left speechless, which made you laugh a little.

“What’s so funny?” He furrowed his brows.

“You just severely criticized my favorite book!”

“I didn’t criticize it severely!” He defended himself. “I thought it was good! It has memorable lines, and it’s very romantic. I just think the dialogue could’ve been better, that’s all.”

“Sure, everyone’s entitled to their opinion, even if yours is wrong,” you teased.

“Hey!” Spencer feigned offense.

You laughed, and Spencer chuckled a little too.

“You can keep that one too.”

“No, no, don’t worry. I have that book in every edition that exists.” You laughed. “It’s my favorite for a reason.”

“Yeah, but—I thought you might want this one.” Spencer walked over to the bookshelf in front of you and pulled out the book from a drawer.

The book was filled with sticky notes. You glanced at it and saw it was covered with annotations everywhere.

“I—well—I made notes while reading because—I don’t know—I wanted to give it to you. I thought you’d like to see how I was doing as I read it.” He looked a bit nervous.

You looked at him and then back at the book. You were so surprised that no words came out of your mouth, which only made Spencer more anxious.

“No—you don’t have to keep it—It wasn’t my intention to make you feel like you had to read it, I didn’t even ask if you wanted it, I’m really sorry!”

“You’re sorry?” You raised your eyebrows. “Sorry for giving me the best gift anyone’s ever given me?” You smiled broadly.

“What? You want it?” He sighed in relief.

“Are you kidding? This is incredible.” You threw your arms around him in a hug. “I love it! I can’t wait to see what you wrote.” You pulled away from the hug to skim through the book.

“No! Don’t do that!” He placed his hands over the book so you couldn’t read it. “Read it at home, okay?”

“Why!? I want to read it now.” You laughed and moved the book out of his reach.

“The thing is, I—you know—I wrote a lot…” He looked away.

You gave him a knowing look. “Of course, that was the idea, wasn’t it? I’m well aware,” you said teasingly.

“Sure! But… I didn’t just write what I thought about the book.” He looked at you. “I highlighted and underlined things that reminded me of you, and… I wrote you a few things. Just—read it later, okay?”

Suddenly, you felt a bit nervous, your stomach flipping. What did he mean by writing you a few things?

“Oh sure… yeah—sorry.” You closed the book and tucked it under your arm.

“It’s okay! Forget it.” He smiled sweetly. “Help me with the pasta, yeah?”

You smiled back. “What?” You pretended to be offended. “I came here to be treated like a princess, not to get my hands dirty!”

“Stop complaining!” He teased you, and you laughed.

You returned home around midnight, hung up your jacket, and left your keys on the table. Eagerly, you pulled the book out of your bag and sat down on the couch to take a look.

You saw some of his notes.

What’s this supposed to be? This guy’s an idiot. >:(

Oh, that was sweet! Extra points for him!

She’s funny, just like you.

you and me :) It was next to a paragraph describing a black cat and an orange one playing around.

I’m reading this on the plane, and you’re asleep i miss you :(

I seriously hate this guy, who raised him!?

You looked really cute today. You’re always cute.

There were countless more notes, all in his handwriting.

You had no intention of sleeping until you finished reading them all.

[sereh624]

things redacted!boys do to try and impress their listeners ☀️

david ;

david loves to cook for angel. he loves the whole process of it, watching the meal come together through preparation, cooking and assembly, then to be served and enjoyed thoroughly by his mate, who's culinary skills leave... much to be desired.

it's not hard to impress someone who's gone months living off instant ramen and coffee, but david likes to be extra anyway (little fuckin leaf on the dish type shit).

milo ;

much like a peacock flaunts his feathers, milo likes to dress up for every single occasion. i imagine sweetheart as going from some loser (and not in the hot way) who wears corny t-shirts, jeans and ugly converses to every event to milo greer. it's a change they welcome with open arms and a red face. it also makes milo proud, to show off both himself and his mate's excellent sense of style, even if it leaves a certain pack beta simmering in the corner as he tries to make an old, ugly belt look good.

sam ;

knowing that darlin' came from someone who likely put very little effort into their relationship, sam chose to go the "acts of service" route. everytime something of darlin's would break, or fall apart, or need fixing, sam would be on it right away. he knows a whole lot more than he gives himself credit for. everytime darlin' hears "let me get that for you," it makes them melt, feeling far more appreciated by him than they had anyone in their entire life.

sam does it for himself too. he likes to do things for someone he knows will appreciate it, someone who won't take his kindness and mistake it for something else. he lives to do things for the people he loves, and survives to spite the people he doesn't (alexiSCOUGHCOUCGH).

porter ;

everything this man does is impressive i love u porter solaire

hush ;

(strange character selection, i know, but he's growing on me. loving hush is an infectious disease and my friends are the carriers)

not quite as sentimental, and i don't really picture him doing this with the intent to impress, but hush likes to spout random, strangely specific facts/observations at doc. for someone who doesn't appear to understand the intricacies and irrationalities of the human world, he has a far more brilliant, clearer lense on it than anyone doc has ever met. it astounds them.

they'll be stood in silence, people watching, when hush cranes his neck to face doc in an uncanny manner and blurts out something like "the man beside the lampshade has been stood there for... five minutes, thirty seven seconds and counting. he's been staring at his phone. from what i've heard, he's currently.."

doc just nods along.

"oh. uh. wow. that's.. how did you?- yup, nevermind actually. very cool."

@skunkox @vividmilk @definitelynuwonhere

[1moreff-creator]

Select Two, Choose One: How will the Culprit get Found?

Since the latest DRDT chapter seems to have narrowed down the suspect list to just two people, many have speculated on how exactly the cast is going to pin down the correct suspect, and whether or not the audience has the tools to do so. I thought I’d throw my hat in the ring too! And while I’m still really 50/50 split, there is one piece of evidence that could change the murder method… in a way that points us to the culprit. Very inconclusive evidence, but it’s there. Let’s get into it.

Spoilers up to CH2 EP14. CW: Hanging, murder, blood, Eden and Ace!Culprit discussion

As a starting point, I’ll assume that the deduction that the culprit must be one of Eden or Ace is accurate, to simplify things if nothing else.

I will start with what I’ll call “meta only” arguments. In other words, things that characters can’t reliably use to narrow down the suspect, but that we the audience can take into consideration for theory-crafting.

-Mindset post-Nico murder attempt: Immediately after Nico runs out of the gym, the killer needs to be in the correct mindset to grab the tape, and they also need to be able to more or less figure out what Nico did to replicate it with Arei. Although, importantly, the killer doesn’t need to come up with the full plan on the spot, and they don’t need to fully understand what Nico was doing. At the end of the day, the only real similarities are the general idea of a pulley and a hanging.

Here’s more or less the train of thought Eden might have had if she’s the killer.

Eden: Hmm… The fan is broken and there was wire on it, Ace’s neck looks cut… Maybe Nico used some kind of pulley to hang him and it broke? Maybe I could do that… This tape looks useful for that.

Meanwhile, since Ace woke up in the middle of the murder attempt, he has to do a little less deducing.

Ace: Did I just get knocked- HOLY SHIT NICO IS HANGING ME WITH SOME SORT OF FUCKING SPINNING DEVICE AAAA-! Ooh, tape! :D

The actual planning of a murder would come later in the morning for Ace, once he sits down and has A Thought about it. Grabbing the tape in that context seems insane, but there may be precedent for Ace being prone to stealing the weirdest shit (we’ll get to it), so…

I think both of these are plausible. I wouldn’t say either can be disqualified like this, so we keep looking.

-Ripping/reconstructing the note: The note to Arei was ripped up and thrown into the trash, then Eden, Rose and Whit put it together.

Ace has no real reason to destroy the note, he could have just left it as it was. Maybe throw it in the trash since “it’s what Eden would have done”, but destroying it runs the risk of people not being able to put it together to point at Eden/Arturo. Although, you could argue Ace was trying to frame Nico specifically, so the note wasn’t useful and he threw it away because it made sense in his mind.

Here’s where we get introduced to a pretty big problem of having Ace as a suspect; that thing Teruko said, that sometimes assuming people will always act logically is a bad idea. Ace is the prime example; a lot of shit in this case makes a lot more sense if you assume Ace did it because he’s not smart enough to notice the problems with it. Such as using the method to frame Nico when only a few people in the class know what the method is; he maybe wouldn’t have noticed that that could point towards him as well. Ace is erratic, it’s very difficult to pin down why he does half the shit he does.

Eden, at least, makes sense. By destroying the note, then rebuilding it herself, she throws off suspicion with the exact argument she used in the trial; if she’s the killer, why do that? Just leaving the note as it is runs the risk of someone finding it and presenting it, which removes that argument, meaning tearing it is imperative.

And she would want the class to find it, not just because it makes her look more innocent if she talks about a building friendship with Arei, but because the note is where we get the “7:30” time, which combined with the fish making people think the murder was at nighttime, appears to give Eden an alibi.

In conclusion, the note being ripped makes more sense with Eden as the culprit… but it doesn’t disqualify Ace because he’s an idiot. And speaking of that…

-Fish Paradox: As outlined in my Ep13 murder theory revision, the problem with the fish is that everyone who benefits from the fish being at the crime scene only benefits if they have an alibi for nighttime, but that coincides with the time the fish disappeared, as Nico fed them and counted all of them after having dinner, so they couldn’t have taken it. Meanwhile, people like Ace who could have taken the fish, wouldn’t have a reason to as they don’t benefit from the nighttime alibi.

Except, it’s fucking Ace. It’s genuinely possible he thought people would see fish and instantly jump on Nico for some reason. See the problems that arise when you can no longer assume the killer is acting rationally?

Anyways, inconclusive (we’ll talk Eden later).

-No blood on tape: This heavily depends on exactly how Ace could grabbed the tape. His hands sorta get covered in blood instantly, so it’s hard to imagine he’d be able to do that without staining the entire roll of tape with blood. He couldn’t have easily washed it, either, since he passes out shortly after, and the blood would have likely dried by the time he woke up. This is definitely a point towards Eden, but can the cast use this? I don’t think so, because it relies on what we saw during the episode, which is not easy to prove in a trial setting.

-Dialogue and trial behavior: This one’s difficult, and as you might expect, inconclusive.

I would argue Eden has a higher amount of outright suspicious lines (“Teruko, wait—“ haunts me), but she also has a higher amount of seemingly anti-suspicious lines that make her look very innocent (see: the entire speech at the end of Ep 14).

She also has a moment where she steers the trial in the right direction by denying that Arei could have committed assisted suicide, but it’s worth remembering that if the class thinks that’s what happened and they learn of Eden’s relationship with her, they might assume Arei and Eden worked together to get Eden out. In other words, by denying the notion of assisted suicide, Eden!Culprit avoids the class reaching the right conclusion through the wrong method. Of course, if she’s innocent, it’s just genuine.

Comparatively, Ace operates at a much more stable level of suspiciousness I can only call “Ace level.” He’s constantly throwing suspicion on Nico, who the killer seemingly tried to frame with the method; he kept David and Arei’s conversation hidden; and was one of the first to jump on the “David’s the culprit” bandwagon. In a vacuum, this is super suspicious; hell, Levi was the fandom’s prime suspect for less.

But… it’s Ace. His behavior isn’t too different from the first trial. So while it’s possible he’s doing all this because he’s the culprit, it’s also possible he’s just being Ace.

Impossible to tell, I fear.

-Eden’s Night 2 paranoia: You might recall Eden being very worried someone was following her in night 2, which could suggest she was doing something suspicious (eg setting up the ball of clothes, more on this later) and was scared she’d get found out.

The problem is that there’s a perfectly fine explanation for Spotless!Eden. This is the night after her confrontation with Arturo, and Teruko did enter the same room as her; she could have just been paranoid because of the former, and felt someone was following her because of the latter. Moot point.

(I don’t think anyone else was following Eden because Teruko would have presumably seen them. Then again, I have overestimated our protag’s perceptiveness in the past)

-Eden’s strength: Eden is the weakest of the cast, so it’s very possible that half the Arei murder method is just impossible for her. But… we can’t know for absolutely sure what “weakest of the cast” means, and it’s not evidence that can be used in a trial. Ignorable.

-Motive, character writing and themes: I’m lumping these in together because I’ll give the same answer to all of them: the dev can just add an explanation in the inevitable post-trial trauma dump. We don’t know absolutely everything there is to know about these characters, or the way the narrative is going, so it’s impossible to confidently argue based on this. Physical evidence will always take precedence over these things in my books.

And that kinda settles it for that. There’s minor arguments like “Eden won’t die before we explore the Fork CG” (well, Xander did, so) or “if the Scrum Debate is Ace vs Eden then Ace is probably safe” (we don’t know what the Scrum Debate will be), but I’ll skip them to get to the more pressing matters.

That being trial-worthy evidence. What can the most dysfunctional cast of any fangan ever (/affectionate) use to fully commit to a culprit?

-Fish Alibi: If Ace has the problem of “no reason to bring fish,” Eden has the problem that her alibi literally starts directly after dinner. If Nico ate dinner with her and Hu, she couldn’t have taken the fish.

Except, of course, Nico could have had dinner earlier, and this point is completely moot. We can’t know yet.

-BDA: This is very obviously not what the cast will use to come to the conclusion given the discussions we’ve had, but I’ll bring it up anyways. This was explained in the episode though, so…

-Playground floor: sorastar6’s idea; since the floor of the playground is made of the same stuff as the relax room, it’d become sticky after getting wet from the water in the jugs, and thus, the culprit could have some stuck to their shoe. Unfortunately for some of you, we can’t easily look at the cast’s feet all the time, so this would only work for the characters, not us. However, Hu does mention heels as an example of something that can scuff the floor, and Ace wears heels, so small point to him.

-Missing glove: I still have no idea where this thing went. My only guess would be that the killer removed it to more easily put tape on Arei’s wrists, but by the time they’d strung her up, they decided putting the glove back on would take too much time (? I have no concept of how hard it’s be to properly put a glove on a dead person’s hand), and they wanted to get out of there as fast as possible. If true, that would mean they still have the glove on them, as it wasn’t in the trash. Again, if I’m right about this, the cast can use this, we can’t.

-Random garbage:

Something here. Rose would remember everything about it, so it’s usable. Maybe Ace’s gloves were damaged and he had to use the needle and thread to fix them? Maybe one of those napkins is the cloth with turpentine Nico used and only Ace would have identified and used it (assuming it wouldn’t have dried and MonoTV wouldn’t have thrown it out for some reason)? What even is that pink paper thing? Who knows.

-Ball of clothes: Held together by something Teruko identified as starch, there’s been around three hundred theories involving this thing. The only one that’s actually incriminating (for the two possibilities being discussed) is thebadjoe’s idea of the starch being from the enriched formula of the relax room, which could implicate Eden as she was acting suspiciously around the dress-up room on night 2.

I’ve seen it argued that the clothes would be dirty in that case, but that can be solved with an extra layer of clothes under the clothes that actually get starched up, which would later be either discarded, washed, or simply put inside the ball itself.

(This might be the last murder diagram I make for this case. Holy shit I can’t believe that)

Which is all well and good, but this is still ultimately assuming both that the cast has some way of making sure Ace couldn’t have done this, which I’m not sure exists, and that the starch comes from the relax room in the first place.

Because something I learnt, like, last week, is that people put starch on clothes. Like that’s a thing they do. So it’s entirely possible there’s starch for clothes in the dress-up room and anyone could have done this. If that’s the case, this cannot be used to argue at all. I don’t love the idea, since we don’t know if there really is starch there or not, but it’s there.

-Grammar: The letter to Arei pretty famously misspells “responsibel” (responsible), has horrible punctuation, etc. It’s possible someone in the trial will realize, ask Ace and Eden to spell the word, and whoever gets it right is cleared. We can’t know, but it’s a possibility. This also has the benefit of being obscenely funny.

-Custom weapon: If the killer used their custom weapon, it may point to them as guilty, as only they have access to it. However, I fail to see how a riding crop (Ace) or a wrench (Eden) would help in the slightest.

There is, however, one more item that only one of these characters has access to. And while I am very unsure of this assumption, if you ask me right now what is the decisive piece of evidence that will close the case once and for all, I will tell you:

-The shoulder band thingy:

Ace: Too fucking bad. Mine now. I’m keeping it.

Yep. This one.

For starters, remember that thing I said about the tape? That Ace has precedent of stealing completely random shit for no reason, and so it’s plausible he grabbed the tape just because? This is the precedent.

More importantly though, it’s something only Ace has access to, so if it can be determined it was used in the crime scene, it’s curtains.

And there is actually one place I could see it being used. Followers of my method theories know that, through the fire and the flames, there’s been one deduction that’s remain constant: the rope was tied to the ball of clothes, which was thrown over the railings to get the rope as high as needed. The ball also hit the lights, displacing the bulb and causing it to flicker.

(He he I snuck the image into a fourth post >:D)

I’ve always sorta assumed DRDT takes place in a physics exercise where air drag is ignored, but it’s true that this might be harder than I’ve been presenting it as.

So, we get the use for the shoulder band; a slingshot. I’m unsure on how it would be constructed (swingset maybe? seesaw?), but the idea is that. Create a slingshot, throw the clothes, badabim badabum, Ace is the culprit.

I’m not the only one to think of this btw. Reddit user (yes we’re cross-platforming for this) Makatrull seems to have arrived at the same conclusion. Great minds think alike ig.

Of course, this comes with its own issues. Mainly, how do you connect the shoulder band to the crime scene? The only way I see that happening is if the cast determines this is literally the only way the lights get broken, which… yeah, I’m gonna have to let them do the math on that one.

It’s impossible to judge without existing in the DRDT world. Is the ceiling higher than I’d previously assumed? Then it’s possible to come to this conclusion. Is it lower, and possible that even Eden would have managed to just throw the ball over the railing? Certainly. So, for now, inconclusive. When I say it’s the most likely to be the decisive evidence, I mean by like, 0.1%, I really have no clue.

———

There’s probably more, but that’s all I can think of for now.

Seeing as we’re reaching the end, I’m gonna say that regardless of the outcome, this might be one of my favorite trials in all of both canon and fan-made Danganronpa. So much shit happened. I’ll save my full thoughts for a more dedicated post, but goddamn, I can’t wait to see the conclusion!

Hope you enjoyed! If you made it this far, you deserve a shoulder band thing. Do with it as you please. See you!

[multi-fandom-imagines8]

Star Wars request! Could I have one where anakin has a Padawan only a couple years younger than him and he’s secretly in love with her and is fiercely protective to the point that obi-wan points it out regularly and one night after being flirted with by a fellow student, anakin goes a little too far and ends up confessing his feelings for her in private? Lots of fluff please thanks 😊

Word count: 1.8 K.

From the start, you were opposed to being Anakin’s Padawan for two reasons: first, he was a rule- breaker, and second, he was very handsome. You were afraid that you might develop feelings for him- attachment, which was forbidden for a Jedi. However, since it was the Council’s decision, you couldn’t object. What would you even tell them?

Your fear became reality, but you convinced yourself that you could control your emotions- or so you thought.

It didn’t help that he was always so protective of you; some would even say overprotective. In a way, you enjoyed it, but on the other hand, it felt like he was keeping you from reaching your full potential. This led to many arguments between the two of you.

Fortunately, Obi-Wan was on your side most of the time, telling Anakin that he needed to have faith in you, that letting you take risks and go on missions alone was the only way for you to improve and eventually become a Jedi knight.

Anakin would eventually let you go on missions alone, but the ones he chose were usually safe. There were a few exceptions, but these were typically the Council’s orders. 

When you returned, he’d often reprimand you for getting injured, giving you a lecture about how you should be more careful. It always ended with him saying this was why he didn’t like sending you on such missions. This was rich, coming from him-  the most reckless person you’d ever met.

What you didn’t understand was why he acted this way with you. He didn’t treat anyone else like this- not with his former Master, his friends, or his troops.

Then, one night, everything became clear.

You were returning from a dangerous mission on one of the Outer Rim planets. The mission had been a success, but you were seriously injured while defending your men. 

The minute the ship landed, Anakin rushed to check on you, as he always did. But this time, you weren’t there to greet him. Instead, it was one of your men. When he didn’t see you, his heart sank.

“Where is she?” Anakin demanded, anger bubbling beneath the surface.

“The infirmary, she’s-“.

Before the poor man could finish his sentence, Anakin pushed past him, making his way to you. He was furious- angry at your men for failing to protect you, at you for putting yourself in danger, and at himself for allowing this to happen.

But all that anger evaporated the moment he saw you unconscious in the infirmary, your face covered in bruises and cuts. His anger was replaced by worry and fear of losing you.

“How is she?” Anakin asked the medical droid.

“She sustained serious injuries, but she’s doing much better now. I recommend rest and a few days away from missions requiring heavy physical activity”.

He sat quietly at the edge of your bed, watching the steady rise and fall of your chest. He was about to reach for your hand when your eyes fluttered open.

“Master?” Your vision was still a bit blurry.

“I’m here”.

You examined your surroundings, slowly remembering where you were. Realizing the situation, your eyes widened. You knew you were in a lot of trouble “Master, I can explain-“.

“Rest now. We’ll talk later” Anakin said, sensing your panic. As much as he wanted to scold you and know exactly what happened, now was not the time.

The following evening, you were almost fully recovered when a fellow Jedi friend invited you to celebrate your victory at a cantina. Needing to relax after such a grueling mission, you agreed.

Anakin went to check on you, but when you weren’t in the infirmary and your commlink was turned off, his frustration grew. He searched for you everywhere, his patience wearing thin. When one of your fellow Jedi sensed his distress and approached him, Anakin asked about your whereabouts.

Upon hearing you were at the cantina, his heart skipped a beat. Fearing the worst, he rushed there, and when he found you, his fears weren’t entirely unfounded.

You were on the dance floor with a couple other Padawans, one of whom was shamelessly flirting with you. You spoke to him kindly, which Anakin immediately misinterpreted as flirting. Seeing you laughing and being friendly with the Padawan was the last straw.

He strode toward you, gripping your wrist as he leaned in “Can I speak to you in private?”.

“Yes, Master. But can’t it wait until tomorrow?” you pleaded.

“Now, Y/n” he ordered.

“Alright, alright”.

He led the way out of the cantina, his grip on your wrist tight enough that it started to hurt.

“Slow down, Anakin. You’re hurting me”.

Anakin stopped, his eyes dropping to your wrist. He immediately let go, the fear of having hurt you flashing across his face. The last thing he wanted was to cause you pain.

“Get in the speeder” he commanded.

You complied, knowing better than to argue with him when he was like this, though his sudden aggression confused you.

The ride back to the temple was silent. Once you arrived, he led you into the temple and straight to his private quarters. Realizing where you were, you hesitated- this was the first time you’d been in his room.

“Come in and close the door behind you” he said, his voice stern but tinged with something softer. A mix of thrill and nervousness filled you as you shut the door and turned to face him. You could sense there was more than anger in his emotions- something deeper, familiar.

“Master, if this is about what happened on the mis-”.

“It’s not” he interrupted. There was a long, awkward silence as he seemed to wrestle with what he wanted to say,

“Then what is it about?” you asked, stepping closer, narrowing the distance between you.

“It’s about you. How reckless you are. You were seriously injured just a day ago, and now you’re out celebrating like nothing happened” he began, struggling to keep his anger in check.

“The recklessness, I learned from you, Master. We won- it was hard, but we made it. So yeah, celebrating seemed like a good idea”.

“Well, it’s not. You should be resting. And not everything I do is something you should be doing too” his voice started rising.

“That’s not fair. You never rest. I have learned so much from you, I’ve become a better fighter because of you. And now what? You’re mad because I’ve taken risks, just like you always do?”.

“It’s different for me” he snapped, stepping closer, his voice harsh now “I can handle the risks. You… you shouldn’t have to”.

“Why? Because I’m not as strong as you?” you glared at him, refusing to back down.

“No! Because I ca-” his voice faltered for a moment, but then quickly shifted, his frustration fueling his next words. “I saw you. You were just injured, and there you were, laughing, celebrating with them like nothing’s wrong. And him-” his voice turned sharp with bitterness “that Padawan, flirting with you like you’re just some… some prize, while I was worried sick about you”.

Your eyes widened in realization, and you let out a disbelieving laugh “Is that what this is about? You’re angry because some Padawan flirted with me?”.

“I saw the way he looked at you! Like you were just another challenge to him. You were hurt, and instead of resting, you went to a cantina, where anyone could’ve taken advantage of you” Anakin clenched his fists.

“He was just being nice. I can take care of myself” you shot back, stepping even closer.

“Nice? NICE?” Anakin scoffed, his voice rising with disbelief “I saw the way he touched your arm, the way he stood too close to you. It wasn’t just ‘nice’. I know the likes of him. In your normal state, I have no doubt in your abilities, but you were still recovering. He could’ve-”.

“You’re overreacting, Anakin. He wasn’t going to do anything. I’ve handled worse situations”.

“I’m not overreacting” Anakin grunted, taking another step toward you “I’m trying to protect you”.

“Protect me?” you scoffed, feeling your anger rise to match his. “I don’t need you to. I’m not some helpless child. I know how to defend myself. I’ve done it time and time again”.

“That’s not the point. I can’t just stand by and watch” he said, his voice breaking ”I can’t- I can’t lose you” his anger melted into something else, something raw and vulnerable. You could see how hesitant he was about the last four words.

“What? you asked in a voice barely above a whisper as shock settled in.

Anakin’s eyes finally met yours. They were softer, calmer than when the night began “I can’t lose you” he repeated, this time with more conviction. “I can’t stand the thought of you getting hurt, of something happening to you” his words were filled with pain, as if the weight of them was finally sinking in.

You stood there, staring at him, your heart pounding in your chest as the tension between you became almost unbearable “Anakin… what are you saying?”.

He looked away, his jaw clenching “I’m saying…it’s more than just concern for you as my Padawan. It’s not just that I want to protect you because it’s my duty” he exhaled sharply, running a hand through his hair as if searching for the right words. “It’s because I care about you. More than I should. I know it’s not right. I know I’m not supposed to feel this way. I’ve tried to ignore it, bury it, push it away, but I can’t”.

“Anakin, I-”  you whispered, trying to process everything.

“I don’t expect you to feel the same” he took a step back “I know it complicates things, but I couldn’t keep this bottled up. I couldn’t just pretend anymore, not when I thought I could lose you. I needed you to know. I care about you more than anything else in this galaxy, and the thought of losing you terrifies me. I will do anything you ask”.

For a long moment, the two of you stood there in silence, the weight of his confession pressing down on you. Then, slowly, you stepped forward, closing the distance between you once again “Anakin…” you said softly, your hand reaching out to gently caress his cheek. 

Anakin’s breath hitched at your touch, his eyes closing for a moment as if he were trying to gather himself.

“You’re not the only one who’s been pretending” you confessed. 

His eyes slowly opened, and you could see the flicker of surprise in them as he searched your face, trying to understand what you were saying.

“I care about you too. So much that it scares me sometimes” you admitted, swallowing hard “I tried to deny it, to fight it, and for a while, it worked. But now… this- this changes everything”.

“You…you care about me?” he asked, trying to hide his joy, still not believing what he was hearing.

“I do” you nodded, feeling the air grow thin as your breaths became heavier.

Anakin leaned in, his forehead gently resting against yours. His breath was warm, mingling with yours as he closed his eyes and pressed a gentle kiss to your lips.

Taglist: @mother-dragon-and-her-hatchlings

[aria-greenhoodie]

Hey guys did you know I have a gravity falls oc. They’re definitely not wish fulfillment self insert material don’t worry about it. Don’t even worry about it, man.

Click for Quality! Silly backstory stuff below the cut ↓

- They’re a little cartoon creature from a pocket universe! They’re an immortal creature like Bill, but way less powerful.

- They actually used to work at the theraprism, but went crazy and had a mid-immortality crisis leading to a manic crime-spree. During this turbulent time, they also developed their love for “projects.”

- A “project” to them is basically becoming obsessed with a person they find interesting and getting closer to them by any means necessary in order to study them like a bug. This isn’t romantic, and it isn’t even friendship, but instead a secret third evil thing.

- When they have a project going on, they’ll devote most of their time and energy to the person(s) involved, and they typically seem very content while doing so. Once a project stops interesting them, or if a project is cut short by outside forces (death if the person, sudden change of heart from the person, being caught and dragged to the theraprism, etc) they become restless, easily irritated, and sometimes mildly violent. Their little projects are basically the only thing that keeps them sane.

- Doesn’t really do “friends.” Used to, but it always ended poorly. Prefers their projects; if they loose interest, they can just leave!

- Had a mentor-apprentice type relationship with the Axolotl before their mental decline. Is now VERY conflicted about him; doesn’t like the disappointment in his eyes when he looks at them.

- Was Bill’s Roommate for a time. Was absolutely FASCINATED by Bill’s fucked up mentality. Instantly became one of their favorite projects.

- Bill HATED them like crazy. They would not stop talking to them and had an uncanny ability to make him open up about things he did NOT want to open up about.

- Lost access to Bill after the TBOB incident, since he was moved to solitary confinement.

- Did not take the sudden cancellation of their project well. Ended up breaking out of the Theraprism shortly after.

- Ended up in Gravity Falls by sheer coincidence. Immediately took a liking to the place for its weirdness (felt at home).

- Met the Pines family and became ENRAPTURED with Stanley. Started off just seeing him as a project, but eventually came to view him as something closer to a friend (or perhaps more :3).

- Mabel and them are BESTIES. Mabel loves to treat them like a little dress up doll and they love to model all of Mabel’s mini fashion creations. They also respect her chaos.

- Has a huge respect for Dipper’s curiosity. Has gladly acted as a test subject for him so he can be like Ford and research weird creatures.

- Ford does NOT trust their ass. They eventually form an (somewhat uneasy but otherwise amicable) alliance as time goes on, but Ford never fully bonds with them. He’s been burned by a chaotic multi-dimensional immortal criminal before, he doesn’t want to do that again. Curly gets it. They heard how Bill treated him from Bill’s own mouth (eye?) and have no plans to play copy-cat.

- Stan didn’t like them at first. They reminded him too much of Bill, and acted far too chummy with him specifically far too fast.

- Eventually the two grew closer, realized they had a lot in common (both criminals familiar with the grift, both have a tiny bit of a flair for showmanship, both have similar senses of humor, etc.) and became friendlier.

- The Axolotl knows where they are and is monitoring them closely. They don’t know he’s doing this. He plans to keep it that way.

[miraculouslbcnreactions]

Last post you talked about your ideal version of canon, I was wondering could you share it with us? If not, that's ok

Oh man, I could go on about my dream version of canon for ages! I've talked about various aspects of it on here with stuff like my "sugar" posts on Nino and Alya, but the broad strokes are:

Serialized story where it's basically one large narrative told in chunks

A true teams setup where Adrien, Marinette, Alya, and Nino feel like this amazing, tight friend group who grows into a found family as they get older, giving platonic and romantic love more equal billing

No guardian order, just have it be a single-person role that gets passed on from person to person

Kagami and Luka in supporting roles that have nothing to do with being love interests

Sympathetic Gabriel who feels like a truly tragic figure, but who does NOT get redeemed

Emilie gets an actual character

No sentinonsense

Revised miracle box that is way smaller and that has strong lore

The Agreste's aquiring the miraculous is far more morally complex, makes sense, and was not done for explicitly selfish reasons

Reverse the love square right from the start and never have the crushes flip

I've talked about all of these things on here, but the one thing that I've only briefly touched on is my love of a reverse square setup. I am passionate about that one, so let's take a moment to talk about why since it's probably going to be the most interesting to read.

I don't hate the canon setup for the crushes, but also I don't think that they're the ideal crushes. When it comes to romance stories, you want to design your love interests around each other. You want them to feel special and like they bring something unique to the table. Canon doesn't really give us that. There's nothing all that special about Adrien that makes him feel like the person that Marinette would be drawn to above all others. Same goes for Chat Noir and Ladybug, but we'll get to them in a second.

What is Marinette's biggest struggle? Her role as Ladybug.

Who is her main support in that role for most of the show? Chat Noir.

Who is her main support on the civilian side even before the reveal? Alya.

So why is Marinette's crush on Adrien and not Chat Noir? I don't know. It's the lesser setup by far and that goes beyond just the logic elements of who it makes the most sense for her to fall in love with. A lot of Marinette's worst behavior actually feels justified in a reverse crush setup, allowing you to write her without major changes to her character.

For example, Marinette keeping a chest of gifts for Adrien is kind of pathetic. She's friends with Adrien and she gives her friends gifts all the time, why can't she give him gifts, too? Reverse the crushes and suddenly this behavior makes perfect sense. Marinette isn't storing up gifts because of overblown fears of rejection. She's storing up gifts for legitimate fears about how her partner will explain these random gifts, thereby risking his identity, meaning that she has a sold argument for waiting until the time is right (post reveal) to give them to him.

There's also the legitimate fear that confessing her love could ruin their dynamic and put Paris at risk. Keeping her feelings to herself is now an act of self-sacrifice and not just an act of nerves. Basically everything about Marinette's hesitance just makes so much more sense if it's on the hero side.

But what about Adrien? How does this fix him?

I love the idea of our male romantic lead falling for our female lead because she's bold and brave, but it honestly doesn't fit Adrien's character. He is surrounded by powerful, confrontational women. Nathalie, Chloe, Kagami, Amilie, Audrey, and Tomoe are all no-nonsense women who get what they want. This means that Ladybug doesn't bring something unique to his life. She fits the standard mold. Adrien falling in love with her after she talks down Hawkmoth doesn't feel like the right choice for his character because it doesn't feel like something he'd be wildly impressed by.

Meanwhile, Marinette is shown to be a generally wonderful friend. She cares about others and will do what she can to make them feel welcome and accepted. That's a much more unique thing for Adrien to experience. Think about the umbrella scenes and imagine if it was Marinette apologizing. Marinette owning that she treated him poorly and asking his forgiveness. How often do you think Adrien gets moments like that? Doesn't it make more sense for something like that to make his heart flutter?

We see Marinette doing things like making banners to celebrate her friends (Timebreaker) and making sure everyone feels included (Reflekta). Imagine her giving Adrien that kind of treatment because it's just who Marinette is. She shows up to his fencing matches to cheer him on. Brings him his favorite snacks as a treat just because, surrounding this poor boy in honest, genuine love and support. Add in respect, too, and he'd be a goner because those are the things that he's not getting anywhere else! The things that make Marinette unique.

This brings us to our new civilian dynamic. In canon, it's Marinette failing to confess in ever more spectacular ways as Alya tries and fails to help. In a reverse crush setup where everyone is friends without gender barriers, it's things like Adrien coming up with his canon confessions and then watching Alya and Nino react with genuine horror because, dude, you're going to give her a panic attack! No! Bad kitty! Stop that! No confessions until you come up with a plan that we approve of and read at least five books of dating advice because holy shit did homeschooling do you dirty in this area!

Then, while Adrien is working to learn how dating works, he learns that Marinette is in love with Chat Noir and, oh no! He thinks she's into his public persona, totally unaware that she knows the real Chat Noir and loves his dorky self. So he tries to emulate his sexy alter ego while Nino and Alya suffer and Marinette is just generally confused because she doesn't think of Chat Noir like that, so she doesn't even notice what Adrien is doing.

This also adds a nice mitigating factor to Adrien's unwillingness to give up even though it's pretty clear that Marinette isn't interested in his civilian self. If he knows that she loves him, then his persistence is less concerning and more comedic. It's not that he can't take a no, it's that he honestly knows with 100% certainty that the answer is NOT no because she's told him that to his face. He just needs her to realize that the guy she's in love with is right here, ready and willing!

The potential for comedy is just so much more broad and so much less mean spirited because Marinette has none of Adrien's reserved nature, so her friends would totally know about her massive "celebrity crush". Adrien comes over for school projects and just stares longingly at her Chat Noir posters, wishing he could tell her his secret, but knowing that he can't.

In my world, that is so much more fun than canon's setup where Marinette has no reason to hope. I also wouldn't draw the crushes out anywhere near as long as canon did. I like getting couples together in the mid-game. It's a nice early plot to hook you in, but defeating the villain is the end game, so we don't need to draw the romance out that long. Romance isn't that special. It's not all that different from an arc about two characters becoming friends.

That's far from the only major change I'd make to shape canon into my ideal version, but it is the probably the change that I love the most. It's also the change that requires the least context to explain, so there you go!

[azrielgreen]

✨PRISM Q&A✨

-Answering all built up ANONs and DMs about ✨PRISM✨ thanks for all the love, support and enthusiasm to each asker!

Q: Building on the topic someone else asked about how prism Eddie would be if he and Steve had kids… you said he would ultimately love them and be fiercely protective of them because they are an extension of Steve (and himself), and I do see that happening but im also thinking of another possibility: Eddie is definitely (and I think you two both said so?) a Narcissist, so from real life scenarios, I’m wondering if he would-and let’s pretend Steve could carry children in this hypothetical-like the lead up to having kids (aka Steve’s pregnancy and planning ahead), but when the baby arrives, would find himself being rather annoyed by Steve’s shift in devotion to someone else, even if that someone is their kid. I know he does not exclusively have narcissism so there are other factors, but I could see how Steve shifting his focus to their kid could act as an-unexpected or not-conflict for him. I also do wonder if the more realistic scenario of adoption would change things, as they wouldn’t be as connected-genetics wise-to Steve…. Hopefully this makes sense also I’m so excited for prism to come back next month!!!

A: I’m genuinely obsessed with how many people want to discuss an Omegaverse!Prism AU, it blows my mind! So, yeah building on the aforementioned answer, I don’t believe there would be any conflict in terms of Steve’s attention. Eddie likes that Steve has the kids, Robin, etc… he see himself as very generous and does have his own life to tend to, so there would be a decent balance. What he wouldn’t like is if Steve tried to leave and take the kids, if someone ELSE tried to interfere with his parenting or turn the child against him. Prism Eddie has narcissistic traits, absolutely, but that’s not his full disorder, or certainly not his main one. Adoption would be much the same, Eddie loves the idea of building a family/found family and creating a little village (cult-like commune) for their chosen few. It wouldn’t be that different from Steve being pregnant and creating kids of their own DNA. Eddie can sway anyone, look at Will. All that being said, I think Eddie WOULD struggle with clashing with Steve over parenting ideology. Eddie is obsessed with creating a family around him and the person he loves and he’ll do it one way or another, as we will see a fair amount of in Part Three. Ultimately, Eddie saw very clearly a lot of the mistakes Billy made in isolating Steve and told himself he wouldn’t make those same mistakes (even if sometimes he DOES, just in different ways) so no, I don’t think he would be resentful of Steve’s focus onto their children. Eddie has no North without Steve. If Steve loves something, so Eddie feels like he loves it too, i.e. Robin. There’s a degree of nuance about the things Eddie himself loves and how he loves them, and the majority of it revolves around Steve so in a way, Eddie would follow Steve’s lead a great deal with the kids and respect the path HE carves.

Q: This is spoiler territory so I get it if you can’t answer, but will Steve ever be made aware in some capacity of the type of person Eddie is- like what he’s done and how manipulative he has been throughout their entire relationship? Or are these traits something that Steve would just be into anyway?

A: I can definitely answer to some degree! Yes, Steve will realise some of what you mentioned here, some of it he recognises over the next few chapters as Eddie opens up more now they’re TOGETHER✨. Some smaller elements Steve is already putting together. What I will say is that Eddie does not want to hide who he is from Steve forever.

Q: In Prism, do you think if Billy was let out of prison and went back to find Steve do you think Steve would give in and get back with him?

A: We’ll get to explore this in Part Three to some extent, so I won’t spoil anything but what I will say is that all characters in this fucked up little soap opera are always changing and growing (even if not in good ways) and that Billy and Steve are not the same people they were the last time they saw each other. I don’t think for a second Steve would “get back with him” even without Eddie, but Steve will always love him to a point. Billy’s focus on Part Three is less about getting Steve back and more getting him away from Eddie.

Q: Does Prism Eddie kinda still want Billy? I think about their post-cocaine bathroom all the time and how later he thought to himself he’ll always love Billy in a way, and I know you have said Billy is coming back for part 3!!!

A: Yes, there’s a part of Eddie that’s fascinated by Billy, strangely affectionate towards him (how he thinks of it, the way a cat is “affectionately” playing with a mouse) and they’ll have their own dynamic in Part Three, definitely. There’s a couple of scenes I’m insanely excited to write with the two of them!

Q: I AM VIBRATING OUT OF MY SKIN ABOUT “THE EVENT TM”!!! please can you give any hints?? we beg a morsel

A: ahh, I really don’t want to spoil anything so I’ll tread very carefully. Hmm, I suppose I could say that the Event (due in around 2-3 chapters time) is a catastrophe as of yet unseen in Prism for the fallout it causes and that it puts foundational cracks in everything.

Q: How do Eddie’s six play into the third part? I’m constantly rereading all their scenes, imagining their backgrounds, how they came to be where they are now. You’ve created this fully realised world and it’s just mind-blowing.

A: We’ll learn more about his six as the story unfolds, but for the most part, they can’t be brought in close to the “family” in the town yet. There will, however, be scenes where Steve meets them all in the next chapter or so!

Q: would you consider making any Prism merch? Would buy a journal or a candle in a heartbeat!!!!!

A: Ahh that’s so kind! I’d love to, actually. A journal would be SO cool!

Q: Hi!!! I love Prism WAY way too much and I think a lot about Eddie’s tattoos!!!! Do you think we could ever get to see what the finger tattoo/cult tattoo looks like? Or his wolf? The winged creature? Not that I’m obsessed at all!!?

A: Yes, I’d love to do that at some point. I could probably post the finger tattoo (sword through the sun) although I’d say to wait because over the next few chapters, there’s a couple of new additions!

Q: Hi Az!! Huge fans of you and Brooke! Can I ask how you manage to write SO MUCH and yet keep it so tight?🖤

A: That’s so kind! I think we have a very strict editing process whereby we both make multiple passes of a single chapter. I also tend to reread past chapters fairly obsessively, keeping track of continuity, dates, patterns. We ALSO have several docs for idea pools and detail tracking plus a VERY IMPRESSIVE timeline I made myself which I can’t post sadly because it’s full of spoilers. We work very well in tracking little things that would definitely get out of control otherwise, it’s a beautiful system.

Q: Do we ever find out what happened to Will?

A: I actually am not sure if we’ll share explicitly what it was that happened, as it’s equally impactful not knowing and casts a shadow either way, but maybe!

Q: in the Prism A/B/O verse, would Steve miscarry due to Billy beating him?😭😭😭

A: Sadly yes, and quite often.

Q: can we expect some Prism merch ?! 👀

A: absolutely, I’ll run a poll for what people would like

Q: Are there any plots or scenes in Prism that you and Brooke thought would go one direction but ended up being something entirely new or different when it was finished?

A: Yes! Several, actually. Most times when this happens, we sort of lay it out and discuss it and the scene is usually very cold and brutal and then when we write it, it ends up being much more emotional than expected. One excellent example of this is very early on in Chapter Three where Steve and Eddie first have sex. The scene when we planned/started writing it was so upsetting I actually had a panic attack and that’s not because it was graphic or cruel or anything like that, but just the fact that it was, as we had written it that way, very clearly a rape scene. We ended up rewriting it -you can see the change where Eddie pulls away and says “no, I’m not doing this, he doesn’t want it” and sits in the chair and then STEVE has to pursue Eddie, which was so much worse than it being point blank rape but it just evolved that way naturally. I think I experienced my first severe bleed with Eddie and how WRONG it felt to do it that way which was extremely unsettling and upsetting. We since have boundaries in place to help us with the more triggering elements, Sometimes, however, a scene just naturally evolves while we’re writing it and we go with it. The argument between Billy and Steve before the crash was much simpler in it’s planning, so watching it become what it did was amazing. Honestly though, the entirety of Prism has become far grander and larger than what we ever set out to do and encouraging the evolution of it is, I think, our finest trait as co-writers. Many incredible ideas begin as one of us saying in a voice message “OK, this might be too much, but--!’ and then the other being open and encouraging of whatever madness it is. Prism really is the perfect example of what imagination running riot can do with a good support system. @thorniest-rose what were some of yours?

Q: Will Steve and Eddie refer to themselves as an official couple now that they both know how much they want each other or will it take a while for them to establish themselves as boyfriends? I know it didn’t really take long at all for Billy & Steve to be a thing, but with Eddie will they go the friends with benefits route or will they choose to take things ‘slow’ in their own flawed ways? - I know you guys have said, well as far as I can remember have said that Eddie won’t be physically abusive/harmful to Steve so I don’t expect that type of abuse, however we know that Eddie is still a bad, morally grey person and I can’t help but wonder if he’ll be emotionally, verbally, or mentally abusive to Steve? How will their unhealthy relationship dynamics come into play?

A: Steve and Eddie are absolutely not going to waste a single second of time in establishing themselves as boyfriends. This question honestly makes me giggle with glee because Eddie would marry Steve while fucking him while getting matching tattoos while on the way home from the church. It’s been such a long time coming and much of Eddie’s ability to be patient with the things he wants is cracking apart now. There will be no grace period. The world will know they are violently, desperately in love.

As for the second Q, this is far more complex and interesting. The easy answer is of course “No, absolutely not,” because Eddie loves Steve, he’s nothing like Billy and he’d never hurt Steve in any way he didn’t want – that’s how Eddie thinks of it. But the real answer requires the story to unfold more and as they become MORE entangled in one another’s lives and things get difficult, we see that Eddie does have the ability to hurt Steve and that Steve can hurt Eddie too. The unhealthy relationship dynamic will definitely be explored in depth as we get to see what them being ✨TOGETHER✨ really looks like and how it affects them as well as others. I think it’s best summed as this. When things are good, it’s fucking incredible, when things are bad, it’s like being at sea without a lighthouse.

Q: Are there any changes you would go back and retcon if you could before you started posting it? I Know you’ve said you both didn’t post until 50K and that you did make a few changes.

A: Honestly, I don’t think so. There’s only so much you can retcon and change before self doubt becomes a real obstacle in carving the path. I WOULD however establish from the start when Steve’s birthday was and construct the timeline from the inception as we came very close to being painted into a corner there! But otherwise not at all.

✨🖤🖤🖤✨

Thank you so much for all the enthusiasm and love!!!

✨🖤🖤🖤✨

[psink]

Translation of the interview with Kamiya Hiroshi (Kusuo's VA) and Nojima Kenji (Kuusuke's VA)

The TV anime "The Disastrous Life of Saiki K: The Final Chapter" will air as a year-end special program on the TV Tokyo network on (friday) December 28th from 7:35 to 8:30.

The January issue of PASH!, which is now on sale, features an interview with Kamiya Hiroshi-san, the voice actor of Saiki Kusuo, and Nojima Kenji-san, the voice actor of Kuusuke Saiki. We’re releasing a preview ahead of tomorrow’s broadcast. 

Amidst the busy end-of-year, good grief, a world-involving sibling fight…? We spoke to Nojima Kenji-san, who plays the older brother Kuusuke, and Kamiya Hiroshi-san, who plays the younger brother Kusuo, after they had just finished recording about the truth of the matter!

―― Please tell us how you felt when the decision to make the Final Chapter was made. Kamiya: I was very happy. Even if you want to adapt every episode from the original work, it’s not always possible to do so. But with this series, everything fell into place. I think the biggest reason we were able to adapt it all the way to the Final Chapter was because of the fans’ wishes, and for that, I’m incredibly grateful.

Nojima: I had heard that the Final Chapter would be made, but I was wondering about what form it would take, and it turned out to be a two-part year-end special. Could people really sit through an hour of this work?! What kind of focus would they need to watch it? I was a bit worried about that (laughs). But I’m sure that “The Disastrous Life of Saiki K” will deliver dense content that makes you lose track of time again, in the way only it can. 

―― Compared to other anime series, “Saiki” has about 2 or 3 times more dialogue per episode, right?

Kamiya: I had vaguely noticed that, but… Nojima: You didn’t want to know, did you? (laughs)

Kamiya: Certainly, for a 30-minute anime, it takes a lot of time to go over the script. Even when watching the DVD to check it, I thought “Hm? Is something wrong with the machine?”, because it felt like it was playing fast-forward (laughs).

Nojima:  I’ll be honest now, but on the day I first participated in the recording, I actually went into the recording without finishing all the checks.I checked the script at home and then immediately went to the studio. I was calculating in my mind the timing to start reading the script to record whilst still keeping my role preparation fresh. 

But, the amount of lines was beyond my imagination, so I couldn't finish the preparation… This was something that shouldn’t have happened, but honestly, I got through the latter half [of the recording] just with concentration (laughs). But, since I was able to maintain the momentum from the first half, I’m glad I was able to bring out a good sense of raw feelings. Kamiya-san, how was your first recording?

Kamiya: I already can’t remember, but when I re-watch Episode 1 now, I think the pace is still slow. It’s gotten gradually faster since entering season 2. In season 2, Director Sakurai was probably broken as the pacemaker (laughs). Nojima: Ahaha, I see. It's like a live band where the rhythm gradually speeds up, and you keep going without knowing the original pace.

Kamiya: Exactly. 

Nojima: Since you can’t keep up by just listening to the lines as words, you have to listen to the partner’s tone and match it. It might be similar to a music session.

―― In the Final Chapter, the relationship between Kusuo and Kuusuke seems to be a highlight. What do you both think about these brothers?

Nojima: The reason they can fight so much, do terrible things, and act recklessly is probably because, ultimately, they’re brothers. In a different case, it would have ended in a complete fallout, wouldn’t it?

Kamiya: That’s true. After all, what Kuusuke is doing is almost criminal. Nojima: Ahahahaha.

Kamiya: What I found especially dangerous about what Kuusuke did was the story of making the elderly villagers wear powered suits. The way he disguised it as caregiving while completely using them as his own puppets was seriously dangerous. Nojima: It’s surely his own sense of justice. I wonder if it’s an antithesis to how we should handle the aging society going forward (laughs).

―― Kuusuke’s obsession with Kusuo is also quite dangerous, isn’t it?

Nojima: Kuusuke has a very strong desire for approval, wanting to be recognized by Kusuo above all else. Challenging him to fights is, I think, a distorted expression of that. But I believe it is also an expression of his love and his desire to be loved back.

Kamiya: Kusuo probably thinks Kuusuke is a troublesome person, but Kusuo is also at fault. Although Kuusuke is a genius, he worked hard to create the control device for Kusuo to help him control his superpowers, didn’t he? Kusuo should be grateful, but he doesn’t express it. “Thanks, big brother. I can’t live without this” - it would’ve been nice if he could’ve said that, but Kusuo doesn’t understand the feelings of those without [superpowers], so that didn’t happen. There was also the sense of taking it for granted because they're family, but thinking how this resulted in that difficult brotherly relationship is quite sad.

―― That’s deep.

Kamiya: Although Kusuke knows he’ll lose, he keeps challenging Kusuo to fights and enjoys the process, which shows his malicious side. He’s also quite twisted. So they’re both equally to blame. From an outsider’s perspective, their relationship can be summed up with one phrase "they’re just just not honest with each other”.

Nojima: Despite that, there are also times when they rely on each other.

Kamiya: It’s complicated. That’s why even in the Final Chapter their relationship will likely be depicted. 

―― Finally, could you give a message to the readers who are waiting for the broadcast? Nojima: I was worried about how much Kuusuke would appear, but he ended up having a lot more screentime than I had expected, so I was satisfied. I have no doubts that the viewers will enjoy it as well!  Since the story’s pace is fast, please acquire the ability to not blink while watching (laughs), and surely, you will be moved to tears in the end. There are emotional parts, but more than anything, I hope you enjoy it. Thank you for cherishing and enjoying this series for so long!

Kamiya: The TV anime is finally reaching its conclusion. For those who are watching for the first time, it might be difficult, as the story keeps quickly progressing whilst you’re wondering “what is this?”. But there is a scene at the beginning that reviews past episodes and introduces the characters, so I think you’ll understand what this series is about. That said, since it’s a gag anime, I hope you can enjoy it without thinking too much.

As for the highlights for the Final Chapter, Kusuo finally moves [his mouth] and speaks for the first time. You might be wondering “What is this person saying?”, but it’s exactly as it sounds (laughs). Please watch the main story to uncover the truth behind it. I’m sure you’ll be surprised.

[ghoulfuckersincorporated]

I really don't think there's enough fics involving butt stuff with The Ghoul. He defo strikes me as the type who fingers your asshole while fucking you from behind just to watch you squirm. It's like a dominance thing for him when you've been disobedient, but you'll never admit how much you love being his submissive little slut. Are readers and writers just not into it? Or have I just been looking in the wrong places?

To comment: from what I've seen in the years I've been consuming and writing erotic fan content, stuff that involves anal does, in fact, seem to be weirdly polarizing (depending entirely on the writer and the audience you're publishing to, of course). I'm not entirely sure whether that's due to writers' own personal taste, audience preference, stigma...a combination of factors? It's definitely a phenomenon I've noticed. I also wonder if there isn't just a contingent of folks who have no experience with anal and therefore no interest in it.

Personally, I try to incorporate lots of different tastes and "moves" into my work, and I think the people that subscribe to this blog have come to expect that. Butt stuff is nowhere near the most potentially scarring thing I've exposed y'all to, and will continue to not be. :)

However, at the same time, when I feature actual anal sex in any of my stuff, I try to be at least somewhat tactful and depict is as a realistic sex act, which can be kind of a task sometimes when you're trying to be both erotic and not completely impossible. Poorly written anal scenes both aren't hot and kinda ruin the vibe of the entire work, in my opinion. I think there's a difference between "suspension of reality for sexual fantasy" and "spreading bad sex ed information through fiction". There's certainly a place for pain play/painal type stuff, but there's also a place for the complete opposite. It's a bit intimidating for me when I write it sometimes; maybe some others feel the same, so they don't write it as often compared to other things? Complete conjecture.

To answer your actual ask:

You're absolutely right. That motherfucker absolutely loves making you squirm by giving you pleasure in ways that gross you out. He sees a sliver of his old self in you, himself when he was new to this ghastly world, when he clung desperately to anything that would give him a sense of normalcy. In this, there's a sick thrill for him; he gets to be the one to show you how things really work, his sheltered little vaultie. The world out here is even meaner and more disgusting than you could ever imagine.

He'll prove it.

You aren't inexperienced, but pretty much all of the experience you do have is vanilla, very straightforward sex. Exploration on this topic isn't exactly at the forefront of your mind, either, what with how much of an adjustment period you're having to go through after leaving home for the first time in your life. The stress of it all is what initially drives you into his arms, seeking any form of real comfort you can find from the only companion you have.

The sex is a good stress reliever when he isn't springing things on you. He is rather good for such a hot-and-cold old prick, and he clearly knows it by his demeanor; the way he preens over your crumpled form after he makes you cum so hard you forget how to speak is infuriating. You like fucking him, but you can't let him know just how much. He'd be genuinely insufferable if he found out.

Whether it's your reserved reactions to his obvious smugness, or something else internal, you're unsure, but he quickly begins to push your buttons for bigger and bigger returns. Most of the tricks he pulls you enjoy the feeling of, but the way he watches you to gauge your reaction makes it feel like he's winning, somehow, and it doesn't sit right with you. Doubling down your efforts, you try your hardest to be unshakable.

Unfortunately, the first time he slides his tongue down to tease at your asshole while he's eating you out makes you fold completely.

"That's disgusting!" you huff, wriggling beneath him. Telling him to stop doesn't follow like you want it to; the words get caught in your throat as he pushes the tip of the wriggling muscle into you, his other hand playing softly with your clit as your aching pussy throbs.

"Had my tongue much worse places, believe me." he replies, his eyes burning up at you from between your legs. It's so embarrassing.

However, the next time he's helping you out, before you even realize it, your hips are moving in a pronounced arc, trying your best to will him to slide his tongue further down without having to suffer the indignity of asking for it, of him knowing he's gotten this over on you. It feels amazing and you refuse to beg. Fortunately, he doesn't make you...this time.

When he's finished with you, he doesn't immediately pull away, both of you lying together in a spent puddle of limbs for a breathless moment.

"It's still gross, you know." you say, flat and halfhearted in exhaustion.

"Oh, shut the fuck up." he grunts back, eyes rolling as he pulls himself into an upright sitting position. "I didn't see you whining when you were tryin' to crush my head with your thighs, princess."

"I can't help it! It tickles when you do that!" you argue, indignant and searing hot in the face.

"Oh yeah, kid. I bet it tickles real good. That why you came so hard?" he smirks, leaning back so he can right his clothing, his eyes never leaving yours. You pull yourself up and storm off to the other side of the room to redress, annoyed.

And yes, probably his favorite overall move is to sneak one of his fingers or his thumb into your ass while he fucks you from behind; the shock in your posture, in your voice, along with the tight, hot feeling of your little hole (holes) around him...it's probably for the best that he can't see your face, no matter how badly he wishes he could. He knows he'd cum instantly.

As for you, the feeling is infuriatingly electrifying, right on the line between pleasure and discomfort. His long, nimble digit isn't even all the way inside you, only sunk to just above the second knuckle, but he's quickly working it further and further in, the rest of his hand curling to cup the roundness of your cheek as he supports your hips. The stretch isn't too intrusive, but his skin is so rough in texture that it makes you squirm as he presses on, spit and your other body fluids the only lubrication you're given.

"Fuck, be careful!" you hiss. His only response is a harsh swat to your bare ass with his unoccupied hand, which draws a yelp from your parched throat as he yanks you back even more firmly by the leverage he now has. Your hands scramble for purchase across the sandy desert floor, unable to hold yourself up properly as he hammers away at you with an almost possessed vigor. Quickly, your head falls further down with the force of his movements, sending you sliding forward a few inches.

He doesn't like that.

"Don't fuckin' run from me." he growls, the hand that isn't spearing you wrapping quickly around your shoulder to yank you back again. His hips snap into yours viciously, the pace increasing as he loses his grip on whatever remaining self-control he has. Your battered cunt clenches hard around him at the feeling, at his words, and soon you're both howling out your release as he digs his nails into your thighs, rutting you so hard you fully face-plant into the ground. When it's over, he at least has the courtesy to make sure you didn't bump your head too hard. He does not, however, apologize for the massive bruise on your ass from where he struck you more than once. Typical.

Eventually, you allow him enough control to restrain you, which you know is almost certainly a mistake. However, by now you're addicted to the feeling he gives you when he takes over, when he pushes your boundaries and uses you to sate whatever passion burns inside him. Besides, he's protected and saved you enough times by now to have earned your trust, even if you know that he'll sometimes use it against you for devious reasons.

The rope he always carries doesn't hurt against your skin like you'd feared it would, but he's also quite delicate in how he secures your arms and legs, each limb immobilized and leaving you on your back, completely at his mercy. He spends forever teasing you, worshiping every part of you with his mouth and hands until you're begging, begging for release, begging for him to stretch you.

"It's alright. I'll take care of you." he promises, the tone he uses with you now so much softer than when you met. You feel relief at his words, ready to feel your aching cunt wrap around him, but he doesn't move to expose himself. Instead, he produces a small bottle of what you quickly discover is some sort of neutral oil, which he applies liberally. The feeling of the cool, thin substance running down your folds makes you shiver in the best way, but you're tense when his teasing fingers move from your clit, prodding at your taut ass.

Slowly, he works his middle finger inside you, the sensation more pleasant now that you've become accustomed to it. After a minute or two, he's moving it back and forth freely, adding another dribble of oil before setting the bottle aside, placing his free fingers on your clit. The way he rubs at you as he fucks you with his other hand makes your toes curl, and you get lost in the sensation until you feel his index finger start to prod at you, as well.

"You trust me?" he asks. Your eyes dropping closed, you nod silently.

He's incredibly gentle as he works the second finger in alongside the first, stretching you further than ever before and making your mouth fall open in a silent groan. He watches your face, your body language, closely, trying his best to stay calm and steady as he begins to move his hand once more, the other never stilling on your clit.

The sensation is incredibly overwhelming, a fullness you've never felt before, especially when he eventually adds a third finger. Your body is lit up with sensation and twitching eagerly the entire time, both wanting to pull off of his hand and to plunge yourself down further. When he leans down and seals his lips around your clit, you scream out an orgasm that leaves you trembling against your restraints, which he actually lets you out of before fucking you so hard you literally cannot stand immediately afterwards.

"You're so mean to me, you know. I don't want to like this stuff." you sigh, mostly joking.

"Don't worry, I'll have you begging for my cock in your ass soon." he promises, that wicked glint back in his eye that makes you nervous.

You hide your burning face in his throat as he chuckles at you, the sound of him lighting a cigarette snapping through the air, his other arm wrapped around your waist as you lean against him. Biting your tongue, you hold back the urge to snarkily respond to him.

You know he's right. It's only a matter of time.

[linkspooky]

How to write the perfect revenge story with Kohaku-Sensei! What Tsukihime does better than Avatar the Last Airbender.

So a follower asked me why Kohaku was my favorite of the Tsukhime girls after I made an offhand comment on my Ciel/Noel post on how Kohaku is the perfect take on revenge. Both Noel and Kohaku's story arcs are near perfect revenge tragedies that make their characters the standouts in Tsukihime. I tried writing up just why I thought Kohaku's character was good but it kept turning into a carbon copy of this post by comun right here. Eventually I decided to dig deeper.

Why does Kohaku's revenge story work so well? Why does every other revenge story suck so hard in comparison? See the thing is I hate a lot of revenge stories in fiction because they are very shallow, black and white tales of the good guy giving the bad guy everything he deserves.

In other words, I'm disappointed by most omdern revenge stories because they display a critical lack of understanding of how cycles of abuse start in the first place, and how both sides on the conflict no matter what are equally human. Perhaps that's why Kinoko Nasu writes revenge so well, because he's a deeply humanist author who's not really focused on good guys or bad guys but rather just understanding the characters involved.

So to show just how well Tsukihime humanizes Kohaku as both victim and villain of the story, I'm going to compare it to one of the worst revenge stories I've read in fiction. Both of these stories are tragedies that kill their main character, a victim who just wanted revenge for the long abuses they'd suffered in life. However, one of these is Tsukihime, and the other one sucks. So without further ado under the cut.

ORESTES THE FIRST REVENGE STORY

So Yun is a character from a spinoff novel prequel of Avatar the Last Aribender, focusing on the life of Avatar Kyoshi. In a lot of ways Yun is like Noel. He's a completely new character, thrown into the backstory of an already established character. He also steals the show because he's allowed to be a lot more flawed and act as a villainous foil to the main character, Yun even acts as a Jungian shadow the second novel is literally called the shadow of Kyoshi.

However, there's one major difference Noel's character greatly enhances Ciel's even if she is fridged for Ciel's character development. Whereas Yun's character and the eventual ending the story gave him ruined any kind of enjoyment I could have had from the story for Kyoshi's character. In fact, I think Yun's death made the whole story fall apart thematically.

Which is ironic because it was the exact same ending. Noel's character ends with her dying by Ciel's hands. Kyoshi kills Yun with her own two hands in order to stop his revenge. In both stories the victim dies so why does one frustrate me to no end and the other ending elevates Tsukihime to one of my favorite pieces of fiction?

The devil is in the details.

Revenge stories are by their nature tragedies. It makes sense for them to, for the most part with a few hopeful exceptions have bad endings. Taking personal revenge against every single person who's hurt you grievously no matter how deserved that revenge might be does not solve the problem. In fact it creates several new problems.

This is pretty well explored tragedy in fiction, all the way back to The Oresteia. Orestes is the son of Agamemnon and Clytemnestra. If you know anything about the trojan war you should recognize those names.

The story begins like this, King Agamemnon of Mycenae offends the goddess Artemis by killing one of her stags. So, in retaliation she prevents the greek troops from reaching troy by taking the wind out of their sails, unless Agamemmnon kills his oldest daughter Iphigenia. Agammemnon drags his daughter away from his wife Clytemnestra who was crying and begging him not to and offers her as human sacrifice. Ten years later when Agamemnon returns home he finds his wife sleeping with another man, and the two of them together butcher him to avenge iphigenia.

Then in order to avenge her father's death, elektra urges her brother Orestes to kill their mother and the man she committed adultery with. Orestes eventually goes through with it out of duty to his father, but because he's committed the clan of kin slaying the gods send the furies after him to chase him down and torment him.

The revenge just continues to cycle. Orestes doesn't right a wrong by avenging his father's murderer, he just commits kin slaying a taboo among the gods. Even though he felt he had an obligation too because he couldn't let his father's murderer live, the gods don't let him live in peace. Orestes would have been chased by the Furies for the rest of his life if Athena didn't intervene and basically hold the first court case in order to rule if it was really just to punish Orestes like this.

The point of my long foray into greek mythology is that no matter how entitled each person in the revenge cycle might have felt to their revenge, in the end they were committing a horrible act. Clytemnestra was avenging her daughter against the man who killed him, but she alienated her other two children. Orestes was duty bound to avenge his father, but he still killed his own mother with his two hands. At each link in the chain there's no real innocent parties, and the moment you take revenge you become a perpetrator in this cycle of abuse as well.

That is I think a central concept that the greeks understood but many modern authors fail to grasp, that revenge is a cycle during which any time a person can become a victim of it, and also a perpetrator of it. It's not a matter of internal goodness or badness but rather an uncontrollable cycle of violence that people get caught up in.

What revenge stories should be about is escaping the cycle. When the character manages to escape like Orestes and live for something other than revenge that's a happy ending, but when the character fails to escape that's a tragedy. Whether or not a character actually accomplishes their revenge is a footnote.

The Count of Monte Cristo accomplishes most of his revenge but the act of revenge isn't what saves him, but rather the faithful love of Haydee who had always been by his side and the words "wait and hope." The Count isn't saved by the revenge he took on all the people who hurt him, but by the strength he had to wait through a terrible situation until it got better and then live on to the better future. Carrie accomplishes her revenge in burning down the school gymnasium and all of her bullies, then goes home and dies a few minutes after killing her mom the last of her abusers unable to escape the cycle.

While their endings are opposites, in both cases completing their revenge didn't give them any measure of peace at all. In fact, the Count almost in the course of his revenge committed a sin far worse than anyone had done to him by killing a newborn infant. No, any good revenge story should know that in the words of percy from Critical Role you can't murder your way to peace.

"There was nothing I could’ve done to save my family, yet I still sold my soul in search of vengeance. Later I allowed Ripley to leave, knowing full well she was a greater threat to the world than the Briarwoods would ever be. I traded the world’s safety for the belief that I could murder my way to peace; that if I could be a greater horror, it would bring my family back. And once this lie was shattered I scrambled to find a solution, to make a deal, to undo my mistakes and balance the scales. I now understand that there are no scales, there is no redemption, and no ledger that judges me good or evil. I am free to simply be myself and live with the terrible mistakes I’ve made." -Percy's Death Letter, Critical Role

In most revenge stories I've noticed that revenge is the main character motivator for the character taking revenge. Therefore the conflict becomes whether or not they can find something new to live for by the end of the story. The characters seeking revenge often make that revenge their entire reason for living, but then what next?

This quote from Oldboy a modern adaptation of the Count of Monte Cristo is relevant.

Seeking revenge is the best cure for someone who got hurt Try it The loss of 15 years the pain of losing your wife and child you can forget all this Once again revenge is good for your health But... What happens after you've revenged yourself?

What happens after you've revenged yourself should be the central question to these revenge arcs. The ones who don't have an answer to that question and are unable to free themselves from the cycle are the ones who end in tragedy.

YUN VS KOHAKU

Yun and Kohaku are characters from a western animated series that adopts eastern themes and a Japanese visual novel about vampires. These two characters come from very different genres of stories, an adventure story about magical warriors using martial arts to bend the elements and a horror story about vampires and serial killers respectively.

However, because both Yun and Kohaku are the central figures of a revenge tragedy they end up having a lot in common. The largest common thread between them is that both of them is that they are child abuse victims, specifically the victims of long term grooming.

They are children who were adopted and then groomed by their father figure for years. In Kohaku's case, it was sexual grooming, whereas in Yun's case it was grooming him into a child soldier. The official definition of child grooming works for both of these cases, it is when an adult forms a relationship with a child to sexually assault them or induce them into doing something dangerous or harmful to them.

Kohaku and Yun are more obscure characters though so for the sake of people who haven't read one or both of these series I'm going to go more into depth on their individual circumstances.

Kohaku is an empath, born with the ability to transfer energy to other people through sexual intercourse. She and her sister were brought into the Tohno Clan, because Makihisa Tohno the elder had demon blood in his veins. This demon blood made him at risk of going through a process called inversion, where he would slowly lose all his mind, all reason, and violently attack everyone around him until he was finally put down. In order to mitigate that risk, Makishisa engaged in regular sexual intercourse with a young Kohaku and made use of her abilities as an empath to control his demon side.

As the elder of twin sisters Kohaku made a deal with Makihisa that she'd let him use her whenever she needed as long as he never touched her sister. Since he kept his word to her, she found it hard to resent him in the long term. Also, because she was constantly high on drugs that made it impossible for her to feel pain.

"So, I took in everything Makihisa-sama wanted to do. I asked him not to touch Hisui-chan because I would take everything myself. He was probably ashamed and agreed to my request. He probably also thought it was better that as few people knew about this secret as possible."

Kohaku is eventually sent to take care of Makihisa's son who also inverted, but when he loses control and rapes her too that's when she loses her last bit of humanity and starts to think of revenge.

At this point she starts to think of herself as an unthinking doll who cannot move for herself, and can only move for revenge. She eventually starts to move against Makishia, first by informing Akiha and Hisui of the abuse she's suffered. She's surprised when Akiha immediately protests what he farther was doing right away, and the sexual liason ends and Kohaku becomes a normal servant. However, even after the abuse ends Kohaku decides to continue living for revenge leading to the main plot of the Far Side of Tsukihime.

Yun is the false avatar. If you've heard of Avatar then I'm sure you at least vaguely know of the concept of the avatar, spiritual guide in the world of avatar that reincarnates over and over again to guide both humanity and the spirits.

In the avatar prequel novels it's established each nation has its own way of tracking down the avatar, but because Kuruk died early and under mysterious circumstances the earth nation was in a panic to find the next avatar. Instead of waiting for more sure confirmation, they picked one random kid on the side of the road on what was basically a hunch that he was Kuruk's reincarnation. This kid was named Yun, a nameless but smart kid with no parents who was conning people by playing Pai Sho really really well. While all along the next avatar Kyoshi was right next to them as one of Yun's servants.

Yun is trained as the avatar through years, and is put through the kind of training that only the Zoldyck family from Hunter x Hunter would approve in. Including being forced to walk on spiked caltrops to learn bending, and being forced to microdose on poison to gain an immunity. Like, this is literally what Killua's parents did to him in HXH.

"I'm surprised you can move," Jianzhu said to him, more impressed than anything else. "Poison training," Yun spat through clenched jaws. "With Sifu Amak, remember? Or did you forget every darker exercise you put me through?"

Yun is a genius earth bender, a brilliant statesman, he works all around the clock to become the avatar everyone is telling him he's destined to be but he's not physically capable of bending any element other than earth. To the point where after a year of failing to learn fire, his bending teachers frequently lambast him as being lazy and not trying hard enough.

"Your situation isn't unique" Hei-Ran went on. "History is full of Avatars like you who tried to coast on their talents. You're not the only one who wanted to take it easy." Yun slipped. An event rare enough to notice. His motion took him too far outside his center of gravity, and he stumbled on his knees. Sweat stung his eyes, ran into the corner of his mouth. Take it easy? Take it easy? Was she ignoring the fact he spent sleepless nights poring over scholarly analyses of Yanghcen's political decisions? That he'd extensively memorized the names of every Earth Kingdom noble, Fire Nation commander, and Water Tribe Chieftan back three generations on the living and the dead? The forgotten texts he'd used to map the ancient sacred sites of the Air Nomads to such a degree that Kelsang was surprised about a few of them? That's who he was when no one was looking. Someone who dedicated his whole being to his Avatarhood. Yun wanted to make up for the lost time he'd squandered by being discovered so late. He wanted to express gratitude to Jianzhu and the entire world for giving him the greatest gift in existence. Taking it easy was the last thing on his mind. [Literally a few seconds later...] "In the old days, masters used to maim their students for insubordination," she said horsely. Yun restrained himself from flinching, "What wonderful modern times we live in."

So Yun is physically and emotionally abused by all of his teachers, Jianzhu, Hei-Ran and several other adults who were complicit with it to train him up into being the avatar. Then, when it turns out Yun isn't the avatar, he's immediately abandoned and left for dead.

Yun gets dragged into the spirit world as a human sacrifice to a horrifying spirit known as Father Glow Worm. He is abandoned by his master who makes no attempt to save him the moment he learned that he wasn't the avatar. Then, in the spirit world he fights Father Glow Worm for days and eventually has to eat him in order to escape home.

After getting to a random village he asks for water. Yun is mocked by a man he saved earlier fo rasking for a single glass of water. When the man throws the water on the ground and tells him to water bend it, Yun snaps and then kills the man who mocked him, the city guard, and everyone who was sitting in the teashouse and has his Geto moment. He decides to start living for revenge against all of the teachers who abused him.

"Well," he said out loud to no one. "It looks like I've been fired." Perhaps it was for the best. He would need the free time, because he had a losit of things to do. lots of personal business to take care of. And at the top of the list was paying his respects to Jianzhu. Filled with new purpose, Yun took off down the road, whistling as he went.

Both of these characters decide to make revenge their reason for living. To quote Oldboy, "Seeking revenge is the best cure for someone who got hurt. Try it." They also face the same fundamental issue, now that they're only living for revenge then what happens after they've revenged themselves?

These characters are also similar in a couple of other ways. They are schemers who mainly work through manipulating others. Yun fakes a political conflict between the fire nation royal family and another noble family in order to bring one of his abusers into the crossfire. Kohaku manipulates both SHIKI and Shiki through the use of drugs to orchestrate her revenge in the Far Side Routes.

They're also both trickster characters. Yun refers to himself as a clown and constantly hides everything behind a smile. "He added that smirk that everyone said reminded them of Kuruk's. After all, a clown needed his makeup." A major part of Kohaku's character is that after Hisui learned about how her sister was being abused she stopped smiling. Kohaku wanting her sister to be happy, started to fake a smile and goof around the way Hisui used to because she wants to see her sister smile again.

One more similarity before I begin dissecting their differences and the way these two characters are handled is that if Kohaku and Yun were the main characters of the story their revenge would undoubtably be framed as one hundred percent justified. If they were the main characters it would definitely be a kill bill situation.

I don't think they are justified, because straightforward revenge is boring. The fact that they are antagonists is the point of each story. I'm just making an underlying point on how a lot of revenge stories suffer from protagonist centered morality. It's alright if Maki Zen'in, or The Bride kills upwards of a hundred people in retaliation for the harm that was done to them and we're supposed to root for them without thinking too deeply on it because they're the protagonists of the story. Protagonist centered morality is bad, because it makes things too centered on the protagonist and therefore if the morality of a piece of based on the protagonist it will make things too easy and the protagonist will go unchallenged.

In fact, in the story of Tsukihime itself, the entire Tohno family thinks that Kohaku 100% has the right to take revenge against them. Akiha is fully aware of Kohaku's revenge scheme. She lets Kohaku get away with her revenge every step of the way, including taking what is essentially a bullet on purpose and dying for Kohaku's revenge scheme because she believes her family deserves it.

However, because they are not the protagonists they don't get the easy route of taking their revenge against the people who deserve it and then riding off into the sunset happily. No, Kohaku practically gets her revenge handed to her on a silver platter and still revenge doesn't fix anything.

Once again, revenge is good for your health, but...

WHAT HAPPENS AFTER YOU'VE REVENGED YOURSELF?

Yun and Kohaku are both characters who either lost everything, or had no reason to live to begin with and decided to make revenge a reason for living. Both of them were unable to keep living for revenge because revenge is unsustainable. It's not something you do once and you're done, it's a cycle. The act of participating in it continues to perpetuate the cycle. As a result both of them met their tragic end.

However, Kohaku's tragedy surpassed Count of Monte Cristo for my favorite revenge story in all of fiction, whereas Yun's ending made me want to rip his book in half.

There are some differences in how their revenge stories play out. Kohaku is a very unique character. In spite of being an emotionless doll, she takes her revenge not out of anger or hate but empathy. I can't word it better than Comun so I'll just quote their post:

Hisui route ends with the reveal that Kohaku masterminded the demise of the Toono family and her motives are pretty obvious but I never expect the way she felt about it. Kohaku describes herself as not as a human, but as Makihisa’s emotionless doll. Kohaku had to constantly intake pain-removing drugs in order to endure Makihisa’s (and latter SHIKI’s) abuse and this state of not feeling anything disconnected her from her emotions. Kohaku admits that, to some extent, she did all of this because it made her feel human a little. What you would expect from this premise? Kohaku channelling her remnants of humanity into hatred for the Toono family and orchestrating her revenge. Was that what really was on her mind? Nope, Kohaku (and Kinoko himself, as Fate/Grand Order is a great evidence of) has a much more positive definition of what it means to be human. Kohaku expresses her humanity through fairness, empathy and a desire to make the situation better. Even though, Makihisa singlehandedly completely ruined her life, she acknowledges that he didn’t do it out of sadism or perversion, he did because he really had no other choice in order to keep himself from inverting and causing even bigger harm to everyone. Kohaku sees Makihisa as much of a victim of this tragedy as herself. 

Kohaku's revenge actually takes a twisted form of empathy. Kohaku doesn't have the standard revenge motivation of just wanting to hurt the people who hurt her, because she can objectively see the points of view of almost everyone involved in the tragedy.

It's a bit like Orestes where there's no true beginning or end point. Makihisa is a sick pervert and the instigator, but he also didn't choose to be born with demon blood that made him liable to turn insane at any moment. SHIKI is kind of helpless in all of this, as another person with demon blood he couldn't help inverting at nine years old and going completely insane, he's not really in control of his actions. Hisui is an innocent, and while Akiha is a part of the same family the moment she learned what Kohaku was suffering she stood up for Kohaku and made it stop.

"But, there wasn't anything else I could do. Without a purpose like that, I couldn't live. A doll cannot move on its own. Without anything to guide it, it can't move." "But still--" ...... That is unforgivable.

Comun frames Kohaku's motivations as genuinely believing the world would be better off without the Tohno bloodline, because it only has caused everyone involved with it suffering. Therefoer she makes a plan to kill every member of the family, except for Hisui and Shiki who are technically innocents, and then herself finally so Hisui can run off into the sunset together with Shiki who she'd always loved.

I'd also add that on top of empathy there's also a certain justice in her actions. Not justice in the sense that she has to hurt the people who hurt her, more like justice in the sense of fairness? Like, Kohaku isn't driven by personal hatred but rather a desire to make things fair and balance the scales. A family like the Tohno who cause misery to everyone shouldn't exist, because people shouldn't have mixed their blood with demons in the first place. There has to be a consequence to Makihisa's actions because you can't get away with child rape and the only one who could enforce it was her. The same way that Kohaku considers everyone's opinion equally and considers everyone equal victims in this twisted family cycle of revenge, Kohaku also acts to make things more fair.

To quote Percy again, it's like she's trying to balance the ledgers.

"And once this lie was shattered I scrambled to find a solution, to make a deal, to undo my mistakes and balance the scales. I now understand that there are no scales, there is no redemption, and no ledger that judges me good or evil."

Kohaku's also constructing a narrative around her pain. She needs a reason to keep living, and that reason is the narrative she's constructed, the story she told herself that she only half believes that everyone would be better off if everyone associated with the Tohnos, herself included, except for Hisui and Shiki died off.

Of course this is just a narrative. A lie she is telling herself to justify her actions. Because Kohaku acts out of fairness, and empathy, but she also acts for the sake of acting. She wants a reason to move, because otherwise she would just be a doll, passively enduring suffering. The story she tells herself is in the end a lie, like all stories are. Kohaku ignores the feelings of two people in her assumption that everyone would be better off without the Tohnos, that is her own personal feelings towards Akiha, and Hisui's feelings towards her. Kohaku understands that the reason Hisui can't smile any more is that she's too horrified at all the things her sister endured to protect her. However, she can't grasp that killing herself in front of Hisui would just make Hisui live with that guilt forever. That Hisui would rather be miserable with her sister alive than happy with her dead.

(From the good ending)

"Nee-san......? Nee-san, hold on......!!" A desperate cry. Seeing that, the girl smiles like a child. "...... Huh? ...... Don't do that, Hisui-chan. Crying like that, it feels...... like back then." "What---Nee-san, why----" "...... Yeah, because if I, don't do, so, you won't be, able to return, to the way, you were." Her words in pieces, and with glazed eyes, she speaks to Hisui. "---------Nee, san." Hisui's face contorts in grief. Her tears flood her face. "...... Why? That's fine. I was okay with the way I was. If you were happy, then I was happy. I---I was always protected by you, so---" I was always happy. Painfully, she swallows her last words.

Yun is in comparison less magnanimous towards his abusers. He wants more straightforward revenge against his teachers and all the people who "lied" to him by promoting him as the false avatar.

This is the biggest area where he differs from Kohaku. Rather than Kohaku, I'd say he's more like Geto, someone with a savior complex who genuinely put their all into being good because they believed they had the responsibility to save people, only to be then betrayed by those same people they were working so hard to save.

I do still think empathy is the central motivation for both characters. Kohaku commits revenge out of a twisted sense of empathy to see the perspectives of everyone involved and decides the only way to fix everything is to destroy it all and wipe the board clean and give the two innocents in the Tohno Household a fresh start.

Geto and Yun are both high empathy individuals whose empathy for other people twists them so much when they're confronted by human ugliness and selfishness, that they end up turning on the same people they wanted to save. They feel a bone deep empathy that twists them into monsters because they're not able to exist in an unfair or imperfect world that isn't the way they imagined it to be.

'...no matter what, I hate non-sorcerers. But it's not like I hate everyone at Jujutsu Tech. It's just...' It's just that it was what Geto had to do. In some ways, Geto and Yuuta were the same. Geto was too sincere. To someone like him, the reality that the world of sorcerers presented to him was just too cruel. '...that in a world like this, I couldn't be truly happy from the bottom of my heart.' To live for the purpose of being yourself. And for that goal, Geto could only continue to pursue his twisted dream, drowning himself in the curse that lies in the gap between ideal and reality. This was the final confession of a man who could only choose to warp himself, who had erased himself in pursuit of his goals. The only person who could bear such a curse was Gojo Satoru. JUJUTSU KAISEN ZERO LIGHT NOVEL

Geto is broken by the idea that all of his comrades and himself are considered expendable, and they're all meant to sacrifice themselves for an ignorant public. Yun is broken by the fact he broke his body and mind trying to be a great avatar because he wanted to help people, only to learn that it was all for nothing because he was discarded the moment it turned out he wasn't the avatar.

(Yun is more Morgan Coded but that's a different post).

It was too late. "I dedicated my life to people like you." Yun said. He couldn't tell if he was laughing, crying, croaking out beastial sounds of fury. "I wanted you to thrive. I wanted you to prosper. I tried so hard."

However, I'd say both of them Kohaku and Yun are driven by an underlying idea of fairness. They're not taking bloody violent revenge for personal gratitude, but because they can't cope with the unfairness of the world they're living in and are trying to find some ways to balance the scales.

Yun is so driven by fairness that he doesn't want to punish Kyoshi even though she technically stole the title of avatar from him. He considers her innocent of the whole thing, and even sympathizes with her and the struggles she carries right now as avatar.

"I can't believe you think I would ever hurt you." He gently tugged the closed fan out of her right hand. "You, the one innocent party in this whole affair! I would never hurt you, Kyoshi! For Yanghcen's sake, I used to be your whole life.!" He dropped the weapon and it pinged against the ground. "I know what's happening here. Your duties have gotten to you haven't they? I remember what it was like, carrying the weight of Four nations on my shoulders. Jianzhu used to liken them to unruly students in a classroom, requiring the guidance of a strong hand." He paused and chuckled, "I used to believe it meant showing the wya, leading my example. Now I know better. The world is a child refusing to listen, creaming in a tantrum. It needs to be slapped a few times until it learns to be quiet."

I think this is essentially the difference that makes one narrative and breaks the other. Nasu is fully aware of Kohaku's humanity even as she calls herself a doll. He goes to great length to demonstrate Kohaku's humanity in all the ways I pointed out above, by showing how much she sympathizes with others, by how she protected her sister, by how she's guided by principles.

More than anything, it sympathizes with Kohaku by making us as the reader understand that while she did bad things it was in retaliation to an even more horrible evil done to her. Also, that Kohaku only did these things because revenge was the only way she could think of to live, Kohaku was just a victim coping in the worst way imaginable. I think Nasu really nails down the hopelessness of someone who's clinging to revenge because they can't think of any other reason to live.

Whereas so much effort is put into Yun's backstory and detailing all of his suffering, only for him to be treated like a very standard villain. Like, honestly, Geto is a genocidal maniac and he's framed way more nicely by the story he's in than Yun. All Yun really wants to do is kill his abusers and that is apparently a sin too deep to continue living with.

Geto who does way worse things than Yun, and who is also killed by his former best friend is shown way more love and acceptance in his ending than Yun is.

This was the final confession of a man who could only choose to warp himself, who had erased himself in pursuit of his goals. The only person who could bear such a curse was Gojo Satoru. Where did it go wrong? And how could they start over again? The answer was left in their far-away, far-away youth. And even considering everything that had happened until now, it was clear that this story was about to end. But, there was one thing that was concrete. Even if everything was different now, there was still one thing that - from the very moment it all started - had never changed. Gojo knelt down, meeting Geto's eyes as he sat there. '...Suguru.' '...?' Geto Suguru. It was a named that the Jujutsu Tech organization feared: one of the four special grade sorcerers, who had killed over a hundred ordinary people, who had been named and exiled as the most evil curse use. But to Gojo Satoru, he was —— '————, ————' '...ha.' When he heard the words Gojo blurted out, Geto couldn't help but laugh. Such embarrassing (t/n: makes you self-conscious) words. Even why they were students, those words had never been said before. 'You should've at least cursed me a little before the end.'

In the actual manga of JJK too, Gojo tells a teenage ghost of Geto that if his adult self was there he was the only one who could have satisfied him. Gojo thinks about how he has to finally catch up to Geto after being left behind that day, when he moves on to kill the higher ups. Gojo's dream of protecting the youth came about because he never wanted someone to suffer alone like Geto did again.

Whereas, this is basically the only thing Yun gets told from his best friend and the hero of the story who is supposed to be the chosen spiritual guide of humanity chosen by the gods.

“It’s time to let go.” Kyoshi lowered her hands. “Whether you kill me here today or not, you have to let go of what happened.” “And it didn’t brting me peace. It was wrong that you were lied to, Yun. It was wrong for Jainzhu to do what he did, but he’s gone. Whatever pain and anger you have left - you have to live with it. You can’t put it on anyone else.”

Have you tried, uhhhhhh getting over it?

The "you have to live with it" is just particulary insensitive because as I went to great lengths to demonstate above, Yun was TRYING to live with it. Just like Kohaku, revenge was the only reason he could come up with to keep living.

It's fine if the heroes cannot find a way to reach out to save Yun in time and he dies because living for revenge is unsustainable. That's what happens to Kohaku, that's what happens to Geto. There's just a cruel lack of empathy in the way that Yun's death is framed. It's framed as a mercy killing, because Yun, a like eighteen year old boy who was retialiating against his abusers was just apparently so beyond hope. Not to mention that Kyohsi deliberately sides with one of the abusers and gives Hei - Ran a chance to redeem herself, but doesn't give that same chance to Yun her victim.

It's just this way that they characterize violence as bad but don't analyze at all where the violence came from or why they'd want to retaliate in that way. Gojo mercy killed his best friend Geto, but he also realized that the problem didn't begin with Geto and sought to create change in Jujutsu Society after Geto's death in order to try to break that cycle.

"I'm sorry for saying you have to live with your pain." Kyoshi put her palm into his chest in a gesture of comfort. "Because you won't." The cold she sent through his body formed a tunnel of ice between his ribs. It happened so fast, and with so much force, the air behind him turned to frost. With his heart and lungs frozen solid, Yun fell to the side.

Kyoshi kills Yun by freezing his heart. She specifically uses a technique that was taught to her to heal people, to murder him and put him out of his misery.

In the aftermath Kyoshi buries him and then lets the entire world remember him as a boy who went crazy and tried to kill the avatar. She doesn't even like... tell the whole story. That he was abused and lied to his whole life to clear his name.

Like, what a great friend.

This is what happened with Noel and Ciel too, but as I said in my Noel / Ciel post, Ciel killing Noel is meant to make her look like a terrible person. Noel is a victim caught up in circumstances, and Ciel could have saved her much earlier by lifting a finger and now that it's too late all Ciel can do is coldly put her out of her misery because Ciel isn't a hero. Shiki, a character who chops women into tiny little pieces has the opportunity to kill Noel a couple of times and doesn't do it, because he knows that killing her would be wrong and leaves it up to Ciel to decide.

Noel is fridged and dies a miserable death as a victim but it serves the greater story purpose of pointing out what a terrible hero that Ciel is. However, in avatar, the story still wants me to believe that Kyoshi is the hero so the only way they can accomplish that is by villainizing Yun and giving him an unsympathetic death.

if you wanted Yun's life to be some great tragedy, then you should let Kyoshi look bad. Let Yun died because Kyoshi completely failed to save him, have it be her wrongdoing. If you don't want Kyoshi to look bad, if you want her to be a hero then have her save Yun. You can only have it one way or the other. If the only way you can make Kyoshi still look like a hero is by victim blaming a victim of long term child abuse for not just getting over it then I don't know what kind of story you're writing there.

The writing just needs Yun to be a straightforward twist villain in the end for Kyoshi to defeat, so they downplay all of these good points and his status as the victim to make him fit into a more two dimensional role. If Yun is wrong because violence against his abusers won't solve his problem, then why is the solution for Kyoshi to just put him down with violence? Why is Kyoshi's violence sanctioned but Yun's violence not sanctioned? Kyoshi is allowed to kill Yun and put him out of his misery, but Yun can't kill his abusers? It's justice when Kysohi does it, but revenge when Yun does it? Kyoshi preaches that you can't stop the cycle with violence you have to let go then proceeds to end the cycle... by murdering Yun.

You can't preach this empty revenge bad message unless you're willing to look into why a character like Yun would want revenge in the first place, and how the world has failed him in ways that he thinks the only way to keep living is for revenge. You can't just tell him to let go without showing both him and the audience what letting go would look like.

This is exactly what Tsukhime did right with one of the most beautiful scenes in all of fiction, by showing that the cycle didn't end with Kohaku killing her abuser, and it didn't even end with Kohaku killing herself because each time she tried to enact revenge all she succesfully did was bring more pain into the world.

"But----" "Eh?" "But, there was just one strange thing." Really just a little bit. She said that as her eyes trailed off into the distance. "Akiha-sama protected me in the end. I knew there was a fifty-fifty chance she would do that. I stayed close to her for that reason. Revealing Makihisa-sama's abuse and devotedly helping Akiha-sama who was slowly turning nonhuman. ---Yes that's right. Really, I knew she would die protecting me." That smile. Even though she is smiling, she looks really sad, as if she's-- "But----I was really surprised at the time. Why is she protecting me? Why is she protecting me, risking her life?" ---She looks like she might burst into tears. "I still don't actually understand if I was actually happy or sad when Akiha-sama died. But when I wake up in the morning, I take tea to her room even though I know she is gone. Isn't this strange? Even though there's no one in that room anymore."

Kohaku thought she was relieving everyone of pain by killing the Tohno, that everyone would be better off, but the moment she succesfully kills Akiha she regrets it. It's all so hollow that she goes to Akiha's room every day for like a month leaving tea in front of her door.

Kohaku's identity is so wrapped up in pain, she forgets that in spite of the pain caused by those bonds there's also love. Hisui might not be able to smile because she feels constant guilt over how much Kohaku endured for her sake, but that doesn't mean Kohaku disappearing would fix that because she loves her sister.

Kohaku may think that Akiha is better off dead, that they're both better off dead because they only cause each other pain through their twisted connection but once Akiha is dead she goes to her door and leaves tea there every. single. day. because she valued her connection to Akiha so much.

Then she kills herself by gauging her knife out with a heart, mirroring Akiha who was pierced by the heart protecting Kohaku. "Hang in there...! Why, why did you do that...!" "Because revenge was the only thing I could do----I can only disappear when it's all over. I tried to find new springs, but I could never find one, and time ran out." She smiles. That... for no reason at all---- "What the hell is that? What are you saying...!" I look at the wound like I did to Akiha. ---She won't make it. It has pierced her heart. "........." Why? There was no reason---I just can't bear the sadness.

Revenge was unsustainable but because she couldn't be her genuine self in front of others, because she couldn't get in touch with her genuine feelings of affection for people like Akiha tshe couldn't find any other reason to live in time.

Even after Kohaku has just confessed to orchestrating the murder of Shiki's sister and terrorizing him for weeks on end, Shiki still begs for her to live though.

"...... Right? You're a normal girl who liked Akiha, was always worried about Hisui, and laughed when we talked about stupid things. So----" Even if she wished it and caused the deaths of Akiha and SHIKI... "--Kohaku, there was no reason for you to die." Increasing my grip, I say these words from the bottom of my heart.

I think that's ultimately what makes Kohaku's story superior, because it is at its heart a story about an abuse victim who couldn't find any better way of living. The story bends over backwards to show us all of Kohaku's good qualities, and how it's those good qualities that led to her fall, not any internal badness on her part. Even if Kohaku is someone who's capable of doing bad things and got a whole bunch of unrelated people serial killed by SHIKI. The tragedy is also on the onus of the main character. That's what the story of the ribbon is for, the whole thing could have been prevented if Shiki could give the ribbon to the proper girl in time. The whole thing is written with the premise that Shiki could have saved her, and he does in her route. It's as much of the main character's failure as Kohaku's.

On the other hand, the tragedy in Yun's story isn't that Yun is a longterm victim who didn't get the help he needed in time. It's that Kyoshi is sad because she has to put down her childhood friend like a mad dog. All of Yun's good traits are invalidated and he's painted as a villain to make the story simpler and as a result it's far more boring and doesn't have anything to say about abuse, or the human condition and how it survives terrible abuse like Nasu's writing does.

That's why Nasu is the goat.

At least until Tsukihime Remake comes out and Kohaku's route gets padded out with filler and turned into a giant extended boss fight that didn't need to exist at all that takes like five hours to finish NO I'M NOT BITTER ABOUT CIEL ROUTE'S TRUE END IN THE REMAKE AT ALL.

[masakuterarr]

HxH Character Analysis : UVOGIN

*cracks my fingers* alright peoples, I've been cooking this for DAYS now and I finally have everything gathered (at least I hope so). So lean back, get something to drink and maybe some paper and pen to take notes :) This will be a long one! (btw if there are missspellings I am really sorry, english is not my native language and it's too much that I wrote and I do not have the energy to look over it again- :') )

Character Analysis of Uvogin, regarding the Sarasa Incident

Numbing and Emotional Detachment

A dumb brute with just muscles and purely driven by the joy to kill. That's probably how a lot of people would describe him. This is actually not really true and I will explain why I think that.

In my perception Uvogin kills because a) it's his 'job' and b) because he wants to drown his own emotions.

There are generally 2 Options we can work with.

Uvogin kills because it's one of the only things that give him a positive feeling, which lasts short term.

Uvogin kills because it's something that numbs his emotions

If we go with option 1, we assume that Uvogin relates positive feelings with killing.

Killing the people who came to kill himself, assumingly gives Uvogin the most pleasure (kinky lol). Assumingly it gives him some kind of kick of adrenaline, knowing he might potentially gives his life. It's probably a same kind of feeling with the russian roulette. (Most people play it because of the death wish, but I don't wanna focus on that too much for Uvogin. This death wish with Uvogin can be a giant topic for itself-)

I simply think, Uvogin got addicted to this kick of adrenaline over time and now simply can't stop.

In the german dub of HxH 2011 it's even put a bit better. There Uvogin says "Because dudes like you appear here and there, I just can't stop killing. It's like an addiction"(I am just obsessed with some of the wording in different languages. Plus I LIVE for german dub Uvogin lol)

NOW, what is ironic about this, is that some moments before Kurapika asked Uvogin what they feel when killing innocent people they don't even know. To which Uvogin answers with "Nothing"

I found this weird so I came to the conclusion that Uvogin has a) to difference between killing innocent people and people who come to revenge or b) he doesn't even know it himself and he is just a confused mess, which makes sense if you consider how his mental health state is after unhealed trauma and unhealthy coping mechanism (but I will go intot his now anyways).

But if we consider Option 2, that killing people is actually numbing his feelings, he might even be the complete opposite of what we thought he is. In this case he might be a emotional mess and killing people is what calms him down.

No matter what tho, Uvogin is heavily addicted to the act of killing and he continues to kill because it's something that distracts him from his emotions. Because judging for how long this has been ago, Uvo is way too deep into this entire hole of killing as coping that he can't bare to face the reality that by now, he is probably even worse than Sarasas murder. So he drowns himself in distraction, pushing the reality down his throat so he does not have to face it. But even if he wanted to, he would probably just break at the actual realization of what he has become.

Extreme Punctuality and The Urge to Control The Uncontrollable

(ah my favorite and the least thing looked at)

At first look it is just a cute funny detail added to Uvogins character to make him a bit more relateable and whole as a character. But looking at it I actually realized a sad thing.

Remember when Sarasa went out alone? The others thought she was just gonna get the tape and come back.

If you look at it and put it simply. Sarasa was late. You know what Uvo hates? Someone being late. Nice when the realization kicks in, is it? :)

To explain it now;

When they found Sarasa in the forest, it was already too late. Uvo realized that if they were to search for her earlier or just arrive earlier, they might have had a chance to make an impact on the outcome. Or even save her life.

With this in mind, Uvogins focus on being punctional now seems less random. His anger towards his comerades being late probably isn't even intentionally. Sarasa's death might have impacted Uvo with a strong sense of responsibility as well.

He wants to gain control over things he can't even control, which is a really common coping response to trauma. He once lost control over something, which led to a tragic consequence and now he fears to lose control once again. So Uvogins 'anger' is not because he is actually mad, but because he fears that the same thing happened to them. He simply just cares and is scared that the ones he cares about are getting hurt and worst case, even die.

Because it happened once. So it's much likely to happen again, right? This is a common anxiety thought process.

Outer Persona and Antisocial Behavior

It is obvious that Uvo has a certain 'tough-guy' persona that he shows to the outside world. It becomes very clear when he fights against Kurapika

When Uvogin begins to realize that Kurapika is stronger than he thought and (from his view) maybe even stronger than himself, you can see how this persona is slowly breaking down.

Outer Personas are a common thing for people with Anxiety and Depression. So I think it is save to assume, this is the case with Uvogin. The reason for that can be really simple; from just wanting to not let the others worry about his mental state or just to seem invincible to other people/enemies.

But it can also be, that Uvogin tries to convince himself that he is invincible and not wants to accept how vulnerable he actually as. And yet again, not being able to accept that he wasn't strong enough when Sarasa needed him to be.

To the 'antisocial' part;

When they found Sarasa in the bag back then, Uvo was about to leave her and the others. This always seemed a bit off to me. Why would he leave if he cared so much about her?

People have various reactions to when they don't know how to handle a situations or emotions. Some people laugh, some cry, some stay silent and some get angry. Uvogin is seemingly someone to cope with aggression or isolation/detachment. He probably just wanted to vanish because he felt weak and helpless, and his body instinctively reacted with aggression and the attempt to cut himself out off the scene.

Even at some point in the fight against Kurapika, you can see how Uvo started to gave up and just emotionlessly repeated himself to Kurapika: "Kill me" .

This also leads to (imo) Uvogin's biggest weakness :

Uvogin and Panic

Uvo is a strong and smart fighter, when it comes to combat. He can probably plan out a lot within just a few moments and has an incredible skill at creative problem solving.

Tho, for me, it tends to panic really easily, leaving him extremely vulnerable. The best example is in his fight against Kurapika but also against the Shadow Beasts. Theres a moment when he got caught off guard and starts to slightly panic, which led him to instinctively cope with aggression;

In the 2011 anime he even calls one of them "bastard" after collabsing onto the ground.

(small addition here cuz Shal wtf, why do you look like someone got you flowers after your comerade just collabsed onto the ground, obviously about to get tortured now??)

anyways-

Uvogins Ego and Self Blame

Ofc this can just be Uvo being Uvo, as he thinks a lot of his own abilities and skills, but since this is an analysis, why not looking into it too?

Maybe Uvogin tends to have an ego problem and high temper because he does not want to get reminded that he can fail too. Because in his opinion, the last time he failed, it led to Sarasa's death.

Logically it is obviously not his fault that Sarasa died. The kids straight up didn’t know what would or could happen. But I am very sure that Uvo always blamed himself for it. The same probably goes for Chrollo and the others as well. And since Uvogin is not in a healthy envirnment, nor got treatment for his trauma ever, he surely blames himself.

(And at this point he surely is not able to stop/change his mind on that anymore. Uvo would straight up rage if he was put into a therapist's office LOL)

A similar thought process might have happened when Uvo got kidnapped by the nostrade family and the others had to save him. After all, it would fit a LOT into his pattern of feeling vulnerable and coping with aggression trying to protect his ego. Cuz if he doesn’t he has to face the reality that he was too weak (again) and the others had to save him, putting them indirectly in potential danger.

His thought process is probably something like: I was too weak → others had to save me → IF they get injured or worst case someone dies bc of it, it is his fault → Cuz they had to save HIM. Because this again is a comon pattern when it comes to Anxiety and Depression.

which leads me to the next point;

Overcompensation with strength and the fear of weakness

My last point. A simple but sad one.

Uvo simply feats of being weak. So he purely focuses on physical strength and mastering his nen as an enhancer.

"If I am too weak, I just need to get stronger, right?"

Because he is an enhancer, he would probably think this simple. And even if we look at it from a depression perspective; A quick way out and taking the first idea to not waste any more time. Especially since Uvo does not seem to be much of an overthinker.

He had emptiness and many questions inside him and his first instinctive answer was strength. As simple as that.

gosh this was a lot- but I warned you before so don't blame me LOL

I hope I was able to explain my thought about him and how I look at him :) I will maybe do a second part, focusing on the "death wish" part I talked about earlier! We will see, no promises.

Feel free to tell me your opinion on this! I would love to hear them 🤍

[eraofkalki]

Well what a wonderful thing to wake up to so. . .

Alright. This man. This silly sorcerer that has resonated with me since the start of the game and that obsession nearly doubled down when Nightbringer came out.

He's one of the more multifaceted among the characters. Cunning and wise yet sly and playful, always putting on a smile or that near-sarcastic frown when things don't go as he pleases. Look not saying that the others aren't as interesting—we'd have plenty of room to argue—though I believe that Solomon reigns supreme as being one of the most interesting characters to write for.

How come?

Well. . . a lot could happen.

You may be given a hypothetical scenario: think specific like running away in a getaway car after spending all your money at a casino, or browsing the atlas hidden in the depths of the library as your first date. When you picture those, you may think of let's say Mammon or Satan, or whoever you think would absolutely fit the vibe.

Here's the thing: while you may let any character have their moment with these given prompts, there's no deny that- "hey. wtf. these can apply to Solomon."

It's just.

Wow.

He's not necessarily a one-size-fits-all character, but his personality and dialogue alone quickly layouts millions of possibilities for whatever his character has going for. And that is not yet mentioning his serious moments. Or so his mysterious past as people continue on to speculate about it.

He's so tragedy coded that it's not even funny. Silly man with a dark bloody past?

Which brings to another point- while of course he is a silly ass sorcerer trickster to an extent: when he's serious, he's absolutely fucking serious. <- this person is partly tired when anyone excuses a character's carelessness and naivety due to their trickster persona. And this is not one time as well- Solomon is half to fully serious in his words. While he says it in playful banter, it's the full truth.

And this isn't even adding the fact that man is a fucking simp. Knees on the grown, head hung low, kissing the ground you grace your presence with type of devotion. The embodiment of a starstruck lover, from less likely friends to unlikely partners. At first I was skeptical when people gush over how "domestic" Solomon acts in OM:NB but- man. I got hooked into the bandwagon and now another white-haired guy has me by the neck and heel.

This is mostly how I base my take on his character when writing anything with him: given the information just as dialogue and lore tidbits. It absolutely doesn't help that Moni over here reminds me of my first lo—

That's all for now, hehe!! I have a lot more to say about this guy buuut, that's for a later time :))

i think the multifaceted nature is exactly the most interesting part about him. i sometimes think that there could be any situation in the game and the devs could make solomon react in multiple ways, and i could still be like "oh yeah that makes sense for him to say that/do that" for all of them (not like every single possible situation but you get what i mean i hope). because. he's like that.

his sincerity is one of the traits i admire the most about him. yes, he tends to wave off more personal questions but i don't think that he's any less sincere or honest about the things he does express just because he's reluctant to divulge too much about himself (the mystery makes him hotter hello)

also is it just me or i have these random moments of realising that this guy's like. insane. and he's toning it down by alot. you could write a list of insane shit he's done and stare in awe at how insane the shit he's done is but like. he acts like this guy. this silly little guy who happens to be crazy powerful but then u realise that he's CRAZY powerful and he could be so much more...harmful and sinister if he wants to be. i know this applies to the others too but like, it's just more interesting for him (AND simeon, they're just two Guys who i think are Actually OP) than for others because it's already like known?? for others?? ig? like, it's sort of ingrained in us but when it's him you just have these lil moments of wait woah yeah

idk what im saying im half asleep

and all that + how he's fully, desperately, madly whipped for mc. he'll give them the universe if they ask for a star but this mf will stay on the sidelines because "oh i don't want to interr-" shut up you soggy waffle ive been waiting with your ring for the past 4 hours and my hands hurt

anyways

everyone live laugh and solomon

[sonknuxadow]

it's so wild to me that people talk like sonic and knuckles just now started acting gay in frontiers or that the sonknux ship only exists because of frontiers theyve been gay this whole TIME you just refused to admit it until now