#no choice i guess

[thankstothe]

[ilyberrymuch]

you can also put in the tags how old you were, again im nosy lol

[glo-shroom]

yes & no by Natalie Wee | Trigun Ultimate Overhaul

[hellenhighwater]

Genuinely being a single woman in my thirties, living alone, is such a mixed blessing sometimes. I do love my house and when I'm here I literally never want to leave. But on the other hand, I do get tired of leaving to go hang out with people, even though I love seeing them. Especially because I have such a great group of friends but they live all over the place, geographically, and therefore most of them don't know each other. And I actually really love hosting? But I never have people in my house because logistically it's always more practical for me to go to them than vice versa.

But sometimes I buy new old dishes and wanna just have a little fancy wizard party, but all my guests are far away. Please may I have the teleport spell. Or a high-speed commuter rail system.

[doctormage]

my friend sent me a playlist of medieval-y covers of contemporary songs (which fucks btw) but one particular song came on while I was showering today and it was. an Experience

[voidmade]

no more serious outfits just whatever this is

[dollsome-does-tumblr]

i may have forgotten some because they were too traumatic, but here is my definitive list as i could think of it this morning. oh, how i've suffered! 😢

[ramen-flavored]

Spot The Difference

[hotpotghosts]

[queenofzombies]

replaying mass effect and this really is just garrus' me2 plotline huh

[shiftythrifting]

I have to share these hilarious and amazing headless angel bust salt and pepper shakers I brought home from the antique mall (they are wives and in love)

[sotiredmostnights]

"why does awakening present the player with choices that don't even matter"

that's. that's the point. you're supposed to feel like your decisions don't make a difference. you're supposed to feel hopeless when emmeryn dies. you're supposed to feel like you have no real options when facing lucina's judgement. these moments are intended to make the player feel fate's inescapable grip on them, which makes it all the more rewarding when the final choice the player makes in the fight against grima lets fate loosen its grip at last: the choice was made, and it DID matter, and fate was truly bested, be it in the present or 1000 years from now

[canisalbus]

this is oddly specific but i absolutely adore the way you draw fur.... it looks like if you were to pet it down it would just fwip back up its wonderful and i love it

I think I know what you mean! That's so nice to hear, it's precisely the look I often aim for!

This is maybe a little off topic but there's this one particular coat type I try so hard to capture believably. I always think of it as "borzoi back fur" because a friend of mine had a borzoi with this sort of fur on her neck and back and they were just the softest, bounciest, most gravity defying curls ever.

I do my best but the results vary.

[mx-anthony-janthony-crowley]

aziraphale's relationship with heaven vs crowley's relationship with hell in S2 serves as this beautiful, heartbreaking metaphor for the choice that so many queer people with unaccepting - and in many cases abusive - families find themselves forced to make. crowley has made the leap. he's cut himself off, and when they've tried to stay in touch or even bring him back, he's always resisted. "we're better than that, you're better than that!". in a way he's been through it before - he was rejected by heaven, and so it makes sense to him to take the opportunity to reject hell on his own terms. it doesn't come without consequence, of course. so many queer people find themselves having to suppress their identities until they're financially independent - cut to crowley living in his car. but he's made the choice, and he's free to do his own thing now. aziraphale, at the start of the season, is also more or less completely separate from heaven; we know from crowley "they don't talk to him anymore", and he's not making any effort to get in touch with them. but then when they ask him to come back, they manipulate him again. the metatron offers him coffee and then tells him "i've ingested things in my time, you know" - a world away from gabriel's "why do you consume... that?". he's assured that the things which he thought made him too... different, too not-good for heaven, are in fact okay. aziraphale was finally living his own life, far away from them, and doing the things he enjoyed, the things that they always shamed him for. but now he thinks, maybe he can go back and this time they'll accept him - it doesn't have to be like it was before! he's changed and maybe they have too, and if they haven't then maybe they'll listen to him! he can show them how to be better, he can make a difference. he isn't yet ready to face the reality that he can never be the person (well, angel) that they want him to be, not without losing sight of what makes him him. he might wish he could bring himself to say no, to cut them off, but he can't do it. because despite it all, he still has hope that they can change. and of course he does - years of trauma have told him time and time again that they're the good guys, after all. so he thinks, if they can't change, then who can? if they can't accept him, who will?

[n0brainjustvibes]

your front-page boy, well, he's finally here!

inspired by idkhow - SPKOTHDVL :] also loosely inspired by this piece by @artistatthedisco that made me really wanted to do big swirly interlocked lettering. the lettering didn't quite come out how i intended but ah well... practice will eventually pay off!

[tiredyke]

every time queer discourse surges on this site everyone is so quick to jump to “it was actually the evil lesbians who divided us” because y’all heard the term “political lesbian” and never bothered to figure out what that meant