#no one gets her like I do fr fr

[strawberri-draws]

Blorbo posting again

[mayasaura]

I don't wanna further hijack that poor poll, but the thing about Harrow's schizophrenia is that it's canon. The author has confirmed it, and shared that it's based on her own experience.

It's a pretty obscure bit of canon, so of course there's no shame in not already knowing, but that's why I'm so obnoxiously persistent about letting people know.

Whatever else is up with Harrow, autism or cptsd or any number of likely headcanons, she is also schizophrenic. I feel like that's too important to be handwaved away as a difference of opinion.

[hinamie]

atla!au designs part 3 !! one of these things is uh. not like the others

first year trio gojo/choso/nanami

[nobleriver]

Michonne talks to Rick about their son

[anonymouscheeses]

I'm gonna be shitting and screaming and starting fights if Sera becomes a villain. I can't take sibling angst, Sera loves Emily I swear guys believe meeee.

[dismas-n-dismay]

Over and Over - Rio Romeo ur not telling me she didnt think of the first time she met falin and her beauty as she recreated her in that same image of purity and kindness, piece by piece get out of here

[governmentmandatedryujinstan420]

releasing this from the hj discord dungeon because the public populace was in agreement also i'm chronically offline on tumblr and need to fix that for my chronically online ahh

[alicelufenia]

The Court of Eilistraee

The Drow City Imberlur

When the fuck was anyone gonna tell me Ed Greenwood had a youtube channel [x] where he does shockingly well produced lore videos on little tidbits of the Forgotten Realms, straight from his home campaign to the greater rpg community.

Both of these videos related to Eilistraee and non-Lolth sworn drow settlements are a godsend. Visiting Imberlur someday would be a dream come true for my Tav, and I can totally see an astral projection trip into Eilistraee's court when she reaches the climax of her story, similar to how Gale had a one-on-one with Mystra towards the end.

Thank you Ed your little side stories are worth their weight in gold while WotC continues to do nothing with these elements that have been around for literally over 30 years.

[atopvisenyashill]

connections between naerys and sansa?

There’s plenty! She’s very much in a Naerys/Aegon scenario in ASOS & ACOK, where she has no ability to leave the capital, no one doing anything meaningful to protect her, and a King that is obsessed with sexually humiliating her. There’s a lot of romanticism and chivalry surrounding her character and how other people react to her character, the same as Naerys.

But also, Sansa makes the comparisons to Naerys herself, and she does it before she realizes what kind of person Joffrey is! In fact, it starts with her very first chapter where she compares Joffrey interrupting Ilyn Payne & Sandor Clegane to Aemon demanding a trial by combat against Ser Morgil:

A whole day with her prince! She gazed at Joffrey worshipfully. He was so gallant, she thought. The way he had rescued her from Ser Ilyn and the Hound, why, it was almost like the songs, like the time Serwyn of the Mirror Shield saved the Princess Daeryssa from the giants, or Prince Aemon the Dragonknight championing Queen Naerys's honor against evil Ser Morgil's slanders.

She will compare Joffrey to Aemon and herself to Naerys again later, to Ned:

"Father, I only just now remembered, I can't go away, I'm to marry Prince Joffrey." She tried to smile bravely for him. "I love him, Father, I truly truly do, I love him as much as Queen Naerys loved Prince Aemon the Dragonknight, as much as Jonquil loved Ser Florian. I want to be his queen and have his babies."

(lowkey she’s so fucking funny for that “i only just now remembered” comment, idk how ned kept a straight face for it)

She then uses Aemon (and the Cargyll twins) to make Tommen feel better and dunk on Joffrey:

Prince Tommen sobbed. "You mew like a suckling babe," his brother hissed at him. "Princes aren't supposed to cry." "Prince Aemon the Dragonknight cried the day Princess Naerys wed his brother Aegon," Sansa Stark said, "and the twins Ser Arryk and Ser Erryk died with tears on their cheeks after each had given the other a mortal wound." "Be quiet, or I'll have Ser Meryn give you a mortal wound," Joffrey told his betrothed.

Again, there’s a focus on Aemon’s romantic relationship with Naerys because that's what appeals to Sansa. But when people say "Sansa sees the world through stories" it's not just about how she romanticizes or idolizes knighthood, nobility, and chivalry - she thinks through information by comparing it with similar historical events or stories and analyzing it. She clearly sees the problem with Loras protecting Margaery from Joffrey by comparing him to the Toynes instead of Aemon, and Joffrey (once again) to Aegon the Unworthy:

She is so brave, Sansa thought, galloping after her . . . and yet, her doubts still gnawed at her. Ser Loras was a great knight, all agreed. But Joffrey had other Kingsguard, and gold cloaks and red cloaks besides, and when he was older he would command armies of his own. Aegon the Unworthy had never harmed Queen Naerys, perhaps for fear of their brother the Dragonknight . . . but when another of his Kingsguard fell in love with one of his mistresses, the king had taken both their heads. Ser Loras is a Tyrell, Sansa reminded herself. That other knight was only a Toyne. His brothers had no armies, no way to avenge him but with swords. Yet the more she thought about it all, the more she wondered. Joff might restrain himself for a few turns, perhaps as long as a year, but soon or late he will show his claws, and when he does . . . The realm might have a second Kingslayer, and there would be war inside the city, as the men of the lion and the men of the rose made the gutters run red.

She’s also not wrong in her assessment here because the Tyrells (my guess is Garlan and Olenna) are so worried about this outcome they just murder Joffrey and install Tommen; like Bethany Bracken, Margaery is groomed (with all the implications that are included in such a loaded term) to be sexually available to the King because her father wants power and doesn't care if his daughter is sexually abused to get it. Like Terrance Toyne, Loras is considered attractive, skilled, and has several brothers more than willing to start a war to avenge his death. I think it's incredibly intuitive that Sansa ultimately comes to the same conclusion as two seasoned political players like (presumably) Olenna and Garlan come to, and she makes this judgement call very quickly!

And Sansa also hits on a lot of (correct) similarities when she makes these comparisons between Joffrey's court and Aegon the Unworthy's court; Aegon and Joffrey both have wild, violent temperaments while being notoriously difficult to control. It’s not just Naerys that attempts to get Aegon to stop marital raping her; Aemon’s useless tears aside, Viserys does do the bare minimum here in sending Aegon away so Naerys can heal from her miscarriages, Daeron got shitty with the Brackens about being tacky over Naerys' marital rape and ill health, Baelor fasts himself to death over Naerys’ miscarriages, etc etc. All of the “authority figures” around Aegon think his behavior is wrong but Aegon proves stubbornly difficult to control or kill. Joffrey falls along these same lines - Cersei, Robert, Tyrion, Tywin, and even Varys all struggle to get some control over Joffrey but like Aegon, he knows once he’s of age and has that crown he doesn’t have to answer for SHIT and stubbornly resists every attempt to curb his behavior. Joffrey is a hell scenario waiting to happen because like Aegon, he’s petty and petulant enough to pull the stunts Aegon pulls like pitting his true born kids against his bastard born ones and causing another violent succession crisis. I say this as like, the ultimate Joffrey Apologist here, lmaooo, he has reasons for being a nasty piece of shit but the Tyrells are right to look at him and go “oh that’s trouble” because he is a ticking time bomb. And the crazy thing is, it’s not just Sansa who compares Joffrey to Aegon the Unworthy:

"A king can have other women. Whores. My father did. One of the Aegons did too. The third one, or the fourth. He had lots of whores and lots of bastards." As they whirled to the music, Joff gave her a moist kiss. "My uncle will bring you to my bed whenever I command it." Sansa shook her head. "He won't." "He will, or I'll have his head. That King Aegon, he had any woman he wanted, whether they were married or no."

Joffrey makes the comparison himself. He's a piece of work just like his hero and he is directly threatening to rape Sansa the same way Aegon raped Naerys and poor Bethany Bracken. He is directly admitting he is "unworthy" and practically daring all of KL to overthrow him for it because he thinks they'll blink before he does (and he is unfortunately deadly wrong in this assumption).

And when you extrapolate out from there, you can see other, similar patterns between Naerys' life and Sansa's, beyond the Joffrey-Aegon, Margaery-Bethany, Loras-Terrance, and Sansa-Naerys parallels. Tyrion himself aspires to be a sort of Viserys II type player (see: "It should have been called the Lives of Five Kings" rant he gives to Oberyn); a power behind the throne directing his crazy family to do what's right or smart or proper. There's an interesting echo in Viserys taking direct action in sending Aegon away from Naerys and Tyrion stopping Joffrey in his assault of Sansa - like Viserys, he can see the monster in the king he is raising, makes an attempt to stop it, but fails because he underestimates just how dangerous and erratic his little king has become. Like Viserys, Tyrion is suspected of poisoning his own nephew in an attempt to get closer to power and the throne (and Viserys, like Tyrion, is probably innocent - the sort of fasting that Baelor was doing regularly is hard on the body!).

I don't think any of this is coincidental or accidental either, because of that haunting scene where Joffrey destroys the gift Tyrion got him. Here's the scene, excuse the wall of text, but it's important:

He plays the gracious king today. Joffrey could be gallant when it suited him, Sansa knew, but it seemed to suit him less and less. Indeed, all his courtesy vanished at once when Tyrion presented him with their own gift: a huge old book called Lives of Four Kings, bound in leather and gorgeously illuminated. The king leafed through it with no interest. "And what is this, Uncle?" A book. Sansa wondered if Joffrey moved those fat wormy lips of his when he read. "Grand Maester Kaeth's history of the reigns of Daeron the Young Dragon, Baelor the Blessed, Aegon the Unworthy, and Daeron the Good," her small husband answered. "A book every king should read, Your Grace," said Ser Kevan. “My father had no time for books.” Joffrey shoved the tome across the table. “If you read less, Uncle Imp, perhaps Lady Sansa would have a baby in her belly by now.” He laughed … and when the king laughs, the court laughs with him. “Don’t be sad, Sansa, once I’ve gotten Queen Margaery with child I’ll visit your bedchamber and show my little uncle how it’s done.” Sansa reddened. She glanced nervously at Tyrion, afraid of what he might say. This could turn as nasty as the bedding had at their own feast. But for once the dwarf filled his mouth with wine instead of words... [Joffrey gets a Valyrian sword and figures out a name for it, Widow's Wail, it's a few pages, it's not relevant here] Joffrey brought Widow’s Wail down in a savage two-handed slice, onto the book that Tyrion had given him. The heavy leather cover parted at a stroke. “Sharp! I told you, I am no stranger to Valyrian steel.” It took him half a dozen further cuts to hack the thick tome apart, and the boy was breathless by the time he was done. Sansa could feel her husband struggling with his fury as Ser Osmund Kettleblack shouted, “I pray you never turn that wicked edge on me, sire.” “See that you never give me cause, ser.” Joffrey flicked a chunk of Lives of Four Kings off the table at swordpoint, then slid Widow’s Wail back into its scabbard. “Your Grace,” Ser Garlan Tyrell said. “Perhaps you did not know. In all of Westeros there were but four copies of that book illuminated in Kaeth’s own hand.” “Now there are three.” Joffrey undid his old swordbelt to don his new one. “You and Lady Sansa owe me a better present, Uncle Imp. This one is all chopped to pieces.”

God I love that passage so much. There's a lot there but what's relevant is a) both Oberyn and Garlan are trying to get a measure of who Joffrey is, and have some child murdering plans potentially in the works during this scene. Watching Joffrey destroy a priceless tome of history given as a well thought, well meant, incredibly generous (and pointed) gift from his uncle is more than enough proof for either man to decide Joffrey is not worth the headache, and please note Garlan is the only person to call Joffrey out to his face, and Oberyn is a few pages later the only person to acknowledge this was a fantastic and kind gift from Tyrion that Joffrey reacted absolutely deranged towards for no reason. and b) Tyrion is almost literally saying to Joffrey "I can be your Viserys, I can make it so you're remembered as a great king the way Daeron II or Baelor are, or a great warrior like Daeron I, but you have to understand the reason why I'm worried about your behavior" and Joffrey does the most destructive, unworthy thing he can possibly do - he quite literally destroys priceless, useful historical knowledge and wisdom with his bare hands, in favor of senseless, petulant violence. As Catelyn would say, Joffrey's real bride is not Margaery, but the war he's fighting and the crown on his head.

All of this to say - there's a lot of parallels between Sansa's situation in KL and Naery's life and these parallels are drawn not only by Sansa herself, but also by several people around her. However, I hope for better things for Sansa than what poor Naerys got - I hope for an Aemon the Dragonknight that will do more than just cry while she's raped, but actually step into that room and defend her, or else give her the power to defend herself. Despite the long wait for The Winds of Winter, I also think it's likely we will get some sort of Dragonknight, devoted sworn sword for Sansa and this person will help protect her, and Sansa will have agency that Naerys could only ever dream of.

[bidrums]

Grace Chastity

Clarice Lispector, "The Burned Sinner and the Harmonious Angels" // @givemearmstopraywith // Team Starkid, Nerdy Prudes Must Die (2023) // Stuart Gordon, Re-Animator (1985) via @candyredmusings // Silent Hill 3 // Alexandre Cabanel, "The Fallen Angel" // Eduardo C. Corral, Guillotine // (I don't know who did this one if anyone does please lmk and I'll put that here) // Fox, “High Tide Rising" // @k0r1nn4 // Will Wood, "Laplace's Angel (Hurt People? Hurt People!)" // System of a Down, "Chop Suey!"

[suffarustuffaru]

hi i made a tier list of how homophobic rezero characters are

hello in the spirit of valentine's day and the very welcoming community here on rezero tumblr i decided to make this with the help of my lovely mutuals.

[a-very-sparkly-nerd]

When we get the Rayllum reconciliation, I need both of them to apologize. Yes, Rayla left and in a really bad way, but Callum messed up, too. He kept trying to get her to move on because he knows she deserves to be okay, but refused to read all the signs she gave. They both messed up and hurt each other, and you can't be mad at one of them without being mad at the other no matter how few or how many details you have about the situation.

[lovesickeros]

☆ the dove

{☆} characters tsaritsa {☆} notes cult au, imposter au, drabble, gender neutral reader {☆} warnings violence, blood {☆} word count 0.7k

Her hands are weapons, forged in a tragedy as much as a war of ash and blood that seeps into the earth and rots it from within. To them, however, she is salvation. Her hands are a kindness, not a threat. She sees it in their puffy, red eyes just brimming with tears, their fragile body so delicate and weak is still remains marred by wounds new and old – the gold still stains their skin, even long after it had been washed away.

She has seen it all – and she takes the injured dove beneath her wing with the sickly sweet promise that someday she shall mend its broken wings and teach it to fly again.

And in their stupor, they do not see her clip their wings.

It is for the best.

The wolves still salivate below the nest, waiting for her little dove to fall again – no, she shall not send her little bird to fly when it will just fall into their waiting maws once again.

This..this one is hers, she has decided.

Her little bird who dreams of the sky and the woman who clips their wings..what a tragic pair they must make, she thinks.

Not for her, of course. Yet not to them, either, unaware of the way she grounds them and keeps the key to their cage tightly in her fist.

"Tsaritsa?" The soft, meek lilt of the little bird draws her from her reverie, and she smiles – all teeth and little else, wolfish and predatory.

Yet the bird sees nothing but love in the sharp points of her canines.

As it was meant to be.

"Yes, little bird?"

She coos in honeyed tones, brushing her cold, cold hands against their skin, reveling in the way they shiver and shake beneath the ever present chill in her very bones. They do not fear the claws that ghost across their skin, and the smile they offer that illuminates their eyes like stars only proves her right – she wants to devour them whole. To see the stars in their eyes burn out beneath her teeth, their golden blood burn upon her tongue and down her throat.

"You promised to take me to the gardens today, remember?"

Her pearly, sharpened fangs peer out beneath her lips as she grins wider, unnerving to all but the little bird who sees not the wolf but the wool it wears, her hands finding their place upon their shoulders as she whispers into their ear.

She will guide her little bird where they cannot go, where their clipped wings cannot take them.

She will give them that bittersweet taste of freedom and then watch them try to catch the stars..

Just to drag them back down to earth where they belong.

"Of course, Creator – I am a woman of my word, am I not?"

Such sickly sweet lies come to her with ease – she lies and she lies and they do not see past the woolen cloak of the wolf until its jaw has snapped around its throat and its blood has painted the world a shimmering gold.

She will delight in that, too.

"If I may be so bold, Creator, you have been distant lately..have you grown tired of me already?"

Her words were as sharp as a blade, yet as dull as a rock, as sweet as they were dangerous. Like watching a mouse trap luring in its prey, she would snap it shut as soon as the little bird strayed too close.

"No! No, that's not..you've just been busy lately, I didn't want to intrude."

They remind her so much of a rabbit in those moments, and she so badly wants to know what would happen if she just took a small, insignificant bite..yet she restrains herself with a far too wide smile, her jaw clenched so hard she almost thinks they will hear it creak.

"Intrude? You could ever hardly intrude, Creator – what is mine is yours. Though, perhaps I shall have to lock you in my room to ensure you compensate me for depriving me of your presence."

In just a few short words, she snares the rabbit – her little bird, her Creator. They will see nothing but the sickly sweet lure of her smile, letting out a pretty laugh of their own as they press closer, like a bird wandering into the open maw of the beast lying in wait.

"As long as it has a nice view, I suppose I won't mind."

They jest, but she does not. And oh, how easy it is to ensnare an unsuspecting prey.

"Of course, Creator – just for you."

It won't be long until her little bird returns to its gilded cage, now. Permanently.

It is better that way.

[waddles-ex-machina]

also hey what the HELL is this place and - is that David and his shovel

[h-doodles]

truly not sorry but once again thinking abt miranda/mc/mia in RL. i need them SO bad. like, 2 of the most morally unsound persons (Mia & Miranda) + their little meow meow. Knowing both are so possessive and destructive (TO OTHERS) when they love and instead of running, fully embracing the chaos of it. Loving them despite their delusions of grandeur, the crimes, the secrets, and the deaths (+ undeaths) caused (or ordered!) by their hands. Acknowledging this is fucked up but you can't help it. Lovingly bitching abt their fights but fully done and gone to do anything else but to soothe and continue loving them, because after all those years of waiting and doing and redoing everything to be perfect was worth it for this.

also did i mention being their little meow meow. sorry Miranda, MC was the original gremlin in the relationship and Mia being the fucked up feral racoon she is now is not solely by her doing, MC was and IS the enabler in both relationships that it bled over sm and OUGHJJJJJHHHHhhhh im being so emo abt three (3) women being utter menaces frfr

[chialattea]

GASLIGHT GATEKEEP GIRLBOSS‼️‼️‼️‼️

EVERYONE SAYS THEY LIKE FEMALE VILLAINS BUT THE SECOND A WOMAN IS ACTUALLY EVIL YOU CANT HANDLE HER‼️‼️‼️ LETS GO PUDDING LETS GOOOOOOO