#not comparably interesting in how they're executed?

[aro-culture-is]

aro culture is getting so fucking tired of people using the fact that there's a queer romance in something as a reason you should watch it. like haven't allos had enough of romance? queer or otherwise? I'm not saying queer representation is bad, of course, I'm just fed up with asking what a book is about and in response all I get is "oh it has queer people in it" cool! what is it about? having queer representation is not the be all end all of media can we please have ONE thing without romance in it. please.

.

[canmom]

Comics mini-Comints: Dungeon Meshi

reread dungeon meshi through to the end. still such a great manga. here are immediate thoughts - if I end up having time and energy I hope I can write something that goes deeper!

ironically i was only a few chapters from the end when I stopped keeping up, but I was struggling to remember all the characters and context, so reading it through in one go was definitely an ideal way to achieve maximum impact there.

ryoko kui does a very elegant job of handling a transition from 'silly antics' to 'big dramatic fantasy' while still keeping the central thematic throughline - eating and being eaten, belonging to an ecosystem, the significance of sacrificing others to achieve your own desires. a lot of setups pay off in a way that feels meticulously planned - and of course the crux of the final showdown revolves around characters attempting to eat each other, of course the big payoff is a huge feast that symbolically unites all the conflicting factions. it is maybe a bit too neat and happy for my taste, but it's undeniably tightly executed - it never loses sight of what it's about. especially compared to something like Frieren, it's an incredibly coherent serialisation, up there with e.g. Fullmetal Alchemist.

kui's art style deserves all kinds of praise - it feels effortlessly simple, but it clearly communicates all sorts of different shapes and body types and it's really fun to see her play around with remixing the different visual elements when she switches the races around. in general Laius's autistic monster loving ways clearly reflect kui's own deeply felt appreciation for all the ways people and animals live (accentuated further by all the extra sketches the scanlators tuck in). in a way you could kinda call it like Parts Unknown the fantasy manga.

the stakes of the final conflict are interesting - there is much to be said about the framing of 'desire' and its fulfilment, of this occult idea of 'the infinite'. lots you could put in relation to other manga, and also buddhism. (in particular I really want to develop a comparison to Made In Abyss, there are so many parallels, it just might be too spicy for tumblr lmao).

one thing I really like about it is how much its fantasy dungeon-exploring setting owes to D&D and other TTRPGs, rather than videogames. monster ecology has been a fascination of that game since the early days of Dragon magazine, and Kui sharply zeroes in on some of the intrinsic conflicts baked in to that fantasy milieu, notably the lifespan thing, while smartly avoiding the traps of 'evil races'. there's some really fun nods to the weirder monster manual entries. and in a story with so many characters and factions, it does a genuinely incredible job of furnishing everyone with understandable, reasonable motivations, conflicts drawn from their context just like the monsters are explained by their ecology.

and one thing that I particularly appreciate is like... how much it is able to simultaneously understand and sympathise with a character and also show us how and why they'd rub others the wrong way. it's impossible not to like our main group, they're all such charming dorks and the manga leads you along with all the crazy rpg party shit they do, but at the same time you definitely find yourself thinking 'guy's got a point' in the kabru chapters lmao. I'm projecting hard bc i don't really know a thing about ryōko kui but laius def feels like the sort of depiction of having an autism that you can only do if you've lived it.

but yeah, it's a fuzzy ending where it all turns out well. but what's the deeper thrust of it all? there's a funny moment where marcille is like 'maybe in the end our journey is about learning to accept death' and the grouchy old gnome guy completely laughs this off as naive, because death doesn't mean anything. and indeed their big plan pays off, and falin does indeed come back just fine. but still, through all of this it asks you to bite the bullet that being a living creature means eating to survive, at the cost of other creatures, with the other side being that one day you too will be eaten. in contrast to this honest way of being is the beguiling fantasy of infinity, where all your desires are immediately fulfilled - this is shown as a dangerous path of corruption that produces madness and manipulability. having limits and rubbing up against the wishes of others, or 'doing things you don't want to do' as izutsumi's arc puts it, becomes necessary for having some kind of definition as a subject. the thing that makes the demon concrete as an entity is a desire, or appetite, that can't immediately be fulfilled.

of course we can connect this to the idea of narrative conflict. a standard advice for putting together a plot is to ask what each character wants and why they can't get it. wanting something implies movement. and indeed over the course of this story, we see that while having too many desires fulfilled too readily leads to incoherence and callousness, equally a character who is left catatonic as their desires have been eaten by the demon must be reawakened to activity by finding a new desire.

it's kinda Buddhist innit. neither the opulence of the palace nor asceticism. desires are what tie you to the world. but mixed with ecology: what a creature does to find the energy to live is what defines its lifestyle, its form.

this is probably where I'd start talking about entropy gradients and shit if i wasn't typing this on a phone at 1:30am lmao.

but yeah - it's a powerful move to go from 'D&D monster recipe show sendup' to 'living with the inherently violent nature of being an organism fated to live in a finite sum game' and yet Dungeon Meshi makes it feel natural and convincing, while remaining tremendously charming and funny throughout. ryōko kui is definitely some kind of genius, and I can't wait to see what her next act is gonna be. it's all definitely making me appreciate the act of eating a lot more.

next story on my plate is probably The Flower That Bloomed Nowhere, which sounds like it will present a very gnarly thematic contrast.

[general-cyno]

y'know, one zolu moment I don't talk about nearly as much as I should but that I love and find super interesting is the bar fight on jaya. and though I know there's mixed opinions on the latter, I also like the contrast between jaya AND whiskey peak.

when it comes to whiskey peak... I'm somewhere in the middle. as a concept I find it interesting too, since it involves zoro doing things on his own for the sake of the crew for the first time (iirc) and luffy being faced with the possibility of zoro not acting as honorably as he believes or trusts zoro to be at that point. thing is, luffy is someone who places great value in the kindness he receives and returns it tenfold. it's something we see throughout the story and in jaya as well actually, with cricket and his crew! this is also what's attracted him to most of the straw hats (if not every) and his allies also. so in theory, I don't think luffy reacting negatively to zoro attacking the ppl who'd been kind to him and the crew for seemingly no reason is entirely out of character, especially after waking up so disorientedly, and at least not that early on in the manga. he emphasizes it too, when he shows up to fight zoro,

the problem for me lies more on the actual execution of it rather than the idea as a whole. kinda goofy for luffy and zoro to drop lines like "now we'll find out who's superior" during it as if they'd had some sort of fighting style rivalry beforehand and it's kinda removed from the og point of the fight but they're dumb kids and the story can take some goofy turns at times so. shrugs.

I can't tell if whiskey peak was originally meant to have an impact or effect on their relationship afterwards (some opinions I've read insist oda was forced to include it) but if anything, it ended up demonstrating zoro and luffy are better off fighting together than against each other, even as they're going on about killing and beating the other up over a misunderstanding. it reminds me of one comment I read on a r/ddit post a while ago (about another topic though) that pointed out how in terms of fighting styles, zoro and luffy kind of complement and make up for each other's weaknesses, which is such a nice detail and layer to their relationship imo.

and assuming there was a genuine point to it all (it's more fun that way heh), I'd say that it really highlights the importance of moments like those in jaya and luffy choosing to trust zoro not to fight back against bellamy's crew.

as luffy has learned this far, zoro would never hurt anyone for no reason and if there's a "reason" it's usually, if not always, rooted in his wish and duty to keep everyone safe (in whiskey peak, the townsfolk were actually baroque works agents, bounty hunters, who had a tendency to trick pirates like them at the start of the grand line). plus, zoro may enjoy battle but he doesn't fight for revenge or feelings/motives of the sort, as he admits later in skypiea. he does, however, react when the people he cares about are in danger (*waves hand and points at anything involving luffy*), hurt (chopper in skypiea as an example, but there's plenty more) or he witnesses great injustice (like yasuie's execution in wano). he's also not the type to enjoy beating up someone weaker, much less for shits and giggles. he will even save enemies if luffy asks him to, as long as it doesn't pose a bigger or immediate (real) threat to the crew.

compare zoro saving smoker in alabasta vs him refusing to accept x drake as an ally at first due to his known status as a traitor in the wano arc, for example.

and of course jaya isn't an exception. when bellamy attacks luffy, zoro responds as usual:

luffy himself stands up ready to fight too, at first. but as nami brings up the sky island and everyone mocks them for it, then bellamy specifically takes it upon himself to ridicule them - insisting on how foolish it is for ppl to "waste time" chasing their dreams, especially pirates, luffy decides not to fight back and tells zoro to do the same.

this is one of those instances in which the "lu" of zolu really shines through, if you ask me. zoro's got a handful of grand gestures toward luffy on his belt, but this is one in which luffy does the heavy lifting for me. this is acknowledgedment and an insane amount of trust, a moment in which luffy's relying on zoro to understand his motives and to push back his usual protectiveness when faced with an enemy displaying a lot of hostility. and zoro gets it, stays true to the trust luffy's placing on him. he doesn't fight back, not even as nami watches and wonders why.

I sound like a broken record at this point, but OP's brought up in several and different circumstances the fact that luffy and zoro are actually pretty similar. they tend to behave the same way or echo each other's words even when they're apart, share similar views on death, on growing stronger for the sake of the ppl they care about, and more so when it comes to chasing and fighting for their dreams.

in the aftermath of the bar encounter, blackbeard tells nami that luffy and zoro actually won that fight. this includes a curious panel in which luffy reminisces both shanks and ace.

it makes sense why luffy shared this particular moment with zoro, when you think about it. those two are dreamers through and through, and if there's characters who can understand the importance of not only chasing those dreams but also keeping a promise, it's them - whose dreams they initially shared with ppl they cherished as kids and made promises to. for luffy there's ace and sabo, and shanks. for zoro it was kuina, then as an adult there was luffy himself. in a lot of ways, the straw hat is to luffy what wado ichimonji is to zoro. during that fight, bellamy represented everything luffy and zoro stand against both as characters and thematically speaking. and that, along with everything luffy's learned/come to know so far about zoro, is what he relied on. it's so good.

later, there's this scene with zoro and the rest, where nami wonders why zoro didn't go with luffy to face bellamy again:

(fun bit here is that zoro actually asked luffy before if he needed his help. it's a small panel but cute! he trusts that luffy can handle himself, as luffy told him he could, and knows there's no stopping him when he's made up his mind lol.)

whether zoro was referring to bellamy's strength or his lack of belief in/mockery of dreams, or both, it's clear he understood why luffy chose to do what he did and asked him to stay put back in the bar, and he could relate to luffy's motives as well. as I mentioned above, it makes sense why zoro in specific would, without luffy voicing them out loud.

the nicest part is how all of these moments are a product of the writing that's gone into luffy and zoro's relationship/dynamic. when luffy chooses to trust zoro with stuff like this, there's a chunk of context that precedes it (like whiskey peak). and when zoro decides to follow him, too, it's because his loyalty for and understanding of luffy has been continually built as the story progresses which is super compelling, and also wonderful to see.

[06sunnybunny06]

Part 2 (Aren't we friends?)

♡♡♡♡

The next morning, when the sun was just rising above the horizon. You went on a treasure hunt. Why Child could control you so easily by playing his weird games. He seems to be quite good and looks like a good guy. It's just that Childe is your friend. That's the whole conversation.

The ancient map of Li Yue differs significantly from the modern one. Many buildings, at the moment, have turned into ruins. There may be a whole story behind a broken column. In fact, you are now watching the ghosts of the past. It would be interesting to move back in time and compare "before" and "after".

Come to think of it, you've never traveled outside of Li Yue. Before that, your home was a small village, hidden from prying eyes. The parents weren't bad, they just tried, as if they were hiding from something. The villagers loved to live the old-fashioned way. Thanks to them, you had a good childhood, but one question haunted you all the time.- "Why live in such a wilderness if there is a big city nearby?". No one tried to answer. You were greeted only with meaningful stares, as if you were asking stupid questions. As someone who grew up in the wilderness, far from crowded places, you wanted to see a different life. In the city, everything was different: the houses were tall, the rhythm of life was faster, even the people were completely different. My parents didn't really approve of the decision to move, but there was nothing they could do.

- Okay, we didn't break up on the best note, but so that we wouldn't even send a single letter all the time? And what is that supposed to mean?! Did they just forget about me?!

While unpleasant thoughts were wandering in my head. There was a crunch a few steps away. You were hiding behind the trees nearby without thinking. No matter how beautiful nature and ancient structures are, this world is still dangerous. Any evil spirits can appear from anywhere.

Two figures appeared in the distance, looking like masked soldiers. If one of them is a little taller than you, then the other is quite huge. They also seem to be armed. The first one has a gun sticking out behind his back, and the second one has a gun...what is it? A huge hammer?! Just don't tell me that these are the fatuis that are not pleasant rumors about.

"How long do we have to stay here?" - you flinched when one of them started grumbling.

- Until the harbingers finish their work in Li Yue. Our task is to look for traitors, if you haven't forgotten.

A heavy sigh followed. - "Our work is hard in itself. You can simply be sent to another country and not be brought up to date for a long time. Some stay because they are simply forgotten! Fatuis are not liked by everyone anyway. What should we do then? Wait for the locals to devour?"

The soldier with the hammer turned his head. "Watch your mouth. If anyone finds out, you will be executed on the spot. Submission to the Queen is the law. It's better not to say too much."

- And yet I feel sorry for these people. They lived as if they didn't exist. Oh, I would also like to settle in a quiet village to meet my old age in peace, but that's all.

The second soldier nodded. - "Yes..."

- Considering who our boss is, we're not going to get it. They say he's a real psycho.

Their voices could be heard for some time, until they completely subsided behind the dense foliage. After waiting for some more time, you got out of your hiding place. Everything seems to be calm. They're gone. It was eerily scary to even move. Who knows what they are capable of?

You've looked around the area again. The map shows the way from point A to point B and nothing superfluous. It seems that you are close to your "treasures". Whatever it is.

As the journey continued, the familiar surroundings attracted attention. You've seen this place before. I'm just remembering when it was. "This can't be happening." - The legs walked faster. A familiar sight opened up on the hill. It was your native village. Is this really the destination? You were already suffocating from the strain. Childe couldn't have known about this place…

When you went downstairs, the familiar house of an elderly woman appeared around the corner. She used to look after you when your parents were away on business. Today she has been dead for a long time. Someone had to occupy an empty house. But there wasn't a soul on the street. The wind walked alone between the houses, leaving a void in its wake. Now you're really scared.

You found yourself near your house. It became so quiet that even the creaking of the stairs underfoot seemed like a thunderclap. When the hand reached for the handle, the door opened quietly. The house is not only empty, but also as if no one has lived here for a long time. Mom would never have allowed such a layer of dust, knowing her cleanliness.

You were trying to find at least some signs of life with your eyes when you noticed a piece of paper lying on the table. It seemed to have been placed in a prominent place on purpose. The piece of paper was quickly in your hands. A message was written in it:

"Hello, my dear. Congratulations to you! You've won our little game! I would like to see your smile, but there were some difficulties, so I couldn't come in person. I'm sorry, and I promise, this is the last time! A gift is waiting for you in your room!

With love, your friend is Childe.

You were in shock. How the hell does he know?! How does he know this place? Where are all the residents, and most importantly, where are your parents?!

The head turned towards the door. A little girl used to grow up behind her. The walls of the room remember a lot of emotions - from loud laughter to bitter tears. There was a small box with a bow on the bed. His hands trembled as he opened it. There was a silver ring inside. It wasn't just a decoration. It belonged to your mother. Fingers gently pulled it out of the box. Something else was born. Tears rolled down your cheeks when you noticed the dried maroon spots. The legs immediately rushed to the exit. Maybe they were running away from something, or it was all a bad dream. In the morning you will wake up in a cold sweat, not thinking about him anymore.

When you ran out of the house, a sharp pain pierced your head. The unconscious body collapsed to the ground. You distinctly heard someone say the word "damn." The tears continued to flow until my mind completely shut down.

You woke up in a dark room. Although there was a lamp on the bedside table, some dark areas were still difficult to see. The pain was sharp in the back of the head. You tried to sit up when a familiar voice rang out. "Are you finally awake?"

Your body is numb. It was Childe. He was waiting for your answer. You could barely squeeze out a couple of sentences in a painful voice. - "Yes. My head hurts terribly."

The guy almost purred when he heard your voice. So you're more than okay. "One of my soldiers underestimated his strength. He hit you on the head, but don't worry. I punished him personally." He sighed, suppressing his anger. Some fool dared to harm you. Tartaglia made it clear that you needed to be caught and disabled, not knocked out with all your might. Fortunately, he is no longer a tenant.

- A soldier? "there are memories behind the transparent veil. How did you come to an empty village, how did you find your mother's ring in the house..."

His right hand rose involuntarily, revealing a silver ornament on his index finger. You've always admired him. The image of the snowflake accurately conveyed the connection with its owner. Your mother, like you, had the vision of a Cryo. There was a midnight jade in the core, which shone with a blue light in the dark. My father gave it to me for their anniversary. This time it was completely clean.

- Why do I have my mother's ring on my finger?

Chade shuddered. He sighed heavily, sitting down next to her on the bed.

- The fact is that... I don't think there's any point in lying to you. Since you're in danger, it's better to find out everything at once.

You looked at him expectantly as he began his story.

"I am the eleventh harbinger of Fatua, and it is my duty to do the Queen's will. She is the ruler of the Snow Kingdom. Each fatui must take an oath of allegiance, entrusting his life to her. If the oath is not fulfilled for one reason or another, the person will die. Those who shirk their duty become traitors and face the same fate. I have nothing against your parents, but they were previously from Fatua, and I think you know how it ended....

You didn't believe his words. More precisely, they didn't reach you. - "No. This is your stupid joke again, isn't it? Are you lying to me as always?" "You didn't even notice yourself when you started crying again. Everything fits together very well. The puzzle is coming together. Their caution was always infuriating. It seemed to you that a free person should be happy and not be afraid of anything. But they were trapped in their fears from the very beginning. The Fatuis were hunting for them. As a result, they are no more. And whose fault is it? "Are they dead? Did you kill them?"

Childe began to shake his head negatively. "I wouldn't dare. You know, I have a family myself..."

You sobbed, burying your face in the blanket. What's going to happen now? How to live with the thought of the death of your family now. You didn't even have time to say goodbye.…

Childe hugged you. His heart hurt more with every tear that fell out of your eyes. If there was an option not to cripple your psyche..

- You know, I helped you with something.

You lifted your head, wiping away the remnants of your tears. - "What are you talking about?"

"You would have suffered the same fate if I hadn't intervened. The authorities wanted to get rid of all the recalcitrants, but you were not in Fatui when they escaped.

You nodded, and the guy smiled with satisfaction. "I have an idea. In order not to attach you to this dangerous organization as another unfortunate soldier. So I decided to marry you.....Ta-da!"

Your eyes widened and stared at him, but Childe continued. "The Queen has approved our marriage. It turns out that you were born in Snezhnaya. This means that it will be right to return you to the embrace of your native land. My family is waiting for my return. They will be glad to meet you."

"Are you saying that our marriage is my salvation?"

The guy nodded. "I personally buried your parents in another place. It seemed to me that it would be better than lying in a mass grave. Your mother's ring will be our bond. It will be difficult to accept their death, but nothing can be done. I'll be there to help you deal with everything."

You were grateful for his help. Although this is not the life you planned, it's still better than serving a dangerous organization.

Your face brightened, and you nodded approvingly. Childe could barely restrain himself from grabbing you and kissing you. He must not spoil this moment. Everything is going too well.

"I'd like to see the graves." I need to say goodbye to them at least like that.

Tartaglia nodded at your wish. -"Of course dear. You need to visit them so they don't worry about you. Then you will definitely be free." - He took you in his arms again. This is the best day of his life, and it will be even better when you get married....

[houseofbrat]

As someone who works in PR I am ASTONISHED at how bad Kensington Palace is at all of this. It’s the most interesting part of the whole thing for me. Well that, and how much it seemingly vindicates H&M and Harry in particular in what he’s said about the firm and the media’s role in protecting the Heir at all costs.

Yeah I work in PR for a public company and anytime we want to put something out we have to run it up the chain - we need legal and Investor relations and executive approvals.

Even if KP and BP had their individual PR teams, which makes sense, there should still be one main central PR office that everyone answers to that manages the entire royal families PR, makes sure schedules and press opportunities and STRATEGY AND MESSAGING all aligns, before running up the chain for final approvals. There’d be a social team and a crisis team and government relations team and a branding team and a general “talent rep” kind of team, all working in tandem to serve the overall strategy for the royal family.

The fact that there are so many cooks in so many different kitchens is why the royal family has had so many PR disasters honestly for decades now. They’re truly doing it all wrong. So many Worst Practices here, not Best Practices.

It really doesn't seem like there is an overall PR team. Just the separate entities

Yeah and that’s the problem IMO. They are a business that should be run like a business. They should have the individual departments I suggested, and even more, working in tandem.

The fact that there are so many separate entities with different agendas and priorities is a huge part of their problem IMO.

But Charles has been transparent for the most part!! And photographed repeatedly. It’s so bizarre when compared to KP, and feels passive aggressive to me to be honest lolol.

They’re really so so so bad at this 😭😭😭😭 but the British public and the media lets them get away with it 🙃🙃🙃

For heaven’s sake. If she’s recovering nicely, why resort to recycling old photos?

Other sources are making a pretty good case for the fact that it’s a November photo, taken after Catherine and the children visited the baby bank.

Does nobody, and I mean nobody, know how to do PR in that place anymore? Now it's pin all of this on just-recovering-from-abdominal-surgery Kate? Why not on William since they were so proud about how he was the one that took the photo? Somehow they keep making everything ten times worse.

I’m sorry, but I don’t believe for a second that Kate personally edited that photo together in such a way that it had to be killed as inauthentic. The pulling of the photo is likely more about the refusal to provide metadata or the raw image for proof rather than silly Photoshop choices. That isn’t an issue of “mummy going wild on the computer,” it’s a larger organizational issue about trust, transparency, and KP’s overall poor approach to news orgs and the press lately.

Why is Kate taking the fall? Why is William such a lout to let an ill Kate put this on her own shoulders rather than admit KP made an error or say KP is going to reevaluate their practices and make a change?

Are college interns running Palace p.r.? Because I cannot understand how they're botching this so badly. If Kate couldn't/wouldn't pose for a legit photo, then just don't release anything. The Royals are basically dumping tankers of gas on the inferno by playing all these games. 

Sorry, am I going insane? After saying they wouldn’t respond to these conspiracy theories, they

a) responded by putting out a doctored image,

b) responded to the backlash of doctored image by claiming the woman recovering from a medical issue was playing around in Photoshop, and

c) responded to the backlash of editing claims by putting out an image where the person in the photo is supposed to be Kate but could LITERALLY BE ANYBODY.

NONE OF YOU ARE FINDING THIS WEIRD? NONE?!

"Kate's Back"

Well, it is indeed a picture of Kate's back

Apparently the main symptom of her mysterious medical condition is that any photo with her in it immediately becomes grainy, blurry, or with people's wrists trying to escape into a fifth dimension.

Good Lord, I haven't followed a disaster story this closely since Oceangate Titan and this one may be even worse. The narrative is out of control and the rules have gone out the window.

They already lost control of the narrative at this point. No matter what they do now, they will be scrutinized more than they've ever been before. And they seem grossly unprepared for it.

She’s not even facing camera, how is this supposed to help? This just feeds the conspiracy theorists! headdesk

It's becoming a PR nightmare that only Olivia Pope can rescue.

Maybe the better question is that people are concerned about Kate's welfare, and most WERE okay with waiting under the timeline KP initially offered that is she will likely return by or after Easter.

However KP has mismanaged the messaging, and with that concern grows over how weird some of the updates are. The article explains why this medical time out is turning into an absolute PR crisis. It isn't so much about Kates right to medical privacy (she definitely deserves that )

It now is about institutional reliability, the heir William's arguably erratic or unusual behavior or his courtiers' comments, the mess with the all kill photoshopped/Frankensteined photo (which has never happened before with a palace released photo), the very different approaches from BP vs KP, etc etc. It's become bigger than Kate sad to say.

And ultimately now people are worried for her, in a way they wouldn't have been, because things have become so irregular and bungled. So the urgency to make sure she is safe and okay has become louder and more insistent.

“CNN is now reviewing all handout photos previously provided by Kensington Palace.”

“In editorial photography, photojournalists and editors commonly adjust a photograph’s exposure or color balance in order to more accurately reflect the scene. Most news organizations, including CNN, regard it as unacceptable to move, change or manipulate the pixels of an image. To do so would alter the reality of the situation the image is intended to document.”

“In the past, the family’s amateur photographs have been well received when posted on social media. But on this occasion, this photo was also released to media organizations as a handout and the palace wasn’t transparent about the fact it had been adjusted.

That will have damaged the trust between the palace and media organizations – many of which, like CNN, will likely be assessing all royal handouts. The editing storm has undermined the existing relationship and when public interest over any possible cover up escalates, as it has done recently, many news outlets will now have take that speculation more seriously.”

[ansheofthevalley]

Cersei and Dany have more parallels than Cersei and Sansa yet Sansa always gets compared to Cersei whilst Dany gets to stand on her own :/

(Sorry for taking ages to answer this.)

The way I see it, GRRM actually wants us to see and compare the three. To see them, in a way, as a triad:

It's no secret that George loves to use the rule of three (I talk about it a little bit here.) The way I see it when it comes to Cersei/Dæny/Sansa is to compare their ruling styles, especially since they're the strongest candidates to wield power by the end of the series (I'm talking exclusively about book canon, but we can take show canon into consideration since they are the last three big female characters wielding power by the final season.)

At first, Cersei and Dæny are foils, in a way. Cersei calls herself Queen (which she is, first Queen Regent/Dowager Queen, by being Robert's wife, then Queen Mother by being Joffrey and Tommen's mother). Dæny, however, in the beginning, rejects the title of Queen, saying that she's a Khaleesi. As the series progresses (specifically since she's -at least to her knowledge- the last Targaryen), she uses both titles: rightful Queen of the Seven Kingdoms and Khaleesi. So, this would be where the contrast stops working when it comes to these two ladies: they both call themselves Queen, but most importantly, they seek that title because they're motivated by power and the desire to have the Iron Throne. Sure, their motivations are not exactly the same, but they can be boiled down to one word: survival.

(I've spoken about characters motivated by power in the quest for the Iron Throne and what the narrative does to them in show canon, but I can't find the posts, so I'm sorry.)

Now, what part does Sansa play in all of this? Well, we're told in the first book that she's meant to be Queen. After all, she was promised to the prince of the Seven Kingdoms. And she wants to be Queen... until Joffrey orders the execution of Ned. Then, we notice a change in Sansa: she's not interested in the games of intrigue, in the subterfuge. It can all be encapsulated in this quote: "If I am ever Queen, I'll make them love me."

Cersei thinks the best way to rule is to make the people fear you more than they could ever fear the enemy. And that's precisely what she does during her time in power. So, she rules by fear.

Dæny is benevolent to those suffering injustice. But she's also severe regarding those she disagrees with or thinks have interests that go against hers. She is not forgiving. In my eyes, she also has a fatal flaw - she's not interested in the day-to-day tasks that come with being a ruler, as shown in her stint in Meereen. She also relies on her dragons and the Targaryen legacy to instill fear in those who don't want to submit to her. She rules by good faith when it comes to the marginalized and outpowering the powerful with her dragons and armies. So, she rules by power and, to some extent, fear.

Sansa is benevolent with people. She knows what is expected of her as a Lady while in King's Landing. In the Eyrie, she learns to run a household and the day-to-day tasks that come with running a Great Keep like the Eyrie. But that's not all she learns throughout the series. She understands the importance of politics and how to exercise that power. She also understands people's importance; let them be Lords, Ladies, Common Folk, or bastards. She sees their value regarding of station. Also, since the end of the first book, she doesn't get fooled by the nobility; she's more distrustful of their true intentions, and that distrust makes her read each person she encounters more carefully, which, in time, will make her a keen politician (all in all, and this is what sets her apart from Cersei and Dæny, she's not actively seeking to rule. And, when it comes to the rule of three, the last link is the one that differs from the other two and, for that reason, is the successful one.) Sansa is compassionate with those deserving of compassion and sometimes with those who are not, but she's never cruel like Dæny can be or vengeful like Cersei is. This is not to say that she bends to the will of others because she doesn't. She stopped doing it back in King's Landing, starting with small acts of defiance. In the Eyrie, she's on a journey to finding her voice. So, she rules by compassion and observation.

Now, how does the rule of three apply in this instance? Let's first define what the "rule of three" is:

The rule of threes is a writing principle that suggests that three elements, such as events or characters, are more humorous, satisfying, and effective than other numbers. Audiences of texts in this format are also more likely to retain the information conveyed to them. This is because having three entities minimizes the amount of information needed to create the pattern, combining both brevity and rhythm.

By giving us different styles of ruling/approaches to power in threes, GRRM is making sure those ways stick with the readers. He's making it known that the approaches to power and ruling are important for the endgame: this factor will contribute to who ends up in power at the end of the story.

One could argue that the use of the rule of three in comparing Cersei, Dæny, and Sansa is rhetoric: he's comparing three different ruling styles, and we, as the readers, can decide who might be better suited for the title of Queen based on the rhetoric the characters present. (I speak about the difference between Dæny and Sansa - and Jon - as figures of authority here and here. Keep in mind that those metas explore the dynamics of the characters in the show.)

Cersei doesn't give a shit about anyone but herself and her family. She rules with an iron fist and doesn't hesitate to annihilate anyone threatening her power. She rules alone.

Dæny cares about people and uses her power (her dragons) to achieve some of her more altruistic goals, but at the end of the day, those goals are not entirely altruistic since they also serve her. She also uses that power to intimidate and cause fear. To top it all off, she relies heavily on the power that her dragons represent, even though she tries to use politics as a more subtle way to solve problems, but she realizes that if she wants to change the world as she wishes, she needs brute force. She needs her dragons. She uses both power and fear in any situation, whether it is good or bad. She, too, rules alone, even though she has people giving her counsel. (Though that can be explained with Targaryen exceptionalism, in a way. But that's a whole other thing, and this has gotten too long already)

Sansa, on the other hand, is more surgical in her approach. She sees the value in relationships and working together. She sees the value of people and the importance of day-to-day tasks. She relies on her powers of observation and what she's learned in court to solve problems. She rules by understanding: by understanding that she has to work together with people in areas she's lacking and by understanding the potential of each person around her. She rules by working together with those around her.

In conclusion, Cersei and Sansa have always been foils to each other, and that's been set from the get-go. You could say the same about Cersei and Dæny, too. But, as the series progresses, the lines dividing Cersei's style of ruling from Dæny's start to blur, leaving this triad somewhat like this:

[the-cypress-grove]

Hi hi I saw ur "So, you want to write ..." post for vamps and zombs would it be possible a werewolf one be made?

Love ur blog by the way makes my brain happy

So, You Want To Write Werewolves....

I had been planning to do werewolves next so I had already been making a list. As always, take the bits you want/need, don't feel you have to answer every question I write, and always always do what works for you and your story.

Werewolves Through History

Lots of myths around the world feature some form of werewolf, or at least people in possession of the ability to turn into animals. Sometimes they're helpful like the Wulver of Scotland who leave fish for people in front of their houses. Sometimes they're malevolent forces like the Skinwalkers of Native American legend.

In Europe, France especially, there was a fear of these creatures and many were killed because they were believed to be one. In some cases, these people were at least partially skinned as it was believed that a werewolf had fur on the inside.

If you want to research a particularly notable case of werewolves, then you should look into La Bête du Gévaudan, France. It was believed a werewolf perpetrated 210 attacks resulting in 113 deaths and 49 injuries. 98 of the attacked were partially eaten. Eye witnesses and survivors of these attacks claimed that it was a wolf the size of a donkey and then came the belief about werewolves for which some people were executed. All these attacks took place within about fifty miles of each other. These attacks were so bad it was brought to the attention of the king at the time, Louis XV, who sent people to deal with the creature.

You might want to make a note of the beliefs about werewolves i.e. their strengths, their abilities, their weaknesses, as these will be useful when you come to design your werewolves.

The Complete Book of Werewolves by Leonard R.N. might be worth reading if you find this interesting.

2. Genre Decisions

Before even beginning to design your werewolf you're going to want to decide what genre you're writing in. A werewolf in a horror story will have different qualities and weaknesses compared to, say, a werewolf of in a romance novel. There are usually fewer werewolves in a horror story and larger packs of werewolves in stories where the werewolves are more friendly.

3. Origins

In almost all stories the origins of werewolves as a species are entirely unimportant. This might be something you want to include / explore in your story so I'll touch on it briefly.

Was it a gift or a curse? Was it simply evolution? Have werewolves changed from the time of the first werewolf to the time your story is set? Were they created by a higher power? Was it magic?

4. Wolf Behaviour

Something you might want to look into is the behaviour of real wolves. If your werewolves lose their human mind / have wolf instincts do these follow the patterns of real wolves?

This will help you know how big a territory they might have, what leadership structure they might follow, what techniques they might use to hunt their prey.

Bare in mind, different types of wolves have different behaviours. Does this affect your wolves? Do different wolves of different regions behave in different ways?

5. Werewolf Design

So, now the fun bit. You get to make your werewolf.

Are they affected by the moon? When they turn, do they keep their human mind? How much like a wolf do they look? Are they wolflike or do they have wolf qualities but walk upright? Does shifting forms hurt? How long does it take?

Do you have to be born a wolf or can you be tuned? Does silver affect them? How can they be killed? Do they age? Is their aging process slowed? In some stories werewolves have soulmates, is that the case for yours? Do they live in packs?

How quickly do they heal? Are they strong and fast even in human form? What are there sense like compared to a human? If their abilities are better than that of a human, is it the same in both forms or are their abilities weaker when in human form?

Pick the qualities the suit your story / selected genre the best.

6. Themes

The beast is among us.

Themes of werewolf stories often depends on the genre. In a horror story the themes centre around the struggle between man and beast, humanity and the natural world, secrets, deception, and the illusion that we are in control.

7. Pack Dynamics

If your werewolf knows others amongst their kind then they will most likely be at least one pack in your story. You need to decide the size of the pack, how they function on a full moon vs when they are humans, how are they funded, their leadership structure. Are their packs strictly werewolf only, or can others be found amongst them?

8. Threats

What threats are there to your werewolves? Is it others of their kind Another species? Are there werewolf hunters? Who knows that they exist? Is it common knowledge or do they keep themselves hidden? How far are they willing to go in order to protect themselves?

[hilariousrabbit]

Critic of Stage in Playful Land - The Worst Event in Twisted Wonderland

I'm not gonna lie, I had high hopes for this event. The cards were gorgeous, I loved the new outfits, and we even got new characters! I'm quite a huge fan of the gothic circus aesthetic, so I was even more hyped for what's to come. Of course the stakes would be high for something like this, but unfortunately...the execution of this event has completely brought it down.

This is gonna be a very long and angry critic, so beware! I might be mean too!

The translation screenshots provided are from Ekala on YouTube. TW: Insensitive portrayal of human trafficking

The first part of the event felt SUPER stretched out. I understand, the main cast may have been overwhelmed with homework and losing the basketball match against NRC. But I also feel like they could have summarized this quicker? Plus, Fellow Honest also talks A LOT. I know it was supposed to be extended flattery to the point where it became suspicious, but it was taking so long to get to the main point that I quickly became bored.

The character's reasons for going were also very strange...but let's focus on the Octavinelle twins for a second. Floyd and Jade wanted to visit the amusement park specifically because it seemed suspicious. The twins are seen as a very shady duo, and having conflict with an even shadier duo (Fellow Honest and Gidel) is bound to be something that would be super interesting to watch.

Similarly as to how Idia played a crucial part in the Masquerade event, I thought they would have a larger role in this story, and I was disappointed when they just frolicked around the amusement park. They're not the type to just walk right into a dangerous territory without a plan/strategy, and it felt really weird seeing that happen. With them doing no preparations for this situation whatsoever, it feels like a waste to even state that detail in the first place. Speaking of that...I had heard some other fan theories on the role Ortho would play in this event. Some speculated that he would be representing the puppet in this event, as he isn't human. But then again, none of that ends up happening in the event because there was no thought as to how these characters would be used. My friend made an interesting point about the character choice in this event. They speculated it was just the company gathering up characters that haven't been in many events before book 7 ended, and I honestly wouldn't be surprised if this was the case.

When the main cast was exploring the park, it was just filler content. Nothing interesting happened, at all. They explored the park that was filled with references from the Pinocchio movie. Now if this was any other Disney film, I would be like "Yeah alright, that's from the movie. That's cool". But if you know what happens in the movie, then it might be a different story. I was deadass filled with dread when they put the references in, and I was so uncomfortable. Especially during this scene:

Also this was uncomfortable to see. Like okay...I didn't need to know that.

Anyone who watched the Pinocchio movie must have known that something bad was bound to happen (most likely some form of human trafficking). So when Fellow Honest's intentions for selling guests as wooden dolls was finally revealed, the entire story went from 0 to 100 real quick. And not in a good way. I know the previous filler was supposed to put us in their shoes, and how we as the viewer could also get distracted from the carnival's attractions. However, there should have been a better way to transition these two contrasting moods of the story. Plus, I can't help but feel like this is an unnecessarily cruel twist compared to the original movie. When it comes to more darker/sensitive topics such as human trafficking, there should be some sort of caution as to how they portray these kinds of things. I felt like this was solely added for shock value to make up for the slow pacing in the first parts of the event, and I can't help but feel really uncomfortable about this. I also REALLY don't like the possible implications of this line:

The insensitivity of the topic of human trafficking is further fueled by how the chase is played out. They needed a reason for characters to be kidnapped one by one, and I know that's usually how these types of events play out. But considering the severity of their situation, I feel very weird about it. Also, the characters are unusually calm about being sold as a literal slave? And the topic is just not dealt with seriously at all.

Important Detail: The Playful Land theme park functions as a ship, which sails away from land as soon enough guests are lured into the park. This is literally a human trafficking ship, there's no sugarcoating this.

Another part I'm upset about is how Kalim dealt with the entire situation. I'm unfortunately used to Twisted Wonderland dumbing down his character for cheap laughs but this has really gone off the rails. Ace gave him a clear reality check. They were at risk of being sold as dolls to whatever rich freak paid money for them. It was clear that Fellow Honest wouldn't converse on the subject over a fancy dinner. Honestly...I need you guys to read this for yourself.

So when Ortho came back, why in the world did Ace apologize to Kalim? Sure, what he said was harsh but it was completely true! There was a real threat to these characters and it wasn't being taken seriously.

For some reason, every time there's a chance for Kalim to develop, all of that is just completely reversed. Even if this was an issue before the event was released, I also feel like the writers forgot one very important thing...

Kalim has literally been kidnapped before! SEVERAL TIMES TOO!

He was targeted several times because he's from a rich family, they were planning to do malicious things to him for the sake of MONEY. Literally, just like Fellow Honest! He should know better than anyone else how horrifying it is to be taken away from the ones you love, and having no idea what will happen to you. But noooo instead he went full on Steven Universe on Fellow Honest! I'm not even taking the excuse that he's desensitized to it because he was putting the lives of his classmates at risk by giving this human trafficker a fucking chance. While he's not the smartest in the group, his character IS compassionate. How did he give more compassion towards this stranger he met a day ago instead of his own classmates?! How did they botch his character this badly?!

Lastly, when Fellow Honest's reasoning is stated in the story...I really have no words. He engaged in human trafficking, because his former teachers told him that he wasn't a good mage? ...I'm sorry? What the fuck kinda reasoning is that?!

He's literally committing a random act of malice because of his own personal issues. I can't even say that he was merely projecting his hatred onto students alone, as there were other guests attending the park too! I don't know how old they are, or if they're even in school anymore, so these are literally just random victims to me! It looks like the writers attempted to add a tragic backstory for this character in order to get the audience to have some sort of sympathy for him, but this just makes him look fucking stupid.

During this event, he talks about school being worthless and about how he and Gidel had a hard time surviving because they didn't get an education. Like...he chose to drop out of school. Of course that would happen! What was he expecting?

This event made an attempt to go into class dynamics and it's just...oh my god. Let's do a character comparison for a second. Ruggie grew up in a poor area, but because of that he was always on that grindset. Instead of bitching about how educated people are entitled and snobby, he takes advantage of every opportunity around him. And this includes the education at Night Raven College! He even takes financial advantage of others if necessary! He doesn't mind working for others as long as he can get something out of it.

Now let's talk about Fellow Honest's unique magic. I'm not gonna lie, I do think that concept is pretty cool! However, let's take a look at how it's implemented in the event. Now this is where I get critical of this. Having an increased amount of optimism doesn't mean being dumbed down. I'm still confused on how none of the characters were at least a little bit skeptical when walking through the park. There were red flags all across the park, free food, surprise gifts, a whole ass outfit for free, and a freaking 10 minute roller coaster! It was clearly too good to be true, so I can't understand how nobody among the main cast doubted it even for a second?

Also the reasoning why a magic-sensitive creature like Lilia didn't sense his magic before is so bullshit. I'm sorry, they just needed a reason for him to not notice this in order to make this event work.

And then when the cast started talking about how great school was for them, and even offering him admission to Night Raven College... Sorry just a moment, I just need to...

He is a literal human trafficker, and they decided to sympathize with him because of his bad school past?! WHAT???

I'm not even taking the excuse that the main cast are based off villains. HOW CAN YOU JUSTIFY THAT AT ALL?!?!?! HOW???

We don't know how many people he has done this to. It's clear that this isn't the first time this amusement park has hosted customers. If this was merely his first attempt by means of survival then it might have been a different story, but he's experienced at this. There's a good chance that he has turned people into dolls before.

And then after a super prolonged chase scene and even more battles, we get to Kalim going full-on Steven Universe on Fellow Honest. Then his employer deducts his pay because of the damages in the park...and he finally had enough. He frees everyone, asks them to destroy the park, and now he's a good guy and he's gonna open a school!

...

Now I'm confused about this for a couple of reasons. So first of all, how did his opinion of schools completely do a complete 180 after talking with them for a few moments??? Change in a character doesn't occur this quickly, and we've seen this be the case with multiple characters in this game. Even if this was meant to be rushed for the sake of this being an event story, not even Rollo had a change in opinions after his event! So what was up with this?

The second reason is that Jack specifically stated in this event that his brother can't use magic but is still attending school. Magicless people DO get educated, and there's many pathways for them to choose from.

They aren't barren from society like Fellow Honest thinks they are. Take a look at the people in Epel's hometown and in Fleur city, they're pretty happy! I don't think the concept of schools for lower magic users/non-magic users is as revolutionary as they're making it out to be, and I feel like this is a super last-minute decision on the writers behalf.

Another thing is that...

Fellow Honest has NO REMORSE AT ALL for what he did.

He wanted to quit because he just didn't wanna work for the higher-ups anymore, not because he actually realized what he was doing was fucked up! Yeah sure, he might be focused on his new goal to open up a school. But is he just gonna ignore the fact that he fucking SOLD PEOPLE AS DOLLS? HUH? How am I supposed to wish him well on his newfound journey when this entire thing is just left unaddressed!

I'm also confused about another thing. Fellow Honest asked the cast to destroy the amusement park after he freed them, promising to turn the park boat around to Sage Island if they did so. This caused the boat to sink, and Ortho had to push the entire park back to shore.

They were able to get back to shore before any serious damage was done, so can anyone tell me why Fellow Honest and Gidel decided to ride off into the sunset WITH the park? It's literally sinking as they speak! So...huh? Where will they even sail to? It's pretty hard to not notice a huge ass amusement park sinking like this in the middle of the Sage Island, especially when it's right beside the port! What is going on?!

Who the hell even wrote this? I can't with this event man...

I know the lesson of this event is to realize the importance of going to school and being a good kid like in the movie. However...let's step back for a bit. The target audience for Twisted Wonderland is young adults and teenagers, and the fanbase DOES consist of these people. I don't think they need reminding of why education is a privilege...? Pinocchio was specifically made to scare little kids, so it just does not translate well to their target audience AT ALL. While I do love Twisted Wonderland, I really do feel like this is their worst event yet. I hate how almost all the characters were dumbed down to make this story work, and I don't care if it was because of Fellow Honest's unique magic. When it comes to sensitive topics, Twisted Wonderland is usually good at portraying them appropriately. So I really have no idea what happened with this event.

I think the company saw the positive reception with Rollo Flamme, and decided that this type of new character was something to be implemented yearly. Surprisingly, Fellow Honest and Gideon seem to have a large fanbase in Japan...so they probably took the popularity of these characters as their next material to work with. This could have worked out wonderfully if they were to treat this like its own story rather than a remake of the movie, but unfortunately that's not the path they decided to go with.

I have never felt this way about any other event, and the urge to write this critic was STRONG. I have no idea whether Yana wrote this, or if another employee just decided to pull some last-minute shit with this entire event. Regardless, I'm praying to god that this is merely a one-time occurrence and that the next event will be better. I think for the sake of my sanity, I need to pretend this event doesn't exist.

Thank you for reading my thoughts on this.

[cosmos-dot-semicolon]

Leshy's Dual Nature (Act 2, Kaycee's Mod spoilers)

You know, I'm really divided on how Leshy is characterised in Inscryption. Like about everything he's portrayed as goes two ways.

He's both the world's spirit of nature and somebody intrinsically aware he's in a video game. He's revealed to not have been evil in the way that he kills actual humans for his card game, but he also did stab out one of his colleague's eyes and turn them all into animals and then lock them away for years. He's a game designer, but also a tyrant actively vying for control over his world.

The most interesting portayal of this is his friendship with Kaycee and his attitude towards human players as a whole.

I know a lot of people see this as purely good and wholesome because he only cares about making a good game (and his campaign clearly has more effort put into it than act 2 and 3), but the game itself hints that even that has more sinister undertones to it.

Rebecha is one of the few outsider perspectives you get on the Scrybes' enmity, and she chooses not to mention how he imprisoned his colleagues, but instead his relationships with the player.

He is in this for the thrill of playing the game, above everything else:

(sorry for the Docs screenshot I don't have the original on hand)

If anyone's played Doki Doki Literature Club, he almost reminds me of Monika, but like? Not romantically attracted to the player and actually fleshed out with a philosophy and character beyond edgy aesthetics. Which makes sense, given Mullins has cited that as an inspiration for some of the meta plot in Inscryption.

But regardless, that's what brought both Luke and Kaycee to their deaths. It could be argued that this is a neutral thing/survival instinct on Leshy's part, but I'd ask you to compare that to Grimora, who's portrayed as doing the right thing in bringing down the game (at least within the constraints of the meta plot)

And while I don't think the fault of this lies entirely on Leshy, you see Kaycee start to suffer from social isolation and weird behaviour long before she actually gets (presumably) assasinated by her company. Her death is by no means on him, but had she lived, I can't imagine she would've turned out to be a well-adjusted individual under the influence of the disk.

Like I get being attached to your own OC projects which maybe 1 other person in the world will enjoy (my AU of this game), but like girl. I think something is happening to you there.

Their friendship is absolutely genuine, but it's clear that the disk is a sort of cursed artefact that Leshy has no gripes with keeping her near. Like as far as Kaycee's Mod's plot goes, she never discloses this to the other programmers, and just continues to slowly obsess over her mod and the game's secrets alone.

And like. From experience, that's just not a healthy way to go about it. Even just having one other real person to discuss your creations with will go a long way in making you feel less stuck in your head.

I don't think any of this makes Leshy's characterisation worth throwing away or condemning or anything. It's fascinating that he has so many layers to him, even if they're not all well-executed (I want to comment a bit on how his philosophy is kind of blunted by the twist that he's not killing real humans, but this post is long enough).

But I think it's worth reading into this guy as more than just 'the least bad Scrybe along with Grimora'. He's the densest character you get from this game and I think it's a shame people don't explore that.

[psychopasss4]

PPP Novel is out❣️

...just in time for the Lunar New Year Eve, Feb. 9th. 🎉

Noitamina Shop will hold Arata Shindo-kun's bday campaign and at the same time promotes the PPP novel sale 🥂🥳.

Have you already prepared dried persimmons? 🤗 You know, in ancient times people used to wind-hang outside Hoshigaki, thus the Japanese lantern shape we know about today were taken from. 📸 Google Images.

Quick Review:

During the premier of PPP movie before the Global launch, fans kept asking Dir. Shiotani about

The meaning of empty liquor bottle in Kogami's desk.

Why Kogami removed his jacket during his balcony scene

And his answer were simple. Kogami didn't know the difference of wearing it inside or outside. At first, I thought it was some kind of a funny little joke, or I didn't understand the words full well (I'm not a full-bred Japanese though I studied Nihonggo way back in grade school).

But if you read the PPP novel, you will realize Kogami isn't fully adjusted from his traumatic experiences as a mercenary overseas 🤧. So he doesn't feel how to act just as he used to when he's back.

And ofcourse, we all know he and Saiga only emptied the liquor after long hours of chatting and Tonami profiling.

2. It's interesting that the writing team have taken the pulse of the fans during the Q&A session, thus some points in PPP novel is what we might've expect after all 🤭.

3. Some may say it's nothing new. As it seems the writing team pretty much remain loyal to the movie summary. But if you read between the lines, you realize how it is a bit forgiving & fan-serving, compare to the movie itself 👍🏻.

4. The locations...last minute alterations... 😆😂.

5. And ofcourse the last time Akane spent with Saiga on his detention cell 😭. She literally blame herself for asking him to come to them on Dejima in MoFA's HQ to retrieve the Stronskaya Papers a day after. Which we all know ended tragically.

6. She pulls the trigger. She question the justice. Which quotes the same kind of line from PP3 novel when she's writing her thoughts down in an analogue typewriter. From that scene she thought of Kogami's action and how Sybil judged him for that.

But in PPP novel, no doubt she puts into consideration the life of Atsushi Shindo and how he was used as a pawn, only to be a master pawn who puppets the life of another pawn like what happened to Akira Ignatov.

Aswell as Akira Ignatov's sacrifice. He volunteered to be a puppet for the sake of the future generation. For the sake of his brother in particular 😢😓😓😢.

7. Frede-chan's holding back and being indecisive to keep the truth about the mission to Kogami. Is like keeping her phone number to her crush 😹🤭. Sure, she's just conscious how would Kou-chan would react since she knows Saiga and him are pretty close 😮‍💨.

8. The writing team did a pretty good job by staying true to their plot work. They know what they're doing. As if taken up some piece of advice from Gege Akutami 😅😂.

9. The last scene is pretty much heart-aching but well executed 😘🤌🏻❤️

10. The General was a medical AI but I wonder if the creator of Sybil also created that?... how about BiFrost? Oh hello, Season 4! We're waving at you ☺️😀!

11. Many hate Akane for trying to control Kogami, again?! Let me get this straight, SHE ISN'T CONTROLLING ANYONE!

There's a MASSIVE difference when he a.) first pulled the trigger against Makishima (out of revenge) and when he b.) pulls that against Tonami.

Akane knows it best.

a) She doesn't want him to be a person swallowed by revenge like Sasuke (Naruto).

b) She hopes Kogami is back for the better but instead he acted again with his animal instinct which indicates he can still be easily outplayed by emotions instead of not letting it get the human out of him.

Akane still looks up to Kogami. She knows he was labeled as a latent criminal by Sybil. But the way Kou acted is like proving to Sybil that their labeling of him as latent criminal was right. And if there's one thing Akane isn't fond of, that is proving Sybil right.

So it's not about Kogami. It's about her campaign against Sybil's false and unfair judgement! So don't mock her! 😖

Lastly, PPP novel is enjoyable because a lot of fans are exerting efforts to translate it to English for fans abroad. Kudos to you all❣️

Not everyone have the time, capacity and dedication you've spent. Including me, I'm not good in translation. So thank you. You are the heart of PSYCHO-PASS franchise global expansion ❤️🥰.

End of Review.

Okay, so that wasn't a quick one 😋 sorry about that. I just hope you guys have a wonderful day. Have fun and enjoy everything that you do!

🥰🤗

Meanwhile, the original crew of PP1 are in their podcast discussing how the series have been progressing so far 😋😂

Nah! It's just a trace sketch of CD Discussion Vol. 1

🤣🤣🤣

[wannaeatramyeon]

Can we have scenario of All Lookism boy in the bath house like they are having a meeting in the bath house. (Yenna is also there as Her papa is bathing her)

Eeeeeeeeeeee. You are a genius. You know that right?

My brain? Rotting. My response? Stupid. Execution? Poor. Glee at writing this? IMMEASURABLE.

SOS Men of Lookism: Urgent Bathhouse Meeting

Part 2 here

It's not often they're all called into a meeting together, and even less when everyone attends. They each receive a mysterious note with 'Urgent: meet at Central Seoul Bathhouse' along with their secret code. Guess it really must be important for this person to use their emergency signal.

The bathhouse was filled to the brim, and divided in 2 sides. There was no immediate obvious division, with members from all crews split.

On the right, a number of exceptionally breathtaking men were half sitting languidly in the water. The steam and heat left them hazy and half-lidded, their muscular bodies wet and slick.

Droplets of water and sweat sliding down their sculpted chest and chiselled abs, their skin and tattoos glistening in the low light.

They made for an impressive presence: Daniel, Jay, Vasco, Zack, Jace, Vin Jin, Johan, Jake, Samuel, Sinu, Ryuhei, Xiaolong, Eli, Warren, Hudson, DG, Gun, Goo, (young)Gapryong and Taesoo. Even newly joined member Jihan Kwak, and little Eugene was perched hesitantly amongst them.

Gun glances over, checking out each of his previous successor and the potential gathered here. He nudges Goo, wondering why his secret friends are scattered but receives a shrug in response.

Vasco and Jace are glaring at Vin Jin in his goggles with distrust. It pains them to be sitting on the same side as him, no matter the cause.

Even flanked by members of Allied, Daniel looks nervously at DG. He tries to discreetly make out a shape under the water. To see if it was as monstrous as he remembers. It still haunts him how big it was.

Xiaolong on the other hand was rearranging his towel - unusually covered up compared to everyone else. Ryuhei, ever the nuisance, tries to yank at his towel which results in slaps being thrown his way.

Meanwhile, Jake (pointedly ignoring Gapryong) and Sinu are eyeing up Samuel suspiciously. His chest... it was astonishingly large. Was it fake? Did he get implants? Sinu weighs up asking about it. Yeonhui never really showed an interest in chest sizes but it never hurts to ask...

Johan, to Zack's right, is trying to ignore the guy's concerned looks. He's here for business, not a reunion. Although Zack does seem popular here, and it didn't hurt to team up with someone else in case a fight breaks out.

Eli and Warren, ignoring the rest of the men, keeps Yenna entertained in the corner. They note the dirty looks thrown their way. Eli is the last person to want to bring his child into this, but what was he supposed to do? He isn't on the best of terms with Hostel right now and everyone else is here.

On the other side, surprisingly, sat most of Big Deal in their uniform. There were a few other recognisable faces - Logan Lee, Channing Choi, Alexander Hwang, Old Face, Olly. Even Jiho made an appearance. The rest of them merged together into one inconspicious, nameless group.

Lineman is the first to talk. "Thank you for all gathering here." He bows. "You've all had your moment in the sun. Gun, your chapter 438 was especially impressive. I've never seen the fans united that way before."

At this acknowledgement, Gun gives a smirk. His wet hair hanging seductively around his face, as if styled by the gods themselves.

"But we," Lineman continues to gesture vaguely to the side of him, "have been left out. Jiho here has been killed off with the worst glow down. Old Face is literally old face. No-one even remembers my name!" He clears his throat before he gets derailed.

"Now if you don't mind. Let's think about our next fan service scenario, and please involve us this time."

[raxistaicho]

Is Edelgard a fascist?

So as I mentioned in a recent post, I'd like to dig in detail into the notion that Edelgard is a fascist. And also debunk said notion.

Now then, I'm going to look into the actual indicators of fascism, and not the "that character is in power and I don't like them" version we see thrown carelessly around the internet today.

It's broadly accepted today that the fourteen key signs of a fascist society are as follows:

While the exact wording can vary, these are the most common traits.

We'll start with the easiest ones first:

Corporations and labor movements don't exist in Fodlan, nor is there such a thing as private mass media, nor does Fodlan have elections (no, not even in post Azure Moon), so those can four can't be analyzed. However, given that corporations are modern-day fiefdoms and CEOs and the rich are modern-day aristocrats, it's not hard at all to imagine that Edelgard would align her interests more with the working class than the wealthy if she existed in a different kind of society.

And rampant sexism is the most obvious, "no", given Edelgard cares more about talent than what a person has between their legs.

Moving on next to the things that can be addressed with a little more detail.

Supremacy of the military: So obviously Edelgard starts a war, which makes things a bit weird here, but there's no indication the Adrestian military is given disproportionate focus in terms of funding or cultural emphasis aside from what could be reasonably expected from a country at war. Additionally, Edelgard favors diplomacy as a solution to Fodlan's relations with Almyra and Brigid, and Edelgard demonstrates a wide range of areas of focus for her future reforms between research (Linhardt, Constance), education (Ferdinand), faith (Manuela), and the arts (Dorothea), making it clear the military is just one of many tools in her reformist arsenal. 4 is a strong strong no.

Obsession with national security: This trait is more or less an obsession with external forces attempting to ruin you. Edelgard's detractors would immediately leap to her designating the Church of Seiros as a target while forgetting that the CoS is her only target. With fascism, there is always An Enemy looking to tear down society, but that isn't the case with Edelgard. She targets the CoS for very specific and demonstrable reasons, and once they're defanged she sets out making peace with former enemies abroad and at home. Her detractors would point out Hubert continuing to observe Fodlan for internal threats, but given how fragile Fodlan's internal peace would be for years following the war (rebellions would be a common issue, whether or not the Agarthans are involved), this is more of a justified concern than an obsessive rooting out of imagined agitators. 7 is another no.

Disdain for intellectuals and the arts: Several characters Edelgard forms very close support attachments with (Bernadetta, Dorothea, Manuela, Linhardt, Hanneman) are artistic types or intellectuals, and, despite what her detractors would have you believe, so 11 is another no.

Obsession with crime and punishment: Edelgard treats Varley and Aegir, people who tormented her, her loved ones, and countless others with a very even hand. While Rhea's confinement appears to be under severe circumstances (underground and likely in isolation for five years), this isn't done because Edelgard felt like being extra mean: you simply can't confine a woman who can transform into a dragon in an ordinary cell. Compare this to the Knight of Seiros's obsession with summary executions and Edelgard comes off looking very merciful. 12 is another very likely no.

Rampant cronyism and corruption: Firstly, she actively fights against corruption.

Cronyism is where her detractors will point out her giving positions of power to close friends, but the issue there is a key aspect of cronyism is that the person committing it ignores it does so without regard for the beneficiaries' qualifications.

The two characters most likely to ruffle feathers are Caspar and Bernadetta, but none of their endings imply they were incompetent at their respective positions. It's simply the nature of Fire Emblem ending cards to assume the character was highly succesfull during the war - aside from a few joke characters or poor Ilios.

That's a few more knocked out, leaving only a few left.

Powerful and continuing nationalism: Nationalism is the focus on the advancement of one's own country above all others. Three Houses doesn't treat Adrestia, Faerghus, and Leicester as countries, but as regions or powers, but I'll ignore that for sake of argument. Edelgard detractors claim Edelgard is focused on the advancement of specifically Adrestia, but that's certainly not true. The common anti-Edelgard claim is she's trying to regain the lands of Faerghus and Leicester for its own sake, but she isn't, she's trying to unite Fodlan so she can bring her reforms to all the continent at once.

Additionally, she's very concerned for Brigid's well-being, see her support conversations with Petra in both games, and she expresses an interest in forging better diplomatic ties with Almyra. Ultranationalism of the fascistic sort usually involves a major withdrawal of foreign relations. This is another no.

Disdain for human rights: You could argue with some justification that this is a fairly weak spot for Edelgard through her alliance with the Agarthans, and there's some merit to that. It is, however, a bit jarring to argue that the woman who wants to usher in new human rights has disdain for them.

As I mentioned previously, her treatment of Rhea during her imprisonment in Enbarr is often a sore spot with Edelgard's detractors, and it definitely seems to be the case that Rhea was imprisoned underground and largely in isolation... but again, how does one humanely secure a woman who can transform into a 30-foot flying dragon? It's just one of those things of the issues of trying to secure such an individual.

Also, as I mentioned previously, Edelgard avoids cruel and unusual punishment wherever possible, even for those who've seriously wronged her, such as Aegir. Another no, though perhaps a bit weaker than some past ones.

Identification of enemies/scapegoats:

The scapegoats part is important. As I mentioned previously, in fascist societies, there always has to be An Enemy to fight against, as fascism is obsessed with action for actions' sake and unity against some Other, all to keep the people at home from paying attention to their rights being stripped away.

So while Edelgard certainly identifies the Church of Seiros and Nabateans as a problem for Fodlan as a whole, she does this for the very clear reason of stripping their ability to interfere in the peoples' self-interests, and not just to give Fodlan an enemy to fight. Noticeably, once the church and the Nabateans are defeated in Crimson Flower, Edelgard focuses the rest of her life on social reforms. There's no indication she continues launching wars, whatever Fantasy Invader tries to say. Another no.

Religion and government intertwined:

This would seem to be Edelgard's weakest point, since she appoints one of her own ministers as head of the southern church in Scarlet Blaze. In Crimson Flower proper we have too little information on church life in Adrestia under her to know this one either way.

It's worth remembering that Edelgard's reformed system generally acknowledges the first generations of people in power will more or less be people who would have already had that power, since they're generally the most apt recipients due to their initial advantage. In that regard, the head of Adrestia's religion doubling as a government official is a problem she inherited, not one she created: Count Varley was already minister of Religious Affairs. It would be a lot more suspicious if she named Hubert the southern bishop.

Furthermore, given the nature of Edelgard's merit-based reforms, once Varley dies there's a much better chance of the next southern bishop not being tied to Adrestia's government.

Lastly, Religion and government being "merely" intertwined is an improvement from SS and VW, in which Fodlan becomes a full-on theocracy, and AM, in which religion has permanent influence over the government.

And there we go! Of the fourteen warning signs of Fascism, only one of them could be honestly tied to Edelgard, and mostly only because of her loathed alliance with the Agarthans - which she ditches in Scarlet Blaze, leaving her entirely free of human rights abuses.

So yeah, Edelgard doesn't actually look very much like a fascist when your standards are actual fascism and not, "this lady accrues power and I don't like her for it".

That's why you never take an Edelgard detractor at their word, folks.

[incorrect-ikevamp-quotes]

Comte Drama CD Translations, Track Four: A Gentlemanly Escort

Once again folks, I am not a professional don't try this at home, these are just my rough transcriptions of each track in the CD because I need fodder for my simping. More beneath the cut, since most of these are pretty long, don't wanna clog anyone's dash:

So after Comte and MC go shopping for a dress, they leave for the party they're attending that night. This track begins with their arrival to the venue.

Every time we arrive at a ball together, it makes me remember when we stepped into your debutante side by side. There’s no need to thank me. …You were the one who dared to enter a new world, and that boldness attracted the people around you. All I did was lend a helping hand. …But I did enjoy decorating you with my own hands, styling your hair beautifully. The excitement I felt that night is still fresh in my heart… I was a little jealous when the eyes of the men all around you would linger, my dear. Come a little closer, I’d like to ward off their gazes. It’s best to show that you belong to me like this.

The way I went from awwww to clutches pearls lustfully 🤣🤣🤣🤣🤣 he is just the perfect mix of "that's adorable" and "oh. i like that--"

It’s time to dance. (When you listen to the audio he literally says: "HO? DANCE TIME" I'M DYING) My lady (OJOU-SAN!!!!!!), would you do me the honor of your hand…and join me for this dance? Come now, surrender yourself to an exciting and sweet night Beneath a dazzling chandelier, hands enfolded like this… Tucking our hips together, eyes on each other, stepping to the rhythm of the music, …my heart is always racing at times like these. (AWWWWWWWW)

I swear this man invented romance, what a smooth criminal. Although I can't lie, I love when he's charming 🥰 (I just love his honest self even more!)

Now, listen carefully to the waltz triplet/triple time… Un, deux, trois, un, deux, trois…on the first turn, turn right Yes…you executed that turn beautifully You seemed a lot more relaxed, spine straight. You did just as I taught you. Since we’re on the topic of dancing, men’s roles are often compared to frames. As a pair, they’re termed the Flower and the Frame The insinuation is that a man must lead a woman, who is the “flower” in order to make her movements shine as brightly as possible. So right now…my mission is to make you bloom the most beautifully on this dance floor. …I don’t think you have anything to worry about. You shine more beautifully than anyone else.

I love this bit just because I was like "lore. IS THAT LORE???? WOOOOOO GIMME THE L O R E" but also incredibly interesting when it comes to gender roles and Comte. Only because a lot of his content manifests at this fascinating crossroads: he's been raised under these sorts of conventions so, on some level, he acts on them without thinking. He also lives under the current impression that that's what people expect from him in the present to gain their approval. Yet, how he actually conceives of a significant other and how he is in private make for a disconnect by comparison.

(If I'm not being perceived, do I exist? Is honestly the uncharted territory that's saturated with so much intrigue for me when it comes to Comte)

Because when he feels comfortable being himself in more private settings/moments he calls MC his "life partner" (and is very adamant about regarding her in equal terms), and he tends to be the more relationally/socially/emotionally savvy of the two (which are qualities often relegated to women). I think I particularly enjoy the way he tries so hard to cultivate a working image of "a proper man" because he's just so accustomed to it for survival; he's doing it on a level of awareness and unawareness, all while believing something entirely different. It makes for such a vivid character study, a very realistic intersection of lived experiences and unspoken feelings.

Also. "You shine more beautifully than anyone else." stares into the distance with so many feelings. I just have such a fondness for the way he can be so silly and so smooth, but in the depths of his heart he's so truly in love. tackles him

Oh, the next turn is a bit tricky, so be careful. I’ll give you the signal…un, deux, trois, now, to the left… Yes, that’s it~ (HE’S HAVING FUN SOBS) My goodness…have you gotten so good at dancing I can hardly recognize you? Compared to when we first started, you don’t look away shyly as much as you used to. Every time I dance with you, I can see how much you improve Ah…I’m sure we’ve practiced quite a bit at home, but more than that, it’s the result of your endless effort.

I thought it was cute to see some of MC's growth here c: he's sweet to compliment her~

I would be honored…if you were trying to get better for the sake of dancing with me. I really enjoy dancing with you, too. When you’re in my arms, it makes my heart flutter to see you moving as smoothly as a bird flapping its wings. And every time our eyes meet, my heart tightens so sweetly in my chest. …None of my childhood tutors ever told me that dancing with someone else could feel this way. (HE SEEMS????? SO GENUINELY CONFUSED?????? TEARS IN MY EYES BABY NO) You’re the one who taught me the most important part about dancing Thank you

Aight but this was the part that hit me straight in the kokoro. So many things here I want to touch on (other than him ofc)

The way he seems so...genuinely, almost demure? In that first line? So 👉👈 about her trying to keep pace with him, trying to meet him halfway. It's even sweeter to me considering it's something that he really enjoys, so the idea that MC would want to learn because she wants to share it with him and make it more fun for him is so 🥺🥺🥺🥺🥺🥺🥺 (personally I love dancing so this is a hard mood). Ig I'm so softe for how he's like 'not that that has to be the reason, but if it was I would be so happy.' (of course it's for you king, everything I do is for you because you're the sweetest 😚💜💜💜💜💜💜💜)

The way?????? He describes her enjoying herself??????? I. I'm not really sure if it's something specific to me, but I found it really moving. I don't know if it's the fact that he appreciates how much effort she puts into things, or this implicit like...recognition of her as her own person?? It's a little funny, it's going back to that contradictory idea I mentioned a bit ago. He's operating within the conceptualization of "the Flower and the Frame" but he's taken the conventional meaning and expanded/changed it, in a way. While he does recognize his role in it, part of it is operating more in line with the real parts of his personality: he thinks people who are talented and try hard at things are beautiful, and he likes to support them however he can. (There is an implication here that he assumes he's not special in quite the same way which makes me 😭😭😭😭😭😭😭😭 pls Comte, I think a considerate and mindful person is just as wonderful)

And then that last part. Like. Do you ever just want to stick your head into a volcano because that's where I'm at ladies and gentlemen. The absolute heartache????? The agony inside me, the way he seems so earnestly surprised that one of the few things he did enjoy could feel even better, that it could take on an entirely new meaning. That, where it was once a way to pass the time or entertain people, now it has become something charged with so much love. The way a relationship is being deeply in tune with someone, and how dancing together can bring out the full potential/another permutation of that building synergy. The way, for lack of better phrasing, he falls in love with her a little more each time they dance together. (JUST BURY ME IN THE BACKYARD AIN'T NOBODY GONNA LOVE ME LIKE THIS)

The little sincere "thank you" at the end, the very real gratitude to be able to experience that. That she would gift him that. GOD I AM SO UNWELL, RICH BOY STOP DOING THIS TO ME!!!!! "A heart is a heavy burden" ass mf 😭😭😭😭😭😭😭😭😭😭😭😭😭 I'm sorry I'm just that meme where I'm carrying him away from all those purebloods/aristocrats that make him feel like life is just one elongated and tiresome performance. Let me love him Crybird I'm fragile

…that went by so quickly. (IM YELLING HE’S SAD ITS OVER) Dancing with you is so much fun I find time just gets away from me all together. Well, let’s take to the floor again later and enjoy a little break for now. Are you thirsty? …Then I’ll get us some champagne, so please wait here. ---

And now we interrupt Minnie's sappy pining with a champagne break, we'll be back shortly.

Although man, he's like a little kid when he gets to dance--it's so cute??? The way he gets so excited, the way he's so clearly sad it's over despite this probably being like the hundredth time.

The implications. How he mentions that an eternity seems insurmountably long (and even after he runs the mansion, he felt that way), but dancing with her makes "time get away from [him]." What if I disappeared mysteriously into the ocean never to be see again

And his consideration for her, taking a break even though he could probably go for another song 🥺🥺🥺🥺🥺🥺🥺🥺🥺🥺🥺

Sorry for the wait…Oh, who might this be? ("O Y A?" OMFG THE WAY HE’S LIKE 'bicc. Who u.' CRYING HIS TONE CHANGES SO FAST) …I see. Alas, she is my lover. I’m sorry, but could you give up on seeking her for a dance? Tonight is a special night, and I don’t intend to share her with anyone. It seems I can’t take my eyes off you for a single moment, that you were propositioned while I was only a few steps away. (Comte: NO TALK MC I'M A N G Y) I shouldn’t have let you go for a moment, even when the song was over.

…I don’t mind if you find it overprotective. I have no intention of concealing my possessiveness towards you. I won’t let it go like I used to. I decided to be more direct about my feelings when we agreed to be together. No matter who it is, I intend to proudly claim you as my lover. (O//O) …More, come closer. There is still another man interested in you. I’m in trouble if I don’t protect my beautiful lover from the likes of these opportunists.

Comte possessive and jealous makes brain go brrrrr, I regret to inform you all that--[obnoxiously loud Windows error sound]. Honestly it's hot every time I got nothing more to add, horny longing, awooga noises, be still my beating [redacted] etc.

…I think I’m full of contradictions. (LAUGHS AT HIMSELF BUT ALSO MURDER) I want to show off my beautiful lover, but I also don’t want anyone else to look at you. And when I look at you, my heart is at war between reason and instinct. …It takes everything I have just to hold back. …Is it repulsive/do you regret us now? I wouldn’t hold it against you if you said something like that. Then…shall we take our leave for some time alone? I’m not joking, I’m entirely serious. I always want you…

First of all Comte, contradiction is my kink (apparently?????? I am The Bearer of the Curse) so write that down. Second of all--

I love MC having the same brainrot as Comte stans of like 'oh no you being just a smidge yan is actually ungodly sexy and exactly what I signed up for, so dw about it 👍🏼.' I applaud Crybird for giving the people what they want. Although it makes me a little sad when he thinks he's too much/needy, I always want to pat him 🥺💜 I know who I married Comte CMERE

Also it will never stop being funny to me the way he's deadass that meme of the dog with the tennis ball/frisbee. It's hilarious every single time. Comte is seriously out here like:

Comte: Meet MC? Meet my lovely wife whom I cherish and is beautiful in every way conceivably possible?

Person: I like her too

Comte: NO TAKE ONLY PERCEIVE!!!! NO PERCEIVE ONLY SCRAM!!!!!!

Like this is peak comedy 🤣🤣🤣🤣🤣🤣🤣🤣🤣

I really do love how much Crybird has fun with the purebloods in the sense that they can be so mature but also a bit childish??? He's so adorably petulant and petty in these moments it's hard not to coo.

Also the way he always wants her like he hasn't seen her in 17 years every single time. I LOVE THE UNADULTERATED AND UNMITIGATED YEARNING!!!!!!!!!!!! I ALWAYS WILL!!!!!!!

Aight that's it for this CD track, but the upcoming one is the hank pank. Until next time everyone, hope you enjoyed this ???th installment of Minnie's Brainrot Hours.

[adobe-outdesign]

Would you be able to review the Magmar line, please?

Magby is a cute little thing. What kind of thing is impossible to say, as it's really one of those Pokemon that are just monsters with no real-world inspiration, but it works well as a pre-evo and is really the best out of the three in terms of overall design.

Visually, it looks like it goes with the rest of the line, but is still plenty distinct enough on its own instead of just looking like a smaller Magmar. I like how the weird lumpy head becomes less lumpy as it evolves, and how the underbelly marking does the opposite and becomes more complex. The noot-noot snoot and the perpetually worried expression are also charming.

My sole nitpick is that the shape of the underbelly marking is a bit weird with how angular it is—something more rounded or flame-like would've been better. Everything else is pretty enjoyable.

Magmar, much like its pre-evo, is an ambiguous lava monster with no specific inspiration, and I'm always a big fan of those. And there are a lot of things about Magmar I like, such as the duck beak and flame markings, which are mimicked by the flames on its head.

However, there are also a lot of things I don't like. I always felt like the egg-shaped body was too ill-defined, especially with the legs being completely separate (compare to Magby up there, which has a more organic body shape). The ruffled shapes on the hands are interesting, but they feel out of place when they're not used elsewhere in the design—they could've been on the tail or something for balance. The back spikes also feel very extranous. It's got the right idea overall, but those elements hold it back a bit.

Also, it has a butt head. I always saw it more as brows so it never bothered me, but I need to point it out or else someone else will.

And Magmortar is... okay. I like some parts of it more than Magmar but there's also parts of it I like a lot less. The canon theme with the arms is a good way to work off of Magmar's arm ruffles, and they've been simplified so they no longer look as out of place. It also no longer has a butt for a head, always a plus, and I really like the menacing expression.

However, it still has a few of the same problems that Magmar does, such as the egg-shaped body, which is now even more noticeable because the arms sit higher up on the torso. Same goes for the spikes, which are even more unnecessary here.

It also adds a few problems, such as shortening the beak and changing the color; before it had an interesting duck-like look, whereas now it just kind of looks like it has weird lips. The flames also look very plastic-y.

I also really dislike the random addition of pink into the design. Maybe they were trying to call back to Magby, but it's so low-contrast and similar to the red that it adds nothing yet somehow makes the palette more complex. All the pink areas could've been yellow and nothing would have been lost (the arms could've been red, if that change resulted in too much yellow). Like I said, I like the general idea here and the overall vibe, but the execution just doesn't quite do it for me.

Overall, a refreshingly abstract line of creatures with some interesting albeit sometimes questionable designs. Magby's the best of the bunch, but all three at least work together surprisingly coherently considering they were all designed for different gens.

[spacedadkronos]

Ooo, lol, looks like someone got their knickers twisted so hard they wrote a whole essay about how they're categorically correct about an ultimately subjective matter. That's always a winning approach.

Please do not try to "educate" me the difference between writers and executive producers in animation. I have an animation degree. I'm not a child.

 I follow both Brent and Alan on Twitter and have been for like 3 years now. I have been watching their updates since the announcement of the show 2 years ago. I have pics of them celebrating finishing up the writing. Here's proof that they wrote it, including screenshots of the IMDb Brent had linked on his Twitter. 

I said this is not what they consider THE sequel. Obviously it is *a* sequel. I'm saying people should not be treating it like Megamind 2 when it is a pilot for the TV show. They want a real theatrical sequel.

This is a random screenshot I felt was important

I think this person better put what I meant about not as many people would care this much if it wasn't on streaming:

Megamind was an arrogant little egomaniac for the entirety of the first movie. Not sure how you missed that. Roxanne appears dissatisfied with her place in life from her recording at the Metro Man Museum with Hal onward, and does her level best to become the hero her city needs because no one else is going to stand up and do it - not sure how you missed that, either, but her whole character arc is about stepping up to the plate to do good. Well done reducing her to a single career point and then discarding her. I wasn't surprised to see her frustrations with going right back to reporting. That was a headspace that made a ton of sense for her. It was set up incredibly well.

And Megamind himself says, "some days, it felt like it was just me and Minion against the world," so you might think I agree with you there - but in fact I'm going to point out the SOME days, it FELT LIKE. There is no reason to believe that he never had any other professional associates between the time he left the schoolhouse and the time we see him as an established supervillain. In fact, I can and will argue that there's room to interpret *he himself* saying he wasn't always flying solo. It's up to interpretation - but it's there.

And no, Roxanne and Megamind are not and should not be "quasi-dating" unless you want to look past the enormous Bernard lie. Which I can't say I'm surprised you did, since Roxanne doesn't matter as anything other than Reporter Romantic Interest, apparently. The end of the original implies they have *potential.*

But I'm not trying to convince you. At the end of the day, you didn't enjoy something you hoped to enjoy. You missed a few key points about the original, so the pilot of the show didn't line up with some of your expectations and it pissed you off. That's a shame. But instead of offering some grace and recognizing it for what it is - a movie designed for a younger demographic than the original, the first ounce of love Dreamworks has shown this IP since its initial release more than a decade ago, and as much story as could be crammed into 83 minutes because the people making it only had so much time within which to work, which is *honestly a fun ride* if somewhat tonally dissonant compared to what YOU were hoping for - you've decided instead to focus on what it wasn't: What You Personally Wanted. And you've decided to make your disappointment everyone else's problem instead of processing it like an adult and moving on.

I think you're boring, I think you're unkind, I think you're a whiny little bully who came onto MY POST to bitch and complain about how you're the god of what I'M allowed to enjoy. Block me, if I make you so miserable. I'm busy having fun.

[taniahylian]

Thoughts on the Revival of the Uluru games event

Alright, first of all, I'd like to start by saying that I did like the event. It was a fun little adventure, with interesting characters and complex interactions, and it actually made the laugh at some parts. Plus, it's a nice breather from all the angst of the main story. That said... I also think it's very weak on some parts and it could've been better done. In fact, I'd go as far as to say that The Theft of the Rimmet Cup (my least favorite story event) had slightly better writing than this.

(Spoilers under the line!)

The story itself has many problems, but I think the main one is the lack of a proper villain. Sure, we have Mr. Papparazi (forgot his name tbh), but his connection to the story is only with Dessert Flannel and his motivation is rather vague up until the very end of the last episode. Imo the story would've been better if we didn't have a villain at all and we instead focused on the conflict convincing the foundation to bring back the Uluru games and getting people exited for them again or something. We didn't need Mr. Papparazi and the story suffered a lot because of his existence.

Then we also have the ending... and, well... I don't dislike it? I think the message of "humans and arcanists coming together to compete, not to fight" is a nice one, and very needed in this universe. That said, I actually hate the execution. Let me explain.

So, we had Flannel telling Ezra about how Arcanists get injured more easily than humans, but because they heal fast, what they do is take an unhealthy amout of painkillers to bare with the pain until they get back to health like 15 minutes later, and they do this to be able to compete against humans in contact sports. It's even implied that Spathodea herself has likely done this as well, since she practices boxing, and it's obviously a metaphor for irl drug abuse in athletes.

Now, my problem is that the above stablishes the need for an arcanist-only sports festival, and the importance of the Uluru games... but then they say humans will be competing in the Uluru games as well! Do you see the problem?

Imo if they wanted the message to be "humans and arcanist should do sports together", then the problem with arcanists in human sports should've been different. Like, idk, arcanists having to hide their identity in order to not be disqualified from human sports, or maybe not being allowed to compete professionally because they're viewed as "too volatile" or something. But the problem they presented goes against the message of the ending of the event.

Idk, maybe I'm being a bit too harsh on it because it's a clear drop of quality compared to 1.2 and 1.3, but please let me know what you think!