#not ignoring what you doesn't like

[dick-the3rd]

@exhausted-pigeon you taunted me now deal with the consequences.

I don't really have one interpretation of him, I have several.

Do you know that post that says that comics are a bit like ancient myths, and how a character may have many sides, depending of what story is being told? Yeah, this is mostly how I approach comics, with only one difference, comic characthers aren't immutable, so they can change and evolve.

You see, a comic book character exists beyond the pages, it exists on the popular imaginary, it exists on movie adaptations, tv series, animated series, games, and so on, and often those media interact with each other, see Harley Quinn, for example, who was created for the animated series but later was properly introduced to the comic universe. And why this is relevant, you might ask, because, well, the character doesn't exist as a hard and well defined character, it exists as several interpretations.

For me, as a fan and not a DC writer, is useless to find who is the Real Jason, he doesn't matter for me. Several writers have written and published their interpretation of Jason, and sometimes contradicting each other, so instead of trying to find a coherent narrative of who is Jason Todd I rather accept there are many, and then I play with them depending of the situation and the story I want to tell.

For me, there's the Angry Jason, the Jason who didn't forgive Bruce and never will. This Jason is more violent with his methods, more ruthless on the streets, he isn't afraid to face Batman or any other bat. He does what needs to be done, and has no intention of playing by any rules that not his own. He's unpleasant to be around, and more often than not the only thing he shares with the kid who died is the memories, because even the name Jason Todd is foreign to him.

I have the Broken Jason too. This Jason awoke in a world that moved on without him, and had nothing to cling on except his name and his memories. This Jason is angry too, but he's also hurt. He lashes out because that's the only way to make sure he's going to make a difference this time. His violence it's not because he wants to punish the world, he's violent because he's afraid of the clock ticking against him. He wants to make as much difference as he can before he dies again. He wants to accept the family back because he didn't had that the first time, and he wants to know how it is, to have a safety net and people to have his back.

I have the Grieving Jason. This Jason mourns for the kid who died, and who lives this second life to make sure that kid never die again. He's his own protector. He is violent because if this is what it takes to stop it all, then he'll do it. He doesn't hate Batman and doesn't think there's anything to forgive, Bruce did the things he thought right, and it wasn't enough, so Jason himself will fill in the voids. This Jason is more melancholic, his death was something that changed him so deeply that he is no longer the same person as before.

I have other Jason's too, altought not by name. I have a Jason that never really changed, and he is the exact same Jason as before, but it's easier for everyone to pretend he's not. I have a Jason that only needed a bit of time to understand things. And I could keep going forever. For me, all those Jason's exists in the comics, it's just a matter of highlighting certain characteristics.

The most permanent interpretation of Jason that I have is actually more of a set of values I consider the core of the character. I think he's a very emotional person, who cares too much and has hard time letting people go, even after they do him harm. I think he has his own moral code, that may vary depending of the interpretation, but always include saving people rather than punishing the agressor. I think he has a hard time separating justice from revenge, and when he does he has a even harder time deciding which path to choose. I think he's a bit too dramatic and likes to act like he's the main character in the story. I think he's too brave for his own good.

I hope this makes sense

[bet-on-me-13]

Steph's Year of Recovery

So! Danny noticed that a new face had made it's way into town. Two new faces actually, an older lady known as Dr Leslie, and a girl about his age called Steph.

He first met them when he was at the hospital for one of his parents. They had stood too close to an explosion again, and he met them while he was in the waiting Area.

Dr Leslie was a strict but obviously caring older woman, who seemed to be the one taking care of Steph as a kind of maternal figure, or maybe more like an Aunt. She greeted him simply and then walked away to talk with the Secretary, leaving him to talk to Steph.

Steph was a blond girl in a Wheelchair, and he could see bandages piking out of her clothes as he talked to her. She explained that she had been in an Accident a few weeks ago that left her wheelchair bound for a while, and that she had come to Amity for their surprisingly good Medical Centers.

He and Steph got along really well, and by the end of it he asked her for her Number so they could continue talking later. They stayed in touch, and when she was finally permitted to leave the Hospital, he introduced her to his friends. They all got along like a House on Fire, both figuratively and in one memorable case very literally (Vlad had pissed them off okay!)

Eventually Steph recovered enough that she moved from a Wheelchair to Crutches, and their shenanigans got even more chaotic (Vlad hadn't even pissed them off, this time was just for fun)

The only thing Danny could complain about was the fact that Steph was hiding something from them.

She said that she had been in an Accident a while ago, which was why they had come to Amity in the first place. But Danny knew it was more than that.

He could sense lingering traces of Death coming from her after all.

...

Steph honestly loved her current life.

Sure she had lost everything, her home, her health, her friends, her life, but she had gained new things too! Like Danny and the Gang! They were honestly some of the best friends she had ever had, and for some reason they just clicked with her instantly.

Danny was interesting and funny, Sam was vegan and a badass, Tucker was smart and witty, they all fit with her personality perfectly! It almost felt like she bad been friends with them for years. (She ignored the way her heart skipped a beat when she saw them)

But she still couldn't shake the sense that they were hiding something from her.

She knew it had something to do with the Ghost Problem in the town. And wasn't that a kicker, there was a whole Supernatural Ghost Outbreak in this Town and nobody knew about it. Dr Leslie had said that Amity was off the map enough to hide from Bruce, but she hadn't mentioned it was hidden from the Justice League itself!

Danny, Sam, and Tucker definitely knew more about it than they let on however. Whenever a Ghost Attack would happen, at least one of them would rush off with some practiced excuse and return after the Ghost Attack was over all dirty. She could guess what was going on, and she really didn't like it.

(This had killed her, she had died doing what they were doing, she didn't want to lose them)

Eventually she had to confront them, coincidentally on the same day they decided to confront her.

"Are you Vigilantes?" / "Did you die?"

"..."

"What?" / "What?"

[livebloggingmydescentintomadness]

i'm not trying to start anything, but i just saw a post criticizing misha collins for not choosing to quit spn when the network was homophobic and he was "profiting from homophobia" and i just think it's kind of... wild? that young people think that a person could just. decide to not work for a prejudiced corporation when they have a family to provide for?

i don't know, i don't even really want to debate or go into it more, but it's just kind of surreal to see opinions from people who weren't there in 2013 when misha collins was literally the only person willing to support not just destiel shippers but actual queer and trans and ace fans. i have no doubt that he saved lives through the care he showed to vulnerable young people who desperately needed to see someone give a damn about them. he's significantly flawed in many ways, but he will always be a saint in my eyes for how much he cared.

like i just don't think that people accustomed to this modern era where hardly anyone blinks over two men kissing on tv can understand what it was like when we were mocked and silenced, when we weren't allowed to breathe the word 'destiel' without getting booed, and misha was the only damn person who spoke up for us. the only one. who was probably risking his job in saying the things he did.

things have changed. that's wonderful. don't judge people surviving previous eras by the standards of today.

[yuwuta]

WHEREVER YOU WANNA GO, THAT’S FINE WITH ME — MEGUMI FUSHIGURO 

cw mentioned/talks about death but not like… in a serious way 😭 this whole thing is very unserious and stupid it’s just a thought i couldn’t get out of my head, megumi being… megumi, f2l but what’s new, also inspired by some clip from a tv show i’ve seen on tt but idk the name of it, if you do pls let me know

you ask megumi you make one of those marriage pacts with you—that if neither of you are married by thirty-five, you two will get married to each other—and he just hums for a moment before asking, “do you think i’ll be better suited for marriage at thirty-five?”

“what? n—i don’t know? maybe? it just seems like an appropriate age to get married if you’re not already, that’s all,” you explain.

more humming. he blinks, “i don’t think i’ll be all that different at thirty-five.”

“well, that’s concerning,” you joke, “you’re supposed to change—grow a little bit as a person and all that, megumi. even you are capable of it.”

“i won’t want anything different out of a marriage at thirty-five than i would right now,” he corrects you, then turns to you, and with all seriousness demands, “so, state your stipulations. what do you want from me, let’s figure out of this is gonna work now.” 

you scoff, and cross your arms. “what do i want from you? that’s not how a marriage works.” 

“that’s how this friendship already works.” 

you say, megumi does; he pushes it than he should have, you say to stop, and eventually he does, and the cycle continues. he’s always stubborn, and sacrificing himself beyond necessity, and you’re always pulling his ear for it. 

“okay. fine,” you settle, straightening your posture, “i want a house. three bedrooms, so nobara and yuuji don’t have to bicker about sharing when they stay over.” 

megumi considers it, then counters with, “four. gojo needs a bedroom, too. one floor, i don’t like stairs.” 

“where the fuck are we going to find a one-level four-bedroom house? i don’t want to live in the middle of butt-fuck nowhere.” 

“we’ll find one,” he shrugs, doesn’t flinch when he promises: “or i’ll have one made for us. next: vacations.” 

“twice per year. somewhere tropical, and somewhere metropolitan.” 

“i don’t like the beach.” 

“then you don’t have to go on the beach.” 

“you’re responsible for me if i burn.” 

“i’m responsible for you either way, i’m your wife,” you taunt, “pets, next. i want dogs. two. maybe three. and a bunny.” 

“no bunnies, they’re too much work.”

“but i want a bunny, megumi.” 

“you won’t have time for a bunny,” he rolls his eyes, “and you’re gonna get pissed when it chews up the expensive couch you’re gonna make me buy, and takes a shit in the expensive fruit bowl you’re gonna con gojo out of. no bunnies.” 

you pout and frown, but megumi doesn’t budge: “no bunnies.” 

you sigh, “no bunnies, but i want the dogs.” 

“i didn’t say no to the dogs. unless you want a golden, then i’m not raising that.” 

“why not? we already have yuuji.” 

“exactly, we already have yuuji.” 

“fine. i want a king sized bed. the really big, oversized ones you get in america.” 

“done. children?” 

“you want children?”

megumi shrugs, but you swear there’s a dust of pink on his cheeks, “maybe. maybe not. if i did, no more than two.” 

and suddenly you can’t help but feel heat in your own face, hot with the image of two tiny megumis running around. 

“that’s fine with me. maybe kids, but no more than two,” you cough, “i want one of those heated driveways for the house.”

“i’ll have it built. i’ll clean and do laundry and take out the trash if you cook.”

“what about days i don’t cook?”

“then i’ll do that, too,” megumi nods, “anything else?”

“yes. if i die first, you can remarry, but you visit my grave at least twice a year, and bring peonies. and that picture of me from prom where i look really good.” 

“no.” 

you stop. you blink. “what do you mean ‘no?’ you wouldn’t visit my grave?—kinda cruel considering i birthed your up-to-two future children and raised your dogs.” 

“i won’t remarry. and i don’t want you to if i die first,” he corrects you, again, “and there’s no dying first and leaving me behind, i’m going with you.”

he doesn’t leave room for debate in his declarations: won’t, don’t; not wouldn’t, shouldn’t, couldn’t—you have to pinch yourself to stop chasing the rabbit of temptation running through your mind. 

“i don’t… think you get to decide that,” you chuckle. 

“of course i do,” megumi grins, uncrosses his legs and leans over. he reaches a hand to the back of your head and pushes it forward until your foreheads meet gently; and as if the affection wasn’t shocking enough, he continues, “where you go, i go. that’s marriage, right?” 

he widens his smile a bit, before letting you go, leaning back into his seat again with crossed arms like nothing happened, and you’re left staring, blinking, breathing shallowly like prey that narrowly escaped being caught.

you don’t speak, so megumi does, “i have one more thing.” 

and slowly, you unthaw enough to let out a questioning hum. megumi tilts his head before telling you, “i want your last name.” 

“what? you—you would change your name?” you stutter, “but fushiguro is so pretty! and it’s your mom’s name, so few people get their mother’s names.” 

“yeah. this way, our up-to-two children get their mother’s names, too.” 

“i—okay… yeah, i guess they do,” you gape, then pout, “wait, what if i wanted to be mrs. fushiguro?” 

“tough luck,” he grins, “you get everything else.” 

you get me, instead, is what’s left unsaid. 

“okay, fine. sounds like a deal to me.” 

“great. we can’t have a spring wedding because gojo and toji will sneeze obnoxiously loudly, and we can’t have a summer wedding because the anniversary will conflict with our tropical vacation, and nobara will kill us if it’s too close to her birthday,” he says, standing up from the couch to head to the kitchen, “so i’ll see you at the courthouse in september.” 

you nod reflexively, sinking back into the couch with a satisfied smile. it’s a while before your brain processes his words, and when it finally does, you spring up in a fluster, “october? megumi, i said when when we’re thirty-five and if neither of us are already married! megumi? megumi fushiguro, come back here!” 

[findafight]

Robin chose Steve. Robin made the conscious and deliberate decision that she could and would trust Steve. She already liked him! She had fun working and bantering with him! They were already on their way to being weird little bffs and the torture just expedited the process. Steve chose Robin just the same! He thinks she's fun and cool and likes her so much! He chose to be honest and open with her too, putting himself out there.

Even though their interests on the surface level don't match why wouldn't they share them? Steve clearly caves when Robin wants to watch a movie he doesn't think he'll like, Robin can watch a March madness game or five.

Stop trying to take away their bond oh my god people can be close to more than one person!!! Their best friend doesn't have to be dismissive or mean or whatever in order for a romance to be special to them!

[sergle]

what I was talking abt earlier. we have fully looped back around and away from feminism, societally, whereas before it was very Feminism 101 to acknowledge that many parts of existing as a woman in a misogynistic society are painful and upsetting. not that being a woman is Inherently Negative in a bubble. but that living on this earth, in the conditions we're living in, is hostile to women. and that gender is a performance. that many of the Staples Of Femininity as accepted by society are things that you have to create and perform and mold artificially and aren't inherent, that COMPLAINING about day to day difficulties of existing as a woman is something that you're allowed to do. acknowledging these basic, again, feminism 101 things, that something tied to womanhood is more time consuming or more expensive or more dangerous Because Of The Problems. does not CREATE the problems. that when women complain about having to perform femininity, they are not, in fact, oppressing themselves. the call does not come from inside the fucking house. saying that you HAVE suffered does not fucking equate that you believe you SHOULD have suffered.

like I could talk about this for hours. how braindead and one-dimensional the Takes are getting. "being a woman is looking in the mirror and going fuck yeah i'm a woman" damn. I guess any negative experiences you have by living in a misogynistic world... are your fault if you are anything but positive? "you don't actually want liberation" we've fully gone back to telling feminists "you WANT to be oppressed" when anything negative about our society is pointed out. it's not real until I say it out loud, I guess, and then I'm actually the one who caused it. if anybody expresses any unhappiness with how they're treated or the status quo or the language and culture surrounding womanhood and femininity. they've created it, right that second. they invented it just now. it wasn't a problem before somebody complained, right? also trans women aren't braindead zombies who just follow the flow of whatever cis women around them say. I am pretty fucking sure they are very much aware of pain, and are MORE than aware of the swirling torrent of misogyny and standards of femininity than anybody else. actually. and I am pretty sure someone complaining on tumblr that being a woman means always putting on a performance is going to make someone change their mind about transitioning. also "performing femininity" as a necessity to being treated well as a woman is not fucking NEWS to your Local Trans Woman. I AM PRETTY SURE SHE GETS THE CONCEPT. using trans women as a scapegoat for this braindead perspective on gender politics is spineless, meritless, and pathetic.

[front-facing-pokemon]

[peterbwatsonparker]

spider-man is so funny because his upper bound of strength is however much he needs to hold out. he needs to throw cars around? hes got it. he needs to land a (small) plane because his aunt is on it? he's got it. he need to act as a support beam for the daily bugle so it doesn't collapse? somehow he's also got it.

someone asks him how much is his actual max bench press and he just goes ¯\_(ツ)_/¯

[thebubblemaster]

Sometimes I go to reblog a post with a counter opinion but then I realize that it is not worth it and people will continue to interpret media the way they want until the end of time and i should just make my own post.

Anyways I do think it's important to remember that they film these seasons in quick succession. The PCs have not had 5 months to grow attached to the NPCs like the audience has. It's been like 2 weeks for them. Also yall are acting like this was the finale. The season isn't over until it's over, we still don't know what will happen. They could lose for all we know, Brennan has been prepared for that in past seasons.

[randomthunk]

If you know, you know.

[loving-jack-kelly]

something something jack and davey both thinking they were acts of service love language types because they were both so deeply insecure in themselves that they needed to feel useful to feel loved. and something something both of them finding for the first time with each other that they don't need to provide utility to be loved. and something something this spilling out into the rest of their lives as they make each other better and push each other to grow.

[singingcicadas]

I find it super ironic that Cyclonus has this highly romanticized, propagandic view of the Decepticons, because like:

This is him 🔽

And this is also him 🔽

Dude you yourself was a member of the ruling elite of the old order. Even if what you said about the Decepticons were all true, you're a big part of why people needed to be emancipated in the first place.

He was part of Nova Prime's inner cadre during a time when bigotry and oppression was even more predominant. Nova. who's literally the founder of functionism, which flourished and peaked under the so-called Golden Age of his rule. And Galvatron's... Galvatron, I don't even want to talk about him everyone knows what he's like. But Cyclonus was somehow fine with being yes-man to both?

The way he spoke about the Decepticons, it sounded as if he's this super dedicated sjw filled with righteous passion about stuff like liberation and revolution and emancipation and 'the people', when in truth it's shown that he'd never cared about any of those things before that point.

Nova Prime's ideology was literally this:

And Cyclonus didn't have a problem with it during his entire life before the Ark, compared to more decent people like Dai Atlas and Omega Supreme who eventually clashed with their group and got kicked off the Ark b/c they couldn't stand Nova and co.'s lack of a bottom line and misuse of the word freedom.

As a matter of fact Cyclonus still believed in Nova Prime after he became Nemesis - not that he was much of a better person as Nova. Where's his sense of justice against corruption? Nova got turned into a literal demon, surely it's hard to get more corrupted than that. But his only complaint wasn't about what Nova/Nemesis was trying to do, it's about the process being too much of a damn ordeal.

He's super excited over the anticipation of murder and has no scruples whatsoever about killing non-combatants. The same thing happened again at Kimia.

He finally grew enough of a conscience to break off from Galvatron in the end but notice his wording. It's not 'you forced me to hurt people', it's 'you forced me to hurt Cybertron'. He even said Cybertron twice for emphasis.

It's not mind control, he just thinks like that. The guy's obsessed with Cybertron - with what Cybertron once was. The Cybertron he lived in. Nova Prime's Cybertron. The Golden Age. He's shown to repeatedly lament over it in his internal monologues.

It's all about the loss of his 'perfect world.' The infrastructure. the scenery. the Tetrahexian real estate lmao. How about let's feel some sadness for the billions of Cybertronians who once lived on it? When did he ever spare a thought for all the people who died?

The Decepticons worked so hard to destroy this. It's a gilded carcass rotting from the inside. It eats people alive. The rot was already there in his own time. He was complacent in putting it there. But he only had eyes for the beauty and nolstalgia.

In the first panel he lauded the Decepticons for wanting radical change. Well he himself seemed to be dead set against change judging by the way he kept wanting things to go back the way they were 8 million years ago.

Back in the Golden Age he would not have looked twice at a bot like Tailgate. He was part of the people who didn't give a shit about the disappearance of one waste disposal bot. He still wouldn't have given a shit if circumstances hadn't forced them together over and over again.

Looks to me he's enarmored with the grandness of the concepts of liberation and revolution and emancipation for 'the people' in the Decepticons' (theoretical) ideology. The concepts of fighting against corruption and bringing down the old order. Just like how he bought into the concepts of Nova's 'spreading freedom to the galaxy' and the glittering prosperity of the 'Golden Age.' Does he know that the Decepticon ideology is a twisted lie built on terror and massacres and genocide and despotism? Does he know that Nova's idea of spreading freedom and enlightenment is galactical conquest and his beloved Golden Age is built upon a foundation of misery and suffering and systematic subjugation? Of course he knows he's not stupid. He's nose-deep in it, it's virtually impossible not to. But he's able to willfully ignore those ugly truths as well as his role in them by only engaging in shallow romanticism through rose-coloured lens and refusing to delve deeper.

It's either that or imperalist mindset and the endorsement of violence and casual murder resonates hard.

[basuralindo]

So I was asked to expand on the whole Jamil having a trauma response to Leona comment on my last post, aaand here's that.

(This pertains to chapter 6 btw, so spoiler warning)

(also it's very much sleep deprived rambling so sorry if it's, well, rambly)

First off, I'm operating under the assumption that he has cPTSD. Jamil has clearly been programmed since birth to always obey the Asims and act in their best interests, even at the expense of his own life. This is a boy who has been forced to eat poison to protect them and their assets, who's family was forced to let that happen, and who has been so desperate his entire life to escape that situation that he was willing to resort to murder and doom not just himself but his whole family which he is implied to care about. Which means if simply quitting was an option, he would have done so. So, you kinda have to infer that he and his family don't have a choice in this role, and there are severe enough consequences for disobedience that fucking up or refusing is a worse option than risking a slow painful death every time Kalim wants to eat something. And this is all stuff that's been depicted blatantly in canon, not even touching on the assumptions that could be made from there.

So that's the position Jamil is in. That is a traumatic situation. This is a guy who has been groomed for servitude and obedience since he was old enough to talk. These kinds of circumstances absolutely can lead someone to be triggered into subservience or other trained behaviors. That's just, a thing with trauma.

Now, with the Asims being one of if not THE most powerful merchant families in their country, one of the expectations of Jamil as their servant and especially as the attendant to their heir is to ensure good relationships with other rich and powerful families, especially royalty. This was shown in the fireworks event, where he states that as a prince, if Malleus came to any harm under his watch while a guest of the Asims, it could start an international conflict. These are incredibly high stakes, a misstep on Jamil's part could ruin the Asim family and potentially even endanger his country, and it's pretty strongly implied that he and his family would take the blame and suffer the consequences. Now, much like how wearing a company logo while at work makes your actions representative of your employer, Jamil serving the Asims 24/7 (and especially as the chaperone of their heir) means that he is representing their family At All Times. This is why he is forced to defer to Kalim in all aspects of life even outside of their country, part of his job is to make his employers look good, and there are consequences for not doing so. This means that anyone of high enough status to be significant to the Asims is someone who Jamil is required to be subordinate to.

Then, enter Leona. As a wealthy prince, he would be someone who Jamil is expected maintain good relations with at any cost to himself. With his position Leona could literally destroy Jamil's (and probably his family's) entire life with a single complaint to the Asims about his conduct. Like, he could do that with no actual cause just for fun, because the Asims are 100% going to take the side of a prince over an expendable servant. This means that one misstep or any backtalk from Jamil puts him at massive risk, it is entirely up to Leona whether or not he suffers for any of these actions, and while the audience knows Leona's personal morals would prevent him from actually doing that, Jamil does not.

THEREFORE (sorry this ended up so long), once Jamil was in a life threatening situation with Leona, it seems likely that all this programming and fear would manifest in desperately trying to protect him and follow orders the way he's always done for Kalim. To me, the way he snapped into bodyguard mode, and immediately complied with every one of Leona's bitchy commands (like giving him a hair ornament to throw away without question, and barely saying anything about it after), even while being humiliated and knowing he was less trained in magic, just comes off more like a trigger response than anything. Especially because I can't imagine that situation not being triggering, and I can't imagine him knowing any other way to respond.

[jesterwhoreknee]

Not me wanting to do a Chalastor/Radiobelle roleplay but being scared to death of being attacked or mocked in the roleplay community for it 💀

Don't get me wrong I love Vaggie and Charlie together and loved Vaggie's angel look alongside the backstory and how they met, but Vivzie isn't good at writting women and they don't have chemistry at all. Meanwhile I have always had a soft spot for Charastor and the dynamic/potential they had since the pilot came out. I know it will never be canon and don't intend in wanting it to be because I respect the characters sexualities/official pairings. BUT LEMME ENJOY MY FANON SHIP IN PEACEEEEE 😤😤😤

[snackugaki]

oh well didn't make it after all

my tmnt  iteration (where everyone made it past their 20s, splinter’s alive just old, venus is here, and they deserve some goddamn respite and shenanigans)

tmnt  iteration part 1 | part 2 | part 3 | part 4 | part 5 | part 6 | part 7 | part 8 | part 9 | part 10

tmnt  iteration omake 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16

lny visit 1 | 2

[lucienne-thee-librarian]

Just to minimize my chances of being genuinely misunderstood OR deliberately misinterpreted, and crucified for something I don't think, How Dare You Say We Piss on the Poor website etc...I'm gonna say this right up top. I absolutely understand why people don't like Thessaly as a character, if anyone does completely unironically stan her as some kind of feminist hero who Did Nothing Wrong uwu, I personally see it as a bit of a red flag. I don't like terfs real or fictional. In a vacuum, I could even completely sympathize and agree with the people who want her cut.

HOWEVER.

It's really something to me to see people clamoring for her to be cut, because she carries and expressed an ugly indefensible prejudice (transphobia) in words towards (1) person. Meanwhile Hob fucking Gadling enacted one of the most violent forms of antiblack racism I can even think of against thousands no, millions of people, the ripple effects of which still affect billions more today. Just a little light idk, profiting off the fucking slave trade and had to be told by someone else that it was bad...and he's a fan favorite.

People are saying Thessally being Dream's love interest reflects badly on him or is somehow endorsement by the narrative (?!?!?!?!?!? Didn't she (SPOILER ALERT AS IF IT MATTERS BY NOW) help participate in his extended assisted suicide? She's not painted as a great person to me just another character what are y'all SMOKING whatever fine. It's fine this is fine.) But shipping Dream with Mr. Former Slaver is not only not verboten or frowned on widely in the fandom but its THEE most popular pairing by far. So...why the difference?

Like where are the same fans who are saying Thessaly shouldn't just be more clearly shown to be wrong, she shouldn't even be in the show at all when it comes to Hobert's crimes??? Yes, transphobia is indefensible. Isn't racism?

And I hear the cries of "it's fiction!!!" Already rallying (if anyone who needs to hear this even sees it lol) to which I say:

HORSESHIT. I KNOW you don't, deep down, really agree because if you did, why get upset about Thessaly being included??? Why does what she said to one person matter if it's Just Fiction You Guyze. Fictional characters are allowed to do bad things and fiction isn't reality sweaty....except when you only apply that standard to fictional racists you like and simp for, but fictional transphobes you don't are SO HARMFUL they shouldn't even be portrayed in fiction.

Like. Give me a big fat BREAK. This looks like bullshit, no? I'm sorry, but I'd love for someone to try and give any other explanation besides one personally offended you or hit home for you, and the other doesn't.

And if that bothers you or you feel like it says something negative about you...idk what you want me to say??? You can't control how other people perceive you and that's how people outside this majority-of-the-fandom bubble see it. You don't need to respond, I just wish and genuinely hope this gives you a moment to think about why fans who ARE bothered by both (and not just paying lip service to being bothered by the one but railing against the other) are so frustrated with people saying everyone is welcome but in practice only bending over backwards for the comfort and emotions of themselves, and people they can easily relate to.

You don't have to like Thessaly (I don't. I find her an interesting antagonist, I don't stan her. And frankly that's not the point of her character) but you'll pardon me for feeling more than a bit cynical and side eying people's motivations for what seems a...pretty obvious double standard, on what fictional crimes related to real world issues matter to y'all, and which clearly don't. Either actually bring the same energy to the table for fictional people who committed atrocities, even if against a group you're not part of and thus don't feel the need to empathize with, or just carry on, but accept that you don't have the SLIGHTEST room to talk about cutting characters who do immoral things. And you also need to accept that you look like a hypocrite when you do.