#not quite sure which of my existing boxes to put this subject in so it gets all three

[canmom]

as a general maxim, when you make art you wanna create contrasts: detail vs simplicity, saturated colours vs grey, organic shapes vs inorganic, long paragraphs vs short, colloquial language vs formal, loud vs quiet, fullness vs emptiness

and you also want to work that on a meta level as well. contrasting between things being the same and things being different. repeating the same thing over and over feels homogeneous but so does everything constantly changing. a mix of some things coming back around and some things being novel keeps you guessing.

and keeps you guessing is an important thing - a purely regular pattern with no variation doesn't tend to elicit as much interest, except when it's placed in contrast to other artworks.

recently in the last few decades it seems that, probably inspired by the parallel discourses of machine learning, neuroscienctists have cooked up a kind of 'thermodynamics-style' theory of how the brain works with what they call the 'free energy principle', which casts the brain as being in a cycle of constantly generating predictions and testing them against sensory input in order to refine its internal model. here's artem kirsanov, a guy who makes pretty good videos on ML theory, with a neat visual summary:

why do they call it free energy? I guess they're following in the footsteps of Claude Shannon in borrowing names from thermodynamics for similar-looking formulae. (and in fact, Shannon entropy ends up playing a role here.)

I will need to dig more into this to really pierce the mathematical formalism and jargon in this hypothesis; presently I'm reacting to a surface summary and vibes. but musing on the idea, I think this tells quite a cute story about the above maxim for art: things that are hard to predict force us to do more work to develop our internal model, so they provoke us; but there does need to be something to predict, because it's also saisfying to resolve a pattern in the noise.

the interplay of surprise, recognition, and learning, by this theory, somehow drives how we feel about the art, from the feeling of intrigue when you see an intricate visual composition, to the emotional impact that comes from a long-teased resolution in music.

to add a wrinkle to this, apparently individual neurons respond positively to rhythmic stimulation, such that if you're trying to grow a physical neural net, that's how you 'reward' neurons for giving good outputs. (I believe it came up in this video where a youtuber tried to grow some neurons to play Doom.) repeated patterns are in a sense the 'least surprising' input. not 100% sure how that vibes with this theory tbh, I feel like there's a lot of ways you could fit those two concepts together.

music is a very 'pure' form of art in this sense: you establish clearly recognisable patterns and then vary them just before they start to get boring.

games, on the other hand, engage our direct interactive feedback: we can try things and see if the game responds in the way we expect, and in so doing, elaborate an internal model of the game world.

I think this also gives me a lens on my autistic difficulties with social interaction: until I learn enough of the social 'game' in a particular space to understand how the things I say are likely to be received, I tend to feel quite anxious. but once I start to get to know people and get a basic model and feel that I'm not likely to put my foot in it too badly, the feeling flips quite dramatically; it becomes exciting to meet people and learn about all the very specific things they're passionate about.

I don't wanna go too far with this, I distrust 'everything reduces to this simple formula' metaphors, but I formed a connection and now I'm telling you about it!!!

[sgiandubh]

What choice is there for you to make? Caitriona is legally married to Tony. It's her choice not anyone else's. Sure you want to believe Sam and Caitriona secretly have something on, your belief is your choice. Her choice of partner is hers, and it's not Sam, really none of anyone else's concern or approval. Enjoy and celebrate your beliefs, but beliefs are not always rational nor true. No one on this subject knows the truth about Sam, the shippers, the gay onlys, the man whore-tellers, the SamSaviors. No one, which is the way he wants it. No one knows and no one will.

Dear Choice Anon,

Unlike many of your Mordor peers, I feel a half-baked effort towards questioning, in your submission that wants to be cheeky and smart. And is, instead, sophistic and predictable.

I was baking something, in the meanwhile. I always cook when I need to think carefully about something, from a distance. My hands are quite good at it and my brain is free.

And so, I thought. I thought about how you people always feel the urge to cross lanes and come here peddling your #silly wares. I thought about how you came here on a Sunday, Mother's Day on top, and how sad (empty?) life must feel for you. Instead of going out for coffee in town, smelling a rose, baking a cake, laughing around, cheering on your favorite team or hugging Mom, here you are. Battering a perfect unknown person's mailbox, for the sake of a woman who does not even know you exist and, most probably, does not even care. Same applies to S, by the way - but unlike her, he might probably care about you, provided you buy whatever he has to sell.

The Marriage Certificate argument is a fallacy and you know that very well. You grasp at a piece of paper, oblivious to the whole schizophrenic show the Happy Couple puts out there for everyone to see. I can understand that, Anon: you are a conformist, soothed by a black & white reality, even where and when it's plain to see things are anything but. You need reassurance and you hate anything that might reach out of your tiny box, even at the expense of your own critical sense. Congratulations, Anon: you are perfect fodder for all the demagogues out there and so, so easily fooled. I have more thoughts about it, but I am in a cheery enough mood and really unwilling to humiliate you further.

Unless you are S himself (hi? 🤣), his PR or his lawyer, you have no right to presume what he really wants or doesn't want, what he really intends to do and what his thoughts and feelings might be. On any given matter, from the trivial to the important. We can only guess and/or speculate, based on our own life experience, our own critical sense, our understanding of the world. And also based on many other things that are NEVER discussed publicly, which is the right way to do, if you really care about someone's private life. You see, unlike people on your side of the fence and no matter what the Original Troll always says, we never did anything of what you accuse us of. We never started flaming wars just to self inflate our importance (probably because we live rich, loving lives on our own). We never accosted their entourage and then blamed in on 'The Others', without ever substantiating those very serious accusations. And we never came to your lanes to send hate or sow doubt.

Do we make mistakes? Oh, aplenty. We are human, Anon. Come back when you are ready to ask yourself some real questions about all this charade. It is an honest, but almost rhetorical invitation. You won't, simply because you despise the very idea people could think differently and you never, ever wonder why. It would clash with your own fantasy. And this, this is something you will never be ready to face, Anon.

PS: despising the very idea people could think differently also clashes with the very idea of having a choice. The implications of your own shortcoming are much, much wider than this context. But that is not my problem, Anon. After all, you also have a choice to remain as you are, and who am I to hinder you?

[mangosaurus]

Hi! Love your jwcc fanarts! (Hope u don't think my question is to annoying lmao 😭❤️)

I wanna ask u what do u think about that theory abt Ben gf being a catfish? Maybe one of that people that have been hunting them idk. Some posts claim it's actually Brooklyn trying to keep herself updated about the whole situation?? TO MUCH THEORIES

Also if the gf is actually real I'm curious about your opinion. Like I saw a post saying that Ben could be Bi, Pan, etc, but really, I am bisexual myself and there is no bi subtext on that boy... and it's not like they suddenly are gonna officialize he is bi/pan, or give him this type of subtext at this point of the franchise. Is not cool when people call "bi/pan" a media trying to avoid dealing with a character queerness. It's just painful that people think this is a real way of portrait of a bi/pan experience. It's not!!

AW thank you so much! i know i haven't posted much art lately but it still makes me really happy to hear that people enjoy it. and your question isn't annoying at all, don't worry about it :) i love receiving and answering asks, it doesn't matter what they're about

the more time that passes the more plausible the catfish GF theory sounds to me. if i had to guess, ben probably met his girlfriend online, possibly through dark jurassic (which a lot of the fandom seems to be in consensus about). as for it being brooklynn ... not too sure about that one! i've mostly treated it as a crack theory up until now, if just because of how absurd it sounds on paper, but i wouldn't put it past brooklynn to pull something like that. keeping in touch with ben is probably one of her only links back to her friends, besides her contact with ronnie (who is only partially connected to darius at this point, since he quit the DPW). i'd recommend giving these two posts by kitabearuwu a read if you're interested in exploring that theory further.

now if the girlfriend is real: i obviously can't speak for you or other bi/pan/otherwise mspec people, but i've come to not care all that much, if i'm being honest. it was definitely a shock to hear, as was the intended effect, since darius, sammy, and yasmina all initially reacted with surprise. but my question is what harm does ben having a girlfriend in chaos theory pose? like, does it play into any negative stereotypes? does it communicate a dangerous message about queer people? i've seen some people argue that it perpetuates the notion that mlm relationships are "icky" and shouldn't be portrayed in media, but i have to disagree, respectfully.

i think it's also really important to remember that subtext is ... ultimately kind of subjective, and is totally independent of the creator's intentions. that's the whole point of subtext—it exists below (hence the prefix sub-) the underbelly of the text. you have to be looking for it to see it, basically. and for a long time, the fandom (or at least the queer part of the fandom) subtextually read ben as gay! a lot of that had to do with his rather intimate interactions with the other boys, juxtaposed against the way he rejected yasmina when he thought she had a crush on him ("i like you, but i don't like like you ... i'm just now starting to find myself"). but ... i don't know, if we want to start citing text, you could also argue that ben's whole thing about not putting him in a box circa jwcc s5 could be a point towards him being generally unlabeled, which leaves room for him being mspec.

if i had to make some definitive statement on the matter, i guess it'd be that this fandom gets really bogged down by the specific labels of these characters, when it's really not all that necessary. this is still a gay show made by gay people featuring unapologetically gay characters in explicitly gay relationships, of which has been some of the best gay rep i've ever seen in media. and having that kind of representation on TV matters more to me than knowing what ben specifically identifies as, even if it doesn't align with my headcanon. it doesn't have to! but i also don't know for sure if it doesn't align with my headcanon, because we haven't gotten the full story yet. ben's girlfriend is most likely gonna be of some importance, given that he mentioned her twice without going into much detail about her. that leaves a lot of room in future seasons to expand upon who she is and her role in both the greater narrative and ben's life specifically, including his identity. i just think it's best we reserve judgement at this point, basically

[lynnuvo]

A Piece of Cake

(A/N: Making this instead of studying for my quizzes :3)

Characters: Y/N + AcademicML (Male Lead)

If sweet encouragement doesn't get you fired up to study, academic rivalry will. Regardless whether you're one to harbor envy or just want to get by, nothing irks you more than AcademicML shoving his perfect scores in your fast. He's been doing since you guys became friends after a school project last year.

You two seemed to click over a common interest, but the downside of getting to know each other was becoming an enemy for the highest rank in your grade level. If only you hadn't showed him your rank during a hangout with friends. His expression fell flat for only a second, but you were watching him. Of course you were going to notice.

Once everyone parted ways and went home, he suddenly began messaging you more often. You two still had fun conversations, but his bragging about academic successes made you question sometimes whether he actually hated you. You never had the gall to question him, though. Wouldn't that make it seem like you thought too highly of yourself?

A couple months later, things took a change at the start of midterm season. He pestered you a whole day for "non-date study dates."

"I just want to help you," he whined, not unlike when he got pouty about losing a board game. "It's okay if you don't want to, but I really wanna! I want to see how you study, too. I can help! I promise!"

"Are you sure you don't want to ask any of our other friends?"

"I only want you." He shook his head vigorously. "Not that like, I mean! Like studying buddies, you know? I feel like doing it with you would be more effective."

You told him you'd think about it, and you did that night. After some time, you messaged your acceptance to his request by inviting him over to your house. It could be fun! That morning, you prepared snacks and were quite surprised he brought some as well. He even included multiple of your favorite chips.

"How did you know?" you exclaimed, opening one immediately.

"You mentioned it a while ago."

True to his word, he provided a couple study tips on topics you didn't understand much. And he did take note about your studying method, though it wasn't as positive. His comments clearly favored his own, but you were having none of that. You knew how to study best for you. His methods were best for him. And his must have been working well since he didn't request for any help at all.

Which made it all the more shocking you beat his score on the same subject's exam by a whole 10 points.

It didn't sound like much on paper, but against one of the smartest people you knew? It was A LOT. When he messaged his score to you, you became so excited you could hardly remain still. Finally, you had had something to shove in his face. Oh, the taste of sweet revenge! It was unfortunate you two's exam times nor buildings matched or neared each other's, but thank the heavens technology existed.

That night, you messaged the news in all caps. He replied back in all caps, denying the fact even after you sent proof. He came around to congratulate you, though, and he joked that his presence while you studied paid off.

"It was only one day," you shot back.

His next message read, "One day of me helping though 😉"

When you two eventually exchange goodnights, it was way past midnight. Guess you had too much fun bickering with him to realize how late it was. Putting away your phone had minimal effect on your ability to fall asleep, however. You couldn't stop smiling, daydreaming about bragging to him in-person tomorrow. Maybe you could even get more congratulatory praise.

You didn't have to wait long, though, because when you left the house the next morning, you spotted him waiting at the sidewalk in front of your driveway with a box in hand.

"A cake," he stated, handing it to you while he took your bags (you didn't tell him to; the exchange happened so naturally). "for beating me, I guess."

[bossthebicon]

Hello! Idk how to approach this bc it's a sensitive issue. But I have a question. If you dont want to answer I understand. warning upsetting and sensitive subject ig. 

Was there ever a follow up on the ''drake is a potential transphobe'' issue? Bc i learned it from your blog, and the last thing i know abt is that he made a sorry a$$ excuse of an 'apology'. I just got rmded abt it when you rbed your 'my tee' gifset (damn that show was a rollercoaster of ‘wtfs’ lol). 

And since the actor ''O**.Pa***'', I want to be cautious about these issues (bc it came out of nowhere and slapped me in the face and I’ve been disgusted with him(O.Pa) ever since). 

I am asking you bc I dont know Thai ppl on here, and I learnt it(the drake situation) with you. I also know there is something culturally that could potentially also apply. That in country n1 (here Thailand) smthng happens is different from country n2 or 3 or 4. (like I rmbr abt the thing with cis actors who talked abt trans actors and everything). I agree abt the fact that we, I, come from NOT the same culture and we, I, have to take it into account.

 But in this case I'm REALLY not sure it’s about a ‘’different culture’’ situation. Bc you know, it was very transphobic and also yah andr** tat*... So ig I want to be sure abt the media/ppl I'm involving myself with. 

If you answer this thank you, and even if not.

hi! I've addressed the drake issue when a follower sent me his apology, which I personally thought was good bc he took accountibility & did say he respects everyone. the one thing missing was an explanation though, which is annoying bc it's what misses from most thai actors controversies. but personally, I did think he was being genuine & not a transphobe, though I am definitely biased since drake is one of my favorite thai actors. I've talked multiple times about the cultural differences between "ladyboys" (katoey) & trans people: though now most "ladyboys" now identify as trans women bc they've learned about the western term for it, they were historically considered as a sort of third gender in thailand. that means it is more globally accepted to say things about them in thailand that would be seen as insensitive in the west, and thai trans women themselves have grown accustomed to mocking their own transness to be successful in the thai entertainment industry. this means that the "____ is transphobic" controversies only ever regard international fans, while thai fans don't even bat an eye. it's not my place to say what's wrong or right in those situations, but that's why I feel hesitant to condemn ANY thai person as transphobic when the cultures are so different & sensitivities so opposed. trans rights are under attack everywhere in the west, meanwhile "ladyboys" have existed openly (somewhat safely, I'm sure there's attacks & discrimination on them, but I couldn't find any data about it) for literal centuries in thailand.

NOW THOUGH, I find it quite staggering that you can kind of put most of these thai actors in the same box. drake laedeke for liking (or reposting? I forgot sorry) an anti-trans video, for which he apologized, joss wayar for following andrew tate, who he unfollowed once the backlash against tate peaked, ohm pawat for being a homophobic bully (which some have argued that it's been disproven in my comments but I don't really believe it, it's giving delusional ride or die fan), and lastly foei patchara who reblogged anti-lgbtq far right content & (to my knowledge) never apologized or backed down. all four of these men present themselves as very straight, they all work out & have stereotypically very masculine & attractive bodies, and all of them are successful. I'm not surprised that men who watch fitness content would end up on hustle culture videos, leading to alpha male videos & eventually far right content which is currently obsessing about lgbtq+ people. and I'm not saying this to justify them or whatever, but I think it says a lot about masculinity & the echochambers created around this hypermasculine content which led to these actors clearly doing something wrong.

in the end, I'll say what I always say: everyone can choose to remain fans of actors that have done something wrong, or unfollow them, ignore them, hate them, etc. I do think things need to be taken with nuance, and for me I look at repeated behavior & lack of accountability to try to guess an actor's true nature. I say GUESS because none of us will ever truly know them. maybe there's an actor that has never publicly done anything remotely problematic, yet thinks the most awful things in his head. so yeah, it's up to each individual's judgment to decide what to do with those actors & what they've done wrong, but I do think we have to take cultural differences into account bc the world does not revolve around the west.

xxx

[kriegborderlands-moved]

Pretty lame move on ur bf's part to assume I'm fetishizing fatness and then when I stand up for myself, replying to and blocking me before I have a chance to respond. I didn't even get to read his response, I saw the notif on my phone and opened it up and his comments are gone and I can't find his account. If he assumes everyone means him harm and then blocks them before they can explain themselves they are forever cemented in his mind as being harmful which will just lead to him thinking that more and more people mean him harm and he will live out a sad, lonely and terrified existence. For his sake I hope he cultivates a thicker skin as it's is important to living. Being able to be uncomfortable but still open to people and ideas is imperative to learning stuff from others. For my part, I was joking about love handles because I think it's funny to not know parts of the body with weird names that are often critisized and used to shame people. I didn't know what hip dips were until I was 19. I knew that love handles were something in the lower torso to upper thigh region but I wasn't sure until you told me today. I pride myself on not having much body issues (appart from gender things) and very consiously not judging people on their bodies. I genuinely don't understand how he got fetishization or thinking fatness is dirty from me joking about not knowing the meaning of a word.

I'd actually love to be told how what I said was interpretted that way, so I can avoid from doing something similar in the future. So if you or he want to tell me I'd genuinely really appreciate it. I like learning and I don't like hurting people's feelings.

That's literally all I asked for, to know what went wrong for my message to be misinterpretted. The heart might have come across as sarcastic, but I was trying to mimic the energy of his reply.

Sorry if this is an overwhelming text wall, I just get really upset when this happens because I don't know what I did wrong and I want to be more informed but people just block me and I have no way to stop feeling like I'm secretly a bad person and just don't know it. Also the first paragraph is kind of meanly worded, it was the first thing I wrote and I was still really mad. I reworked some of it to not be as mean but I still believe in the point I was trying to make.

first of all never put an essay this big in my ask box again. i’m dead serious i will just block anyone else who does this because i have a life and shit to do and do not want to spend my time on internet arguments.

secondly, it was a positivity post about something that is frequently insulted and belittled. just google love handles and see what comes up. REALLY not the time to make jokes.

my boyfriend states “Tell them that like. I’ve been antagonized enough so the whole “sh sh sh I don’t want to know” came across as if talking about fatness was something that had to be silenced because it was taboo or was being treated like it was some disgusting kink that had to be shielded from the public’s eyes.”

third, you’re insulting my boyfriend (whether you realize it or not) so if youre expecting me to just calmly approach this, youre dead wrong. speaking of which, really interesting that you’re saying my bf needs a thicker skin when he’s been subject to fatphobia his entire life, and then when he blocks you you send me this.

this is in fact a really weird thing to send someone. my bf can block whoever the fuck he wants and thats his business alone. and if you feel guilty about it that is not his or my problem. quite frankly the only emotion i feel right now is annoyance. i am not interested in continuing this conversation further

[cursivebloodlines]

When Aaron laughed, Lydia laughed. She couldn’t help it, the way the smile still remained plastered on her face via the simplest of things. He was just so…Aaron. In the nicest way out of the innumerable interpretations where that sentence could go. It was so easy to be around him. Everything seemed a little brighter when he was around, for some reason. It was an odd feeling, but she liked it. Which honestly spoke volumes because she sometimes had a low threshold for patience and tolerance towards people in general. It was nothing personal, just that most were boring. Or annoying. Thankfully, in his case, he was neither of the sort. She would have made that obvious by now if that had been the case. “Only alright?” Lydia asked, feigning offence in her tone as she scoffed with a shake of her head. “Now, you’re just being rude. My version is more than merely ‘alright,’ thank you very much!” She protested, huffing. The smile never left her face though, a clear indicator she was playing along…though you couldn’t always tell with her. She could be temperamental when she wanted to be but not currently. Not now. “Lucky for you that you don’t, I agree. Because you’re such a scaredy cat, you’d be running around screaming. Or you might shit yourself which would be plenty embarrassing now, wouldn’t it?” She shot back, the thought entertaining her as she laughed quietly. Of course, she couldn’t actually imagine him doing anything of the sort. But it made for a hilarious mental picture, that was for certain.

It must have been nice, to have something like that to believe in. To have hope for something that exists beyond death, beyond scientific capabilities. Lydia wished sometimes that she had the capacity to believe, like she used to when she was so much younger. But as she grew up, prayers that went unanswered or unfulfilled led her astray. Working in a scientific field that relied on concrete facts, leaving no room for mysteries apart from the ones in her cases, of which most get solved. But still, she couldn’t help but be at least a little curious. After all, nobody really knew what existed beyond this realm of the world among the living and as much as Lydia claimed there was nothing beyond the grave, she had equally no proof to imply otherwise either. Sure, she had become desensitised over the subject of death over the years, having to learn to compartmentalise her feelings to do the job but that didn’t mean she didn’t have feelings whatsoever, as much as she preferred others to believe. That way, no one messed with her. And maybe she really did want to hear his beliefs, on pretty much anything really, come to think of it. Their brains worked differently and to put it simply: she was incredibly fascinated by him. Attentive ears heeded Aaron with her full, undivided focus and eagerness, not even interrupting to ask him questions once. Her eyes concentrated on him, nodding occasionally as a signal she was listening. Clearly, he had a lot to say - and honestly? She was here for every single minute of it. Day of the Dead... she'd heard of that before but didn't really know much about it. Now, she felt as though she knew plenty - he was so informative. Another plus! Wait, since when was she ticking off boxes he unknowingly would fill? "That's quite lovely, actually," she mused. The title of the occasion, Day of the Dead, honestly sounded pretty morbid; not that it was her place to comment on the morbidity of things. However, this surprised her - in a good way. Lydia was... impressed? "Even if they don't come back -" that part, she wasn't convinced of but he knew her stance on that already and didn't feel the need to comment on it as such, "It's still - that's a really sweet way to remember them by. Keeping them close in your thoughts, in your memory. It is highly important to do that, I think. In whatever way you see fit." The idea made her think of her mom. How she probably would have loved the idea of something like that. She had been gone for years now but not a day went by where she didn't think of her. A little chortle escaped her lips and she couldn't help but smile at him. Restless ghosts. "Yes. Well, we both know where you stand with ghosts, don't we?" she teased him, "Must I call you a scaredy cat again?"

Hearing Aaron discuss his thoughts on Maggie and listening to him vehemently explain all the reasons she wasn't his type caused a little grin to tug at her lips. Why did that please her so much? Definitely, because she wasn't the fondest of Maggie either, probably. And it was nice to be talking to someone who felt a similar way. And it wasn't just a case of Lydia holding a festering grudge against literally anyone for anything. Trust was something that was to be earned and she'd put up with too much shit to just trust anyone, especially if they gave her a reason not to. (Degree of said reasons could vary. A lot.) "Finally, it's not just me. Hallelujah," she retorted, shaking her head to herself but still offering him another smile - it was hard not to. It was funny, the way he could make her smile without even saying or doing a lot. What was that all about? Then he told her directly, confirming in fact she supposedly, was his type. Lydia quirked an eyebrow at that, tilting her head a fraction as she peered at him curiously, as though trying to determine whether or not he was joking. "Me?" she questioned, unable to help the little grin that crept up onto her lips as he started listing physical features that were allegedly his type. He was clearly trying to score brownie points with her, especially since said features directly correlated with Lydia, specifically. She thought, anyway. "Those are some bold claims there," she quipped, brushing some hair out of her face. "I don't know, that is oddly specific... But I might know someone, in fact. However, I am quite concerned. You see, the issue is, I think she might be just a little bit out of your league. What do you say to that?" Yes, she was only teasing him. She thought nothing of the sort but this was Lydia - it was fun to play hard to get...for a little while at least. If anyone could make her cave, it was probably him. It wouldn't take that much, not completely anyway. Really, she just wanted to see his reaction, what his mind would come up with next. Play along or surrender, give up? She thought she knew the answer but you could never be too sure... And if anything, she was trying to distract herself from making it obvious that she may or may not have been lowkey fawning over him. Not that she would dare admit that to his face. Not yet at least. Her lips were sealed with that one... for now. "Nope, I don't think you'd bet against me but I just wanted to make sure you responded with the correct answer. Which you did, so gold star for you. Well done," she laughed softly, giving him a gentle pat on the back in a congratulatory manner. Talking about work also made her wonder what it meant for the two of them in the future. When it came to both of their careers, they both were dedicated to their causes. Lydia knew he had to work some hours and could be gone for a while but she didn't really see that as an issue. Her hours were long and often frequented depending on what was needed, if they had her on call, etc. And because she was a workaholic, to put it plain and obviously. But it meant being able to put more effort into seeing him when either of them was free and had time. Lydia would make it work, she could be flexible, and ask to jiggle her hours around a little; Aaron was worth the effort. Even though it led to instances like this, her being late for their initial plans. She could do better, and she would try. This was all just...new to her. She just needed to give it time. It would be fine. "As it should be! You know, I don't offer this kindness to just anyone so do consider yourself lucky. If not, the luckiest."

It seemed like he was very pleased to be fulfilling her request to repeat himself - something that was also unlike Lydia; once was usually enough for anyone. But she thought Spanish was such a pretty language anyway... yet it sounded even better coming out of his mouth. Even if she had no clue what he was talking about - before he clarified - she could quite dreamily listen to him speak all day. Maybe it wasn't the language as such... maybe it was just Aaron. It was too soon to tell. But there was that smile that seemed to grow, and hers mirrored him in that sense. Her eyes lit up as he spoke. Trying to figure out what the second part meant - she was pretty sure she knew the first and last words, at least but then he beat her to it. Funnily enough, she didn't mind in the slightest. Was just pleased he was willing enough to do it for her. "Okay then," she said, clearing her throat. "Aaron, please remember to speak Spanish more often." She knew he never meant right that second but it was a bad habit. Her attempt at being funny by reminding someone of the thing they were asked to be reminded of the second after. "But maybe it's not the language I'm charmed by. Maybe it's just you," she added, a shrug rolling from her shoulders. At least she was direct. Rolling her eyes playfully when he used the English not being his first language excuse, she couldn't help but laugh. "You seem perfectly capable of speaking perfect English to me, first language or not," she retorted with another grin, shaking her head in mock disapproval. Unable to help the little smug smirk from twitching on her face when he did give in to her and corrected himself. A proud sense of satisfaction washed over her, wanting to be all cocky about it by going 'ha' in his face, but she restrained herself. Just about. "You? Blushing? Now that I would pay to see. I'll have to see what I can do about that, won't I?" Lydia hummed thoughtfully, eyeing him up and down. Definitely not checking him out... just observing. For sure. Oh, what the heck, so fucking what if she was? Not a big deal. So why was she overthinking it? Every time she glanced back at him whilst discussing work, she could feel his eyes on her which both made her simultaneously suddenly feel self-conscious, but also lowkey relishing in that sort of attention from him, specifically. What was it about him that made her feel like that? It was different. Almost foreign even. In a way that she definitely liked, though. And she couldn't help but have her gaze keep drifting back to him, so, she was hardly one to say anything. It amazed her, just how interested he was. Even asking her questions others probably would have brushed off, not understanding nor caring to try. But that was the thing with Aaron. He tried. And that...meant something, didn't it? "To answer your question, yes, considering alternatives is better but sometimes you have lazy morons like him who just want an easy life. An open and shut case, an easy enough arrest. Another notch under their belt. Pathetic, if you ask me. I, on the other hand, would much rather not have my findings convict the wrong person or lead the investigation astray." She smiled at his faith in her to prove him wrong. That was sweet. "My plan... I want to go through everything again with a fine tooth comb. Make sure nothing is overlooked, maybe they're missing something. We're still waiting on some results so I'm hoping they'll point us in the right direction. One way or another, the truth will come out eventually. It always does, doesn't it?" And she knew full well how that could be. It always comes out in the end, she found that the hard way, her previous marriage and all the lies that came with it. Keen interest flashed on her features as Aaron spoke of his day, about a potential gig lined up for him. "Are you kidding? That sounds exciting enough to me! That's good, right? I dread to ask but I'll ask anyway: what, precisely, is nothing-too-crazy? Because from what you've told me, you've done some kinda-maybe-crazy stuff before...I need to gauge the difference."

Honestly, a random pizza place suited Lydia just fine. More than fine, even. It wasn't about the where for her. It never had been. Sure, fancy places were nice from time to time but it was never the be-all-end-all for her. Sometimes, it was rather overrated when the simplicity of a pizza was better than expensive food you couldn't always pronounce. It was nice to indulge from time to time. But Lydia never forgot her roots, even though her family growing up didn't have a lot, and finances were tight - they still had enough. It was the simple things in life. And as long as she was around good company - great company, even, in Aaron's case - then that was all she needed for a good time. "You make it sound like I have unattainable standards, did you know that?" she pointed out, the grin on her face an indicator she was messing with him. As always. More than anything, it amused her. "You can hardly go wrong with pizza. It's always a safe option, there's nothing wrong with that. I'd rather go with something both of us will like anyway. Who knows? Maybe this will be better than our original option. Maybe my spending too much time at work will end up being a blessing. I suppose we'll see, won't we?"

He couldn't help the laugh that bubbled in his chest when she mimicked a cat paw. It had to be the only time he was happy when being called a scaredy cat. She was absolutely adorable, it was unfair how quickly he'd fall to his knees for her. Of course, these were all things she didn't know yet. Aaron had not dared tell her yet, maybe the scaredy cat description was accurate. "Your version is alright," he said with a shrug. Again, Lydia was right, but Aaron wasn't looking to give in tonight. This was a healthy debate, one that amused him greatly. "Okay, well I guess when you put it that way, it makes sense. I think my view would change a bit if I worked here, lucky for me, I don't see dead people very often." There was nothing in his life to distort his view, except maybe having Lydia around now. Maybe, he was giving in a bit, but honesty was a big part of these conversations. Wasn't it? "Fair point, or maybe those dead people are just assholes who want to make you work hard for the answers." Whatever happened to not speaking ill of the dead? Clearly, Aaron had forgotten that part.

Still, his ears perked up when she asked him what he believed. That's what made him so happy, how they disagreed and yet, they were always so intrigued with each other's answers and beliefs. Though, somehow, he now felt like he was put on the spot, representing these beliefs almost. A lot of pressure on one guy. "It's pretty simple, I think. Well, it's a mix of things..we believe in the typical heaven, hell." Which, if he went by his catholic standards - he was majorly screwed. However, Aaron was not a devout catholic, mostly believing because his parents do. Isn't that the way things go? "So, of course, we wish they're all up there," he explained, pointing upwards. "But, our culture, we also believe that once we put them to rest, they're allowed to come back to us once a year. Day of the dead, and all that. We make them an altar of sorts, decorate it, add their pictures, and their favorite foods and such. And they visit us, not in the...catching up sense. It's just a way to honor our loved ones, remember them. Maybe it's more for us, than them. I was skeptical some time ago, but it's hard to not believe when your parents hold on to those beliefs so tightly. That, and these customs are so old..feels weird to question them too much." His explanation was beginning to get a little long, he looked over at her once more with a smile, one that said - it's a lot huh? "But, my mom does say that when we don't, you know, get a chance, to put them to rest and such...that's how we get these restless ghosts. That, I hope is not true because I'd hate to see one."

Aaron raised a brow at her reaction, followed by her question. Was she really questioning that, or was she messing with him? He thought the latter, but can never be too sure. "Maggie is definitely not my type. I don't know, she has this look and I can't quite place it. Like she's trouble, and not the good kind." Who would've thought he'd become a bit more observant now? Might be the divorce lenses, if that was even a thing. What else was there to say about her? Unless, Lydia meant something else. "Do you mean my type like..physically? Because the answer's still no, just for the record. Nothing was wrong with Maggie, per say. Just not for him. "But you, on the other hand..well, you're my type for sure." Not entirely accurate. Aaron didn't really have a type to begin with, that question always confused him a bit. "My type, I'd say a woman about 5'4, give or take. Shoulder-length, brown hair. Usually in a ponytail. And she'd have these beautiful brown eyes, though sometimes I swear the light plays me and they look just slightly hazel. Or maybe, I'm blind. I don't imagine you've seen her around?" Of course, Lydia would want to know exact details, down to the amount he'd bet with. His lips formed into a smirk, "why do you ask? You think I'd bet against you? No, I'd never dream of betting against you Lydia." The mention of work had him wondering if that's how it would be for them. It wasn't the worst arrangement, if he was honest. Aaron figured that someone who valued work the way she did would understand when he went away for weeks or months at a time, or when he got pulled into work early in the morning or late at night. Yeah, she'd understand that. It seemed like a stress point for them individually, thinking back to his ex-wife's complaints, but maybe it'd work in some weird way for him and Lydia. "Glad to know there's some job security here, your kindness is duly noted," he teased, his index finger pointing to his temple.

A wide smile broke out on his lips with her request. For her? There were many things he'd do for her, even now..so early in their time together. "Y por qué no los dos?" He found it so amusing, how his Spanish was something she wanted to hear again. "No sabía que te gustaba el español." I didn't know you liked Spanish. Now, he was just teasing. "Didn't know you were charmed by the language, remind me to speak it more often." English had become his primary language so long ago, that his native language had been reduced to something listed on his resume and a language strictly used at home. A brow quickly raised at her explanation, right. She did that, how'd he forget it? Aaron was never one to be careful about his words, thinking what to say ahead of time or which word went best in the sentence. But, this sounded like something that'd get him in trouble one day. "English is not my first language?" He offered, attempting to joke with her. "Fair enough, I could've said that. Let me rephrase, you are one of the few. Look at you, doing more for me than my countless years in school." It was impossible to wipe the smile from his face, especially when she linked her arm with his and complimented him. "Stop, you'll make me blush." His gaze would constantly move back to her, captivated by her and how she was talking about work. It might not make sense, but she looked so cute - passionately describing what was happening. Impossible to not smile. "Seriously? That's horrible, why wouldn't he consider alternatives? Isn't that better?" Or was it the whole..having an open and shut case? Aaron wasn't too well-versed in her field, but he'd been in enough legal drama sets to recognize some things. Whether they were true was another thing. "I'm sure you'll prove him wrong though. Then he'll look like an idiot. What's your plan so far?" It'd be rude not to, so he waved a goodbye to Maggie on the way out and opened the door for Lydia. "My day, definitely not as exciting as yours. I may have a new gig soon, I received the script and it looks fairly easy. Nothing too crazy." Like the time he broke his arm right before they wrapped filming the stunts. It was all fun and part of the job, but he'd hate to injure himself and be out of the game for some time. It'd be difficult to see her that way.

Finding a spot that was open this late was not too difficult, when you ditched the reservations and the fancier service. A random pizza place with a menu you could barely read, it was perfect. "A little different than what we planned, but hopefully the pizza is to your standards."

[emwritesstuff]

housesitting | bucky barnes x reader

summary: Housesitting for Steve Rogers has many perks. The man has the comfiest bed you’ve ever slept in; his coffee machine is top tier; and he also pays for every single streaming service you could think of, because he doesn’t wanna miss anything.

You can hardly see how Bucky Barnes stumbling into his apartment at 3 am with multiple wounds is one of them. But I guess it might be?

notes: this is my attempt at a more ~comedy centered one-shot, with some making out in the middle because uh, who doesn’t like that? In other news, reader is Chaotic. Canon mcu (Infinity War/Endgame) is non-existent in this.  (word count: 3K)

warnings: language, mentions of blood, gunshot wounds, general patching up shenanigans, some making out/grinding but not quite third base

[PART 2: breaking and entering]

Housesitting for Steve Rogers has many perks. The man has the comfiest bed you’ve ever slept in; his coffee machine is top tier; and he also pays for every single streaming service you could think of, because he doesn’t wanna miss anything. An old popsicle thing, you assume.

It’s peaceful, too. The neighborhood is nice and quiet, the other tenants are either extremely polite or too scared of Captain America to make much noise. You’ve had very nice stay-cations at his place, where you were free to choose to binge The Office while eating an entire pizza in the spam of 2 episodes or taking advantage of the quiet to write your grad-school thesis.

So when a loud BANG almost makes you drop your coffee mug on the floor, your spidey senses are immediately on alert. You don’t care how many times Peter insisted that it wasn’t a thing, your arm hairs stood up and your heart started hammering on your chest all the same.

You contemplate squeezing under the bed, turning off the show that was long abandoned and hiding until whatever it is goes away, but before you can do any of that, a string of sharp cursing and soft thumps and thuds snaps you out of your fear.

Maybe it’s a burglar. You could take a clumsy burglar, easy.

Now feeling like Tony had just welcomed you into the Avengers, you hop off Steve’s bed and let your baby Yoda socked feet carry you stealthily into the living room, holding a table lamp as if it was a baseball bat.

Everything is quiet, with no signs of forced entry at the door (you remember someone on Law and Order using those words), and in the dark you don’t notice the bloody trail coming from the kitchen.

You’re imagining things, then. When was the last time you slept? You don’t even feel tired, but you know sleep deprivation always gets you all kinds of crazy.

It happens the second your arm falls to your side and your posture shows the slight of relaxation. A strong arm around your neck and a hand against your mouth to muffle the screaming.

In the quiet of Steve’s apartment building, there is only you shrieking and howling and thrashing against the hold of a stranger.

“Don’t fuckin’ move.” You still.

And then you bite into the hand that is muting you, immediately regretting it when your teeth sink into something hard. Metal? Concrete? Ouch. You resume your resistance, determined, and is shoved away.

“Who the fuck are you?”

“Who the fuck are you.” His voice is gruff and dulled over the mask he is wearing, and as you’re taking this giant of a man in, you notice it.

The metal arm. The strapped leather jacket. The tortured blue eyes.

Winter Soldier.

The intruder is James “Bucky” Barnes, Steve’s best friend. That’s who the fuck it is.

“I’m Steve’s house sitter! I even have a key.” You say, with arms in front of you to signal no harm but inching closer to the table lamp with every step.

“House…sitter? Where’s Steve?”

“Who knows. Maybe a mission. He texts me, I come over.” You shrug, and put a chair back to where it was before it got knocked over.

“I don’t believe you. Where is Steve?”

“Listen, I don’t know, okay? I guess he’s just out for a few days. I don’t ask. He just lets me stay in here so I can water the plants and feed the Avengers.”

“The– the what?”

“The Avengers! The fish, see.” You point to the aquarium, where a handful of colorful fish swam peacefully in.

Peace. So much for your peace, because now what you have is a surly super soldier eyeing the fish tank like it was the most loathsome thing in the entire universe, except maybe for you.

“I hate this thing. Naming them makes it even worse.” He trudges back to the kitchen, stomping on the floor like he was on a parade.

So much for the other people’s peace, too.

“Hey! Sir. In case you haven’t noticed, it’s 3 in the fucking morning?” You sass, putting your hands on your hips when he retorts that yeah, he does know. “What are you even doing here?”

“Back from a mission.” He grumbles without looking at you, as if you’re the one who stumbled into his place in the middle of the night.

It wasn’t your place, but still.

“Don’t you have a house?” There’s a part of you that knows pushing the Winter Soldier’s buttons is asking for trouble, but your tired and confused brain decides to ignore it.

“You interrogating me? I need a motherfucking– ” He wheezes and nearly doubles over, holding on the door frame between the living room and the kitchen. You finally spot the blood, both on the tiles and seeping out of the Soldier’s jacket and pants.

He’s hurt. Shit.

“– first aid kit.”

“You need a motherfucking hospital!” You shrill, panic chilling your bones. You don’t do blood. Or any kind of wound, for that matter.

The man ignores you, opening up cabinets hastily. You huff, and walk past him to get to the actual home of the first aid kit. Steve’s oldest, closest friend and can’t even find a box with pharmaceutical supplies in his kitchen. You slam it on the counter next to him.

“You’re welcome.”

“Zip it.”

Just a look from him is enough to render you speechless, and not in the good, butterflies-in-your-stomach kind of way. You’re positive that one swat of that metal arm and you’ll be flying out of the window.

He begins by removing his mask, revealing a handsome face underneath, and you try your best to focus on how dark and menacing it looked while locked in that scowl of his. Then, he unbuckles his jacket and discards it on the floor, it coming to a stop next to your feet.

Oh man, he’s naked. Well, not really, just the incredibly toned, strong and muscular top half of him, but you stare wide-eyed as if he was.

“See somethin’ you like, doll?” He quips, a smirk tugging at the corner of his lips, and you turn your back to him, mostly to hide your own embarrassment.

“No.” You cross your arms resolutely, because you definitely don’t think he’s attractive. He is a rude, grumpy, private-property-invader-bastard. Doll. Yuck.

You hear a rumble come out of his chest. Is he laughing? Shithead. Other noises follow, wheezes, small grunts and the tinkle of metal on the marble counter.

A particular pained grunt makes you turn, and you see Barnes with his body twisted, trying to reach a bloody hole on his back. It would be funny if he wasn’t trying to poke a gunshot.

“Do you need… help?” You ask, against your own will, only to be met with his icy gaze.

“No.”

“Come on, you can’t even reach that.”

Another glare is shot your way, and you quirk your brow up. He did need the help, you think, because aside from the muscles and the sweat making him glisten like a delicious – wait what – glazed donut, the man looked like hell.

“…fine.” He slides a pair of surgical prongs, something you identify in your head as oversized tweezers, and you instantly regret your offer. Pressing an iodine-soaked cotton ball to a wound, sure. But not this.

He turns his back to you without a word, supporting himself on the marble. You think that he’s about to make a dent on the goddamn stone if he keeps holding onto it that hard.

“Ah, fuck. Shit. Fuck. Ugh, it’s so gross. Fuck.”

It’s the most horrifying thing you’ve ever done, but you try your best to get to the bullet quickly, so very thankful that Barnes holds himself perfectly still for you. “Got it!”

He lets out a long breath when you toss the prongs and the bullet on the counter with the rest and resumes his cleanup. So, he’s not even going to say thanks. Great.

You try not to think about how you still want to make conversation while you hurriedly scrub the blood from your hands, because aside from the hostility and him jumping on you as a meet-cute, the guy peeks your interest.

Steve has said Barnes is nice, too, and you believed Steve, because he’s basically incapable of lying. Or maybe because he’s pretty. Both, for sure.

With your hands now clean, you turn to him, mouth open with some kind of conversation starter that is immediately forgotten.

Oh man, he’s naked. For real this time.

Bucky Barnes has stepped out of his pants while you were overthinking by the sink, now standing in only a pair of black boxers. It’s like he feels you staring at his butt, because he turns to you with raised eyebrows.

“Last one’s on my thigh. I got it.” He’s holding the prongs this time, and you’re glad you don’t have to do anything, because your face next to that groin might make you go into spontaneous combustion.

“Yeah.”

He hums. You hope all of this is a fever dream.

“Isn’t there a med bay at–”

“Don’t like people prodding and pokin’ at me.” His comment makes you grimace. He’s the Winter Soldier, damn it. You know the stories, everyone does. Of course he doesn’t like being prodded.

He looks at you funny, probably because you went dead quiet. You don’t want him to think you feel pity, because you don’t, but god don’t you feel bad for poking him now, even if verbally.

“I’m gonna – grab one of Steve’s – uh. Dude you need to put some clothes on. Jesus.”

He laughs at you again, which you’re thankful for because anything is better than the awkwardness of the other subject. You pick up a black pair of sweatpants that was so deep in one of Steve’s drawers that you know he’d have to have bought it and never had the guts to put it on. This one would do just fine.

If there is one thing Steve Rogers isn’t, is a black sweats guy.

“Here.” You deposit the sweats and a white tee on the counter, one of the millions that you found inside the closet. Barnes was patching himself up now, bandages wrapped everywhere on his body.

Got his ass kicked good. You shudder when you imagine the state of the other guy.

He eyes the clothes, and saying nothing, returns to his task. “You’re welcome, by the way.”

“I didn’t ask you to help me.”

“Yeah, but I did anyways! ‘Cause I’m stupid, I guess.” You almost hurl a dirty plate at him when he scoffs, muttering a yeah, guess you are. “God, why are you so grumpy?”

“Well you try being shot 5 times and see how cheerful you are after.”

“You got shot 5 times?!”

Looking at you from between his brows, the Soldier nods to the five mangled bullets sitting on the counter. You think about how you’ve made yourself a sandwich just hours earlier on the exact same spot. You want to puke.

Taking time to look around yourself, you can finally grasp the state of Steve’s ever-so-pristine kitchen, now a mess of dirty clothes, blood and your own few dishes from the night before. You don’t even think about what you’re doing as you move, gathering every single cleaning supply you can find, and start working on the cleanup.

You’re struggling, because obviously you’ve never done this before. Anyone can tell, from your soft abdomen and your severe lack of muscle, that you’re not an Avenger. Sure, you work with them, but you’re usually neck deep into advanced tech, not in the gym by any means. Also, you don’t do blood.

That means you have to think about something else, anything else, while you’re manically cleaning the floor. One sheep, two sheep, three sheep, the Winter Soldier’s tight ass, four sheep, get it together goddamnit –

“Leave it. I’ll clean.”

You huff, he huffs back, and you look up at him.

“You got shot five times. Go sit down or something before you blow your back too, grandpa.” You call him that to assure yourself that he is old, like actually super old, and thirsting over him is weird. Even weirder when he’s all bandaged and bleeding. And still shirtless. Shit.

He mumbles something that you ignore, and stomps off. You think you actually did a pretty decent job with the cleaning, considering.

You need coffee. Definitely an entire bottle of vodka too, but there was no alcohol in this god’s good home, so you settle for the brew that you made earlier. You pour a mug for Barnes too, because you’re nice like that, and amble into the living room to find him slumped on a chair.

“Coffee?” You start, settling his mug on the table next to him.

“It’s almost 5 a.m.”

“Guess I’m up early for once. Maybe I should go for a run.”

He snorts, and opens one eye to inspect you from where he is. He reaches out for the coffee, using his metal hand, and you consider the two ways this could go.

He’d shatter the mug right then and there. Or, he’d throw it at you. Your jaw goes slack at what he actually does, sirens blaring loudly in your head. Truly astonishing, the most bewildering turn of events.

He drinks from it.

“Thanks. Quit staring at me.”

“Wow, Mr. Winter knows the magic words. Mr. Barnes. Sergeant?” You’re thinking aloud, abandoning any trace of sanity you’ve been holding. You even sit on the couch next to his armchair.

“It’s Bucky,”

Again, absolutely bewildering. You must be going insane.

“– and you talk too much.” He finishes, with an end-of-story tone, and returns to his rest. At least that felt like normality.

“Bucky. Bucky.” You roll the name on your tongue, feeling a weird buzz start to take over you. It grows stronger when you notice he’s looking at you, one brow quirked as if you lost your marbles. “You know, Bucky, this is definitely not how I saw my night going. Home invasion, playing surgeon – not my usual kind of fun.”

You get up, maybe because you decide that you – and Bucky – need a blanket, or maybe because you need a distraction from his chest going up and down like it’s got a business with making you want to touch it.

You’re not a slut, but who knows? Jim Halper would get it.

“You’re that kid, aren’t you? Stark’s assistant.” Bucky’s voice, low and husky, makes you jump. You look at him, your eyebrows furrowed slightly.

It’s surprising that he knows you, considering. He’s – well, he’s basically a celebrity, if ex-assassins could be considered that. You’re only Tony’s techie, and you and Bucky have never actually met, not even in the few parties you had attended to stop your boss from nagging you that you had to actually go out and have some fun sometimes, because you’re still young and cute and you need to enjoy yourself before you get saggy and bitter.

Jokes on him, you were born bitter.

“I’m no kid.”

“Nice socks.”

You wiggle your toes and it makes the ears of one of the baby Yodas move.

“Still not a kid! If you wanna be sad and wear your sad, plain socks, Bucky, that’s entirely your choice.” You said, pointing your index at him, making circles in the air with it to really get your point across.

Bucky smirks, and you go up to him with the two blankets on your arms. He’s blocking the door with that bulky body of his, and you raise your eyebrows quizzically.

“I’ll have you know – meeting Steve’s annoying, mouthy, pretty house sitter is not how I saw my night going either.” Bucky puts a doubtful tone on house sitter, as if he still doesn’t get exactly what it means.

You blink. You’re positive you heard it wrong. Is he… is this flirting?

“You think I’m pretty?”

“I called you annoying and mouthy too.”

“Yeah, I mean I know that much about me.” You chuckle, rolling your eyes. “The pretty part is new though.”

Bucky still hasn’t moved from the doorframe, and you find yourself staring up at him. He is inches away now, pupils blown wide in the darkness, and you can see a ring of steely blue around them. He licks his lips, and you’re drawn in.

The maelstrom in his eyes sends you spinning.

“I think someone should say you’re not see through, much less–”

Bucky shuts you up by pressing his lips onto yours, a slow, exploratory kiss, the tenderest he’s been all night. His metal hand rests on your lower back, making you shiver at the cool touch.

You’re all panting and eagerness when you cup his face with both hands and press your body against his. You need to deepen this kiss. You haven’t drooled over Bucky Barnes all night to keep things lovey-dovey.

He responds in earnest, pulling you closer. The flesh hand on the back of your neck is a stark contrast against the chill of the other. You and Bucky stumble from the corridor and back to the living room, knocking over a few of Steve’s decorations in the process.

“I don’t feel as bad for this one.” You mumble against his lips, stopping to look at a particular framed picture of Captain America in uniform, surrounded by every single counterfeit Cap in Times Square.

“S’ one of his favorites.”

You nod, you’re aware. Steve thinks it’s the most hilarious thing ever.

Bucky’s breath tickles the hairs on your neck when he continues.

“I hate it.”

“Yeah.”

You capture his lips again, and you two resume your chaotic redecorating. You’re thankful for Bucky’s strong arms keeping you from falling over, because at this point you’re not sure if your legs work anymore.

He takes you with him when he drops down on the same armchair from earlier, and the dizzy spell you find yourself in is broken when you hear him groan.

Right. He’s battered up and stuff.

“Shit, Bucky, I’m sorry–”

“No.” He pulls you close again, and guides your body to straddle one of his thighs. “Stay right here, doll.”

Doll. God-fucking-damnit.

His hand moves under the elastic band of your pants, oh my god you’re making out with Bucky-Hot-Piece-Of-Ass-Barnes in your wiener dog pajama bottoms, and finds the hem of your underwear. He pulls on it, and you yelp when he lets it snap against your side.

He laughs, and you vibrate along with his chest.

You find yourself grinding on his leg, sucking on his bottom lip, raking your nails along his shoulders, doing anything, everything for more, trying to burn the taste and the feel of him on your memory. He moves on to kiss your neck and you sigh, tugging on his hair and making sure you’re holding on for dear life.

Your eyes flutter open, enough to see the fish Avengers in their tank.

The Avengers.

Steve Rogers is an Avenger. So is Bucky, technically.

You’re making out with Bucky. One of his hands is on your boob.

This is Steve’s apartment.

You manage to sober you up enough, despite Bucky’s constant attacks of open mouth kisses and bites on your neck.

“I don’t think Steve would – if we–” You lift your head begrudgingly to look at him. “You know, on his armchair.”

“Right.” He didn’t seem convinced, but his hand moved up from your butt to your waist again.

Steve Rogers was probably miles away right now and still cockblocking you.

Even worse, his furniture was cockblocking you.

Stupid star-spangled IKEA shopper.

And his hot best friend. Who’s currently smiling at you in a such a way that makes you almost abandon all comradery towards Rogers and the sanctity of his place.

You debate getting up, but resign yourself to burying your nose in the crook of Bucky’s neck and just staying there, because honestly, when are you going to have the chance to do this again. Never, that’s when.

Also, he’s surprisingly comfortable for someone with a metal arm and such a jacked-up body.

“You’re sleepy.”

“No, I’m like, super awake.”

It’s a lie, because now that the sparks have flown and the rush of blood in your ears gave way to the quietness of the early morning, you feel yourself drifting, on and off, surprising yourself when you come to once and find that Bucky is still there, warm under you.

“Sleep, doll. I need it too.”

You shift, ready to let his rhythmic breathing lull you to sleep. The last 75 sleepless hours catch up with you.

“Bucky? If you want to break into someone’s house again sometime – I have a first aid kit too. Just sayin’.”

[five-rivers]

Ayyyyy! I had a thought about your Changeling AU while I was driving home ✌

So I was trying to remember if you had mentioned what you planned for TUE, when my own brain started finding a way for it to fit. So this is what I came up with (your fanfic has fantheories). I hope that is okay.

Danny is very stressed, as he is. So many issues with the fae that he has had to solve, his grades are slipping, his parents are on his ass, he misses his uncle, and the CATS are approaching. So much stress. When Lancer says that he has the answers on him at all times, Danny starts thinking back to all those gifts his Uncle gave him and if one of them might help him...get the answers.

Jack and Maddie have as many of his gifts locked away, obviously. They don't quite know how to get rid of them. So they just make sure the kids can't find them. But if Danny can find fairy roads, he can find the box his parents hid in the Fenton Dungoen. So he does, and starts going through the different gifts. He doesn't really remember what most of them do. It's not like his parents let him have them for very long. But maybe he gets very vague feelings from them? Who can say?

Anyways, he finds a hand mirror. Now, what it was supposed to do was show Danny his life if he were raised by a different caregiver. Whatever caregiver was most likely. Considering Clockwork's claim on him, it was supposed to show possibilities of Danny if he were raised by Clockwork. But Clockwork is strangely banished and it makes the mirror's intent all murky there. And it was also supposed to be used by a (mostly) human Danny, which he really isn't anymore.

Anyway, the mirror swaps Danny with alternate raised by Vlad Danny. The mirror world isn't real. It's not a real timeline. Mirror Danny isn't really an alternate Danny. More like a Tulpa or something.

However, stuck in a mirror was not covered by whatever Maddie and Jack did to Clockwork. So Clockwork is actually able to get to him and help him get back. And also admonish him about cheating (sort of. You gotta be more legalistic about it, Daniel. Not just steal it.) And real Danny is able to escape and stop whatever nonsense Mirror Danny was doing. However, he has to break the mirror which causes his parents to forget about the nonsense. And also means that Clockwork can't connect through that mirror again.

He ends up making a bargain with Lancer to allow him to take the test at a different time. Maybe he works out a trade for something that Lancer desperately wants. Something Lancer didn't even realize he wanted.

Anyways, hope you have a good day. Just wanted to share my thoughts! 💚💚💚

I'm sorry for taking so long to respond to this, because it really is amazing. 💚💚💚

I really like how you tie the events here together to run parallel to canon. It's much closer than my current idea about it, certainly.

Danny would be feeling awful about everything, and would start looking for esoteric solutions to his problems. Whether or not he would realize that gifts from his nice, human uncle might give him that... Well, I'd lean to probably not. But who knows?

I really like mirror Danny, though. He sounds fun. A sort of changeling himself who would definitely cause problems- And Danny in the fake mirror world is also a fun concept. I might yoink it for another episode, if that's alright.

Plus Clockwork's advice... C'mon my man. At least help him cheat.

My current plan for TUE is a bit less detailed, and definitely subject to change. It's a long way off, after all! I'm putting it below a readmore for spoilers. 💚

Danny is walking Between the mortal plane and Faerie. He's stressed out. Trying to escape the fact that his future as an adult might not even exist, never mind the results of his test. He knows that sometimes he can find a path to a solution to his problems when he's walking here. Like instinct. There might be some other things going on, I'll know more when I get there.

But while walking, he sees someone he recognizes on the path ahead of him. Just a glimpse, but it's more than enough to set him running, chasing, after what might be his uncle.

Unfortunately, this is Clockwork on one of his strolls through time. Danny follows him the best he's able, but that just means that when Danny loses sight of him, he manages to get even more lost in time. In a rather terrible version of the future, in fact.

He gets attacked by unfamiliar fae and goblins who insist that he's a monster, sees horrible things, including what happened to him, and finally gets the picture that he's in the future... and considering what happens to people who do this in fairy tales, he is very careful not to step off the faerie path.

Danny starts looking for people he knows, trying to piece together what, exactly, has happened and why. He eventually finds Vlad and maybe a couple of allies. They tell him that there's only one fae who could reliably use the paths to walk backwards through time, but he isn't likely to help.

As you might guess, that fae is Clockwork.

[psychewritesbs]

Do you think cursed energy has its origins or is it something that has always naturally existed ?

Dude, this is such a good question. Thanks for starting the conversation on it.

That said... your guess is as good as mine but... I have thoughts that may or may not be off-the-wall-batshit-crazy and that Gege has yet to confirm or deny.

Short answer: I think Cursed Energy is something that has always naturally existed, but Cursed Technique has its origins somewhere pre-Heian era.

Long answer and my train of thought is below the cut if you are interested in reading...

Ah, assistant Pu-kyu reminded me to make sure that I say that I haven’t re-read the beginning of jjk in quite a while so, just a heads up that my interpretation may be skewed because I might not remember certain important details.

Ok, let’s get started.

What is Cursed Energy anyways?

I suspect Cursed Energy (CE for short moving forward) has always naturally existed. 

In fact, even though I don’t know where Gege is canonically going with the idea of CE, I am going to dare say that CE is probably an inherent aspect of human existence--it’s human nature.

That aside, we also know that CE is basically negative emotion in its rawest form.

For JJK purposes, my best guess is that emotion is intimately tied to the soul, the body, and the mind. Perhaps even an expression of all three? 

Just a wild guess but... Yeah, we have the holy trinity but...

Where does the Spirit fit into this idea that the mind = the body = the soul?

That’s why I don’t know that CE has an origin, but rather feel like it has always existed.

Of course, Maki and Toji, everybody’s favorite Heavenly Restricted Zenins, throw a wrench on the idea that CE is part of human nature. So, of course the implications for this are juicy.

But Maki and Toji is a can of worms that I’d rather not open right now because it is irrelevant to whether CE has always existed. I suspect that their energy is transmuted in such a way that it gives their bodies superhuman abilities.

We also know that Gege is using Jungian Psychology concepts as part of JJK--the shadow, holding the tension of opposites, alchemy, JJK is loaded with archetypes and symbols, blablabla, but what does Jung say about emotion?

Jung on emotion meets JJK

Jung kind of contradicted himself about emotion. 

Sometimes he reduced emotion to reactionary feels, or to a cognitive function needed for survival (fight vs. flight), and sometimes he described emotion as something cosmic af.

When he was getting cosmic af, Jung seemed to be of the idea that emotions are a bridge to the collective unconscious.

In other words, emotions are archetypal--patterns of thought and behavior shared by humanity, AND connect us to the archetypal realm.

Jung even went as far as calling emotion “the chief source of consciousness.”

So really. It’s a bit complicated of a subject but I feel like it comes back to this idea that emotion is the chief source of consciousness...

To put it in much, much simpler terms. Emotion is simply energy in motion--also known as the libido or psychic energy.

Also, the libido in Jungian terminology is far different from the Freudian definition that most people have heard of. In Jung’s terminology, the libido is simply psychic energy and is not necessarily related to sexuality. Freud was just basically horny af.

I’m mentioning this because emotional responses exist along a continuum with “positive” on one “end” and “negative” on the other “end” (I’m using the words negative and positive here fully knowing that they carry a specific connotation, when, truly, words cannot capture what I’m trying to portray here). 

That said, you can’t really put “positive” emotions in one box, and “negative” emotions in another box because they exist in a continuum and are still psychic energy at the core.

It’s like saying we can’t compare apples and oranges--which is true as long as we ignore the fact that they are both fruit.

All that to say that if Gege is using the esoteric Jungian interpretation of emotion, then CE could be a manifestation of consciousness itself.

After all, do curses not gain consciousness/a sense of self the stronger the focused emotion?

And what is sense of self related to?

What is Cursed Technique anyways?

As for Cursed Techniques, I wonder whether they have a specific origin story since all they are is the manipulation of Cursed Energy.

I was actually doing a bit of reading on anything I could find about curses in Japan and thought it was interesting to find that cursed techniques in real life are technically just a method for channeling a curse... or cursed energy.

Just like in JJK...

Where JJK appears to deviate from the “real world” application of the term is when it comes to how CT is intrinsic to the sorcerer. 

I feel like this is important because in JJK, CT appears to be tied into the sorcerer’s sense of self or ego (personality), and sense of self is directly tied to power.

So all of this tells me that someone, somewhere in JJK-Japan, sometime back in the day (my guess is pre-Heian), realized that they could channel their negative emotions (CE) to achieve a specific outcome (CT).

All that said, that’s why I think that CE has always existed, and that CTs had their origin when someone figured out they could use CE to their advantage. 

If I’m going to make wild speculations, I’ll go as far as say that maybe humans learned how to channel CT from a higher level of consciousness. ALIENS PERHAPS? who knows...

I’m sure Gege will elaborate on all of this, so until then, all we can do is speculate.

But, overall, this is why I think that Gege using Heian as the Golden Age of Cursed Techniques is a fascinating concept and metaphor. Historically, Heian was a cultural Golden Age in Japan in which literature and art in general flourished.

And what is art if it isn’t channeled emotion and self-exploration?

Anyways, thanks for asking! 

I’m curious about  your thoughts about it if you happen to have them yourself.

Trivia: Did you know that the very first novel in recorded history was written by a Japanese woman? Murasaki Shikibu was a lady in waiting during Heian and wrote the very first novel in recorded history titled The Tale of Genji.

Side note

Right. Here I go with my rabbit holes.

Minor Psycho-Pass spoilers below:

If you have ever seen Urobuchi Gen’s Psycho-pass (I believe it’s in season 2), then you might recall that one of the arcs is about a famous artist who used to paint gory art. The arc deals with how his daughter (ironically) literalized his art style and started killing people to create her own “art” in her father’s art style. 

I think this makes a nice parallel to JJK and CTs because, in Psycho-Pass, the artist’s arc was basically trying to depict how art presents a way to channel negative emotions so that a person is less likely to act out on them (in JJK’s case, it might mean that people won’t create curses unconsciously). 

In other words, art creates a way for people to channel negative emotions and explore their inner selves.

In JJK, what you see is that Gege takes the metaphor a step further by depicting “art” as unique to the sorcerer’s personality and how the strongest sorcerers are the ones with a solid sense of self.

[krakenartificer]

When I got my ADHD diagnosis, I looked at the questions on the screening form and thought, "If this result comes back positive, then I'm definitely not the only person in my family who has it." Questions like

"Have difficulty finishing one activity before starting another one" and

"I finish others' sentences before they can finish it themselves" and

"have trouble staying on one topic when talking"

...I thought were just weird quirks of my family, but no. When I got my results, I contacted my cousin, and she contacted her sisters and mother, and .. .. yeah. Basically everyone in my dad's side of the family is ADHD.

Now there are some problems with that, obviously, (getting family reunions to stick to a schedule is lol no) but there are some really fantastic perks. For one thing, no one in that family minds if I interrupt them while they're talking ... everyone's happy to keep 3 conversations going at the same time .... and no one minds if you fidget constantly.

But the best perk -- at least that I've found so far -- is that all of our parents have coping mechanisms, and passed them on to us. When I found myself unable to handle tasks with more than one step, my father didn't say "WTF are you talking about? It's easy! Just do the thing! Stop being lazy!" No, he could relate completely, and he sat down and taught me how to handle that.

So today, I'm going to pass on to you the coping mechanism my dad taught me for handling the "cannot put tasks in order / cannot get started / forget what I'm doing" problem. You'll need to adjust it for your own needs and your own struggles, but hopefully it'll be helpful in setting up your own process.

I'm going to walk through it with a big project I'm doing at work, just to have a concrete example. That will make some of the discussion specific to computer programming and technical writing, but I do the same thing for all my projects, so hopefully it'll be generalizable.

So to set the stage:

I was supposed to modify this piece of code -- we'll call it "Rosetta" -- to make it handle call data as well as what it was already doing. I did that.... but we now need the code to be able to handle calls (if that's wanted) but also to be able to handle NOT having calls (if THAT'S wanted).

Which is just .... ugh. So much. SOOOOOOOO much.

So. Break it down.

Step one is to get some recording mechanism - pen and paper, whiteboard, blank computer document, whatever

(Technically, this is a different coping strategy, so we'll just take a quick detour: WRITE THINGS DOWN. Your brain is shit at remembering things, and anyway you've already got limits on your working memory; why would you choose to tie up some of that limited resource in something that could be accomplished with literal stone-age technology? Don't even try to remember things. WRITE THEM DOWN.)

I like sticky notes: they're readily available in all offices, they're pretty cheap, and (most importantly) they can be rearranged if it turns out that I forgot a step or put the steps in the wrong order (which, like, let's be honest, I am definitely going to do). But they kill trees and create unnecessary methane emissions, so I've recently switched over to using virtual sticky notes. That's the format I'm going to use for this example, but you can use anything that meets your purposes.

So, you've got something to write with, you're ready to start.

The first question is: what are you trying to accomplish here? What would "done" look like? What is our goal?

I need to end up with a version of Rosetta that will make the correct results if you don't want calls, and will also make the correct results if you do.

The goal here is that you end up with a statement that you can definitively say (a) Yes this is what I wanted or (b)No this is not right because _______

In this case, in order to do that, I'll need to define "correct results" for both call- and non-call versions. But if I have that nailed down, then this statement meets that criterion: I'll be able to say "Yes, this is what I wanted: see, it makes the correct result for calls, and it makes the correct result for not-calls". Or else I'll be able to say, "No, this is wrong: see, it makes the correct result for calls, but on not-calls it does X and we wanted Y."

I have a clear, definitive standard about what I need to do and whether or not I've done it.

But there was a prerequisite there: I need to define "correct results".

So that goes on a sticky note: Create test that will compare my results to existing call!Rosetta-results and to existing not-call!Rosetta-results.

[ID: Two blue boxes, one on top of the other. The top one says in white text "Create test to compare my results to call!results" The bottom one says "Create test to compare my results to not-call!results"] OK. So now we know what we want. The second question is: what do we need to do in order to get that? Here's where the sticky-note recording system really shines, because you don't have to answer this question sequentially. You just start writing down every single thing that is not the way you want it to end up.

I need it to remove commas in the python script, not the bash script

I need to delete the first part of the get_runs() function, which doesn't do anything

I need to delete the rest of the parameters passed to build_query_script() function, because runs encompasses all the others

while we're on that subject, runs doesn't even need the group_variable, so let's pull that out of the parameter document

we also have a dmf defined, which the bash script demands but doesn't use; let's change that demand

since we're changing the structure of the parameter document, we don't need to pull new metrics for each run, so let's move that outside of the runs() loop and only run once

right now the parameter document is ALMOST but not quite "one row per template". Make it so it's actually one row per template.

among other things, that's going to require making it possible for a template to be followed by nothing at all, since it's the assumption that a template will have a metrics block after it that makes it not quite one row per template. So make it possible to publish a template with a null block

the other thing that's weirdly hard-coded is the definition of what a block looks like. Would it make more sense to separate that out into an input file, like the parameters document? On the one hand, that would make it much more flexible; on the other hand, that's another piece that can break. Don't know. Put a question mark on it.

etc

Here's what it looks like at the end of this step:

[ID: A black and white background showing many boxes in two different shades of blue, all with white text. Some of the boxes are overlapping each other.]

As you can see, at this phase you don't need to worry about any of the following:

ordering the tasks. Just stick 'em right on top of each other for now

how you're going to do any of this. Right now we just need to know what, not how

sticking to only one project. As I was working on this, it occurred to me that this whole process would have been a heck of a lot easier if someone had just made a user manual for this, and since I have to go through all the code line-by-line anyway, I might as well write up the documentation while I'm at it. (To help out future-me, if nothing else.) So I put those tasks on another color of sticky note.

making notes that make any ***ing sense to anyone else. This process is for you, and only you need to understand what you're talking about it. Phrase it in ways that make sense to your brain, and to hell with anyone else.

on that topic, also don't worry about making steps that are "too small" or "too dumb" to write down. This is for you. If "save document" feels like a step to you, then write it down.

You also don't need to get every single step involved in the project right now. Get as many as you can, to be sure, but the process is designed on the assumption that you ARE going to forget important steps, and is designed to handle that.

When you can't think of any more steps, then the third question is: what order does it make sense to do these in? Are there any steps that would be easier if you did another step first? Are there any that literally cannot be done unless another step is complete?

This is also a good place to group steps if they fit together nicely. When I used physical sticky notes, I used two different sizes; digitally I can of course make them whatever size I want.

So I have several documentation steps that (a) do need to be written to make sense to other people and (b) I really need to know what's going on before I can do that. I could write them now, but if I did, I'd just end up re-writing them based on things that change as I'm coding. So we'll move those to the end:

[ID: Three dark blue boxes with white text. They read "Create step-by-step instructions for creating your own metric agg", "Create step-by-step instructions for modifying a metric", "Create step-by-step instructions for modifying a query."]

These parts, though -- if I had all the variable structures written down, I could look at them while I'm coding. Then I won't have to keep scrolling back and forth in the code, trying to remember if it's an array or a dictionary while also trying to remember what part of the code I was working on. Brilliant. Move that to the front.

[ID: Seven dark blue boxes with white text, three large, four small. The first one is large and says "Write up explanation of how Rosetta works." The second one is large and says "Document structure of all variables." Attached to that one are four smaller boxes that say "All_blocks", "Runs", "metric", "New_block". The third large one says "Document what qb_parameters.csv contains"]

Also, while I'm at it, I should get the list of variables I need to document -- then I won't have to keep scrolling to find them. Make those sub-steps.

I definitely keep needing to look up what's in the parameters document, so I should write that down, too. For the user manual I also should write down what's in the metric document, but I don't need that for myself, so I can send that to the end.

[ID: The same three dark blue boxes from two screenshots ago (create step-by-step instructions for metric agg, modifying a metric, and modifying a query), now with another dark blue box in front of them with white text that says "Document what granular_metrics.tsv contains."]

These five are all small steps, and are all related in that they don't actually (hopefully) change the functionality of the code; they're just stuff left over from prior versions of this code. So we can lump them all together.

[ID: Five light blue boxes with white text that say "Delete first part of get_runs()", "Have build_query_script only receive the "run" parameter" "Delete dmf" "Move metrics=get_metrics() outside build_all_blocks (all the way up to the top level?" "Delete group_variable from qp_parameters"]

My brain likes this better, so that I can keep track of fewer "main steps", but that's just a peculiarity of me -- you should lump and split however you prefer to make this process easier for you.

[ID: The same five boxes from the prior screenshot, now all made smaller and attached to a larger box that says "Remove Legacy Code"]

Keep going, step by step, sticky by sticky, until you've got them in order. If -- while you're doing this -- you remember another thing you need to do, write it on a sticky and slap it on the pile; you don't have to stop what you're doing to deal with it, because it's written down and it's on the pile and it will get processed; you can just keep working on the thing you're on right now.

[ID: All the same boxes from the first screenshot, now in a neat row. Some of the original boxes have been grouped together. The ones that were said to be at the beginning of the process are on the left and the ones that were said to be at the end are on the right.]

Step four: for the love of all that's holy, SAVE THIS LIST.

Write it on your cubicle whiteboard where it won't be erased

write it on a piece of paper and tape it to the office wall

send an email to yourself

take a picture with your phone

I don't care but save it.

When I used physical sticky notes, I kept them all on the hood of my cubicle's shelf. Now, as you can see, I use Powerpoint, which is irritating af but does allow me to keep everything in a single document, which I can write down the path of.

[ID: White text on a black background says "open ~/Documents/Rosetta\ Modifications\ and \Documentation.pptx" The next line says "Notes in Rocketbook pg 10-12, 16" The next line says "Turn that into documentation that can be used for making modifications."]

And now (finally) you can answer the question "How would I even get started on that?" You look at the first thing on the list, and you treat it as its own project. You can hyperfocus on this step and completely forget about everything else this project requires, because everything you need to remember for the rest of it is written down.

If, as you're working a step, you think of something else you need to do for the big project, write it on a sticky and slap it on the pile. Don't even worry about trying to order it or identify sub-steps; as long as it's not blocking the thing you need to work on right now, you don't have to care. Just stick that bugger anywhere at all on the list, and go back to what you were doing. When you un-hyperfocus and come back to look at your list, there'll be a big sticky note stuck sideways across all the rest of the steps, and you'll remember to file and order it then.

Other benefits of this system

1) The first question really helps with unclear directions from your boss. You can take whatever they told you to do, and translate it into a requirement that is clearly either met or not-met, and then run it back by the boss.

If they say, "No, no, we want ______" then phew! You just saved a huge miscommunication and weeks of wasted work! What a good employee you are! What an excellent team player with strong communication skills!

If they say "Yes, that's what I want," then you know -- for sure -- what it is you're trying to accomplish. Your anxiety is reduced, and your boss thinks you're super-conscientious.

(And if your boss is a jerk who likes to move the goalposts and blame it on their subordinates, then have this conversation over email, so you can show it to their boss or to HR should it become necessary.)

2) Having this project map means that when you spend an hour staring at the requirements and trying to figure out how to get started (which, let's be honest, you were definitely going to do anyway) ... When your boss/coworker comes by and says, "How's it going?" Instead of having to say "I haven't even started 😞" You can say, "Pretty well! I've got all the steps mapped out and am getting ready to start on implementation!" and show them your list, and they think you're very organized and meticulous. 3) Sometimes, especially in corporate jobs, you and your coworkers will run into a problem that's too big for even Neurotypicals to hold all in their heads. At that point, the NTs will be completely lost -- they've never had to develop a way to handle projects they can't just look at and know how to get started. So then you pipe up in the meeting and say, "OK, well, what exactly are we trying to accomplish?" and everybody at the conference table looks at you like you're a goddamned genius and you don't have to tell them that you use this exact same process to remember how to make a sandwich 😅

4) Having this project map makes it so much easier to stop work and then start it up again later, but this post is already really really really long, so I'm going to address that in a separate (really really long) post.

[thanksjro]

Bayverse: Treating These Movies with More Dignity than They Deserve or Contain, Because I’m a Goddamned Professional - Part One

TRANSFORMERS (2007) - UNCOMFORTABLE SEXUAL TENSION BETWEEN TEENAGERS THAT I DIDN’T NEED TO SEE

So.

This is a little different than what I usually do.

Clearly.

God, how did we even get here?

Oh, I remember.

The date was September 17th, 2020, and I was in a stream with nine or ten other people watching the first Bayverse Transformers movie. Why we were watching it doesn’t particularly matter- sometimes you just gotta watch garbage so you can refresh your palate for the good stuff, I suppose. Also, a couple of folks wanted to make goo-goo eyes at Blackout’s rotors.

...It’s not my thing, but I’m glad they’ve got something to make the journey worth taking.

I made some sort of comment about only using my brain for this blog’s content, and someone (you know who you are :)) suggested that I take a proper look at the film. Being who I am, I immediately latched onto this idea, despite it being technically outside of what I write about.

And then I quintuple-downed, because winners don’t quit.

Good to know that my BA in Film Production wasn’t a complete waste of time.

Fun fact, I broke my television trying to watch Transformers for this. I think the universe was trying to stop me, by making me perform surgery on electronics, and also aggravating my carpal tunnel.

This movie came out when I was 13, and it was the first Transformers thing I saw after Cybertron. Yes, the anime one. No, not the one that’s objectively terrible.

Anyway.

How did I feel about Transformers when I saw it the first time? Well… it was okay. I liked the robots. I thought Mikaela was pretty, not that I knew what that meant back then. I watched it a few times, if only because my oldest younger brother kept renting it at Blockbuster. It was fun.

Now I’m older, and wiser, and know feminist theory, so my opinion is less “this exists” and more “blind, murderous rage”.

Our film opens up with some claptrap about the Cube™, a MacGuffin of ultimate power that allows the Transformers to create worlds in their image and populate them. Which means this is how they reproduce.

It always comes back to baby-making, doesn’t it?

The narration goes on about how the Cube™ is very powerful, and some folks wanted it for good, and others for evil. The criteria for being “good” and “evil” isn’t established, and I’m not exactly sure how one would define such a thing, when all the Cube™ does is create life, but, well, we’ve only just begun. Maybe we’ll get some answers later on.

Haha, I doubt it.

So, the Cube™ is the catalyst for our 4 million year war this continuity, and that sucker was lost in the shuffle a while back. This is a problem, because, again, the Cube™ is how the Transformers reproduce. Now everyone’s in a mad scramble to find the thing so their species doesn’t die out.

Three guesses as to where it ended up, and the first two don’t count.

Smashcut to the shit nobody cares about- the humans. We see an Osprey fly over the Qatar desert, carrying a buttload of American soldiers. We get a taste of some good old-fashioned xenophobia, as several soldiers mock a guy for not speaking English and loving his mother’s cooking, going full “funny haha gibberish language” on him. We’re two and a half minutes into the film, and I already want to stab something.

Ed Sheeran breaks into the conversation, I guess because he was feeling left out, revealing that he is the New Yorker stereotype of the film, for some reason. The fellas ask their captain, Lennox, what he’s looking forward to most about getting home from their tour, and he reveals himself to be a family man. While he’s been away, his wife had a baby, who he hasn’t so much as held yet. His men respond by mocking him.

For loving his child.

We’re three minutes into the film, and the toxic masculinity might actually make me have an aneurysm.

The Ospreys land, the lads disembark, and we get a snapshot of what downtime during deployment looks like to Bay. There are a lot of kiddie swimming pools involved. Two men play basketball. We watch multiple men take outdoor showers. A young Qatari boy brings Lennox a camelback water pack with a smile on his face. This lets me know that he’s a prop and not a character in this film. I can’t wait to see how many horrors he’ll be put through to simulate pathos.

We get a shot of a helicopter flying over the desert, one that the US military doesn’t recognize as their own. They send a couple of planes to check it out, and said planes get their shop wrecked. The helicopter is revealed to be the same ‘copter that was shot down several months prior. That’s… not good. Ghost helicopter?

No. Not at all, actually.

Lennox gets on a video chat with his wife and daughter, who is wearing one of the most ridiculous baby outfits I’ve seen in a hot minute. And I used to work in childcare, so I’ve seen a good amount of those. The writing implies that normal bodily functions are unladylike and therefore undesirable… in an infant… and that’s when all hell breaks loose, thankfully saving me from more of Bay trying to make me give a shit about these characters.

The helicopter lands, we get a shot of the mustachioed pilot, who glitches (gasp), and the line “have your crew step out or we will kill you” is uttered. Not even trying to hide the nationalism, are you?

This film hit theaters in 2007, when the xenophobia from 9/11 was still heavy in the air of the general populace, so things like this were more tolerated, and in fact approved of. Of course, it’s not like America has really improved on that subject, or ever really had a point where we weren’t terrible about it, since we live in a world where the military-entertainment complex exists.

See, the Department of Defense and a good chunk of American entertainment industries have a little deal going, and have for the last few decades, and it goes like this: The DoD will allow the use of their vehicles, personnel, and bases, or the likenesses of such, for free, in exchange for their operations being shown in a positive/morally justified light. This is why you never see the armed forces portrayed in a way that makes them out as anything less than heroes- nobody would be able to afford the sets/likenesses without the DoD’s aid. This is also why you see straight-up advertisements for the military branches on televison, in cinemas, and online, and why both the Army and Navy have flirted with having Twitch channels.

It’s all a ploy to get you to join the military, kids. It’s propaganda.

But enough about that, it’s time for our first transformation sequence!

We get a lot of moving parts with this, since it’s realistic CGI in a live-action movie, and it still holds up. It’s hard to tell what’s actually happening, but it, if nothing else, feels alien, surreal, and horrific to behold. They even included the original sound effect in the cacophony, which is nice.

Our ghost helicopter reveals itself to be a Transformer, not that we get that terminology at any point in this film. This specifically is Blackout, a Decepticon. The soldiers start firing on him the moment he starts transforming, then are surprised when the thing they started shooting with several guns retaliates. This is the point where everything ever in this military base explodes, brilliantly and repeatedly, because it wouldn’t be a Bay film without it. There’s a lot of shouting and bright lights, and I’m positively certain that a great deal of people died during this fight.

It’s just a shame that I don’t care.

Blackout rips the top off of a building like it’s a tin of anchovies, and then snags all the hard drives he can, downloading everything. This is a problem, but it seems like nobody was prepared for a giant alien robot hack-attack, because in order to shut down the power to the servers, you need to be able to unlock the breaker box, and no one seems to have the key. They solve the problem with a fire ax.

Lennox is leading the Qatari boy through the base towards safety. I should mention that it’s night now, and several hours seem to have passed since the Ospreys landed, so I don’t know why this kid is still here. He’s got, like, a house and family to go home to.

We get some more tank-throwing action, Sergeant Epps almost gets flattened under Blackout’s foot, then the movie decides it’s going to try to make things more interesting by having each shot cut flash, for whatever reason.

Someone shoots Blackout with a rocket launcher, I think, and this is the point where he throws his tiny little man off his back to go do his job. Yes, Blackout’s got a baby, and that baby is Scorponok, his symbiotic pal who likes to dig into the ground and be a sneaky little bastard.

Blackout blows up a ton more military equipment and personnel, and then it’s time for another smashcut.

Now we’re in high school, just like all those dreams I’ve had where I’ve forgotten my homework. This is where we meet Sam Witwicky, our main character, and also the stand-in for our target demographic. He’s insufferable, and I don’t like him. Mikaela Banes, our love interest, is also present in this scene, but we don’t get to know about her character for, like, another 20 minutes, because who gives a shit about women, right? They’re just props, right?

Right???

RIGHT??????????

RIGH-

Sam is presenting on his great-great-grandfather, Archibald Witwicky, for his family genealogy report, in front of a class containing maybe three actors who are age appropriate.

I know child labor laws are a good thing, and that hiring adults to play teenagers is just the lay of the land, but I swear some of these students look like they’re old enough to be on their second mortgage and third kid.

Anyway.

Archibald Witwicky was an explorer, one of the first to traverse the Arctic circle, and apparently his crew was made up of folks from 2007, because I swear the clothing for a few of these dudes isn’t period-appropriate. We get a seamen joke, because of course we do, and a sextant joke, because of course we do. Sam is also hawking all this crap he’s brought in for the presentation, because he is a little bastard who has no idea what his peers would want to buy, or really how to relate to them at all. He’s selling these “priceless” artifacts so he can get a car. Mikaela finds this charming, for some fucking reason. Also, her boyfriend is weirdly stroking her shoulder blade with his knuckles the whole time this is happening, and I hate it.

Archibald Witwicky went mad after his expedition, talking about an “ice man” so often that his family ended up locking him in a mental asylum, likely to be forgotten about. Which is sad. But we won’t be getting into the medical mistreatment of the mentally ill in Bayverse, now will we? That’s just Too Deep™.

Sam’s teacher didn’t very much appreciate having his class be turned into an episode of Antiques Roadshow, but still gives Sam an “A” on the project, despite it being a very poor report that lasted all of two minutes. I suspect the teacher has tenure, and therefore no longer gives a shit about academic integrity. This “A” means that Sam’s father will buy him a car.

Which is nice, I suppose, if I gave a damn.

Sam’s father, Ron, picks up his son in a car he probably bought at the crux of his midlife crisis, in a green that reminds me of a school gymnasium floor, then plays a prank on his child by pretending to pull into the Porsche dealership. Sam isn’t getting a Porsche, which is good, because he doesn’t deserve one. As Sam gripes to his father, a yellow Camaro drives by oh so conspicuously. Wonder what’s up with that.

Instead of the Porshe dealership, they head over to the used car lot, which is being run by Bobby Bolivia, who spends his time yelling at his employees and wanting to murder his mother. Sam is incredibly ungrateful about the fact that his dad is helping him get a car, even though it’s his FIRST car, and nobody gets a nice one the first go around. Or, at least, they shouldn’t, given the statistics about accidents with young drivers.

“No sacrifice, no victory” is uttered by Ron, which is the family motto, or so he claims. Archibald Witwicky said the same thing when he had multiple people dying trying to get to the Arctic Circle, so there’s precedence for the phrase, but we’ll see how it holds up throughout the film.

Bobby Bolivia shows Sam and Ron the cars he has for sale, and Sam is immediately drawn to the yellow Camaro in the lot, though there’s a small problem- it’s too expensive for what he and his father agreed to. Also, nobody knows where the hell it came from, so paperwork might be an issue. When Bobby tries to show Sam the yellow Beetle they have right down the line, everything explodes, because this is a Bay film, and fuck the original material this movie was based on. Bobby lets them have the Camaro for a lower price, suddenly fearful of whatever strange powers have just visited his place of business. “The car picks the driver” is suddenly more than a bullshit line to spout off in order to sell cars, and I’m certain that’s shaken the poor man.

Over in Washington, D.C., the Secretary of Defense prepares to address just what the hell happened in Qatar, lamenting on how young the audience he’s going to be speaking to is. In particular, he’s referring to the two dweebs and the hot chick sitting in one of the rows. All the women in this movie who aren’t someone’s mom are made up to be very pretty. And not even in a realistic way. But we’ll get to that in a bit.

So, the military network was hacked. That’s bad. Nobody knows who did it. That’s also bad. The only lead the US has is a soundbite, which is the signal that hacked the network.

Everyone here at the briefing is going to be helping to figure this mess out. This is great, if you like looking at Rachael Taylor for a few seconds at a time, and can compartmentalize hard enough to make that worth the effort of watching this godforsaken film.

Back at the Witwicky household, we meet Mojo, a chihuahua with a cast that doesn’t seem like it’s actually doing anything. I wish he was the main character instead of Sam.

Sam arrives home from the dealership, and says “alright, Mojo, I’ve got the car. Now I need the girl.”

As if ownership of a person is something to aspire to.

As if women are property to be owned.

As if women aren’t people, but rather commodities.

We’re 17.5 minutes into this film.

We’re introduced to Judy, Sam’s mother. She’s shrill, and annoying. This is by design, because none of the women in this film are actually people, but rather archetypes to bounce off of the male characters.

Sam and his father have a moment of what some might consider banter, then Sam gets huffy with his mom over gender roles for the dog. I, for one, think Mojo looks positively dashing in his bedazzled collar, and to hell with whatever Sam says to the contrary.

Sam drives off to go be a misogynist, with the promise to be back by 11PM.

Over in Qatar, the soldiers and that little boy are running from the attack on their base, as Lennox’s wife watches a public announcement on the matter back at home. The Secretary of Defense lets us know that we’re at DEFCON Delta at this point. Lennox Jr. cries, and all I can think about is how they probably pinched that baby to make that happen. They pinched a baby for Transformers (2007).

The soldiers in Qatar talk about shit they have no idea about, Sergeant Epps going on about somehow having been able to see a forcefield around Blackout through his super special binoculars. I don’t know how, or why, he knows this. I don’t know anything anymore.

Ed Sheeran has his doubts about this whole thing, and Lennox is also present in the scene, because I guess he’s important. Through a bit of dramatic irony, Fig- the guy everyone was making fun of for being bilingual at the start of the film- says that this probably isn’t over, as the shape of Scorponok shifts through the sand just beyond them.

Epps is having a minor crisis over the fact that Blackout saw him, but we don’t have time for that, because we’ve got to get to cover. The lads decide to head to the little Qatari boy’s house. Again, I wonder why he was at the base at all, considering that it seems like they’ve been traveling for a good portion of the day.

Back with Sam, he’s picked up his friend Miles, and together they’re going to a lake party. Are they invited to this party? Yes, but also no. It’s public property though, so it should be fine. As they park, Sam notices that Mikaela is here, which is great for him.

Mikaela’s boyfriend, Trent- whose name I had to look up- is a massive tool, and starts pestering the two boys for daring to exist in his airspace. Miles climbs a tree. I’m glad he’s having fun, at least. Sam makes a joke at the expense of people with brain injuries, and this for some reason? Warrants a shot of Mikaela making the blank “pretty girl” face? In response?

Mikaela saves Sam from becoming a wet stain on the grass, which is very kind of her, and more than Sam really deserves. Trent, his boys, and Mikaela start to head off for another party, to get away from Sam and his tree-loving friend. Mikaela offers to drive, and Trent says that she can’t handle his truck, because she’s a ~girl~. This causes Mikaela to ditch him, and start walking home.

The script knows enough about misogyny to know that this would be a nice “take that”. Michael Bay, however, likely fails to see why everything he did with said script involving this character is a goddamned problem.

Because Mikaela, bless her heart, has a lot of problems.

Let’s start with the outfit: a croptop, a jean skirt that BARELY covers her ass, and a pair of wedge heels that are at least four inches tall. On a character that is, at oldest, freshly 18.

Look, I’m all about self-expression and the freedom to choose how you dress for yourself and yourself alone, but this clearly isn’t that. This is a character, not a person, whose wardrobe was designed for the straight male gaze. She’s wearing fucking STRAP HEELS to the lake. This is about oogling. This is about reducing a whole-ass person to the same status as a piece of meat. In fact, who was on wardrobe for this? I’d like to have a few words with-

A woman? Okay, well, what else has she worked on?

You can’t be fucking serious.

ANYWAY.

Miles just called Mikaela an “evil jock concubine.” I don’t like Miles anymore.

As Mikaela walks down the road, strutting hard enough that I’ve got sympathy pains in my hips, the radio in the Camaro turns on, playing “Drive” by the Cars, and giving Sam a hell of an idea; he’s gonna drive Mikaela home, so she doesn’t have to walk the 10 miles to her house. Why he knows how far she lives from the lake isn’t addressed.

Sam kicks Miles out of the car and goes to give Mikaela a ride, which she accepts after a bit of self-deliberation, and also him making an ass of himself. The shot here is framed with Sam like he’s a normal-ass person, and Mikaela from her breasts to the top of her waist. Because of COURSE it is.

She hops in the car and then goes off about her taste in hot guys. Which is weird, and out of left field. Sam is about as confused as I am, then continues to make a fool of himself. This is his nature as a person. Mikaela has no idea who Sam is, even though they’ve gone to the same school for the last 10 years and have multiple classes together. And the fact that she was staring him down all through his genealogy presentation. And at the lake.

This movie isn’t very well thought out, I feel.

It’s at this point the the Camaro turns the key on itself and starts to sputter out and die, as “Sexual Healing” by Marvin Gaye pops on the radio.

I don’t like how this car is trying to get Sam laid.

I don’t like how this car is trying to get Sam laid with a girl who didn’t even know his name five minutes ago.

I don’t like how this car knows what sex is.

The Camaro breaks down on a cliff, and Mikaela hops out to work on the engine, and also to get the hell away from Sam’s sputtering.

As Mikaela admires the sweet engine in this Camaro, showing off her knowledge of cars, we get several shots of her from her breasts to her thighs, while Sam is treated like an actual person. Don’t bother trying to play it off as an artistic choice, Bay, this is blatant horndogging. This adds to NOTHING, other than my ire.

Sam says more stupid shit, and Mikaela, who must be the nicest fucking person in the world, just tells him to fire up the engine so she can try to sort out the problem. Then he asks why she goes for jackasses like Trent, and she decides that she’s hit her limit for today, opting to walk the rest of the way home. Good on you, Mikaela. Don’t take Sam’s bullshit.

Sam, realizing that he’s put his foot in his mouth for the 80th time today, pleads with his Camaro to do him a solid and work, and this actually works out for him. Great. Sam, victorious, once again offers Mikaela a ride, which she, once again, takes.

He drops her off without further incident, and she thanks him for listening. Even though they didn’t really talk that much. I dunno, maybe they had a super deep conversation offscreen. Mikaela asks Sam if he thinks she’s shallow, because clearly all women need approval from the men around them, and Sam says that there’s more to her than meets the eye.

Which made me groan aloud.

Anyway, she gets inside without a problem, and Sam professes his love for his new Camaro for allowing him to talk to a girl. Or at least talk at her.

Back in Washington, D.C., at the Pentagon National Military Command Center, we’re making weirdly racist calls on who hacked the military.

Up with Air Force One, a conspicuous boombox transforms into a robot, and then runs off to hack shit. The President of the United States requests some snack cakes. A flight attendant goes down to storage to retrieve said snack cakes, and finds that boombox in the elevator with her. Considering this is Air Force One, you’d perhaps expect her to immediately be suspicious of such a thing, but this is Bayverse, and we don’t think here.

The flight attendant brings the boombox down with her and places it on the counter as she goes to get the presidential snack cakes. The boombox immediately disappears. Now, you’d perhaps expect her to immediately be suspicious of such a thing, but this is Bayverse-

The flight attendant opens up the snack cake package, for some reason, and drops the cake on the floor. She then proceeds to eat it, and then act shocked when it tastes like floor. There’s a robot in her fucking line of sight, and you’d perhaps expect her to immediately be suspicious of such a thing-

She leaves to go feed the President floor cakes, and our little robot friend gets to work stealing government secrets. He, if nothing else, looks pretty cool doing it. He’s a very pointy lad.

Back at the Pentagon, Maddie- Rachael Taylor’s character- can hear the hacking. This sends everyone into a panic, because, well, that shouldn’t be happening. The hacking noise is a direct match to the one from Qatar, so that’s obviously a problem.

Back on Air Force One, our little robot friend is looking for “Project Iceman”, which he very quickly finds, and downloads everything they’ve got on it, and also plants a virus. The process seems to be… doing things to him. It’s weird. This movie is weird.

The Pentagon cuts all the system hardlines, stopping the process, but it’s too late- he got what he wanted, just about. Two security personnel come into the room, and the robot kills them both with some spinning blade disc nonsense. Air Force One is forced to land for the safety of everyone on-board. More security detail comes in to deal with the little bastard, but he transforms into a boombox and sits on a shelf to avoid suspicion. Now, you’d perhaps expect-

With the plane grounded, our robot is able to walk his little ass over to a cop car. And when I say walk, I do mean walk; this fucker is in multiple folks’ line of sight and nobody notices a thing. When he enters the car, he’s greeted by the mustachioed driver- the same driver who was operating the helicopter at the beginning of the film. This mustache man is a holographic avatar, one that’s being used by all the Decepticons.

We get our first real taste of Cybertronian language, as our robot- it’s Frenzy, his name is Frenzy- lets everyone know that he’s found a clue to the location of the AllSpark, and, through the power of the internet, knows where to find the guy who’s gonna give them what they need.

Three guesses to who it is, and the first two don’t count.

Back at the Witwicky household, Sam’s car does a runner in the middle of the night. Sam, horrified that his property is being stolen, pursues on a bike, screaming at his dad to call the cops. Sam also calls the cops, as he tears through the neighborhood.

The Camaro breaks into an abandoned building, Sam follows, and we finally get a shot of our audience appeal character. Sam watches in disbelief as a giant yellow space robot shines a beacon into the sky, then makes a video on his flip phone recording the experience. He apologizes to his parents for owning pornographic magazines, and goes to face his probable demise.

However, death does not come from above, instead manifesting itself as two of the strongest junkyard dogs in the known universe, who break their brick-inlaid chains to get at this little dip of a man. Sam is chased through the yard, climbing on top of a couple precarious oil drums, even though there’s a ladder, like, right there. The Camaro rolls in, scaring off the dogs, and Sam bolts, throwing the keys to his ride at his ride. When he gets outside, the cops have arrived, and immediately arrest him.

Back with the US government, the Secretary of State is having a conversation about all the bullshit that just went down with Air Force One. He and his fellow cishet old white men discuss their options, until Maddie comes in to set them straight on some of the facts. They act all indignant about it, because women can’t be smart, right?

Right???

RIGHT??????????

RIGH-

Anyway, we get a weird little deflection of Maddie’s role in everything, because a woman is nothing without the men around her, then she brings up the point that the bullshit that happened on Air Force One went down in just a few seconds, which isn’t something that anyone can actually do. She brings up quantum mechanics, which everyone blows off as nonsense- not that I wouldn’t as well- and theorizes on a DNA-based computer, which is technically a thing, if not trapped in the realm of speculation. It’s at this point that the Secretary of Defense tells her to come back when she can back these wild claims up, and isn’t just clearly spitballing.

And then he snaps his fingers at her, and any point he might have had leaves my brain so I have more room for being enraged.

Back with Sam, we’re at the police station talking to the cops. His dad is here, and Sam is trying to explain that his car is a dude. Even though he took at a video (one that was likely crap, given how quickly he spun his phone around to show off what he was seeing) the cops, understandably, don’t believe him. Then one of them, not so understandably, starts… threatening Sam? With his sidearm? And daring him to try something? This isn’t any sort of statement on the corruption of American law enforcement, it’s just bizarre.

Back in Qatar, our soldier buddies have found a telephone line, and are going to try to use it to get in contact with the rest of the world. It’s just too bad that Scorponok’s decided to make an entrance, and knock said telephone line the hell down. Ed Sheeran has next to no reaction to this, despite it happening maybe ten feet behind him. Fig speaks Spanish, and Ed Sheeran makes a point to be an asshole about it.

Scorponok is about to stab Lennox with his very pointy tail, when Epps notices- finally, someone with peripheral vision- and starts shooting. Then everyone starts shooting, kicking up enough sand to blind themselves, as Scorponok scuttles away, buries himself, then reappears behind Ed Sheeran.

Ed Sheeran does not survive this experience.

The others bolt, not wanting the same to happen to them, and for the fourth time I wonder just why the hell this young boy was at the base in the first place.

Off in the distance, the community of a nearby town wonders just what the shit is going on out in the desert. Our soldiers run into the town, and everyone gets their guns and start firing on Scorponok, who retaliates, because why the hell wouldn’t he?

Lennox demands that the young boy take him to his father, and proceeds to borrow his phone. As shit goes down outside, we have a sort-of gag where Lennox is trying to contact the Pentagon, while a telemarketer tries to get him to buy a phone package. In order for this call to go through, he’s going to need a credit card. This is where the well-known “pocket” scene comes from, as Lennox searches Epps’ pants for his wallet as he fires on Scorponok. It’s probably the best-written thing in this whole film.

With the credit card acquired, Lennox finally gets through to the Pentagon, and tosses Epps the phone so he can talk. Maybe he’s got anxiety about speaking on the phone, I dunno.

Scorponok shows off his disregard for historical architecture, blowing up several buildings, and the US government just watches this all go down. One of the actors in this scene looks like my dad, and it trips me up every time he’s on screen. Anyway, now the Pentagon knows about the giant space robots running around in Qatar. They send over some air support about it. All this manages to do is piss Scorponok off.

So they try it again.

This time it works, sort of.

At the very least, he’s left now.

Tail fell off, though.

Also, Fig’s been grievously wounded. The others, for once, don’t make fun of his native language while they help him hold his blood inside his body.

Back at the Pentagon, Maddie’s looking to prove that the bullshit that’s been going on is of the sci-fi variety, and in order to do that, she’s going to need a little outside help. She takes the information from the Pentagon, slaps it into an SD card, hides that shit in her blush compact, and then runs out the door to Glenn Whitmann’s house. Or, rather, his grandma’s house.

Glenn is a hacker, and shouldn’t be seeing anything that Maddie’s brought him, but everyone knows that confidentiality is for nerds, so whatever.

Back at the Pentagon, Maddie’s immediately been caught. It’s almost like slapping the military network onto an SD card maybe wasn’t such a hot idea. But what do I know?

Glenn takes a look at the soundbite and figures out that there’s a code embedded in the thing in about two seconds. Good to know our tax dollars are being well-spent on the US military, that some dude in his jammies can figure this shit out faster than a whole team of analysts. They figure out that “Project Iceman” is involved with this somehow, and also the existence of Sector Seven. It’s at this point that the FBI busts in. Good. I kind of want Maddie to go to jail for this, because she was about as stupid as she could be handling the situation.

Glenn’s cousin goes through a closed glass door- don’t worry, it’s tempered- and there’s a weird cut before that exact same shot continues, and he’s tackled into the pool. There was no reason for that to have happened, but here we are.

Back with Sam, we’re treated to him in his boxers, shooting basketballs in his room. He goes into the kitchen, where Mojo is standing on a stool. It’s a very tall stool, the sort you sit on, and he’s just… there. I don’t know how he got there. There’s no one else in the room besides Sam, and I know he didn’t put him there.

Clearly this must mean Mojo is God, and being on that stool is his divine will. I will be approaching the rest of the franchise with this in mind, because it’s clearly the only answer.

Our merciful Lord Mojo jumps up on the kitchen counter and begins growling at something through the window. Sam looks out… the opposite window… to find that his Camaro has returned to him, and is less than thrilled about it, to put it lightly. He drops a jug of milk- luckily it was mostly empty, given the sound it makes when it hits the floor- and gives his buddy Miles a call. You remember Miles, don’t you? If you don’t, it’s fine, because he reestablishes his quirkiness with a single shot, as he sits in a swimsuit and bathes his huge-ass dog in a kiddie pool, and answers the phone with a headset he just happened to be wearing. He must get a lot of calls during Dog Washing Hours.


After giving us one of the most intense voice cracks I’ve ever heard, Sam books it out of his house, hopping on a bike to escape his murderous Camaro. He’s not seen the thing commit any murders, mind you, but he seems pretty convinced that it would do the job, given half a chance. Also, this isn’t the bike he rode the night before; that one is likely being chewed on by those strong-ass junkyard dogs. No, for some reason, the Witwickys have a pastel pink girl’s bike, with the fun little handle tassels and the basket and everything. As far as I can tell, Sam is an only child, and if you think Bay’s going to allow for a teenage boy to have the vulnerability to own a pink bike, you’ve not been paying attention for the last 48.5 minutes.

The Camaro gives chase, rolling after Sam on his bike at a brisk 7 MPH down the friggin’ sidewalk, one of the only scenes in this travesty of a film to actually get me to crack a smile. Sam races through town until city planning puts a stop to him, through the magic of using chunks of cement to decorate the mulch around their trees. He crashes his bike, faceplants into the concrete in front of Mikaela, and promptly dies, thus ending the film.

No, he doesn’t die. I just told a fib. I’m sorry.

Instead, he does a flip and lands on his back, likely receiving a concussion, in front of Mikaela and her friends. Her friends laugh, because everyone hates Sam, as they should, and Mikaela says that what he just did was “really awesome.” Don’t try to be nice, Mikaela, this is Sam we’re talking about; you could stick the dude in the freezer overnight and he still wouldn’t be even remotely cool.

Sam gets back to the whole “running away from a car” deal, and Mikaela decides that this is the sort of thing she’d like to do with her day, so she ditches her friends in the middle of their scheduled Burger King™ time to go see what the hell Sam’s on about.

As Sam is chased by the Camaro who is being chased by Mikaela on her motorized scooter, a cop becomes involved, tearing through the streets to join this ridiculous game of tag. Now, we’ve seen two different flavor of cop so far- the mustachioed avatar cop car that picked up Frenzy from the airport, and the dude who threatened a teenage boy with a gun after accusing him of being under the influence of drugs. Either way, I don’t think this is going to turn out well for Sam.

Sam’s cornered himself under one of those really wide bridges where people can park their cars, which wasn’t terribly smart, but it’s Sam, so this is about par for the course. The Camaro manages to miss him, but the cop car does not. Sam is actually pretty cool with the cops being here, as if they could do anything about “Satan’s Camaro.” I guess he didn’t see the decal on the side of this car that says “to punish and enslave…”

Sam attempts to approach the car for help, and gets clotheslined by a car door for his troubles. He hits his head on the pavement, certainly exasperating the brain injury he received not ten minutes ago. Still, he continues to try to talk to the holographic avatar through the windshield, revealing that the bike he’s been riding is his mother’s. Mystery solved, I suppose.

The cop car doesn’t much appreciate being slapped on the hood, and begins to rev violently at Sam, threatening to run him over several times. Then it explodes into being a robot. Sam, who’s seen a lot of really weird shit in the last 24 hours, nopes out of the situation. It’s at this point that I realize he’s wearing a shirt for the band the Strokes. I don’t know why that stuck out to me, but it did. Guess my brain needed something to latch onto during all this.

Sam is running as fast as his little legs allow, as our newest robot friend takes up a leisurely jog to keep pace. Then he kicks Sam. He kicks Sam’s body like the football. This, of course, instantly turns Sam into a bag of jelly and kills him, thus ending the film.

No, he doesn’t die. I just told another fib. I’m sorry.

Sam somehow survives being punted by a giant metal leg and lands in the windshield of a car that doesn’t turn into a robot. Then he gets yelled at by the cop car. This is Barricade, a member of the Decepticons, and Sam’s got something he wants. Or, should I say “LadiesMan217” has something he wants.

LadiesMan217 is Sam’s Ebay username. This is both stupid because no teenage boy existing beyond the year 1985 would have ever called himself that, and also because it’s just stupid.

Barricade wants the glasses Sam presented for his genealogy report, and he wants them NOW. Seeing as the thing he wants is for sale, and nobody had been bidding on it, one would wonder why Barricade and his associates didn’t just try to purchase them like upstanding citizens. Perhaps Decepticons don’t understand the concept of money, or perhaps they don’t have a stable address to have the glasses shipped to. Or perhaps nobody considered that angle when the script was being put together. Who can say?

Sam gets back to running away from Barricade, we see where Mikaela got to, and the two of them collide. Sam rips Mikaela off of her scooter, and they both fall to the ground. Mikaela, who did not buckle the clasp on her helmet, asks Sam what his fucking problem is. Then his problem shows up, and they take a very long time to get up so they can run. So long, in fact, that the Camaro has to swing in to save them. After much pleading from Sam, Mikaela gets inside Satan’s Camaro, and the two of them are whisked away to safety. Barricade pursues, and then the butt rock starts.

There’s a lot of screaming and yelling, the Camaro busts through a window and several shelves in an abandoned building, there’s some drifting, and then suddenly it’s nighttime. Barricade somehow got in front of the Camaro, and is circling like a shark. The Camaro locks the two teenagers inside itself, though I suppose they could climb out through the still-open windows if they really wanted to. The Camaro cuts the engine off, then cuts it back on and bolts for the exit, and this somehow tricks Barricade long enough for them to get past.

The Camaro dumps Mikaela and Sam out one of the doors and then transforms into that yellow space robot we saw a bit ago. It’s Bumblebee! Nearly an hour in, and we finally get a proper look at the little bastard. I guess that’s what happens when you spend the first 20-something minutes on being xenophobic and appealing to the focus groups that think it’s fine sexualize high schoolers.

Bumblebee- no, he’s not introduced himself yet, but I just can’t keep calling him “the Camaro” anymore- comes out of his transformation ready to square the fuck up. Barricade throws himself at Bumblebee, they roll around on the ground for a bit, then things start sparking and exploding, because this is a Michael Bay film. Frenzy jumps out and starts chasing down Mikaela and Sam, while Bumblebee and Barricade murder death punch each other. Frenzy manages to grab Sam by the ankles, drag him to the ground, and rip his pants off. Not sure how that happened, considering he’s still got his shoes on.

While Sam’s busy being chased by a sentient pile of safety pins, Mikaela’s taken it upon herself to be proactive about her survival, and is raiding a nearby building for power tools. She sprints out holding an electric jig saw and saves Sam by decapitating Frenzy. If you know anything about Transformers, then you know this doesn’t actually kill Frenzy, but good on her for being a badass. Why couldn’t Mikaela be our main character again? Oh, right, because she’s a ~girl~.

Sam punts Frenzy’s head, like, 50 yards, which seems like something he shouldn’t be able to do, given that he’s a massive weenie, but there you are. With that out of the way, Sam takes Mikaela’s hand and they run off to go watch the giant robot fight. The bottom of Frenzy’s head turns into a spider and he crawls his way over to Mikaela’s purse. He’s gonna steal her gum, the fiend!

Mikaela and Sam have, unfortunately, missed the giant robot fight, which means that we, as the audience, have also missed the giant robot fight. Which is unbelievably stupid, seeing as everyone who has ever watched this movie came for the GIANT GODDAMN ROBOTS.

Mikaela asks just who the hell the yellow robot is, I guess because she’s finally had a second to process what the hell’s going on. Sam claims that he’s a super-advanced robot, “probably from Japan.” Whether or not this is a reference to the Japanese origins of the original toy line isn’t clear, though somehow I think it’s more xenophobia. Sam also makes the claim that if Bumblebee had intended to hurt them, he would have done it by now. This is quite the jump from a few hours ago, when he was calling the poor guy “Satan’s Camaro.”

Sam finally, finally asks Bumblebee what his deal is, and we get our first taste of the Bayverse Bumblebee Gimmick. The Gimmick here is that, due to an injury to his vocal processing, Bumblebee cannot communicate through traditional means, i.e. speech. Because of this, he instead strings together sentences by flicking through the radio frequencies and choosing key words. This can lead to some interesting audio design, like describing his fellow Autobots to “rain down like visitors form heaven, Hallelujah!” because a radio sermon fit what he was trying to say best.

This gimmick is one that has been used in other pieces of Transformers media, at least in part. Bumblebee is unable to speak traditionally in Transformers: Prime, and instead communicates in beeps and clicks that his teammates can understand, but not so much the humans, save for Raf. In Bumblebee (2018), the idea was used whole-cloth, with the injury resulting in his inability to speak happening on-camera within the first 10 minutes of the movie, and the idea of “expressing oneself through music” being introduced by his human companion Charlie Watson.

All in all, I rather like the idea going on here; it’s an interesting part of his character that opens up for a lot of interesting and creative moments.

It’s just too bad it was introduced in fucking Bayverse.

But yeah, anyway, the other Autobots are coming to Earth. Shit’s gonna be lit.

Bumblebee turns back into a Camaro, and Sam uses the power of FOMO to get Mikaela to go in the car with him. We get a shot of Barricade fucking dying on the side of the road. Frenzy murders Mikaela’s phone, and then steals its identity, including the little bejeweled heart stickers. Good thing Mikaela remembered to go get her purse, otherwise he probably would have felt very silly doing that.

Mikaela refuses to sit in the driver’s seat, seeing as she now knows Sam’s car is sentient, and sort of feels weird about this whole thing. Sam suggests that she sit in his lap instead, as the camera angles to give us a peek at the cup of Mikaela’s bra. When asked why the hell she should do such a thing, Sam says it’s a concern about her safety, given that the middle console of the car does not have a seatbelt. Sam either fails to recognize that seatbelts going over two layered bodies won’t save either of them in the event of a crash, or he’s just trying to make an excuse to have a pretty girl in his lap.

Given what movie this is, I’m going to guess it’s the latter.

Mikaela has a similar line of thought, but scoots over anyway, saying that the seatbelt line was a “smooth move”. It wasn’t, but if I picked apart every single bad line Sam had in this film, I’d be here all day.

Mikaela questions Bumblebee’s taste in alt-mode, which offends him to the point of dumping both her and Sam out in the street and driving away. He returns, moments later, as a sleek new Camaro, that I’m sure some car aficionados would call “sexy.”

Bumblebee’s alt-mode is a 2009 Chevrolet Camaro, of which there were none during the time of filming. It was put together for this movie in roughly five weeks. Sam is blown away by the fact that he now owns a car that does not currently exist in his universe. Mikaela is impressed, or at least she would be, if women were allowed to show that emotion in a non-horny way in a Bay film.

Judy doesn’t count.

As Bumblebee breaks into yet another restricted area, we get a shot of the Earth from orbit, as several objects rocket towards the planet. Sam and Mikaela watch the Autobots burn up in the atmosphere, and Mikaela tries to hold Sam’s hand as they do, and it’s at this point that I have to address how much I hate these two’s dynamic.

I don’t give a single solitary shit about this romance, because A) it’s poorly written, B) Mikaela could do infinitely better than Sam, C) I dislike Sam so very much, D) Mikaela, who is a way more interesting character, got placed on friggin’ love interest duty because ~girl~, and E) it’s useless padding to try and make me care about what’s happening here, and I just DON’T. I do NOT care about whether these two get together or not.

We see the Autobots crash-land, three out of four of them causing massive amounts of property damage and possibly killing at least one person. Their stasis pods crack open, and they each climb out, completely naked and in desperate need of clothing to hide their shame. With a quick scan of nearby vehicles, they’re once again decent to be seen in public.

Bumblebee drives the kids out to what I can only assume is the warehouse district he sent that beacon out in, as our collection of good guys finally come together at long last. A massive Peterbilt semi-truck stops directly in front of Mikaela and Sam.

We’re over an hour into this film, and we’re just now getting to the quintessential Transformer, Optimus Prime himself.

In the original cartoon, Optimus’s alt-mode was what’s known as a cabover truck, one where the cab- where the driver sits- is seated directly over the engine. These were popular during the days when maximum truck-lengths were much shorter than they are currently. This is why when you look at height charts for Optimus over various continuities, his G1 cartoon counterpart much shorter than his other iterations.

Modern trucks are longer, and don’t need the cab to sit on top of the engine to save on space. The designers chose to use a Peterbilt to make sure that Optimus would have an imposing stature when compared to his fellow Autobots.

Because heaven forbid we not have heightism come into play in this film.

Our Autobots transform, and say what you will about these bastards being visually incomprehensible, the transformations themselves are cool as hell. My personal favorite is Jazz’s, where he does a cool windmill into his root mode.

Optimus crouches like he’s looking at a cool bug on the sidewalk and addresses Sam by name. He doesn’t even acknowledge Mikaela, which I find to be a bit rude, but whatever. He then introduces himself as the leader of the Autobots.

Peter Cullen is back as the voice for Optimus Prime, sounding wonderful as always. He almost wasn’t brought on for this project, because Michael Bay didn’t want him. If the fans hadn’t thrown a hissyfit, who knows who we would have gotten to be our space dad for the next hour and a half?

This is actually an issue that’s recurred several times in the last few years, and not just with Cullen; Frank Welker, the voice of Megatron, as well as many other Transformers, has been refused roles within Transformers properties. In general, this is because both Cullen and Welker are union actors, and Hasbro would prefer to hire sound-alikes than pay more money for the originals. This isn’t to shame the non-union actors, goodness no, just to merely point out less-than-fantastic business practices.

I realize there have been a lot of tangents, but you have to understand that I am suffering as I do this.

Optimus then introduces his team- there’s Jazz, whose first line is “What’s crackin’ little bitches?”, Ironhide, who incorrectly quotes Dirty Harry, and Ratchet, who calls out just how obnoxiously horny Sam’s character is. We also finally get Bumblebee’s name.

Mikaela asks the very good question of why the fuck the Autobots are here on Earth. Optimus explains that the AllSpark is here, and they’ve got to get to it before Megatron does. He then goes on to explain who Megatron is, stating that he “betrayed” the Cybertronian empire.

No, how exactly he did that isn’t addressed. We’ll just have to take Optimus’s word, I suppose.

If you’ve sussed out by this point the the AllSpark and the Cube™ are the same thing, congrats! You win. Megatron followed the AllSpark to Earth, where he promptly was neutralized by the cold of the Arctic circle. This was 110 years prior to the events of this film, and where Archibald Witwicky came in to the story.

When the expedition was happening, Archibald fell through the ice during a collapse, and ended up finding Megatron’s frozen body in an ice cave. He went poking around on this strange metal giant, and ended up activating Megatron’s navigation systems, which imprinted the coordinates of the AllSpark onto Archibald’s glasses.

Don’t ask how that works, it just does.

So, the Autobots need the glasses, so they can find the AllSpark before the Decepticons do, so those guys don’t use it to build an army out of Earth’s machines, which will destroy humanity.

Sounds simple enough, let’s go get that vision correction device!

Back with the military dudes, everyone’s taking a gander at the tail that Scorponok left behind. They theorize that the metal that makes up these giant murder-robots reacts to extreme heat, but elaboration on that point will have to wait, because the tail has begun to flail. They quickly strap it down, then call the military to let them know to strap anti-tank guns onto anything that’s going to be approaching any giant robots.

Meanwhile, in an interrogation room, Maddie and Glen have been left to sweat a bit. Glen takes to stress-eating, while framing it as a psychological tactic to subconsciously prove his innocence to the FBI.

This is a fat joke, with the added nasty layer of Glen being a black man about to be interrogated by one of the most intimidating white cops I’ve seen in a hot minute.

Glen immediately folds, pinning all the blame on Maddie, and claiming that he’s been a perfect angel his whole life. We get some weird purity culture out of him, before Maddie lets the FBI know that she needs to talk to the Secretary of Defense, NOW.

Over at the Witwicky household, Sam’s parents are watching the news, trying to find out what all those loud crashes were about. Optimus Prime drives down their residential street, the rest of the gang in tow, then they all park to wait for Sam to go get the glasses.

For about 20 seconds.

Sam has to physically hold the door shut to prevent his father from coming out and seeing several very tall robots from outer space tip-toeing around his freshly-landscaped yard, I guess because they got antsy. Optimus plods around on the grass and breaks a fountain, and our benevolent god Mojo comes out of the house, assuredly to smite the leader of the Autobots.

Mikaela runs onto the scene, and Sam chastises her for not controlling the robots who didn’t even acknowledge her existence, outside of pointing out Sam was sexually attracted to her.

Mojo pees on Ironhide’s foot, which prompts Ironhide to threaten to shoot the creature. This is why Ironhide isn’t getting into heaven. Sam, one of Mojo’s chosen few, claims that the mortal shell of his god is seen as a beloved pet by many humans. Sam runs into the house, before Mojo can incur his divine wrath on the Autobots.

While Sam goes to get the glasses, the Autobots decide to do a little peeping on the house, watching his parents watch TV. Sam tears his room apart trying to find the glasses, and Optimus thinks that it would be helpful if he brought Mikaela up to help look. It’s at this point that I realize that Sam has an utterly bizarre fish tank.

I mean, legitimately, what the fuck is this? No filter, no plants, might not even have any rocks on the bottom. Is this a comically oversized bong Sam threw a couple fish into? What the fuck.

Mikaela starts looking for the glasses, running into what is likely a box of porn mags, then they both look out the window to find that the Autobots have decided to hide in plain sight by transforming... in the middle of Sam’s backyard. Amazing work, gentlemen.

Sam finally convinces the Autobots to go sit in the alley and wait, only for Ratchet to run into a power line and trip into a greenhouse. The resulting impact is interpreted as an earthquake. Judy does not have the reaction one might expect from someone who’s lived in California for at least ten years.

Ratchet’s fine, by the way.

The power cuts out, and Ron goes up to check on his son, because he’s at least a halfway-decent father. Ratchet’s shining a light to aid in the search for the glasses. Sam’s parents notice this bright light, and bang on Sam’s door to see what’s up.

Sam quickly hides Mikaela and then attempts to salvage the situation, answering the door and trying to control the narrative. Unfortunately, Ron is far too inquisitive for Sam to do this, and then Judy asks if Sam was masturbating.

Judy, is privacy just not a thing to you? Because if not, it really ought to be.

She keeps going with it too, trying to come up with code words, until another one of the Autobots trips and causes Ron to panic again, climbing into Sam’s ancient claw-foot bathtub to protect himself. He looks out the window to check on his beloved yard, lamenting that the earthquake tore it up.

Ironhide is strongly considering killing Sam’s parents. Optimus tells him that they don’t harm humans, and also begins to wonder if he made a mistake bringing this guy along.

Back in Sam’s room, it’s becoming increasingly obvious that Sam is an absolutely terrible liar, and Mikaela reveals herself, if only to prevent Judy from trying to talk about self-pleasure again. Of course, now she gets to be subjected to both of Sam’s parents objectifying her, so this might be a lose-lose situation.

Sam is reminded that his backpack is in the kitchen, just in time for the government to show up at his house. Mikaela makes a comment about Judy being nice. I suppose on a surface level, yes, being told that you’re gorgeous by someone’s mom is nice. I do have to question the context that compliment took place in, however.

Sam’s about to hand the glasses over to the Autobots, when someone rings the doorbell. It’s Sector Seven, and they’re here to talk to Sam about his stolen car being part of an issue involving national security. Ron and Judy are more concerned about their yard being torn up, Judy yelling that they “need to get their hands off [her] bush.”

We still have another hour of this movie.

The agent leading this mission asks Sam to come with him for questioning, which his parents are very much against. Mojo also voices his displeasure, but it would seem that Agent Simmons is not a follower of the Tenets of Mojo. Sam gets geigered, and his readings are high enough for Sector Seven to take him and everyone in this house into custody.

As Sam and Mikaela are riding in the back of the car, Simmons brings up Sam’s Ebay account, and also the phone video he took of Bumblebee earlier in the week. Mikaela is rather unimpressed with Sam at the moment, probably because he’s gotten her arrested. She still tries to help him out though, because she really is just the nicest fucking person on the planet.

Alas, the combined efforts of these two teenagers isn’t enough to fool the long arm of the law, especially when it’s a branch of said law that deals with extraterrestrial activity. Simmons threatens to lock up these literal children for life if they don’t start talking. Mikaela isn’t taking the bait, so he goes after her father’s parole hearing instead.

Yep! As it turns out, Mikaela and her father stole cars to get by, and she’s got the record to back that claim up. Simmons calls her a criminal, then says that criminals are hot. Mikaela looks like she’s about to cry, and I don’t blame her in the slightest.

Optimus, I suppose because his dad senses were tingling, takes the opportunity to place his leg in the road for the car to run into, then grabs said car like an unruly cat and lifts it until the roof rips off due to stress. The agents in the other cars pile out and point their guns at the giant space robot. The rest of the Autobots quickly relieve them of their weapons.

Optimus notes that Simmons doesn’t seem surprised that a bunch of giant robots just took all his guys’ guns, and demands that he exit the vehicle, posthaste. Simmons obliges, after a bit more prodding. Mikaela undoes Sam’s handcuffs, and he gets fucking pissy about it, as if this girl he’s had a grand total of three (awkward) conversations with should have told him something as personal as “hey, so my dad’s in jail and I’ve been to juvenile detention.”

Luckily, she doesn’t let him get away with it, calling him out as the spoiled, self-centered, privileged little shithead that he is.

Of course, we don’t get any sort of real acknowledgement from Sam, having to move on with the plot. Perhaps, if we hadn’t spent the last hour and 20 minutes faffing about on drivel, we could have had Sam get an actual moment of self-reflection, and potentially even character growth. However, this is Bayverse, and everyone knows that personal accountability is for fucking sissies.

Mikaela and Sam ask several questions, but get no answers from Agent Simmons. And then Bumblebee pees on him.

I hate that I had to write that. I hate it very much.

Anyway, I don’t know why that had to happen, but it did, and I’m nothing if not thorough.

Optimus tells Bumblebee to cut it out, and with that the Sector Seven agents are cuffs and left on the side of the road. Mikaela orders Simmons to strip, as punishment for threatening her father, then cuffs him to a street lamp.

...Yes, that does sound like a bizarre sexual fantasy, doesn’t it?

Unfortunately for our teen heroes, they forgot to confiscate everyone’s phones, and Sector Seven knows what’s up, thanks to the power of speakerphone. More cars and a couple of helicopters show up basically immediately, and the Autobots decide it’s time to dip.

But not before Ironhide fires off a pulsewave into the ground that causes a five-car pileup.

Optimus, I suppose because he knows he chose a ridiculously flashy alt-mode that is in no way practical, just picks the kids up in and places them on his shoulder like a couple of parakeets, then takes up a leisurely jog to get away from the eyes in the sky. He runs through the city, racking up what is likely millions in property damage, as the helicopters pursue. He passes by a “Legalize LA” billboard, which feels odd to see, given what movie this is.

The ‘copters somehow manage to lose Optimus, despite him being relatively slow, and having a notable radiation level that they’ve been using to track him. He hides inside the scaffolding of a bridge, only for Mikaela and Sam to slip off of his polished body to their deaths, thus ending the film.

No, they don’t die. I just told another fib. I’m sorry.

Bumblebee snatches them up just before they hit the ground, the impact of his metal body catching them at 75 mph, killing them instantly and ending the film.

Nope, that doesn’t happen either.

Mikaela and Sam are fine, some-fucking-how, but Sam’s dropped the MacGuffin glasses. The helicopters swing back around, having noticed the sound of a car crashing into the ground and the screams of two whole adolescents. They break out a fucking harpoon gun and fire on our kid appeal character.

Repeatedly.

They wrap up Bumblebee in a series of cables, as he screams like a moose. Mikaela and Sam are held at gunpoint by what is honestly far too many dudes, and are then arrested for the second time in ten minutes. Bumblebee is smoked... because he’s a bee? Sam, not liking this one bit, finds the strength in his weenie body to push a cop off of himself, run at one of the dudes with the smoke guns, throw him to the ground, and then start smoking him. He’s immediately tackled, but points for trying.

Sam and Mikaela are placed back into custody, and the rest of the Autobots regroup with Optimus to see what the plan is. Optimus says that they can’t save Bumblebee without hurting humans, so I guess Bumblebee is just a POW now. Well, at least they got the glasses. That’s cool.

Back at the Pentagon, things are getting dicey, as the other world powers are starting to suspect that something’s up. The Secretary of Defense is approached by a man with a mustache and a briefcase. He’s from Sector Seven, but the Secretary gives not a fuck about mysterious organizations. All the computers in the room suddenly go down, the virus from earlier working its magic- only this time, the blackout is global.

Mr. Mustache opens his briefcase, while explaining that Sector Seven is something known as a “special access” sector of the government, which is why nobody’s ever heard of it; it’s beyond top secret. Commissioned by President Herbert Hoover 80 years prior, it deals with alien life.

When the Beagle 2 spacecraft was lost on the way to Mars in 2003, the mission was declared a failure. This was a lie. The Beagle 2 recorded several seconds of Mars before being crushed to death by a Transformer. This tidbit is pretty funny, given that the Beagle 2 was rediscovered on Mars in 2014, seven years after this film released. Not a terribly mysterious death anymore, is it?

Comparing the footage from Mars to the footage from Qatar has Sector Seven thinking that these are the same species. Which they are. God, it’d be so fucked up if there were two species of giant robots in this film.

Mr. Mustache theorizes that because the Transformers now know that they can be harmed by human weaponry, they’re being proactive about their safety and shutting down all forms of communication technology with that virus that keeps popping up. It’s only a matter of time before the shit hits the fan for humanity.

Mr. Secretary tells his guys to try going analog with comms, breaking out the short-wave radios, to tell their ships to return home.

Over at an Air Force base, Lennox and the gang have landed, only to be scooped up by a bunch of dudes in suits.

Back with Maddie and Glen, the two of them have fallen asleep in the interrogation room, Maddie still wearing her friggin’ four inch pumps as her legs are propped up on the table, crossed in a way that seems rather uncomfortable. Glen gets to sleep like a normal human being, with his head resting on his forearms. Why this place doesn’t have a holding cell for these situations is beyond me.

Mr. Secretary comes in to bring Maddie on as his advisor. Glen can come too, I guess, considering he’s the one who actually figured out the sound file virus.

We get a little military glorification, and then it’s revealed that Mikaela and Sam, as well as Maddie and Glen, are aboard this helicopter. Their paths cross at last. Our heroes are transported to the Hoover Dam, where Bumblebee is also. They are still smoking him.

Meanwhile, the Autobots are figuring out where to go, with the power of Archibald’s glasses. Ratchet, who I guess is omnipotent, senses that the Decepticons have also figured out the location, and that this is going to be a race against the clock. And I mean, he’s right, but the phrasing is a bit odd.

Jazz wants to know when they’re going to save Bumblebee. Optimus says that they aren’t, and that Bumblebee’s sacrifice is noble, and that he would want the Autobots to leave him and complete the mission. As this is said, we get another shot of Bumblebee getting smoked and trapped in a lab. Yep, this is totally what he would want. He absolutely signed up for this, giving himself up to the government and not at all fighting like mad to not be captured.

I don’t think Bayverse Optimus actually knows what martyrdom is, which is bizarre, given that it’s a major trait in a lot of other iterations of the character.

Ironhide isn’t even sure why they’re bothering to save humanity, given that humans are violent and awful, his point being hammered home as Bumblebee is tortured for scientific reasons. Ironhide seems to have forgotten that Cybertron has been at war for literally millions of years. Optimus has faith in humanity, however, stating that we’re “young”.

And then he says that he’s going to end his own race, by destroying the Cube™, which is how they reproduce, because that’s the only way to end the war.

Which is arguably one of the most hardcore fictional applications of eugenics ever conceived.

Being advocated for by Optimus Goddamn Prime.

We still have another 50 minutes of this movie.

Optimus then proves that he does, in fact, know what self-sacrifice is, stating that, if all else fails, he’ll shove the AllSpark into his spark, which will destroy them both. He’s pretty chill about it, too.

Up on top of the Hoover Dam, Frenzy has fallen out of Mikaela’s bag.

Mr. Secretary is also at the Hoover Dam now, as is Lennox’s team. Oh, and Agent Simmons, who is thankfully wearing pants. He offers to buy Sam a coffee, as repartitions for threatening his family, arresting him, and being a complete creep to a teenage girl. Sam gives not a fuck about caramel macchiatos with extra foam and chocolate drizzle, however. He only cares about his car.

Mr. Mustache, who is also here, needs Sam to spill the beans on all these friggin’ giant robots that are running around. This is where Sam realizes he has the upper hand for once, and he starts making demands. One such demand is having Mikaela’s record scrubbed clean, which is an actually very nice thing for him to have done for her. We’ll see if his intent comes to fruition. For now, it’s time to talk about Bumblebee.

We get a shot of all these folks heading into the secret base hidden inside the Hoover Dam, and it’s at this point that I notice that Maddie’s shirt is basically see-through.

Inside the Dam, we see that Sector Seven′s been keeping Megatron this entire time, keeping him neutralized with cryo-stasis since 1935. Cryopreservation was invented in the 50′s. This isn’t a nitpick, I just thought it was a neat little fact.

Megatron being on Earth has resulted in most modern technology. This sort of plot point always bothers me, because it takes away agency from the entire human race. We didn’t use our own ingenuity and work ethic to advance society, we plagiarized from a more advanced species. I dunno, it just rubs me the wrong way.

We get the part of the movie where info is hashed out, so that everyone is on the same page, Sam spouting off Autobot propaganda. We can forgive him for this,considering he’s 16, and no one is immune to propaganda, especially when they have zero way of doing their own research to form their own opinion with.

Sector Seven also has the AllSpark, kept in the room next to Megatron’s, like the chumps they will soon find themselves to be. It’s about ten stories tall and the reason the Hoover Dam exists. With so much concrete suppressing its alien energies, surely no one will ever find it!

Except for Frenzy, who came in through a mouse hole. Whoopsie-doodle!

The AllSpark zaps the nasty little man, restoring his body with its weird MacGuffin powers. Frenzy tells all his coworkers that he found what they were looking for, and everyone starts heading over.

Maddie asks Mr. Mustache what exactly he means by “energies”, perhaps worried that this whole thing has been some elaborate ploy to get her to invest in magic healing stones. Mr. Mustache brings everyone into a testing chamber, since the best way to explain how the AllSpark works is through a demonstration.

There’s a big fish tank in the middle of this testing chamber, in which Agent Simmons places a donated device from the crowd- Glen’s Nokia phone, specifically. Simmons makes a geologically-confused comment. When this is pointed out by Maddie, Mr. Secretary hushes her, simply saying that Simmons is a strange man. The tank is locked down, and then the show starts.

Cube™ energies are shot into the tank, and the phone explodes into life, transforming into a gorilla-shaped gremlin creature. Happy birthday, little dude!

Little dude starts shooting at the tank walls, cracking the glass until Simmons pulls the trigger and ends it. Happy deathday, little dude!

The Decepticons are making tracks towards the Hoover Dam, but Starscream- yeah, he’s in this now, don’t worry about it- arrives first, because he is a very fast jet. He transforms, showing off his ridiculous Dorito body, and fires on the base’s generators. The resulting explosions can be heard all the way down in the testing chamber, and Mr. Mustache calls upstairs to see what’s up. Looks like Megatron may be getting warmed up, seeing as his ice bath has been cut off. Lennox asks if there’s an arms room in Sector Seven, which sort of feels like asking a bakery if they have any flour.

Frenzy has entered the room that houses the controls for the cryo-stasis and set that whole system to “no, thank you”.

Mr. Mustache runs through the base, screaming for everyone to get to the Megatron chamber. Off in the distance, the Autobots approach. Could probably used some fliers on your team, huh Optimus?

Back with Frenzy, he’s decided to just straight-up raise Megatron’s core temperature directly. Hope he doesn’t do it too fast; rewarming hypothermia victims recklessly can do some serious damage.

Outside of the base, Lennox and the boys are loading up with weaponry, along with what’s the entirety of Sector Seven′s cannon-fodder department. Oh, and all the main cast. Yep, just got a couple of teenagers chillin’ in the munitions room.

Sam wants Simmons to take him to his car- he hasn’t used Bumblebee’s name in a hot minute, not sure what’s up with that- even though Simmons is currently busy loading a very large gun. Simmons doesn’t want to do that, because he’s got no idea if what Sam mentioned earlier is even true, and he doesn’t want to pin the fate of humanity on a single Camaro. Lennox takes this opportunity to tackle Simmons, despite likely not knowing that Bumblebee is one of the “good guys”. A Sector Seven guy very much doesn’t like that, and points a gun at Lennox, which prompts all of his guys to also start threatening folks with guns.

Mr. Mustache walks in on the scene, but doesn’t do anything, since he isn’t armed and knows better than to tangle with someone who’s packing. Simmons tries to intimidate Lennox, because he must have missed the day of boot camp where they tell you that guns kill people. Lennox is fully committed to shooting this dude in the lungs before Mr. Secretary suggests he give the people what they want, before things get ugly.

Simmons takes everyone to the robot torture department of Sector Seven, where they are still smoking Bumblebee. Geez, you’d think they’d have something in place for if they ever came across another giant robot after Megatron, but I guess not. The gang gets everyone to stop smoking Bumblebee, which allows him to stop moose-screaming and strongly consider murdering everyone involved with his forced captivity. Unfortunately, revenge with have to wait, as we’ve still got to deal with the AllSpark, and the fact that the Decepticons are here.

They take Bumblebee to the AllSpark, where he makes direct contact the thing, causing the AllSpark to transform, compacting itself down into a far more reasonable size that Bumblebee can carry in one hand. It doesn’t seem to weigh more than a grown adult, if his body language is saying anything. I’d make a joke about the conservation of mass being ignored, but since this is Transformers, I can’t really say much. Conservation of mass doesn’t exist for this franchise.

Bumblebee would really like to get this show on the road, and Lennox agrees, quickly formulating a plan to get away from Megatron and taking the AllSpark to Mission City, which is relatively close to their current location, so that they can hide it there.

Lennox, I know this plan is a first draft, and we don’t have a ton of time for revisions, but the whole point of building a whole-ass dam around the Cube™ was because it was very difficult to hide, given its magical MacGuffin powers. Regardless of this flaw, Mr. Secretary agrees. Lennox also asks that the Air Force be involved in this, I guess because the U.S. military wanted more screentime.

Of course, that whole “global blackout” thing is still going on, so we’re going to have to get creative with how we’re going to contact the Air Force. Mr. Secretary and Simmons make a break for the WWII-era radio Sector Seven has, while Lennox and the boys head out to shoot things, and Mikaela and Sam hop into Bumblebee with the Cube™.

This is about the point that Megatron wakes up. The first thing he does is introduce himself, which I thought was very polite of him. Then he breaks out his flail and starts bashing shit around. Not so polite, that.

Over with Bumblebee, we’re shown that the AllSpark, all-powerful object that can create life and is the whole reason this conflict is even happening, is just chillin’ in the back seat by itself. It’s not even buckled up.

Megatron escapes the base, and it’s actually super easy. He just transforms, goes through the tunnel, and he’s free. I feel like we could have at least attempted some security measures for in case the cryo-stasis failed, given that we’ve had this dude in containment for the last 70-something years, but okay.

Starscream comes over to say hi to his boss, not that Megatron gives a shit. He just wants to know where that fucking Cube™ is. When Starscream tells him that the humans have it, Megatron makes a comment about how Starscream has failed him yet again. This is their first interaction in this movie, and Starscream’s been in the story for a grand total of five minutes at this point. I know that this is a reference to their dynamic in just about every installment of the franchise up to this point, but it doesn’t feel earned in the slightest. Even if it’s going to be expanded upon in future sequels, this is a shit-tier way to set their (awful) relationship up.

Not that anyone should ever bank on getting a sequel anyway, but that’s a discussion for another time.

Megatron tells Starscream to retrieve the AllSpark, and then we cut over to the radio plotline. The radio, which is so cobweb-covered I feel like Sector Seven needs to have a serious discussion with their custodial staff, has its nobs and buttons fiddled with by Simmons until it crackles to life. But where are the microphones? Everyone starts looking for the mics, as Simmons pushes Glen into the seat, I guess because hacking modern computers and using Depression-era radio tech are similar enough.

Maddie asks Glen if he can hotwire a 90′s-era computer to transmit a tone through the radio, so that they can send a Morse code message to the Air Force. Which sounds ridiculous to me, but I don’t know enough about radios or computers to know if that sort of thing would be possible. Maybe it’s fine. Or maybe it’s Hollywood bullshit. Who knows?

Back over with Bumblebee, we get a bunch of car commercial shots, of both him and the other Autobots. Aww, the gang’s back together again! Nobody tell Bumblebee that Optimus was completely cool with leaving him to his fate.

Optimus and the gang whip around to join the convoy, and everyone makes their way towards Mission City.

Back at the radio subplot, someone’s bangin’ on the door, trying to get in. The others try to block the intruder, while Glen does his hacking stuff. Mr. Secretary breaks a case and pulls out a gun that’s about as old as he is.

Glen gets the computer working, and Mr. Secretary gives him the Super Secret Military Codewords™ to use to talk to the Air Force. While he does that, Simmons finds a flamethrower and starts burning Frenzy as he attempts to enter the room. The Air Force receives the message for an air strike. Oh, goody.

Over with the convoy, it appears that the Autobots and Lennox’s boys are being pursued by the Decepticons. It’s difficult to tell, seeing as the cameras have gone full Bay-mode, but I’m guessing that’s what’s up. One of the Decepticons flips over a minivan, likely killing a family of five. another causes a multi-car pileup.

Bonecrusher transforms, then Optimus transforms. Bonecrusher iceskates across the highway, slamming into a bus so hard it just straight-up explodes. He is on fire. He tackles Optimus, and they proceed to fall off the side of the raised highway they’re on. Then they beat the shit out of each other, until Optimus decapitates Bonecrusher with his arm-sword.

Yeah, space dad is a little intense in the Bayverse.

Back at Sector Seven, Frenzy’s decided to leave the door alone, and instead is crawling through the ventilation shaft. Mr. Secretary and Simmons fire off shots into the duct above them, as if bullets would do anything against this nasty little pile of needles.

Frenzy bursts through the bottom of the duct and crash-lands into a glass case, taking cover behind a pillar and fires on the humans on the other side of the room. While this shootout is happening, Glen receives a response from the Air Force, just in time for Frenzy to accidentally decapitate himself with one of his own spinning blades of death. This time, he does not survive losing his head.

The Air Force will be sending fighter planes to Mission City, and to establish this, we get several shots of what some might call “military porn.”

Over in the city, the convoy has arrived. Lennox hands several short-wave radios over to Epps, telling him to use them to direct the Air Force when they arrive, so they can take the AllSpark... somewhere, I guess. Above, an F-22 zooms across the sky. It is not one of the Air Force’s F-22s.

Ironhide recognizes Starscream, and gets ready to throw down. Bumblebee grabs a nearby Furby truck and hoists it up to use as a shield. This marginally works, as the missile that hits the truck doesn’t immediately kill him, though it probably did all those Furbies inside.

The resulting explosion throws all the humans around, Mikaela getting weird heaven lighting as she lies unconscious on the pavement. Sam gets it too, though, so I suppose I can’t complain too much about this particular shot. They touch hands. I really wish that I could take this moment of vulnerability as being anything other than an attempt to set up a romance between these two teens who have known each other for maybe half a week. This movie has so starved me of genuine human interaction I'm jumping at the smallest of scraps.

Bumblebee actually didn’t get out of that missile-strike unscathed, his legs having been blown off. All those Furbies died for nothing. Tragic. Sam asks Bumblebee if he’s alright, and immediately tells him to get up. Sam then remembers that Bumblebee’s legs are off, so he yells for Ratchet.

Over with Lennox and Epps, they’ve realized that the plane they saw wasn’t one of theirs. Which, you know, has already been established, but points for getting caught up, fellas. Sam is crying and still telling Bumblebee to get up. Bumblebee is dragging himself across the pavement and whimpering. It’s awful. Where the fuck is Ratchet? This is basically the only reason he’s in this film, and he’s nowhere to be found.

The actual Air Force calls on the radio, asking for their location. Brawl, who is a tank, starts firing on Lennox’s gang. Jazz and Ratchet race through the city streets. How they were separated from the rest of the team is anyone’s guess.

Sam takes a little sit on the pavement to be with Bumblebee, while Mikaela decides to problem-solve and heads for a nearby tow truck. Bumblebee hands Sam the Cube™ because, as the designated protagonist, it’s his job to handle it in the climax of the film.

Ironhide is shot at several times by Brawl, narrowly avoiding being hit each time. This, of course, means that the people he drives by in this shot are almost assuredly dead, since they’re right next to the explosions. He transforms and does a flip, as the film goes slow-mo on a shot of a woman in a low-cut dress watching him flip. She screams. Ironhide screams. I scream, though probably for a different reason.

Jazz jumps on Brawl, managing to kick off a couple pieces of kibble before Brawl grabs him and throws him into the side of a building. Ironhide, Optimus, and Ratchet descend on Brawl, and so does Lennox’s team, Brawl losing a hand and getting thrown into his own building as a result.

Mikaela breaks into the tow truck and starts to hotwire that shit. Wow, a relevant back story that culminates in her being able to save the day, thus completing her arc and staying on-theme for her character. Why isn’t Mikaela the protagonist again?

Oh, right, because ~girl~.

Megatron lands in a nearby alleyway, and Ratchet, knowing this dude is bad news, tells everyone to head for the hills. Jazz isn’t fast enough, however, and gets shot for his troubles.

Mikaela drives the truck over to Sam, who is still sitting there with the Cube™, and tells him to get his ass in gear.

Jazz gets taken to the top of a nearby building and is ripped in two by Megatron, who acts like a bird of prey the whole sequence. Down on the ground, Brawl is starting to get back up from his smackdown. Blackout appears on a nearby skyscraper. Things are looking grim for humanity.

Mikaela and Sam hook Bumblebee up to the tow line as Lennox approaches them. Sam has left the AllSpark out of his line of sight, like a fool. Despite seeing this, Lennox still gives him the flare to let the military know where to pick up the AllSpark. Doesn’t even acknowledge Mikaela. He tells Sam to head for the white building with statues on top of it and set the flare on top of the roof. Lennox can’t leave his men, because he’s the head of his operation. Why he can’t send literally anyone else who isn’t a 16 year-old boy isn’t made clear.

Sam really doesn’t want to do this, probably because he’s a child, but Lennox has recruited him to the military against his will, so he must. Lennox then attempts to make Mikaela leave for her own good, but she tells him to fuck off, because she’s gonna save Bumblebee. Clearly, this is a win for feminism.

Epps radios the choppers coming from the Air Force to let them know they’ll be picking up a package from a teenager, thus locking Sam into the job. Ironhide and Ratchet vow to protect Sam from the Decepticons on his way to the pickup point. Not one single person has pointed out how fucked up this is.

Sam starts to run off, when Mikaela stops him to let him know that she’s glad she got in the car with him roughly an hour ago. They don’t kiss goodbye, which, honestly? Good. This fucking movie hasn’t earned that. Sam for sure hasn’t earned that, even if he did clear her juvie record. No word on that having actually been done, by the way. Sam never got confirmation, and I feel like he’s not really the type to follow up on things.

Brawl fires off some shots and makes things explode. Ratchet and Ironhide provide cover fire as Sam sprints down the road. Yep, they’re making this idiot WALK to the pickup point. Sure hope the elevators are working today, otherwise this is going to take forever.

Sam carries the AllSpark like a football, and in a better movie, this would have been foreshadowed by Sam having actually been a football player prior to the events of the film, perhaps removed from the team for some character flaw he’s since grown from/accepted. However, this is Bayverse, and well, men don’t have to justify their existence in the story with things like themes and having even an ounce of thought put into their character.

Back with Mikaela, Lennox has refused to learn her name, calling her “girl” as he screams at her to get Bumblebee hooked up to the tow truck. Which she was already doing when he got here. Lennox, dude, you’ve got a daughter now, you’re super extra not allowed to treat women like this.

Optimus Prime pulls through an alleyway and crashes into a pile of garbage. I can forgive him being late, seeing as he is a big rig, and probably had to take the long way into town so he didn’t get stuck in too-low tunnels. Don’t worry about how we briefly saw him during the Brawl take-down. This is his for real entrance into the climax.

He whips around and transforms, ready to throw the fuck down. Megatron spots him from his perch and descends.

Y’know.

Like a vast, predatory bird.

Megatron shoots at Optimus in his alt-mode, and Optimus catches him like a frisbee. Unfortunately for Optimus, it would appear that the horsepower on a Cybertronian flightcraft is hella intense, and he’s carried away. The two of them crash through an office building, then roll around in the streets punching each other in the face, debating the worth of humanity as they do so. Wish I actually gave a shit about either of these people, but alas! The film spent most of its runtime objectifying women and insulting minorities. I know nothing about Optimus, and even less about Megatron.

Megatron transforms his arms into a laser gun, and Optimus does the same. They shoot at each other. Optimus gets thrown into a building, then lands on the sidewalk below, definitely crushing a dude underneath him, but I guess we didn’t check that the shot was clear for where the CGI was gonna go, so he’s fine.

Sam’s still running through the streets, while Blackout murders, like, so many people behind him. Starscream lands in front of Sam, running into roughly 30 cars as he skids to a halt. Ratchet and Ironhide fire on him, as Sam takes a breather behind a car. Starscream transforms and blasts off. He was here for about 15 seconds. Sam begins running again.

Megatron is now following Sam, because he wants that Cube™. Sam is hit by a car- not an evil one, just a regular car- and trips. The impact makes the AllSpark activate, which grants several machines in the vicinity the gift of life, including the car full of bitchy women that just hit Sam, who are upset that hitting a human being might have scratched the paint.

I get it, you hate women, can we PLEASE stop beating this dead horse?

Sam finally gets to the pickup building, which turns out to be abandoned and fenced off. Good thing the gate was open, otherwise things could get really complicated. He heads inside, Megatron crashing through a floor-to-ceiling window shortly behind him. Megatron makes the claim that he can smell where Sam is. I’m going to choose to believe that he isn’t lying here, since Ratchet did something similar earlier.

Sam finds the stairs, and Megatron calls him a slur.

He doesn’t, really, but the voice modulation certainly makes it sound that way.

While this is happening, Mikaela is driving the tow truck down an alley, dragging Bumblebee behind her with the tow cable. She stops for a moment to have a short breakdown, seeing as she is a teenager in what is currently a warzone.

Sam is still running up the stairs. Outside, the military shoots at one of the Decepticons. It is, of course, doing absolutely nothing to the giant metal space robot. Mikaela concludes her moment, looking back at Bumblebee, who gives her the okay to keep going with dragging his ass across the pavement. She whips the truck around and tells Bumblebee “I’ll drive, you shoot.”

Mikaela then proceeds to speed down a main road of this sizable city backwards, running into cars and more or less shoving Bumblebee along to his destination.

The military has finally realized that their efforts have been pointless, but it’s okay because Bumblebee is here with his superior firepower. Bumblebee proceeds to shoot Brawl in the chest, which kills him. After this, he tries to act cute, lifting up his battle mask in a very “did I do that?” way, as if he’s not the same guy who ripped Barricade apart earlier.

Sam, meanwhile, has finally reached the top of this dilapidated building. Helicopters are approaching his location, but will they make it to him before Megatron does? Honestly, I’d be more worried about Starscream on the building just due East.

Sam is just about to hand the AllSpark over, when Starscream fires at the ‘copter, causing it to crash and nearly chop Sam to pieces. Optimus Prime runs towards the scene, on a roof that I refuse to believe could actually support him. Megatron punches thought the roof from the bottom and asks Sam some philosophical questions. Sam can’t answer, given that he’s hiding on the edge of this building, his flimsy grip on one of the angel statues being the only thing keeping him from falling.

Megatron tells him to give him the AllSpark, and in exchange he might not kill him immediately. Sam tells him to fuck off, and Megatron flails the chunk of building he was hanging on to, causing Sam to fall to his death, thus ending the film.

I’m lying to you. Michael Bay is making me into a liar.

No, Sam is, instead, caught by Optimus, very likely breaking several ribs on impact. This is the point where I realize that they’ve given Optimus fingernails. Sam clings to him like a baby koala, as Optimus parkours down the sides of two buildings, Megatron in pursuit. Megatron actually lands on Optimus 2/3rds of the way down, causing the both of them to fall onto the pavement below. How Sam survives this is a mystery.

Megatron recovers from the fall first, flicking a human away from him for having the audacity to exist in his space. The flicked person hits a car, and is almost assuredly dead. At least, I sure hope so, given that this is the director cameo by the Bayman himself.

Feminist icon Megatron?

Feminist icon Megatron.

Optimus comments on the fact that Sam almost fucking died to get the AllSpark out of dodge, and we get the return of “No Sacrifice, No Victory”. Which, I mean, I guess he’s allowed to say that, since he’s actually had to do something that warranted it. His dad doesn’t get to, though.

Optimus then tells this teenage boy, who has already had a hell of a day, to kill him by shoving the AllSpark into his robot-soul-heart, should he be unable to defeat Megatron.

I dunno, I just feel like it’s a bit of an ask.

Sam climbs off of Optimus so the Prime and Megatron can rumble. He runs through the ruined infrastructure of the city, so he’s less likely to be crushed. Optimus tells Megatron to square the fuck up, stating that “one shall stand, one shall fall.”

Then he gets ragdolled around a bunch, so maybe he should have saved the talk for later in the game.

The military is running around some more, stopping in an alley to see Blackout transform to root mode. Yes, the goo-goo eyes were indeed made by several members of the watch party that started this whole thing. People went wild for Rotor-Cape Johnson.

The fighter jets from the US military are arriving in a minute. Epps warns them to aim for the robots that aren’t evil. Lennox and the gang spread out, reminding each other to aim for the underboob, since Transformers’ armor is weak there. Epps marks Blackout with a little green light, which Blackout almost immediately notices. Blackout fires on the military.

Lennox has stolen a motorcycle and is driving through the streets to circle back around and jump off of the bike, sliding on his back to shoot Blackout directly in his underboob. Wonder what his uniform is rated for for road rash.

Sam is watching as Optimus gets his ass handed to him. Up in the sky, Starscream commits identity theft, and then attacks the Air Force. The Air Force can multitask however, and light Megatron the fuck up. Sam has, for some reason, come out of hiding, and Megatron uses this to his advantage, trying to take the AllSpark from him.

Optimus tells Sam to put the AllSpark in his chest, but Sam has a better idea. He shoves it into Megatron’s chest, which has been basically shot open at this point. Megatron makes a Space Invader noise, convulses a bit, then falls over dead.

Congrats on your first murder, Sam.

Optimus tells Megatron’s corpse that he got what was coming to him, then implies that they’re brothers. What flavor of brother isn’t established, but neither was basically anything between the two main faces of the franchise in this film, so it’s fine.

Ironhide walks up holding the two halves of Jazz. Optimus informs Sam that he now has a life-debt to this child. Whether or not Sam is absorbing any information at this point is up in the air. Mikaela shows up, with Bumblebee in tow.

In tow.

In tow-

Sam stares at her blankly. Mikaela stares back, making the pretty girl face. Man, what a great dynamic these two have.

Jazz is dead. That sucks. Optimus is handed his corpse to hold, while he thanks his new friends for helping out.

Then Bumblebee talks and he’s fucKING BRITISH.

Sam is obviously shocked by the fact that Bumblebee is British able to talk now, since not talking has been his whole thing up to this point. Optimus doesn’t let it phase him. Neither does Ratchet, despite having been working on Bumblebee’s throat injury for centuries at this point.

Bumblebee wants to stay on Earth with Sam. Optimus is just like whatever. Sam agrees to have a sweet Camaro from outer space.

Optimus pulls what is left of the AllSpark out of Megatron’s chest. I’m sure that’s not a setup for potential conflicts, not in the slightest.

Over in Washington, D.C., the US President has ordered Sector Seven be terminated, and all the Transformer corpses be disposed of. And by “disposed of” they mean “thrown into the ocean.” Dang, sure hope Earth signed some sort of agreement with the Transformers so that they never come to Earth again. You know, just be proactive about our galactic safety.

The Linkin Park kicks on, as Optimus gives us our bookend narration, telling us what the Autobots plan to do now that their race is at a genological dead end. As he does, we see Lennox reunite with his wife and child, who I had genuinely forgotten were in this movie.

Optimus is pretty chill with Cybertron dying out, because now they know about Earth. We get a shot of Sam and Mikaela making out, a shot that becomes more and more horrifying the further they zoom out, because they’re making out on top of Bumblebee. Who they KNOW is a sentient creature at this point.

And then it gets even worse, because the shot changes, and oh hey! Turns out that the rest of the Autobots were just chillin’ off to the side while this went down. Optimus continues his monologue, just walking around in his root mode as he tells all of Makeout Point how they’re “robots in disguise” now.

The monologue is actually a transmission he’s sending out into space, inviting any of his leftover pals to come kick it on Earth with them, because Earth is pretty cool.

And that’s where they leave us.

IT TOOK THREE PEOPLE TO WRITE THIS SCHLOCK.

So. Bayverse 1. A film showcasing xenophobia, misogyny, and toxic nationalism. It’s rough. Is it the worst film I’ve ever seen? Not even close, but it’s bad, and it was a huge deal at the time of release. Everyone was seeing it, everyone knew the actors and robots, everyone had a scene that they liked. Everyone was exposed to Bayverse, and as a result, a lot of people entered the Transformers franchise thinking that it was all like this.

And really, how far off would they have been in 2007?

When a franchise refuses to introduce female characters until years after being established, when all those female characters have the exact same body type, when a franchise hires misogynists to write stories, when it allows shit like “Prime’s Rib!” to be published- no wonder Michael Bay was approached to direct.

What a mess.

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COMING SOON:

TRANSFORMERS: REVENGE OF THE FALLEN (2009) - MEGAN FOX I AM SO FUCKING SORRY

TRANSFORMERS: DARK OF THE MOON (2011) - WILL YOU JUST STAY DEAD

TRANSFORMERS: AGE OF EXTINCTION (2014) - SHUT UP ABOUT THE LAW SHUT UP ABOUT THE LAW

TRANSFORMERS: THE LAST KNIGHT (2017) - ACTUALLY, FUCK CONTINUITY

[writing-in-april]

Postmarked In The Past

Spencer Reid x Female Single Mom Reader

Summary: After sixteen years of no contact Reader reconnects with Spencer because she has to reveal the secret she’s been keeping since she stopped sending letters to him.

A/N: Hey heyyy! This is my sixteenth fic (it’s actually was totally unintentional to choose the 16th for this fic even though the daughter is 16 in this fic lol 😂) for my 30 fics in 30 days for April!! This one is based off of this request and is part of my unlinked Spencer Reid & Letters series! Thanks for all the love and support lately- I was going to put out my plan for my 1500 follower celebration yesterday or today but if you saw my post I’ve been struggling so it’ll probably come on the 19th or the 20th. Submit an ask here- I love hearing from everyone 🥰Thanks for reading and hope y’all enjoy 🥰

Warnings: Reader keeps a huge secret she definitely shouldn’t have, Reader is a single mother-the daughter doesn’t have a specified name but she is specified to be 16, Reader is very defensive when her daughter finds the letters, mentions of a one night stand

Main Masterlist Word Count: 2.5k

Spencer had been a bright spot in my life, one that had been snuffed out all because of me. When I had found myself pregnant with his child, after I had visited him once, I bolted. For a long time I justified my actions, saying to myself that it was better that Spencer was unburdened while his career was just starting out. But, deep down I knew how wonderful Spencer would have been as a father, how he would have moved heaven and earth to make everything work. And, that guilt haunted me.

The memories I had of him were so far in between, every moment with him had been so fleeting at the end. I struggled to sometimes even remember how he looked as it had been sixteen years since I last laid eyes on him.

I had to strain my memory to remember the way his gelled hair curled around his ears and how sometimes I saw him let the curls free only around me. His eyes had been brown, I could remember that. But, pinpointing what shade they were when they glinted in the light or were drenched in the shadows was lost to me. I knew he had been tall and lanky, his hands reflecting that with how spindly they were. To remember how those fingers had felt on my skin, or how his lips had marked me, or how he would gently stroke my hair was too difficult. Whether it was because I couldn’t remember or that I didn’t want to, it was just too hard for me to want to try to strain my memory anymore.

The labor had been the most difficult thing I had gone through, no one had been there to hold my hand. And, I didn’t really want anybody else except Spencer holding it. I had gritted my teeth and accepted it, pushing through the physical and emotional pain, especially since the pain of losing Spencer had been entirely because of me. I had been given a beautiful baby daughter that day and it was then that I started to force myself to forget Spencer, she looked too much like him to be able to bear.

The only things that remained in my life that involved him were the letters I sent to him in the last year of our relationship while we were long distance and my daughter. The letters were able to be shoved in a box at the bottom of a closet, but my daughter confronted me with my actions everyday by existing. I loved my daughter very much, I just tried to avoid the topic of her father by concocting a lie and making myself forget all of Spencer’s features so I wouldn’t see them as much in her. My nightmare would be the two things converging to confront me with my guilt, I don’t think I could handle that.

—-

At the kitchen table I saw my daughter, holding a letter. Her holding a letter wasn’t at its core a bad thing of course, but I could tell by the slight yellowing of the paper that it was getting old. Immediately panic spread through me; there were no other old letters she’d be looking at besides mine, the ones I sent to Spencer.

“Those are private.” I snapped defensively, definitely too hostile to be reasonable. It was obvious by my tone of voice that I was hiding something.

“Private?!” She yelled, giving away that she had already read at least a few of them. I clenched my eyes shut to prepare for her question, “Are these from my father?! Who you said was a one night stand?!” I vividly remember explaining the lie I had concocted for her, her being confused why I would only be with her father once. It was a hard subject to dance around, a difficult lie for me and her to swallow. But, the alternative was too painful for me to be honest with her, or honest with Spencer. And, I knew it made me selfish, at the time it had been so Spencer wouldn’t stop his blossoming career. With time I realized that I really had done it because I had been scared. The guilt had started to sting worse when I realized that.

I had been caught, there was no weaseling out of this. I hanged my head in defeat, finally admitting to the large lie I had even roped the rest of my family in, “Yes.”

If she had been a dragon she’d be breathing fire on me while she spoke, “And why would you keep this from me! Did he do something bad or something?! Is that why you didn’t tell me?!”

“No-I-“ I stammered a few times until I found the words, “I- I did it because I didn’t want to hold him back… We were so young, and I knew he’d quit his new job across the country to come back to me.” Keeping the details still vague was my only armor right now. I kept to myself how those letters were the way we communicated for months when he started in the academy. We were only able to meet up once a month, and one month I unexpectedly fell pregnant. I never sent another letter or came to visit him again once I found out.

She clenched her jaw at me, looking back down at the scores of letters that we had written, and I had hidden. Her next question now made me clench my jaw, “C-can I see him? Or call him? Or send him a letter?” If you don’t know how to contact him anymore I’m sure we can-“

I was nervous as to where this was going. There was no way I could contact Spencer again after all these years, the guilt already ate at me everyday. Seeing and remembering his face would only make it worse. Fear was fueling me and I cut her off because of it, “No- I- I don’t think it’s a good idea...I just need more time- until I’m ready.” I started to shrink away from her, my authority slipping through my fingers as I became more and more vulnerable.

“You’ve waited sixteen years, you’ll never be ready.” The spite in her voice was stinging, she wasn’t completely wrong in her statement.. And when I didn’t answer she then stormed away, slamming the door to her room.

——

Our relationship in the few weeks following was strained at best, estranged at worse. She barely spoke to me since then, the biggest conversation we had was about what was for dinner- and that had been about two sentences long.

I was slowly coming around to the idea of perhaps finding a way for her and Spencer to reconnect. The guilt that I had been so afraid of becoming worse if I confronted it head on, only grew worse by avoiding it. I was actually going to talk to her after I got home from work, until I realized what she did.

She left her own letter on the table titled Dear Mom, detailing where she was going without giving any specifics. There was one part that gave her reasoning for writing her plan down, she didn’t want me to have a heart attack even if she was mad at me. Plus there were a few sentences about how she had used her own money that she had been saving up, which was supposed to be for college only serving to make you even more frustrated. At the bottom she wrote- I’m going to find my Dad, please don’t follow me or call the police.

I scoffed to myself, wondering if she expected her warning to not to follow her to be followed. Of course I was going to follow her, there was no way I was going to just let her go off on her own like that.

It wouldn’t be too hard to find her. Spencer may have changed apartments since then, but one quick google search of news articles he was mentioned in showed me that he still worked at the BAU in Quantico. It was probably a safe bet that my daughter did the same thing and was planning on visiting him at his office.

The plane ride there had been tumultuous, not in the sense that there was any chaotic occurrence or severe turbulence on the plan, more like in my mind. My hands shook, my foot tapped, and my mind raced while I took the long flight from Las Vegas all the way to Quantico. My mind went round in circles whether or not I viewed Spencer meeting my daughter- our daughter as a good thing. It was difficult to accept that even though they’d both most likely be mad at me, they deserved to meet. Especially since I knew how good of a father Spencer could potentially be. Once I had landed I didn’t stop, getting a cab straight from the airport to where the BAU offices were located.

The building looked daunting in front of me. It wasn’t a skyscraper by any means, but the task that I was here to do was so big it felt like one as I stared at it while trying to work up the courage to go in. The guilt however, was too hard to ignore.

My mind was on autopilot as I told the secretary at one of the front desks. It was too stressful to focus on worrying, so exhausted from the emotional roller coaster I was riding. An agent had assured me that she was safe which made some of the stress melt from my shoulders luckily.

“Here she is.” The agent gestured to the office, empty of any other person except my daughter. I felt even more relieved now that I saw her with my own eyes.

When I entered she waited a second before speaking timidly with disappointment, “He’s not here, he's on a case.” Her demeanor had deflated almost immediately as she saw me escorted up.

“Who told you that?” My arms crossed around my chest, nervous and furious all at once. I didn’t need to tell my daughter how in trouble she was, by the pout on her face she knew she’d be getting grounded for a long time even if I did let her talk to him.

“This nice lady named Garcia, she works with him. But, she did tell me I had to wait for you until she called him” For the first time since I had read her letter to me I cracked a smile. When we had still been communicating, Spencer often wrote and spoke about his teammates. Besides a fleeting photo of the team shown to me by him while I had been over here visiting, all my perceptions of the team and how they might look were all based on my imagination.

Despite that, when a vibrantly dressed woman clicked her heels into the room, I knew it was her. Spencer had perfectly described her, shining bright compared to the dull colors of the bureau’s office.

“So your Spencer’s baby mama.” Yep, she was definitely as blunt and beautiful as Spencer had described. I blanched at her comment, though I didn’t deny it, which was all she needed to know to confirm.

“Can you give me his number?” I skittered past the question, not wanting to confirm it out loud.

She beamed brightly at me, already starting to punch in the numbers with the phone on the desk in front of me. “You can call him now if you want on this phone, they just stopped working for the day.”

When she handed me the phone, it had already started ringing. I couldn’t help but panic, almost refusing the phone until my daughter nudged me forward to grab it. My finger trembled severely as I wrapped my hands around the phone, but I still managed to hold on to bring it up to my ear just as someone picked up the phone.

“Hello?” It was him, he sounded so similar to the boy you knew, that boy was a man now. He sounded more haggard compared to sixteen years ago; I wondered what all had happened since then.

“Hey- Spencer it’s me.” By the hitch in his voice that came through the speaker, he knew who it was.

At first I heard nothing from him, only some rustled feedback in the speaker. My shoulders were practically at my ears now afraid he might hang up. He did eventually stumble out a greeting, “H-hi? Why are you calling me after all these years- aaand on a phone at my work?”

“I’ve got to be honest with you,” I cryptically answered with an evident shake in my voice. I was biting my nails now, not caring if I chipped the polish on them. My daughter grabbed my hand to comfort me even though she was probably still furious at me which helped coax out my next statement, “cause I haven’t told you why I stopped talking to you…” I breathed in deeply once before I finally admitted the secret I had held for so many years, “Spencer, you have a daughter, she just turned sixteen.”

Dead silence was all I got, that was until I heard a choked out sob from him, “Why?”

He didn’t need to elaborate any further, it was quite clear what he was asking. Again another meek shaky reply came from me, “There were a lot of reasons- the main one was I didn’t want to hold you back.”

My daughter was now crying as was I, I hadn’t given her my reasoning until now. Maybe one day I’d give Spencer all the reasons why I had hidden it from him for so many years even though it was painful. I had held a lot of guilt about not ever contacting him again or even sending another letter. Spencer deserved to know everything, especially about his daughter who was the spitting image of him in almost every way.

“Can I talk to her?” I agreed, which seemed to surprise my daughter. I think she thought I’d be furious enough with her to not let her speak to him. She would still be getting many privileges taken away from her, just not this one as it was my fault she never knew her father in the first place. My fingers shook even more as I moved to click the speaker button so he could hear her speak.

“Hi- dad.” They spoke for a while, while I took the back seat, barely interjecting. They both deserved every ounce of father and daughter time that I had deprived them from throughout the years. My chest did feel lighter now that I had told him, now that my daughter was getting the chance to know him. Hearing them laugh and giggle with each other almost immediately only cemented how much she was her father’s daughter.

When the phone was handed back to me, after seemingly hours of talking (Garcia had even popped in a few times to get me more coffee) Spencer asked,“Can you stay in Quantico till I get back?”

I smiled, happy that I’d finally be able to see and remember his face again after all this time, “We’ll be here waiting, it’s time you meet your daughter in person.”

Ask Me Anything

—

Tag lists (fill out this form to join): If your url has a strike through it means tumblr won’t let me tag you- check in your settings if you allow yourself to be searchable

All works: @shotarosleftpinky @oreogutz @90spumkin @kyra-morningstar @s1utformgg @boxofsparklingmuses @multixfandomwriter @takeyourleap-of-faith

All MGG characters: @muffin-cup @willowrose99 @princesssmooshie @peterpanouat @anaagraceeberr @ashcakes1918 @reid-me-a-story @cosmic-psychickitty

Spencer Reid/CM: @calm-and-doctor @destiny-tsukino @safertokiss @slutforthegubes @onlyhereforthefanfics @jareauswifey @princesssmooshie @peterpanouat

Letters Series: (Group of Unlinked fluff fics about Spencer and letters): @whoreforthebau @sierraraeck @90spumkin

[drowningbydegrees]

Something Ordinary - Part 1

This is my Novigrad Exchange gift for @aalizazareth who asked for fluff, road trip, or hurt/comfort, and I figured how about all of them? I hope this delivers! 

A huge thank you to @goodheavensgwen​ for betaing, but also for all the brainstorming and cheerleading along the way. This fic is so much better for having your input. <3

It’s in the same verse as Noonwraiths and Other Woodland Forest Creatures, but it’s not necessary to read that to understand this one. Not, this is largely fluffy and ridiculous, but there’s some canon typical mention of blood and injury.

Read on AO3

Ordinary people don’t… date witchers. Granted, Geralt has been coming to the diner where Jaskier works for the last year and a half, just about. Twenty-one months, but who’s counting? It isn’t a precisely educational experience, but between the pancakes and mediocre coffee he’s come to realize that Jaskier is anything but ordinary.

Geralt had never meant to do anything with that information. If he sometimes goes out of his way to stop in between contracts, it’s no one’s business but his own. It’s just nice to have one place he can go where someone is genuinely happy to see him. And alright, Jaskier is more alluring than he has any right to be. And perhaps Geralt spends his visits wordlessly nursing a cup of coffee just to have an excuse to listen to Jaskier chatter on about nothing in particular a while longer.

Well, he did, anyway. Things are different in the months since they exchanged numbers after Geralt stumbled in half dead after a contract. Jaskier’s conversation demands more participation, his smiles are more intentional. And though Geralt would like to think he put up at least a token resistance over these last few months (in which he has received what he’s sure are more text messages than his entire life before), somehow Jaskier has pulled Geralt right along with him.

The point is, Geralt doesn’t do this. He doesn’t let himself get attached to people. He doesn’t give himself a reason to maybe stay in one place a little more. He definitely doesn’t go for coffee shop dates. The fact that their current circumstances started with an attempt to do exactly that is completely coincidental.

Wednesday

2:15 p.m.

Like many things in Geralt’s life, things go sideways before they even start. They don’t even make it inside the coffee shop before his phone rings, and given the only person who calls him for frivolous reasons is right next to him, it’s probably important. All of which is why Geralt had to cancel and is pulling into the gas station before a six hour trip to Oreton.

He’s still not sure how Jaskier got here, though. It’s a bewildering leap from a coffee date to committing to hours in an enclosed space together, but by the time Geralt wraps his head around that Jaskier is already in the passenger seat.

“I’ll get snacks,” Jaskier offers, already opening the car door. “Do you want anything?”

Geralt motions to a box in the back seat. “I’m good.”

“Are those granola bars?” Jaskier makes a comically disapproving noise, sliding out of his seat. He leans over enough to poke his head back in. “Do you know who thinks granola bars count as road trip snacks? My grandma.”

“What’s wrong with…” Geralt starts, but Jaskier is already gone.

To Jaskier’s credit, he’s emerging from the gas station once more by the time the gas tank is full. Well, Jaskier along with a bag of what looks like more candy than someone could eat in a week and the two cups he’s juggling.

“I promised you coffee! I can’t guarantee it’s good coffee, mind you, but it is coffee,” Jaskier explains before Geralt can ask, circling the car to press a cup into the witcher’s hands.

He doesn’t do this, and supposes he could be mistaken, but Geralt is pretty certain the coffee isn’t actually the operant word in ‘coffee date.’ Still, it’s… it’s something he doesn’t quite know what to do with. Jaskier has always been friendly, but he’s taken up doing all sorts of things as of late that can’t be chalked up to it being his job, and they never seem to leave Geralt any less unmoored than he feels right now, staring at the paper cup aggressively warming the palms of his hands.

“It’s for drinking,” Jaskier prompts, and as silly as it is, the whole thing only gets more absurd. Because the glare Geralt responds with is normally enough to make people shy away, but Jaskier doesn’t even have the decency to pretend to be alarmed. He laughs, soft and lilting in a way Geralt never wants to let go of, like there’s nothing strange about any of this. Like the two of them are made for these ordinary things Geralt has never given himself the space to want.

But Jaskier has never been ordinary.

3:07 p.m.

He’s made a terrible miscalculation in this plan, Jaskier privately acknowledges about thirty miles from home. This plan. The one that was definitely an actual plan and not just an impulsive desire to go on an adventure and see Geralt in action. Does it count as a plan if he invents a purpose? Maybe he’ll write a song about it. The subject matter is a little niche, but that’s half the appeal.

The other half of the appeal is the man sitting in the driver’s seat, silently watching the nearly empty highway stretch out in front of them. He’s always pretty, but working third shift Jaskier has never really gotten to see Geralt like this, drenched in sunlight that softens his features and mutes the slight frown that seems to own permanent real estate on his face. It’s haunting, the way it lights up Geralt’s silvery white hair, like some particularly attractive ghost.

Therein lies the miscalculation, because the thing is, Geralt is no different than any other time Jaskier has been around him, which is about as talkative as the pet rock he had when he was six. Normally, that’s fine. Geralt tolerates Jaskier’s chatter at the diner. And since it’s Jaskier’s job, he usually only wanders to Geralt’s table for minutes at a time. But there are no places to wander off to in the passenger seat of Geralt’s car, and he’s barely gotten three words out of the witcher since the gas station.

“So, what are we hunting?” he tries, because it’s the one topic he’s seen loosen Geralt’s tongue. A lot, actually. He doesn’t remember even half of what Geralt tells him, but it’s terribly endearing all the same. Even if it leaves him longing to know more about what else Geralt cares about.

“I am hunting a leshen. You are staying in the car,” Geralt replies without so much as a glance his way. If he notices Jaskier’s exasperated sigh, he gives no indication.

“I… remember you mentioning those, I think,” Jaskier focuses on the leshen because it was very definitely on the list of things Geralt told him about the first night he successfully got the witcher to have anything resembling a conversation. He resolutely ignores all the words Geralt just said around that. If he doesn’t lie and say he’ll stay put, then he won’t be lying when he inevitably does not do that. Sheepishly, he ducks his head. “In my defense, there was kind of a lot going on that night. Maybe tell me again?”

That earns Jaskier a smile, however small and brief it is. It’s a win as far as Jaskier is concerned. Now if he could just wrangle a conversation.

“Tall. Sort of humanoid. Covered in branches.” Geralt says nothing else until Jaskier clears his throat, trying to prompt the witcher to give him something at least. “They have antlers.”

“Very informative,” Jaskier chides, shaking his head. He supposes he should have known better than to assume this would work. “Anything else?”

“They live in the forest.” Jaskier is so surprised to actually get an answer, he almost misses the way the corner of Geralt’s mouth twitches upward. “You know, like noonwraiths.”

Jaskier gasps, holding a hand up to his chest as if in shock. “Was that… I’m sorry. Was that a joke I just heard?”

It’s been a ridiculous joke between them for a while now, but it hits differently this time. It’s always silly, but for the first time it sinks in that it’s theirs. They have A Thing, and it leaves Jaskier all but vibrating to realize because that’s… well, that’s significant. It feels significant at any rate.

“You were serious about the woods though, right?” Jaskier asks once he remembers they were in the middle of a conversation.

“I was serious about the woods.”

Jaskier cocks his head to the side, trying to make sense of that. “Then, how is it an emergency?”

“This one was in someone’s yard,” Geralt clarifies. As much as Jaskier would like to be annoyed by the brevity, he has to admit that that actually more or less clears it up.

Jaskier tries to imagine this tree branch antler person… thing creeping over the fence of some poor, unsuspecting homeowner like a nosy neighbor. It’s a mistake, because Jaskier doesn’t know the shape in which those descriptors fit together, so it’s much more comical than frightening. He tries and fails to stifle an amused huff of laughter, but of course that would be the thing that finally gets Geralt to look at him for a second.

“Sorry, I…” Jaskier pauses, not sure he can actually explain why that’s funny since Geralt has the benefit of knowing how all his sparse descriptors fit together. “So, what are you going to do? Bribe it to go home?”

“Not this time. They’re intelligent, but you can’t reason with them. Most creatures kill because they feel threatened or to survive. Leshens are hostile. Always.” The explanation makes sense. It doesn’t sound like there’s any way around killing the creature, but Jaskier knows he isn’t imagining the sadness clouding Geralt’s features.

He has no idea how someone could possibly meet Geralt, who never takes a life if he can save it, who spends his existence keeping people safe, who has so much compassion for even the most unlovable of things, and think witchers are anything but good. Underneath the caustic disposition he shields himself with, Geralt is kinder than most humans. It makes Jaskier yearn to coax the world into seeing what he does.

Maybe he can. There’s the beginning of an idea, but before Jaskier can follow that thread, he’s distracted by Geralt. More specifically, he’s distracted by Geralt being distracted, something finally luring the witcher’s eyes briefly from the road. So, of course Jaskier turns his head to see what could possibly be so interesting.

“Horses?” Jaskier winces when he realizes he’s asked the question out loud. It’s not really even a question. They were definitely horses, one chestnut and one gray, happily grazing along the fence containing them.

“Witchers used to travel that way,” Geralt murmurs, before Jaskier even asks a question. It’s a good tactic, giving one piece of information to steer away from Jaskier’s pursuit of another. Or it would be if Jaskier wasn’t onto him.

“Yeah. Witchers and everyone else. It’d be pretty inconvenient now though, what with all the… highways and stuff. So, I’m not sure I’m following the significance.” Jaskier watches carefully, but Geralt’s expression betrays nothing. “Unless this is the part where you’re gonna tell me you’re three hundred years old or something.”

Geralt is conspicuously silent. Jaskier has never met someone who can express so much with the various ways he chooses to express nothing. It’s an exasperating quality, but impressive.

“Wait. You’re not actually, are you? I mean, not that that’s a problem, per se. Just that—” Jaskier pauses in the midst of his babbling when he catches Geralt turning his head away just the tiniest bit. It’s not fast enough to hide that Geralt seems to be biting the inside of his cheek to keep from laughing.

3:34 p.m.

There’s a lot of farmland out this way, miles of cornfields, sure, but animals too. Jaskier briefly entertains the notion that maybe Geralt grew up on a farm and is homesick or something. He’s a storyteller by nature, after all, and Geralt is such an enigma, surely he can’t be blamed for trying to fill in the gaps. Jaskier curiously watches Geralt when they lapse back into silence. They’re surrounded on both sides by… actually, Jaskier has no idea what those fields are. The only crop he actually recognizes is corn. But whatever it is, if Geralt has any attachment to it, his expression betrays nothing.

Jaskier is about to write his previous observation off as him reading too much into something ultimately unimportant when crops give way to a green, open meadow. It’s the kind of place Jaskier thinks looks about perfect for a picnic or laying out to watch the clouds drift by, or something. It’s also the kind of place where someone keeps a rather striking-looking horse, its coat a shade of gold just a touch warmer than Geralt’s eyes. “I’ve never seen one like that.”

“It’s a palomino,” Geralt replies, though Jaskier doesn’t think he’s actually looked that way. Either Geralt is even more subtle than Jaskier gives him credit for, or something about that merits remembering.

“The breed?” Jaskier presses. This is even more fascinating than coaxing Geralt into talking about monsters. It’s not a subject Jaskier knows a damned thing about either, but it’s an unexpected thing Geralt seems to be interested in, and that all by itself makes it worth pursuing.

“It’s not a breed.” Maybe ‘talking about’ is a little too charitable a description for the handful of words Jaskier gets Geralt to part with at any one time. That’s a puzzle too. Jaskier hasn’t quite sussed out whether Geralt actually doesn’t like talking or if it’s a side effect of the way humans tend to respond to witchers. It’s a shame either way. Jaskier quite likes listening to him.

“Okay…?” Jaskier prods. It��s only afterwards that it occurs to him that if Geralt truly isn’t interested in talking, maybe when the witcher is stuck a foot away from Jaskier and can’t extricate himself from the situation is not the right time to push the matter.

“It’s a color.” After a slight pause, Geralt adds, “Gold coat. White mane and tail.”

There’s more after, not that Jaskier can keep up with most of it. Often, even when Jaskier is actively trying to engage, all he gets from Geralt is a wordless hum or a raised eyebrow. So, the fact that there are a number of words in a row is noteworthy already. That Geralt is continuing to speak without being prompted is nothing short of a miracle. Maybe pushing wasn’t the problem so much as finding the right subject matter.

And thus, a new game is born. Whether out of some sense of dignity or something else, Geralt doesn’t actually mention when they pass by horses. It’s the very slight shift in Geralt’s body language, something Jaskier would probably say was him perking up if it were more explicit, that clues Jaskier in if he doesn’t see them himself. But the minute Jaskier mentions them, Geralt appears all too happy to talk about the precise measurement that differentiates horses and ponies (14.2 hands or less, which then becomes an extended conversation about why horses are measured in hands), the Lippizaner stallion troupe (which Jaskier will admit he would really like to see if they’re even half as impressive as Geralt suggests), and that one breed of wild horses that are maybe possibly completely divergent from domestic horses (Jaskier immediately forgets how to pronounce their name, but he does remember they sort of look like especially stocky donkeys).

“How do you know all this, anyway? I’m starting to think you should have gone to work in a stable or something instead of being a witcher,” Jaskier teases after a particularly emphatic explanation about what an utter failure Redania’s wild horse adoption program is. “I mean, it would definitely be my loss, but…”

He trails off, teasing smile immediately fading as he happens to look over at Geralt. Even when he’s happy, Geralt’s expressions tend to be a bit muted, but there’s no trace of anything like happiness now. His head is subtly bowed, like he’s ashamed of something, and that just won’t do at all. There’s nothing shameful about the details that make up a person. Before Jaskier can ask what exactly dampened the mood, Geralt softly replies, “I was going to.”

“You were?” It might be a mistake. This was meant to be fun. It’s just that Geralt so rarely gives Jaskier anything about himself, and Jaskier so desperately wants to know him. He rationalizes that if he drops the matter, Geralt will think he doesn’t care and won’t ever try again. “What happened?”

“Not important.” The words are clipped, but Jaskier has at least known Geralt long enough to differentiate between the witcher being actually irritated and any of the multitude of other emotions that make him sound irritated. This is definitely one of the latter.

“Of course it’s important if it makes you look like that.” Impulsively, Jaskier reaches out to lay a hand on Geralt’s shoulder. The way Geralt nearly jumps out of his skin is a stark reminder that he’s not quite so instinctively tactile as Jaskier is. Geralt doesn’t pull away, but he doesn’t answer either, so Jaskier only lingers briefly before pulling his hand back into his lap.

“I thought everyone was exaggerating about how things would change when they made me into this,” Geralt explains, so quiet that Jaskier has to listen carefully over the engine. It’s an aching, vulnerable thing, as human a confession as Jaskier has ever heard before Geralt’s expression abruptly shutters.

“I’m so sorry… Wait, made you?” Jaskier realizes, not for the first time, that he knows nothing about witchers. Nothing true at any rate.

But whatever strange magic had coaxed Geralt into speaking has passed, and the witcher doesn’t even acknowledge Jaskier has said anything. He longs to know more, to soothe whatever it is that hurts so much, but Jaskier has at least enough sense to realize that if he presses now, Geralt will think twice about telling him anything later. The minutes stretch out between them like taffy, the silence deafening until Jaskier absolutely cannot take it. He impulsively reaches for the radio, turning the dial until the static of a station that’s long since out of range is coming through the speakers. “So… music!”

Geralt’s lips purse in… actually Jaskier isn’t all that familiar with this particular expression yet. His default state is so grumpy, it’s hard to tell this time if he’s annoyed or uncomfortable. Neither one is what he’s going for, so he pointedly does not ask what that station is, immediately setting about adjusting until a melody cuts clearly through the hissing noise. Fic Masterpost

[mellometal]

Is it time to tear ANOTHER Dhar Mann video to shreds? YOU BET.

I've been sitting on this one for a bit because I wanted to make sure I talk about this tactfully. The subject of parents abandoning their disabled children is a very touchy one.

Parents abandoning their disabled children simply for being disabled is way too common. Like, I understand that not everyone has the resources to care for a disabled child (which is why you reach out for help, and why people like me, who work with disabled people, exist), but it doesn't mean you just walk out of their life. There are exceptions, like if you truly didn't want children or something like that, but just flat-out walking out of your kid's life BECAUSE they're disabled is fucked up.

I know someone personally whose biological mother abandoned her when she was born. Why? Because she's disabled. Physically, and mentally, to a point. I work with this woman on a daily basis. I don't really know WHY exactly her biological mother abandoned her, but I do know that her being disabled was part of it. It's sad. It doesn't affect her, thankfully. I'm happy that she's got her biological dad, her brother, and another maternal figure in her life, at least.

ANYWAYS. Before we get to the topic at hand, I need to put an obligatory trigger warning, like I do with EVERY Dhar Mann post:

This post will be talking about parents abandoning their disabled children simply for being disabled, treating disabilities like they're tragedies (in this case, we're talking about autism...again), divorce, and some SPICY ableist bullshit from an allistic (nonautistic) PIECE OF SHIT.

If any of this triggers you or makes you uncomfortable in any way, you don't have to read this post. This isn't worth putting yourself in a bad state mentally. I would never ask for any of you to put yourselves in that position all for a post. Put your mental health and well-being first. Consume media that sparks joy for you.

As far as my response goes, it's definitely more calm than normal. Funny....since this video is about autism spectrum disorder again. (Third time's the charm, huh, Dhar Mann? NOT.)

LET'S FUCKING GET IT.

The video starts off with these two parents (Gwen and Allen) in a psychologist's office. The psychologist tells the parents that their son (Chance) is autistic, and she tries to explain what autism is to the parents, but Allen cuts her off. Why? Because he teaches at a prestigious university, so he AUTOMATICALLY knows what autism is from that fact alone.

Um, excuse me? Just because you're a teacher at a prestigious university, it doesn't mean you're an expert in everything. It doesn't make you an expert in ASD or anything like that. Unless you SPECIALIZE in that area. Even then, shut the fuck up. The people who know about being autistic are AUTISTIC PEOPLE THEMSELVES! SHOCKER.

Hey, Dhar Mann! QUIT WITH THE VIDEOS ABOUT AUTISTIC LITTLE WHITE BOYS AND YOUNG WHITE AUTISTIC CISHET MEN! I'M SICK AND TIRED OF IT. It's annoying, ignorant, and it feels like you're doing this on purpose at this point to piss people off. If you're so uninformed about autism in women and girls, FUCKING ASK AUTISTIC WOMEN AND GIRLS! DO BETTER RESEARCH THAT DOESN'T INVOLVE AUTISM SPEAKS. The Autism Self Advocacy Network (ASAN) and the Autistic Women and Nonbinary People Network (AWN) are great organizations to go to for any kind of research on ASD in women and girls. STOP GOING OFF OF THE BRAINS OF AUTISTIC WHITE BOYS AND AUTISTIC WHITE MEN.

I don't feel I need to go too deep into the fact that autistic women, autistic girls, autistic nonbinary people, autistic BIPOC, autistic AAPI, autistic LGBT people, autistic teenagers, and autistic adults exist. Y'all already know.

Gwen asks the psychologist if that means Chance isn't healthy. (I understand not knowing about autism, but don't treat it like it's a terminal illness. Please.) The psychologist tells her that Chance is fine, but he just learns differently and might need more support compared to his peers.

Yeah, autism can affect how you learn about certain things (limited and repetitive patterns), but there are other disabilities that can affect learning as well. Like how dyslexia can affect your ability to read, dyspraxia can affect your ability to do math, and Attention Deficit Hyperactivity Disorder (ADHD) can affect your ability to focus or on impulse control. Autism affects how your brain is developed, it affects you socially, behaviorally, and how you communicate.

Allen is upset, says that he can't have a son "with a learning disability" (ASD is a neurological disability, not necessarily a learning disability), and treats Chance like he's stupid for being autistic. Gwen tells her husband that autism doesn't make you any less intelligent, WHICH IS SO FUCKING TRUE. ABSOLUTE FACTS. I was totally with her until she began that little monologue with "Just because a person HAS autism". SAY "JUST BECAUSE A PERSON'S AUTISTIC" INSTEAD! IT'S NOT HARD. PERSON FIRST LANGUAGE ISN'T WHAT EVERY DISABLED PERSON PREFERS. Allen says that "they could have another kid" and "put Chance up for adoption". Gwen obviously wasn't down with that. Allen gives his wife an ultimatum that it's either HIM or their son Chance. Gwen says that she can't choose between the two, but she will stand by her autistic son. Allen gets up and leaves the office, saying he wants a divorce.

Years pass by, Gwen is single and taking care of her autistic son Chance, and Allen has a new life with a ✨perfect son✨ (Samuel). He never mentions the son HE abandoned (Chance). He's completely forgotten about Gwen and Chance. (YOU OWE SO MUCH CHILD SUPPORT, ALLEN.)

Hey, Allen, how much do you wanna bet that your ✨perfect son✨ Samuel is autistic too?

There's the SATs, they're announcing a winner, and guess who it is? IT'S OBVIOUSLY CHANCE, OF COURSE. He's got the highest score in the country, with Samuel in second place. Allen is PISSED.

Chance gives a speech about how his mom really helped him, he struggled with autism, how Allen LITERALLY ABANDONED HIM, and THE CROWD GOES FUCKING WILD. Samuel, instead of being a sore loser, APPLAUDS FOR CHANCE. Stay humble, Sam.

My thoughts on the video? If you cannot tell by my tone throughout this post, IT WAS DOG SHIT. This video was insensitive to the true reality of parents abandoning their disabled children just because they're disabled. What do I expect from Dhar Mann at this point?

Here's my response to his video below. Don't worry, I will fully type out my response soon for anyone who cannot read the screenshots easily. It's a lot easier for me to do that on the desktop site than it is for me to do it on my phone.

For anyone who can’t read my response, I’m typing it out for you. Like I said, it’s easier for me to type it out on the desktop site than it is for me to type it out on my phone. It’s a real royal pain in the ass. But because I’m trying to make my posts easier to read for people, I’m doing this anyway. /lighthearted

First, second, and third screenshots (broken up into paragraphs):

Hey, listen, I appreciate the message you’re trying to go for, but can you please stop putting autistic people into a box? Can you stop treating being autistic like it’s a tragedy? Not every single autistic person is a little white boy in elementary school who’s considered “wild and unruly” or “super quiet and makes no friends”, nor are they a young white cishet man who’s a super genius or is how Chris Chan was before she came out as trans. (For anyone who doesn’t know about Chris Chan, there are many documentaries people have made on YouTube, and I highly recommend Geno Samuel’s docuseries, if you’re really interested in learning about Chris Chan.)

Autistic women, girls, nonbinary people, BIPOC, APPI, LGBT people, teenagers, and adults all exist too. 

It’s very apparent now that you get your resources from Autism $peaks, a hate group that spends the vast majority of their money on funding eugenics instead of helping autistic people like they claim, claims that only little white boys and young white cishet men are autistic and ignores all other autistic people who don’t fit that description, have no autistic people on their leader board or on any board for that matter, have members who have actually fantasized about k1lling their autistic children, treat autism like it’s a tragedy or a disease someone can catch (completely false), act like autism should be cured (there is no cure, and ABA therapy is a total shit show in itself), and treats autistic people like they’re broken and need to be fixed. Also, not every autistic person is a Super Genius(tm). That’s so demeaning to autistic people who aren’t seen as intelligent in any way. I’m autistic and seen as smart; however, there are subjects I’m stronger in than others.

If you can’t handle the possibility of having autistic children, or just disabled children in general, DON’T HAVE CHILDREN. If you can’t handle working with or alongside disabled people, including autistic people, maybe find a different profession. Even if you do that, you’ll never get away from disabled people. Disabled people aren’t a disease. We’re human beings just like neurotypical and able-bodied people.

Fourth and fifth screenshots (broken up into paragraphs): 

I would highly suggest getting resources from reputable organizations for ASD, such as the Autism Self Advocacy Network (ASAN) and the Autistic Women and Nonbinary People Network (AWN). Talk to any autistic person who isn’t a little white boy or a young white cishet man. 

Instead of using the puzzle piece, which is a symbol that many autistic people, myself included, are offended by (because of Autism $peaks and other organizations before them using it, plus it symbolizes that only autistic children exist and that we’re “missing a piece” like we’re broken), use the rainbow infinity sign (for all neurodivergent people) or the red and gold infinity sign (just for autistic people). Instead of “lighting it up blue”, light it up red or gold. Do both if you want. 

I’m actually really sick and tired of seeing just autistic little white boys and young autistic white cishet men being represented in the media, and y’all manage to fuck that up too. 

Before anyone mentions Sia’s movie “Music”, that’s also very poor representation of autistic girls. Besides, the actress who played the autistic girl isn’t even autistic. She MOCKED autistic people. I know she’s a kid, but that’s still super fucked up. I hope she’s able to turn that around. 

If anyone would like to discuss this topic with me or ask any questions, feel free to. I’ll answer as best as I can. Thank you and have a good night.

Before I get attacked for mentioning Chris Chan in my response, I bring up Chris Chan because allistic people think that every autistic person is like her (especially before she came out as trans). That person is part of why I wasn't open about being autistic or talking about my diagnosis until this year. I didn't want to be grouped up with Chris Chan because I do have very similar interests to her, I've been seen as cringey for having said interests, and just the way Chris treated autistic people who were formerly diagnosed with A$p3rg3r$ $yndr0m3 (like I was) really made me feel even more alienated.

Also, S1a supports A$ (Autism $p3aks). She's not a very good person to support. Some of her music is good, but her as a person....no. Her movie "Music" was gross, from what I've read about it and seen pictures of.

If you've read this far, thank you so much!

[hawkland]

My (mostly) Destiel Recs, Round-up #6

Well, between working like crazy on my DCBB fic and GISH and injuring my neck last month I haven’t kept up with my rec posts, so this one is going to be LONG and have a LOT and I’m going to try to break it up into sections, from oldies but goodies (some things I found on very old rec lists) to smutty delights to just tasty little bits of fluff, hopefully there’s something or everyone here. Most of these are not super-long, largely in the 10-25k range, though there are a few beyond that. With all the stuff I’ve had going on I haven’t wanted to lose sleep diving into 100k epics (especially when I’m writing my own right now, lol.)

“Oldies” but Goodies:  Here are two great fics written some time way back when but that still definitely slap.

Theodicy by manic_intent (11k) - Probably the most brilliant Godstiel fic I’ve read to date. One of Cas’s first acts as the new god is to make a new archangel. Dean isn’t exactly on board with having his soul re-sculpted into wings he hates on sight (especially as they seem magnetically drawn to Cas), but he isn’t exactly given a choice. He, Sam and Bobby struggle with how to handle their former friend suddenly becoming a vindictive deity - trying to make plans to kill him if they must, which is pretty hard when it seems like Cas is always one step ahead of him. Can Dean hold on to enough of his humanity to provide a conscience to Cas and try to steer him toward good acts instead of destruction? This is one that I can’t say has a perfectly happy ending, but it’s a hopeful and imperfect one that’s just right for how the story plays out. 

My Eyes Are An Ocean by entanglednow (10k) - Season 5 AU where Dean averts the apocalypse through a spell that “powers up” all the angels and he sees Cas’s true form - before being rendered blind. Dean tries to adjust to his blindness, Cas tries to deal with his guilt, and it’s just a lovely little read with an ending that’s... *chef’s kiss*

Lots more recs below the cut:

More great reads from some of my favorite authors I’ve recced before:

The Cabin on the Lake by DeanRH (21k) - This may be my new favorite DeanRH fic...at least for the moment. The year is 2152, Sam and Dean are long gone to Heaven, while Cas - stuck somewhere between mortal and angel - remains on Earth keeping vigil, keeping up the hunt, assuming he’ll never see either Winchester ever again. But when he starts hearing things, and imagining Dean visiting him as an angel himself, he starts losing grip on what is and isn’t real, and whether he can trust anything he sees or believes to be the truth. This is one hell of a psychological rollercoaster that kept me guessing right along with Cas until the very end. It also has some super-creepy horror elements, a novel “monster of the week”, and the hot-as-sin smut scenes I always expect from this author.

X Marks the Scot by DeanRH (15.9k) A fun little romp through history in one of this author’s great not-quite-au fics. Crowley sends Dean and Sam back in history to the Scottish Highlands to stop a monster, and while there they meet a blue-eyed clan chief who makes Dean weak in the knees. There’s something familiar about him, too. a very clever au that ties back to canon for an unexpected fix-it. Also, Cas in a kilt. Enough said.

The Hanging Gardens of Babylon by DeanRH (12k) - Sweet and slightly angsty AU. What if Dean was a gardener in ancient Babylon when a strange dignitary came to warn that the tower under construction was to be destroyed by angels? Lush, romantic and sexy with some wonderful tie-ins to canon characterizations (of Dean, Sam, John and of course Cas).

sufficient for thee by angelfishofthelord (21k) - This is a beautiful Cas angst-fest and character study that reimagines how angel grace works, particularly in regards to healing others. It covers the whole of Cas’s arc from Season 4 through a post-series fix-it, is absolutely stunning and features some great world-building in regards to the angels. (One important TW: those with cutting/self-harm issues may wish to skip or at least proceed with caution). I love that I can always count on angelfishofthelord when I need a good dose of Cas!whump and pain.

And laugh at gilded butterflies by ireallydidthistomyself (13k) - another great Dadstiel fic from this author featuring one of my favorite angsty subjects! I don’t know how I missed reading this one before. An AU where Cas is raising (baby)Jack on his own until the angels find the two of them and prepare to seal Jack away in the Ma’lak box. Cas begs them to let him go with Jack, so at least Jack won’t be alone for eternity. Meanwhile Dean is frantically trying to find what happened to Cas, and he gets some unexpected help from Crowley.  It’s sad and sweet and all the characterizations are great. A+ Crowley use here, too.

what stays (and what fades away) by dothraki_shieldmaiden (64k) - a fabulous read with some great art, too, that started me reading a bunch of fic from this author. Cas goes missing, and when he’s found he seems deep under a spell. When they finally manage to awaken him, he doesn’t remember anything of this life with Dean, Sam and Cas in the bunker. The last thing he knew he was a nurse living with his wonderful husband, Dean, and their two adopted children, Jack and Claire. What I loved about this one was the clever twist as to who was behind Cas’s curse and also how well-developed his AU world/existence was. I’m not generally keen on mundane aus or the one-dimensional way a lot of djinn dream fics tend to go for them, but this one managed to capture a believable version of Dean and Cas living a “normal” life without monsters without making it sugary/too-sweet. 

before knowing remembers by dothraki_shieldmaiden (14k) Post 15x04, a wonderful fic that plays with some meta topics in a clever way. Dean and Sam are happy - they have free will and they’ve won against Chuck, even if they suffered some big losses along the way (including Jack). But Dean can’t help but think he’s forgetting something...or rather, someone. Yet every time he thinks he remembers, the name and face of that someone slips from his mind. 

weights on my ankles by dothraki_shieldmaiden (9k) Post-15x03 where Cas ends up going back to the Gas ‘n Sip and working with Nora after leaving the bunker. A bitter sweet divorce-arc AU and what I love the most is how it ends - not perfect, not tragic, just very real and believable. 

15x18 and Post-canon fix-it fics:

Orbital Velocity Around a Celestial Body by LeverDrift (26k) - An angsty but lovely fix-it fic, one where it gets worse for a while before it gets better. Dean pulls Cas from the Empty, where he’d been living in a fantasy world with a dream!Dean who was giving him everything real!Dean is certain he can’t. Dean has to struggle with wondering if Cas would have been better off with dream!Dean instead of him. This is one that will break your heart before putting it back together again as Dean struggles with his self-worth issues.

so good at crashing in by Wintertree (36k) - Another post-finale fix-it where Cas is back, the world is saved, and things are still...not as easy as it should be for either Dean nor Cas. Monsters are gone, there’s no more hunting to be done, and Cas wants to move out of the bunker somewhere closer to Claire, to move on with a proper human life. Dean thinks he can move there with Cas and stay as “best friends”, even to the extent that Cas encourages him to go out and have sex with others/women. (And wants to hear about it after the fact!) But can Dean figure out what he really wants, and what Cas wants as well? A refreshingly unique take on what a post-series life could have looked like for them.

Delicious smut:

Empty by squirrelofcelestialintent (43k) - Every day this fandom makes me rethink my previous squicks and DNWs in fanfic. Here I find myself enjoying quite a bit more dom/sub elements than I normally ever would! I think because I was absolutely drawn in by the breathtaking first chapter, capturing beautifully the emotions of Cas returning from the Empty in Season 13 if he and Dean had confessed their feelings right then and there. But Dean’s self-worth is all fucked up, he feels there’s no way he can be good enough for Cas, especially when his sexual desires run a little bit...let’s just say outside the vanilla and he’s struggling with shame over doing sex work when he was younger. This was HOT and POOR SAM really gets stuck in the middle of, well, hearing more about his brother’s sex life than he ever needed to.

He's My Mate by Hatsonhamburgers (22k) - This fic manages the delightful combination of humor and extreme hotness perfectly. Dean and Cas catch each other in some questionable masturbation situations. This leads Cas to decide he needs to buy Dean some proper sex toys. He’s just helping his best friend out, right? Sure. As I said, hysterical AND hot as hell. 

Generals by nanoochka (9k) - Cas/Dean, Cas/Balthazar/Dean, implied past-Cas/Balthazar. An old LJ fic I found on an ancient rec list that is just scorching hot and a brilliant character study of Cas and Dean. Balthazar decides to invite himself in when he catches Dean and Cas engaging in some frisky business, and it turns into a bit of a power-play between the two soldiers of Heaven. Cas gets DP’ed and it’s all...well. It’s fucking good, read it.

The One With The Preening by HolyFuckingHell (5.5k) Can I do a rec post without including some wing!kink/wing!grooming in it? No, I can’t. (I also really enjoyed some of the other fics in this author’s series including The One With Dean's Horny Movies).

A Single Point of Light by Destina (2.4k) - This is a gorgeous Cas/Dean/Benny Purgatory short! A delicious balance of the two each caring for and caring about Dean in their own, protective ways, definitely a delight for any fans of this threesome.

Short and sweet, fluff to angst:

Snugglebird by almaasi (5.3k) - So, so soft and sweet and snuggly, just like the title. Dean’s things are disappearing from the bunker...and so, suddenly, has Cas. What’s going on? I do love my nesting!Cas fics, so...yeah. If you need a smile this is a good one to read :)

And Cleanse Me From My Sin by thisisapaige (1.6k) - another one for my beloveds who also enjoy wing grooming and sweet Dean-taking-care-of-Cas fluff.

Needle and Thread by Misachan (4k) - Season 5 wing!fic hurt/comfort. Cas’s wings are badly injured, Dean doesn’t quite know what he’s doing, but he’s stitched up Sam and himself enough times. He can do this. If you love caretaker!Dean and vulnerable!Cas don’t overlook this little gem.

Deceptive Preludes by sp8ce (2.7k) - One of those stories that delves into some of the difficulties Cas might have after coming back from the Empty a second time, especially in regards to accepting what’s real or not, understanding Dean, and how both of their communication issues can add to their struggles. Painful but hopeful for the future, felt very believable as I read it.