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genericpuff · 4 months

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Lore Olympus just pulled off the biggest whiff in webtoon history.

I promised I would choose one of two headlines and of course, this is the one we wound up with. But should we really be surprised? Rachel herself seemed to be telling on herself down to the minutes leading up to the finale, fully confirming to us that yes, she's been writing this comic at the last minute, by the seat of her pants, for ages now.

(that second one was literally posted TWENTY FUCKING MINUTES BEFORE THE COMIC UPDATED.)

Welp, let's get into it. Possibly the last essay I'll ever write about this dumpster fire of a comic (but probably not, let's be real LOL)

CONTENT WARNING: DISCUSSION OF SEXUAL ASSAULT AND FASTPASS SPOILERS FOR THE SERIES FINALE AHEAD!

Holy crap, where to even start with this. I knew it was going to be bad. I knew it was going to be rushed. I knew it wasn't ever going to live up to what I had hoped it would be years ago when I was still a diehard fan.

But I didn't think it was going to fall quite this hard. Despite bracing myself for the worst, Rachel has once again let my expectations down through a final display of explosive mediocrity and disappointment.

Yes, the episode is called "You're Welcome", and yes, that instant "ick" you're feeling is the exact same as what we're all feeling. This title plays into the dialogue later, but what a shitty, lowkey mean-spirited title for the series finale.

Now, before we get into the actual episode, the WT ads for this are just... so desperate and misleading.

They are trying SO HARD to hype up something that isn't there, and at the last minute to boot, because Rachel definitely hadn't written any of this ahead of time.

First off, the bit about the gods being in "eternal chaos" of course isn't a stake worth worrying over because Gaia literally does away with Ouranos in the first 5 panels.

Did you really think I was joking about that 5 panels thing?

That's it. That's the death of Ouranos. As mysteriously and quickly as he arrived, he was gone, after Gaia ripped out of him what appeared to be some purple sunny side up - but it's actually, in fact, Apollo.

And that's when we start to get some of the worst dialogue I've ever seen throughout LO. Remember when I said LO's dialogue was like Shenmue 3? Welp, the finale decided to continue that tradition and further fuel the suspicion that this entire thing was written by ChatGPT.

Oh, by the way, that "thank you, ma'am" was Artemis' first and last line of the episode. So once again, just like in Episode 248, we're completely robbed of her reaction to Apollo being a rapist piece of shit and the character development she could have had as a supporting character. The women in this "feminist retelling" really couldn't be more half-baked.

Gaia stumbles upon Persephone, and I'm not even gonna fucking bother showing the panels where Gaia says it's time to "make things right" because they literally don't matter. Why don't they matter? Because Rachel just had to get in one more pointless time skip.

We're shown a sequence of pointless images that I'm not gonna show as I don't want to waste my image limit on them, depicting Hades having a sad day because his small wife isn't with him and oh nooo what could have happened?? Did Persephone finally divorce him ??

Nah, we couldn't possibly have an actually happy ending in this comic. Instead we get a completely pointless phone conversation between Hades and Hecate-

Not only is the grammar particularly bad in this episode, but the actual script-writing is atrocious. We literally did not need this phone conversation to happen because-

-we're cutting BACK TO THE PRESENT THAT WE JUST CUT AWAY FROM FOR A 3 MONTH TIME SKIP. FOR NO REASON BESIDES SHOWING HADES BE SAD OVER SOMETHING THAT ACTUALLY ISN'T THAT BIG A DEAL, AS YOU'RE ABOUT TO SEE.

I- I LITERALLY HAVE NO WORDS. I HAVE NO WORDS TO DESCRIBE WHAT THE FUCK THIS IS. ALL I CAN HEAR IN MY BRAIN IS THE LEGEND OF ZELDA ITEM GET MUSIC-

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-BECAUSE THIS WHOLE THING SUDDENLY SOUNDS LIKE SOME CONTRIVED FETCH QUEST. WHAT DO YOU MEAN HADES AND PERSEPHONE HAVE PROVEN 'TRUE LOVE' IS REAL? WHAT DO YOU MEAN THEY HAVEN'T USED 'LOVE' AS A FORCE FOR DESTRUCTION?? ARE WE FORGETTING THAT HADES MUTILATED A GUY IN THE NAME OF 'LOVE'? THAT PERSEPHONE LITERALLY INVADED THE HOME OF HADES' CANONICAL FIRST WIFE BECAUSE SHE FELT MILDLY THREATENED BY HER?

This whole concept of "true love" that Rachel is trying to convey feels so juvenile especially for a series that has sold itself as being mature and thought-provoking and progressive.

HAHAHA SO FUNNYYYYYYY why does Rachel write like this. this is, at best, the writing of a 13 year old on fanfiction.net, which I SHOULD KNOW, because I WAS ONE OF THEM. BUT I'M 28 NOW AND RACHEL HAS ANOTHER 10 YEARS ON ME.

Okay, this is the part where I'm CONVINCED Rachel either just mashed this into the episode in the MINUTES leading up to its release, or she used ChatGPT or something. Because NONE of this dialogue makes any sense. Beyond how stilted and lifeless it is (seriously, this dialogue reads like something from Empress Theresa) Gaia is clearly meant to 'replace' Erebus here which I SHOULDN'T HAVE TO EVEN EXPLAIN IS SO FUCKING DUMB, but ALSO what is even Persephone trying to communicate here? "That is true, but it was a deal I was willing to make and ties me to the Underworld. Please don't change me." What? Gaia hasn't even insinuated that she's going to do anything to Persephone, why is Persephone immediately jumping to this conclusion? What does 'changing' her mean? Is she asking Gaia not to force her to sacrifice something (which she never did)? Or is she asking Gaia not to strip her of her Underworld status? Because again, why is that even something Gaia would do?

Maybe this is harsh but I'm pretty sure even Empress Theresa is more coherent than this, what in the flying fuck is Gaia talking about?

"I can just see the potential for conflict! To relieve you from the burden of the whats, the hows, and wheres." Like... okay, first of all, that second sentence isn't even a complete sentence, it's a dependent clause left hanging, but also what the fuck does this MEAN. Is she EXCITED for the conflict but then contradicting herself by saying she wants to relieve Persephone of that conflict? Or is she saying she can see the conflict it would cause for Persephone to have to perform duties in both realms and trying to insinuate that she's going to relieve her of those complications?

Here's what I think happened - I think that second 'sentence' wasn't supposed to be a sentence, but the start of the sentence to the next panel-

So with that theory in mind, the sentence becomes, "To relieve you from the burden of the whats, the hows, and wheres, you are to spend three months in the Mortal Realm to do spring and the rest of the year in the Underworld. That seems fair to me."

It's still a very poorly written line of dialogue, but at least with that fix in mind it makes sense. But man, you can really fucking tell this episode was submitted at the last minute because that's a serious syntax error that should NOT have happened in this two-time-Eisner-winning comic.

Errors aside, it's clear that Rachel is following through on having Persephone spend only three months in the Mortal Realm, rather than the traditional six. There ARE other translations that have that number closer to four, but those four are the time she spends in the UNDERWORLD, meaning she's always spending either equal or MORE time in the Mortal Realm. Of course, Rachel doesn't want her self-insert small wife power fantasy to actually have to be separated from Hades despite this being a retelling of The Abduction of Persephone, so instead of her spending three months in the Underworld, she's now spending them in the Mortal Realm, literally doubling the MINIMUM amount of time (four months) she was originally meant to reside in the Underworld.

But oh no, apparently those three months are STILL NOT SHORT ENOUGH FOR PERSEPHONE-

Of course, Rachel "Retcon" Smythe had to have her cake and eat it too. I always worried something like this was a possibility, but I never thought she would actually prove me right - not only is Persephone only separated from Hades for three months out of the year, but actually he can visit her any time he wants to, so really, they're not separating at all.

I think Rachel needs to look up "reunion" in the dictionary, because if you can visit each other any time, then that means the 'reunions' are no longer special occasions. This completely removes any semblance of depth or meaning from all of the storytelling leading up to this, all of it with the expectation that this was a retelling of the Abduction of Persephone, because that's what Rachel said it was going to be. At this point it's safe to say that Rachel has zero business attempting to "retell" mythological stories, because she doesn't even seem to grasp the concept of why they were written the way they were to begin with. Either that, or she really just doesn't care, and the only reason for making LO a Greek myth comic at all was to propel her career.

This also brings me back to those promotional ads, the other one that posed the question, "Will sacrifice be enough to bring these two back together?"

This is stating the obvious, but I need to make it perfectly clear - Hades and Persephone have never sacrificed a single thing. The only thing they could POSSIBLY quantify as a "sacrifice" is "not being tied at the hip for a few hours", because even Persephone going on the equivalent of a work trip next door is apparently enough to make Hades sad as we saw in the 3 month time skip panels. Why is Hades so sad and lonely if he can visit her any time? Why is he acting like he hasn't seen her in years when he's actually on his way to reunite with her? Why is Hecate calling to ask him if he's "okay" as if he JUST got separated from her, but actually he's about to literally go to the Mortal Realm to reunite with her?

Hades hasn't 'sacrificed' a damn thing, neither has Persephone. They've both always gotten exactly what they wanted, even at the cost of breaking the story's own established rules. Their 'sacrifice' is equivalent to what billionaires think are 'sacrifices' when they can't buy another yacht or go on that third overseas vacation for the month.

And even outside of this episode, when have these two ever sacrificed anything?

I've tried so hard to think of what sacrifices have been made by the characters within LO, and I genuinely can only think of one - and that was when Artemis chose to go to the Mortal Realm with Persephone instead of staying with her family in Olympus. That was a genuine, selfless sacrifice, made by a character who has been shelved in favor of focusing on the self-centered pink and blue airheads.

Being forced to be apart for a couple days to do the equivalent of a day job and whining about it the whole time is not a 'sacrifice'. Neither of these characters have ever sacrificed anything, they just feel like sacrifices because they have the integrity and empathy of soggy cardboard.

sigh Anyways, we're back in the present and Hades and Persephone immediately decide they're gonna have sex because ofc, and then we get this gem of a panel-

MMMMMM

FUNNYYYYYYYYYYYYYYYYYYYY JOKE

For some reason it's just a common thing for people to just be in Hades' home, and they can't seem to get any privacy as a result of this, but I digress. Turns out they still need to have that coronation for Persephone.

There is... so much wrong in these three panels.

First, to state the immediate issues - why the fuck are they mentioning Apollo at Persephone's coronation? Like first of all, no shit Apollo isn't gonna be there, but also, if this is supposed to be an event for and about Persephone becoming Queen of the Underworld, then why in the WORLD is Apollo even being mentioned? This is supposed to be a "feminist retelling" where the victims are empowered and heal from their trauma, but LO once again can't try to show any sort of positive growth for the victims without bringing up the assaulters and giving them screen time. It just goes to show that Rachel's idea of "healing" is purely rooted in the revenge, and not the growth. It's a very high schooler approach to this subject, hellbent on showcasing how all the meanies from the past are losers now and life just sucked for them forever, but inadvertently proving its own point that the victims haven't and can't move on because the narrative is spending so much time on caring what's going on with the abusers. It's the "I don't care! Look at how little I care! I'll prove it to you by putting in the effort of showing you how little I care!" approach, it doesn't really feel like moving on.

It's not about how Persephone and his other victims could have grown and healed, no, Rachel always needs to highlight just how much worse the bullies and haters and abusers are doing to make the victims seem like they've healed by comparison. Don't get me wrong, I can understand wanting to showcase the downfall of a character like Apollo, but this just... isn't the right context for that? Because it's once again taking attention away from the victim to focus on the abuser. It's once again spending screentime on the voices of the oppressors rather than the oppressed.

And speaking of, what the fuck is this punishment even? I knew Rachel wasn't gonna be able to resolve this plotline properly, she never had the capability to, but ... community service? Are you fucking for real? What is this even a punishment for even? Was this EXCLUSIVELY the SA, or does this ALSO include his attempts to overthrow Zeus by poisoning him, nearly killing Daphne, Eris, Eros and Psyche, trapping Eros and Psyche in an enchanted basement, and framing his father's 'death' on his half-sister? Because if so, how in the world is anyone content with community service? He hasn't even been turned into a mortal, HE'S STILL A GOD, so what's to stop him from going "WE'LL MEET AGAIN, SPIDERMAN" and trying something else? How is this a reasonable resolution in ANY context?

This is why I talked at length about what an issue it was to hide what Apollo really admitted to. Because now we really don't know what exactly he confessed to, and thus we can never really see the point of views of the victims outside of just Persephone - and we still don't even get Persephone's, because she just walks away from him and then he gets eaten by Ouranos and next we see of him is him doing community service! Once again, any emotional development that could be given to Persephone and the other victims is stripped away to make room for the point of views of the oppressive men. In this, the two-time-Eisner-winning "feminist comic" that is LO.

And that brings us to the "where are they now" segment. Yes, as we all feared, there's a "where are they now" segment, and it's as rushed and underwhelming as we ought to have expected it to be.

There is just... so much to unpack here, and yes, all of it is delivered in the dumbest way possible that only raises more questions than answers.

So Rhea and Metis are just back and we're not gonna talk about the implications of them being alive again?

Dionysus is a 3 month year old in the body of a teenager / young adult, and his mom is just alive now because Hades conveniently got his hands on more ambrosia and brought her back to life offscreen? But somehow Triptomelus and Hedone are still child-sized relative to their ages?

How did they 'heal Zeus'? And why is he so content with losing his power as King and Apollo being sentenced to community service after making an attempt on his life? How does he feel about the letter that Hera gave him? Did he even read it?

Where the fuck is Hebe in all of this? Is she okay? Do people still think it was her who put Zeus in a coma? Or did Apollo confess to that, too?

You're telling me Hera and Echo are just in a relationship now despite the fact that Hera is literally racist towards nymphs and there is ZERO reason for them to have a relationship in the comic beyond the fans making gratuitous headcanons out of it? How is Rachel, a bisexual woman, so bad at writing actual lesbian relationships and giving them the same amount of attention as the heterocis ones without shoving them into the background as props for insincere queer rep? And what about Hera herself? How did she overcome her role as the Goddess of Marriage to finally divorce Zeus?

"Ares is still a dog!" Haha! Ares is still a Persephone simp! Happy end!

Why is Eros just standing there smiling at the camera struggling to be seen past Hedone who's just floating right in front of him? You're telling me there wasn't a better place to put her out of that entire panel?

"Hades and Thanatos have been making more time for each other. Sometimes they even have a conversation." I'm sorry, is this supposed to be funny? The man abused Thanatos for years, treated him as just a lowly employee when he was literally his adopted son, and now you're trying to play it off as a joke that they're "making more time for each other"? What the fuck is this?

TGOEM disbanded? Why? What about the women who were genuinely a part of it?

Also, Artemis and Selene are just good friends now because reasons? Because they're both affiliated with the moon, I guess? Why is Selene even in this comic-

"They are still looking for Kassandra". Who? And why? This feels like such a last minute addition to acknowledge a character that the comic spent WEEKS foreshadowing only to have her finally appear as a pointless McGuffin, but it's so last minute that it does nothing. I'm assuming it's Eros and Psyche looking for her, but like... why can't they find her? They're gods, tracking down one mortal shouldn't be that difficult LOL ???

And also, where the fuck is Leto?? You're telling me she was an accessory - maybe manipulating Apollo, maybe not - but we don't see what happened to her? Is she just back to being a social outcast then? jesus christ this comic isn't finished-

Kassandra is where the "where are they now" sequence ends, and we're treated to one final horribly written dialogue scene between Hades and Persephone, where they tell each other how much they love each other in a desperate attempt to convince the audience that this is, in fact, a romance.

There's this thing in romances called chemistry, and if you're good at writing it, you shouldn't have to write dialogue like this. You should be able to see how much the characters love each other through their actions, through their small behaviors around each other. It's not always about what they say out loud, it's about what they don't have to say, because when two people really share that close of a bond based on love and trust and chemistry, words often aren't necessary.

Hades and Persephone do not have that chemistry. It has been apparent for years now, but this final exchange really is the nail in the coffin. There are no microexpressions or subtle emotions, no subtlety in their word choice, and nothing unique setting their voices apart. It's all just "wow thank you for being such a wonderful amazing partner, you are amazing and I love you" word salad that has to do all the heavy lifting for the completely non-existent chemistry that's been at its absolute worst throughout this entire season.

And worst of all, despite this story trying so hard to be focused around Persephone, around her story, her trauma and her healing, her voice... it's still all just about Hades. In the end, she's thanking Hades, and forcing him to say "you're welcome". All of it is trying so hard to convince us that Hades has been a positive addition to her life, that she 'owes' so much to him, but we've obviously seen plenty throughout the comic that begs to differ. And even if he were a better person than he is, it still doesn't change the fact that once again, the men are being held up above the women, with the women being grateful to the men who choose them. LO can try its hardest to convince people that it's feminist, but it is, at best, reinforcing the very same structures of the patriarchal system that it claims to despise and rebel against.

We do get one line from Hades acknowledging Persephone's part in the relationship-

-and it falls so fucking flat because it's still about him and what she does for him, and because nothing about their relationship was built on any sort of organic chemistry. There was a lot more chemistry back in S1, but it was still predicated on Hades lusting after a vulnerable 19 year old girl.

Yep, and that's it. That's the end.

Except it isn't because Rachel wanted to try and be smart by including an 'epilogue' that's really just stretching the episode out pointlessly for another few panels. And of course, we had to get another time skip, just a final dose of salt in the wound, this time to years ahead when we inevitably had to reconnect with Persephone and Hades in the future after Melinoe was born.

To recap, Melinoe doesn't remember... because Hades had Morpheus erase her memories.

This plotline has really started to give me the ick because it actually feels very familiar. Bear with me here, because I'm gonna go on a bit of a tangent about my own original work, but it's because I wrote a plotline exactly like this years ago.

There's this... turning point, in Time Gate: Reaper, when the main character Uzuki is kidnapped by a Reaper (see: undead) who wants to experiment on her in the hopes that he can somehow gain her abilities to bond her soul with others (which later allows her to literally possess people after she becomes a Reaper herself). Mitsuhiro, the male deuteragonist who kickstarts the plot by telling Uzuki she's got a limited amount of time left to live (which he knows thanks to his magical death timers that mark themselves on his skin), feels an immense amount of guilt after finding out she was kidnapped by the Reapers (at this point she's been gone for three months), as they were originally after him; he worries that she was made a target simply due to him associating himself with her, and vows to rescue her.

With the help of some other spunky teenagers and anime trope characters, Mitsuhiro does eventually rescue Uzuki - but for the three months she had been gone, she had been tortured, abused, and experimented on, causing her mind to split and for her to lose any sense of awareness of who Mitsuhiro or her other friends were. She was no longer herself after the hell she had been through.

Mitsuhiro's solution to this is to have Springlock - another Reaper with motivations that are not yet clear to the cast - erase her memory. This is not a light decision that comes without consequences - for the remaining duration of the story, Uzuki is plagued by night terrors and panic attacks, unable to really remember what happened to her aside from whatever brief flashbacks her brain recalls in its haze of memory loss. She is traumatized, both physically and mentally. She has lost three months of her life and memories, and doesn't know how to explain why she's covered in scars that are still healing, why she's missing organs, why she's now blind in one eye, and why the sound of scraping metal and ticking clocks gives her panic attacks. Mitsuhiro has convinced her friends that she's suffering from memory loss due to trauma, but only he knows the truth that he forcefully took her memories away from her, without her consent. This was not the right choice to make. It was not noble of him, it was not a grand gesture of love, he made a decision on her behalf without her consent that has now resulted in her becoming a nervous wreck. Sure, she still would have had PTSD if she remembered what happened, but at least she would know why and could then seek adequate help. Without those memories, she has nowhere to begin to heal. And so we see the consequences of this throughout [AFTERBIRTH] and even the upcoming Thread of Fate. It is a long-term problem that is not going to be solved overnight, especially not with Mitsuhiro withholding information from her.

Reading about Melinoe having dreams about her experiences trapped in Tartarus with Kronos ... it felt familiar enough that I had to talk about why the insinuations of this are so fucked up. I know there are people who are gonna handwave it away as "she's just a kid", "these are gods so what does it matter", etc. but ... it just feels like such an oversight to have Hades effectively erase her memory of her trauma and then hint at them still being present in her mind through her dreams. She did not ask for that. And the fact that she's now dreaming about it all does not bode well. But we're supposed to think Hades made the correct choice, regardless.

But none of this is effectively expanded on or explained, because we get one final scene of Melinoe and Demeter visiting Persephone, who has just given birth to... Makaria?

So it turns out Persephone and Hades are just able to have biological children now. Don't know why, but of course they both look exactly like Hades.

What I was really confused by though is the fact that it's Makaria and not Brimos. Do you remember Brimos? The child that was foreshadowed in Hades' original fantasy dream sequence about his future children about Persephone?

Either Rachel completely forgot about him, or she saw all the criticism over the fact that Brimos isn't a confirmed child of Hades and Persephone (rather, an epithet that can apply to basically any Underworld god including Persephone and Hades) and that her "research" was dependent on a book she read when she was 13 and decided to axe that. But she went to the effort of establishing that all the dreams Hades had were , in fact, canon visions of the future, so good job Rachel, you created yet another plothole on top of the hundreds of others.

And that's where the series ends, on a final nuclear-family-photo of Persephone, Hades, Melinoe, and Makaria. Of course, Dionysus and Thanatos aren't present in this shot because this is Lore Olympus and only biological children count /hj

Why Rachel couldn't move the "the end" portion to THIS part, I don't know, but I'm also expecting way too much of the person who finished this 20 minutes before it was due.

So that's it. Six years and that's what we get. I didn't expect much, but I was still incredibly disappointed, as were many others who walked away from this dazed and confused. Maybe it's all the "haters" deserve at this point. But what of the fans? While many of them are celebrating this ending at best and tolerating it at worst, I can't help but think of the fans of this comic who hung on for so long in the hopes it would "pay off", just for it to go out as gloriously as a wet fart.

As for me, I have such mixed feelings about Lore Olympus ending, but none of them pertain to the comic itself. Most of what I'll miss from this comic isn't the comic itself, but the people who have made reading it every week so fun, the artists and writers who have enriched the content with their own interpretations of what could have been, and the experiences of being part of such an amazing community made up of people who are as long-term-obsessed about this piece of media as I am.

I get people who ask me a lot if it's "worth it" to be so engrossed in the LO slander, who assume that I'm going to "regret" ever being a part of it all... but from where I'm standing right now, I couldn't ask for a better view.

Even if I didn't love every minute of it, everything I have here I owe to this comic. This stupid, wonderful, boring, amazing, pile of shit comic.

#lore olympus critical #anti lore olympus #lo critical

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raven-at-the-writing-desk · 3 months

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june 2024 octa + 4koma manga updates

As a reminder, no Episode of Savanaclaw manga chapter this month ^^ And without further ado, some of the highlights (in my opinion) of the latest manga updates:

This month's cover page illustration features Yuuta and Grim marveling over a chess board (since at this point in the story they're camping out in Savanaclaw). If you look closely, each of the pieces on the chessboard represent the relevant TWST characters; there are two card soldiers (presumably one for Ace and one for Deuce), a wolf for Jack, a hyena for Ruggie, and a lion for Leona on the "white" side. On the opposing "black" side (fitting, since Azul will OB soon) are two eel pieces for the twins and one octopus piece for Azul.

We continue the adorable overly flattering Ace from last month's chapter! Sad to say that I, too, would be completely fooled by this act-- asbfalebqejdqo The older merguard is also very cute and enthusiastic. I love that the manga can give faceless NPCs and mobs actual eyes. It grants them a lot more personality and soul! We continue the adorable overly flattering Ace from last month's chapter! Sad to say that I, too, would be completely fooled by this act-- asbfalebqejdqo The older merguard is also very cute and enthusiastic. I love that the manga can give faceless NPCs and mobs actual eyes. It grants them a lot more personality and soul!

HECK YEAH, IT'S TWEELS tERRORISM TIME BBABY 🤡 Jade and Floyd got sooo many good shots this chapter????? Love that the second page above shows us just how long Floyd is + how the two genuinely delight in scaring our crew (RIP Ace, he looks so close to death's door when he seeks Jade and Floyd peeking at him).

These panels paint the picture of the chase and fight being very frantic for our crew, but really being a chill game to the Leech brothers. They definitely have the upper hand this whole time, and the art helps to convey that feeling!

(Side note: that face Deuce makes with the pinched mouth is also top tier 👌)

So this chapter is the one where Leona swipes the keys to Azul's vault and robs him of all the golden contracts. This results in many, MANY distressed, panicked, and/or desperate expressions from Azul... all of which are soooo delicious <3 There's a ton more than what I've included here (I picked some of my faves), I just couldn't include them all because of Tumblr post image limits.

THE SMUGZUL LAUGH?????? ?? ??? ?? ?????? ? HIS ANSWER TO THE OJOUSAMA LAUGH

Featuring: out-of-shape nerd (relatable) Azul fans fr feasting this update 🙏

RUGGIIIIIIE 🥰 He makes a lot of :3 faces that are just great!!

ANOTHER THING THAT CAUGHT MY ATTENTION WAS THE SHEER AMOUNT OF LEONA SMUG IN THIS CHAPTER I MEAN SEEING LEONA SMUG MAKES ME GRIT MY TEETH AND WANNA KNOCK HIM DOWN A PEG BUT WOW IS HE PRETTY LIKE THIS AUVYFB32T73RANfhbabfobiqrBI/.L;,'KJM;N GGRRRRRRRRRRRRRR I HAT EYOU KINHSCHPLAR I HATE YOU SO MUCH i'm gONA PUNCHHF YOU IN YOUR STUPID SLUTTY ,.,NAFCLAVICLE

anyway Anyway ANYWAY!!!!!! Azul is so close to snapping now, boys :)))) Soon... SOON, OB AZUL AND CHILD!OCTAVINELLE IN HIS FLASHBACK...

Now for 4koma news! This month features a comic about Epel playing Magift/Spelldrive and another comic about Jamil cooking curry.

My favorite segment from the Epel comic! Grim is peak cuteness here, love that he curls into himself to brace for impact, INCLUDING THE FRIGGIN TAIL.

HLBQVUFOQVIYFA; This part made me think of my Gordon Ramsay in Twisted Wonderland series, specifically the fish-themed installment with Jamil and Deuce; in it, Jamil plots on making a seafood dish to serve to Azul as revenge for the events of book 4. In the Jamil 4koma this month, Jamil sees Octavinelle and then considers making a seafood/fish curry with that smug-ass face in the bottom-most panel 💀 That's all for now! See you next month for more~

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keferon · 2 months

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Any starting resources for someone looking to get into Transformers?

I can’t speak for everyone but if I could time travel this is the list I would give to past me

1 - Transformers Prime. (Great series + basic lore/terms/names introduction for the new fans )

2 - Transformers : More than meets the eye + Transformers : Lost Light (IDW) (Infinitely dramatic gay clownery. Such a gem. 10/10. You need to have at least basic understanding of tf lore and terminology though. This is why I recommend watching “Transformers Prime” first)

3 - You probably have some of those robits as yours favorites at this point. Type “IDW insert name” into google or youtube to find out where to look for more comics with them. Use this image to navigate the timeline chronology so you always know what happens after what. (Don’t try to read everything on that list from the very start in chronological order - you will die of boredom)

4 - Transformers Animated (This series has it’s own version of tf lore that might cause a lot of confusion if you try to read IDW comics after watching it without being already familiar with the basics. That’s what happened to me lmao There’s a lot of primes instead of just one Prime. And Bots and Cons are kind of like two different species or something.)

5 - Transformers Earthspark ( Very good series but you need to have a lot of prior knowledge to fully understand its themes. It’s writers did a great job at showing how much their characters have changed but absolutely forgot to show what they were like before they changed. This is why you need to read comics or watch the other shows first. Earthspark Megatron is redeemed villain but they didn’t show him being a villain. Earthspark Starscream is traumatised but they didn’t fucking show what exactly happened to him, they just expect you to already know. I could write an essay about this lol I need to stop)

6 - Transformers 1986 animated movie. For some reason I really love it. (The reason is Roddy who am I kidding) Maybe also Prime wars trilogy? Cyberverse? Transformers G1? Poke at everything. Have fun.

#maccadam #how tf do I tag this?#idk #the guide for new fans #??#or smth #the guide for me in case I have an amnesia #yea that’s more accura lol

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couldeatthatgirlforlunch · 20 days

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In the yandere justice league x assistant reader series, would the heroes ever snap and try to kidnap reader? I'm imagining if they did, it'd all be at the same time (maybe reader sent in her 2 week notice or got a new SO), and they all try to kidnap her on the same day, leading to their plans backfiring on each other. Reader comes in the next day having enjoyed their day off (the league was too busy with each other to bother them) and sees them bruised and panting and is like "what happened to you guys?" 🤨

I divided this answer in three bc I went too far and described each individual scenario lol:

1-Lmao, yes, I see them kidnapping Reader at some point, especially in a scenario were they think Reader's safety is at risk, or in a similar scenario to Love Pollen.

Hal's the only one who would accept fake love, but if Reader actually fell for one of them and the others went insane and tried to act on it, the one who got chosen would keep them locked on a secret location — in this scenario of Reader falling in love, maybe not all of them would go crazy (crazier) immediately, maybe it would be gradually, by everyday watching their beloved darling being happy and romantic with someone else — in front of them, bc of course, the chosen yandere would rub it in their face's —, and rejecting their advances (yes, they would keep trying, some more explicitly than others) —.

Also, if you're a woman, Diana would take you to Themyscira!

If, let's say, there is a world ending event, they would team up to take Reader to a safe place.

2-And if Reader tried to quit the job, they would keep offering them to raise their salary, to the point of Reader having a comically large paycheck for an assistant. If nothing worked, Reader's life would get worse bc they would simply reveal their secret identities and bother Reader even more in their personal life. Showing up at their home, at places Reader frequents, offering jobs, they can't take the possibility that without seeing each other almost everyday Reader will forget about them!

It would be even funnier if Reader got a job at LexCorp lol.

Especially if Lex hired them for the specific purpose of using Reader on some evil plan, for gathering info, or just to annoy the Justice League that he's got something they don't (in this case, he found out they're in love with them), and even worse, if he finds out that Reader's been stalked and obsessed over by the JL, he's gonna use that to fuck with their public image.

3-If Reader got a new S/O they would do the same thing they did to Bucky, search for every dirty secret and red flag, and if they were totally clean, they would just try to manipulate Reader's opinion by shit talking their S/O.

"Don't you think your S/O could be more polite? When they helped that old woman walk down the street on your last date, they seemed really cold towards her, poor woman must've felt bad..."

"... And you know that because you were following us and listening in on our conversation?!😐🤨🧐"

"... Of course not, I was just coincidentally close by when that happened"

"... The street was empty..."

"I just wanna make sure you're safe, okay?!"

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endless-ineffabilities · 27 days

Text

Chemical Override (bonus chapter three) - In the Modern World

Ewan Mitchell x actress!reader

a/n: I knew I wanted to do a fun bonus chapter after part seven, but I wasn't sure what about. Then came this music video, with this feral slimey cat, and the rest is history. Not to mention this brilliant anon further fueled the idea for the plot!

series masterlist ▪︎ main masterlist

Seems so hard just to be If it matters You complete me 🦎

This is set between part two and part three of the story. Right after the rumours of the reader with Jacob surface and she clarifies to Ewan that it's all just PR, and before he gets boozy and sends the voicemail.

Ewan

Martin’s room is typical of any unemployed and aimless outcast in their late 20s. Particularly, one with a penchant for conspiracy theories, reptilian critters, diorama building, and surface-level anarchy.

“So he’s just like a regular guy,” Ewan jokes, making the director Luna laugh.

“Sure, I bet this is how your own room is like back in… Derby, was it?”

“Yeah,” Ewan nods. “I actually have a place here in London now, too. The room is the same. But I’ve got more than one lizard.”

“Good one, mate,” she claps him on the back, before walking further into the room. She stops in front of the craggly stands that Martin passes off a workstation. “Here is where he keeps his pets. As you know, he’s got spiders, iguanas, and the rogue chinchilla.”

“Look at that little guy,” Ewan stoops down to inspect the grey rodent. “You lost there, buddy?”

“That one is our cameraman Eddie’s,” she remarks. “The bugs - we borrowed from the local habitat. All under code, of course.”

“Mmm,” he looks around the room. Maroon sheets, used up art supplies like glue and various unclean brushes, pieces of silver wire, old cables, duct tape, painted figurines, a scattering of old tickets for an underground fighting ring. Propped up on the headboard of his bed is a stolen street sign. On the wall is an assortment of posters - some of bands, some of comic strips, but mainly just scraps of art Martin finds from the internet. A rabid dog with its teeth bared. Grotesque humanoid figures.

Standard, regular pictures.

“You like the posters?” Luna notices him perusing the wall. “You know, I had the idea of incorporating something you like here. Maybe a band or… you like Metallica, I heard?”

“Hmm? Oh yeah, I love them. So I get to choose a poster that would fit Martin?”

“Sure,” she shrugs. “Something that represents both yourself and Martin, why not? Make up a backstory for it. It can be anything you set your mind to, really. Let’s start with - what would you have on your wall?”

He considers just taking her up on her suggestion of Metallica, maybe a live image of the band in their 2009 Mexico show. But he didn’t want to settle on that idea just yet. What is he fixated on at the moment? What film, what song, what popular character…

Then it strikes him, causing the blood to rise to the surface of his pale cheeks. Of course. There is you.

But if he props up a full-blown image of you, just you, maybe from a photoshoot or a candid photograph, would that be too much? Would he be crossing the line?

Last he heard from you, he found out that the supposed relationship you have with Jacob Elordi is but a ruse for the sake of publicity. Thank the gods, as Aegon screamed before Aemond set him ablaze.

But in this instance, Ewan’s relief is not entirely unfounded. You aren’t with anyone. He knows he should make a move, a proper one, and not just drop hints of his admiration in interviews like the one he just did for Vanity Fair. But what can he do? You’re all the way across the Atlantic, far from his desperate reach.

As selfish as it sounds, he couldn’t bear the thought of hearing you’re with someone else and knowing it’s true. The confession is yet to stumble out of him, but he knew he was already yours.

He calls you whenever he can, whenever he misses you, which is quite often, as evidenced by the lengthy log of long-distance calls on his phone, from England to America.

“What about something House of the Dragon related?” he asks. “Could serve as a nice easter egg for the fans, if they see this.”

“I don’t see why not? If you can convince us of Martin’s motivation for it, of why he would put that poster on his wall, then we can add it right away.”

He smiles shyly, glancing down at his sneakers. He knows his own motivation for putting your image up on his wall, but what about Martin’s? He tests some ideas out, gauging Luna’s reaction, “What if he’s a sci-fi, fantasy fanatic? If he’s a devout follower of George RR Martin, and so… naturally, he had a look at House of the Dragon as well?”

She purses her lips, tilting her head in thought. “That’s something right there, yeah. But we kind of saw him as being against television, you know? Against popular media in general, and he's a guy with an affinity for obscure dark video games and comic books.”

“Hmm, yeah, yeah,” he does his best to form the proposition in his mind. How does he offer the suggestion without being too obvious? “So what if, you know, he happened to see this one character in the show, and he’s just enamoured with them for some reason? This makes it remarkable, because he does admire her, but as an act of rebellion, he still doesn’t watch the show and only bothers himself with her scenes and the art style to her character, and - ”

“Wait, her?” Luna smiles, her confusion dwindling. She’s heard the rumours. Or fan theories. Or whatever the kids call it nowadays. She hasn’t been living under a rock, and Ewan definitely hasn’t kept mum about his crush either.

“Yeah,” he scratches the back of his neck, unable to look her directly in the eye, “I was thinking of having a poster for a character from the show.”

“I thought you wanted a poster of a dragon or something,” she jokes. “So, which character? Apologies, I’m not too familiar with a lot of them.” Ewan would recognise the knowing glint in her gaze, if he wasn’t too busy pretending to inspect a scrap of faux moldy wallpaper sticking out of the wall. Set design really outdid themselves in the details, all to give the impression that Martin is a negligent slob.

“Uhhm,” he dithers, a crooked smile breaking out despite him chewing on his bottom lip, “she’s, uhhh, one of the new characters this season.”

“Oh?” she plays along, nodding, “Which one? From what I saw, there’s two camps, right? And your camp is green, is she in that?”

“No, actually,” he shakes his head, “she’s in the opposing team, you could say.”

“That’s interesting,” she nods, slowly, trying to encourage him to simply spit it out. “You know, Ewan, mate, if you don’t actually tell me which character you want to put up, then this poster idea isn’t going to work out.”

His gaze snaps back to her, and he awkwardly titters under his breath. “Right, right. Uhhm, she’s called Alyna… Alyna Rivers.”

Luna’s mouth forms an O, as if she’s enjoying this little gotcha moment. She realises that Ewan, while reserved, wears his heart on his sleeve. What a lucky girl you are.

“And… why would Martin want her specifically up on his wall?”

The emphasis on Martin came off as superficial, her tone humorous, leading Ewan to believe that she actually pertains to him and not the character.

“He might see her as some sort of muse, you know… she’s a fighter, she’s got a fire in her…”

“And he’s got a crush on her.”

“Oh… well…”

“He likes her.”

“Uhhh… yeah I guess…”

“You guess?” she raises her eyebrows, grinning, “come on Ewan, what does Martin feel about her?”

“She’s his… his ray of light,” he decides. “His world is a mess. He’s lost. His one release entails getting beat up bloody every other day. But the idea of her is his beacon of hope. Untainted, you know. She’s… she’s perfect. She wouldn’t hurt him like the rest of the world already has.”

Luna nods in understanding, satisfied. She casually slings an arm over his shoulder, then says, “You know something, mate? That sounds a lot more than a crush to me.”

“Mmm,” he smiles, agreeing, the welcome image of you flooding his mind like always, “it sure does.”

The entire cast and crew for In the Modern World have the subsequent three days to accomplish filming.

Ewan sits in the makeup trailer, awaiting his cue, his vision now impaired by the unkempt strands of his long black wig. Spiky grunge cuffs decorate his wrists. He wears an ill-fitting pair of jeans and a t-shirt, the costume for the first scene to be filmed.

He has already gone through the process of trying to get in Martin’s head, seeing what makes him tick, what drives his actions, priming himself to jump inside his skin. He’s ready. At this point during filming, he has the habit of eliminating any distraction to maintain focus, and his phone is tucked inside his backpack on airplane mode.

Defying his routine, he retrieves his phone, nervous fingers clicking away until they land on your contact. He hovers over the voice call option, opting at the last second to do a video call instead.

The front camera turns on, catching him off guard with how messy he appears. Maybe this was not the best idea, he falters, what am I doing? I’m gonna scare her off.

“Ewan?” It’s too late to change his mind when your cheerful voice answers, your expression curious and inviting. His ray of light. “Is that you?”

He timidly brushes his hair - his wig - away from his face. “Hello, darling. I thought I’d ring you for a second.”

You laugh openly, drawing your face closer to your phone to get a better look at him, “Are you shooting the music video right now? Oh my god, look at you!”

He smiles sheepishly, teeth clamping over his bottom lip. “What do you think?”

“Wow,” you shake your head, the sunlight reflecting on your face from wherever you are. Likely walking around outside the studio, as he spots the white buildings in the background. “You look so… cool. This is like Aemond in the modern world, rebelling against his mother with the help of cheap hair dye.”

He appreciates your clever assessment, feeling much better about himself. “Don’t I look shabby?”

“Ewan,” you click your tongue, “judging by what you told me about your character, I think you’re supposed to look shabby.”

You’re right. He shakes his head, mostly at himself, for being so concerned if you still find him attractive even in this get-up.

“I feel like Kirk Hammett. Very rock n’ roll.”

You smirk, “I’d say this is your hottest look yet.”

He blushes profusely. You think he looks hot. It may just be a passing quip, a casual thing to say, but it has him in a grip. His reaction would nearly rival that of Martin’s, who would probably jump right on to making a mini-figurine of Alyna. After just a single interaction with you, Martin would probably spend the next few weeks occupied with objectionable fantasies. You and him, rolling around in the car. Only, car jitsu wouldn’t be the physical activity at play.

Ewan shifts in his seat, adjusting his trousers. In the end, he’s no better than Martin after all.

“Ewan?”

“Oh sorry, darling, I was just - ”

“I said that I have to go back inside,” you say, “I do appreciate your call, though.”

His face falls, despite the fact that he has to be on set soon anyway. “Of course, darling, go ahead.”

“Kick some ass for me?”

For you? Anything. “You got it, baby.” The name jumps out of him before he can stop himself, and he justifies it as a ‘Martin’ reaction. He’s in character, isn’t he?

You roll your eyes. It is your turn to blush and fail at hiding it, and you do. “Okay, rockstar. Talk to you soon, okay?”

“Okay,” he says, then adds, “Wait!”

You raise your phone again. “Oh, what is it?”

“I, uhhh, I miss you.”

“I miss you too,” you smile, and he commits the image to memory. This moment is his, just his; Martin can bloody wait.

Martin

Martin throws himself down on his bed, limbs limp and flailing about. It must have been the hundredth time for that afternoon - getting up, rolling back on the mattress, prodding his pets, jumping around the room to incoherent punk music, cigarettes burning out between his chapped lips.

He has nothing to do today, not until it’s time. Just like every other day, every other week, in this drudgery of an existence. Everything means nothing, and the twisted truth of it is that he thinks himself free.

Free of the cycle. Free of meaningless friendships. Free of love. Free of her.

The ghost of his ex-lover still haunts him, golden haired and rosy-cheeked, bundled up in her puffy coat like some cheap caricature of an angel. But she was no angel. Angels would not abandon someone they claim to love, with a mere snap of their manicured fingers.

But she haunts him. What they had, and what they could have had. Was it even his? Would it have come out with a thin sprig of dark curls? He did not care to know now.

She was his everything once. But isn’t that overrated? Falling in love is so overrated.

His fingers clumsily mess with the controls for his toy helicopter as he lays down. The apparatus hovers above head, filling the room with a buzzing noise. His lit cigarette stumbles from his lips, and the noise is joined with his frantic, fuck, fuck, fuck, as he tries to shake it out of his hair. He succeeds, but the helicopter teeters in the air, until it slams against the poster of Alyna Rivers displayed over his headboard.

He lets it fall, becoming distracted with her image. It’s a promotional still of her in her complete hunting attire - a fitted leather jerkin over a dark red tunic, tight breeches tucked into knee-high boots, a dagger sheathed in her belt. But his favourite addition is the longbow she grips in her hand, her fierce expression making it known that she is prepared to draw it back at a moment’s notice.

Martin gets on his knees on the bed. He kisses two fingers, then gently touches them to her poster in a gesture of reverence.

If only…

“Good morrow, my lady,” he says in a sing-song voice, “always a pleasure to come upon your visage.”

He leans closer, tracing her figure with precision, “I bet you can fix me. I bet you can make me feel alive.”

He chases after euphoria that night, over and over, fucked up and depraved and empty. But it hits different this time. It’s better.

As white spots flicker and dance in his vision, and the fog in his mind threatens to swallow everything, it’s not the vision of his ex that flashes before him - it’s Alyna he sees.

Her face is sharp and real, cutting through the haze like a beacon. She holds him together as exhaustion takes over him and the oxygen is slowly cut off from his windpipe. She anchors him, even on the precipice of oblivion.

The opponent is alarmed by Martin’s eyes rolling back revealing the whites of his eyes. He loosens his hold, letting go even if Martin refuses to tap out.

“Fuck, you alright?” he rasps.

Martin doesn’t hear him. His bloodstained, cracked lips curl into a ghost of a smile as his hand trembles, reaching out to press against the fogged-up windshield.

With a fragile sense of peace, he murmurs, “You fixed me.”

Taglist: @namelesslosers @skymoonandstardust @valyrianflower @luckyfirebasement @omgsuperstarg @elissanatok @callsignwidow @sinistersnakey49 @darkwriteracademia @yyrzmomo @queenofshinigamis @luvaerina @shamelessblazecrown @mirandastuckinthe80s @elleinex0x0 @pierrotlu @aegonswife @strangersunghoon @lunampacheco @writer-ann-artist @gaiaea @of-swords-and-words @ateliefloresdaprimavera @m00n5t0n3 @helaenaluvr @peachysunrize @annie-ruk @luvly-writer @ananas26t @athenafaes @lovelyteenagebeard @mamawiggers1980 @moongirl27 @katherine93 @barnes70stark @justbelljust @cloudroomblog @somestufftoday @esposadomd @girl-in-the-chairs-void @insideyourimagination @vyctorya @wildrangers @onlyrealjoy @hotdismylife @thepurplecrown @just-fics-station @clarkysblog @urmomsgirlfriend1 @misfitbimbosblog (continued in comments ... )

Some notes in the margins...

I know I said I would include the reader's reaction to the music video, but I decided to use the time to work on part eight... I still might get to writing this idea as a drabble though 🤷🏻‍♀️

Not Ewan having beef with his own character HAHAHA this lad I swear

Part eight out very, very soon! It'll be a wild ride. Oh, I'm not even kidding :)

#ewan mitchell #ewan mitchell imagine #ewan mitchell x reader #chemical override #in the modern world #aemond targaryen #house of the dragon #hotd #aemond targaryen x reader

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tainbocuailnge · 7 months

Text

I think there is a difference between the comic as a sequence of images with text and the comic as a comic. it's a subtle difference that an untrained eye might not see but the more one as artist draws comics the clearer this difference becomes, because one who first aspires to draw comics will soon find they are merely drawing sequences of images with text.

when people say an artist is clearly inspired by anime they often use "anime" to refer to japanese pop culture in general, but if you look more closely you can often tell it really is specifically anime rather than manga that inspired them, because the paneling and camera angles in their comics will read like a series of anime screenshots rather than a manga page. similarly, when I was a teenager really popular manga that had anime adaptions would sometimes get "animanga" reprints where they replaced the panels with the equivalent anime screenshots of the scene, and they often looked like dogshit because the very premise showed blatant disregard for why the original comic worked in the first place. these two examples are both about anime because i am a weeb but it applies outside that context too. a cartoon storyboard can be read as if it were a comic, but what it really is is a sequence of images with text that has yet to be refined into its actual intended format.

there are many artists who only employ the medium of comic because what they actually want to draw is a video, or a video game cutscene, but the only tool actually at their disposal is the ability to draw a series of images and add text to them so that is what they use. there is no shame or mistake in doing this, you have to make your art with the tools that you have available, and if the sequence of images with text is enough to convey the idea then it was the right tool for the job. but these are different mediums with different visual languages, languages which have a lot of overlap and can occasionally be used in each other's stead to achieve similar results (especially when drawing a fanart comic of a video game for example), but which are still ultimately different. the comic and the video and the cutscene are all different forms that a sequence of images with text can take but they are far from completely interchangeable.

there is a key difference in approach to the comic as a series of images roughly interchangeable with other forms of series of images like the video and the cutscene, and the comic as specifically the comic. this difference in approach is not always necessary to achieve results, an artist who wants to convey a scenario they came up with needs only the sequence of images with text to achieve this. but the difference between a comic with good writing and art, and a comic that is a good comic, is in whether it was treated as a comic rather than a sequence of images with text. I say this as an artist whose nearly every comic has been simply a sequence of images, because I just don't have the patience to refine it into a comic when I merely want to convey my idea rather than draw a comic. it takes a particular skill and insight that have to be developed and practised separately from the ability to draw well and the ability to write well in order to become good at making "the comic" as synthesis of the two.

it's hard to specifically point out the essence of this difference between the sequence of images and the comic because it's kind of a vibes thing honestly, and it depends on where and how the comic was meant to be published too. comics meant to have paper print editions have different constraints and requirements and frameworks to work with than webtoons meant to be read on slim mobile screens in a continuous scrolling format. a good traditional comic will consider not just how each individual panel looks but also the way each page as a whole looks, and how the pages look next to each other in a spread, and how it feels to turn the page towards the next spread. a good webtoon will consider the movement of scrolling down and how this affects the transition from one moment to another in its composition. time is time in videos and cutscenes but space is time in comics, and the space your have available determines how you can divide time across it. when you make a webcomic on your own website you have no constraints but the ones you set for yourself, and sometimes this leads to things like homestuck, which would not work in any other format than the one it created for itself.

the best comics are good because they tell their story and present their images specifically in the form of a comic, in a way that would not be possible if it were not specifically a comic. I think this is true for basically every medium, I'm just thinking about comics specifically lately, because even though I don't really consider myself a comic artist - because I usually draw sequences of images rather than comics - the thing my clients want to pay for is often still "a comic", and they don't know or care to tell the difference. it's a difference that, as established, is often fairly moot anyway, because as long as it successfully conveys your idea it's good enough. but it's precisely because the sequence of images is often good enough that the specific skill of the comic artist is often overlooked.

#anyway i love cuchulainn

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descendant-of-truth · 3 months

Text

I do think they kind of shot themselves in the foot when it comes to the events of Sonic Forces, not because they were bad ideas or even because they were poorly-executed, but because of how it necessitates a change in character dynamics that Sega isn't willing to let happen.

Sonic canon is now existing in a time where Eggman's succeeded in taking over most of the world before, along with imprisoning Sonic for, and I need to emphasize this every time I mention it, six months straight. If Sonic's going to be jokey and casual with Eggman after that, then we need to be able to tell that it's something of a front that he's putting up, or else the character continuity makes no sense.

Recall how, in Adventure 2, Sonic would mock Eggman a bit when he thought he had the upper hand with the fake Chaos Emerald, but not because he wasn't taking him seriously as a villain. He knew that the situation was tense, he was talking big just because that's his personality.

Also recall how he completely dropped the humor whenever things got really bad. Well, he's seen things get pretty much as bad as possible in Forces, all because of Eggman, and I just can't buy the casual nature of their interactions in Frontiers because of it. No matter how casually Sonic acts around him, it's gotta be clear that he doesn't feel comfortable with him. And as entertaining as their dialogue in Frontiers is due to that vibe, it's out of character at this point in the timeline.

Yes, Sonic was the same way with him during Forces. But Frontiers was fully willing to let Tails have more serious, grounded feelings about what happened in Forces, so why not Sonic?

And seriously, what's with this trend of letting literally everyone but Sonic experience residual effects of Forces? Tails shows lasting guilt/anxiety regarding Infinite's first attack in both the games and the comics. And in those comics, the Restoration is all about rebuilding the world after the war, pretty clearly being shaped by their experiences. Meanwhile, Sonic mentions his imprisonment exactly once, and it gets brushed aside immediately.

I understand that Sonic wouldn't want to talk about it, but at a certain point, he doesn't really need to. A shift in how seriously he takes Eggman as a threat, showing his distrust whenever possible, would easily be enough to get the point across. Maybe make a point about him being a little antsy in tight spaces or something (which is the same way Forces communicated the effects being captured had on him, by the way).

And honestly, Eggman should feel a little different, too. He's now someone who's come so close to complete world domination and still lost, I feel like we should be seeing... I dunno, something. A different edge to his hatred for Sonic after such a monumental failure, maybe. Anything to show that Forces mattered at all to the major players involved.

Like, I don't think I'm asking for much here. If we can shake up the status quo of the series by allowing Eggman to be an Actual Dad with a Child, we can allow Sonic and friends to treat him as a legitimate threat who can't be trusted. But nooo, Eggman has to be silly enough to continue the Brand Image, which means that Sonic doesn't even get to have retroactive character development like Tails did

#sonic the hedgehog #sonic forces #sonic frontiers #dr eggman #analysis #meta #Thought about this after rewatching some Frontiers cutscenes and realizing they were a little too. chummy #I'm not someone who dislikes seeing them portrayed that way but they GOTTA consider the context they're working with

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miviaceleste · 2 months

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A Blackrock Story: A Boy with Turquoise Eyes

Happy 12th Anniversary to Blackrock Chronicle!

This comic ended up being 47 pages long (when I first sketched it, it was only 20 pages long). Since I can only upload 30 images in a post, I had to combine 2 pages into 1 image so hopefully it's still visually fine and not annoying to scroll through!

I wrote this mini-story more than 10 years ago, so I figured it was time to finally make it into a comic (after editing the writing a lot because I became a much better writer since lol).

Be aware of the TWs, and I hope you enjoy this comic!

TW: Violence || Blood || Injuries/Scars/Burn Marks || Kidnapping || (Temporary) Death || Loss of Limb / Amputation

Thank you all for reading one of my most insane projects ever!

Now, here’s another long story:

About 8 years ago, my life became so busy that to stay on top of my studies and activities, I stopped watching a lot of YouTubers, including the Yogscast.

I’ve grown up throughout the years. I had to stop acting like a kid to figure out what I wanted to do for the rest of my life. I’m still an artist today, but I haven’t drawn in this way for about 3 years to pursue my real passion. I love to draw, but I didn’t have the time or inspiration to make something grand.

About 3 months ago, I suddenly got curious about how all those YouTubers I stopped watching were doing, so I checked out their channels and watched a video or two before moving on. When I got to the Yogscast channel, on the other hand, I quickly fell in love with the new content and with everyone again.

It was insane to see how immediately my love for them came back. In 3 months, I’ve watched so many videos and streams/VODs. It’s all so comforting, funny, and uplifting. Clearly, I missed so much content in the past 8 years, but at least I don’t have to worry about running out of things to watch for a while.

What made me most happy was that despite changing a lot, I never stopped being that kid who laughed at the Yogscast’s shenanigans. It just goes to show that no matter how much the world tries to push you around, you never lose that sense of joy you had as a child.

Now, about Rythian:

Since I started watching the Yogscast in 2011, Rythian has always been my favorite. I loved his series so much, especially with how he got into character to give us an immersive experience. It was an escape for me as a kid. When difficult moments were thrown at me, I watched Rythian’s series to find a sense of comfort.

So when I started watching his and Zoey’s Blackrock series, my mind was blown. The storytelling, acting, humor, and drama of the series were so immersive and touching that my creativity exploded.

I mainly use art to express myself and my interests because I struggle to talk about it. But funny enough, Blackrock was the only interest of mine that got me to not draw, but to write. I wrote a lot of short stories about the series—even how I envisioned the series would end. I was so inspired to create all the time from this series.

And what’s crazy is that at the beginning of this summer, I found all of those written drafts and notes from when I was a kid. I kept them all for 10+ years and found a very loose (and not that good) draft of this comic and I felt really inspired to finish it.

It was roughly when I was first watching Blackrock too when I realized that I can be creative in the future. The Yogscast helped me understand that I can do whatever I want for the rest of my life. If they could do it, then why can’t I?

What’s also wonderful is that even after so many years, Rythian never stopped being my favorite. When I started watching the main channel again a few months ago, I immediately found myself rooting for him whenever he was in the group videos. I just remembered how much happiness he brought me when I was younger and it makes me so happy that I still get so much joy whenever I hear his voice.

While working on this comic, I watched all of Kirbycraft and caught up on Kirby Farm. I can’t help but smile the whole time Rythian, Briony, and Kirsty interact with one another. The dynamic of these three brings me so much laughter and comfort. A part of me is upset that I didn’t get back to watching everyone when Kirbycraft was still live, but better late than never, right?

I also originally started this comic without the intention of posting it. But then I figured, Hey, it’d be great to share it with everyone who’s also been impacted by this series and the Yogscast in general, so I made this blog to post it here. Honestly, I’m not sure when the next time I’ll be able to draw is (who knew building a career takes away a lot of your energy and time?). But I think that’s what’s so wonderful about my love for Yogscast and particularly Blackrock: I didn’t make this comic for the likes or views. It was just because I wanted to, and I’m so happy to see there are so many people on here who feel the same love for them as I do.

This series and the people who made it, along with the people who supported it and loved it and continued to love it, impacted me for the better. I learned so many years ago that I can be creative for a living, and have been working hard towards doing that since.

Happy 12th Anniversary to the Blackrock Chronicle. To Rythian and Zoey who put a smile on this kid’s face even during the toughest of times.

And to the Yogscast, thank you for being there for me when I needed you all the most and for still being here when I came back. Your ability to inspire me and make me laugh never disappeared throughout the years I was gone, and I’m ready to laugh some more.

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