#of course it's not really a canon thing but i made a comic anyways!!

[juney-blues]

June Egbert is, and always has been incredibly fascinating to me because of just, how many factors have conspired to make Homestuck fans show their collective transmisogynistic asses.

The main character of Homestuck transitioning is a planned future plot point for the official continuation of homestuck, that was spoiled in advance by a fan making a joke about finding some toblerones Andrew Hussie the author of homestuck hid in a cave.

The current main writers of Homestuck: Beyond Canon have went on record in an AMA confirming that this was indeed always the plan, even before they took up the project.

In spite of these facts, the general consensus among certain homestuck fans seems to be that "June Egbert" is purely a headcanon for the original comic that was "made canon" by a "Toblerone Wish" (a concept that didn't even exist at the time)

For a variety of reasons, the "canonicity" of the postcanon official continuations of homestuck is a mattter of much debate, (though a debate that most homestuck fans seem to err on a side of "it's not canon at all in the slightest," something the writers have feelings on I'm sure.)

All of these factors combined leave the concept of "June Egbert" in a very nebulous place. It's assumed by most to just be an "ascended headcanon" that was shoehorned in, it's a spoiler so it hasn't happened yet in any official media, and the official media it will eventually happen in is regarded by some to be nothing more than glorified fanfic.

If someone is talking about June Egbert, and you don't like the concept of June Egbert, you have your pick of a million different excuses for why she's fake and gay and not worth discussing and bad writing and just the authors doing a gay dumbledore*, paying lip service to representation while actually doing nothing.

And of course, lots of people *don't* like June Egbert! Rather than being introduced as transfem from the start, she's in this nebulous position of discovery where people have to truly reckon with the idea of a "Pre-transition Trans Woman."

You can try to write off *some* of the backlash as transphobia, because obviously not everyone in this fandom is gonna be cool about trans people.

But there's no shortage of fans just dying to tell you about how much they like reading her as transmasc, or the idea of her being nonbinary or genderqueer or genderfluid, or literally anything besides a trans woman. And since they're fine with all those other interpretations, there's obviously no implicit biases driving their distaste for the concept! (if you want to try explaining the concept of "transmisogyny" to people like this you're braver than I.)

you can trust them when they say it's *just* a problem with whether or not it makes sense with the writing, or it just doesn't feel right somehow, or any of the thousands of excuses that this writing situation gives them to just Not Like It.

It's just, so interesting to me. There's not a lot of characters out there that get a trans arc in this way, that leaves room for open denialism and insistence that we have our trans cake and eat it too... Because Homestuck is a timeline spanning multiverse story, lots of people seem to want it to be an alternate timeline thing. Assuring us we can have this character share space with a non-transitioning version of herself and it won't be weird or imply gross things about trans people.

If you ask me it feels like a plotline that'd be really good for exploring some gender horror though, finding your true self and then being demoted to a footnote, an alternate version, because everyone around you likes your pre-transition self more....

Anyway I have no broader point beyond "hey look at this isn't this kinda weird. You don't get this kinda stuff often!"

*side note: it's a little ghoulish I think to compare "a future trans plot point that hasn't been given the chance to even happen yet, in an already famously queer piece of media, from a nonbinary author" to "some stupid shit done by the literal most famous transphobe of all time" but that's perhaps a discussion for later.

[lxvepup]

How I Became The Ruler Of My Specific Poptropica World (anime title)

((open image for better quality!!))

[unproduciblesmackdown]

Lackadaisy Enrichment

[quinn-pop]

shoutout to that one mtdd confession comic i drew last year that i never posted because uhh

it was unscripted so the ideas were pretty disjointed and it showed a lot. anyway:

[todayisafridaynight]

I kinda want the show to include Majima Everywhere with no explanation. Episode 1 jumping out of a sewer manhole encounter. Episode 2 jumping out of a giant traffic cone. Episode 3 Officer Majima. Episode 4 Kiryu takes a break to go to a hostess club and guess who the hostess is? That's right, Goromi! Episode 5 Kiryu jumps into a taxi, taxi driver Majima. Episode 6 zombie apocalypse. Etc, etc.

would be a funny lil thing tbh.. i can see that being like a 'before the intro' kind of gag that doesn't disrupt the actual plot

[bokettochild]

Linked Universe Enterence p.3

Okay! So I have thoughts!!!!

First off, does anyone remember when JoJo shared those first snippets? How there was a fun little detail that suddenly disappeared when the comic actually became more than doodles?

Yeah, I'm talking about this guy

(Not the grouchy old man being offended, the owl LOL)

I know there's a chance I'm wrong, a big one at that, but I think it would be really cool if, if only for a short while, JoJo brought him back, even if it's just for this era of Hyrule. Let Time have his owl buddy!

Anyways, to the actual comic!

I noticed that the boys are all still together, so I'm guessing they're waiting until they come to a cross-roads to actually split up like Four advised last time. So we have that to look forwards to in the coming updates!

I love that she's really highlighting the similarities and differences in this arc, showing us who knows what and what they've done, but also the little things; both with owls and the antifairy!

I adore the Owlan reference/appearance!

And Time immediately agreeing about the "long, drawn out lectures part" made me laugh. (His expression, my Hylia!!!)

That is the face of a man who kept accidentally asking to "hear it again" and regrets it with every bone of his being LOL

It's good to see more call backs to the last comics too! Having Hyrule be wary of the statue because he remembers seeing it before, and Warriors agreeing, but also reminding that it didn't cause harm. The fact that Hyrule keeps his sword pointed at it though, wary, does say a lot about how cautious he's being all the same (Wild ought to take notes)

And of course this whole panel

Twilight's awkwardly trying to assure the rest without spilling the secret, Sky laughing and turning to look at Legend, and the fact that the vet is just so entirely done with even just the thought of being a rabbit. (I love his face, omgosh).

Te way I screamed "anti-fairy!" when I saw this, and then was so, so delighted that Legend and I had the same thought (I am unwell about this man).

I'm equally unwell about the fact that Legend just has to say "ouch" (which you only say at inconveniences and not real, actual hurts) and immediately everyone's turning, weapons out and ready to help him face...whatever. Like, he's fine, guys, but it's sweet you care (now Legend, please take note and realize you belong, you idiot)

Love that Time hears "fairy" and immediately is all ears. All the more so at the "anti" part. Man was raised by fairies and he absolutely doesn't like the idea of something that would hurt them.

Meanwhile Legend is just being freaking Haku (Spirited Away) over here!

Tell me you don't see it!!!!!!

Also, his casual use of magic to purify something, to just make it no longer a threat, rather than hurting it. That need to save EVERYONE is really showing through here, huh?

And immediately, everyone is shocked that he did that, but also what it means about fairies. About dark magic. But Time and Wars especially!

Gosh, just Legend's little worried face and Time's offense at the idea of fairies being corrupted and harmed. Shows a bit about them here too I think. Time is maybe slightly obsessed with fairies (reasonably so) and hates them being harmed, but he shows his worry on the matter in anger. legend, meanwhile, becomes more sombre, quieter: it bothers him too (maybe reminds him of a certain predecessor?)

Get this man a tiara, he's a freaking Disney Princess over here, good grief!!!! He's carrying fairy food on what? The slim chance he has time to stop and feed them? Honestly, i know he's probably as attached to fairies as Time (although with a healthier relationship with them), but this is just too cute. this man is going to be the death of me!!!

Anyways, here's the bonuses!!!!

SUN APPEARANCE!!!!!!!! We have a canon Sun appearance!!!!! Like, sure, sleepy student Sky, but it's SUN!!!!

This smile. Oh my gosh I adore him. He's just so glad he got to help the corrupted little one become normal again.

JoJo was having fun with Four I see LOL

Man really said "hang on, let me check my purse, I think I have snacks in here"

Freaking Mom Coded

[palskippah]

Hi! There are role swap AUs of them already and I love them so much, so I tried making my own too! You should know that this is entirely self-indulgent like anything else I draw askdaslds

There is Mareach and Bowuigi bc yes alskdklasd and a tiny bit of one-sided Luaisy that leads to nothing because Luigi's a married man 😔

I had other drawings of them, but they're not colored yet and I wanted to share the idea already sjsjs

Here's some ideas for this AU!

-Mario's the Mushroom Kingdom Princess and his parents are the King and Queen. Luigi used to be the other princess, green princess or green princess Mario (as in, his bro Mario, not his last name Mario 😔), but he married Bowser and became the Queen of the Darklands :y Everyone in there respects and remembers his name, he's built a really good reputation for himself by simply being himself, in this house we believe in the 'Luigi is the Darklands' hero' hc too. Their aunt and uncles (and cousin) rule Sarasaland.

-(King boo's a Darklands ally but still hates Queen Luigi from that one time he wiped clean his mansion when the king kidnapped Mario. Luigi's scared of ghosts still too, but Junior always reassures him he's gonna beat them up if they try scaring his mama (I drew it actually, I'm gonna color it too!))

-When the bros were 20 Bowser at first tried kidnapping Princess Mario, and Mario was ready to beat his ass but they ended up talking about ally-making and ruling a kingdom as Bowser just got crowned king. Mario advised him to listen to his advisor and other stuff and by the time Luigi caught the koopa ship, ready to bonk Bowser in the head with his comically large hammer, the princess and king made plans of starting a treaty.

>Anyways, they met often after that when Bowser went to plan the treat with the Mario King and Queen. Luigi fell for Bowser and Bowser fell harder and Mario regretted talking to Bowser and should have instead just beat him up. He's happy for his bro though. When they married and had Junior and adopted the koopalings he decided that he was very happy that he talked to Bowser. He loves how happy Luigi is.

-Princess Mario accomplishes many things and excels at almost anything he tries, and all the toads treat him as a hero as well as a princess and all, so his dad doesn't think he's a failure, but still bothers him by urging him to get married ever since he turned thirty. He often compares him to Luigi, who got married at 23 and in the present had eight kids with his husband. Mario doesn't give a shit about marrying soon, but wished his dad would stop being annoying. His mamma is a sweetheart as always and often tells her husband to leave him alone. King Mario is stubborn as hell though (his two boys got that from him), so he doesn't.

-Peach and Daisy are cousins and they were trying to start a business together, though they weren't still sure about what (you know as Princess Peach and Daisy have many businesses together in canon aksdla), but before they could settle anything they somehow fell in the pipe and Peach landed in the Mushroom Kingdom and Daisy in the Darklands.

-Bowser still steals the Super Star, but in hopes of giving Luigi the coolest anniversary gift ever, as it's their seventh and all that. He very often gives him all sort of things, like great statues, many many dresses and all the stuff that he knows Luigi loves. Being the himbo he is, he's genuinely concerned that Luigi wouldn't like something unless it is completely new and has never been gifted to him at all. Of course, Luigi would love anything he'd give him, because Bowser's gifts are always made with love. By the end of the things, Luigi tells Bowser so and calls him an idiot affectionally, and also makes him return the Super Star. (movie-like, you know, since this is somehow a retelling alksdlasd)

-Based on what I read at discord, if you're who wrote it, pls know that i love your ideas jsjs- Bowser has set up many statues of Luigi that are of a nice stone color and has gems in its eyes to glow under the lava and the sun when it's out. Imagine that one Luigi render where he's got an arm raised and the other nicely by his side and he's smiling, that's the main statue of Queen Luigi sjjds. They contrast greatly against Bowser's, that were made to make his fierceness stand out, unlike Luigi's that highlight his kindness.

-In the piano scene, Bowser is playing and singing and Luigi's laying on his stomach over the piano's surface (no idea if that's possible but humor me alkdalsd) and listens with the most besotted expression ever, resting his face on his palms. When Kamek interrupts them Luigi's not mad or anything, but Bowser really glares at the magikoopa.

-Junior finds Daisy and brings her to the castle, in hopes that his mama and papa will help her, because they're the greatest people in the whole world and they can do anything.

-Daisy and Luigi quickly become friends, making Bowser jealous of the other human, especially because Daisy from time to time looks at Luigi as if she like-liked him. Not that he thought Luigi had eyes for anyone else beside him, but it was still annoying. And Diasy, for all she annoyed him, seemed to fully respect that Luigi was happily married.

-Daisy teases Bowser mercilessly too, at first clueless that she's supposed to be terrified and respect this guy like everyone else does (maybe Junior takes her to him first, and completely forgetting Junior's initial rambling about his family, she doesn't realize Bowser's the king, but when she meets Luigi, she sees his crown and fancy clothes and immediately knows she gotta be respectful to this guy. She doesn't know how royals are in this lava world, after all), but she keeps doing it, knowing the koopa king may look terrifying but he's mostly bark and no bite.

-DK and Mario are friends and they often meet up to beat the shit out of the other, or sparring as it's called, I think. The first time they did it, Mario got the cat power up and destroyed DK in front of the kong king and other kongs, and since then Cranky doesn't dislike Mario so much, and the others respect him greatly too.

-Mareach,,, they look at eachother and sparkles are in there too. Peach doesn't brutally throw Mario to the ground or anything, but he loses his breath anyways because of her beauty. Also, Mario's type is beautiful tall women (and tall idiot men, maybe his dad suggests DK as a husband and Mario's like ew dad, we're just friends. Or maybe... Donkareach... I like the fics that has them, but idk for this).

-Toad as a wingman, he doesn't care how obvious he is, he's gonna make Princess Mario and his new friend Peach be together, because they clearly like-like the other.

That's all I got for now askdalsd thanks if you read my ramblings, sorry if there's mistakes in writing.

I'm gonna color the stuff I got left and maybe draw more, but knowing myself I dunno if I will anytime soon 😔 Also I go back to college the next week sadly sjsjd

Got any thoughts on the AU? Tell cuz I'd love to know c:< but only if it's nice thoughts, I'm sensitive akdalsd

[redmarqar]

alright so.

saw that post of things in tf2 lore that people get wrong, made by @/solid-white (not tagging them because i simply dont want to bother them) and wanted to ramble about the engineer's eyes part where it says that he has green eyes and not blue as everyone headcanon him to have, i actually did a little research through the fanmade models + official content AND while we're on it and actually talking about it, i want to add some information to all that

im obviously not saying that solid white is wrong anywhere, they actually pointed out several interesting details about the lore and attention to details is what i really love about any kind of community, again, im just saying that im here to add some info.

so first of all (and the most obvious part) is that the actual engineer model doesn't have any eyes under the goggles, valve model makers simply sculpted him with his goggles stuck to his face. and i found a fanmade model of his face without the goggles! its made by poltergauss on steam, it also was used for maynard's eyeless face model in emesis blue as you might know!

moving on, i wanna talk about the fanmade models with eyes(im pointing out the fanmade part because it'll be important a bit later in the post), first one is called enhanced engineer by maxxy on steam (i think that's that one person who made the embargo map?? i'll double check that later), this model was used most often for the sfms n other stuff, also it was used for meet the engineer without goggles by hellhounds04. that engie originally has blue eyes

and the model with green eyes that solid white used in their post... well i couldn't find the author of that one really, its either argie702 tf2c mod on gamebanana OR gintoki sakata on gamebanana or someone else, i suppose the actual creator of the model is somewhere on gamebanana too, there are plenty of models there and i just couldn't find anything. this model has green eyes as mentioned above

and now the interesting part about the canon engie, as you remember, in the true meaning comic he has no goggles and here i have absolutely no clue about the eyes, of course its the environmental factors like the fireplace in the dark room + unique shading and colouring style of the comic artist that makes it harder to understand the exact colour of the eyes, so im not sure about that, it seems like the artist didnt want us to know engie's actual eye colour, maybe in the seventh comic dell will appear without goggles, who knows...

summing up, his eye colour is a mess. like honestly, no idea. but anyway its awesome to see people draw him with any eyes different from blue, what im saying is that there's no canon colour until we get the answer from the comic (and all hail headcanons) + huge shoutout to solid white again, im glad they talked about it first and made me able to put my "um ackshually☝️🤓" in it

also if im wrong in any part about the model creators credit or in any other detail, you're always welcome to point this out for me, im still curious about who made the green eyed engie model, and as i was saying i just wanted to share this research with you. thanks for reading!

[writing-for-life]

Dream and How He Experiences Love

(Or: When the Unreal is at War with the Real, and Finally Understanding Unconditional Love Tightens the Noose Around Your Neck That Has Been There All Along)

And as always: Send me asks about everything Sandman-related!

Let me start this one with a few adjectives from the horse’s mouth (aka: Neil Gaiman said so 🤣) as to what Dream is actually like:

from: Vertigo Chase Card Set

So in short: This is probably the most accurate way to describe Dream in a nutshell, from the author himself, fully knowing that Murphy doesn’t lend himself well to be described in a nutshell.

And of course it’s absolutely fine if we want to head-canon him just being 5 out of those 50 (or none of them at all)—our stories are our own. At the end of the day, we went through a whole year of Tumblrfication (I might have made up that word), and getting back to the series will be tough. So is trying to align what the current prevalent perception of Dream is like in parts of the fandom, and what he is like in both comics and series (show and comics really aren’t that different where it matters, and I’ll die on that hill). I already worry about the fallout if I look at what happened with GO or OFMD, but that just as an aside.

Anyway, Dream in fandom spaces is often portrayed as either a pathetic wet cat who can’t get to grips with anything and constantly needs rescued in one way or another, or as a completely unfeeling arsehole incapable of relating to the human experience and being horrible all around. There are very few shades of grey in how some fans perceive him, when just the list of above adjectives shows us how complex he is as a character.

One thing that obviously comes up regularly are his relationships, be they romantic or platonic. So I just wanted to draw attention to the adjectives that relate strongly to the relational element in him (although they all apply in one way or another):

touchy, sentimental, cold, loving, [elusive], gentle, hurt, deep, intense, solitary, romantic, shy, intangible, lonely

Dream is the unreal. His way of loving relates very deeply to what stereotypical romantic love is: Romance and reality are a contradiction in terms—romanticism is dreaming because it is, at its very core, an idealised view. The intangible dream that comes back to bite us in the arse once reality sets in. And his flavour of love is the prototype of idealised and intangible (=romantic) and can never be anything else by his very nature.

And I’ve often thought that the way he experiences love is also a large part of why his existence is so difficult for him, and why he ultimately makes the choices he makes. Yes, he detests his function, but if he weren't so lonely (and weren't doomed to be so by his very purpose), he might find it easier to bear.

Let me look at, and draw parallels to, the 7 types of love as the Ancient Greeks perceived them [quick note about the image references: I would have loved to give more, but there is a limit. Also: Apologies I have no alt text for the comic panels at this point, I might add them at a later stage if I find the time]…

Eros

That’s both sexual and romantic love (to varying degrees), and it can be fleeting (like a dream) if not anchored in a less idealised view. So there’s your first cue—he totally experiences that kind of love.

The Ancient Greeks also thought it was a dangerous type of love, one that clouds our judgment and one that won’t last if not combined with some of the other types. And Dream himself knows this and probably relates (he detests his sibling Desire for “meddling”, after all). And yet, he is the intangible, the ungrounded, the unreal.

It’s all over every single one of his relationships we witness:

Killalla—“gifted” by Desire. We never get any cue as to what exactly they were up to, but it can be assumed desire, for whatever, played a large part in their relationship. Killalla makes no secret about it either (and is at the same time uncertain whether she truly loves him while being confused Dream might actually love her after what seems a very short time, at least in cosmic terms). Suffice it to say, he has a very idealised view of her and their relationship. Romantic idiocy at its best: He has literal stars in his eyes and is so grateful for Desire’s help he is basically kissing their boots in gratitude.

Alianora—again one of Desire’s gifts. And Dream tried, and I definitely think he was at least romantically (and physically) attracted to her (the art is very hard to interpret otherwise, neither is the context--she was gifted by Desire, after all). But this relationship is generally a tricky one because there is gratefulness and guilt n the mix, and that is sometimes a very unfortunate combination. He also couldn’t fully trust her because of his deep mistrust of D/desire. And lo and behold, of course the relationship soured when romantic and (potentially physical) attraction waned.

Nada—pursuing each other on and off, broadcasting sexy time all over the Dreaming because he's just so head over heels and literally bursting at the seams—need I say more? Yes, he does say to her that her body does not matter to him, which I 100% believe is true. He also says that he will love her as no mortal man can. But everything that transpires is still deeply informed by romantic attraction, because quite frankly: You don't feel love yet after you've barely met someone. It's again a deeply idealised view and that is something inherently romantic in tandem (in this case) with physical desire. Again, because D/desire was involved.

As to the particulars of Nada’s banishment to hell, and why Dream acted so out of character compared to his other failed relationships: You can find all of it here.

Calliope—read her speech at the Wake is all I’ll say. That is someone making romantic love so integral to their whole existence, I don’t even know where to start. He puts the world at her feet and makes sure she always comes first (quite literally) while they are still loved up…

Thessaly—he's the romantic idiot (affectionately) in the rain with his coat billowing in the wind, and referring to her “weighing him dispassionately and finding him wanting”. It was only a handful of months--you don't feel true, stable love at that point. Again, it has the idealised view of romance (and potentially sexual desire) written all over it. He would have given her the world, just like he would have given the world to Nada and Calliope. That is the trope of every freaking romance novel, and that is exactly how he perceives love.

Titania—who knows, she keeps her mouth shut.

Ludus

I think he has a hard time to be flirtatious and playful (at least, we don't really see it. We never really see him during the courting stage, and what went down with Thessaly was hardly "flirtatious". `Then again, bickering like they did in A Game of You is electrifying to some, so who knows. She also said at his wake he was cautious and nervous). And if he comes across as flirtatious (there is a charming on that list of adjectives after all), it’s just because he is so deliberate in everything he does that he might just push someone’s (right) buttons, so to speak. But that’s not the same as “no strings attached”-love, because I honestly believe he’s incapable of experiencing love that way. There is no “casual” with him. He always stays attached to the people/women he once loved, even if the relationship sours. He still loves each and every single one of them, he never stops. But he also doesn’t in a way that’s sustainable, and it’s an unsolvable conflict due to what/who he is.

Philia

Most closely translated as friendship and affection. Platonic love, if you will. It is also a love between equals. He has a hard time with it and only slowly learns what it means through his relationship with Hob. Needless to say: The Ancient Greeks valued platonic love as one of the highest forms of love. Hence, I’m personally reluctant to turn it into something else/slant it towards romance, because that’s exactly what this part of the story is about: His relationship to Hob is important and grows/lasts because it is not romantic in the comics.

Storge

Unconditional love for family, especially children. Based on complete acceptance and potentially sacrifice. Doesn’t need to be reciprocated. You feel it, no matter what, and you act accordingly. And for Dream and Orpheus, that didn’t work until it did. Or, let’s rather say: I don’t want to assume he didn’t feel it. But he pushed it down in his hurt and pride (as did his son in his grief). No further comment, because that one hurts.

Agape

Altruistic, universal, all-encompassing. And that’s so deeply at the core of his being, and so central to his whole conflict that I don’t even know where to start. From not wanting to kill the first vortex (or Rose, for that matter), to telling John Dee he’s hurting the dreamers, and that being his main concern while he himself was writhing on the floor in agony, to “humanity I love you”, to a million other things. He cares so deeply, there is such a deep concern for sentient beings in their entirety that it’s quite literally impossible to call it anything other than love. And it’s also what plays a large part in his demise.

Pragma

Oh, here we go. I honestly believe he likes the idea of committed and long-lasting. And he’s trying. So very hard. Calliope is the best example. Alianora was another one, because it’s not like they broke up swiftly (hard to tell how long they lasted, but since she had stayed in the Dreaming too long to go anywhere else, it wouldn’t surprise me if we’re actually talking a very, very long time. He called it “a goodly while”, and considering how old he is, I doubt that equals only months, or even just a few years, especially since he is fully aware how short his relationship to Thessaly was). And he wanted to stay true to his promise. But he is who/what he is: the unreal. And as the personification of that, love both feels real for him but will also forever stay intangible. It’s heartbreaking really. Again, it has written the contradiction between romantic love (the ideal) and pragmatic love (the thing that is grounded in reality) written all over it.

Philautia

And that’s the most heartbreaking one. He is incapable of self-love and full of self-loathing instead. The Ancient Greeks used to say that you can’t give what you don’t have. And it’s hard to feel compassion for the flaws we perceive in others if we don’t have that self-compassion for the exact same flaw in ourselves. And that one hurts in so many ways, from his not being able to forgive himself (which is mirrored in his relationship to Nada, who also couldn’t forgive herself—she didn’t need his forgiveness, she needed her own) to Orpheus being so much like him apart from one major difference: he’s mortal in spirit, and even immortality doesn’t change that. And Dream struggles with the part of his child that is so like him for a million reasons that would burst this meta at the seams, but again: it’s hard to love in others what we detest in ourselves, knowingly or unknowingly.

So in short: The particular flavours of love Dream feels (Eros, Agape, Philia growing slowly over time) and the ones he doesn’t (Ludus, Pragma, Philautia) are also at the very root of how the story goes.

And when he finally truly understands what Storge/unconditional love is--both in the way he reassesses his relationship to Nada but especially in how he finally submits to his love for Orpheus (with all that entails)--and when he allows it to become real, it’s what tightens the noose around his neck. But that noose has been around his neck loosely all along…

[fractualized]

Today in "I know we bust on comics a lot around here but there are still plenty of comics worth your time," I think Robin Lives is off to a promising start!

Also, I have to say, I found myself comparing it to Three Jokers. For one thing, it seems like much more of an examination of trauma than Three Jokers was purported to be. For another, while Three Jokers had me doubting that Geoff Johns really read The Killing Joke, Robin Lives feels like JM DeMatteis gives a crap about what actually happened in "Death in the Family."

But my petty grudges aside, here's what I liked about Robin Lives #1, with lots of spoilers. (And images of child murder and such, obviously.)

Unless there are shenanigans later, Joker definitely dies on the very first page.

Falls at Bruce's feet. Aw. :(

So this presents to us an instant mystery! Was Bruce responsible? Or was it Jason? Someone else entirely? Looks like the answer will be in three more issues. For now, we flash back to the aftermath of Jason's near-death.

DeMatteis deals with Joker's infamous ambassadorship by simply… taking it away. Which is pretty funny to me.

"Honestly, we were coming off a pretty wild party when we made that decision. Who knows what we were thinking? Hahaha, no hard feelings, right— What's that gas??"

I should note the narration in the purple box, which starts before this scene. Halfway through the issue, we learn that this story is being narrated by Dr. Saraswati Dev (aka Sara), a trauma doctor that Bruce hires for Jason. As we read what happens in this deviation from canon, she examines how we should view people who do such terrible things when their own lives and actions are affected by mental illness, their own trauma, and so on. It's an admittedly blunt story-telling tactic, spelling out the nuance for the reader, but I don't mind it, and it tells us that this version of Jason's story won't end cleanly.

Sara also clearly knows much more about Batman and his sidekicks than the average civilian, which raises the question of how she gets so involved in their lives. I'm hoping it's not because she becomes a love interest… but then again if that's presented as one of Bruce's screwed up mistakes, that has potential!

Anyway, as reviewed in a previous post, Joker was uneasy about killing Jason from the start, and that doesn't change in this version. When Bruce rescues the Iranian representatives, Joker tries to downplay what he did.

Hee hee, "Batsy-boo."

Joker can't escape for long, though.

And I have to pause here to note that this scene is reminiscent of the climax in the "Going Sane" storyline, which DeMatteis also wrote.

[Batman: Legends of the Dark Knight #68]

There are differences in the scenarios, of course, but the other thing about "Going Sane" is that Joker/Joseph repeatedly refers to the urge to return to his former self as drowning.

[Batman: Legends of the Dark Knight #66]

So in Robin Lives, it adds an extra kick when Bruce overturns Joker's boat and then stands by as Joker drowns.

Oh god that feeling when your secret fears come to fruition

But don't worry!

This is all an interesting variation "Death in the Family." Then, in his grief, Bruce was constantly fluctuating on if he was going to kill Joker, and his eventual attempt was trapping Joker in a crashing helicopter. In Robin Lives, he seems ambivalent too, again engineering the circumstances for Joker to die but not being an entirely active participant, and also not angry at Clark for rescuing him. (Speaking of which, Clark sure as heck didn't rescue Joker from the original helicopter incident. I guess he's ambivalent in his own way!)

So Joker is returned to Arkham Asylum, where Bruce talks to the current director, Dr. Benjamin Stoner (who evidently really was the director at the time but also a literal agent of chaos??? OK I guess I'll keep that in mind). Stoner pushes back on Bruce's assessment of the Joker.

At the time, Bruce vanishes, but as we see in the narration when Bruce faildads hard with a recovering Jason, he later seems to reflect on Stoner's words along with Jason's.

Jason appears at the start of the issue in the hospital, but we finally get into it with him in the second half. He keeps withdrawing from Bruce and Alfred, so Dick appears to provide some emotional support.

The page already notes that, no, this chat is not going to be enough to get Jason back to baseline. But it's also darkly hilarious that Dick thought it would be, especially keeping in mind that the implication is that this is the only time Dick comes over, and it's after Jason has been listless for some time. It's almost like this whole family is bad at feelings.

But Bruce does finally hire a professional, our narrator.

Of course, Jason overhears their discussion and thinks Bruce is planning to send him away.

Ouch.

Jason decides to prove that he's totally fine, actually, by saving a gala from Scarecrow by himself. Did you guess that he gets hit with fear toxin? Because yeah, they always get hit with fear toxin!

Oh my god he just wanted his mom to save him 😭

OH GOD FOR A SECOND I FORGOT IT WAS FEAR TOXIN

I should take a second to jump back and note that Jason imagining Joker getting one right between the eyes, just like we saw at the start, feels like a solid indication that in the end, he will definitely be Joker's killer... but, well, you really don't know until it happens.

So Jason is out of commission, but before Scarecrow can kidnap him for interrogation, Batman finally shows up. Bruce beats the everloving crap out of Crane, obviously still consumed with anger about what happened in Ethiopia. The freaking cops have to ask him to stop.

And then the final page is just more of the saddest of sadtimes.

I do love that first narrative detail in the top panel. Bruce is feeling angry and guilty but also humiliated and ashamed. He knows Jason is a vulnerable kid who needs help, but as always, Jason also represents Bruce's personal failures. He couldn't get Jason to do exactly as he was told. He couldn't protect Jason from harm. He couldn't maintain the image of Batman as invulnerable, not with this terrified boy shaking on the ground. Bruce does not have control.

It's very human, and it's a key ingredient in whatever disaster is to come. Even if we didn't have Sara's final questions in the last two panels, we can already tell that Bruce is going to continue to make not-great choices.

I've already ordered #2, and I'm looking forward to reading what DeMatteis has in store in the next three issues. Barbara has to make an appearance, right? And she'd be a great candidate for the shooter...

[onnahu]

Why Bruce and Jason can't have a relationship we all want them to have

Disclaimer: I mostly ignore things that new-52 changed about their backstories bc new-52 is dumb when it comes to it

The thing about relationship between Jason and Bruce is that their upbringings were so different, and they both are so stubborn, they never could've agreed on some things.

Bc let's be real. Bruce went through a traumatic even as a child, and that was terrible. But before, he had two loving parents, and even after, he is a white, rich man. He is the definition of privilage and that's what made him Batman. I assure you, if he was poor, or even in middle class or whatever, he would never become Batman. Not only for a lack of funds.

On the other hand, we have Jason. From comics, even if fandom kinda streches it, his parents did everything they could. Jason for sure loved them, taking from his reaction at Willis's death, and everything about Catherine. We know he loved them, and they loved him. There is no hint for abuse in his early life (beside new-52 but new-52 is dumb), even if classist beliefs make us assume that. They had many problems, not much money, and Catherine was sick, and later an addict. So even in their poor financial status we can assume Jason's childhood was as good as it could be. He never complained about it, at least. Also, I personally headcanoned it earlier, and in the Hill it was pretty much confirmed, that Jason's latino.

That leaves us with two differences between them already, that gives them opposed perspectives on life. Bruce could never understand Jason's life no matter how he tried. Then, we have Catherine's death. It's a similiarity. Traumatic even where they lost their parent/s. But it's also very different. Even in their reactions we can see how they're not the same. Because as Dick's and Bruce's were similiar, Jason was complitely different.

Jason knew he doesn't have time for grief. He did what he had to keep himself alive, and took care for himself, that he in some way did already. He even menaged to do well for himself. We know that he survived on the streets alone for at least few years, and didn't really need Bruce's help for that. Although survival is not the same as life.

The other, propably more important thing: there was noone to blame for Catherine's death. He could blame her dealer, but he didn't really murder her. Dick and Bruce had the person that murdered their parents. They wanted revenge and they worked for it. Jason hadn't had anyone to take revenge on. He had no one to avenge.

Then, Jason got adopted, and could taste Bruce's life in some way. He learned how it is to have money to throw everywhere, and be priviliged for high quality education, food and entertainment. His poin of wiev on it was of course screwed up, but he got to expirienced it. Also saving people. Because saving people is a privilage.

If you struggle to keep yourself alive, you can't keep the others alive, unless you have a martyr complex. We, as animals, are programmed to keep ourselfs going no matter what. We have to be our own priorities, and if you can prioritiez others it's because you no longer need it for yourself.

Anyway, Jason saw how it is to be Bruce. To be a hero. But Bruce bever knew how it is to be Jason. How to be anyone that's not him. He can have empathy, he can try everything, but he could never understand. Some things you can know only if you expirienced. The same way I know I, however I want to, I will never really understand some things.

Also the whole thing with dying. That's important to. Jason knows how it is to die. He knows how it is to kill. Bruce doesn't know either.

Anyway, it's all kinda messy, but the point is - they could never see eye to eye in some matters. They can try, but especially after Jay's ressurection, they can never have a relationship we wants them to have, not in canon, at least.

Thanks for coming to my TED talk.

[cryptocism]

i was gonna ask how inertia II (helped superboy prime fight the teen titans) fit in the too many thads AU cause i originally thought he was an thad/bart clone but? he's just some dude? i feel like your (fantastic) fic gave him as much mind as the comics

truly that version of Inertia is such a mystery to me GOD i have so many questions. like, he isn't paid much mind within the actual narrative bc there's like 8 different fights happening all at once and Superboy Prime is the main antagonist but, straight up Who Is He.

like in the span of #98-100 there's a couple things that do get confirmed about him

for instance:

"After this is over, I gotta talk to them about this costume they gave me, I mean - green? It's the color of a turtle. Talk about Irony." - "This Inertia hasn't got a clue. He doesn't know that the last speedster to wear that costume killed me. I got better. But the scars run deep."

New Inertia says "they" gave him the Inertia costume. Who is "they"? Superboy Prime? CRAYDL? Someone else?

Bart concludes that New Inertia doesn't know how the previous one killed him. I assume just based on New Inertia's irreverence? But unclear.

"Inertia killed Bart, but that's not the same one. He's two inches taller. No doubt the costume choice is deliberate. Bart only has a few buttons, so it's easy to push them."

Tim notes in his narration that this Inertia is two inches taller than the last one. Why? What purpose does that serve?

Superboy Prime has proven himself capable of making clones, given the gaggle of Kon clones that show up in this fight, but if he made New Inertia to be another clone of Bart or of the previous Inertia, why the physical difference?

Even Bart can't figure out if this guy is a clone or not:

"What's the deal with all these clones? Is that Inertia one too? Or just another speedster?"

Which is kinda wild because although there is a wide selection of speedsters in present, Bart knows pretty much all of them. And even if this is a Random Guy With Superspeed, what would compel him to be here, fighting Bart?

And before any questions can be asked or answers can be given, Bart gets a lil lost in the trauma sauce (can't really blame him) and kicks the shit out of New Inertia

"I died. That happened. Inertia was the catalyst for it. He delivered the fatal blow. But I'm back, and this isn't the same Inertia, right? This is real. I've played out this scenario in my head over and over again. And every time, it felt better and better. Inflicting pain. Destroying him. Avenging myself." "So much anger - radiating like the sun. A dark, black sun. Bart is seething with rage." "It's what he deserves."

the "it's what he deserves" line always gets me. because they've already established this is a New Inertia, he literally hasn't done anything except fuck around causing trouble along with the rest of Superboy Prime's posse. anyway Bart obviously has lots of baggage surrounding Inertia, with the actions of one bleeding onto the other.

(fun fact Raven's description of Bart's emotions being a dark black sun informs a lot of the imagery in chapter 21 of Frequency)

"I... I could've killed him." "But you didn't. You controlled your emotions." "Yeah. See, Raven - we all got our demons inside."

AND THAT IS THE LAST WE SEE OF THIS GUY. Where does he go after this? Is he still unconscious after the fight or does he get away while they're going after Superboy Prime? Who does he go back to? Who The Hell Is He? Fuck you they gotta punch Superboy Prime so hard he ends up in purgatory.

Then of course the run is over, the universe is rebooted, and we get New 52. So all these questions will presumably remain unanswered forever.

But Canon Things About New Inertia Include:

he's "new to this"

not the previous incarnation of Inertia

two inches taller than the previous Inertia

received the Inertia costume from someone else, only referred to as "they"

working with Superboy Prime, but with zero on-panel interactions with either Superboy Prime or any of the other villains who have joined the fight. the degree of familiarity is unclear if not nonexistent.

irreverence regarding his predecessor implies he doesn't know the full history of what went down between Inertia and Bart

may or may not be another clone

gets the shit kicked out of him

it's so frustratingly vague lmao.

so yeah i took that and ran with it to inform Six's traits and backstory: The "they" who gave him the costume becoming CRAYDL, the other Six's, (and Project Inertia more generally). His height because he's slightly older than the previous Inertia was.

Follows-up on the previous Inertia's antagonism with only vague knowledge of what actually happened. Underestimates Bart's feelings on the topic. Joins up with Superboy Prime, not because of loyalty or familiarity but because going solo is what killed the old guy. Irreverent, uncommitted, overconfident. Tends to get the shit kicked out of him.

and then to follow up on this fight, Six's "first" meeting with Bart becomes his own weird revenge quest over that one time Bart kicked his ass. mostly just wanted the closure there, and for Six to have held a grudge about it for literal centuries bc it is funny 2 me.

my motivation for writing Frequency came from a frustration at the contradictory/unexplained/unexplored plot points and storylines specifically surrounding Thad/Inertia, this whole thing being a major one. At its most basic, Frequency is just my attempt to weave the disparate elements of canon into a cohesive narrative.

[binomech]

in which @medusaesque and I ponder the Kim skill tree (under the cut because it's long, as usual) ft. en dehors (a psyche skill from her latest comic)

medusaesque: i was really proud of en dehors.. human interaction is a complicated dance but if you listen to the music learn the chirography and practice your moves MAYBE you can reach out and dance

binomech: yes yes yes

binomech: ponders. god i didn't realize you meant the ballet meaning

binomech: i don't know if you care about what my brain thought en dehors was mentioning but i concocted a whole string of bullshit as the philosopher in me is wont to do

medusaesque: do tell 👀

binomech: so en dehors is a legal term in french as well as many other things but. it's the term that is used to separate criminal charges for military officials -- the punishment is different whether the crime was comitted in the line of duty or as a civilian (en dehors de l'armée). it's also a concept in contemporary queer theory in francophone circles that lines with the theory of marginality which tl;dr is an utopian proposal talking about whether or not it is possible to live a full life in the margins of society and when does a margin stop being a margin. marginal both as in a footnote in a book margin and as an oppressed group of people. en dehors is a way to describe emotional detachment. en dehors is synonym with en coulisses, is what happens in the backstage, the dirty unrewarding work that no one ever will see unless they look for it. an exogamous marriage -- an union that happens outside of the socially expected bounds of the group, is also called mariage en dehors. the marriage that isn't approved by the church is also a mariage en dehors. en dehors, paumé, a vagabond who can't find a place that will take him in.

binomech: anyway.

binomech: it literally did not occur to me to think about the classical dance thing i was like Lost In The Sauce

medusaesque: WOW i knew the queer theory thing its part of why i chose it for kim (and of why i even know a classical ballet term lmao) but i did Not know the legal term! thats fascinating

medusaesque: goddamn

medusaesque: you made my thing much cooler

medusaesque: i just thought of kim living in the margins and the way he might approach venturing out of them and reaching out- calculated and measured but passionate like dance

binomech: it's very GOOD

binomech: i'm like wow... this reading... is so flavorful!!!

binomech: my approach was so devoid of warmth and i like that... idk how do i put this

binomech: en dehors position in ballet is precarious and precise much like kim's demeanor towards his existing is precarious and precise but like you said it is rewarded with the potential of a group dance

binomech: his composure and poise being the only chance to be part of the in-group

binomech: and also of course the marginality of a queer racialized experience at large but specifically the exhilarating bravery of dipping your toes into the main text

medusaesque: yeah!! thats how he literally dances but also how he navigates any other social situation

medusaesque: i imagine every time he puts his hand on harrys back or shoulder its an en dehors check

medusaesque: not too light, not too tight, definitely not too gay

binomech: man every time i think about this i'm like fully cognizant of my biases because i am white and i know race is crucial to kim's embodiment and exitence but all i can do is washed out analyses based on secondhand recountings of friends and theorists. so i focus way too much on queerness and disability

binomech: like the disability in text is so fucking blatant to me but it's like 3 lines so it could be easily dismissed and i'm scared of getting fanon-brained about it

binomech: so when conceptualizing skills i'm like. am i being true to canon kim. what would canon kim do bracelet

medusaesque: nah it's defiantly there

medusaesque: the disability i mean

binomech: like... yes he has a 7/10 shooting score (unbelievable that this is High to people) and he can drive and he can do fucking crosswords but I just... i think a lot about my own experiences and about how people normally conceputalize the spectrum of blindness and i pick a comically large hammer and squash the world

medusaesque: well first of all its really meaningful to find that kind of connection in fiction even if you arent 100% accurate to the source material and secondly kim canonically has really bad eyesight and it affects his relationship to vulnerability and lack of agency

medusaesque: so id say ur good

medusaesque: like dealing with being thought of an a spy, with fetishization, with the whole model minority thing..

binomech: yeah!!!

binomech: anyway yeah disclaimer of the bias that permeates these takes

binomech: a lot of people with visual impairments (moderate, severe or total sight loss) share this experience of the internal and external existence of the body being severed

binomech: something that i have experienced a lot, for example, is people telling me my face is overly expressive. something that a friend of mine who is fully blind since birth gets told a lot, is how stony faced she is.

binomech: they both have the same source: i struggle enough to see facial expressions on other people, to match them with a topic or tone of voice, as she does as well obviously. for me that has resulted in making my face move in what i can sort of glimpse from the motions and shapes of other's faces, to my friend it has resulted in her having been told how to move her face into smiles and frowns and gestures that are a mask to her and that do not come naturally

binomech: it's an act for the benefit of others and it's calculated

binomech: it's a very jarring feeling, to become aware of just how big the space between how you exist in the world and how others see you exist in the world is

binomech: and i think this is true for kim for disability reasons and for asian guy in a predominantly white environment reasons

binomech: and the moment you understand this gap is very traumatic

binomech: i think about kim's expressions being described as unreadable, subtle, sometimes not entirely matching his tone and i think about his face being the mask of composure to harry

binomech: there's also the precision that permeates all of his being: the orderly environments, the tailored clothes, even the color choices of his belongings

binomech: clutter is a hazard for bvi people on a practical level. having control over your appearance is a way to increase your chances at respect. all the important things must stand out because you Cannot lose them.

binomech: a bright orange jacket, a blue car and notebook, halogen square reflections to remind you who is safe and who isn't, who is a pothole and who is a tree shade

binomech: also if it is indeed severe hyperopia that he has, it does get worse with age

binomech: i suspect it's something more on top of that; i am nearsighted and have astigmatism but my actual disability comes from glaucoma, not from those, which are what i wear glasses for

binomech: anyway, it's really disheartening in general to have a degenerative condition but it's even worse when you base your personal value on how much of an asset you can be to the police

binomech: when i was a teenager i would study the visual clarity text charts so that i would score higher and they wouldn't tell my parents that my eyesight was getting worse because then i might not be allowed to do things i liked

binomech: i imagine a straight up adult kim lying to keep his license and the immense frustration of realizing that your best is a 7/10 when handling a gun

binomech: and knowing it's all downhill and the issue was never the words on a paper slip, that it DOES have consequences on your life and sense of self

medusaesque: god that really got me in your fic. kim and the way he tries to hold on to things that are slipping away

medusaesque: to be capable and power through. return from the sea. fight another day

binomech: shoutouts to the crushing weight of wanting to be a pilot for a commune that no longer exists, with an airforce that no longer exists, that wouldn't even take you in because you're a seolite crip

medusaesque: glory to the ghosts of us (or who we wanted to be)

binomech: howling

binomech: but yeah i do think Clinging is a big character trait of his

binomech: clinging while refusing to admit that's the only thing keeping him from falling off

binomech: again i think kim is both fully aware of how he's one misstep from his life falling apart and to some extent knows that it's a structural issue, but if it's a structural issue then it means he can't fight it alone, and you can't fight with others when the only thing you can trust is yourself

binomech: so he's got this stupid ass cognitive dissonance that has him listening to speedfreaks fm in a police issued vehicle when he should not even be allowed to drive

binomech: he plays with risk because a part of him knows that it's not a game

medusaesque: but he would never let anyone take away from him or even touch

binomech: EXACTLY

medusaesque: the thrill of danger.. from a man that the first thing you learn about him is that he would hurl himself in death's way for you

medusaesque: who outlived everyone

medusaesque: it's a dark game

binomech: not to bring quotes from other places but: "you will die for a cause, but you won't fight for one?"

binomech: kim doesn't realize he's not a sprinter, this is a fucking marathon

binomech: he seeks the thrill and the danger because going out in a blaze of glory is easy, having to apologize for all the wrong you've done and the principles you've betrayed is Hard

binomech: it's humiliating

binomech: and he won't be taken for a fool

binomech: he has a mask that is both keeping others from seeing him and him seeing himself

binomech: if his body isn't him, then he isn't lowvis, he isn't seolite, his body is a tool for justice through the RCM

binomech: and it's fucking hard, he sometimes feels the full extent of his humanity and limited individual power

binomech: so he sublimates his hopes and needs for the city that he loves. he's not a moralist but he still hopes to be a forget-me-not and a piece of the sky

binomech: an indistinguishable part of a whole

medusaesque: to be a part of anything

medusaesque: an unquestionable, necessary part

binomech: if a piece falls from the sky the sky just crumbles

binomech: he's necessary even if no-one notices

binomech: he has to be. otherwise, what is the point?

medusaesque: its all would be for nothing

medusaesque: people are more valuable than machines, it's always darkest before the dawn, sunrise parabellum, after the pale the world again, a blue forget me not a piece of the sky...mantra after mantra of this will eventually be worst it. there's belonging and worth at the end of this road

binomech: anyway all this meta was CONTEXT for skill talk -- i think that kim's mask is not a dramatic one but a folding screen, a blind (haha) to protect himself and to isolate himself. i think the ability to Spot the Beacon (both visually and emotionally) would also be very important. the flawlessly crafted cog in the machine. en dehors, as established. something full of desire that could be fulfilled if you reached out 5 centimeters to the left. dogged perseverance in the face of loss. thrillseeking.

binomech: honest to god give kim o&m aids i beg of you. he would hate a guide dog but. a fucking pocket magnifier. a light cane even if it's just for checking or social visibility (he would Despise it). a fucking psychic beam that tells harry to tell him minutiae about the world. anything

binomech: i feel like that is also a skill that i cannot conceptualize succintly - the awareness and fear of the unknown-to-you

binomech: be it the pale be it all these troves of information everyone else gets just by existing that could just pass you by i feel like that is also a skill that i cannot conceptualize succintly - the awareness and fear of the unknown-to-you

medusaesque: working together with volta do mar maybe?

binomech: absolutely

binomech: i think that volta as canonically physique tracks with my impression of kimskills

binomech: which is that they are uhhh

binomech: god anytime i try to say anything about kim it just turns into a 5 levels deep rabbithole context

medusaesque: the jacket descriptions fucking kiiled me

medusaesque: 'distant eneny of himself' howling....

binomech: in the constructed language toki pona, which is a language that is meant to be able to express everything in the world in an extremely limited amount of terms, there is a core word: selo

binomech: i promise i'm going somewhere with this bear with me

binomech: (quoting lipamanka's semantic space dictionary)

selo describes the outer layer of an object. It doesn't matter what the object is. For example, skin can be selo, and bark can be selo. This can get extended into the metaphorical. What are outer layers for? Usually, they protect that which is inside. perhaps an attempt to ignore bigotry could be described as a selo. But in doing so, you're framing it as an outer layer of your mind. selo for "protect" has a different vibe when compared with awen's protect meaning. With awen, a protection is an act of maintaining, perhaps from afar with no risk to yourself, but with selo, protection always puts something at risk, be it the skin of an apple, the walls of a castle, or the case of a guitar. selo don't always have to contain anything important, even though they usually do. Balloons are usually empty (save for air) and they can still be selo. In fact, a vaccum chamber's walls could be selo, even though they literally have nothing inside of the (save for "dark energy" or whatever don't @ me I'm not a physicist). As a verb, selo can mean "to surround fully," or "to become the outer layer of (something)." Some people use this for hugging, which is very fun.

binomech: selo, then, becomes: a shell. a protective layer. a barrier. a surface level understanding. a cover.

binomech: volta do mar as a physique skill AND as an associated trait to the jacket

binomech: your traitorous race. your traitorous job. your traitorous parents. your traitorous senses. distant enemy of yourself: seolite, communist, cripple, faggot.

binomech: and you wear it as armor

binomech: those will take the hit

medusaesque: GOD. thats so...

medusaesque: yeah

binomech: everyone associates it with the pale because of the canon references to volta and the voltas being poems and other artforms that can... filter the pale, as it were, to protect the mind

binomech: to put a net between the unknown horrors and the known horrors, to make the incomprehensible palatable to the mind

binomech: to make the harm from the Other match the harm from the Self

medusaesque: the kind of compartmentalizing kim excels at

[modmad]

Hi Mod I am still rereading your comics, and can I just say that Nitrate Burn remains one of the most bittersweet things I’ve ever seen in the ahit fandom? I’m pretty sure it was the comic that made me initially follow you actually.

The story telling is incredible, especially the scenes that cut back and forth between the film and the forest. The idea of it as a whole feels like a great way of building on established canon, and the idea of the Conductor falling in love with a fire spirit is just so tragic.

Also I love the characterization, especially Snatcher’s general lawyerness and DJ Grooves’ genuine concern once he realizes why the Conductor’s face was bandaged. The Conductor is, of course, the star of the show and I loved seeing this take on him!

This comic still comes back to me sometimes every few months when I inevitably fall back into the ahit fixation, and I can safely say that it’s been integrated into my headcanons.

Once again, thank you for putting your beautiful comics out into the world.

(And also let me know if it’s alright with you if I send you these comments as asks, because I will gladly keep going on about how much I love your comics if you’re alright with it :])

THESE MEANS SO MUCH TO ME thank you ;v; and to everyone else who sends messages like this I really do read every single one! I don't always have the energy or means to answer but I keep them in my heart forever- and man I really need to make time to upload the rest of my fan comics to my website I got to Osomatsu-san and just didn't. keep going I'm bad at these things gjhfhj anyway. Thank you very much! I put a lot of effort into Nitrate Burn so I am really glad that it still holds up! :D

[desultory-novice]

Marionettes' Pavane, Chapter 5 Part 2

"The Sweet Taste of Home" (conclusion, 10 pgs)

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"MariPav" is a strangers to friends to......... fan comic about Marx and Magolor's meeting and their zany adventures in the days before Return to Dream Land. It was written before RtDL DX came out, so expect inconsistencies with current game lore!

[Previous] [Main]

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...After :cough: over a year of real-world time :cough: Magolor finally got a teeny, ti~ny taste of delicious, homemade cake - and a large taste of what his life of withered dreams was missing all this time.

Could his inescapably annoying jester companion be bringing something more than just chaos into Magolor's world...?

Up Next: Chapter 6 Part 1 "Let Me Play Amongst the Stars" ...Where the two go sphere hunting in earnest!

[Previous] [Main] [Next - coming soon] [Chapter Bonus: "Style Savvy"]

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A/N: So, fun story, when I was first drafting the plot of MariPav, for the longest time, this chapter was just the phrase, "Space Boyfriends Cooking Chapter! XD" I was constantly re-arranging story beats to figure out what scenes should even go here. In the end, it turned into a somewhat significant chapter despite starting out as a joke / lighthearted story tucked in between more serious events.

While MariPav isn't (and can't ; _ ;) be canon to the Magolor of DX, I did think it was funny how several aspects of his character actually do mesh pretty well with DX!Magolor, one of them being Magolor's soon-to-be obsession with preparing food! (At least, I saw Helper Magolor bringing Kirby a constant supply of healing treats to be indicative of him actually kind of liking food prep!) MariPav Magolor has definitely caught the fever for baking after this adventure!

By the way, most of the script you're seeing here is completely unchanged from my pre-remake final draft but I did end up adding the line, "...a delicacy favored by the wizard kings of ancient Halcandra" (and "Your monarchy ate rocks?!") after seeing the role the gem apples played in the Magolor Epilogue and their ties to the Master Crown. Gem apples sure seem to be made of / grown with magic, yet we know they can be eaten too! If such a food existed, it would be no surprise that wizards would love to dine on highly sweet, concentrated magic power! (The "concentrated magic" part is why they explode, of course. That stuff is pretty volatile!)

...Oh, and also, this is canonically when Marx first coins the nickname "Mags" for Magolor. I know it's confusing because I've used that nickname a lot in side material already, but it starts here!

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Lastly, for the eagle-eyed readers who noticed the cook book uses the New World Font and thus, ought to legible in English, I'll spare you the trouble by copying the text I used here:

So we're finally here. The end of the cooking chapter. Has it really been a whole year? Amazing. Anyway, I'm finally learning how to implement 3d models successfully. Like that cake.  The one in the book is the defeault.  I modified it a bit for the one they make... Uh, what else can I fill this space with? Oh yeah. I was really proud that I wrote about Magolor quickly becoming addicted to sweets before he showed up in DX always dropping cakes and other food on you. There's a few things I felt MariPav predicted despite all that it got wrong.

[kindlingkeen]

I need to know if I’m alone in this or maybe missing something.

It always bothers me when people say Tim’s childhood was so much worse than Jason’s, or even says they’re the same kinda thing. Am I the only one in this?? (More specifically when they compare them) Like it feels like they’re minimizing Jason’s story to nothing, when it makes his character up as much as his death does. (I’ve even seen people compare Tim’s childhood to Jason’s death, which is. A choice.)

Granted, I’m not a big Tim fan (he’s a cool character, just not the one I focus on) so maybe I’ve missed some part of his canonical backstory or ive subconsciously got something against his character idk.

But from my understanding, Tim is a rich kid who was taken care of (as in, he always had what he needed), just his parents were neglectful? Or away? (Not to say this isn’t bad, of course wouldn’t wish that on a kid either)

But Jason’s lived surrounded by crime and poverty, hell we see panels where he’s hurt and generally not havin a great time.

And I’m fine with people making angst worse because like, favourite character. I’m sure I’m guilty of doing the same to Jason (fave character bias and whatnot) it’s just something that strikes me as odd. But hey, maybe I just don’t know about some canon panel that shows Tim’s childhood as a tragedy where he almost died countless times (another thing I’ve seen fans use)

So yeah. Generally, what do you think about this? I am not too great with character analysis & whatever else, but I like the stuff you’ve said in regards to characters. I know you’re a Jason fan, unsure about how you feel about Tim/how much you know, but curious about your opinion anyway. Thanks.

You are not alone, anon.

You’re also not missing anything in canon, Tim’s childhood was not a tragedy (his parents traveled a lot and he spent his time in boarding school). Were his parents on the neglectful side? Yes. Does that equate to being parentless and living on the street before the age of 12? No. I answered an Ask about Tim a little while ago explaining why I don’t really care much for Tim in the comics or a lot of fanfics. And I only ranted a little about how projecting Jason’s trauma onto Tim is Not. Cool. So maybe check that out.

As for my opinion on this … *takes a deep breath* Let me start by saying that everyone should like what they like, read what they want, write what they want, etc. No judgement or shame intended at all.

But … my opinion is that the enemy-to-caretaker trope is to blame for the over abundance of this dynamic in the fandom.

It seems like this trope grew out of/is a Gen take on enemies-to-lovers. I have absolutely no problem with this trope in general. In fact, I quite enjoy it in certain settings. But the thing is, lovers can be equals. But a caretaker, that has an inherent power imbalance to the relationship. A caretaker takes care of a person who is in some way weaker or less able than them.

So, to make Jason a caretaker for Tim, you somehow have to make Tim weaker, and with time and repetition that’s gotten amplified to much weaker.

The easiest way to do this is to jack up the angst and trauma of Tim’s origin story and increase his overall vulnerability. Because in reality, the inherent power imbalance between Jason and Tim is not that significant. Jason is only two years older than Tim. They’re both supposed to be badass vigilantes who can fight and solve crimes. Tim’s home life was loads more stable and supportive.

Play a few games of fanfic telephone, and all of a sudden you have a baseline of touch-starved Timmy who was made to sleep in a cupboard under the stairs as a wee little niblet and then Lazarus-mad Jason came along and tried to murder him repeatedly (nope), slit his throat (‘twas but a scratch), and generally traumatized him beyond repair (Tim is Robin, pretty sure he’s been beaten up before). 🤦‍♀️

That’s my opinion, anon! Thanks for the ask! 💙