#ok so i did a thing

[everhearts]

MUSE UPDATE:

ADDED:

wanda maximoff (marvel)

quinn fabray (glee)

gabriella montez (hsm)

quinn james (oth)

brooke davis (oth)

peyton sawyer (oth)

lucas scott (oth)

nathan scott (oth)

juliette cai (these violent delights)

benedikt montagov (these violent delights)

POTENTIAL:

america singer/schreave (the selection series)

marlee tames/woodwork (the selection series)

eadlyn schreave (the selection series)

emma swan (ouat)

killian jones (ouat)

bridgerton muses 

more disney muses

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[clown-owo]

been replaying the Portal series I think this is where its heading

[newttxt]

apartment shenanigans

from utilities included, ch. 9 (mind the tags and rating!)

masterpost

[cobaltfluff]

I genuinely thought it was his stage name ???? who names their child the equivalent of herlock sholmes??????

bonus because my joker is, unfortunately, an idiot:

[shower-phantom-ideas]

Danny is just a kid ya know? Like he is just a little guy. A baby really. 14? Tiny child! Look at him, he needs to be protected. Someone has to help this poor little dude. I mean he forgets to use his own powers to avoid attacks all the time.

Anyway cut to Batfam not knowing all of Dannys power set cause the lil dingus keeps forgetting he can do that stuff in the heat of battle.

Danny uses his invisibility all the time… to avoid being followed. But in a fight? Oopsies hes too busy thinking of funny one liners to realise he could do that.

Intangibility? Give the guy a break. I mean who calls themselves condiment king. Even he was stunned.

He so rarely actually uses his biggest advantage powers that the League doubt he actually has them. He, like any naive child, trusts them and reported fully on his power set. Instead of just asking him to demonstrate his powers they instead start watching him and try to find evidence of his powers.

At least they know duplication was true since they watched him make a copy of himself to go to the bathroom and not miss any of his fav tv show.

[corvidcall]

None Of You Know What Haiku Are

I'm going to preface this by saying that i am not an expert in ANY form of poetry, just an enthusiast. Also, this post is... really long. Too long? Definitely too long. Whoops! I love poetry.

If you ask most English-speaking people (or haiku-bot) what a haiku is, they would probably say that it's a form of poetry that has 3 lines, with 5, and then 7, and then 5 syllables in them. That's certainly what I was taught in school when we did our scant poetry unit, but since... idk elementary school when I learned that, I've learned that that's actually a pretty inaccurate definition of haiku. And I think that inaccurate definition is a big part of why most people (myself included until relatively recently!) think that haiku are kind of... dumb? unimpressive? simple and boring? I mean, if you can just put any words with the right number of syllables into 3 lines, what makes it special?

Well, let me get into why the 5-7-5 understanding of haiku is wrong, and also what makes haiku so special (with examples)!

First of all, Japanese doesn't have syllables! There's a few different names for what phonetic units actually make up the language- In Japanese, they're called "On" (音), which translates to "sound", although English-language linguists often call it a "mora" (μ), which (quoting from Wikipedia here) "is a basic timing unit in the phonology of some spoken languages, equal to or shorter than a syllable." (x) "Oh" is one syllable, and also one mora, whereas "Oi" has one syllable, but two moras. "Ba" has one mora, "Baa" has two moras, etc. In English, we would say that a haiku is made up of three lines, with 5-7-5 syllables in them, 17 syllables total. In Japanese, that would be 17 sounds.

For an example of the difference, the word "haiku", in English, has 2 syllables (hai-ku), but in Japanese, はいく has 3 sounds (ha-i-ku). "Christmas" has 2 syllables, but in Japanese, "クリスマス" (ku-ri-su-ma-su) is 5 sounds! that's a while line on its own! Sometimes the syllables are the same as the sounds ("sushi" is two syllables, and すし is two sounds), but sometimes they're very different.

In addition, words in Japanese are frequently longer than their English equivalents. For example, the word "cuckoo" in Japanese is "ほととぎす" (hototogisu).

Now, I'm sure you're all very impressed at how I can use an English to Japanese dictionary (thank you, my mother is proud), but what does any of this matter? So two languages are different. How does that impact our understanding of haiku?

Well, if you think about the fact that Japanese words are frequently longer than English words, AND that Japanese counts sounds and not syllables, you can see how, "based purely on a 17-syllable counting method, a poet writing in English could easily slip in enough words for two haiku in Japanese” (quote from Grit, Grace, and Gold: Haiku Celebrating the Sports of Summer by Kit Pancoast Nagamura). If you're writing a poem using 17 English syllables, you are writing significantly more content than is in an authentic Japanese haiku.

(Also not all Japanese haiku are 17 sounds at all. It's really more of a guideline.)

Focusing on the 5-7-5 form leads to ignoring other strategies/common conventions of haiku, which personally, I think are more interesting! Two of the big ones are kigo, a season word, and kireji, a cutting word.

Kigo are words/phrases/images associated with a particular season, like snow for winter, or cherry blossoms for spring. In Japan, they actually publish reference books of kigo called saijiki, which is basically like a dictionary or almanac of kigo, describing the meaning, providing a list of related words, and some haiku that use that kigo. Using a a particular kigo both grounds the haiku in a particular time, but also alludes to other haiku that have used the same one.

Kireji is a thing that doesn't easily translate to English, but it's almost like a spoken piece of punctuation, separating the haiku into two parts/images that resonate with and add depth to each other. Some examples of kireji would be "ya", "keri", and "kana." Here's kireji in action in one of the most famous haiku:

古池や　蛙飛び込む　水の音 (Furu ike ya　kawazu tobikomu　mizu no oto) (The old pond — A frog jumps in The sound of the water.)

You can see the kireji at the end of the first line- 古池や literally translates to "old pond ya". The "ya" doesn't have linguistic meaning, but it denotes the separation between the two focuses of the haiku. First, we are picturing a pond. It's old, mature. The water is still. And then there's a frog! It's spring and he's fresh and new to the world! He jumps into the pond and goes "splash"! Wowie! When I say "cutting word", instead of say, a knife cutting, I like to imagine a film cut. The camera shows the pond, and then it cuts to the frog who jumps in.

English doesn't really have a version of this, at least not one that's spoken, but in English language haiku, people will frequently use a dash or an ellipses to fill the same role.

Format aside, there are also some conventions of the actual content, too. They frequently focus on nature, and are generally use direct language without metaphor. They use concrete images without judgement or analysis, inviting the reader to step into their shoes and imagine how they'd feel in the situation. It's not about describing how you feel, so much as it's about describing what made you feel.

Now, let's put it all together, looking at a haiku written Yosa Buson around 1760 (translated by Harold G. Henderson)

The piercing chill I feel: my dead wife's comb, in our bedroom, under my heel

We've got our kigo with "the piercing chill." We read that, and we imagine it's probably winter. It's cold, and the kind of cold wind that cuts through you. There's our kireji- this translation uses a colon to differentiate our two images: the piercing chill, and the poet stepping on his dead wife's comb. There's no descriptions of what the poet is feeling, but you can imagine stepping into his shoes. You can imagine the pain he's experiencing in that moment on your own.

"But tumblr user corvidcall!" I hear you say, "All the examples you've used so far are Japanese haiku that have been translated! Are you implying that it's impossible for a good haiku to be written in English?" NO!!!!! I love English haiku! Here's a good example, which won first place in the 2000 Henderson haiku contest, sponsored by the Haiku Society of America:

meteor shower . . . a gentle wave wets our sandals

When you read this one, can you imagine being in the poet's place? Do you feel the surprise as the tide comes in? Do you feel the summer-ness of the moment? Haiku are about describing things with the senses, and how you take in the world around you. In a way, it's like the poet is only setting a scene, which you inhabit and fill with meaning based on your own experiences. You and I are imagining different beaches, different waves, different people that make up the "our" it mentioned.

"Do I HAVE to include all these things when I write haiku? If I include all these things, does that mean my haiku will be good?" I mean, I don't know. What colors make up a good painting? What scenes make up a good play? It's a creative medium, and nobody can really tell you you can't experiment with form. Certainly not me! But I think it's important to know what the conventions of the form are, so you can appreciate good examples of it, and so you can know what you're actually experimenting with. And I mean... I'm not the poetry cops. But if you're not interested in engaging with the actual conventions and limitations of the form, then why are you even using that form?

I'll leave you with one more English language haiku, which is probably my favorite haiku ever. It was written by Tom Bierovic, and won first place at the 2021 Haiku Society of America Haiku Awards

a year at most . . . we pretend to watch the hummingbirds

Sources: (x) (x) (x) (x) (x) (x)

Further reading:

Forms in English Haiku by Keiko Imaoka Haiku: A Whole Lot More Than 5-7-5 by Jack How to Write a Bad Haiku by KrisL Haiku Are Not a Joke: A Plea from a Poet Who Has Had It Up to Here by Sandra Simpson Haiku Checklist by Katherine Raine

[jerswayman]

LOVE THY GOALIE. GIVE THY GOOD BOY HEAD PATS.

[rookeryyy]

REINVENT

YOURSELF

tumblr HATES my 44.1mb image swag so it has SO MUCH COMPRESSION and downsizing here. :') peep the actual intended size & quality (or as good as i could get it exported)

post-return Q!Tubbo :] Tee hee.

un hamburgesa para tubbo (he lookied ungry)

[avalencias]

red moon rising….

[luna-lovegreat]

I want. Four to get appreciation. Because

Four gave a ton of unnoticed help when Twilight was injured

The fight with Wild was difficult, and I know we're all concerned about his negative view of the shadow crystal

But Four did something that no one else really thought of to help- He took care of Twi's stuff

From the beginning he told Twilight to not worry about them

So Four took care of pretty much everything but the others (that Sky and Wars handled)

He took care of Epona

Which is so very important- he took care of Twilight's horse. After her arrival at the stable Four followed up on her

And for Epona, a horse so attached to her human, having some company can help so much for reassurance

He took care of Twilight's stuff

He got Twi's shield- his bags and equipment, and organized it into one place

And he was worried. He obviously found the shadow crystal while handling Twi's stuff, but his negative reactions to it were out of concern.

Also- because of his placement in this scene

I'm fairly convinced Four was ready to start cooking before Wild showed up (since he's beside the counter with food supplies). At the very least he had the basket of fruit out for everyone -but he was literally standing with food behind him- he thought of everything

And he did housekeeping!

Wars payed for the inn, so Four took care of the inn

Realistically these boys were probably not too concerned with tidyness. Four got all of Twi's things on one table, and took care of the room they stayed in

Organizing tables and Twi's things, having food supplies ready, and opening the curtains- overall he was the one tidying up the inn

Four helped in a huge way! He took care of Twi's horse (Epona is so important), his equipment and shield and bag, as well as the other rooms in the inn

Four filled in all the little tasks that others didn't think of. He helped in ways that were needed, but not obvious

There's a lot of problems with the shadow crystal and with Wild, and I don't know what's gonna happen in the future

But don't forget this- don't forget that Four was one who stepped up in an almost unnoticeable way

Don't forget that when everyone was barely holding it together, Four visited Twilight's horse and took care of his things

No matter what develops in the future- this amount of care shown is important ya know?

.

Art and comic from Jojo @linkeduniverse au :)))

[maudiemoods]

Couldn't sleep until I doodled them argurhhgg

HAPPY BIRTHDAY?? ok I need to know why that's his first line after being rebooted?? Maybe I'm overthinking it?? Was he first booted at a birthday party? Is he just saying that? Is it Cassy's birthday? How can he tell if so? ALSO their innards are exposed AURGG!! we get to see some of their skeleton yayyyayy AND HIS VOICE!! first reaction was "hm :|" BUT!! NOW!!! it makes so much sense AURHHGG me thinks when they were recycled and used for the daycare instead of the theater, they were reprogrammed with a calmer voice hrbnrnnrn but they didn't like it?? Or wanted something unique to themselves so they changed it??? GRR!! IDK!! but the voice has sun's casual energy and moons soft low tone kinda? Maybe? Idk!!! But I really love them grr expect more art when my eyes aren't burning so much!! Good night!!!

[swampthingking]

andrew’s definitely gotten in trouble with his pr manager for tweeting things along the lines of:

“no mania inducing medication will compare to the euphoria i will feel the day donald trump drops dead”

[dandelion-roots]

No matter what you do, you just can't shake him off, can you, Chūya?

[lyrics: Florence + the Machine | id in alt]

EDIT: I made a whole ass janky animatic to this song, enjoy!

[logicheartsoul]

These are like scenes from a romcom, sarahbucky style

[squirreltastrophe]

I LOVE WHEN I GET TO DRAW PONIES FOR WORK!!!!!!