#opinion drama

[ellea-et-la-magie-des-histoires]

[theabigailthorn]

"Good" Acting

i have a theory that a lot of people say acting is "good" when they're emotionally moved by it, and a lot of cishet white people have a lifelong habit of not listening or empathising when minoritised people speak, so minority actors get called "bad" even when they display some pretty fucking amazing technical skill

[poorly-drawn-mdzs]

Gaslighter? I hardly know her!

[First] Prev <–-> Next

[gunsatthaphan]

#attaboy.

[cubbihue]

It would be nice to hear from Wanda and Cosmo! It is kind of nice that you guys have two children like your own family does. Are you two still close to your siblings? Wanda has a sibling and Cosmo also have a sibling just like Timmy and Peri. Do they share some sibling stories to your children?

Wanda and Cosmo both reconnected with their siblings shortly after having Peri. Or, well. More like Blonda reentered their lives once she realized she had a baby nephew. Eventually, they slowly patched things up the more Blonda came to visit Peri.

Schnozmo was dragged back kicking and screaming. Mama Cosma refuses to have her sons live estranged lives now that she has a grandchild in the picture. Schnozmo doesn't know how to handle children, but he's doing his best.

Peri likes Schnozmo because he makes silly noises and funny stories. But he prefers Blonda's theatrics much more and loves playing Dress Up with her.

Bitties Series: [Start] > [Previous] > [Next]

[xinyuehui]

If I told you that you could travel back in time through photos, would you like to take the chance?

LINK CLICK LIVE ACTION

[oifaaa]

One of my recent Jason posts has people talking about how valid a writers portrayal of a character is if that writer hates that character which is an interesting conversation specifically when it comes to Jason bc in case you didn't know a lot of writers do not like Jason but also a good few of the writers who hate Jason have also written some of his better stories

Basically what I'm saying is someone should make an alignment chart with one line being how much a writer loves or hates jason and the other line being how good the writer is at writing Jason

[biolumien]

Hiiii!!!! 😊👋 So I only just started Kaiju no. 8!!! New to the fandom and not a manga reader. Idk what’s going to happen in the next episode—all I know is that Hoshina better not d*e lol.

Anyways!!! Obviously I am a huge Hoshina fan/simp!!! I really like your blog and I have enjoyed your Hoshina fics!!!!!! 🥹 And since your requests are open, I wanted to know if I could perhaps make one??? 👉👈

If so, I was wondering if you could do something sort of related to your “say it!” fic??? Like where Hoshina (+ reader) somehow bumps into the ex from operations you mentioned in the fic??? And reader gets SUPERRRRR jealous (lord knows I would be especially if said ex was really beautiful and smart) and insecure. Maybe reader acts a bit distant/moody after the encounter but once Hoshina realizes what’s up he immediately reassures reader and let’s them know how much he loves/cares for them???

Sorry if this request is weird or doesn’t make sense to you, I’ve honestly just been thinking about a similar scenario ever since reading that fic of yours 😭😭 anyways thank you so much for your time 🫶❤️ and please never stop writing, your fics are beautiful 💖💕

notes: hihi; thank you so much for your request; i hope that this is okay; you sent this in before the most recent episode but hoshina's a fairly important character to the story of kaiju no 8 overall so he'll be alright... i combined this with a slightly different ask which also surrounded jealousy but with okonogi; it's very briefly mentioned though.

jealousy as the crux

soshiro hoshina x gn!reader no warnings should apply, i think. wc: 837

hoshina always maintained rather easy conversation with a lot of people—friendly conversation that sometimes got the better of your self esteem when he teasingly doted on okonogi or otherwise. 

you’d tried not to bring it up, to not bother him—because envy and jealousy like that was an ugly emotion, of course. it wouldn’t be right to burden hoshina with them–mostly because you weren’t even sure how he’d react. he was plenty envious on his own, you think–key point on think. but it might have been for more reasonable things, surely. like the envious desire to become stronger, or something noble like that.

nothing quite like yours. 

but stumbling on hoshina’s ex was never on your list of priorities at all. 

so the fact that she was here—was her name amaya?—only made you more uncomfortable. you barely knew anything about her other than the fact that okonogi spoke her name with strained reverence, cautious to never bring it up around hoshina. hoshina seemed to be uncaring of it all, even so–as if he couldn’t be bothered to remember. 

she was smoking indoors, her eyes tired and weary. 

hoshina didn’t seem to tense up when talking to her, which strangely irked you more. 

“hoshina,” amaya says, approaching hoshina with a raised eyebrow. she pats his shoulder, and he chuckles.

“you look well,” hoshina murmurs. 

“hm. well as i’ll ever be.” her eyes flit to you, her eyes narrowing. you felt uncomfortable under her gaze, as if you were some unique kind of insect to be pinned up in a collection. “this your new partner? they’re cute.”

“hm?” hoshina laughs. “aren’t they?”

the compliment doesn’t feel good, somehow, as it usually does.

“thought you said you wouldn’t date again,” amaya says, dusting off some ash off the tip of her cigarette, taking another breath before blowing it away from the two of you. “not that we really were.” she snorts. “you were too much of a coward last time.”

“hey,” hoshina says, sounding mock-hurt. “i figured we were better off as friends.”

“hm.” amaya exhales. “whatever you say.”

“i wish you’d sound more enthusiastic about this,” hoshina retorts, laughing again. it’s the same laugh he has when he talks to okonogi, that same doting laughter–but it also wasn’t anything special. it was the same kind of laughter he had when he talked to you, though perhaps it was tinged with more fondness when he spoke to you.

if there was anything hoshina was, it might’ve just been annoyingly consistent.

"it's hard to be enthusiastic surrounding you. your sarcastic energy exhausts me," amaya drawls.

you turn away from the conversation at this point–and yet you can feel amaya staring daggers into the back of your head. 

“i’ll let the two of you finish this up,” you say, and your voice sounds far more obviously strained than you’d like for it to be. 

hoshina was allowed to talk to other people. but why did amaya irk you so much? was it just the irreverent way she spoke, the way she seemed to be watching you so intently for no reason? what the hell was her problem? as you stormed off, your footsteps grew angrier as you continued to mull over it. no, seriously! what was her problem? 

but what was yours, being jealous in the first place? you were being irrational–worried because you wanted hoshina’s attention for yourself but of course it wasn’t right to worry this badly about it to the point that envy would turn your stomach like this, create the brittling sensation in your heart. it wasn’t right, and the fact that you knew it wasn’t right made the whirling sense of bad in you feel worse.

you rub your face roughly, trying to shock yourself into trying to just be fucking normal.

“hey.”

hoshina’s voice is quiet when you turn around, and his face is contemplative, brows furrowed in worry.

“are you done? talking to amaya?” you ask.

“for now,” he says. his eyes focus on your face, concerned now. “are you okay?”

“i’m…”

the words die in your throat.

“i don’t want to be jealous,” you say weakly. “of whatever’s going on. but, i–”

hoshina’s hands are on your face before you can even finish your sentence, squishing your cheeks together.

“mm, i see.” hoshina blinks, humming. “why didn’t you just say so earlier?”

you blink.

“you’re not… mad?” you ask.

“mad?” hoshina raises an eyebrow, cocking his head. it looks cute. “should i be?”

“no,” you say. “i–or, i don’t know. maybe? yes?”

“which is it?” hoshina asks, a teasing smile on his face before his brow furrows a bit. “if you would have just told me earlier i could have easily just told you that there’s nothing going on between me and anyone else but you. i chose you. don’t forget that, okay?”

you blink.

“and i love you,” hoshina says, completely straightforwardly, with sure honesty. “don’t forget that.”

you nod, and he squeezes your face, leaning in to kiss you on the lips.

[herejusttosufferalong]

Ok, I watched Tif's whole live (3.5hrs this time) and took notes for you. Can I just start off by saying I really respect how thoughtful of a fan she is? I really wanted her to get a little messy and she just wasn't going there (although I hope one day she gets comfortable enough to get a little messy cause she knows some shit and it would be hilarious). Sorry, this will be long...

Ok, she had Maria on as her guest this time. They went to the London premiere together and went through their entire timeline. Important points for red carpet

-Nic's group of friends came in on the red carpet before the cast got there (apparently lots of guests did). They recognized Jack and Louisa, but neither of them knew to look for Jake, so are just assuming he was with them as well

-Luke's family and A did not go in through the red carpet. Assumed they went in and exited through a back door

-Tif continually said A was there for the screening, but never confirmed she saw her. So no idea if this is true or just assumed cause she was at the after party

-After the screening they were back out on the red carpet and a lot of crew/minor cast were all out there too. They saw and interacted with Jack Murphy. They asked about the open mouthed BTS video and he responded both with he couldn't say anything and he didn't remember that. Tif dm-ed him a pic and they had an exchange back and forth (need her to make friends with him and get the tea for all our sake)

-They got to the afterparty location right after Nic had left and we got clarification from Maria about the man who told them. He was an autograph collector (this people are intense). Maria thought he said Nic was hungry and Tif thought he said angry. They said the guy said it in a rude way. Also, Maria said Tif is more reliable since she thought A was wearing a pink dress lol (If he was a pro autograph collector and didn't get a signature from Nic cause she knew he wasn't a fan, I could believe him being bitter).

-Almost the entire cast came out while they were there with the exception of Nic and Claudia. Not a single one was papped.

-Almost all the cast ignored them or just waved from afar when they left. The only people who approached them were Jess Brownell and Luke Newton

-The order they came out in was Luke, Lauren and then A. They also had 6ish giant security guards with them.

-Luke did not interact with A ever that they saw

-He was super kind and generous with his time and conversation

-Paps came out of nowhere and they didn't realize they were there until the flashes started going off. They said it was super disorienting and loud.

-They also think it was suspect how calm A was for the pics. If she wasn't expecting it, they would think she'd appear a little more discomposed by the experience.

-Paps were gone right after they left. Luke T came out after and no paps were around

-They both agree paps were tipped off, but disagree a bit by who. Tif is convinced it wasn't Luke or A. Maria thinks it could've been A/As people, but it at least had to be someone inside the party. L's sister was floated as a possibility

-Speaking of the sister, it was brought up that there are some bad vibes there. Nothing that can be proven with evidence, but just a bad feeling

Ok, I'm going to send in a part 2 cause this is ridiculously long already

Wouldn’t you know the only time I was able to catch anything from the live was her starting to defend herself from some shit she saw here lol

God bless her 🥃

Thanks for your dedication anon 💜

[ellea-et-la-magie-des-histoires]

[caligvlasaqvarivm]

I used to despise Eridan and think he was the absolute worst character (barring Cronus ig) but you have shown me the light and completely turned my opinion around and now I think he is such an endearing little freak <3 I read your whole blog already but if you've got any more thoughts on eri or anyone else then I hope you post them bc I'd love to hear more abt it!

i have sooo many controversial opinions about the dancestors you have noooooo idea

[storge]

Don't kill them, okay? People don't die that easily.

MIZUSHIMA HIRO as Iguchi Tatsuya Drop (2009) dir. Shinagawa Hiroshi

[2sw]

Supernatural S7E03 The Girl Next Door S8E10 Torn and Frayed

[gunsatthaphan]

໒( ♥ ◡ ♥ )७

[luthwhore]

elliot s maggin (one of the main pre-crisis superman writers, and if you’re not familiar with him i beg you to track down some of his work) has a quora account where he answers questions about his opinions on comics and superheroes and god, i love hearing him talk about lex luthor.

a few highlights:

the idea that “no one is truly irredeemable, even the worst of villains” is frankly incredibly radical even by current day standards — grown adults couldn’t handle that shit in steven universe, a literal show for children — but it should be a core tenet of the superman mythos and that is a hill i will die on.

[dollypopup]

I think it's interesting to look at the 'Mr. Bridgerton' scene as a backdrop for the eventual mirror scene. Firstly, in the fact that I think we've kind of misinterpreted it.

So many people are of the mind that scene's purpose to 'drag' Colin, but really, that scene has 3 primary functions. The first is to inform Colin that Penelope is aware of what he said of her, thus opening the door to clearing the air between them and providing an avenue for which Colin can apologize. The second is to establish the ground that they are currently on: Penelope has given up on the dream of Colin Bridgerton, in particular the perfect prince that can do no wrong, and has made it clear to him. It also creates distance between them that they will bridge.

But the third, and to me the most wrapped up in the mirror and the inner workings of their relationship is that it reveals how Penelope feels about *herself*. It's not necessarily an echo of what the ton considers her as, after all, we have a lot of evidence indicating that, for all intents and purpose, people aren't *unkind* about her, but rather that they ignore her. Audience members recognize this as Penelope's own shyness being the cause, she is often sitting off on the sidelines or not really talking to much of anyone, in the books she's referred to as the 'one who doesn't speak', and her LW business takes her away from being a character in the action of the ton to a bystander, kind of a self-fulfilling prophecy of sorts that perpetuates itself. Pen felt unseen so she became LW to have some power, but then LW herself must remain unseen and Penelope continues to be by design of her own making.

No, I think what it really reveals is that Penelope has incredibly low personal self esteem. We as a fandom has lauded that scene as her dragging Colin, saying that he's cruel and calling him Mr. Bridgerton is absolutely meant to create distance between them, but I don't think she's dragging him.

Because the person she is *actually* dragging here. . .is herself. And it is a general theme in her life. In Whistledown. Aloud. Even with Marina, when she complimented her, she assumes that she's lying. When Edwina says she's wearing a pretty dress, Penelope puts herself down and doesn't believe her, even when the compliment is genuine. In truth, Portia is not seen as being particularly unkind to Penelope. At least, speaking as someone who's mum was *awful* about my size and weight and outfits, Portia is. . .overall rather mild. She's not KIND and loving, not by a long shot, but she's also not targeting Penelope only. She's plenty mean and critical to Prudence, too, even to the point where she foists her off to her own cousin as a pawn piece. Penelope has low self esteem because of a lot of reasons, she's bullied by Cressida (I think a lot of girls are, she was pretty mean even to Daphne in S1) and her family isn't very tender to her, and she's not being pursued at every turn, but part of it is also her own perpetuation.

Listen to what she says "Of course you would never court me" "I embarrass you" "I am the laughingstock of the the ton". She sees *herself* as an embarrassment. She puts *herself* down. Arguably, more so than the ton does. She's meaner to herself than anyone else is, aside from Cressida. And honestly? Looking at Colin's face there. . .he is HURT that she considers herself this way. That she's projecting that onto him. Yes, he's hurt that he hurt her, of course he is, he never wants to hurt her. And yes, he's ashamed that he said he wouldn't court her the way he did and that in doing so, he validated her fears that she is unloved and unwanted, but also because. . .she already feels that way about herself. She's felt that way for years. And it's painful to care about someone, to see them as wonderful, and realize. . .they don't feel the same about themselves at all. I don't think Colin is out here feeling so wounded over the fact that she called him cruel and won't refer to him by first name anymore, but that he's most hurt by what she says about herself.

Because he *doesn't* see her the way she accuses. She says she never expected him of all people to be so cruel, but he feels the same way. He never expected her to be so cruel to *herself*. He wants to go somewhere private, not because she is an embarrassment, but because he wants to have a private conversation with her. Maybe assure her. Maybe explain himself. Maybe hash it out. But god Luke Newton's acting. . .he is *aching* for her. And it feels like he's going to do those lessons not in atonement for what he said (thank god) but to genuinely help his friend who thinks badly of herself. To lift her up. It's not about him at all, not about earning forgiveness, but about elevating Penelope. And that's. . .fuck, I just find that's just so heart stoppingly beautiful.

You can see, in that scene, how much he cares about her. How deeply and genuinely he adores her as a person. And just how painful it is for him to know he has validated, whether on purpose or otherwise, how poorly she feels about herself. How low her self-confidence really is. She is giving him a glimpse into the cracks of her heart, and when he sees them, he wants to reach out with both hands and make it feel better. Make her feel better.

After she says 'even when I change my entire wardrobe', he looks so fucking crushed. So 'don't say that'. So 'you really believe that?'. So 'God, I hate that you think that way'.

Because regardless of it all, he does love her. It's not romantic yet. It's not sexual yet. But he genuinely, truly, from the bottom of his heart, thinks she's wonderful. That was evident even in the 'purpose' scene. Every time Penelope opens up and reveals a facet of herself, he likes it. He likes her barbs and her dreams, he likes talking to her. He likes her. And he feels awful that he hurt her. And he feels awful that she's hurting herself. He loves her. He wants her to love herself.

And that's where the mirror scene comes in. Because the mirror scene isn't about sex, not really. Not entirely, at least. The mirror scene is about *intimacy*. The mirror scene is about being seen. Not just her seeing him, or him seeing her, but for Penelope to see *herself*. In a way, through his eyes. Because hers are biased rather negatively toward herself, which is evidenced in the 'Goodnight Mr. Bridgerton' scene, and in so many little moments we've already gotten where she's literally looking down on herself, feeling down. She doesn't necessarily *like* what's in the mirror, but he does. Because he likes *her*. And he wants to show her that he does. Show her that he finds her beautiful and have her recognize that in herself.

The 'Goodnight Mr. Bridgerton' scene is about Penelope revealing how she sees herself. The mirror scene is about Colin showing her how *he* sees her. The Goodnight scene is about Penelope thinking she means nothing to him, that he thinks of her the way she thinks of herself, that this is how everyone thinks of her, and the mirror scene is a direct response to that: No, he doesn't. No, he doesn't think she's embarrassing. No, he doesn't think she's a laughingstock. No, he doesn't think she's unappealing. And he doesn't think she should, either.

And he's going to show her that. Not just tell her, but show her. The mirror scene is so often a focus on Penelope, so much of Polin is in Penelope's focus, but approaching it from Colin's perspective and his motivations is so fulfilling, too. It's a glimpse into them in conversation, and a demonstrate of how Colin loves her. How Colin loves in general, openly and earnestly and altruistically. How he encourages her to be braver and more confident in herself, bolstering her because he just likes her *that much*. How he finds the most fulfillment and satisfaction in caring aloud. The mirror scene is a demonstration of his heart in reflection.

When Luke Newton said the first word that came to mind with the word 'Mirror' was 'Exposed', he doesn't just mean physically. He means emotionally, too.

God this couple is so fucking good.