Ahsoka season 2 brainstorming: practical and impractical ways to get the girls* back from Peridea
*Ahsoka, Sabine, AND Shin. (...and David Tennant, the Howler wolf, and the turtles)
(1) just use the force (somehow)
step 1: use the force
steps 2~10: ???
step 11: profit girls are home yay
(2) purrgil wearing a hyperspace-ring backpack
(Behold my astonishing drawing skills. You're astonished right.)
Since the purrgil migratory route from Seatos to Peridea only seems to go one way (because the whales go there to die), they'd have to build a mini Eye of Sion so they can all get back after Ezra hitches a ride there. Purrgil know the way to Peridia; Ezra knows the coordinates of home already.
(Will Thrawn be staking out Seatos to try to prevent this? Yes. Will that make it funnier when Ezra does it anyway and gets away with it? Most definitely 👍👍)
(3) use the "somehow, Palpatine returned" method
The audience:
(Mate, Disney did it first. This is now an in-canon way to Solve Problems.)
(4) Mortis Gods temple ruins on Lothal=secret yet convenient portal
Ezra "the force is all I need" Bridger will use his amazing Space Jesus powers and *insert additional justifications relating to loth-wolves, world-between-worlds, Lothal magic, Morai etc*, Ezra will open the portal on one side and the girls, working as a team in a way that will make us all cry, will open from the other side
(additionally, because we are not crying enough yet, there will be a cameo from Kanan!loth-wolf/DumeWolf. You're welcome)
(additionally additionally, the deal Ahsoka made with the Mortis Gods to make this possible means she will now die to repay the debt. Because the writers really want us to cry. A lot.)
...okay everyone YOUR TURN add on your most practical and impractical ideas
he says i hate everyone except you and that is addictive and that is kind of romantic and beautiful because you're young and you're kind of a sarcastic asshole too and you don't like bad boys, per say, but you don't really like good ones either. and you like that you were the exception, it felt like winning.
except life is not a romance book, and he was kind of being honest. he doesn't learn to be nice to your friends. he only tolerates your family. you have to beg him to come with you to birthday parties, he complains the whole time. you want to go on a date but - people are often there, wherever you're going. he's just so angry. about everything, is the thing. in the romance book, doesn't he eventually soften? can't you teach him, through your own sense of whimsy and comfort?
at first - you know introverts often need smaller friend groups, and honestly, you're fine staying at home too. you like the small, tidy life you occupy. you're not going to punish him for his personality type.
except: he really does hate everyone but you. which means he doesn't get along with his therapist. which means he has no one to talk to except for you. which means you take care of him constantly, since he otherwise has no one. which means you sometimes have to apologize for him. which means he keeps you home from seeing your friends because he hates them. you're the single exception.
about a decade from this experience, you'll type into google: how to know if a relationship is codependent.
he wraps an arm around you. i hate everyone except you. these days, you're learning what he's actually confessing is i have very little practice being kind.
one pet peeve of mine in founders-era fanfics is when madara's whole,,,, everything is solved by izuna just being there
like maybe this is just me, but i don't think izuna surviving or even coming around to the idea of a truce with the senju would've been enough to keep madara from the path he ended up on.
izuna wasn't the reason he left - he was definitely part of madara's issues, but he wasn't the why. even if izuna had stuck around, and even if that had been enough to keep the uchiha clan from losing their faith in madara, i think he would've still come to realize konoha wasn't what he'd hoped it would be.
best case scenario, i think izuna's survival might've caused madara to stick around a bit longer, but i don't think it would've lasted. honestly, even then, that might've just made the inevitable break-up between madara and hashirama even more agonizing (particularly for izuna)
it's a fun idea to play around with for sure, but frankly i don't think canon!madara could've ever been 'saved' from that path. certainly not if the hidden village system ended up getting set up in the same way.
I was just rewatching camp cretaceous and thinking about the writing and storyboarding process for a show that does silent/physical comedy so well and then I discovered your tumblr! amazing work!
Aw thank you so much!! We were a script driven show so some of it was thanks to our writers coming up with funny material to work with, and then a lot of the physical/visual comedy in Camp Cretaceous and Chaos Theory was thanks to the direction of one of our showrunners, Aaron Hammersley-- he comes from a storyboarding and directing background himself, and he often did passes on the animatics to punch up the acting and comedy even more. I got to work directly with him when I started out as a revisionist on Camp Cretaceous, and I tried to learn from and emulate his comedic sensibilities (in addition to learning from and emulating all my other incredibly talented coworkers haha).
You can particularly tell whenever Aaron touched a scene though-- like, you can almost see his drawings and recognize his timing even when it's translated to 3D. The shot of Ben falling over and screaming for sliiightly too long from the clip that was released today is one of his revisions that wasn't originally scripted, for example. I think probably the BEST example of his is the scene from Camp Cretaceous when Ben is staring at Bumpy and slowly shaking his head with those haunted eyes as she plops down in his sleeping spot-- that was pretty much exactly how Aaron drew it and timed it haha.
A lot of it comes down to thinking about the character's personality and what they'd do, picking strong expressions, limiting the movement of everything around that expression, and being allowed to let the timing breathe. It's really interesting-- a scene from a script can be made into something completely different depending on who's boarding it/who's directing it/how the interpretation of the script is approached.
Even though we were on script driven shows, part of the process of being a storyboard artist was working with our episodic directors to translate the script visually before it was animated, and troubleshooting any problems that arose while visually translating it. If we were able to pitch ideas that supported what was written in the script but took things further/we came up with good solutions to problems that also elevated the storytelling, we were given a lot of support from leadership in return-- particularly on Chaos Theory!
catch me looking up nightingale symbolisms for tales of the passerine. if danny's using the name of a songbird for a hero name, regardless of familial connections, i will utilize the symbolism tied to the bird. Anyways general gist of the nightingale symbolism i've seen, other than what wikipedia told me, is that nightingales were frequently symbolisms of spring renewal, loss/death, love, etc. catch me about to incorporate music into Danny's character
I love trying to do historical research, you want an answer to a simple question like "could Jews serve in the British army in the 1880s" and you get back
Jews in the American Revolution
Jews in the American Civil War
Jews in World War I
Jews who fought for Nazi Germany
Thanks, that absolutely covers the time period and country I specifically asked for, couldn't have done it without you
imagine cas annoys the empty so much again it spits him back out except...it spits him out into the wrong universe (and time) and that's how *our* cas ends up in the winchesters universe. and at first he doesn't realize it's not the right time or universe and he goes looking for dean and instead finds the Lebanon bunker closed off and eventually finds john + mary and he thinks it's his universe's past john and mary and he tells them he needs help to get back to his time (bc his grace is still too low). he tells them he's from the future and needs to get back to someone and he pulls out his wallet and shows them a picture of dean and they're like "whoa whoa we know that guy!!!!" and cas is like, "that's impossible. he hasn't been born yet." and they're like "no no he was here. he helped save our universe. he's from another universe and he came here from heaven because he's dead and there was this young guy with him, jack? and an older guy, robby or bobby or something...." and cas is just slowly losing his mind, all the color draining from his face because first of all what do you mean he's dead?!!! and then all the other universe stuff and then jack? and bobby??? and yea anyways they team up to help get cas to dean and along the way hmmm what if jack pops in again....only this time he's acting even weirder than before, because chuck / the god power are gaining more control / corrupting him more. and jack becomes the big bad, thwarting their attempts to get cas to dean, and wreaking havoc on their universe, so the winchesters squad help them save jack and then dean and cas can eventually get their proper reunion (which everyone in the winchesters squad is now nvested in, especially carlos, number one deangirl and destiel stan) oh and the whole time they also do not know dean is mary and john's AU kid because cas never gives a last name just keeps calling him dean. and so john also grows invested in seeing these two people get their happy ending and BOY would it be cathartic for dean to see a version of his father who is so happy to see dean happy with a man-shaped person<3
I’ve been rereading this lovely fic by @erinyra (it’s great I seriously recommend) and I’ve been doing some thinking and I do think Mihawk should get sick and it could be just like a passing illness or bug but something that lays him out for a bit and while yes I think a sick Mihawk would be adorable and terrifying and I love that for me.
I also think it’d be a way for Shanks to confront his probably latent issues with illness and seemingly untouchable people. After all his captain was as untouchable as they come, literally king of the pirates, but he still got sick and that ruined Shanks life. And here it is happening all over again. Mihawk probably the strongest most unflappable person he knows is sick with some unknown disease (not really his anxiety riddled mind just can’t process what Hongo is saying) And Shanks is not handling it…..well.
Shanks can withstand many things; any manner of injury or bodily harm to him and his loved ones that’s fine they can walk it off. but illness? he does not fuck with illness…
So. I love this. The way Yuri snickers at Flynn showing his real self. The way he, without hesitation, says "yeah" to the idea that he would die in Flynn's place.
But the most important part of this entire thing, which was changed in the dub, is how Yuri specifically jokes that Flynn is trying to abandon him, and Flynn returns and tells Don he had no intention of abandoning Yuri.
Yuri does not hear this. Flynn knows that. But Flynn uses the exact same term Yuri used earlier, as if it's his answer to Yuri and saying no, I would never abandon you.
For reference:
Personally I just... love the weight of it. How Flynn will say something about Yuri that Yuri won't hear, but he still speaks it out into existence because it's how he really feels.
Just because Yuri won't hear it doesn't mean he won't say it, and in a way that's even more powerful. He's not looking for the credit of saying it. He's not looking to be recognized for saying it. He's not only expressing how he feels about Yuri somewhere that Yuri himself will hear him.
They're just his real, honest feelings, and he'll admit them even if Yuri's not within earshot.
would you like to talk about how bad the mha ending was hella
as much as i would love to give like. a comprehensive response i genuinely dont think i can get my words together just yet without it being a constant unintelligble stream of 'AND ANOTHER THING-' and bc it's become quite torn in the fandom on if the chapter was good or bad i want like. an actual coherent response here. so i will reblog this if/when i can word it but know IM NOT FUCKING HAPPY
I feel like... Perhaps... Arguing that transphobia is defined by murder and that anything other than murder doesn't even matter... May NOT be conducive to fighting for trans rights.
Like... people want the right to exist as they are. They want to have access to hrt and surgeries and prosthetics. People want access to clothes that fit them and reflect how they want to be seen. People want access to medical care (eg. Getting screened and treated for sex-based forms of cancer can be impossible if you have the "wrong" sex listed to receive those tests). People want to be respected and treated well. People want to not be sexually assaulted and beaten and abused. People want to have access to housing and jobs, and the protection to not lose those things for being trans. People want access to shelters for homeless people or survivors of domestic abuse. People want name changes.
Acting like all of those things don't matter because at least they weren't murderered by an individual (and instead die of suicide or state violence, or survive and suffer) isn't okay.