#or worse a 'you people are all assholes for not [thing i do because it's basic common sense]!!!' post

[massiveladycat]

i will never get over people laughing at octavian's death personally,,, he was SHOT INTO THE AIR!!! thats so painful. all the burns and the impact, plus being flung from a cannon and probably slamming into gaia (literal earth goddess) plus festus (gigantic metal dragon, i bet that HURT) and leo (pretty sure leo was burning)

he was a kid and he was annoying to some people and he was usually antagonized but he didnt deserve to die OR go out in that way. the gods are a thousand times worse than octavian, and apollo told him that he'd be a savior of new rome, but people still justify them. not to mind there are much worse people in the PJO universe (gabe, LUKE)

octavian ily they could never make me hate you EVER. idc what you say he could have been redeemed. did he do bad things? yes. but he was so deeply influenced and the day meeting with leo and the others, in which i remind you octavian literally was watching new rome get blown up (no wonder he was livid, his home was on FIRE).

like come on. octavian is a complex character and people aren't willing to admit that he could've been better and he was just a literal teenager in the sake of hating him because everyone else/pjo characters hate him.

he is such a tragic character imo because he grew up in new rome and all he wanted to do was protect it (and he was highly ambitious and aiming for praetor, i won't deny the fact that he was selfish but that is a quality that can be REDEEMED) and sure the way he went about it was messed up but most of his actions (except killing that one centurion) were justifiable

btw im not saying octavian's like an angel or anything im pretty sure i remember him "killing" a 5th cohort centurion once but then she was revived which . . . what was the point of that?? was it just to like make us hate him more?? huh??? and then was it even ever talked about again?? also yeah he blackmailed hazel thats not good also judging from the wikipedia it only said frank suspected octavian because.. he didn't have his spear?? what?? reminder that there is proof that a lot of pjo characters are unreliable narrators and for all we know octavian could've screwed up somehow and left his spear somewhere (just saying i'd do that too ngl)

also "I am the savior of Rome! I was promised!" i didnt know why but that quote DESTROYED me but now i know that it was because he genuinely believed he was doing the best for new rome and he'd finally have someone's praise and they'd praise him like they praised percy and reyna. pretty sure his mental state was not very good in that scene either and nico and will just let him shoot himself out of an onager on accident. also are we just going to gloss over the fact apollo told him that and encouraged him he was doing the right thing?? of COURSE octavian trusted apollo on that and believed it was the truth; apollo was his ancestor and someone he worshipped as an augur and trusted in for omens and prophecies and allat

yeah. octavian's an asshole. but he was a kid and he couldve been redeemed. then again i am a huge octavian apologist and im not saying you have to have the same opinions as i do also i will not be responding to any asks in my inbox im 2 tired to deal with that!! anyways dont go and insult people or me if you think the opposite thats fine !! i was just bored and found this in my drafts so whats the harm of posting it because im not going to get sent threats over this right,,, right??????

[dreamwatch]

We Gotta Get Out Of This Place

Written for the @corrodedcoffinfest June warm-up round.

Prompt: Band on the run | Word Count: 997 | Rating: M | CW: Language, mentions of sex, mentions of alcohol | POV: Eddie | Tags: Crack treated seriously?, Freak is getting freaky and upsetting the locals, banter, they're idiots | AO3

*I wasn't going to share this one but screw it. This is what happens when you ask your husband for ideas.

****

Eddie has a love-hate relationship with touring. 

He’s living the dream, playing their songs, to their fans. He loves seeing new countries, places he could only dream of as a kid. The band have been to three continents so far, not counting the one they live in. Gareth grandly announced he was going to play all seven. Eddie wished him luck on his solo tour of Antarctica and it was never mentioned again.

The things he hates? The actual travelling. Being away from Steve and Wayne. And hangovers. He really hates hangovers, and something about the travel just makes them worse. They hit harder and last longer. Or maybe that’s just tequila. He fucking hates tequila. But he’s in Mexico so when in Rome… or well, when in Mexico City anyway…

The other thing he hates? Assholes banging on his door in the middle of the fucking night! They played a show last night, an amazing, hot sweaty mess of a show, and he ached and ached because he’s not twenty anymore (and parts of him still hurt for reasons he can’t talk to the band about). But he’s weak and he let himself get dragged along to some bar by the band and some of the crew. And then he got dragged to another bar, saying good night to Jeff and a couple of roadies. And then he was doing the dragging and honestly, after the third bar, he couldn’t tell you where, when or who he was with. Because tequila is the drink of satan and should be banned on all seven of those continents Gareth wants so badly to play.

So he stumbles out of bed, way too fast considering he’s only been in it for about an hour and he’s only one step away from blind drunk, tossing bed clothes on the floor.

“Whoever the fuck this is,” he bellows, tripping over a discarded boot, “you better be dying!” He wrenches the door open and Jeff barges past him into the room, Gareth on his heels with their bags.

“The fuck is going on?” he asks, spinning so fast he has to grab the edge of the door to keep himself upright.

Gareth goes to the bathroom and Eddie can see him in the reflection throwing all his toiletries into a bag, while Jeff grabs Eddie’s duffle from the floor and throws everything he can see into it.

“Hello!” he claps his hands, “Am I invisible right now?”

Gareth throws the toiletry bag into the duffle and grabs Eddie’s jeans and boots from the floor. “We’re leaving,” he says, kneeling to the floor in front of Eddie, “Leg up.” 

“What the fuck—”

“Leg! Up! Now!” 

He swats at them. “I can dress myself, assholes.”

“We don’t have two hours for you to hop around getting your drunk ass into your jeans, dude.”

He holds onto Gareth’s shoulders because he really is going to fall over in a minute, but he dutifully raises his legs one by one. Once the jeans are on and pulled up to his waist, Jeff pushes him back on the bed so that they can put his boots on, each taking a foot. All Eddie can do is watch in a stupor as they each tie a set of laces. 

“Why am I even getting dressed, what the fuck is going on, man?”

Jeff jumps up and does a last sweep of the room before turning back to Eddie, hands on his hips. Like Steve. If he wasn’t so tired and pissed off (and drunk) he’d laugh at that.

“Because Matt had a threesome last night—“ Jeff starts.

Eddie’s eyebrows nearly hit the ceiling. “With people?”

“With the sister and fiance of some local drug lord.”

Woah, woah, woah. He straightens up. “Wait… his sister is his fiance?”

“Jesus Christ,” moans Gareth. “No. Matt hooked up with the sister. And then he hooked up with his fiance. And now we’re all about to be fucked unless we get out of Mexico tonight.”

“Wait,” he mumbles, brain finally kicking into gear. “Drug lord?” Jeff and Gareth nod back. “Oh shit. Yeah, that’s not good. We should go.”

“Finally!” says Jeff.

“So where’s Matt?”

Gareth grabs Eddie’s duffle along with his own. “Phil grabbed him and ran, hopefully they’re at the airport getting tickets on the first flight out of Mexico.”

Okay, if he was with their manager, then he was probably fine. Right? Right.

They charge down the hallway, meeting some of the crew at the elevator, and when they make it downstairs they’re waved out to a waiting taxi.

Eddie burps ominously, he feels like absolute shit.

“Matt is fucking dead, I swear it.”

Jeff looks horrified. “Dude, don’t joke about that until we’re in US airspace. Please.”

Good point. He leans his head back against the seat and closes his eyes, letting his heart rate return to normal. They all sit in silence for a while.

“Is it just me that’s kind of impressed?” Eddie can’t help himself, it’s just that Matt is so… secretive. “I mean, when was the last time he let us meet anyone?”

Gareth rolls his eyes. “We’re not his parents, dude. He doesn’t have to bring them home for dinner.”

Jeff scoffs, “Well maybe we should put that in his contract. I’d rather not have to run from drug barons in the middle of the goddamn night.”

When they get to the airport Phil tells them they’re booked on a flight to Houston. Matt is sitting there wearing dark glasses and a baseball cap, standing out a mile.

“Houston?” cries Jeff. “What the fuck, Phil?”

“You can blame this asshole for that,” he gestures at Matt. “ It was Houston or Vancouver, or wait for scary men with guns to kidnap your bass player.”

Eddie stumbles over to Matt, snatching the glasses off his face. “You! No more women. Ever!”

And before Matt can open his mouth he adds “And no men either!”

[chirpingfromthebox]

Me just thinking out loud and inarticulately trying to wrap my head around my thoughts on the simmering dumpster fire that is my hometown team. Feel free to scroll on by.

I feel like something missing from a lot of the Curl discussion is the context it all happened in. Lots of articles and posts make it seem like the problem fans have is just that Curl got drafted at all. And I think the context around it all matters.

The league shit canned Natalie Darwitz days before the draft, wouldn't say why, acted like they aren't saying anything because they want to respect Darwitz, but meanwhile Darwitz seems like she would LOVE to talk about the situation.

To make matters worse there's all this talk and speculation surrounding the role Klee had in this, and amongst that he goes to the draft table with the emptiest table of any team, drafts Curl in the second round, (you can tell the league already was ready for bad fallout from Curl because they had a prepared statement locked and loaded to go out in the youtube chat seconds after it happened), and then Klee IMMEDIATELY makes things worse by purposefully staging her draft photo to be taken with St. Paul's mayor Melvin Carter (a black man) and the assistant coach (a queer woman).

Then Klee, the team, and the league decide to handle the fallout from everything in the most half-assed tone-deaf manner possible.

Before the Darwitz debacle I had mentally prepared myself for the eventuality that someone would draft Curl. But I had prepared myself for someone doing it in the back half of the draft.

A team would get her, but at least it would suggest Curl's actions had lowered her value considerably in teams' eyes.

Like, none of the craziness happened, and Darwitz had drafted Curl in the 5th or 6th round, made a proper acknowledgement of the situation and their plan for moving forward, and Curl had made an apology video that was written by someone who didn't go to the American Political School of Empty Statements?

I think the community could understand. We wouldn't love it, but we could live with it. It would be like seeing a big spider in the corner of my ceiling: I certainly don't like it, and I'm gonna keep my eye on this, but as long as it doesn't step to me any further we'll be alright.

But that's not what happened. And that's not how it happened.

And I'm still not sure what to do with my Minnesota fandom at this point.

At the moment I'm waiting to see what the final team looks like. If they re-sign their queer players I'm willing to put in the work to fight against Mr. Potato Head's attempts to sabotage my team, and try to at least make the fan community as welcoming and inclusive as possible.

But if Klee and co. don't bring back Minnesota's queer players? Then I'm out. For the good of my own mental health I'll go support a different team until they can get their shit together.

Because I do believe that people can change. Especially people in their 20s who were dumb-ass ignorant assholes in college. And she's not my main problem. My main problem is what does this team and this league want to be? Because someone like Curl coming into a queer positive environment is one thing. But her coming into a place with nothing but conservative ideals and a pinkwashed door? That's something else entirely.

And if the people at the top are going to fire the woman who built the team, put a dude in charge, give a person with a history of supporting bigoted ideas a position of influence, and become the only team in the league without any queer players?

And then have the gall to claim to be an inclusive?

Fuck that.

[also everyone wants to act like Minnesota is some rogue villain in all this and that isn't fair. This isn't like the big league male teams: there are no individual team owners here. The league controls it all and their fingers are in every pie. But that's a whole different conversation.]

[divine-donna]

jealousy jealousy

a request: "hey! I wanted to make a request for a Tashi Duncan fanfic <3 a headcanon, about Tashi and reader being friends and playing tennis together, but reader is chubby and insecure a about her body, she feels a little jealous of Tashi and the other girls that play tennis and feels guilty about it. Tashi is secretly in love with her, at first reader can't really accept because she can't believe someone would be in love with her. Can you do female reader?"

this is going to be one of those rare occasions where i will be more specific about a reader's appearance and gender. something i also think is important is that i tend to imagine my reader as not white. so this does bleed into these head canons. if that's too serious for you, you're better off not following me.

pairing: tashi duncan x chubby! fem! reader

for vibes: "jealousy jealousy" by olivia rodrigo

context: stanford 2007

word count: 1.8k words

Love cannot exist without Envy.

When you love someone, to some extent you envy that person. There's something they have that you envy. That is what you grew up believing and that is the worldview of love that you were left with. On top of your mother telling you that girls like you do not receive the flowers, guitars, and romantic rescues that all the rom-com heroines you watched had.

Your favorite romantic comedies were My Big Fat Greek Wedding, 10 Things I Hate About You, and Love Actually–the third being more of a guilty pleasure. The only movie that came close to representing a girl like you, with your body type, was My Big Fat Greek Wedding. That was the right kind of rom-com, the one where the woman didn't need to change herself. She just developed confidence and scored the guy of her dreams.

Unfortunately, real life was not as kind as the movies.

"You can't quit tennis!"

"What makes you say that?" You play with your food, poking the fettuccine alfredo with chicken recipe you cooked up for the both of you. You were craving something creamy this time of night. And Tashi was too.

"You just can't. You're amazing. Why would you quit? With talent like yours, it seems like such a waste to just quit." Tashi had already finished her plate.

"It was fun while it lasted. But I don't see myself doing it."

"Bullshit (Y/N)." You could never look at her when you lied.

Tashi recalls the first time she saw you play. It was the day after her own match. And you were pure fire. Your strokes were quick, most of your serves unreturnable. She felt bad for your opponent because you never gave her a chance. Instead, you decimated her. In short, you were a phenomenon. Someone like herself.

You two played the next day. Tashi won, but she never felt such a thrill, such a surge of adrenaline. You were the only opponent she's played so far to have her respect and friendship. You were great. And she wished the world could see what she saw.

Your passion for tennis rivaled Tashi's. It was your purpose in life. It was the perfect sport for you to destress yourself to, hitting balls and rallying yourself against the walls in the public park. You wanted to achieve that envious Grand Slam career title. You wanted to continue in tennis. You didn't want to quit.

"Is it those assholes again?"

You look up at Tashi. You both dealt with your share of racism. But you had an extra pile of shit thrown on top of you. People say all the time that chubby people can't play tennis. And it didn't help that among the players of your generation, you were the only one with a body size bigger than a 14. Being both non-white and chubby only made the vitriol worse and the interpersonal competition harsher.

"Come on. You can't listen to them." Tashi sets down the pasta bowl. You painted it for her that one time you guys decided to try pottery painting. She takes a sip of water from the mug you gifted her. And the cherry on top was that she was wearing one of your shirts. You left it at her house when you slept over.

"That's easy for you to say." You set your plate down.

A frown forms on her face. You don't like it when Tashi frowns. "(Y/N)..."

"It's all they talk about." Your eyes rake over her figure. Thin arms. A limber, slender body. Athletic with the right muscle balance so she didn't seem like too much of an athlete. She was model material, Tashi Duncan. And that's why all the offers came rolling in for her. All the brand deals, all the money. And you were instead left with scraps, still wrapping duct tape around the handle of your dad's Wilson racket. Relying on the graciousness of Tashi Duncan when you were in a tough spot. She bought you new shoes in time for the U.S. Open this year because your old ones had holes and were worn down. You hated relying on her. You hated that she always insisted you didn't need to pay her back. Your company was enough.

Your love was enough.

"What's the point in playing tennis if no one is going to talk about me playing tennis!" You raise your voice out of frustration. You were so angry that you could throw the plate at the wall and break it. "All everyone wants to talk about is how fat I am and that fat girls don't belong in tennis! It's not going anywhere! No one but you sees my potential. And my family and I have been losing money! It's too costly. Stanford didn't even take me for tennis." You were accepted for your brains. Not for your true passion. It wasn't worth investing in tennis when you were getting nothing in return. Nothing but racist, fatphobic vitriol that continued to wear you down every day.

"And that's why you should continue to play. You need to prove them wrong!" Tashi keeps her voice steady. "You prove them wrong, then they can't say shit."

You wanted to believe her. But you knew the truth. You weren't Tashi Duncan. You could never be Tashi Duncan. Only girls like Tashi Duncan and Irina Petrovska got the brand deals, got the fame, got the money.

Only girls like them got to continue their passion and turn it into a career.

"Proving them wrong won't do them anything. At this point I'm just...a circus pig." Your voice drops, but Tashi can hear what you said.

"You're not a circus pig."

"That's easy for you to say! You're...You're fucking perfect! You're the face of tennis! You're who people think of when someone brings up the term tennis player. Not me! You. I'm not meant to be on the court."

"Don't say that. Don't. Say. That." Desperation bleeds into Tashi's voice as she looks at you. "Do you remember what we agreed on during that after party? After our match?"

Your lack of a response tells her that you do. "We're going up there. Together. Next year. Doubles. Me and you. We're going to take over the world." Her fingers tap against the table. "You can't quit! You promised you would play with me! You promised you would. And we always keep our promises."

"Well maybe I'm fed up. Maybe I'm just done with it all." You sip your water. "Proving them wrong only seems to enhance the insults I get! It only makes things worse for me! And it only hurts you!"

"Why would it hurt me?" Tashi is in disbelief.

"Because I'm someone you shouldn't associate with. I shouldn't be playing with you! I don't deserve to! I'm a terrible friend!" Your voice cracks. "I am so jealous of you Tashi. All the time. There's always this sick twisting in my stomach. And you deserve everything that you've gotten but I can't help but feel that some of it should go to me! But it doesn't because I'm the fat one! And no one wants to see a fat girl in an Adidas ad. And it's not fair to you because you didn't do anything! And I don't deserve to be friends with you or even play against your because I'm a terrible person!"

She doesn't respond. She's too busy looking at you, watching the way your face contorts with emotion, the way your tears fall from your eyes. It was like you were unloading everything.

Tashi hated seeing you cry.

"You can't quit tennis."

You look at her with shock. Is that all she could say after everything you dumped on her?

You expected her to fume, to lash out. Or maybe to tell you to go kill yourself. She's done her fair share of that to people. And yet, all she can tell you is that you can't quit tennis.

"You still somehow managed to make this about tennis."

Tashi leans forward, her hand taking yours. She enjoys the feeling of your soft skin. You always took great care of your skin, moisturizing constantly. If she needed some cream to moisturize her dried out hands, she could always ask you. You had so much in your purse. She could smell that lavender cream you used. Some said it was the scent only old people picked. But she found herself craving that lavender smell late at night in her bed.

"I understand...everything...you're saying. Remember that time we were talking? About how we both envy white girls and their opportunities and their easy life and their ability to get away with everything on the court." She remembers the thinly veiled racist remarks fired at the both of you when you were playing against white opponents. The rage she felt but couldn't exercise because letting her emotions run free would only make her the angry Black woman and they would instead penalize her.

"Tashi-"

"I don't hold it against you. That's...the way the game is right now." The both of you were playing a white man's sport. Unfortunately, this was the reality.

"It's...stupid. And ridiculous. You shouldn't even be friends with me!"

"(Y/N), I love you."

Your breath hitches in your throat. You couldn't believe what you were hearing. Tashi Duncan...loves you? Even after everything you confessed? You wanted to say so many things, wanted to tell her that she was wrong to love you. She couldn't love you and shouldn't love you.

"Why?" is all you managed to muster out.

Her eyes soften. "I..." There were so many reasons why. Your laugh. Your determination. The way you ran your fingers through her hair when she laid her head on your lap. How soft you were. Your hugs. Your lips. Those unreturnable serves of yours. The way your skirts would hike up those thick thighs of yours. That serving tick of yours where you would tap the ball against the edge of your racket three times.

Her heart sinks when you pull your hand out of hers and stand up from your seat. You needed to take a walk. You needed to think for a minute.

"(Y/N)..." Tashi stands up to follow after you. She grabs your wrist and you turn around to look at her.

"Tashi...I don't...I don't deserve you-"

She leans forward, pressing her lips against yours harshly. You're shocked by the sudden feeling, taking a step backwards into the wall. Tashi cups your face with both of her hands, keeping you there. She pulls away, watching your face to see if you would react in any way. "(Y/N)..."

You close the gap between you two once more and place your hands on her waist, slowly guiding her to the bed as she gets lost in the smell of lavender.

[cluescorner]

Randomized Robins AU - Ages + Worst Trait Exercise:

Steph (25):

Says her worst trait is her murderous rages (she is exaggerating for dramatic/comedic effect, she’s killed 3 people tops and for very good reason)

Thinks her worst trait is her spitefulness (one of the few traits she definitely got from her father + one that prevents her from fixing her relationships and living her best possible life. She’ll refuse to interact with someone she dearly loves after an argument (happens significantly less after Tim’s death) or will say things she knows are hurtful just for the sake of having the last word. This trait will worsen in some ways as the list of people who have wronged her and those she loves grows, but will also ease up as she matures and realizes the harm it’s doing to her relationships with those she loves most.)

Her worst trait really is her spitefulness

Cass (26)

Says her worst trait is her self-righteousness (she believes that her goals are righteous and, as a result, she is righteous. Cass becomes very defensive whenever someone questions the mission and often does not second-guess herself. This is a trait she only develops later in life as she grows closer to Bruce/learns to understand herself more/starts to love herself more. But she knows she isn’t perfect and when somebody she trusts criticizes something she is doing she is willing to listen. She just usually isn’t the one to START the introspection.) 

Thinks her worst trait is her self-righteousness. 

Her worst trait actually is her obsessiveness (she gets it from Bruce and, while not as bad as him, she will easily become preoccupied with her night-life and the mission if someone isn’t there to pull her back. She will do this to the point of self-destruction and it hurts her relationships with the people she loves, especially Steph.)

Tim (24)

Says his worst trait is his spitefulness (he actively rejects the idea of mending his relationships with the older members of the family and this causes him to also lack good relationships with the younger ones)

Thinks his worst trait is his obsessiveness (similar to Cass, if he gets fixated on a task or idea he will neglect everything else in his life in order to dedicate more time to it. Unlike Cass, he will almost never be dragged away from it unless Pierrot snatches control of the body and forces them to take care of themself.)

His worst trait actually is how manipulative he is (the KING of guilt-tripping and using people’s emotions against them. He’ll do whatever he needs to do to get what he wants, he’s not above crocodile tears. And he will do it to whoever he needs (or wants) to with little care for how his actions impact others.)

Pierrot (Insists: “Age doesn’t apply to me! And even if it did, I'd probably be the oldest. Or the youngest! I’d never be a middle child, though.” Mental assessments by the Bats have put him around 21, with a margin of error of 3 years. Pierrot has called this “blatant character assassination by my eternal rival!”)

Says his worst trait is that he is an irredeemable psychopath without any regard for the wellbeing of others (this is a lie and everyone who's important to him understands this). 

Thinks his worst trait is his parasitic nature (he literally would not exist had Tim not suffered the way he did. Plus he is a living reminder of one of the worst things that happened to many of his loved ones. He is a parasite injected into a functional person's body and contributes to his continued suffering. This is also a largely incorrect judgement of himself, caused by his actual worst trait.)

His worst trait actually is his limited sense of self (he doesn’t really know who he is outside of ‘inheritor to the legacy of the Joker (a man he despises yet also views as a father)’ and ‘chip in Tim’s brain that became sentient’. He slowly develops an identity over the course of his life and relationships with other people, but he lacks the foundations of identity that most people have. Pierrot will often almost become a caricature of himself and what others perceive him to be because it's the only person he knows how to be. This causes wild swings in how he behaves and relates to others, sometimes to the detriment of himself and others.)

Dick (17) 

Says his worst trait is his clinginess (he is a very extraverted person who likes to be around others, which mixed with his fear of abandonment after his parents died means that if he goes a few days without seeing/talking to a friend he will get very anxious.)

Thinks his worst trait is his anger issues (he gets ticked off very easily and will explode on people. He’s kind at his core and is usually very nice, but he has a temper that can escalate significantly. Spoiler (and later Twist) help him channel this anger into something positive.)

His worst trait actually is his anger issues.

Barbara (18)

Says her worst trait is her disability (internalized ableism, she thinks of herself as less valuable than the other Bats because she cannot be out there in the capes like they can. She will grow out of this as she matures and as she learns how invaluable her support for the team is.)  

Thinks her worst trait is her disability 

Her worst trait actually is her overly-independent nature (In an attempt to overcompensate for everything she can no longer do, she has resolved to do literally everything that she possibly can without any help from others. This results in many instances where she either takes on too much and winds up not being able to fully realize any of her tasks or where she makes her life and the lives of others significantly harder by refusing help when offered/not asking for it when she needs it.)

Damian (16)

Says his worst trait is his perfectionism (he is overly critical of both himself and others, taking any flaw or problem and amplifying it to an absurd degree. This is due in part to his life with the LoA (where even a brief misstep could lead to death), in part to how others treated him initially as Spoiler (any flaw was fixated on and used as a reason to either mistrust him or portray him as unworthy of the mantle), and in part due to the fact that he is Bruce’s son (the only person with worse perfectionism problems than Damian). Gradually, Damian has improved in this regard but it’s still a massive barrier to both his own happiness and his relationships with others.)

Thinks his worst trait is his perfectionism 

His worst trait actually is his perfectionism

Duke (16)

Says his worst trait is his definitely-real secret evil side (says this as a ‘my dad is a villain so who knows??’ joke)

Thinks his worst trait is his impulsivity in his words (Sometimes he will crack a joke or say a remark without thinking it through, leading to a LOT of hurt feelings and drama. He’ll say something without thinking it through and wind up seeming insensitive. This isn’t done because of malice, rather because Duke is someone who’s quick to act and speak. But while the mantle of Insight and his awakening powers have helped him with his actions, they do not always help with his loose tongue. As such, Duke gains an unfair reputation in the media as an instigator and will accidentally cause family drama through what he says.)

His worst trait actually is his impulsivity in his words

Jason (14)

Says his worst trait is his bad manners (he grew up on the streets and has no idea how rich-people society works, which he’s pretty insecure about considering he’s now the youngest kid of Bruce freaking Wayne). 

Thinks his worst trait is his reactiveness (Jason never got the privilege of planning ahead for various events in his life, so he instead needed to rely on being swift and harsh in how he could react to situations. It’s saved his life on multiple occasions and helps significantly in his role as Spoiler, but it can also lead to extreme overreactions (accidentally causing kidnapping scare after Jason ran away following a fight with Dick) and a struggle to plan things out ahead of time. As he grows more secure in his place in the family and in life, this trait will lessen but never fully dissipate.)

His worst trait actually is his reactiveness

[nyaskitten]

wu ninjago... I love you...

[july-19th-club]

how to make a character who sucks so bad and nobody likes him but he is genuinely a good protagonist (good as in interesting, maybe on a rare day good as in decent but also, just like, an incredible jackass) . i need to make him worse i need to make him MEANER!

[thespacesay]

every once in a while i see a take on here that boils down to "other people have it worse than you, so you aren't allowed to complain" coming from a "leftist" and i just... sigh.

[aberooski]

I honestly wish my birthday wasn't in 2 weeks. I always get really depressed around my birthday.

[becca-alexa]

as someone who spent three years working a retail job if i ever hear someone complain about retail workers not smiling while working they are getting a punch to the throat

[feywildfox]

Mm i left bandom space a long long time ago. I mean I'm not that old but ten years ago is still pretty long. And frankly if i overstep lemme know.

Honestly at this point i shouldnt be surprised so many people are actually still inherently racist towards Ray, but also i think, i should be. Because i genuinely expected better from mcr bandom, but again, left bandom spaces a decade ago...

It's pretty sad? Like. I'll admit, I didn't realize Ray was actually a man of colour when i was younger. I think i realized right around the time i left at 15 or so. Which also really goes to show that racism towards him and making him seem as white as possible which definitely i think was a thing. Like in comparison, I knew pete wentz was mixed long before i figured out Ray was a poc. It says a lot about the space at the time and i had honestly thought it'd be better now.

I've loved mcr for years, but i havent been IN love with them for a while. It happens, relationships and feeling wax and wane. But this tour, the excitement and love recently ignited in not just Gerard with all their gender fuckery, but the whole band, has brought a love and joy back into my life for music that hit me in the heart as a preteen and teenager.

And none of that would be possible without Ray Toro putting his all into the feelings and conveying of in his music. Mikey made the band, but ray MAKES the band. He is absolutely fucking integral and it is disgusting & disheartening to see him treated such a way. What the fuck even, hearing that streamers are zooming in on frank during Rays solos?? Like do the fuck better? I'm honestly disappointed as fuck in that shit. Like I know this whole thing is a little disjointed stream of consciousness type post but really. White people do better challenge! Its literally SO fucking easy. The real camera guys are RIGHT THERE showing what to fucking do!

You can love the others as much as you want but jesus fuck give Ray the same fucking courtesy. Stop ignoring your racism, start recognizing the issues that plague you from being white and growing up in white privilege. I sure as fuck still have plenty of shit to work on but at least i can say i can do the bare fucking MINIMUM of giving Ray Toro the respect and attention he absolutely fucking deserves.

Like I do hope this is understood I am not trying to speak over anyone but simply say from one white to another: you need to do better. If that's how you treat a member of supposedly one of your fav bands, i genuinely fear for the poc you encounter in your life. The harm you cause by staying blind may be incremental but it builds up until it's a mountain. Do fucking better.

[six-of-ravens]

I seem to have abruptly hit the "if one more person tries to guilt me into care about something and/or guilt me for something I'm not even doing I'm going to start screaming" point which I think means I have to delete my social media and news app for a while

[themirokai]

I got this comment on a story from my Other AO3 Account this morning.

(Info redacted because I prefer keeping these accounts separate but no one follows me on the side blog I have for that account.)

The story was posted almost a year ago and is relatively “popular” by my average statistics even though it has tropes and themes that are big turnoffs for a lot of people (hence separate accounts). This popularity is undoubtedly because it’s a Marvel Loki story and that fandom is massive.

So there is obviously an algorithm or a bot scrubbing ao3 statistics and leaving this comment on fics that meet a certain metric with the main character of the fic inserted into the comment.

I had a little time to kill this morning so I decided to investigate further. And y’all this is so predatory. Come on this journey with me. It made me mad. It may make you mad.

First, if you go to Webnovel’s website, you HAVE to choose between male lead or female lead stories before you can go any further. WTF?

And that’s weird, but this gets so much worse. This is basically a pay-to-read site that has different subscription models. Which… okay BUT! The authors don’t get paid! Look at that comment again. They’re promising a supportive and nurturing community, but zero monetary compensation. It’s basically, “post your stuff here so we can get paid and you can get… nice vibes?” I mean look at this Orwellian writing:

Using the phrase “pay-to-read model” in the same sentence as “qualitative changes in lifestyles for authors” deliberately makes you think that you can get paid and maybe even make a living on this website. But that’s not actually what it says and authors will not receive one red cent.

Oh but wait, the worst is still to come. In case this breaks containment (which I kind of hope it does) this is where I mention that I’m a lawyer in the US.

I don’t do intellectual property or copyright law but I do read and write contracts for a living. So I went to look at their terms of service. It was fun!

Highlights the first, in which Webnovel gets a license to do basically whatever they want with content you post on their site. This is how they get to be paid for people reading authors’ writing without paying them anything.

Highlights the second, in which Webnovel takes no responsibility for illegally profiting off of fan fic. This all says that the writer is 100% responsible for everything the writer posts (even though only Webnovel is making money from it).

Highlights the third which say that by posting, the author is representing that they have the legal right to use and to let Webnovel use the content according to these terms. So if a writer posts fan fiction and Webnovel makes money from people reading the fan fiction, and the House of the Mouse catches wise, these sections say that that’s ALL on the writer.

So that’s a little skeevy to start off with but the thing that is seriously shitty and made me make this post was that these assholes are coming to ao3. They are actively recruiting people in comments on their fan fiction. And they are saying they are big fans of the character you’re writing about and that they share your interests.

They are recruiting fan fiction writers and giving every impression that you can make money from posting fan fiction on their site and hiding the fact that you absolutely cannot but they can make money off of you while you try, deep in their terms of service which no one but a lawyer who writes fan fic and has some time to kill will read.

I see posts on here regularly from people who don’t understand how this stuff works, don’t understand that they (and others) can not legally make a financial profit from fan fiction. And there are tons of people who will not take the time to dig into the details.

Don’t deal with these bastards. Fuck Webnovel.

[be-good-to-bugs]

why havent i been talking to the much much cooler and better older sister who is a furry and super nice and fun to talk to and cares about my opinions and feelings instead of the one who cant respect boundaries and makes me feel like a mistake and doesnt care abt how i feel

[supercutszns]

rotten to the touch; luke castellan

series masterlist

wc: 3.2k

pairing: pre-tlt luke castellan x f! reader

synopsis: you’re pretty sure you’re an awful person. you’re pretty sure luke castellan is too. and you’re pretty sure you want to make out with him.

warnings: reader is flawed & not the greatest, luke is ... a little dark🫣, small mention of blood, swearing, lots of making out but no explicit nsfw, a bit toxic, & no more more ‘i can fix him’ or ‘i can make him worse’ it’s ‘he can make ME worse’

notes: this is… sluttier than my usual stuff so it’s not as good but i’m trying, feedback is appreciated! also i wonder what cabin we think this reader would be in, let me know where you’d place her im curious :) maybe i’ll write more of her in the future she’s interesting!! and thank you for 100 followers i am so grateful<3 designated song for this fic is crush by ethel cain

You are a miserable, wicked, asshole of a person, and everybody knows it. Including you.

It’s unclear to you why you turned out this way—every reason to blame never satiates the fury searing your insides. All the campers hate you. The counsellors, too. Even Chiron looks down on the viciousness inside you. You are Camp Half-Blood’s black sheep; a mean, bitter person with no love for the people around you. And it’s not just for show. You know you’re rotten. You know the anger will never go away.

It’s evident in the things you think about other people—the way you pick them apart in your head, toss them aside, because they just don’t see it. This miserable, unforgiving world, with children sleeping on wooden floors because the people who created you think you disposable. Because they can just make more of you. More, more, more, until one of you comes out rotten, born of all the ugliness they have inside them. You are the worst parts of Godly blood. The wrathful parts.

Everyone hates you. Everyone hates a person with an unquenchable anger.

But everyone loves Luke Castellan.

He’s a saint at Camp Half-Blood if there ever was one. Handsome, generous, kind. Goes out of his way to help out the new kids and gives them homes in his cabin. He’s the best swordsman in camp by a mile. Shit, you’d even love Luke Castellan if you didn’t know any better.

But you do, and you don’t, and it’s complicated, okay?

Because there’s something you know about Luke Castellan that nobody else does: he’s miserable and wicked, too.

You see it in his eyes sometimes. The way they look at you at dinner, when you’re picking at your food away from anyone else at your table. Something familiar rises in them, and your stomach twists. His body tenses whenever someone mentions his father, but the smiles he flashes are so charismatic nobody notices. But you do. It’s exciting.

During sword practice, he quips back and forth with the kids and laughs whenever they take a jab at him. He’s light, easy, carefree. But you see how he holds back, the tension in his shoulder, the way the arc of his sword never fully finishes. So you wait until everybody leaves and he’s alone, with the training dummies and the setting sun. And you. Hiding.

He slashes through them and spears through their heads. You see it, the gnashing of his teeth, the sweat curling down his cheeks. There’s something there. A chasm he’s hopeless to fill.

Before you know it, you’re going out of your way to catch him training alone. It’s creepy, you know, and awful, you know, but the more you watch him the more you see a sort of violence scabbed under his skin.

Whenever you see him now, the feeling you get is entirely foreign to you. It’s almost . . . longing.

Wherever she is, you’re pretty sure Aphrodite’s having a cosmic fucking laugh. And you’re sure she’s laughing double tonight.

The Aphrodite cabin is hosting some secret party for the older counsellors. You’re definitely of age to be a counsellor, but you’ve never been made one because that would probably make half the campers drop out. Chiron and Mr. D don’t know what to do with you. You’re sure you’ll be kicked out of camp soon for good.

But you’re here anyways, for a reason you don’t want to admit, and you stay tucked in a corner as the world around you mingles. Luke is on the other side of the room, lovely as always, laughing with a few other counsellors. He brings a drink up to his lips, and you have a startling thought of what it would be like to kiss him. And you’re fucked. You’re so fucked. Because for the first time in your life you want something tangible, something real. You want to hear him and feel him and pry him apart, and a part of you wants him to actually see you, see all the awful things that might make you the same. You feel like a teenage girl with a crush, and it is infuriating.

An Aphrodite girl comes up to you with a foolish smile. “Hey, sorry, you want a drink?”

“Fuck off, you idiot,” you snarl.

You wait for her to leave. She doesn’t. “You know, you don’t have to be so mean all the time,” she says evenly. “If you’re here, you might as well enjoy it. So yes, I want to give you a drink.”

“Have you ever thought that I’m not being mean? Maybe I just am.”

You glare at her. She looks you up and down. “Sure,” she shrugs, walking away. There’s a vivid picture in your mind of her falling through a hole in the cabin floor. It doesn’t soothe you, but at least the fantasy is there.

The night drones on. You’re sick of the smells and the laughs and the heat. And you’re sick of yourself. You can’t believe, underneath all your sourness, you came here to stare at a boy you barely know, and you don’t even know why. He’s fascinating, and you resent him, and he’s also beautiful. But he’s looked back at you all of three times tonight and you’re sick of the way your skin crawls when he does.

Leaving the cabin brings the relief of the cool night air, and the singularity of your body. You are the only one who feels this rage. You are the only one who hates.

To stave off your discomfort you walk around to the back of the cabin, to the crest of the hill facing the water. The stars above twinkle at you in spite. There’s a bitterness in your throat you want to wash down with something worse (maybe you should have taken that drink), but you know it won’t matter. Nothing matters. Those stars and whatever they hide are apparently the only important things in the universe, so why should anyone care about anything?

They stars only get brighter. It’s probably their goal to piss you off. You grunt, “Oh, fuck you,” to them. It’s not enough, never nearly enough to expel the rotten part of you. “Fuck you. Fuck off!” You groan at the sky. Nothing happens. Until:

“I’m guessing you’re not having a fun night.”

You whirl around. It’s hard to see in the dark, but whatever light is left catches a long scar on a cheek. Your stomach knots.

“Yeah, me neither,” Luke Castellan says, hands in his pockets as he meanders towards you.

Even when he’s close enough, you don’t say anything. If you do, you’re afraid it’ll be something ugly. Like I kind of want to make out with you. Are you awful too? I need a lobotomy.

The thoughts almost make you laugh. Been a long time since you’ve been funny.

He nods at the sky. “Those things don’t talk. You do know that, right?” He’s still so captivating, so self-assured, even when there’s no one around but you.

“Gods, you’re the worst,” you scoff. You really mean it, so you can’t look him in the eye.

“Then why have you been staring at me all night?”

It catches you so off-guard that you whip back to face him. He has an eyebrow raised and the itch of a smile that makes you burn with shame. “What the fuck are you talking about?”

He shrugs, leaning against the cabin wall. “I’m not stupid. You’ve been brooding in the corner watching me the second you came in.” He cocks his head to the side, adding, “Actually, you stare at me all the time. At meals and stuff. I really hope you don’t think you’re being subtle.”

You huff. “Okay, if we’re really being honest here, you started that! You do it too! All the time!”

His hands shot up like he was being arrested. “Hey, I never said I minded it. A guy’s . . . just gotta wonder. What’s up with you spying on me when I’m training alone, anyways?”

“You have no idea what you’re talking about.”

“You watch me when there’s nobody else around. I’m not blind. It’s weird. If you want tips you can just ask me. Or if you like what you’re looking at, at least be upfront about it.”

You speak before you can take in that last sentence, or the way his smile took pride in itself when he said it, or how embarrassed you should probably feel. “You didn’t answer my question about why you started staring at me first.”

The anger (shame) blinding you made you forget how close you are to him right now. Close enough to touch, but not enough to see. But almost there. Almost.

“People think you’re mean,” Luke says after a moment, his dark eyes probing you. The words curl out of his mouth slowly, like he’s choosing them all with care. “You’re rude. You never listen to anyone. You judge everything. They all think you’re awful.” Again, he looks you over. “I’m not so sure.”

“If I’m awful, then you’re awful,” you spit before he can say anything else.

He just shrugs. “Well, I guess that’s why I’m not sure.”

It’s irritating, his calmness. He has the same anger you do. How come he can just . . . shove it down? You try to unearth any fury in his eyes, but it’s too far back. Simmering. “Jesus,” you mutter, “You’re worse than me.”

He looks genuinely taken aback by this. His scar deepens when his brows wrinkle. “What?”

“You’re a pretender—that’s what you are.” It’s your turn now, to step closer, to make his skin crawl. “Look at you. Everyone loves you. You’re this perfect golden boy and you’re sweet and attentive and whatever the fuck but you know it’s one giant lie. At least I’m honest, but you just sit pretty and act like you don’t have that . . . thing that I have. Resentment. Insanity. Whatever you want to call it. We’re the same, but I’m the only one getting shit for it.”

Now, you are close enough to really see him. The patterns on the wood behind him frame the vision of his ever-shifting face. You realize that this, like most things are to Luke Castellan, is a challenge. You also can’t remember the last time you saw him lose one.

But when you play, you play to win.

“You don’t know that,” he dares.

“Oh, I do. You’re rotten, Castellan,” you sneer, index finger jabbed into his chest. You can feel his heartbeat if you concentrate. “And you’re not owning up to it, so you’re also a coward.”

However scathing you look, it isn’t enough. If anything it only makes Luke’s manner more playful. Nothing feels playful anymore. Everything, inside and outside of your mind, feels like constant, exhausting war. Maybe that’s why you don’t slap his hand off you when it wraps around your wrist, keeping it pressed to the middle of his chest. His heartbeat thrums through you.

He tilts his face towards you, grinning, “Then why do you want to kiss me?”

All right. What the fuck. It feels like you’ve been electrocuted.

“What the—what are you talking about?” You blunder, but he knows, of course he knows, because there’s something between the two of you that has been formed and understood by eye contact alone. He can probably read your mind. As much as you don’t want to admit it, you’d like to read his just as much.

He cocks his head. “I mean, you did call me pretty,” he teases, and it’s almost endearing. “You’re pretty like this too.” His other hand comes up to your face, and you’re surprised you don’t flinch when his thumb gently smooths the crease in your eyebrows. “Don’t call me a coward, heathen. Then we’ll both be embarrassed.”

The nickname makes you want to fight, but the touch makes you dizzy. “You don’t want to kiss me, Luke,” you say with all the control you have, which, right now, is increasingly sparse.

“You’ve gotta stop telling people what they want,” he muses. The hand on your wrist traces further down your forearm. The one on your face snakes around your hips. “One of your more disagreeable qualities.”

His words fan over you. That fire simmering in his eyes has finally come to the surface.

“One of?” You challenge.

“You let me make out with you and I’ll give you a whole list.”

You snort, hoping it hides the shortness in your breath. “What a charmer you are.”

His lips brush yours. “Well, that’s what makes me so rotten, isn’t it?”

There’s hardly time to unravel if that’s a question or a statement because you grab a fistful of his shirt and he kisses you. Your heart detonates. It is not rotten in the slightest.

His body is warm and firm. You smell the cabin wood and the drink on his breath. It all matters, and none of it does. You’re warm everywhere as he wraps both arms around your back, and the way he kisses is, unfortunately, exactly how you thought he would. Your hands are tentative in his hair. So is your mouth on his. But Luke is so deliberate in the way he kisses that you know he’s thought about this, too. It makes you all the warmer.

His hand takes your jaw and tilts it up. You know your neck is shaky with breath, and you’re pretty sure he’s admiring it. You don’t complain when he presses a kiss to your jaw, then another one, like he’s testing the waters. “You’re so nice like this,” he mutters almost to himself, thumb running across your neck. “If only people could see you.”

“Then they’d see how mean you are too, no?” You huff. “You don’t want that.”

Another kiss to your jaw. “Not yet, sweetheart.”

Whatever feeling is harbouring in your body right now, it’s so fulfilling it almost makes you uncomfortable. You want to reject it. You’re not supposed to want things. Worse, you’re not supposed to get things. Luke starts marking a path down your neck and you are so determined to enjoy this that you’d kiss a fucking baby if someone asked you to. You might as well be a saint.

He bites the pulse point on your neck, sure to leave a mark, and a shudder rips through you. You’re pretty sure the bastard starts laughing. You hit his shoulder in retaliation.

“Easy, heathen,” he reprimands in your ear, and you know he’s still smiling.

“Don’t—don’t call me that.” You hate that you start to smile, too, and that your stomach burgeons with butterflies when he pulls back to look at you.

He touches the corner of your upturned mouth, kiss-bitten and red. His expression is boyish. “Hard to when it makes your face do that,” he goads. “I thought it was impossible for you to smile.”

“Be quiet.” You thread a hand through his camp necklace and bring him closer. You can almost taste his mouth on yours, but he sweeps past you at the last minute.

He gently tugs your earlobe with his teeth and whispers, “Yes ma’am.”

Fuck him. Seriously. You might have to.

It’s a tangle of teeth and hands and smiles kept hidden, as you slip your fingertips beneath his shirt and he does the same, and you’re both angry and greedy and incredibly destructive, but it doesn’t matter yet. Now you’re just teenagers fooling around at the back of a party, and it’s the first good thing either of you have had in a long time. Luke leaves you gasping whenever his mouth hits certain places, maybe too many places, and he teases you accordingly. “So sensitive,” he taunts, pressing his knee between your legs so he can see you squirm. You rake your nails through his scalp and he tilts his head back to groan. It shuts him up for a while.

He bites your neck until you say his name. You trace lines on his stomach till he takes your hand in his own. You’ve been hungry for something your whole life, and you finally have something to sink your teeth into. For better or for worse.

After Hades knows how long, laughter floats out from the front of the cabin. Sounds of feet tripping over each other and muffled goodbyes. You pull away from Luke, chests heaving together. His hair is wild, his shirt crumpled, and he looks entirely satisfied with it. Smug little shit. “Party’s letting out,” you mutter.

“What a damn shame.” His hand rubs your jaw, and it’s too tender a gesture so you angle your head away to peek over the side of the cabin. You barely pay attention to the kids straggling back to their bunks.

“Is now the time you tell me all my horrible qualities?” You ask once you’re ready to look at him again.

He clicks his tongue against the roof of his mouth. “Actually, I came up with more since I said that so I’m pretty sure it’ll take more than one night.” He fakes a wince, “Might have to spread it out for a few days.”

You roll your eyes, “Oh, you ass.”

“I’ll give you one for starters.” You feel like a tornado when he kisses the juncture between your jaw and your neck. “Your hands are too cold.” They’re tucked underneath his shirt right now, pressed against his back. You don’t move them. “And,” he adds, “you’re incredibly crass.”

“Thanks, dipshit.”

“Thank you for proving my point, heathen.”

The commotion at the front gets louder, and you know your time to go undiscovered runs short. “You meet me again tomorrow, and I start telling you the rest?” He raises his brows.

The prospect both repulses and excites you, although perhaps they’re hand-in-hand. You tentatively reach up to trace the scar on his face. A faint, jagged line that holds scripture within it. His eyes flutter shut for a moment. “Even though I’m rotten?” You ask, and there’s an echo of mischief in your voice, too.

He’s got a strange expression when he looks at you. “That’s not true.”

He leans down, angles his head to kiss you. It’s slow, but bitter, and he bites down on your lip until you’re pretty sure there’s blood. “Luke,” you murmur, and he kisses you softer. You lean into him like a hapless, lovesick fool.

After you part, he loosens his grip on you. The bumbling campers have gotten louder. He stares at you, and you see the chasm in his eyes again, brimming with fire. Same as yours. You know you’ll see him tomorrow.

He says, “You’re not rotten. You’re right.”

And damn it, you really do believe him.

[mostlysignssomeportents]

Google’s enshittification memos

[Note, 9 October 2023: Google disputes the veracity of this claim, but has declined to provide the exhibits and testimony to support its claims. Read more about this here.]

When I think about how the old, good internet turned into the enshitternet, I imagine a series of small compromises, each seemingly reasonable at the time, each contributing to a cultural norm of making good things worse, and worse, and worse.

Think about Unity President Marc Whitten's nonpology for his company's disastrous rug-pull, in which they declared that everyone who had paid good money to use their tool to make a game would have to keep paying, every time someone downloaded that game:

The most fundamental thing that we’re trying to do is we’re building a sustainable business for Unity. And for us, that means that we do need to have a model that includes some sort of balancing change, including shared success.

https://www.wired.com/story/unity-walks-back-policies-lost-trust/

"Shared success" is code for, "If you use our tool to make money, we should make money too." This is bullshit. It's like saying, "We just want to find a way to share the success of the painters who use our brushes, so every time you sell a painting, we want to tax that sale." Or "Every time you sell a house, the company that made the hammer gets to wet its beak."

And note that they're not talking about shared risk here – no one at Unity is saying, "If you try to make a game with our tools and you lose a million bucks, we're on the hook for ten percent of your losses." This isn't partnership, it's extortion.

How did a company like Unity – which became a market leader by making a tool that understood the needs of game developers and filled them – turn into a protection racket? One bad decision at a time. One rationalization and then another. Slowly, and then all at once.

When I think about this enshittification curve, I often think of Google, a company that had its users' backs for years, which created a genuinely innovative search engine that worked so well it seemed like *magic, a company whose employees often had their pick of jobs, but chose the "don't be evil" gig because that mattered to them.

People make fun of that "don't be evil" motto, but if your key employees took the gig because they didn't want to be evil, and then you ask them to be evil, they might just quit. Hell, they might make a stink on the way out the door, too:

https://theintercept.com/2018/09/13/google-china-search-engine-employee-resigns/

Google is a company whose founders started out by publishing a scientific paper describing their search methodology, in which they said, "Oh, and by the way, ads will inevitably turn your search engine into a pile of shit, so we're gonna stay the fuck away from them":

http://infolab.stanford.edu/pub/papers/google.pdf

Those same founders retained a controlling interest in the company after it went IPO, explaining to investors that they were going to run the business without having their elbows jostled by shortsighted Wall Street assholes, so they could keep it from turning into a pile of shit:

https://abc.xyz/investor/founders-letters/ipo-letter/

And yet, it's turned into a pile of shit. Google search is so bad you might as well ask Jeeves. The company's big plan to fix it? Replace links to webpages with florid paragraphs of chatbot nonsense filled with a supremely confident lies:

https://pluralistic.net/2023/05/14/googles-ai-hype-circle/

How did the company get this bad? In part, this is the "curse of bigness." The company can't grow by attracting new users. When you have 90%+ of the market, there are no new customers to sign up. Hypothetically, they could grow by going into new lines of business, but Google is incapable of making a successful product in-house and also kills most of the products it buys from other, more innovative companies:

https://killedbygoogle.com/

Theoretically, the company could pursue new lines of business in-house, and indeed, the current leaders of companies like Amazon, Microsoft and Apple are all execs who figured out how to get the whole company to do something new, and were elevated to the CEO's office, making each one a billionaire and sealing their place in history.

It is for this very reason that any exec at a large firm who tries to make a business-wide improvement gets immediately and repeatedly knifed by all their colleagues, who correctly reason that if someone else becomes CEO, then they won't become CEO. Machiavelli was an optimist:

https://pluralistic.net/2023/07/28/microincentives-and-enshittification/

With no growth from new customers, and no growth from new businesses, "growth" has to come from squeezing workers (say, laying off 12,000 engineers after a stock buyback that would have paid their salaries for the next 27 years), or business customers (say, by colluding with Facebook to rig the ad market with the Jedi Blue conspiracy), or end-users.

Now, in theory, we might never know exactly what led to the enshittification of Google. In theory, all of compromises, debates and plots could be lost to history. But tech is not an oral culture, it's a written one, and techies write everything down and nothing is ever truly deleted.

Time and again, Big Tech tells on itself. Think of FTX's main conspirators all hanging out in a group chat called "Wirefraud." Amazon naming its program targeting weak, small publishers the "Gazelle Project" ("approach these small publishers the way a cheetah would pursue a sickly gazelle”). Amazon documenting the fact that users were unknowingly signing up for Prime and getting pissed; then figuring out how to reduce accidental signups, then deciding not to do it because it liked the money too much. Think of Zuck emailing his CFO in the middle of the night to defend his outsized offer to buy Instagram on the basis that users like Insta better and Facebook couldn't compete with them on quality.

It's like every Big Tech schemer has a folder on their desktop called "Mens Rea" filled with files like "Copy_of_Premeditated_Murder.docx":

https://doctorow.medium.com/big-tech-cant-stop-telling-on-itself-f7f0eb6d215a?sk=351f8a54ab8e02d7340620e5eec5024d

Right now, Google's on trial for its sins against antitrust law. It's a hard case to make. To secure a win, the prosecutors at the DoJ Antitrust Division are going to have to prove what was going on in Google execs' minds when the took the actions that led to the company's dominance. They're going to have to show that the company deliberately undertook to harm its users and customers.

Of course, it helps that Google put it all in writing.

Last week, there was a huge kerfuffile over the DoJ's practice of posting its exhibits from the trial to a website each night. This is a totally normal thing to do – a practice that dates back to the Microsoft antitrust trial. But Google pitched a tantrum over this and said that the docs the DoJ were posting would be turned into "clickbait." Which is another way of saying, "the public would find these documents very interesting, and they would be damning to us and our case":

https://www.bigtechontrial.com/p/secrecy-is-systemic

After initially deferring to Google, Judge Amit Mehta finally gave the Justice Department the greenlight to post the document. It's up. It's wild:

https://www.justice.gov/d9/2023-09/416692.pdf

The document is described as "notes for a course on communication" that Google VP for Finance Michael Roszak prepared. Roszak says he can't remember whether he ever gave the presentation, but insists that the remit for the course required him to tell students "things I didn't believe," and that's why the document is "full of hyperbole and exaggeration."

OK.

But here's what the document says: "search advertising is one of the world's greatest business models ever created…illicit businesses (cigarettes or drugs) could rival these economics…[W]e can mostly ignore the demand side…(users and queries) and only focus on the supply side of advertisers, ad formats and sales."

It goes on to say that this might be changing, and proposes a way to balance the interests of the search and ads teams, which are at odds, with search worrying that ads are pushing them to produce "unnatural search experiences to chase revenue."

"Unnatural search experiences to chase revenue" is a thinly veiled euphemism for the prophetic warnings in that 1998 Pagerank paper: "The goals of the advertising business model do not always correspond to providing quality search to users." Or, more plainly, "ads will turn our search engine into a pile of shit."

And, as Roszak writes, Google is "able to ignore one of the fundamental laws of economics…supply and demand." That is, the company has become so dominant and cemented its position so thoroughly as the default search engine across every platforms and system that even if it makes its search terrible to goose revenues, users won't leave. As Lily Tomlin put it on SNL: "We don't have to care, we're the phone company."

In the enshittification cycle, companies first lure in users with surpluses – like providing the best search results rather than the most profitable ones – with an eye to locking them in. In Google's case, that lock-in has multiple facets, but the big one is spending billions of dollars – enough to buy a whole Twitter, every single year – to be the default search everywhere.

Google doesn't buy its way to dominance because it has the very best search results and it wants to shield you from inferior competitors. The economically rational case for buying default position is that preventing competition is more profitable than succeeding by outperforming competitors. The best reason to buy the default everywhere is that it lets you lower quality without losing business. You can "ignore the demand side, and only focus on advertisers."

For a lot of people, the analysis stops here. "If you're not paying for the product, you're the product." Google locks in users and sells them to advertisers, who are their co-conspirators in a scheme to screw the rest of us.

But that's not right. For one thing, paying for a product doesn't mean you won't be the product. Apple charges a thousand bucks for an iPhone and then nonconsensually spies on every iOS user in order to target ads to them (and lies about it):

https://pluralistic.net/2022/11/14/luxury-surveillance/#liar-liar

John Deere charges six figures for its tractors, then runs a grift that blocks farmers from fixing their own machines, and then uses their control over repair to silence farmers who complain about it:

https://pluralistic.net/2022/05/31/dealers-choice/#be-a-shame-if-something-were-to-happen-to-it

Fair treatment from a corporation isn't a loyalty program that you earn by through sufficient spending. Companies that can sell you out, will sell you out, and then cry victim, insisting that they were only doing their fiduciary duty for their sacred shareholders. Companies are disciplined by fear of competition, regulation or – in the case of tech platforms – customers seizing the means of computation and installing ad-blockers, alternative clients, multiprotocol readers, etc:

https://doctorow.medium.com/an-audacious-plan-to-halt-the-internets-enshittification-and-throw-it-into-reverse-3cc01e7e4604?sk=85b3f5f7d051804521c3411711f0b554

Which is where the next stage of enshittification comes in: when the platform withdraws the surplus it had allocated to lure in – and then lock in – business customers (like advertisers) and reallocate it to the platform's shareholders.

For Google, there are several rackets that let it screw over advertisers as well as searchers (the advertisers are paying for the product, and they're also the product). Some of those rackets are well-known, like Jedi Blue, the market-rigging conspiracy that Google and Facebook colluded on:

https://en.wikipedia.org/wiki/Jedi_Blue

But thanks to the antitrust trial, we're learning about more of these. Megan Gray – ex-FTC, ex-DuckDuckGo – was in the courtroom last week when evidence was presented on Google execs' panic over a decline in "ad generating searches" and the sleazy gimmick they came up with to address it: manipulating the "semantic matching" on user queries:

https://www.wired.com/story/google-antitrust-lawsuit-search-results/

When you send a query to Google, it expands that query with terms that are similar – for example, if you search on "Weds" it might also search for "Wednesday." In the slides shown in the Google trial, we learned about another kind of semantic matching that Google performed, this one intended to turn your search results into "a twisted shopping mall you can’t escape."

Here's how that worked: when you ran a query like "children's clothing," Google secretly appended the brand name of a kids' clothing manufacturer to the query. This, in turn, triggered a ton of ads – because rival brands will have bought ads against their competitors' name (like Pepsi buying ads that are shown over queries for Coke).

Here we see surpluses being taken away from both end-users and business customers – that is, searchers and advertisers. For searchers, it doesn't matter how much you refine your query, you're still going to get crummy search results because there's an unkillable, hidden search term stuck to your query, like a piece of shit that Google keeps sticking to the sole of your shoe.

But for advertisers, this is also a scam. They're paying to be matched to users who search on a brand name, and you didn't search on that brand name. It's especially bad for the company whose name has been appended to your search, because Google has a protection racket where the company that matches your search has to pay extra in order to show up overtop of rivals who are worse matches. Both the matching company and those rivals have given Google a credit-card that Google gets to bill every time a user searches on the company's name, and Google is just running fraudulent charges through those cards.

And, of course, Google put this in writing. I mean, of course they did. As we learned from the documentary The Incredibles, supervillains can't stop themselves from monologuing, and in big, sprawling monopolists, these monologues have to transmitted electronically – and often indelibly – to far-flung co-cabalists.

As Gray points out, this is an incredibly blunt enshittification technique: "it hadn’t even occurred to me that Google just flat out deletes queries and replaces them with ones that monetize better." We don't know how long Google did this for or how frequently this bait-and-switch was deployed.

But if this is a blunt way of Google smashing its fist down on the scales that balance search quality against ad revenues, there's plenty of subtler ways the company could sneak a thumb on there. A Google exec at the trial rhapsodized about his company's "contract with the user" to deliver an "honest results policy," but given how bad Google search is these days, we're left to either believe he's lying or that Google sucks at search.

The paper trail offers a tantalizing look at how a company went from doing something that was so good it felt like a magic trick to being "able to ignore one of the fundamental laws of economics…supply and demand," able to "ignore the demand side…(users and queries) and only focus on the supply side of advertisers."

What's more, this is a system where everyone loses (except for Google): this isn't a grift run by Google and advertisers on users – it's a grift Google runs on everyone.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/10/03/not-feeling-lucky/#fundamental-laws-of-economics

My next novel is The Lost Cause, a hopeful novel of the climate emergency. Amazon won't sell the audiobook, so I made my own and I'm pre-selling it on Kickstarter!