#parallel nightmare
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mattis-flo · 1 year ago
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Kirby doodle's while I listened to final boss themes! excuse the many open spaces. im too lazy and tired to crop everything
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lowrezbonuslevel · 2 years ago
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kirbytober day 14
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"Hey DT old buddy, remember when you said you have a copy of New Leaf? Yeah I really need to sell my turnips. I'm still paying off my house loan HAHA, I'm going to make the next room a kitchen probably. So I really need the Bells. I just want to check the selling price in your town, OK? You don't even have to do anything, just give me your 3DS and I'll do the rest! HAHA! By the way what fruit is in your town? Do you have any hybrid flowers? Oh, sorry, touchy subject HAHA! Anyway I'd really appreciate if you gave me your 3DS."
Combined Kirbytober 2023 prompt list (Day 14: Nightmare/3DS)
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rogerdeakinsdp · 9 months ago
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CINEMA'S BEST SWEATERS — Part 1 (Part 2)
Basic Instinct (1992) · Let's Make Love (1960) · Scream (1996) · The Big Lebowski (1998) · Lucky Number Slevin (2006) · A Nightmare on Elm Street (1984) · The Holiday (2006) · The Devil Wears Prada (2006) · While You Were Sleeping (1995) · Home Alone (1990) · Good Will Hunting (1997) · 21 (2008) · Sweet November (2001) · Knives Out (2019) · How the Grinch Stole Christmas (2000) · Ocean's 8 (2018) · The Matrix (1999) · Mystic Pizza (1988) · Bridget Jones's Diary (2001) · Clueless (1995) · House of Gucci (2021) · The Lighthouse (2019) · When Harry Met Sally... (1989) · Awake (2007)
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callmeizukunotdeku · 5 months ago
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I was a kid with a Hunger Games hyperfixation and, from time to time, I'll get reminded of the books. With Trump's inauguration and the TikTok ban and unban, I can't stop thinking about a political tactic called panem et circenses, or bread and circuses.
In Mockingjay, Collins writes "'It’s a saying from thousands of years ago, written in a language called Latin about a place called Rome,' he explains. 'Panem et Circenses translates into "Bread and Circuses." The writer was saying that in return for full bellies and entertainment, his people had given up their political responsibilities and therefore their power.'"
In Collins' world, the Hunger Games was the entertainment. In ours, it's social media. Twitter, Meta, TikTok, are all controlled by political powers. Musk, Zuckerberg. TikTok is owned by Yiming and Rubo, but with the ban and unban, the content it shows in America is filtered to fit Trump's political agenda.
It's entertainment at the cost of information.
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ups-sups · 19 days ago
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Confrontation.
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bellherald · 23 days ago
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Dressrosa was incredibly important for a number of reasons—obvious ones include the formation of the Grand Fleet, the abolishment of the Warlords, and the downfall of Joker and the underworld imploding. But it was also important for reasons more personal to Luffy. It directly validated the timeskip, showing not only that it was necessary but it worked.
You know how Luffy has to chase people down to make them accept his friendship and kinda forces himself on people. I find it fundamentally intriguing that instead of Luffy extending the hand first it was LAW who reached out. He was not thinking of it that way but Law unironically was unlike so many people by doing that and I think that he really played himself so hard there. We know Luffy hates being alone more than anything and often he’s the one chasing down the people he likes to make sure he has his nakama. Then here’s the awesome guy who saved his life and didn’t need anything coming back two years later asking to be friends. Luffy already thought he was a cool dude, he introduces Law to his crew as someone who saved his life just like Jinbe. Luffy introduces him in the same category as a beloved friend and future crewmate before the alliance was even offered.
Not just that, but so often Luffy’s people try to run away to protect him and only endanger themselves(Nami, Vivi, Robin, Usopp kinda, and especially Ace in this moment.) He has to actively fight to be able to help them because Luffy knows he is a strong fighter and can help beat up his problems. But Law asked for his help. Law came to him knowing he’s strong and can help fight his problems.
Luffy had all his specialist boy neurons activate there LMFAO
Ace and Law both isolate themselves from their crews in order to chase down revenge. They’re both on a collision course that will result in them caught and dead. Ace and Law don’t want anyone else involved. Both come across the Straw Hats by chance while pursuing that vengeance—Law doesn’t see Luffy as someone who needs protecting but instead a peer, an equal. He asks for an alliance to take down an emperor. I don’t think Luffy cared which emperor beyond it not being Shanks. Law was asking for help here and Luffy could clock that no matter how he tried to dress it up.
Flash forward to Dressrosa. Law is face to face with his enemy and loses. He loses hard directly in front of Luffy. Luffy is once again locked behind a seastone prison as Law gets taken away just like Ace was. Having to cross an island to reach him again and drag him out of his situation. Luffy refuses to leave him be, ignoring the protests from a chained up Ace/Law and going to fight this battle even if he wants to be left alone. He’s going to be there this time when the fight happens and he’s going to win.
We find out both Law and Ace faced discrimination for their birth, that people thought the world was better off dead and they were angry boys struggling in a world that hated them. They’re seeking revenge for loved one that got killed by a brother (whitebeard sons, donquioxte brothers). They don’t want other people to die for the sake of it and tried to isolate because of it. Luffy doesn’t let Law get away though, refusing to break the alliance and literally dragging him along.
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Luffy couldn’t save Ace. Luffy could save Law. Gear 4th being how Luffy took down Doflamingo and the fact that he saved his clan this time directly validated the entire time skip by showing us exactly what Luffy trained for all that time. The power to protect his nakama. Timeskip Luffy could’ve saved Ace but he only existed in the first place because he couldn’t.
Luffy took on everyone’s burden and wills onto his own shoulders. There’s a reason no one died in Dressrosa, it was to show exactly what those two years have lead to. Things are different now. Luffy isn’t weak anymore. The world won against Luffy before—but not now, not this time.
Dressrosa was a turning point that the whole globe took notice of and now the Straw Hats are not only back but they’re going to change everything, whether the world is ready or not.
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bleucaesura · 7 months ago
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Was it just me, or….?
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Mastermind = Jack’s Lament
Mmmm yeah… Definitely.
*pats self on back*
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cringefail-clown · 2 years ago
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turnabout kids and their sprites! ive had an ask laying around in my inbox about them for far too long lmfao, so ive finally decided to draw em out
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jane: mime porcelain doll + poppop
dirk: seagull + hal
roxy: wizard figurine + frigglish
jake: gcat + his dreamself
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vampirecorleone · 1 year ago
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"Before making New Nightmare, Wes Craven watched all of the "A Nightmare on Elm Street" films. By the time he was finished, he claimed that he could not follow the storyline at all. He further regards the sequels to be weak compared to his original masterpiece." A Nightmare on Elm Street (1984) | New Nightmare (1994) dir. Wes Craven
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normal-nightmare · 9 months ago
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God I am OBSESSED with this panel. The sheer amount of yearning in Jason's eyes, looking almost shy. Sneakily stealing a glance at Dick. Dick smiling a little, staring up at the ceiling, completely unaware of Jason's stare.
This feels, like, CLASSICALLY gay. This feels like a scene you'd see in a movie or show where two characters are clearly pining for each other but haven't yet confessed (but it's clearly heading that way).
Like, there is ZERO way to interpret this as platonic or as "just hero worship". Especially in the context of the entire annual. It feels like a 150k slowburn fanfic the way this annual is written. This entire thing threw me off so badly when I just joined the fandom bc this doesn't at all feel platonic.
I could talk about this annual for HOURS man
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itsafunnythingisntit · 4 days ago
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and when i say that sam and castiel's friendship is so fucking underrated when they're two of the most similar and parallel characters in all of supernatural what then
when i say that sam and castiel are both believers in the ends justifying the means, that both of them don't seek power, but gravitate towards leadership and authority because they are visionaries and believe in a higher, greater purpose and the potential for a future—
when i say that sam and castiel both seek redemption in parallel arcs, but sam's is driven by a personal, intimate need to purify himself, to prove himself worthy of salvation to himself and to dean, but castiel seeks atonement in divine sense, in the way that only an angel can because he believes that there is inherent celestial righteousness that he must realign himself with
what then, huh?
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yeah, that's what i thought
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banemaus · 9 months ago
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do yall eff with the liu sketch
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skymantle · 1 year ago
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what does it all mean.
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knockknockitsnickels · 9 months ago
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I think this is one of my favorite lines from the Wraith route because of (imo) how much the meaning changes depending on if you got there via Spectre or Nightmare. For Spectre, it honestly strikes me as a genuine question. Why are you doing this to her? If you're on the Spectre route, you presumably already know the Narrator can't really be trusted, since you had to reject his reward to get here. What are you hoping to gain from continuing to hurt her? For Nightmare, it honestly just makes me sad. As the Shifting Mound describes her, "She desires only companionship, but the only thing she knows is how to hurt." This line feels like a plea from someone who genuinely doesn't understand why you keep rejecting her. She wants to be with you, but she just can't understand how to do that in a way which doesn't hurt you.
#at the risk of getting put on a list there is something tragic & relatable in nightmare#someone who desperately wants to make connections but just can't understand how#anyway wraith is one of my favorite princesses for stuff like this (and bc tragedy aside her route is a riot)#also im sorry if she doesn't say that line if you got there via nightmare#that's how i got her and i could've sworn she did? But i only found footage of her saying it in spectre#slay the princess#stp#stp wraith#the wraith#stp spectre#stp nightmare#side note archetypal/heart#(slash so i don't accidentally tag them)#pointed out on another post of mine that you get wraith via nightmare by killing her and via spectre by leaving her in the basement#in both cases its a rejection of her (rejection being one of wraith's main themes)#which makes me speculate on spectre's ch 3 (which i think we currently have very little info on?)#Trying to run from Nightmare should technically be a 'rejection' as well#but you get MOC from that (and from choosing to stay with her)#imo bc you're just repeating the same inaction which got you into this situation in the first place#you don't want to slay her. you don't want to set her free. So you just leave her there (again)#and so you get MOC where things have only gotten worse and you have no choice left. Because you chose *not* to take action again#So I wonder if spectre 3 will be a similar 'repeating your past mistakes' type of deal#i was skeptical about it coming from stabbing yourself while she possesses you or trying to crush her bones#but it does make sense with that in mind#im curious if it'll parallel MOC#except instead of having no choice but to free the princess you have no choice but to obey the narrator again#maybe you both end up stuck in the cabin forever again?#idk#sorry i probably should've put all of that tag in the post lmao
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tvuniverse · 2 months ago
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9-1-1 -> 6x10-11 // 8x15 (potential) coma dream
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keuwibloom · 2 years ago
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(Slight TW/CW for injury)
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With how their whole positivity/negativity thing works (and that they're the only ones who can mortally wound each other), what if Dream and Nightmare aren't able to physically touch anymore?
Imagine, in the past, the brothers' main love language was physical touch (hugs, play fighting, etc). But after they ate the apples, the negativity and positivity act like poison to the other as a defense mechanism.
Any prolonged contact will burn Dream and make Nightmare's corruption boil and melt. It is extremely painful for both of them.
Imagine how this affects them in Parallel Synthesis.
When after all the fighting, after they've settled on a truce, after they've found peace and are able to actually be brothers again,
there will always be that one thing they can never have back.
Btw this takes place during the lunch meeting mentioned here! The stars and the gang decided to have an outdoors lunch :]
Dream and Nightmare belong to Jokublog
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