#pedulum

[recycledmoviecostumes]

This red gown was first worn by an extra in the 1952 film At Sword’s Point. Because it was worn by an extra, there is a good possibility that the gown originated from an earlier production, though this has yet to be determined or spotted. The costume was worn again on Barbara Steele as Elizabeth Bernard Medina in the 1961 film The Pit and the Pendulum.  The gown was seen the very next year in Jack and the Giant Killer on Anna Lee as Lady Constance.

Costume Credit: Katie S., Julia Spicer

Follow: Website | Twitter | Facebook | Pinterest | Instagram

Note: This costume has previously been posted. It has been reposted to add an additional sighting of this costume.

[galvanizedfriend]

Klaroline Fanfiction Masterlist

It's been a minute since I last updated my masterlist so I decided to go ahead and start a new one. Yokan // ▪ Multi-chapters

. The Wolf Series [I, II, III and Outtakes - Incomplete] When Caroline wakes up shackled, powerless and very far away from Mystic Falls, she knows she's in serious trouble. But when a woman named Sophie Deveraux reveals the reason why she's been kidnapped and taken to New Orleans, she realizes things are far worse than she could've ever imagined.

[The Originals rewriting where Caroline is a witch and gets pregnant with Klaus' child. Seasons 1, 2 and 3 complete, season 4 coming.]

. Vice and Virtue [6/6 - Complete] As the second son of a Duke, Klaus Mikaelson has the means and all the time in the world to indulge in every manner of wild activity with very little respect for the regiment of polite society. That is until his brother decides he's had enough of his vulgar ways and gives him an ultimatum. Caroline Forbes is a young debutante in search of true love and adventure. Except her aunt wishes for her to marry a somber Viscount who's already buried three wives. When their paths cross, they realize they might yet strike a deal that could satisfy their relatives and benefit them both.

[AH Regency!AU inspired by Bridgerton and a dozen other period novels I have been reading lately.]

. Pedulum [2/2 - Complete] This is what Klaus Mikaelson knows: death isn't the end for him. From the moment he is brought into the world to his final shuddering breath, Klaus' life is pretty much the same as everyone else's. The difference lies in what happens after he dies: he goes right back to the beginning, a child in London with the memory of dozens of lives lived before. Nothing ever really changes, including the fact that no matter how hard he tries, he can never save Caroline Forbes' life for too long.

[AH/soulmates!AU with a slight magical twist. Technically a one-shot, chapter 2 is just an alternate ending.]

. We'll Always Have New Orleans [3/15 - Incomplete] Caroline wakes up in a world where everything looks exactly the same, only nothing really is. For starters, she's no longer a vampire, and no one else in Mystic Falls has ever heard of witches, vampires or werewolves - no one except for Klaus, who woke up just as human and twice as angry about it. Their search for answers and a way out takes them all the way to New Orleans, and Caroline could never anticipate how much this crazy fake world was about to alter her reality forever.

[Canon-divergence!AU. Set right after TVD 4x18.]

. Speed Dating [3/4 - Incomplete] Klaus is having a bad month, so Caroline decides it's a great idea to drag him along to a round of Speed Dating. Other men in the room do not approve.

AH/AU fluff that was inspired by an episode of House (yes, it is fluff, I promise).

. Gasoline [2/2 - Complete] "He doesn't apologize, of course he doesn't. He doesn't care. He calls everyone love. It's not meant to mean anything. Except it did, once, and it makes Caroline's stomach churn away inside, as she feels Klaus crawling underneath her skin like he never left at all. I've still got you."

AH/Band!AU. Two years after Klaus walked out on his band - on her -, Caroline finds herself in her least favorite place on earth - New Orleans. She really did try to stay away from him, escaping an event just to keep off his radar. He finds her anyway.

. Like It's Christmas Again [2/2 - Complete] As Christmas approaches, Caroline Forbes, a New York-based event planner, is sent to a quaint small town in Virginia to organize their holiday festival. But her plans are momentarily hindered by the presence of Klaus Mikaelson, the Mayor's brother and a grumpy billionaire lacking in any holiday spirit, who's in town to close the sale of his family's manor - the charming estate she was hoping to use as a venue.

[AKA that time when I committed Christmas fic. AU/AH inspired by a Hallmark movie, I kid you not.]

. Spin [5/5 - Complete] Since she was seven years old, Caroline Forbes has been preparing herself to become President of the United States. But before she gets to the Oval Office, she needs to win the election for senior student president at the prestigious Saint Sebastian High - which would be in the bag if only goddamn Klaus Mikaelson hadn't decided to run against her.

[AH/AU lovers-to rivals-to-lovers The Politician!AU where everyone takes school elections way more seriously than they should.]

. How Far I'd Go [2/2 - Complete for now] Set in TVD S6/TO S2. Unable to control Caroline after she turns her humanity off, Stefan reaches out to the only person he can think of for help.

[Slices of moments of Klaus in Mystic Falls while Caroline has her humanity off.] ▪ One-shots

. The Sound of Settling Klaus hates his job at Mikaelson & Sons. He hates wearing a suit. He also hates his brothers constantly butting into his life. Everything will be better once he gets his much desired transfer to the New York branch. Caroline Forbes is the owner of Mystic Café, and when Klaus accidentally wanders into her coffee shop, his whole perspective changes. [AH/Coffee Shop!AU where Klaus is a lawyer. Fluffity Fluff. Lots of Mikaelsons and some Carenzo friendship.] . The Witch Queen Caroline always knew she was different. She was keyed into her own otherness very early on. Strange things happened around the Forbes women. Her mother never really had to spell it out to her, give it a name. Caroline could always sort of feel it, and then at some point the feeling blossomed into comprehension, and comprehension hardened into fact. And with that came an altogether different kind of certainty: this was not a secret she'd be able to keep forever. One day, no matter how hard she tried to hide it, everyone would find out. And when they did, they would come for her.

. Worst Things Have Happened Klaus Mikaelson is a prince with a very dark secret that threatens to destroy his family's legacy. Caroline Forbes is a sorceress whose job is to make sure his secret remains buried. But would it hurt him to put some clothes on? [Royal!AU, with a magical twist.] . The Unexpected Grace of Falling Apart The whole incident was bound to go down as a funny anecdote to be shared among friends, a Oh, you think you've had the worst hook-up ever? Hold my beer kind of story. Provided, of course, that she never had to see him ever and could just wipe him out of her life and memory for good. Given that they live in different time zones, it shouldn't be too much of a hassle.

That is precisely why Caroline is livid when she emerges from the arrivals area at Richmond airport to find Douchebag, in the flesh - sunglasses indoors and all, like the proper jerk that he is - holding up a sign that readsClarisse.

[AH/AU. It's Tyler's wedding weekend and Caroline is back in Mystic Falls for the first time after the most traumatic and depressing year of her life. And it's about to get even worse as she's made to share breathing space with Klaus, The Worst Guy Ever. Except they might have to join forces to save the wedding, and to the discovery that things might not be what the seem. As Caroline teeters on the edge of a breakdown she'd been trying very hard to conceal, an unexpected savior appears to help her through the haze.]

. love, the monster's got me now [Canon compliant. Set in TVD S03E09 Homecoming.]

"Don't run," he says calmly, sounding almost bored, but with a clear warning. "I'm in the mood for a chase. Little spoiler: you can't outrun me." His eyebrows twitch up when he finally turns around to face her, lips curling into an amused grin. "Tyler's girl," he states, gesturing towards the now empty yard. "You missed out on the celebrations, I’m afraid."

[Or: the missing Klaroline scene between "There's your pretty little girlfriend, Caroline" and "There's a whole world out there waiting for you." Klaus and Caroline meet after Homecoming.]

. When It's Gone Suddenly, Caroline hates how nice the bed feels. How soft the pillows are. How smooth and cool and expensive those goddamn sheets are against her skin. She hates the giddiness in her belly, like she's a stupid schoolgirl when she's not allowed to be one anymore. She hates how right the space between Klaus' arms felt, how easily she molded against him. His lips were as full and as soft as they looked, but his hands were gentler and more reverent than they had any right to be, and Caroline hates it. Hates it, hates it, hates it. She hates that it suits her, hates that she wants it, hates that none of it is hers to keep.

[Set after TVD S04E19 Pictures of You. Caroline hears about Klaus' impending departure after a mysterious letter and decides to have some words.] . Wishing Each Sigh Might Be the Last The first time she sees him, Caroline thinks he's an angel.

[Set in 1800s New Orleans. As Caroline lies dying, she prays for God to send help or end her torment and save her soul. She thinks an angel has come for her. But he's no angel at all.] . Feel the Madness Closing In Set in TO S3. Caroline is in New Orleans when Lucien and the Ancestors make a move against the Mikaelson family - and they know exactly who to target in order to get to Klaus. Paranoia sets in, sending him to a very dark place, and Caroline finally learns the price of being loved so profoundly by a monster. . Issues When Klaus' Hollywood career takes a down turn after a nasty divorce and a viral mug shot, his manager decides his life is not yet miserable enough, bringing in a PR company famous for its high-profile damage control cases.

[AH!AU where Klaus is a problematic movie star and Caroline is a PR agent with no time for his BS.] . Urban Legend "I hate myself for saying this, but I have to agree with Little Miss Sunshine," Caroline cuts in. "This is Whitmore. Nothing ever happens here. Least of all a possession that leads to a massacre of slasher movie proportions."

"Thank you, love," Klaus returns brightly. "Very flattering to be validated by you."

"Bite me, Klaus."

"Find me later, after my shift, and we can see to it," comes the shameless rejoinder.

[Or: Caroline tries to navigate life in college having the worst roommate ever, a douchebag who cannot take a hint and a nosy journalist whom she's definitely not attracted to. Never in a million years.]

[the-destiny-of-the-pendulum]

doubt unraveling

spiral staircase of shadows

darker and darker

V. Moore

the-destiny-of-the-pedulum

11-27-2023

[allmyotpsaredead]

For you!!💛 @pedulum-chronometry Thank you so much for the suggestion!

I just want to thank everyone for the likes, comments and reblogs! It truly means the world to me!💛 Love you all so much! Also, I fixed the flower… Tried to make it flow better😊

[uncertainwallflower]

— Edgar Allan Poe, The Pit and the Pedulum

[hskinhome]

hey again. sorry yall are gettin so much shit lately, yall have always been doin awesome with this blog. anyway, take your time answerin. if its cool, could i get a pedulum on whether tavros serket came back to life in some way, if yes, then by godtier, spriting, or something else. thanks

Signless said he didn't come back to life, but you know yourself best!

-Mod Nepeta

[honor-every-part-of-you]

Hannibal S1E4 Timestamp List

And we’re back in the saddle!

0:00 opening credits 0:21 cut to black 0:22 Recap 0:52 cut to black 0:53 text on screen: Baltimore, Maryland 0:56 Exterior of H's house 0:59 W and H in H's chairs in profile H leaning forward W talking about walking at night and looking back at his house in the night 1:09 Exterior of W house lit up in the distance at night 1:16 Medcloseup on Will - I't really the only time I feel safe 1:21 H leans forward in profile - you stood in the breathing silence of GJH's home 1:27 W listening in profile - H - the very spaces he moved through 1:30 mecdloseup on H in quarter profile - tell me will did they speak to you? 1:33 silent flashback to w entering hobbs's kitchen 1:36 W very intense - with noise and clarity 1:40 H still staring intently - you could sense his madness like a bloodhound 1:44 W - I tried so hard to know GJH 1:47 flashback to GJH with knife to Abi's throat 1:50 W - to see him 1:52 flashback to W shouting - GJH, FBI! 1:54 W remembering unhappily 1:55 flashback of GJH slitting Abi's throat 1:56 flashback of GJH stumbling backwards as he's being shot 1:57 flashback of W continuing to fire at GJH 1:58 W past the signs and vials 2:03 flashback of w putting pressure on Abi's wound - beyond the lines on the police report 2:05 the pixels on those 2:07 flashback of W putting pressure on abi's wound 2:09 w - printed faces of sad dead girls 2:13 flashback of terrified w looking over to see GJH in the corner looking back 2:17 flashback of bloodspattered w looking toward GJH 2:18 w subtley shaking his head 2:21 H staring at w - how did you feel seeing melissa impaled in his antler room (is he hoping for w to admit to the same level of congruence?) 2:26 w staring at h in a daze 2:27 flashback to ms hanging from the antlers 2:29 w blinks out of the daze - (quietly) guilty 2:35 H - because you couldn't save her? 2:37 w - because I felt like I killed her 2:40 flashback to W examining marissa 2:42 closeup on w examining marissa 2:43 wideshot of w and h facing each other, w leans forward in emphasis 2:43 w - I got so close to him, sometimes it felt like we were doing the same things 2:54 h listening to w talk about feeling synced with GJH 2:56 W - showering or sleeping at the same time 2:59 H - even after he was dead? 3:00 closeup on W considering the question 3:02 flashback to GJH dead in the corner of the kitchen 3:04 W nods and confirms 3:06 H - like you were becoming him? 3:10 W remembers his nightmare of killing Abi 3:12 closeup of W killing Abi, while insisting he knows who he is 3:14 W - I'm not GJH, Dr Lecter (oh Will, you weren't empathizing with GJH, you were empathizing with Marissa's killer) 3:16 closeup on H considering W's statement 3:19 Opening Credits 3:39 Cut to black 3:40 closeup of maggots on moldy food 3:44 medcloseup of maggots on moldy food 3:46 closeup of bloodspattered family portrait 3:48 blood on individual family pictures 3:50 medshot of corpses at moldy dinner table 3:56 zoom in on closeup of W looking into camera, half light half dark on his face, shift into warm colors of pendulum time 4:05 cut to black 4:06 pendulum swinging over black background 4:08 wideshot of pendulum reversing flies on moldy food 4:11 pedulum reversing flies, then mold on Christmas Ham 4:15 zoom out from closeup on W now in pendulum time 4:19 blood on Christmas table reversing 4:23 zoom out on W continues to medwide shot 4:24 reverse bloodspatter on individual portraits 4:26 reverse bloodspatter on group family portrait 4:28 medcloseup blood fully reverses on mother, she begins to sit up 4:31 Entire family sits up from the positions where they died 4:32 closeup on Christmas ham 4:34 zoom out from closeup on W as he begins to narrarate the murder scene, finish on wide shot of entire family at table 5:02 W points to little girl and tells her to eat her "growing foods" 5:06 little girl immediately eats forkful of broccoli 5:10 zoom back in on W as he cont to narrarate with smug/stern expression 5:35 closeup on W as camera flashes 5:35 camera flash on W's face 5:36 closeup on W's eyes as camera flashes 5:36 camera flash on W's eyes 5:37 extreme closeup on W's eye with camera flash 5:40 closeup on W staring 5:42 wideshot on W and mother sitting at the table with the rest of the family slumped over dead 5:47 W turns from table to mother 5:50 mother looks sadly at W 5:53 W looks regretfully at mother, aims a gun at her 5:59 W pulls trigger 5:59 W shoots mother 5:59 mother is shot in the forehead 6:01 blood spatter from mother on group family portrait 6:02 blood spatter on individual portraits 6:03 mother falls forward onto table while W continues sorrowful thousand yard stare 6:05 Jack watches W as he mentally recreates the scene, then interrupts to ask what W sees 6:18 medcloseup on J - Who's family values? 6:23 J watches W - no answer 6:26 H's bentley driving along a country road 6:32 H drives up to W's house 6:40 H exits car, framed by W's porch 6:48 W's dogs look up toward fron of the house 6:49 H looks in through windows to see W's dogs waiting at the door 6:52 H walks up to W's door and pulls a chain of sausages out of a paper bag 7:03 H enters W's house, holds sausage out to dogs 7:14 med shot on dogs catching sausage bites 7:17 med shot on H begining to walk between the dogs 7:18 H walks across the room to W's piano and tries a note 7:34 medcloseup on H standing up from W's piano and looking down toward the dogs 7:37 medwideshot on H in front of W's fireplace and bookshelves, turning and considering the room 7:41 closeup on a boat motor on a stand 7:43 H pulls open a drawer to reveal undershirts and socks 7:47 medwideshot of H closing the drawer and continuing to look around 7:52 H approaches W's fly tying station and leans down to look through the magnifying glass 7:56 closeup of H's eye through the magnifying glass 7:58 H sits down at W's fly tying station 8:00 H moves the magnifying glass away from the fly in progress 8:03 wideshot of H in profile sitting at the fly tying station and petting one of the dogs 8:05 closeup of H considering the fly tying equipment 8:07 H pulls a feather out of a tray 8:09 closeup of H positioning the feather onto the fly in progress 8:10 H winding a thread around the addition to the fly in progress 8:12 closeup of H's hands adjusting the fly in progress 8:15 closeup of H winding the thread around the fly in progress 8:17 medshot of H continuing to wind the thread 8:18 closeup of the thread being wrapped the last time 8:20 closeup of H looking closely at the fly in progress 8:21 closeup of the fly being tied off 8:23 H sets down the tool while holding the thread on the fly in progress 8:25 closeup on the thread being snipped off the completed fly 8:28 medshot of H stroking the completed fly 8:29 closeup on H stroking the completed fly and removing it from the tying station 8:31 medshot on H removing the completed fly from the tying station 8:32 closeup on H pressing the hook of the completed fly into his thumb until it bleeds 8:38 closeup on the fly being lowered to reveal the bead of blood on H's thumb 8:40 closeup on H putting his thumb to his mouth to suck off the blood 8:47 bloodspattered group family portrait from the opposite angle as before 8:50 camera flash on the blood spattered group family portrait 8:50 medshot of W in profile listening to J describe the family while CSI takes pictures 8:53 J walks along table describing the family 8:56 medshot on W off center pointing out that one of the children is missing from the tabeau 8:58 J continues walking while looking at notes to confirm missing child 9:00 gloved hand picking up blood spattered picture of young boy 9:03 W looking down in classical painting pose looking down toward picture while cameras flash 9:05 00:09:05:11 9:05 camera flashes as W looks at child's portrait 9:05 medshot on J - possible runaway probable abduction 9:08 medshot on W - or both 9:08 camera flash on W saying Or Both 9:09 J - when misery rains, it pours 9:11 camera flash on J - when misery rains it pours 9:11 closeup of blood spattered picture of family's children including missing boy 9:13 W looking down on pictures, saying they depict layers of lies 9:16 camera flash on W looking down at children's pictures 9:18 J listening to W looking uncomfortable (I should start numbering that description 9:20 J crouches to take a picture - Norman Rockwell with a bullet 9:22 first camera flash as Jimmy says Norman Rockwell with a bullet 9:22 second camera flash as Jimmy says Norman Rockwell with a bullet 9:25 B - no broken windows or torn screens 9:27 camera flash on B - no broken windows 9:27 wideshot of J listening to B, gestures - they probably rang the front door 9:30 first camera flash on J looking toward front door 9:30 second camera flash on J looking toward front door 9:30 B looking to side - bullet holes 9:31 wideshot of whole team around the table as B points out bullet holes 9:33 camera flash on wideshot of team around the table 9:33 second flash on wideshot of team around the table 9:34 W still in rennascence martyr pose, looks back at table of portraits 9:37 closeup of bloodspattered picture of mother kissing the missing boy holding a stuffed octopus 9:40 medcloseup on W as he looks down at picture 9:43 wideshot on team standing around table as Z describes evidence 9:46 wideshot on Z describing low angle of shot as J looks closely at the table 9:48 medcloseup of W turning to side - when did jessie go missing? 9:50 J stands up - a little over a year ago 9:53 meshot of W nodding and turning back to pictures 9:55 closeup on mother kissing missing boy picture again 9:58 W back in martyr pose looking thoughtful 9:59 exterior of abi's psych facility 10:04 mirrored shot of Abi running her hand over her scar then covering it with a scarf 10:18 extreme wide shot of Abi and Alana walking through outdoor corridor 10:21 Alana walking next to Abi - sharing will help normalize 10:24 Abi looking skeptically at Alana - I'm not normal, not anymore 10:30 landscape shot of other patients at the facility with a and abi walking in background 10:37 A and Abi walking - trauma can arrest vocal development 10:44 medwideshot of A and A from front - victims can broadcast victimhood / not me / that's not necessarily true 10:52 Abi looks irritated and curious at Alana 10:53 Alana to Abi - your victimhood has a high profile 10:55 Abi - a celebrity victim, somone asked if I kept my stained clothes 11:02 Alana - how did that make you feel? 11:04 Abi - like I want to go home, but I don't have a home anymore 11:10 Alana - you will, I'll help you find it 11:14 Abi looks skeptical 11:16 Alana - give the support group another chance 11:20 Abi, angry - support groups are sucking the life out of me 11:21 Alana - isolation can suck just as much 11:25 Abi looks stubborn 11:28 Alana - you have to find someone to relate to in this experience 11:32 medwide shot across H's desk, H looks up at knock on the door 11:36 H opens office door 11:38 Alana gives H chirpy Hi 11:39 H looks stern - do you have an appointment? 11:40 Alana - do you have a beer? 11:43 H's stern expression cracks, smiles, moves aside to invite Alana in 11:44 Alana smiles and accepts invitation 11:45 Alana walks by H, H closes the door, they're comfortable with close proximity 11:49 wideshot of H bringing drinks to sit next to Alana on settee, A thinks Abi might have low-grade depression 11:56 H and A toast their drinks 12:09 H watches A drink his beer and smirks (you little shit) - she? 12:12 Alana to H - nothing wrong with a little self-medication, right doctor? 12:16 H toasts the statement and drinks as A takes in a deep breath 12:20 camera begins to circle around the settee as they discuss keeping abi in the facility 12:25 camera cont to circle as H suggests releasing Abi 12:30 camera conts to circle as they argue 12:37 camera slows as they argue 12:42 camera comes to a stop, Alana - Abi's in no condition to tackle real-world issues 12:45 H - I'm not suggesting abandonment 12:50 Alana - this is a girl who was very attached to her parents 12:53 H listens as Alana says Hannibal stepping in would be a crutch 12:56 Alana - Abi needs to figure things out in a clinical environment 13:04 H bows to Alana - I defer to the passion of my esteemed collegue 13:09 Alana looks like she thinks H is teasing 13:10 H - passion is good, it gets blood pumping 13:13 H and A toast each other again - no clink 13:16 wideshot of W looks on from foreground TSS processing bodies in the lab 13:18 medshot of J looks under a blanket at a body on a lab bench 13:22 wideshot with J looking at another body 13:24 medshot on J looking through a file folder 13:26 wideshot with TSS turning to look at W 13:29 medshot on Will starkly backlit  - why do you say that? 13:31 med closeup on Z - because family friction is a catalyst for personality development 13:35 medcloseup on W starkly backlit 13:37 medcloseup on B, smiling toward W and glaring at Z 13:39 wideshot on TSS with J walking toward black blanketed body 13:43 medwideshot of W looking uncomfortably toward J 13:45 medshot of J looking under black body blanket 13:47 medcloseup on Z smirking at W and looking away 13:49 medwideshot of J and W standing on either side of body on lab bench 13:52 medwideshot of Jimmy and B listening to Z talking 13:53 medcloseup W starkly backlit 13:55 Z turning from away from camera toward camera, smile falling 13:57 med wide shot of W walking from corner of room toward lab benches 13:59 Z looking irritated and frustrated as W walks past 14:01 med wide shot of W walking by B and looking back to Z - or lousy onese 14:03 med wide shot of Z giving irritated grin and nodding at W's comment 14:05 med shot of J handing photo printout to W across body blanket 14:07 W in martyr pose facing J 14:08 closeup of mother with bullet wound lying on dinner plate 14:11 medcloseup on J discussing photo 14:14 W listening to J, turing back to photo 14:19 closeup on mother's corpse with bullet wound in forehead on lab bench 14:21 medcloseup on W looking up at J in sad realization 14:23 J nodding at W in sad realization 14:24 cut to black 14:27 closeup on H looking almost directly to camera - Tell me about your mother 14:30 closeup slight zoom out on W - some lazy psychiatry Dr Lecter, low hanging fruit 14:34 closeup on H - I suspect that fruit is on a high branch, very difficult to reach 14:39 closeup on W - so is my mother 14:43 closeup on H - an interesting place to start 14:45 medshot on W - tell me about your mother, let's start there 14:50 med shot on H with an "I see your shit" expression - both my parents died, orphan until Uncle Robertus adopted me 15:00 med shot on W - YOU have "orphan" in common with Abigail Hobbs 15:03 medshot on H - WE have a lot in common with Abi - she's already demonstrated an aptitude for the psychological 15:11 medshot on W - something so foreign about family, never connected to the concept 15:22 wideshot on both - you made your own family - I connected a family of strays, thank you for feeding them 15:32 H nods - I was refering to Abi 15:37 medshot on W, who's smile falls and he looks away 15:41 medshot on H, stares at W - tell me about the turner family, were they affluent? 15:46 medshot on W, looking annoyed - they lived like they had money, we were poor, moved from one boatyard to the next 16:01 medshot on H - always the new boy at school, always the stranger 16:03 closeup on W - always 16:05 H - what grudge was this mother's killer harbouring against her? 16:09 W, shakes head, thinking - motherhood 16:12 H - not motherhood, a perversion of it 16:17 W looks up, thinking 16:20 buiscuit with assorted veggie looking things 16:26 wideshot on J starting to eat before H has sat (bad manners, Jack) and smiling up at H's description of the food 16:28 wideshot on H - you promised to deliver your wife to my dinner table 16:31 wideshot on J - we'll have to polish up our act, what am I about to put in my mouth? 16:39 wideshot on H - rabbit 16:39 wideshot on J holding up fork and laughing - he should have hopped faster 16:41 wideshot on H grinning - yes he should have 16:43 insert of man wearing black and red plaid running through trees in a panic and tripping 16:44 closeup on large piece of meat being butchered 16:44 closeup on chunk of meat being flambe'd in a skillet 16:45 H grinning - fortunately for us, he did not 16:52 J chewing and talking with his mouth full (is he suicidal??) - our friend will seems haunted today 16:55 H - we don't know what nightmares lie coiled beneath will's pillow 16:58 medcloseup on J - children killing other children is not that unfamiliar a concept to Will 17:03 medcloseup on H - you still suspect Abigail? 17:05 J - maybe the nightmare under will's pillow is that he was wrong about her 17:11 wide on H - children transport us to our childhoods, will may feel the tug of life before the fbi and you 17:18 closeup on J 17:19 closeup on H - simple times fixing boats with dad - that time is an achor streamed behind him in heavy weather 17:27 J nods thoughtfully 17:30 night falls over building obscured by trees 17:32 wideshot on the front of W's house as he lets the pack out 17:43 dogs snuffle around the base of a tree 17:48 W watches the dogs run around, not happy but content 17:55 extreme up angle of sun obscured by the FBI building 17:59 medwideshot of Z examining mother's bullet wound 18:00 Jimmy and Bev at a lab bench describing evidence 18:02 Bev and Jimmy in foreground at bench with Z in center background at body tables 18:08 medwideshot of Z walking around body table discussing asymmetries cause by puberty 18:14 medshot on B and Jimmy in profile saying no one's seen Jessie Turner in over a year 18:17 medwideshot on Z saying he extrapolated from measurements at time of abduction to establish height/weight limits 18:20 medwide on Bev and Jimmy at bench zooming in facing camera 18:22 medshot on Z - he'd be four foot eighty pounds tops 18:25 return to over Bev and Jimmy's shoulder, Jimmy examining a game controller - god's gift to trace analysts 18:27 medshot on Jimmy at bench examing game controller, saying there's no matches 18:32 medshot on Bev going through papers at bench 18:34 Bev and Jimmy in profile medwide, ruled out family's prints 18:36 fingerprint analysis on computer screen 18:38 medcloseup on J and B J looking quarter profile to camera, B looking to bench in profile 18:40 fingerprint analysis on computer screen 18:41 medwideshot on Z looking thoughtful and sad - the Lost Boys 18:42 Jimmy stands up and walks to the computer screen - I think I found on of them 18:46 tracking shot through W's classroom as he lectures on hickeys, saying in their current case the bite marks don't have suck bruises 18:59 wideshot on Jack storms into lecture hall announcing class is dissmissed and telling everyone to get out 19:02 medwideshot W behind his desk holding papers looks up toward J 19:03 medwideshot as J approaches desk and turns around to look at students 19:04 medwideshot on J and W as J yells at students to leave 19:06 wideshot on students shuffling and packing their things 19:09 medwide on J and W, J glowering at students and W dropping papers in frustration 19:12 J crosses arms and sits on edge of desk as students file out 19:14 medwide on J and W - You're making it hard to provide an education Jack, we found a match for another missing kid 19:27 tracking wide shot on J and W at desk 19:31 W realizes how many similarities there are between the families 19:41 J stands and turns to face W - we're ready when you are and you're ready now so let's go 19:43 W looks grim - you're expecting a crime scene 19:48 Balcony and railing in nice suburban house with Christmas decorations, panning down to living room with bodies of the family 20:01 medcloseup on adult man with bullet hole in forehead lying on the ground 20:03 medwide shot on blonde woman with bullet hole in forehead slumped over on sofa surrounded by wrapped presents 20:05 shot of fireplace surrounded by detrius of Christmas morning 20:07 charred and blackened body of child curled up in the fireplace 20:09 swat team passes garlanded staircase followed by team visibly reacting to a bad smell 20:19 medcloseup on swat, J and W entering living room, still flinching from the smell 20:21 wideshot of team entering living room and seeing the dead family 20:24 medcloseup on W with Jimmy in background looking grim as he surveys the scene 20:27 cut to black 20:30 exterior of FBI 20:32 wideshot of team in the lab surrounded by new set of bodies, saying the mother was killed last again 20:38 medwideshot on J listening to W 20:41 medwideshot on W - not exactly the same, something went wrong 20:43 Bev and Z looking at mother's body - not single present under the tree for mother 20:45 J turns around to look, W in background - they took her presents they took her motherhood 20:48 up angle on Z saying she was shot multiple times 20:51 Z facing away from camera pointing out that the first bullet didn't kill the mother 20:53 W listening to description of crime absorbing the imagery 20:56 Bev pointing out that the bullet would hav caused brain damage 20:59 W - her body went into convulsions 21:00 Z - shot her again to put her out of her misery, but with a different gun 21:04 medshot on Jack and Jimmy - so someone else shot Connor's mom 21:06 W still processing 21:08 wideshot on full team, J asks who the burned child in the fireplace is 21:09 J pulls back blanket to reveal the burned body 21:11 W looking at ceiling says he thinks it's connor frist 21:13 J and J turn to look at w 21:15 W - he'd been prepped to shoot his mother, not watch her suffer 21:16 wideshot on everyone looking at the burned boy again 21:17 J talking to Jimmy - connor couldn't put his panic back in the bottle so he got shot too 21:20 W - whoever shot him, disowned him 21:26 camera looking at RV through diner window, pulls back to see a woman and three boys sitting at a table looking sad 21:37 medcloseup on teenage boy looking toward woman 21:39 medcloseup on woman and small boy - I couldn't make him understand, the family you're born into isn't really family 21:45 medcloseup on second small boy listening to woman 21:47 closeup on woman - we're making our family 21:51 second small boy - what happened to your family? 21:53 teenager - we are her family 21:55 medcloseup of teenager and second boy in profile, tense - I meant your other family 21:59 woman- the family you think is family is just a stepping stone 22:04 teenager and second boy look up at woman 22:06 woman looks at second boy with concern - you feeling okay sweetie pie? 22:10 teenager insists "he's fine" angry at second boy 22:12 woman - CJ - gentle scolding 22:14 teenage looks back at his milkshake 22:16 woman looks toward teenager with exasperation 22:18 second boy looks down at the table warily 22:19 woman smiles and takes a deep breath - are you excited to go home? 22:23 second boy keeps eyes down on table 22:25 closeup on woman - even if it is to say goodbye, because we're your family now christopher 22:28 second boy looks up toward woman 22:29 closeup on woman with gentle smile - you can only have one family 22:33 wideshot of W sitting at his desk in his empty lecture hall 22:36 wideshot with W in foreground, Bev opens lecture hall door 22:39 wideshot as W continues to stare at his computer 22:42 medwideshot on Bev walking into the lecture hall with coffee, smiling 22:46 W continues to stare at the computer 22:48 Bev smirks - ever hear of Willard Wiggin? 22:50 tracking shot of Bev walking toward W - he's an artist who does micro sculptures 22:56 W continues to stare at computer, Bev walks around the desk - he's so focused he works between his heartbeats 23:00 W stares stock still 23:03 Bev walks up to W's side and looks at his computer 23:07 missing child posters on a computer screen 23:12 medwide shot at Bev leans over to look closer 23:18 W in profile with Bev looking at him - ritalin etc can delay growth 23:22 W rubs forehead as he describes medical side effects 23:26 B stands and smiles - Willard Wiggin had a lonely childhood 23:33 W looking up at Bev sitting on the edge of the desk - who is Willard Wiggin? 23:36 Bev laughs and says Price got a match on the bullet from a murder involving a 13 year old boy 23:43 W leans back listening to Bev, catches on to the connection 23:49 Bev describing the old case 23:53 W looking apprehensive - 13 year old milk carton material? 23:58 CJ's missing poster on the computer screen 24:08 medshot on full team looking at computer screen, saying CJ was too nice a kid to become a sophisticated murderer and kidnapper 24:27 tracking shot on CJ walking through store aisles and coming around to stare at Christopher 24:41 Woman finds money in her purse and hands it over to the cashier with a smile 24:46 CJ stares menacingly toward Christopher 24:48 Christopher so frightened he wets himself 24:55 woman accepts change and turns to notice Christopher's accident 24:57 medshot on woman and cashier smiling then looking worried as they realize what happened 24:59 Christopher snaps away from CJ to look at woman 25:02 woman looks worried an checks Christopher for fever 25:08 Christopher watched woman as she stands to get napkins 25:09 woman grabs a bunch of napkins, mops up puddle, and apologizes to cashier 25:19 Christopher looking down passively as woman cleans up 25:21 Woman stands up to reassure Christopher that he shouldn't be embarrased because accidents happen, smiles sweetly 25:27 Christopher looks back at CJ 25:29 quick zoom in on CJ continuing to stare threateningly 25:35 Hannibal opens the door of his office - good evening Will 25:38 W stands up looking especially grumpy and carrying a bag 25:40 H steps aside to let W in, looking interested in the bag 25:42 wideshot of W walking into H's office with agitated body language, throws bag onto setee 25:44 closeup of bag landing on settee, a wrapped gift showing in pocket 25:45 wideshot as H closes the office door and turns to look at W 25:46 H nods and points at the bag and gift 25:47 medwideshot on W taking his jacket off and saying the gift was for abigail 25:50 H still standing by the door - was? 25:50 wideshot - I thought better of it, I was upset, maybe still am 25:57 closeup on H carefully tucking the gift into the pocket - what is it? 26:00 W in profile H in foreground stands up 26:03 H walks toward W, turns to sit in his chair - you want to teach her how to fish? 26:08 H sits, leans back, crosses legs, links hands, and looks at W questioningly - her father taught her to hunt 26:10 W figeting with the stuff on H's desk - that's why I thought better of it 26:12 H stares at W's ass - feeling paternal Will? 26:14 W turns harshly to H - aren't you? 26:16 medcloseup on H looking up toward W - yes 26:17 W nods strongly and continues to look around 26:19 H continues to eye W - Dr Bloom advised against taking too personal an interest 26:23 W turns away from H 26:24 H looking lusty at W's agitation - tell me, why are you so angry? 26:27 medwideshot of W turned away from H - I'm angry because I know I can't help those boys 26:31 medcloseup on W - I can't give them back what they just gave away 26:35 medcloseup on H looking thoughtful - family 26:36 wideshot with W in foreground trying to calm down - yeah 26:39 H looks back up and listens to W 26:41 wideshot with W in foreground walking into the shadow of a cabinet - we call them the lost boys 26:47 H still looking contemplative - it's our responsibility to help Abi find her way 26:55 exterior of Abi's psychiatric facility 26:59 Abi closes book, camera zooms out to reveal H sitting next to her - I don't think I'm allowed to leave after I climbed the fence 27:09 medshot on H explaining that he's one of Abi's guardians and he made arrangements 27:12 Abi - where are we going? 27:14 H - my home, I'll cook and bring you back before bedtime 27:23 medwideshot on Abi and H - can I spend the night? I don't like sleeping here 27:27 medcloseup on H - you have to sleep in your own bed - this isn't my bed - tell me about your bad dreams 27:36 slow zoom in on Abi looking down and describing a dream of Marissa sending her pictures of NB gutted 27:52 H - how you left him 27:54 Abi looking up at H in distress and aprehension 27:56 H looks back patiently 27:59 Abi - even though she's dead I worry she's going to tell everyone and they'll think I'm just like my dad 28:06 H continues to listen 28:08 closeup on Abi as she sits up - sorry can't talk about this in group 28:15 H - you don't have that luxury 28:17 Abi nods and steels herself - I'll just have to get used to lying 28:20 H smiles proudly 28:22 wideshot of Abi standing up and goes to her dresser as H turns to stand up 28:24 H stands - you only have to lie a about one thing, and when you're with me you don't have to lie about anything 28:32 tracking shot - Abi puts on jacket as H returns book to dresser and squares it up - in my dream I wonder how I can live with myself, when I wake up I know I can 28:51 medshot on Abi - does that make me a sociopath? 28:54 H - it makes you a survivor - opens door for Abi and closes it behind them 29:05 cut to black 29:08 exterior of H's house 29:10 extreme closeup of mushrooms at the bottom of a glass kettle as water begins to fill 29:13 mushrooms in kettle as water fills again 29:15 mushrooms floating at surface of water in kettle 29:16 closeup of glass kettle with mushroom tea turning from upside down to rightside up 29:22 closeup of mise en platz in steel ramikens 29:23 closeup on H's hands cutting into white round vegetable 29:26 Abi watches H cooking 29:28 medwide shot on H cooking and Abi standing across the counter - have you thought about applying for schools? 29:30 medshot on Abi - my dad killed girls at all the schools I applied to 29:35 H, blinking - perhaps that can wait then 29:38 medshot on Abi looking at H with determined expression - I want to work for the FBI 29:41 medcloseup on H, smiles - I would certainly feel safer if you were in the FBI protecting my interests 29:48 Abi, knowing exactly what he means - they wouldn't let me because of dad 29:54 medcloseup on H - only if they believe that's in your nature too 29:57 Abi - nature vs nurture 29:58 medshot of H looking up at Abi - you're not your father's daughter, not anymore 30:02 Abi, upset, looks down 30:04 medcloseup on H, looking compassionate and speculative - what if it weren't painful anymore to think of him? 30:12 Abi confused shaking her head - my dad? 30:15 H - yes. Have you ever tried psylocibin? 30:21 med two shot, Abi - mushrooms? that's what's in the tea? 30:26 medshot of H - yes 30:27 medwideshot of H  walking around counter to pour out tea -  you need to supplement your traumatic memories with positive associations 30:40 medcloseup on H leaning over the tea - no more bad dreams abigail 30:42 closeup on H's hands pouring tea from glass pot into gold rimmed cups 30:44 medcloseup on Abi in profile looking skeptical - you want me to do drugs? 30:46 medwide shot on H finishing pouring the tea - I want you to do this drug with my supervision 30:52 medcloseup of H handing Abi the teacup - do you trust me? 30:56 medcloseup of Abi in profile looking at H like are you kidding, but takes a deep breath and reaches for the teacup 31:00 closeup of Abi taking the teacup from H 31:03 medwideshot of H watching Abi accept the teacup 31:05 Abi sips the tea, looking up at H 31:09 H watches Abi drink and smiles 31:10 closeup on evidence board tracking the murders down the eastern seaboard 31:17 medwideshot on J and Bev looking at the evidence board 31:19 very wide shot of tss listening to J with W against the back wall 31:22 medwideshot of J listening to Jimmy 31:24 medwideshot of Jimmy over J's shoulder, turns to listen to Z 31:26 medshot on Z - trying to construct a geographical pattern when the murders are weeks apart 31:30 medwide on W - we have other patters, middle children from traditional affluent families 31:37 closeup on Bev looking concerned at W 31:39 very wide shot on whole team with J walking back to the evidence board 31:42 closeup on pictures of missing boys on evidence board 31:45 slow zoom in on medshot of W - what kind of kid follows a kid who does this? 31:54 J and Z looking toward W - there's no indication these kids came from abusive families 31:57 slow zoom on closeup of W - capture bonding, a passive psychological response to a new master 32:20 sausage and eggs on brioche in a skillet on H's stove 32:22 medshot on H tending to stuff on the counter and stove, looks up and smiles at Abi 32:25 Abi looks down with disoriented and queasy expression 32:27 autumn trees shaking and warping in Abi's drugged memory 32:29 Abi sighting the deer with her rifle beside GJH 32:30 closeup on Abi pulling the trigger 32:32 medcloseup on deer looking toward camera with bloody ear 32:33 crane shot of Abi firing her rifle among autumn leaves beside her dad 32:34 Abi back in H's kitchen looking down in a daze 32:36 GJH and Abi in the cabin, GJH walking Abi through butchering the deer- remember just like we talked about 32:37 closeup on Abi's hunting knife 32:38 closeup on Abi's hand stroking through the deer's fur 32:40 closeup on Abi as she begins to butcher the deer 32:41 medshot on Abi and NB as she stabbs him 32:41 medcloseup on NB as he looks down in pain at the knife 32:42 closeup on Abi's frightened and horrified face as she pulls the knife through NB's torso 32:43 medshot on Abi in H's kitchen, she lets go of the teacup, which falls 32:44 teacup falls to the floor and shatters with heavy blur and some slow motion 32:47 H looks up from the stove to look at the broken teacup as Abi looks down at her hands, distracted 32:48 Abi still watching her hands, tilts head and asks if Dr Bloom approved thisr 32:52 medwide shot of Abi walking stiffly off screen while H walks forward to assess the mess 32:56 closeup of Abi in profile as she walks through kitchen, her attention caught on something else 32:58 closeup on fruit in a wooden bowl wavering from the drugs 33:00 medshot of Abi in profile selecting an organge fruit 33:03 closeup on H kneeling and picking up the shards of the teacup - you and I will have many secrets 33:07 Abi drops into the armchair in the corner, examining her orange fruit 33:09 H turns away from looking at Abi, back to the floor where the shards are 33:11 closeup on orange fruit being fiddled with in Abi's hands, smearing slowly from the drugsr 33:14 medshot on Abi navelgazing at the orange fruit 33:17 medshot on H kneeling in profile- it can be a spiritual experience for patients 33:19 medcloseup on Abi putting her fruit down and turning to concentrate on H 33:22 medshot upangle of H walking toward Abi - psychological trauma is an affliction of the powerless, I want to give you your power back 33:26 closeup on Abi looking dazed and nauseaus - I don't feel so good 33:29 H knees in front of Abi with reasurring expression - That will pass, let it wash over you 33:33 medcloseup on Abi with an intense expression as H cradles her face 33:36 closeup on H - through you, let me be your guide 33:40 Abi looks over to the kitchen counter - you're making breakfast for dinner? 33:45 closeup on H as he grins at Abi 33:46 medwideshot on H standing up and walking back to the kitchen counter, Abi grinning happily 33:49 medshot on H walking around counter talking about the history of breakfast for dinner 33:53 medwide shot of H catching a peeled potato on the edge of his knife 33:54 medshot on H holding up the speared potato with a showy grin 33:55 medshot on Abi making an exaggerated impressed expression 33:56 medshot on H continuing to cook - taste is not only biochemical it's also psychological 33:59 medcloseup on Abi looking from the potatos to the stove 34:00 closeup on sausage and eggs in the skillet 34:02 medcloseup on Abi - sausage and eggs was the last meal I had with my parents 34:04 medshot on H with reassuring smile - it's also the first meal you're having with me 34:09 medshot on Abi smiling with wide eyes 34:11 Alana, Bev, and Will in the lab around a table covered in paper evidence 34:15 closeup on Alana holding a folder with a missing child printout on the front 34:17 medwide on W over A's shoulder, speculating on the personality of the remaining Lost Boys 34:29 medshot on Bev reading description of one potential Lost Boy 34:39 medshot on Alana - what makes these boys susecptible? 34:43 they're isolated from their brother - a brother without a brother 34:50 medshot on Alana - brothers looking for a mother 34:52 medshot on Bev listening to Alana 34:54 Alana - they're killing the mothers last 34:58 W looks up at Alana and processes the idea 35:01 pan up from desk covered in neat stacks of files to W entering 35:03 medwide shot on J looking up from the computer on his desk - yeah? 35:05 medwide on W - not just CJ, there's a woman a mother figure 35:11 medshot on W - looking to form a family 35:13 medcloseup on J thinking it through - family can have a contagion effect on some people 35:18 medshot on W, with a well yeah expression 35:20 medcloseup on J - it can influence them to adopt similar behaviors and attitudes 35:24 W walks toward J from medshot to medcloseup - this woman wants these children to burst with love for her, she has to erase their families 35:35 medshot on J - she convinces them no one can love them like she does then makes sure of it 35:38 medshot up angle on W saying a security camera caught Christopher close to his family 35:55 wideshot Christopher approaches the front door of a house, rings the bell, looks around, then goes back to the door 36:11 medcloseup on Christopher as the front door opens to him 36:12 wideshot on brunette woman recognizing and grinning at Christopher 36:15 med wide zooming to med of brunette rushing to hug Christopher while he doesn't respond 36:18 medwide on woman hugging Christopher then pulling back to kneel and smile up at him 36:21 medcloseup to closeup of Christopher unresponsive to his mother's reaction 36:28 cut to black 36:31 nice suburban home framed with autumn leaves from across the street 36:36 black SUVs with police lights speeding through the suburban street 36:38 wideshot of SUV's approaching the house 36:40 low up angle of swat teams' boots running through leaves on the lawn 36:42 very wide shot of SUVs pulling up to the house and the team exiting with weapons 36:48 medwideshot of swat approaching the front door and preparing the ram to breach 36:51 swat rams open the door from the perspective of the door 36:52 cut to black 36:53 swat team enters the house and begins to sweep 36:56 swat swarms through house with TSS coming in behind them 36:58 wideshot of swat exiting from the back door3 36:59 wideshot of TSS running through the living room, armed, toward the back door, passing through the wall and panning out to the team arrayed on the patio 37:02 medshot of Christopher standing beside CJ, still impassive 37:03 wideshot of Lost Boys facing off with Christopher's family across an idyllic backyard, CJ raises gun 37:04 wideshot of mother and father panicking and trying to sheild other children 37:06 medshot of Swat firing rifle 37:06 closeup on bullet hitting CJ's shoulder from the back 37:06 medcloseup from back of CJ falling and mother turning toward other children 37:07 wideshot of CJ falling and everyone else running toward center 37:08 wideshot of Christopher running away from the group along walkway 37:09 wideshot CJ falls from grill to ground, Swat gets other Lost Boys to kneel on the ground 37:11 very wide shot TSS and swat swarm off the patio toward family and LBs 37:15 Christopher pushes through white picket gate into pool area, followed by Will 37:21 medwideshot on Christopher turning and pulling gun on Will 37:22 medshot on Will pulling a gun in response 37:23 medwideshot of W gesturing for the Swat member to hold fire 37:24 wideshot of Christopher and Will holding each other at gunpoint, W raises gun off Christopher 37:27 medshot on W with hands in the air telling Christopher to put the gun down 37:29 medshot upangle of Wendy exiting the pool house, patting Christopher's head, then wrapping an arm holding a gun around him 37:35 medshot of W reacting to the situation getting a lot worse 37:37 medshot of Wendy looking intense and Christopher looking resigned 37:39 medshot of W kneeling down, still talking to Christopher 37:41 wideshot of Wendly holding a gun to Christopher and Christopher holding a gun on W kneeling with hands up 37:43 medcloseup of Will putting gun on the ground - please 37:45 medwideshot of Bev screened by trees, firing a gun 37:46 medcloseup of Wendy being shot in the shoulder and falling away from Christopher 37:46 medcloseup of W ducking away then looking up to see what happened 37:48 medshot of Bev running in front of autumn leaves 37:49 medwide shot of Christopher turning away to look down at Wendy 37:50 medshot of Bev continuing to run toward C and W 37:52 medshot of W walking past Swat looking grim 37:55 wideshot of Bev leading Christopher away while Will and Swat look down at Wendy 37:57 med closeup strong upangle W looks down toward Wendy 38:00 medshot slow zoom in on Wendy bleeding on concrete 38:03 medshot up angle Will looks down on Wendy, blinks, and turns away 38:04 closeup on Christopher in the back of a car, zoom out to see Jack get in the driver's seat and looking back at Christopher 38:14 closeup on Christopher - can I go home now? 38:16 medshot on Jack looking back at Christopher - you're not going home for a long time 38:19 closeup on Christopher looking down sadly - you came here to kill your family 38:22 J looking back at Christopher - that's all anybody knows 38:27 closeup on Christopher looking away - I wasn't going to do it 38:30 closeup on J looking back - you're going to have to talk to a lot of people about it 38:38 closeup on christopher - she told us we had to make our own family, asks J if he has a family 38:55 closeup on Jack - I don't have any children, no 38:58 closeup on Christopher looking down, shaking head - then you don't know what it's like 39:04 closeup on J looking up and nodding in acknowledgement 39:08 closeup on Christopher looking down - can I talk to my real mom? 39:14 closeup on Jack, nodding - in a little while, but first I need to to talk to me 39:22 closeup on Christopher looking down sadly 39:25 exterior of Hannibal's house 39:27 medwide shot on Hannibal looking down feigning apologetic expression 39:30 medcloseup on Alana dressing H down for taking Abi out of the facility without consulting her 39:33 medwide on murder puppy getting smacked with a newspaper 39:36 wideshot pan of Alana confronting H 39:40 medcloseup on H looking down apologetically and nodding 39:42 medcloseup on Alana over H's shoulder - I'm not a professional scold, don't put me in this position again 39:48 medshot of Alana walking away from H angrily, H apologizes 39:52 medwide on A over H's shoulder - RUDE! SHOCKINGLY RUDE! 39:56 medwide on H - you have every right to be upset 39:58 medwide on Alana with don't fuck with me expression - where is she? 40:02 medwideshot on H - she's in the dining room 40:04 Alana with a I'm Not Done With You face, turns toward dining room 40:07 medwide on H with abyssal eyes watches Alana walk toward dining room 40:09 wide to med wide as Alana walks around counter past H - Alana, you were right 40:16 medcloseup on Alana - often am, be more specific 40:20 medcloseup on H up angle - she wasn't ready, had anxiety, I gave her a sedative 40:27 medcloseup on Alana looking further enraged - what did you give her? 40:29 closeup upangle on H - only half a valium but she may be hazy 40:34 Abi sitting alone at H's table, looks up sluggishly and looks to side 40:36 wideshot as Alana walks in, smiles and greets Abi, notices a third place setting 40:45 Abi looks up to H 40:47 wideshot of Hannibal pulling out chair from third place setting for Alana 40:50 A sits down to table, Abi dazedly asks if she's hungry 40:59 Alana smiles stiffly - I could eat 41:03 Abi continues to stare vaguely at Alana 41:05 H pours orange juice and notices Abi's focus on Alana - what is it? 41:10 closeup on Abi's creepy dazed smile 41:12 medshot of Alana and Hannibal looking concerned into the camera, shifting out of focus and into Abi's parents and back - what do you see? 41:21 closeup on Abi's creepy smile - I see family 41:29 wideshot of all three at table, H turns to look at alana 41:31 closeup on Jack wearing pajamas and readers in bed, turning and smiling 41:35 wideshot on J sitting in bed - hello 41:37 wideshot of Bella approaching the other side of the bed, avoiding eye contact 41:42 closeup on J putting his readers back on as Bella settles into bed 41:47 medcloseup on J taking the readers back off again - you think it's too late for us to have kids? 41:54 closeup on Bella blinking and turning to Jack with a frustrated expression 41:56 medshot on Jack looking lovingly at  Bella, she blinks at him, thinking 41:58 closeup on Bella withdrawing and turning away 42:01 closeup on Bella faced away - it is for me 42:09 wideshot of J looking over at Bella as she reaches up to turn off her light 42:12 closeup on J turning away from Bella and turning off his own light 42:23 exterior of Will's house with red white and blue lights flashing across it 42:26 wideshot of will's dogs arrayed on beds around a space heater in the fireplace 42:32 med to med closeup of W settling down for sleep 42:45 fade to black 42:46 end credits 43:12 DDLC logo 43:14 Living Dead Guy Logo 43:16 AXN logo 43:19 Gaumont Logo

[enter-the-performapals]

For my Original Characters 8th anniversary and Caelum's birthday this year, ive decided to redesign my main OCs as YGO characters!

When I watched Arc-V for the first time, I of course had to relate it to my OCs (becuae I do that with everything lol) but also because Ayumu's nickname is Literally Yuzu and Luciano's nickname is LuLu and my tiny little brain was like "omg! Jus like my babies!" For reference I created Caelum, Luciano and Ayumu (in that order) when I was 15, Fiore a little later at 17, and I watched Arc-V when I was 18 and I am 23 now.

Basically, these guy's stories would happen during the events of Arc-V. All the characters here are also a little older at 16. As I know very little about the card game itself I haven't given them decks but I may create archetypes when I've watched more than Arc-V and GX.

I will also note that I'll probably draw these guys again because I love them lol

Just a trigger warning as well: there's a bit of graphic violence in these descriptions, so just look at the pretty picture of them if that bothers you :)

Ayumu

An absolute goblin who loves to analyse duel monsters matches but doesn't actually play himself

Basically a hikikomori who spends his days on duel monsters Wikipedias and complains on forums about the current meta

When he learns about pendulum he's absolutely fascinated and avidly watches Yuya's matches in the Maiami cup

When the Battle Royale in Maiami city is announced and that there will be pendulum cards up for the participants he goes nuts

He actually ventures out of his house in months to pinch some pendulum cards from the restricted zones of Maiami

Mainly to say to forum shitposters that hes gonna break the game with his own pedulums

He has a really basic starter deck with him just in case he encounters one of the contestants but he'd eventually get a different deck

Finally sneaks into one of the zones while the Obelisk Force attack is happening and finds a couple of pedulum cards

Before accidentally running into Luciano, another character I'll mention later

After a scuffle between the two, Lucio panics and teleports out of Standard and Ayumu is also accidentally teleported-ending up in Synchro

Caelum

As you can probably tell, he is very much a commons

Has a very Fuck Cops Eat the Rich attitude and is very pro revolution

Also die hard Jack Atlas and Turbo Duel fan lol

Hobbies include: Stealing from the Tops, Invading their spaces, being a generally nuisance to anyone who doesn't live in the Satellite

Also always happy to help in any relief efforts as he can't go past anyone who's struggling

Met Ayumu after a mix up in a Tops only area when Security mistook him for a commons and he just had to rescue him

Immediately became fast friends with him and helped build a better deck

Mainly because they're both Duel Monsters geeks, but Cae has very little knowledge while Ayumu has very little experience

The both of them snuck into the stadium where the friendship cup was taking place and watched from the sidelines

And that's about it for what I'm developed for them lol

Luciano

Just very quickly: in the original cannon for my OCs, Lucio is Italian so his name is pronounced Lew-cho or Lew-cha-noe not Loo-see-oe

And from here on out I'll be calling him by his nickname, Lucio

Lucio is an Duel Academia student (quite obviously) who, before and during the genocide on Xyz was an Osiris/Slifer Red

While he was a good student, good enough to easily be Obelisk Blue, he was very disrespectful and horribly obstinate

Basically forced himself into being a soldier in the war effort no matter what anyone said

Was terribly violent with his duels, and eventually murdered someone

When this was found out, he was extradited back to Academia to stand on trial for basically robbing the Arc V of power

He was put on a probation of sorts and told if he made one more wrong move he'd be kicked from Duel Academia all together which sent him into a spiralling panic

After the trial, he was approached by Joeri who chastised him and smugly told him to get his act together

After restraining himself from attacking Joeri and calming down he was left absolutely despising the younger kid and desperate to upstage him

Through Espionage ™ he found out the very basics of the Revival Zero project and that Leo Akaba was seeking the components of Ray and decided that this was his chance

Also learned of Obelisk Force's plans to storm Standard and decided that that was his chance

Stole an Obelisk Force Uniform, teleported to Standard and went on the hunt for our fav citrus girl

Alecksi

Absolutely loved his life in Heartland City before the genocide

Had a practically identical twin sister, Alessia- also known as Fiorella (little flower in Italian)

Wasn't really big into Duel Monsters, but supported his sister, who wanted to be a pro duelist

When Academia hit them, they weren't expecting it

They survived a while, but never ended up running into the Resistance nor any relief efforts for the displaced people of Heartland, staying mostly on the outskirts of the distressed city

Eventually they were caught by Academia students and chased into the inner part of the city

Eventually cornered by Lucio who challenged Fiorella to a duel

Even though she fought as well as she could, the two of them were both half starved to death and practically on their last legs for spending such a long time out of the city in an active war zone

After defeating her, he went overboard and ended up brutally murdering her and gouging out Alecksi's eye instead of turning them into cards

After Alessia dies in his arms, she gave him her deck and her necklace to remember her by

He takes them and swears revenge

Practically bleeding to death, Alecksi faints and eventually wakes up in a shelter, saved by Sayaka and Allen

He takes a long time to recover (as best he can) from his injury and his malnutrition

While healing, he learns as much as he can about duel monsters from The Resistance

Keep what happened to himself, but sympathizes with Syun

After he's healed to the best he can be, he flees the shelter and goes on the hunt for Lucio

And that's all I've got for now. Ill definitely do a bit more art of Cae in this AU for a belated birthday present, but let me know if you'd like to see/read more of these guys, as they're really close to my heart :)

[bunnybunnyblogs]

Hypnosis

AURICA Tara Outfit ( at Cyber Fair )

Usagi Society - Nova Hair ( at The Fifty Event )

[REVERIE] Lark Eyebrows ( at Mainstore )

[REVERIE] Thorn Make-up Set ( at Mainstore )

AZARAN - Glass Crown ( at Mainstore )

HAZEL - Pendulum ( at Mainstore )

-Pretty Liars- Essential Deformers Legacy ( at Mainstore )

Hair : Usagi Society - Nova Hair

Brows : Reverie - Lark Eyebrows

Eyeshadow : Reverie - Thorn Make-up Set

Crown : Azaran - Glass Crown

Pedulum : Hazel - Pendulum

Outfit : Aurica - Tara Outfit

Deformer : Pretty Liars - Essential Deformers Legacy

[larkawolfgirl]

Tell Me Pedulum (Juna/Altina)

Rating: General Audiences Archive Warning: No Archive Warnings Apply Category: F/F Fandom: 英雄伝説 閃の軌跡 | Sen no Kiseki | The Legend of Heroes: Trails of Cold Steel Series (Video Games) Relationship: Juna Crawford/Altina Orion Characters: Emma Millstein, Juna Crawford Additional Tags: Fortune Telling, Crushes

Summary: Juna asks Emma to tell her love fortune.

Read on ao3

“Hey, uh, Emma?” came Juna’s voice behind her.

Emma put her book back on the bookshelf and turned around to see the younger girl looking slightly embarrassed. “Yes, Juna?” Emma asked kindly.

“I was wondering if you could read my fortune.”

That wasn’t something that Emma had a lot of experience in. She preferred focusing on healing and offensive spells, especially since divination and the like were areas that often gave witches a bad rep. None of her friends had treated her differently after finding out she was a witch, but the new class VII had never had a chance to see her differently. Emma would hate to be treated as the local swindler gypsy. However, Juna seemed sincere in her request, so Emma figured she might as well give it a try.

“I am not very good, so it might not be entirely accurate” she warned her.

Juna frowned. “Oh. It can’t hurt to try, though, can it?”

Emma smiled. “No, it can’t. I just don't want you to be disappointed.”

She led her into her bedroom at the Atelier. There, she pulled out her tarot cards, crystals, runes, and pendulums. “Do you have a preference for which method I use?”

Juna looked at the array of tools Emma had spread across a wooden table. “I guess not.”

Emma didn’t know Juna too well, but she was surprised to see that the normally firey girl seemed to be closing herself off. “What do you want to inquire about?”

Juna rubbed her wrist. “My love life.”

Emma smiled in relief. Juna was most likely only embarrassed then. “Alright. Then, we can either use tarot cards to see the potential of your overall love life or use the pendulum to ask direct yes and no questions.”

Juna’s face perked up. “Let’s use the pendulum.”

Smiling, Emma moved the other tools to the side and lifted her pendulum made from clear quartz. Her hope was that a clear quartz would give the clearest answers. “Show me yes,” she said, watching as the pendulum moved in a straight line. “Show me no,” she said, watching as it spun in a circle. “Show me uncertain,” she said, watching as it spun in the other direction.

Emma kept a steady grip and gaze on the pendulum. “Speak your first question.”

“Do they like me back?” Juna asked.

The pendulum moved in a straight line but then began to spin. Emma bit her lip. “I think it is trying to say that it depends on what you mean by liking you. There is hope at least.”

Juna nodded. “Do they like someone else?”

The pendulum spun for a no response. “It is definitely hopeful then,” Emma said

“Should I confess?”

The pendulum remained still. “I think you’re question needs to be more clear. If Juna confesses to this person, will her feelings be returned?”

The pendulum moved in a straight line.

Juna grinned. “So, I have a shot?”

The pendulum moved in a straight line.

“Will we be happy together?”

The pendulum spun for a second before straightening its path. “I think that it is saying that it might not be as happy as you wish right away, but you will get there. Or it may mean that you will have ups and downs?” The only clear thing about the answer was that it was unclear.

Juna shook her head. “That’s okay, Emma. It seems promising either way, right?”

Emma nodded and set the pendulum down on the table. “May I ask who this person is?”

Juna’s cheeks flushed and her eyes drifted. There was a pause, but then her shoulders sagged as if the energy to fight was leaving her. “Allie…”

“Oh.” Emma was surprised. Now the answers made more sense. She reached over the table and took Juna’s hands in hers. “I think I get it now. I don't think the pedulum can provide clear answers because Altina is unclear. She isn’t fully in touch with her emotions yet. That means that she may like you but not understand it.”

“Y-yeah.” A spark of hope ignited in Juna's eyes. “Which means I just need to show her what liking someone is like, right?”

Her optimism was endearing. “I’m sure things will work out for you. At the very least, Altina likes you as a friend, so you have nothing to worry about.”

“Right!” Juna nodded and pumped her fist. “Maybe I should go tell her right now.”

Emma let out a light laugh. To think Juna was holding back when she first came to her. Now she reminded her of a horse ready to speed down the racetrack. “Best of luck to you.”

“Thanks, Emma!” Juna waved before rushing out the door.

[arkadiaasks]

Today's dumb idea: A Pedulum Monster with a name condition like Legendary Ocean and the numbered Harpies have but it counts as EVERY card in the game at once. And being a constant condition not even effect that means it has stupid effects on deckbuilding.

I mean that could be interesting.

[tastyy24]

Pedulum - Witchcraft

[loopyhoopywrites]

You know a DnD session is going to be good when your player starts their plan with "So, in Mission Impossible..."

[this-possum-cries]

I made myself a new pendulum board today! It’s a little wonky but I’m happy with how it turned out. The little mistakes make it more personal to me!

I used a plastic plate from the dollar store and some vinyl that I cut out on my Cricut💕☺️ if anyone wants the cut-out I created, I’d be happy to share it!

[theeclecticrainbowwitch]

A tip from drunk me: for witches in the closet; a crystal necklace, if the crystal is heavy enough, works super well as a pendulum. Yup.

[eclecticreadings]

Have you ever had a pedulum?