#philippe de nevers

[gonzague-if]

Nevers has a thing for people he thinks are smarter than him. He’s easily impressed by knowledgeable, ressourceful and clever people.

I think this applies to Aurore as well(?), but doesn’t this describe Gonzague to a tee??? Just ignore all their red flags…

I mean… yeah.

[jpriest85-blog]

Some more @gonzague-if art this time of the 3 Philippes giving every bi and Pansexual person in the French court a collective heart attack. Just 3 BFFS out there charming, scheming, dancing, dueling, and occasionally making out with each other you know like besties do!

Also, a little doodle of the trio doing some dumbass shenanigans. Lbr as much as I picture my Prince Médée being the more serious one out of her friend group, she'll indulge Nevers and Chartres in their antics. Besides, this is not the first time she's found herself being carried by Nevers or riding Charters lap, but she's never done both at the same time. So it was a surprising and fun experience she'll remember fondly...at least until the inevitable heartbreaking betrayl.

[unclefungusthegoat]

Don't mind me, just anguishing over the fact that when they're together, Chevy calls Philippe 'mignonette' and 'my dear' and 'my love' and 'darling'...

... and when they're broken up, he calls him 'Your Highness'.

[flashbic]

@fritz-valentine i did it i answered the ask game for the other two!!

2. Favorite canon thing about this character

Cartouche: One bit the show doesn’t lean into enough imo but it's there is that he’s overconfident! Dude is self-assured to a fault! He can make an effort to plan things sometimes, but usually he doesn’t like to bother unless he made a first attempt beforehand and fucked up. He runs into fights unarmed all the damn time! also the bit from the first ep where he’s being smug at Galichon like “of COURSE this is the door to the exit, I trust my instinct on this one, I just KNOW” and they open the door and it’s like. the guards break room asdfgk it’s funny ok

also his whole deal with Isabelle!! His dumb crush is showing at all times, he’s not as smooth as he thinks he is, i just think he’s cute heehee

Falconi: MY BOY HAS ANGER ISSUES. It's so funny how he's presented as the cold, quiet, calculating bad guy… but actually he's fucking seething all the time. He's got that anger always bubbling up right under the surface, and not only is he massively pissed off, it makes him so fucking stupid too, it's great. 

I love his sad backstory, but also love that the whole thing happened over 10 years ago and it doesn't excuse any of the shitty things he does through the show, like, at all, except for the multiple murder attempts on le Lorrain. 

(also the fact that they had to nerf him for the hero-villain team-up episode is never not funny)

12. What's a headcanon you have for this character?

Cartouche : He argues with Isabelle when she calls him a bandit, but look, the guy didn't learn to commit crimes by being nice and never breaking the law, right?? My headcanon is he used to be a whole lot less nice, but ended up being swayed into helping people as the situation in Paris kept getting worse. He’s a good dude in the end, but he did grow up on the streets with no one to rely on! You can’t blame a guy for enjoying a bit of crime, i think… 

He is very good at card games, and actually taught himself how to count cards! He used to gamble a lot but has generally put that all behind him these days and only plays for fun with his friends. Without cheating, for the most part. Honestly he's infuriating at most luck-based games.

Absolutely thinks of his friends as his family. He'd do anything for them <3 But out of all of them, le Lorrain is the one he most consistently on the same wavelength with. Le Lorrain is the one who joined the gang most recently, but as far as Cartouche is concerned that doesn't matter at all: they just get each other!

Falconi: When he first arrived at the academy, for a brief moment he really thought he’d be able to fit in with the other students and kinda hoped to make friends! When the whole friends thing didn’t pan out (the most popular guy around and his friends deciding they don’t like you will kinda do that, but he struggled to connect with people who weren’t hostile too), he kinda gave up on that to focus on training, which had always been the most important thing to him anyways.

My other headcanon here that kinda ties with the previous one is that there was never any real possibility of him ever marrying Anne de Montsirac, but he genuinely let himself believe it might happen. He was lonely and didn’t know how to fit in with all these rich people, and she was gentle and kind and pretty, and he fell so hard for her… She did like him back, but her feelings didn’t run as deep as his, and in the end her family never would’ve let any kind of proposal happen anyways. It was never going to happen, but everything went so badly that Falconi never quite stopped convincing himself that everything could've been different if he'd been able to propose first.

The bonus Falconi headcanon is he absolutely has a hands kink. He just does.

[littleeliza-lotte]

Chapters: 1/1 Fandom: Le Fantôme de l'Opéra | Phantom of the Opera & Related Fandoms, Phantom of the Opera - Lloyd Webber, Phantom of the Opera (2004) Rating: General Audiences Warnings: Creator Chose Not To Use Archive Warnings Relationships: Raoul de Chagny/Christine Daaé Characters: Raoul de Chagny, Christine Daaé, Comte Philippe de Chagny (mentioned), Gustave Daaé (mentioned) Additional Tags: Little Women References, Inspired by Little Women, Kinda, also first published phanfic ?? Wow, i have like several other POTO drafts I have barely worked on but I got inspiration for this one, No Erik sorry y’all Hes just kinda mentioned, Raoulstine for life babes, Raoulstine, paris opera house, Opera Garnier, I don’t really know how stuff works and most of this probably makes no sense ignore that, pure fluff, how does grief work I forgot, Light Angst, Been a hot minute since I wrote so excuse that Summary:

“Christine… would you like to dance with me?”

“I can’t.” Was her reply, causing Raoul’s face to turn.

“Well… I’ll tell you, but promise you won’t laugh.”

“I’d never.”

[softersinned-arc]

@balldwin said: [ BEHIND ]: upon entering the same room as the receiver, the sender steps behind them, and winds their arms around the receiver’s waist, drawing them close against them.

Perhaps because he is the lord of his own demesne, he doesn’t knock when he enters, or announce himself beforehand—he simply opens the door and steps inside, ignoring the various noises of surprise and, in the case of one of the maids fluttering around her, outright disapproval. For her part, Astoria only spares him a smile and a raised eyebrow over her shoulder.

          She knows that look—moreover, she knows not to argue with it. “Excuse us, please,” Astoria instructs, already taking a polite step away and waving a hand vaguely towards the door. When one of the maids, a woman in her forties with a particularly earth-shaking scowl, opens her mouth in protest, he cuts in before she can, voice smooth and sharp at once.

          “No need for you to dress her when I’ll be undoing all your work in a moment,” he says with the arrogant nonchalance of the obscenely wealthy and spectacularly powerful; one of the younger maids lets a giggle escape before slapping a hand over her mouth in embarrassment, and eventually all three of them have filed out of the room. Even before they’ve closed the door behind them Baldwin is behind her, hands settling at her sides, nose tucked in her loose hair; they are, as ever, a picture of perfection, wedded bliss to an extreme. It had been at once brilliant and impossibly stupid of her to recommend marriage as a cover a decade before and she is suffering for it now, all too aware of the way his fingers fit against her ribs, their skin separated by only the thin layer of her shift.

          He should step back once the door has closed and there’s no audience for whom he could continue the charade. He doesn’t. Astoria is absurdly grateful for it. “You’ll have to lace me into my corset,” she says after a beat. “I can’t do it myself.” But the last thing Baldwin seems interested in is giving her more layers; instead, he lets one of his hands skim across her abdomen, low over her stomach, before settling on the opposite hip, and he tugs her closer to him until her back is flush against his chest. He lifts his other hand, a small, folded square of paper between his fingers. When she takes it and opens it, he lifts his head to read over her shoulder, his newly-freed hand mirroring the first before settling against her side.

          “You made an impression on my father,” he observes dryly, and Astoria lets out a spectacularly graceless snort of laughter as she reads.

          “A good impression,” she retorts, and Baldwin doesn’t argue. She’ll count that as a victory. “I confess, though—when he said I might be useful I expected something a bit more... clandestine, I suppose, than this.”

          Perhaps she’s getting used to him. She’s managed to maintain her composure, which is a victory, even if it’s taking far more energy and attention than she thinks it should to do so. Even with her acute awareness of his hands on her, she’s managed to contain the strangled noise sitting at the back of her throat, the shiver that usually follows such attentive touch. As if reading her thoughts, he taps one of his fingers idly against her hip before sweeping his thumb back and forth over the fabric of her shift, and without fail the strangled noise claws its way out of her. much to his obvious amusement. In retaliation, she presses back against him, but it’s a futile gesture: he simply tightens his arms around her, holding her in place, leaving Astoria to try not to whine.

          So. Not used to him at all.

          “It’s an interesting choice, throwing another Catholic at the problem.” He says Catholic with the same idle disgust with which she says horse shit, though she’s grown fond of his teasing, even on a matter such as her faith. “Particularly at a wedding.”

          But Philippe isn’t simply offering up just another Catholic. He’s offering up a Catholic woman. Whatever else Elizabeth Stuart might be, she is no doubt in need of friends. Where Matthew had apparently failed to win the Prince-Elector’s favor, Astoria—charming and clever and cunning—might gain ground with his young bride. The note in her hands is brief, a short list of names and titles she must commit to memory, and when she’s done that she folds it again, to tuck away in the event that she needs the reminder later.

          Westminster is buzzing with activity, Whitehall alive with movement; a royal wedding is cause for celebration, even when the groom, if rumor is to be believed, fails to meet the king’s standards for his daughter. But sweet Elizabeth seems fond of her Frederick, and she has enjoyed Astoria’s company in the past, and if her favor can be kept, it gives them another way in to Bohemia, after some falling out between Philippe and Rudolf some twenty years ago, a falling out Philippe refuses to explain to anyone.

          (The only discussion he had allowed on the subject had been an imperious decree that if the Habsburgs cared so little for the support of the de Clermonts, perhaps the de Clermonts were best served by seeking out Habsburg enemies. And here he had looked between Astoria, sitting at Baldwin’s desk, and Baldwin standing behind her, one hand on her shoulder as he watched his father, before offering one of his mercurial smiles. “No need to get attached,” he’d added. “The Emperor will learn his place.” He’d left them both confused, and once he’d left the house to hunt Astoria and Baldwin found themselves sharing one of the more comfortable chairs, Astoria having dropped into his lap under the guise of being able to speak quietly and without being overheard, Baldwin taking the opportunity to quiz her on her Czech by refusing to answer her in any other language until he let out a sigh and a murmur of we’ll work on that before shifting to German.)

          “I doubt anyone will be paying much attention to me, Catholic or no,” she answers with a huff of laughter, and the hand at her hip falls a bit lower, grazing the top of her thigh, just in time for the laugh to become a low, keening whine.

          “Don’t underestimate people,” he warns, bowing his head so that his lips are at her ear, and when Astoria feels the telltale shiver shooting through her Baldwin’s arms tighten as if he means to pull her under his skin. “What would keep anyone from paying attention to you?”

          “The princess, for one.” But Astoria’s retort is strangled, her voice odd even to her own ear. The door behind them opens and she catches the scent of the younger of the maids, hovering anxiously as if waiting for the right moment to interrupt, to insist that the lady must be dressed. Baldwin’s hold on her slackens for only a moment and she takes full advantage, turning in his arms. Her palms rest lightly against his chest, fingers tapping an idle rhythm, and she tips her head to the side and offers him her most indulgent smile. And even with the fierce blush staining her cheeks and the hoarseness of her voice, she knows he’s not immune to her, any more than she is to him. “It’s bad form to let the bride know your eyes are anywhere else.”

          One of her hands glides across his chest to curl against the side of his neck, her thumb brushing along his jaw. Baldwin has sixteen centuries on her, enough to have taught him self control, and she revels in the little signs he can’t hide—the darkening of his eyes as one of his hands drags to the small of her back to keep her held as close to him as he can manage; the flex of his fingers against her side, like he wants to press beneath her rib cage and hold her beating heart in his hand; the way that he leans forward until they’re nearly nose to nose, perhaps ignoring their silent audience, more likely enjoying any opportunity to push Astoria. Proof that he thinks of her the way she thinks of him—proof that her desire to be claimed is not without cause. Proof that she hasn’t imagined it all.

          (Someday he’s going to push farther still, audience or no, and he’ll take what she holds up to him in offering.)

          “Will you keep your focus on the task at hand, if the bride will demand all of your attention?”

          “Baldwin.” And she says his name like it’s something holy; she wants to let it sit on her tongue like the body and blood, untouched as it becomes a part of her. “It’s not Elizabeth I fear will hold my attention.”

          He grins, then, falls silent for long enough that Astoria forgets entirely that there’s anyone else in the room. When he speaks, she nearly stumbles into him, startled by the reminder that anything else could possibly exist besides him, and his clever hands, and his smile. “I know,” he says, loud enough for the maid to hear. “My wife needs to be dressed. Bring me her corset.” As the maid clears her throat, sounding chagrined at being acknowledged, and shuffles across the room, Baldwin brings his lips to Astoria’s ear again with a quiet turn around.

          He laces her tightly enough that, were she human, it might be painful, but as she is, it feels like a challenge.

          (Someday he’ll take what she offers and she won’t know what to do with herself besides beg him not to let her go.)

          She references the list of names and titles again before she leaves her room, all knowledge of everything but him forgotten in favor of the memory of his hands.

[halcyone-of-the-sea]

Wow! As the header says, my blog just went past 5k followers - I'd like to extend a heartfelt thank you to everyone who hopped on for this journey; I'm having the time of my life sharing my writing with you all.

In celebration and as a way to have a little fun - I'll be opening my inbox for a day and letting those who want to send in something fill it up!

Now, I know you're probably asking yourself 'Hal, I thought you said requests are going to be closed so you can finish the ones you have and work on the AUs?' And you'd be correct - I did say that. I'm not going to be writing full-length works for this event.

To anyone who sends something in (and follows the rules I have in place on my Request Form (be sure to check it even if you've already read it, I added some more characters and other stuff)) I'll be writing one-to-two page drabbles!

All this being said, after this post is uploaded I'll be opening my inbox up to anyone who would want to participate and closing it exactly one day after!

Thank you again for being the best community ever - I'm incredibly lucky to be surrounded by kind and respectful individuals as well as mutuals who are mind-numbingly sweet. I could not have achieved all of this without you; I think that's beautiful.

This post will also serve as the Masterlist for all of the expected drabbles, so if you'd like to keep updated on what's going to be happening/being written soon, this would be a good place to hang out!

ALL COMPLETED AS OF 11/5/2023

IMAGES USED: A black retriever in an extensive mountainous landscape by Maud Earl & L'angelo, la morte e il diavolo by Roberto Ferri || TOTAL: 5

➣The Perfect One

╰┈➤ ❝ [He stares at the rings under the glass with an acute narrowness to his eyes. He inspects every one as if a bomb might go off at any second, not missing a single detail in the metal.] ❞

➣Get In

╰┈➤ ❝ [Coming home with bruises and stitched wounds, you drag him into the bathroom to wash away the memories.] ❞

➣Hum Me A Tune, Blue-Eyes

╰┈➤ ❝ [You listen to his heartbeat as he keeps you to his chest, his breath tickling your hair.] ❞

➣Here Now

╰┈➤ ❝ [He nearly misses one of the most important moments of your lives together.] ❞

➣Burst Veins

╰┈➤ ❝ [He never noticed you weren't behind him.] ❞

IMAGES USED:  Fallen Angel by Roberto Ferri & Nature of Fear by Nicola Samori || TOTAL: 5

➣Nervous Eyes

╰┈➤ ❝ [No one understands how you two get along - not when you're so different. It makes you second-guess yourself. He notices.] ❞

➣Blood Like Obsidian

╰┈➤ ❝ [Simon can only fight against so many nurses as they shove him back from your operation room.] ❞

➣Supposed To Happen

╰┈➤ ❝ [You died and left him a child he had no idea existed. How can he even begin to try and understand?] ❞

➣Digging Gaze

╰┈➤ ❝ [You indulge in a one-night-stand after you'd both called it quits, only, it leads to more problems. When he sees you again, how will he react to the swelling of your stomach?] ❞

➣Sole Survivor

╰┈➤ ❝ [Your father died years ago, and so you fall under the stiff, and unyielding, protection of your Uncle Simon. But it's not all bad. He can be funny when he wants to be.] ❞

IMAGES USED: White and Black by Vadim Gorbatov & Saint Augustine by Philippe de Champaigne || TOTAL: 7

➣Didn't Mean It

╰┈➤ ❝ [Arguments are rare, certainly ones that leave you in tears.] ❞

➣Him, Her, and the Dog

╰┈➤ ❝ [The woes of pining after a woman whose deadly K9 looks like it hates his guts.] ❞

➣Drunken Sappiness

╰┈➤ ❝ [You can't say you've ever had a boyfriend as perfect as Kyle.] ❞

➣How Do You Listen To That?

╰┈➤ ❝ [It was three a.m. when you all got the call to load up, but what's the best way to wake both yourself and the Sergeant up?] ❞

➣Finally Broken

╰┈➤ ❝ [Childhood friends turned lovers. The realization was far more violent and instantaneous than you'd like to admit.] ❞

➣Don't Look At Her

╰┈➤ ❝ [The bomb starts ticking down, rapidly firing to zero. Gaz won't let Price near you. Not after he'd remembered the Captain's actions when they'd first met.] ❞

➣In His Head

╰┈➤ ❝ [Collection of his SFW and NSFW quirks.] ❞

IMAGES USED: Scene from the Great Flood by Joseph-Désiré Court & Saint Jerome in Prayer by Carlo Dolci || TOTAL: 7

➣Life Snaps By In Flashes

╰┈➤ ❝ [A collection of memories from the second he laid eyes on you. All flashing past in the soft buzzing of the overhead lights.] ❞

➣Heart-Eyes

╰┈➤ ❝ [Being a medic wasn't pretty, but when your boyfriend was the subject under your needle you can't help but enjoy his unwavering gaze. Today, he has something to share with you.] ❞

➣From Ten To Twenty & Beyond

╰┈➤ ❝ [You've known him ever since the incident on the playground, and now you can't help but imagine that same boy as you watch him make supper with flour in his hair.] ❞

➣Find Me

╰┈➤ ❝ [You're finally back in One-Four-One's hands, but that doesn't mean you're saved. Johnny tracks you down after a violent episode.] ❞

➣Still The Same Fools

╰┈➤ ❝ [There was always a rivalry between you two - that hasn't changed even if both of you have. Years later, the boiling point is finally met.] ❞

➣Is This Why?

╰┈➤ ❝ [He finally sees why you never introduced him to your parents.] ❞

➣Oblivious Pining

╰┈➤ ❝ [Johnny hangs off you like a silent beast. Not that you would notice, of course.] ❞

IMAGES USED: King Gustav III of Sweden and His Brothers by Alexander Roslin & Geography lesson by Eduard Karl Gustav Lebrecht Pistorius || TOTAL: 6

KEEGAN P. RUSS:

➣Paint The Dawn; Paint My Eyes

╰┈➤ ❝ [In the midst of war and death, there's little time for pleasure. All you had was a ripped-up sketchbook to call your own, its contents littered with the rough face of your comrade.] ❞

➣Hold Her Close

╰┈➤ ❝ [Keegan cares for his young daughter.] ❞

➣When The Fighting Stops & The Silence Sets In

╰┈➤ ❝ [Continuation of (Don't) Go To War: the aftermath of recovery and a budding relationship.] ❞

➣Movies and Stale Popcorn

╰┈➤ ❝ [Oak and Keegan finally get to watch that movie.] ❞

DAVID 'HESH' WALKER:

➣To The Boy of My Childhood

╰┈➤ ❝ [Ten years came and went fast, but the memory of the Walker boys stayed. One more than the other. You never got to tell him you loved him.] ❞

➣Keep The Sheets Warm, My Love Is Coming Home

╰┈➤ ❝ [If this wasn't enough to prove that you were the only person for Hesh, you didn't know what did.] ❞

IMAGES USED: Saint Catherine of Alexandria by Caravaggio & Amor Vincit Omnia by Caravaggio || TOTAL: 17

CAPTAIN JOHN 'SOAP' MACTAVISH:

➣New Paint

╰┈➤ ❝ [Fighting to forget you, MacTavish finds comfort in whoever he can. Yet, like the layers of paint on the walls, it always peels back to you.] ❞

➣A Song of Gnashing Teeth

╰┈➤ ❝ [There was never a day where the two of you weren't butting heads - everyone was at their wit's end. Of course, you would both be forced to cooperate at some point.] ❞

➣Listen To My Voice

╰┈➤ ❝ [He orders you to focus on him as the sounds outside the cell get closer. He promises nothing will happen to you. You know he's lying.] ❞

➣Look At The Stars; Look At Me

╰┈➤ ❝ [Stargazing in the middle of an overgrown and wild glade.] ❞

➣Alive and Breathing

╰┈➤ ❝ [You're sick. Very sick. John takes drastic action.] ❞

➣I Can See It In Your Eyes

╰┈➤ ❝ [It's finally time to meet the family.] ❞

➣A Green-Eyed Monster

╰┈➤ ❝ [You'd slept together, sure. No strings attached. Then why are you trying to make him jealous? Who cares, the point is that it's working.] ❞

SERGEANT GARY 'ROACH' SANDERSON:

➣Dance With Me Before The Chill Sets In

╰┈➤ ❝ [Tired? Yes, but he's never too tired for you and your loveliness. But maybe you need to remember to lock the door when you're home alone.] ❞

➣Raining Cats and Dogs

╰┈➤ ❝ [Roach has a deep love of storms.] ❞

OPERATION OFFICER ALEX KELLER:

➣Bright-Eyed History Lesson

╰┈➤ ❝ [A librarian with a fascination for war history and a soldier who loves how her eyes light up. Like a dog, he can't stop himself from coming back; smiling like a fool.] ❞

COLONEL ALEJANDRO VARGAS:

➣Hold Me Longer

╰┈➤ ❝ [Mornings spent in the sanctity of warm sunlight and bare skin.] ❞

SERGEANT MAJOR RODOLFO 'RUDY' PARRA:

➣A Love Like Ours Makes Us Strong

╰┈➤ ❝ [Rodolfo came back, alive but bruised. How do you explain how terrified you were?] ❞

COMMANDER PHILLIP GRAVES:

➣Sleeping On The Porch

╰┈➤ ❝ [As it turns out, your husband never really died. It's safe to say you're not overjoyed.] ❞

➣Love Echoes In Silence

╰┈➤ ❝ [You can feel him watching you, leaning against the wall with his arms crossed and a small smile. Humming to yourself, you listen to the birds outside the window.] ❞

SEBASTIAN JOSEF KRUEGER:

➣Ain't Giving Up My Pride

╰┈➤ ❝ [You get on his nerves, partially because you want to. But what happens when he finally snaps?] ❞

ALL 141 INCLUDED (SEPARATE):

➣Count The Hours

╰┈➤ ❝ [Collection of what the One-Four-One do on their down-hours with their Lovers] ❞

➣Wide-Eyed Panic

╰┈➤ ❝ [Why were you behind the couch?] ❞

[rosalyn51]

Sorry, the Cullens Are Not the Best Vampire Family

These vamps are in a league of their own. (Baseball pun intended.)

Collider Sept 24, 2023

Deborah Harkness, author of A Discovery of Witches, was inspired to write the series after seeing the popularity of paranormal romance novels and wondering why these creatures still captivate us.

 The de Clermont vampire family in A Discovery of Witches is more complex and intriguing than the Cullen family in Twilight, offering a fresh and intimate perspective on vampire dynamics.

 Ysabeau and Philippe, initially distrustful of their vampire son Matthew's witch partner Diana, eventually gain respect and even affection for her, showcasing the power of love and acceptance within the family.

On the surface, it might seem as though A Discovery of Witches draws heavily from the human-vampire romances that preceded it. That assessment's only half-true. Deborah Harkness, author of the New York Times bestselling All Souls trilogy upon which A Discovery of Witches is based, didn't read any vampire literature before penning her novels. But her creativity was sparked in 2008 after seeing the sheer wealth of paranormal romances adorning bookshelves. "It seemed to me much bigger than what had happened with Anne Rice," Harkness explained to The Los Angeles Times in 2011. "As a historian of science, […] I thought, Why do these creatures still exert such a pull on us?" Furthermore, Harkness "[ wondered] if there really are witches and vampires, what do they do for a living?" Her resulting All Souls trilogy is a delightful enterprise and not a copy of Twilight, True Blood, The Vampire Diaries, or any popular supernatural saga. In the paranormal romance world, certain story beats naturally tread similar ground. Harkness, a decorated historian, scholar, and university professor, weaves the forbidden love story of historian witch Diana Bishop (Teresa Palmer) and vampire scientist Matthew Clairmont (Matthew GoodE) together with magic, philosophy, metaphor, and detailed historical accuracy. That convergence makes for a fascinatingly fresh perspective on the genre while never losing sight of its romantic heart. With that said, there's a specific unintentional similarity A Discovery of Witches shares with Twilight — that awkward feeling when your in-laws are vampires. The Cullens of Twilight might welcome you into the fold with a baseball game, but A Discovery of Witches has the better vampire family by a home run mile. Sorry, not sorry.

GIF: mine

More on the de Clermonts in A Discovery of Witches

[gonzague-if]

Philippe de Nevers

The Duc de Nevers is one of Gonzague’s two closest friends — as far as the court can tell. But the gentle giant’s fondness for the Prince is surprisingly genuine.

Philippe de Nevers has a sunny disposition and a kind heart. As much as he pretends to be as outrageous as his two friends, everyone knows that, out of all of them, he is the one who would never do anything truly morally reprehensible.

[jpriest85-blog]

Some more @gonzague-if art of the inevitable betrayal and death of Philippe de Nevers by my Prince Gonzague featuring a quote from the tragedy that is titled after Médée's name sake.

"Tell me, how does it feel with my teeth in your heart?" - Euripidies, Medea

Along with some flower symbolism, fitting considering I used the betrayal scene from Revolutionary Girl Utena as a pose reference.

Yellow carnations for rejection and disappointment. Daffodils can symbolize rebirth, chivalry, and unrequited love. Purple hyacinths for sorrow. Dark crimson roses for grief and mourning.

[angelasscribbles]

What Once Was

Fandom: Vying for Versailles (Romance Club)

Summary: Renee married someone else. But what happens when Alexandre comes back into her life?

“Madame, you have a visitor.”

Renée looked up from her writing desk curiously. She hadn’t been expecting anyone. “Who is it, Beatrice?”

Beatrice had served Renee since she had first set foot in Versailles all those years ago. She had risen from lady’s maid to maîtresse d'hôtel. Her duties now involved overseeing all the other household servants at Chateau de Marly.

“It’s Monsieur Bontemps, Madame.”

The door to the study swung wide as the mistress of house backed away, revealing Alexandre, his fingers twisting nervously at the hat clasped in his hands.

Renee rose from her desk with surprised delight and swept across the room to greet him with a hug. “Alexandre! This is a pleasant surprise! Wait….” She drew back with a worried crease across her brow, “Is all well? The king—”

“The king is fine, Madame.”

Her good mood faltered as her eyes tracked his face noting the agitation in his stance. Very little rattled the king’s spymaster. “Then why are you here?”

“I was hoping we could have a private conversation.” His eyes darted around the room. “May I come in?”

“Certainly, but I think we would be more comfortable in the small sitting room.” She stepped out of the study and led him down the hallway to the smallest of the sitting rooms. It was cozy, plush, and private.

She gave Beatrice instructions to send a maid in with tea service then she shut the door. Turning back to him, she crossed her arms and studied him closely.

He was fidgety, clearly wound up about something, which was completely out of character for him. She couldn’t help the smile that crawled across her face as she took in his agitation. “Do I still make you nervous, Alexandre?”

“You do have a way of knocking my equilibrium off balance, Madame.” He gave her a small smile.

The affection and heat in his gaze sent butterflies exploding through her stomach. “That is good to know, Monsieur.”

He arched an eyebrow skeptically, “You think me indifferent to you?”

“Perhaps.”

“I could never be indifferent to you.” The pure, undisguised longing on his face sent shivers cascading down her spine.

There was a brief lull in their conversation as the tea was served. Renee watched the maid retreat as she stirred her tea. With her eyes focused on the cup in her hand, she softly said, “You should have stayed.”

“Renee…I couldn’t stay in close proximity to you knowing I could never touch you again.”

She glanced up at him and her tone was sharp as she told him, “Those were the choices you made.”

He sighed as he carefully sat his cup on the table. It was the same argument they’d had before he had left for Geneva to serve the king’s interest in Switzerland. “You didn’t choose me.”

“I did. I simply didn’t choose only you,” she reminded him. “And it’s not like you were ever going to marry me anyway.”

“A spymaster—”

“I know. Believe me, I remember all your excuses.”

“They weren’t excuses.”

“Weren’t they?”

He didn’t answer. He had told her that they could never be a couple. He hadn’t had a noble title back then and his work made it almost impossible to conduct a love affair. But when she had accepted a proposal from the Prince du Sang, it had felt like a knife plunged into his heart.

He drew in a deep breath and decided to tell her the truth. “There’s something you don’t know, Renee. I did approach Louis about a possible match. The king had been offering to ennoble me for years. I thought, maybe…”

Renee jerked in surprise, nearly spilling her tea in the process, “What?”

“My request was rejected out of hand and when Philippe got down on one knee in front of the entire court a mere day later, I understood why.”

Louis loved him like a brother. But Philippe was his brother. And he had probably asked first. The prince was a better match for her anyway. He knew that.

Renee quickly sat her cup down and tried to quell the shaking in her hands. “Alexandre…why didn’t you tell me?”

“After witnessing firsthand your pure joy at accepting another man’s proposal? What would have been the point?” He had, instead, determined to keep his distance from her.

And yet when their paths crossed, he had found that he still could not resist her. “Do you remember that night in Paris, right before your wedding?”

Madame de France, princess, duchess, and marquise did not blush easily, but her cheeks colored at the reminder. “Of course I do. But why are you bringing that up? Why are you bringing any of it up now?���

“Pardon?”

“Why discuss these things now? After all this time?”

“Ah, yes.” And here was the reason for his visit. “Do you remember when you told me that you would recognize me anywhere?”

“Yes. And you said the same. What does that have to do with why you’re here?”

“Only that I by chance saw you last time I was in Paris on the king’s business. I only saw your profile as you climbed into your carriage, but I knew it was you.”

“And you didn’t think to say hello?”

“I started to but then I saw your son.”

“Louis-Philippe?”

“Yes. One of the servants handed him up into the carriage to you and I got a clear view of his face, Renee.”

Her heart stopped. “And?”

“And he favors neither the prince nor a certain count that you are overly fond of.”

She ignored his reference to Armand as her heart started to thump even harder. She knew exactly who the child favored but she wasn’t going to make this easy on him. Her hands and her voice were steady as she looked him directly in the eye. “What are you asking me, Alexandre?”

“Is he….is he mine?”

She jumped up from her seat and stalked across the room to stare out the window. After a long pause, she replied, “You are not a father in the way that Philippe is. You do not tuck him into bed at night nor ease his fears when the thunder booms. He does not know you.”

He stood and followed her across the room, resting a hand on her shoulder. “That’s not what I’m asking, and you know it.”

Without turning to look at him, she whispered, “Yes, he was conceived that night in Paris.”

Alexandre’s world tilted on its axis. He had known, of course, the moment he had seen the child’s face. But to have confirmation…. He dropped his hand and stepped away from her. “Why didn’t you tell me?”

Anger flared through her as she spun to face him and flung his own words back at him. “What would have been the point? You ran away from me fast enough the moment you didn’t like my choices.”

“But a child, Renee!”

“By the time I knew I was with child, I was already married! What would you have had me do? Put it in a letter so your enemies could use it against us both? You well know how easy it is to intercept correspondence.”

He nodded in acquiescence. He could not fault her logic. “And the Prince du Sang... does he….”

“Philippe knows. He does not care.”

“I find that hard to believe, Madame.”

“Did you think we were cuckolding him every time we were together?”

“Well…”

“I told you, before he even proposed, what our arrangement was!”

“Yes, but I—”

“You what? You thought I was lying?” She stepped closer. So close she could smell the vanilla and cardamom scent that always clung to him. So close that she could feel the heat radiating from him, sense the tension in his body, “I may lie to everyone else in service to my king and my country, but I have never lied to you nor him! I do not lie to the people that I love.”

Alexandre froze, shock, pleasure, and disbelief coursing through him at her words. She loved him?

Oblivious to his reaction to her unintentional confession, she plowed on. “And your assertation that I would have divided loyalties was preposterous! My loyalty to my husband would never put me at cross purposes with you, Alexandre and you know it! Philippe loves his brother and is loyal to him. Furthermore, I do not tell him everything that I know or that I do. He understands and respects the need for discretion when it comes to my duties as a spymaster! He would never ask me to betray—”

“Alright! Alright!” He held both hands up in surrender with a bemused chuckle.

“It’s not funny, Alexandre!” She stood in the middle of the room, just inches from him, cheeks red and chest heaving with emotion.

He was struck nearly speechless by her beauty. She was even more breathtaking when she was angry. How was that possible? He took an involuntary step toward her.

She froze, her eyes trained on him, but she didn’t back away.

He took another step toward her, this one purposeful.

They stood, unmoving, staring into each other’s eyes; two hearts pounding in anticipation. He lifted a hand and reached out for her just as the sitting room door banged open.

“There you are, my love! I—oh! I didn’t realize we had company.” The prince stopped short, causing the chevalier who had been hot on his heels to collide into his backside.

Alexandre jerked his hand back and stepped away awkwardly. “My prince! I…” he executed a low bow. “So lovely to see you again.”

Philippe’s eyes took in the valet’s flushed and guilty expression and then his wife’s stoic demeanor. Renee had not backed away when he entered the room. She had stood her ground. Her ire was evident and he smothered a smile. He understood everything. “It’s always a pleasure to see you, Alexandre, but let’s not pretend you came here for me.”

“I….” For the first time in his life, Alexandre was struck completely speechless.

Renee finally moved, closing the distance to greet her husband with a hug and a quick peck on the cheek. She murmured in his ear, “He knows about Louie.”

“Hm,” he hugged her back, but his gaze was trained on his brother’s spymaster.

Renee moved around her husband to greet the chevalier with the same hug and kiss she had just given her husband. “How was grouse hunting?”

“As usual, we didn’t find a single grouse but at least we didn’t end up drunk in a fountain again.” The chevalier laughed at his own joke as he returned her hug. Not a day passed that he didn’t count his blessings.

There had been a time when the king had been adamant that Philippe make a political marriage, likely to some English noblewoman who would expect fidelity from him. He would forever be grateful that Louis had allowed the prince to marry Renee and that Renee had never blinked at the relationship between the two men. Now he practically lived at Chateau de Marly and was both a godfather and cherished uncle to their son. They functioned very well as a threesome and while his whole heart belonged to the prince, he wasn’t completely indifferent to Renee.

He also liked the life they had built together very much so he glared suspiciously at the intruder. “Why are you here, Monsieur Bontemps?”

Finally recovering, Alexander stiffly replied, “I had some…business to discuss with the duchess.”

Renee snorted. “Business? Is that what this is, Alexandre?”

He flushed scarlet which caused the other two men in the room to laugh.

The prince spoke first. “Let’s drop the pretense, shall we? Renee and I have no secrets from each other nor do I keep secrets from the chevalier. His discretion is not in question. You may speak freely. Everyone in this room knows that Louis is your son. So why are you really here?”

“Do you wish to challenge me to a duel, Monsieur?” Alexandre asked carefully.

Philippe looked at him askance. “Why would I do that?”

Alexandre shook his head slowly. “Most men in your position would.” It was dawning on him that Renee had been telling the full truth of the matter. Philippe showed no signs of rage or jealousy.

Of course, it was an open secret at court that his affair with the chevalier never ended, but for most men indulging their own desires did not mean they were tolerant of their wives doing the same.

Philippe’s face broke into a wide smile. “When have you ever known me to be like most men? Come now, stay for dinner and we can discuss everything.”

“As tempting as that sounds…I have some urgent business matters I must attend to tonight. However….”

“Yes?”

“With your leave, I would like to visit the child. As a family friend, of course. I would never disclose the true nature of our relationship to him.”

“You want a relationship with our son?” Renee asked so quietly he almost missed it.

Turning to face her with beseeching eyes he answered her. “If it pleases you, then yes.”

Renee closed her eyes briefly as she fought against the onslaught of conflicting emotions that collided inside her at the thought. When she opened them again, she blinked up at him. “I think I would like that very much.”

Profound relief swirled through him at her answer. He had not known what to expect when he knocked on her door, but things had gone better than he could have imagined. Turning his attention back to Philippe, he asked, “And this is alright with you?”

“It is. You’ll find Louie is a capricious and wild little hellion who delights in his friendships with children and adults alike. I think he’ll be good for you.”

Alexandre barked out a surprised laugh. “He’ll be good for me?”

“Yes….” Philippe drawled out with a mischievous grin. “I think you need to loosen up and he’s just the person to help you do it.”

The king’s valet turned to go but an idea had taken root in his mind and he could not let it go. Turning back he asked, “And your wife?”

“What about her?”

“May I have permission to resume our….friendship?”

“Oh, he wants to court your wife!” The chevalier chortled out loud.

“Monsieur,” Philippe shook his head. “You disappoint me. I thought you understood. You do not need my permission. You need hers.”

Alexandre turned slowly, his heart thudding in his chest. “Madame. I would be most grateful if you would agree to indulge me in a conversation soon. I think we have many things to discuss.”

“For how long?”

“I’m sorry?”

“How long will these discussions go on? When do you leave again?”

He nodded in understanding. “Given today's revelations, and assuming you will continue to welcome me as a visitor in your home, I will start making the preparations to return to my house in Paris immediately and permanently.”

“Just like that?”

“Just like that.”

She regarded him thoughtfully for a moment and then she nodded. “I would like you to get to know our son and I would be open to you and I having a conversation about where we go from there.”

He couldn’t help the smile that crawled across his face. He left the chateau with a spring in his step.

The truth was, he had not been happy since he’d left court shortly after her wedding. He hadn’t thought he could share her, open relationship with her husband or not. But an even larger concern had been his fear of openly loving her, thereby making her a target for his enemies, which were many.

He would never be comfortable being physically affectionate with her in front of others, he was more private than that, but if there was still a relationship to be had with her, there couldn’t be a more perfect cover than her marriage. No one ever had to know what she meant to him, or that he had a child. They could therefore never be used against him.

The thought of rekindling what they once had made him feel something he hadn’t felt in a long time….happiness.

It was entirely possible that things had worked out for him after all.

[cliozaur]

While the barricade is still holding on, Hugo decides that this is his last chance to write about other barricades which he ordered to be taken by siege in June 1848. To make sense of what is going on, I read a chapter about Hugo in Jonathan Beecher’s Writers and Revolution: Intellectuals and the French Revolution of 1848 (2021). “Victor Hugo never forgot what he saw and did between June 22–26. Unlike our other writers, he participated in the fighting, and he did so on the side of the government.” Sigh.

This is where his lengthy explanations about the differences between uprisings and insurrections from 4.10.2 become relevant. He genuinely believed that everything that was going on in February 1848, before the abdication of Louise Philippe was revolution (insurrection), and what followed in June was uprising against the Republic. It was “a revolt of the people against itself.”  

The problem was: people had legitimate causes to rebel. “Once settled in the Assembly, Hugo was immediately confronted by the question of the National Workshops. Like many on both the right and the left, he believed the Workshops were a disaster. They produced nothing and were “an enormous waste of resources”… he urged that they be closed… He apparently believed that by voting to dissolve the National Workshops, he was not voting to shelve the question of unemployment. He was wrong.” Moreover, when workers erected the barricades and the confrontation began, “Hugo seems to have convinced himself that the best way to limit bloodshed was to defeat the insurrection rapidly. For the next three days he became a tiger, “haranguing insurgents, storming barricades, taking prisoners, and somehow remaining alive.”

According to an account from a member of the National Guard, Hugo was acting suicidally: “This man... was M. Victor Hugo, a representative for Paris. He was unarmed and nonetheless he led us; and while we took cover behind houses, he alone kept to the middle of the street. Twice I tugged at his sleeve, telling him: “You’ll get yourself killed!” “That is why I am here.”” But this was because he believed that he was acting under divine protection.

During these days, Hugo was not able to contact his wife and his mistress. He heard rumours that his house was burnt down, but finally found out that it was not true: “When he finally got back to the Place des Vôsges, he found fourteen bullet holes around carriage entrance, but everything in the house was intact: rugs, furniture, silverware, wall hangings, ancient swords and muskets, and above all his manuscripts. A leader of the insurgents, a school teacher and a reader of Hugo, had even led tours of the house for other insurgents.” The last detail is heartbreaking.

In this chapter, Hugo conveys his point of view on the events of June 1848, infusing them with symbolic images of two barricades: both quite eerie and ominous. He is exploiting his talent of horror writer again: “The Saint-Antoine barricade was the tumult of thunders; the barricade of the Temple was silence. The difference between these two redoubts was the difference between the formidable and the sinister. One seemed a maw; the other a mask.”

The sad thing is that after this chapter with its context in Hugo’s biography, it is hard to read his depiction of other barricades from other time without thinking of him as a hypocrite. This is Hugo — an embodiment of controversy.

Siege of the barricade during the June days of 1848:

[winter2468]

Erik/Christine/Raoul not just for romance reasons but because this is peak Philippe de Chagny annoyance potential.

Philippe already didn't want Raoul to marry Christine. An opera singer is far below a vicomte in the social order. It's book canon that when Philippe found out Raoul and Christine were engaged, he was silently furious.

But E/C/R? Not only is Philippe's younger brother engaged to an opera singer (an opera singer!), but there's this other guy who's with them pretty much all the time.

He never takes off his mask. He gives his name only as Erik. He acts like Philippe is dirt beneath his shoe, but as far as Philippe can tell, this guy has no title, no job, no place of residence, no surname and no social standing.

What the hell.

[funkyllama]

"The Way We Were,"

Eloise, together with her Cousin, Raheem, and Viola visit the Château de Saint-Cloud as it's open to the public for the Summer Season. Little to their knowledge, Philippe is arriving home from a ride around the surrounding grounds.

Act Three, Alternate of Scene Thirteen: "LAKESCENELAKESCENELAKESCE-" This scene was ripped from Pride & Prejudice 1995 and features Prince Philippe from @empiredesimparte. While I'm on a bit of an impromptu hiatus, I think I should show ya'll the original Scene Thirteen, aka the catalyst of me scrapping everything I had planned for the last time ;-; It's also the only scene I saved from said alternate story >:D

[Eloise] Prince Philippe!

[Philippe] Your Majesty-! I uh...

[Eloise] I didn't expect to see you, we heard the House was open. I should have never thought-

[Philippe] I'm in town for business. I presume Prince Lenerd is well?

[Eloise] Ah- Yes! He's very well. Thank you, Sir.

[Raheem] Do you think they're dating?

[Viola, Wispers] Idiot! They could probably hear that.... but, totally.

[Philippe] Where are you staying?

[Eloise] A friend of a friends, it's quaint compared to your... business.

[Philippe] Oh. Yes, of course, Mhm. Well- I've just arrived myself. And your couisn is doing fine?

[Eloise] Yes, Indeed.

[Philippe] Mhm. You'll have to excuse me.

[empiredesimparte]

Episode III

Coup de Majesté

A coup de Majesté is a brutal act or order dictated by the monarch, notably to forcibly subdue the beginnings of opposition, or even rebellion or revolt against him, and thus re-establish his authority or power.

Louis

Age 72.

Born Louis Charles Henri Simparte. He was the father of the late Emperor Napoléon IV and Prince Imperial Henri. He is therefore the grandfather of Emperor Napoléon V of the French and Madame Hortense.

He once bore the title of Prince Napoléon. This was a title claimed by pretenders to the throne of Francesim before the restoration of the empire. Nevertheless, Louis chose to turn his back on his family and renounce his title. Napoléon IV and Henri never forgave him. After leaving his family and feeling free of his duties, he moved to Simerica to work for the United Nations.

Following the death of his son, Emperor Napoléon IV, Louis has decided to return to Francesim and confront his family. He hopes to help the Simparte, in his own way, and meet his grandchildren.

⚜ Family tree of Simparte dynasty

⚜ Napoléon V, Charlotte, Hortense, Oliver, Marie-Joséphine, Henri & Philippe, Eleanor

[oscarisaacasimov]

Francesca by Hozier

This is not a song about a girl from his past. Historical & literary figure Francesca da Rimini gives her own account. Beautiful on it's own, this song is inspired by and references Dante's Inferno.

The second circle of hell is for the lustful; their restless, unreasoning nature, results in a torment of souls cast about in a restless, unreasoning wind.

The infernal hurricane that never rests...unto such a torment The carnal malefactors were condemned, Who reason subjugate to appetite.

artist - Joseph Noel Paton

Francesca is the first soul in Hell proper to be given a substantive speaking role. None of the men interrupt her; Dante & Virgil listen, and her lover Paulo weeps in the background. She describes her lust/love as a compulsive force that cannot be resisted.

Love, that exempts no one beloved from loving, Seized me with pleasure of this man so strongly, That, as you see, it still does not desert me; Love has led us into one death.

artist - Marie Philippe Coupin de la Couperie

The story of Lancelot inspired wild lust in Francesca and Paulo; she calls the author her jailer. Now the story of Francesca as told by Hozier is imprisoning us in wild lust.

One day we reading were for our delight Of Launcelot, how Love did him enthral. Alone we were and without any fear. When as we read of the much-longed-for smile Being by such a noble lover kissed, This one, who ne'er from me shall be divided, Kissed me upon the mouth all palpitating.

That day no farther did we read therein.

artist - Amos Cassioli

At the end of Francesca's testimony, Dante is overcome with pity and faints, "fell as a dead body falls." He awakens in the third level of hell (gluttony).

Hozier said repeatedly that Eat Your Young features an unreliable narrator, with beliefs that the singer does not necessarily agree. This song is likely the same; Hozier like Dante is moved by Francesca's description of love, but does not agree that lust overpowers free will and agency.

Sources: