#playing to the very end

[oidingus]

I think i’ll end up with a whole collection of tehse two clutching each other.

[biggest-gaudiest-patronuses]

hero/villain showdown but one of them has a spontaneous medical emergency and the battle gets put on hold while their archnemesis drives them to Urgent Care

[redsray]

I love the idea of the Wayne kids dropping extremely vague and disturbing comments during galas. Especially when in uncomfortable situations or if they're just bored. They pull out things from their nightlife too. Other times they just make shit up.

Socialite: Oh, dear, your cheeks look so sullen! Who sucked the life out of you?

Tim, dead serious: An old man with a goatee.

Socialite: Uh... what?

Dick: Once I broke my knee so badly that I swear I could see part of the bone sticking out.

Socialite: Good lord. How on earth did that happen?

Dick: Just clumsy gymnast things ^^

Socialite: The white streak is certainly a bold fashion choice.

Jason: I saw someone get decapitated once, so I could be doing worse in terms of what's on my head, yknow? At least I have one.

Socialite: What's your favourite colour, sweetie?

Damian: Red.

Socialite: Oh that's lovely!

Damian: Like the blood of my enemies.

Socialite: Oh.

Socialite: You must be new to these kind of events.

Duke: Uh, yeah, they're kind of scary. But I've had worse.

Socialite: Worse.

Duke: Well I've been left on top of a skyscraper before with no way down just to 'get over my fear of heights' so, yes.

Socialite: You don't talk very loud, do you? I can barely hear you.

Cass, with a straight face: If I spoke any louder every glass in the room would shatter.

Tim, behind her: I can vouch.

[horrorjerk]

jester of breath - one who distracts with breath or distracts breath.

[lizardsmp3]

hope their yuletide was, indeed, gay :]

[notebooks-and-laptops]

God I love Wrex. He's genuinely so insightful. Whenever I took him with me he's nearly ALWAYS the one who knew before it was obvious that we were heading into an ambush or that something wasn't quite right. When we met Vigil Wrex was the one who said as we headed down that he didn't think what was happening was Sarens doing. He says he knew Saren wasn't a good guy when he met him prior to the events of the game and he met him once for a few minutes. He speaks about only being good for fighting; but he was genuinely trying to do something about the genophage before he had to leave his planet AND he still DEEPLY cares about trying to fix it now even if he tells you it's a lost cause because krogans are too focused on other things. He claims his species is best at war and not things like science but he's just!! So clever and he clearly KNOWS on some level that a lot of what the Krogan experience is is based on their subjection/treatment in the galaxy. He enjoys jobs where his opponent is smart and good at what they do; and he is smart enough to be crafty and manipulate individuals such as when he got an employer to pay him to be a guard even AFTER he failed to kill the guy he was sent after. He is grumpy, but he cares about Shepard and he cares about stopping Saren. He's cynical and not sure that things can change for the better but he's also got this little nugget of hope in him that comes out so strongly at times. I love him. Best alien. Smart little guy. Best friend.

[forgettable-au]

FORGETTABLE-AU (page 82-85)

THAT LAZYBONES!!

[BEGINNING] [PREVIOUS] [CONTINUE]

[poorly-drawn-mdzs]

Sunrise, Parabellum.

[First] Prev <–-> Next

[chowbaw]

Aaand that's a wrap! Keep staying fresh.

[dreamsy990]

drew some of my fav ody designs! wasnt originally meant to be also replicating the styles but thats sort of just how my brain works. except i didnt copy the lineart styles of anyone here so its DEFINITELY a bit uncanny for a couple of these (LOOKING AT YOU QINNY IM SO SORRY) but whatever

the designs featured here (from left to right) belong to: me, @gigizetz, @neal-illustrator, @irunaki, @bigidiotenergytm, @qinnyanimation, and @foopsie-daisy

[newquestion]

Commission request from @/RedDeadRider from Discord!

The Prisoner and The Long Quiet, in their eternity chained together in the basement, decides it's the perfect time to play The Campaign for North Africa

[samsheadraws]

(july 13th, 2023)

[cw blood, dismemberment]

haven’t even played Fear and Hunger myself but im so. i. im so!!!!!!! anyway i love cahara don’t look at me. <3

[northstarscowboyhat]

Peepaw Starlo struggles. Autism 2 autism communication struggles.

[ofswordsandpens]

I fear that "fire bending didn't come easy to zuko" and "zuko isn't a prodigy" (both true) has somehow snowballed into "zuko is a bad or at best average fire bender".... which simply isn't true, especially by the end of book 3

[aroaceleovaldez]

the dynamic of demigods thinking which other demigod is the most powerful is always amusing to me because. like, we know the big 3 kids are all the most powerful. That's just a fact of their universe. And then we know nearly every character views Percy as the strongest demigod, and most people are very rightfully intimidated by him.

and you look at the powers of the Big 3 kids and there's Percy, but then you realize Nico is just kind of objectively more powerful than him but simply chooses to hang out in Percy's shadow like he's Percy's scary dog privileges. Like, the two of them are pretty equally capable of causing multiple different apocalypses. Nico just also has like four different instakill powers and it's not like he doesn't use them. He very much uses them! Not infrequently, even! And they don't seem to take a significant amount of energy from him! And other demigods are pretty intimidated by both of them! But Nico makes a conscious point to keep his cards close to his chest and not let on exactly how dangerous and scary he can be if he wants to. People are already scared enough of him without knowing anything about him and he doesn't like that. Percy doesn't think about that nearly as much, and so usually just goes in guns blazing and that's part of why he's considered a wildcard. And then Nico himself puts Percy on a pedestal, so those who do know more about Nico's abilities then presume Nico knows something they don't about Percy that implies Percy is even stronger than him.

And even on a meta level Nico's narrative role requires him to be functionally more powerful than Percy, because he very often serves the purpose of getting Percy out of situations he can't handle on his own. That's just part of his function as a character! But also narratively he can't overshadow Percy so he just takes a backseat of his own accord and that's very amusing to me.

[consultingfujoshi]

some thoughts wrt the two established "romances" in severance so far (burt/irving and helly/mark) inspired by @figmentof who pointed out how irving had to find out mark and helly kissed from the corporate video in s2 e1 and how he must have felt seeing his co-workers' love affair like portrayed like that, and how it ties into the queer narrative at play here which uses workplace dynamics and policies as very clear analogues for real-life prejudice against queer couples. I mean, just look at this:

it's not just documented, but celebrated. used as propaganda for how the conditions on the severance floor have improved. proof that the severed workers are happy. and how even though he is unaware of the sociopolitical meaning of all this, lumon is very not-subtly telling him that what he had with burt is inherently lower and less valuable than this.

irving doesn't even know homophobia exists and yet he is still affected by it, it still seeps into every corner of the way his and burt's romance progresses. burt is positioned as an unacceptable love interest from the jump. irv is actively discouraged at every turn from pursuing it. their friendship is viewed with disgust and apprehension from their coworkers. burt working in a different department that's hated by MDR. dylan himself not being homophobic in the sense he opposes their relationship because they're both men but his attempts to keep them apart still has a parallel sort of prejudice behind it and still ultimately has the same effect as if it WERE driven by homophobia. irving is made to feel perverse for wanting contact with burt. he's told this is for his own good.

and then, just as they manage to overcome that immediate resistance from their peers and escape to a place where they can explore this blossoming romance on their own terms, burt retires. for all it matters to irv, he's dead. and then irving is given the option to live the rest of his life with grief that will never heal, or kill himself too, because there is no reality where they get to be together. that's just the way things are. of course they wouldn't get to be together. he was unreasonable and childish for ever hoping that could happen. this is just the way it goes for innies. he's told to get ahold of himself and not make a scene.

but the thing is, the standards are not the same for all. a heterosexual romance gets upheld as the shining example of success and fulfilment for the severed employees, whilst a homosexual romance is ridiculed and invalidated, and written off as something that was simply never meant to be. and even more importantly to irving, a heterosexual romance is APPROVED OF by lumon, and by extension, by kier. irv held back from allowing himself to even call his and burt's relationship a romance, because his god had told him it was wrong, he followed the handbook, thinking this was what kier wanted, and then finding out after suffering the worst heartbreak imaginable because of it, that this WASN'T EVEN TRUE. it's simply just that someone like HIM doesn't get to have something like this. his love is not the kind of love god wants. he does not approve of irv's love. cynical and manipulative though that approval may be (even within the context of the corporate video, the helly/mark romance is only being celebrated to further the narrative that lumon care for their workers, but the point still remains that it was THEIR romance specifically used to suit this end), when your entire life has been in pursuit of that approval, it must be devastating to learn it was never on the cards for you.

he and burt even used the fact kier met and fell in love with his wife in the same circumstances as them to justify this to each other - and they were RIGHT, god does approve of falling in love with your coworkers - this simply just doesn't apply to them specifically. and if irving needed any more proof that he no longer has a place at lumon, that he's better off not existing at all than existing with this pain that cannot be remedied, pain that won't even be acknowledged for what it is, a symptom of a sickness which plagues the entire severance system, pain that he is simply expected to choke down and get over - this is that proof.

and that's the POINT. they're TELLING us that this is unjust, and there's a double standard. they're using the ways the innies experience romance and the difference in lumon's reaction (lumon being the collective of all the management we've seen, lumon as a singular entity) to burt/irving vs helly/mark to comment on how queer people are not afforded the same level of respect or validation IN REAL LIFE, for their attachments, their love, their pain, their suffering. it is NOT just incidental that irving's romance is with a man. it would not WORK if his love interest was a woman. the POINT is that they are both men and how that puts them at a disadvantage, even if they aren't aware of the prejudices of the outside world, even if they don't TECHNICALLY apply on the severance floor, there are very clear analogues which still end up oppressing them in equivalent ways that they would be suffering if this were a normal workplace in the outside world.

it genuinely sickens me to my stomach that even in a world so divorced from reality and the sensibilities of regular society, a queer couple is still made to suffer and feel inferior in a way that perfectly mirrors their real-life counterparts. how they will never, EVER be allowed to exist in a world where their love could thrive freely and uninhibited - they never get to taste the joy our world has to offer people like them, but they are still somehow subjected to all the pain it has to offer them regardless. it's such horrifically devastating writing. it makes my skin crawl. I can't stop thinking about it