#post plot stuff

[trashcreatyre]

Lesbians on the brain

[keferon]

Monster hunter au part 11 (final? I think?)

Did you want to see Drift in a nurse costume?......ahahahahha

Orion: God himself couldn't stop him.

Meanwhile, Ratchet walking into God's room: Polish your glasses and get your robotic liver ready, I've got drinks to share and a great story to tell

Previous

[fumifooms]

Omg guys he just genuinely likes bugs and mollusks and critters 😭💘💔 Forced to noble when he just wanna crouch and watch things skitter in the dirt…

[stemmmm]

ok a third one. i've got a third one

context: 1 2 3

[mushimallo]

The contrast here was appalling

[returnofismasm]

Given how much of the immediate backstory to Dragon Age: Inquisition was found in Asunder and the Masked Empire, I think some people might be wondering if any of the short stories, anthologies, or comics are also "homework" for The Veilguard. Obviously, the game's not out yet, so I can't be 100% sure, but here's my best recommendations based on what we know about the characters (done in alphabetical order because why not).

Bellara: She's new! The Veil-jumpers are in a single issue of the Missing, but she's not any of the ones named there. They investigate magical disturbances around Arlathan forest, and that's kind of all we know.

Davrin: Also new! The reason he seems to have a juvenile griffon (or at least, why there's a griffon at all!) is covered in the events of the novel The Last Flight, but it's hard to say how much any of those specifics are relevant to Davrin.

Emmrich: Emmrich (and Manfred!) is in Down Among the Dead Men in Tevinter Nights, and another, The Eternal Flame released during a Dragon Age Day and archived on the wiki. We learn he's a senior member of the Mourn Watchers, somewhat eccentric, and capable of talking to the dead. Also he's got a last name, Volkarin, so that's neat. All of that seems pretty easy to catch people up on in-game. (Down Among the Dead Men is really good though).

Harding: Harding is in the Missing, accompanying Varric on his hunt for Solas. Her buddy-cop-comedy-ing it with Varric is apparent from the trailer. Her apparent magic powers are completely new though!

Lucanis: He and Neve probably have the most backstory in Tevinter Nights of the bunch. Lucanis's story is found in the Wigmaker Job and he's mentioned in Eight Little Talons, both in Tevinter Nights. A Dragon Age Day short story called the Wake seems to have implied that he died, so mayhaps he faked his death? To hopefully set some people at ease, even though he's advertised as "The Magekiller," the mages he's killing are Venatori, so it's all good. I doubt he'd have beef with Neve or Emmrich or a mage PC JUST because they're mages. Also he's got a last name, Dellamorte.

Neve: Neve has a last name too! It's Gallus. Neve is the viewpoint character of the Streets of Minrathous, where she stops a Venatori plot to unleash a giant sealed demon underneath Minrathous. Her story is very Noir-vibes in a fantasy setting. She's also in the Missing for an issue, where she meets Varric and Harding and they work together to help escaped slaves avoid recapture by the Venatori. The giant sealed demon business did feel very "preview of a boss battle" but who can say if it actually is.

Taash: Like with Bellara, Taash herself is new, but the Lords of Fortune have featured elsewhere. They're in a number of stories in Tevinter Nights, as well as in Dragon Age: Absolution. The group doesn't seem to have a formal role, they seem to be sort of "adventurers for hire." Side note though, Ataashi is Qunlat for dragon, so I wonder if that's where Taash got her name.

[djotime-allthetime]

Freaky Redheads

synopsis: interactions between you and fred hechinger at a red carpet event for gladiator ii.

wc: 2.5k+

rpf!!! don't like, don't read!!!

a/n: i love that soft, sweet, adorable man with all of my heart. my inspiration is how fred talks about sherry. the monkey. i'm down bad bro.

italics are supposed to be comments under tiktok clips of these interviews. i definitely have more in mind for these two, but we'll see how this goes. feedback is writer's fuel!

cross posted on AO3

next part>>

The flashing cameras and yelling reporters have started to become the new normal, which was so not normal for you. You couldn't believe how far you'd come.

Granted, your role in the movie was definitely more in the supporting cast territory, but you couldn't deny how massive the production was. But even as a supporting actress, you still had quite a bit of screen time as the unnamed favorite concubine to Emperor Caracalla.

The fans who knew you called out your name from behind the velvet ropes and you smiled and waved as you walked by.

"y/n! y/n! Over here!" A reporter called out. You nodded and smiled as you approached, indicating your acceptance of the carpet-side interview. Your agent had warned you that not every journalist might want to speak with you and that you should accept any interview you came by. Thankfully, as the start of your night would show, that wasn't the case.

"Hello!" You beamed, coming to a stop in front of the camera. The reporter greeted you back and handed you a microphone glued to a mini Romanesque column. "Oh, wow. I love the microphone!"

"Thank you," She smiled. With a quick glance at her blouse, you saw a name tag that said 'MTV UK: Claire'. "It was my idea, actually."

"Incredibly creative! They should give you a raise, Claire."

"If you wouldn't mind saying that directly into the camera..." Claire trailed off with a chuckle and a mischievous glint to her eye.

You shot the camera as serious a look as you could muster. "MTV, if you do not give this woman a raise, I will riot in the streets."

"Alright alright, enough of that." Claire laughed out loud with a few shakes of her head. "You look absolutely stunning!"

"Oh, this old thing?" You smiled bashfully, grabbing at your skirt to twirl it around. The styling department had made sure that all the gowns worn during press had some Roman inspiration behind them. The piece you were wearing was off white in color, representing your character's position in society. Even with your character in mind, your dress was still breathtaking. The gown was composed of yards and yards of fabric, giving it this dreamy, flowy silhouette. The neckline was so beautiful, in the cowl style and draped ever so slightly off your shoulders. To say that you loved it would be an understatement. "Thank you very much, you look amazing yourself."

"But you are on a different level!" Claire gasped, no doubt to return the topic to you. Just like you were media trained, the reporters were too. "What was the thought process behind your look tonight?"

Your eyes lit up as this was something you had wanted to talk about. "Well, the styling department and I actually workshopped this look together. Of course we wanted it to be glamorous, this is the red carpet after all. But we also wanted to show the character through the outfits, you know?" She nodded along.

"Right, your character was quite impactful even with the few lines you had." Claire added, and you smiled in thanks.

"Yeah, thank you." You felt your face heat up at the compliment. "We wanted to still be true to her, under all the glitz and glamour. So that's why we went with the understated color, to not only show her position in society but also her demeanor throughout the film."

"But your jewellery is anything but understated." She laughed.

"Yeah, I couldn't help myself." You laughed with her.

"Give us a quick tour."

You were almost dripping in gold, from your head to your toes. "We've got the hair piece." You brought a hand up to show the gold pins connected with chains littering your up-do. "Earrings upon earrings, all hoops." You pulled a strand back to show off your right ear clearly. Some were clip on earrings as you didn't have quite enough piercings to get them all. "The necklaces, of course. Some bracelets, some rings. But I think this cuff on my upper arm is my favorite."

"And these are all borrowed pieces from different brands?"

"Most of them are, yes." You confirmed with a nod. "But some are from my private collection. And some I might steal." You joked, getting a laugh out of Claire.

"Well, you really knocked it out of the park." Claire smiled, a tone of finality in her voice that showed you the interview was coming to a close. "And before we let you go, we've got one question we're asking everyone tonight. I think we can all agree that the cast of this movie is full of beautiful men." You giggled, a bit surprised at the turn in topic. "But people on the internet have separated them into two categories."

"Oh, have they now?" You asked, unaware of what she was talking about.

"Yes, they have. Gen Z has divided them into the brooding brunets and the freaky redheads." She explained, pulling up two little hand held signs. One with Paul Mescal and Pedro Pascal, the brooding brunets, and the other with Joseph Quinn and Fred Hechinger, the freaky redheads.

You couldn't contain the surprised laugh that escaped you at the sight of their little printed faces. "Oh my goodness!"

"So, as the resident Gen Z-er on the cast, who is your pick?"

"Well, I wouldn't say I'm the only representation of Gen Z here." You mused as you grabbed both the signs from Claire. You lifted up the 'freaky redheads' sign and pointed to Fred. "My friend is right there with me in the Gen Z territory."

"Alright, as the representation of Gen Z women, which team is more your style?" Claire asked as you studied the signs. "People are saying they went into the movie for the brunets and came out converted to team redheads."

"That's actually really funny," You chuckled as you looked down at both signs. "This is hard." You mumbled. A small smirk found itself on your lips as you thought of Fred seeing this clip later. Someone no doubt showing it to him, as he wouldn't find it on his own. "I feel like- yeah." You nodded with determination. "I'm gonna have to go with Fred- I'm going with team freaky redheads." You nodded. "I think it would be treacherous otherwise."

"Good choice. You'd break Emperor Caracalla's heart."

"And then he'd have my head." You laughed, stepping back. "Thank you for your great questions."

"Thank you for your time." Claire waved as you walked away. "We're gonna have a tally going throughout the night, and we'll see who wins. Team brooding brunets, or team freaky redheads." You heard her say to the camera as you moved further down the carpet.

'She looks so pretty!!'

'i love the thought process behind the outfit, you can tell she really loved her character'

'the reporter asked y/n if she prefers lucius and acacius or geta and caracalla and this girl really said FRED 💀'

'i love seeing new faces in hollywood, give young new actors a chance!!' ↳ 'right?? im so sick of them recycling the same actors for every big budget movie'

'she mentioned fred, not caracalla, twice, unprompted. i see you, y/n. you're just like us.' ↳ 'have you seen his interviews? he's literally the cutest i cant blame her 🥺'

A few steps down, another reporter flagged you down. This time, the questions were more centered around the acting itself.

"And was it difficult? In a previous interview, you've said that your character's growth was significant, but she had almost no lines in the movie."

"Yeah, I think in the final cut she only has... three lines?" You winced, looking upwards as you tried to recall what was and wasn't cut. "Though I'm not sure."

"So there were scenes where she could've said more?"

"Oh yeah, for sure! There was a lot of experimentation with my character throughout filming. Ridley's a genius and he was kind enough to truly take in my suggestions. There were times where I felt like she would actually stay quiet during a scene, whereas other times I felt like she would speak up. But yeah," You breathed in and furrowed your brows in thought as you tried to focus your answer back to the original question. "It was definitely a challenge. I had to really work on my micro-expressions. Lots of research, lots of practice. And lots of trust, too. With a character like mine, I really relied on Fr- on my fellow actors in those scenes. So yeah, definitely challenging. But who doesn’t love a good challenge?"

"And did you take any inspiration from other people's work? Any source material that helped you out as you built your character?"

"Of course!" You smiled, a hint of humor in your tone as you thought of your response. "Yeah, I did. Actually, one of the biggest inspirations for my role, believe it or not, was Ferb. From 'Phineas and Ferb'."

"The- The children's show?" The interviewer questioned with a grin.

"Yeah, Ridley thought it was brilliant!" You laughed. "We watched compilations of Ferb scenes on youtube together. And I know that Fred- Fred Hechinger, who plays Emperor Caracalla-, he also brought up Sid Vicious with Ridley, as well as other sources like that. Sir Ridley Scott has great taste, there's no denying that."

'ferb as inspiration for a movie like this,,, gen z in the film industry really are the gift that keeps on giving'

'im just imagining y/n and ridley scott curled up on the couch watching phineas and ferb reruns. that man is 86 years old. this is brilliant.'

'bro didn't even have to say anything and y/n still brought up fred 💀'

'the gen z cast members making ridley scott watch cartoons is sending me'

'not her pretending she didn't mean to say fred when she talked about trust, we all heard you y/n'

Unbeknownst to you, Fred's interviews were going much like yours, only a few feet behind you on the carpet.

"You look amazing today!" Claire, the same reporter you spoke to, told Fred during his first interview on the carpet.

"Thank you, thank you." He replied bashfully as he tried to subtly look around for you, but he couldn't see you just yet. "Everyone looks so great, everyone."

She asked him a few questions and then came time for her ending segment.

"Alright, to close off, we've got a little game here."

"A game?" Fred smiled with raised brows. "I love games." He said softly, not realizing that the microphone would pick it up.

"Yes, a quick one. You just have to choose between team brooding brunets and team freaky redheads. We've asking everyone to join."

"Woah!" Fred exclaimed as he received the signs. "That's me." He pointed out his own face in the picture of him and Joseph. "What are we basing our choice on here?"

"Well, the internet is battling on who is more attractive."

"Oh my god." Fred chortled, not expecting that answer. "Who's played the game?" He asked, still examining the hand held signs.

"As of now, we've spoken to Joseph Quinn, Connie Nielsen, and y/n l/n." Claire recounted.

Fred's eyes lit up and his cheeks reddened at the mention of your name. "And what's the- what's the consensus so far?"

"It's two to one. Can you guess who's in the lead?" Claire asked.

"Let me think... Well, Joseph -my brother-, he definitely voted for us." He pondered aloud as he counted the votes off on his fingers. "Connie... I think Connie went for team brunets. I mean, it's her husband. She's gotta." He grinned when it came to you. "y/n chose me, right? We're in the lead?"

"Yeah, you're right on all counts! You really know your cast members." Claire laughed. "y/n didn't want to anger Emperor Caracalla."

"Oh, she couldn't. I’ve got too much of a soft spot for her." Fred shook his head emphatically.

"So, are you keeping team redheads in the lead? Or will you give us a tie?"

"No, I'm going team redheads!" Fred exclaimed. "I'm not helping out my competition, no way!"

'this man has bewitched me with his beautiful eyes and calming demeanor'

'he always calls joe his brother im CRYINGGG'

'did you see his face when they mention y/n, this man can't hide his crush for the life of him 🥺' ↳ 'neither can she lol'

'what do yall know about fred hechinger 🗣️🗣️🗣️'

'fred immediately knowing that y/n chose him, kill me right now.' ↳ 'mind you the choice was caracalla. she still said 'fred' and he said 'me'. can they be more obvious?'

'the way this man said 'i love games' protect him at all costs'

‘he said ‘i’ve got a soft spot for her’ is this the year of men yearning?’ ↳ ‘it’s just the paul mescal effect’

It was during his next interview that he saw you. He was talking about his experience building the character of Emperor Caracalla with Sir Ridley Scott as well as Joseph Quinn when he finally caught sight of you. You had spent a bit longer with a specific reporter down the carpet, causing Fred to catch up to you. 

“Of course, y/n was a great help as well.” He smiled, reaching over to brush against your elbow to catch your attention. At the perfect time, too, because you had just finished talking to the reporter in front of you.

“Oh, Fred!” You beamed, coming over to give him a hug. 

“Look at you.” Fred spoke against your shoulder. He pulled away from the hug and brought you into his side in front of the camera, almost like he was showing you off. “Look at her, isn’t she stunning.”

“Stop it,” you rolled your eyes as you tried your best not to show how his compliment affected you. “I’m sorry for interrupting, I just had to say hello.”

“No worries,” the reporter reassured you. “Fred was actually saying how you helped with the building of his character.”

“Yeah, we worked really closely during pre-production actually.” You nodded, acutely aware of Fred’s hands on you. He had one hand casually tucked into his pocket while his other arm draped across your waist, his hand resting against your hip. “My character was almost like Caracalla’s sidekick, so the motives for all her actions are really based around him.”

“I’d argue that she was more of a mirror, actually.” You turned to look at Fred, never passing up an opportunity to hear his view on these things. “She’s the complete opposite of Caracalla, but in a way she represents who he truly is under all the pressure of being in Geta’s shadow.”

“And under all the syphilis, of course.” You added, causing Fred to giggle.

“Yeah, and under the syphilis.”

‘he seems like such a sweet guy 🥺’

‘did you see his face when he saw her???  😫😫😫 theyre in love, your honor’

‘him showing her off like that is peak soft boyfriend behavior’

‘they just called me single in seven different languages’

‘his laugh is actually so cute, who is this man and why am i in love with him? 😍’ ↳ 'get in line' ↳'behind y/n, you mean?'

‘the way he’s touching her???? im just gonna go take a nap in front of an oncoming train’

‘im calling it, new hollywood it couple’

‘look at how he looks at her!!! may this love find me 🙏’

[chiropteracupola]

c. 1540 CE: a young man from Chalco, and his dragon.

[midtones-brighter]

DOCTOR WHO (2023-)

2.08 “The Reality War”

[cursedcola]

Discussion: "The Prophecy of Twisted Godhood" <- A reimagining of Twisted Wonderland through Greek Mythology. Where instead of a world based on Disney - Yuu is sent to a school meant to train demigods in another realm. Dormitories: Heartslabyul (here) || Savanaclaw || Octavanille || Scarabia || Pomefiore || Ignihyde || Diasomnia || Ramshackle (full lore and main plot outline) || Others Notes: Hey everyone - believe it or not, this was the original idea back when I started working on my TWST otome. I went a more traditional route since I wanted more of an immersive product...but I still have all of these ideas, y'know? So why not share them since I won't be making it into a game. Character designs and comics might come if i ever want to add more

Premise: The Prophecy of the Gods’ Reawakening

At NRC on the Isle of Gods, a prestigious institution built upon the ruins of ancient temples, Yuu (the protagonist) is just another student. However, Yuu’s, a supposed ‘godless human’, arrival is no accident—there’s an ancient prophecy surrounding them that foretells the fall of all gods, threatening the balance between the mortal and divine worlds.

The gods, once all-powerful, are losing their grip over their domains. Their children, the demigods, have become restless, each facing the expectations of their divine parentage while undergoing trials at NRC. The mortals are unaware of the ancient forces at play, but Yuu is caught in the center of this storm by ‘chance’ with no power to return to their realm. As they unravel the ties between the demigods, Yuu discovers that their very existence could either restore the gods' reign or bring about their ultimate downfall.

The students of Night Raven College, in this realm known as Nether Realms College, split into seven dormitories, each reflect different aspects of the divine legacy that they inherit. Each dorm conflict mirrors a myth or curse, and Yuu must navigate these volatile relationships and broken alliances, all while uncovering their own mysterious divine heritage.

Heartslabyul - The Realm of Judgment and Destiny

Heartslabyul's - renamed 'Themantica' Dormitory - central conflict revolves around the battle between order and chaos, justice and mercy, hard work and inherited power. The dorm will undergo a transformation as its members grow to understand that their godly traits do not define them, but how they choose to wield those traits in a world on the brink of power usurpation is what truly matters. Yuu becomes the catalyst for reform, teaching them that while their divine parentage shapes them, their choices define who they will become.

Riddle Rosehearts – Child of Themis (Goddess of Justice)

Reasoning: Riddle Rosehearts is deeply connected to Themis, the titaness of divine order, justice, and law. Themis is the embodiment of fairness and law, often depicted with scales, which resonates with Riddle’s strict adherence to rules and his sense of justice, though Riddle also learns that true fairness isn’t always found in rigid systems.

Connection: Themis represents the legalistic and moral code that Riddle so rigidly follows, making her a perfect fit for him. Or rather, a perfect fit for his mother. His buried personal feelings about his role as a demigod are another story.

Conflict: Riddle Rosehearts' devotion to order, justice, and the enforcement of rules mirrors the divine influence of Themis. As the dorm leader, Riddle’s strict enforcement of rules represents his own attempt to uphold the ideal of justice in a chaotic world. However, the prophecy that ties Yuu to the fate of the gods will challenge Riddle’s worldview. As the gods’ powers begin to weaken, Riddle will confront the truth that blind obedience to law can lead to harm, and that compassion and flexibility must sometimes replace absolute fairness.

Tension with Yuu: At first, Riddle views Yuu as a disruptive force to the carefully ordered environment of Heartslabyul. Yuu, being unaware of their own divine parentage, challenges Riddle’s rigidity with their natural tendency to understand situations in shades of gray. Yuu's tendency to question authority and find balance between rules and fairness will force Riddle to confront the flaws in his belief system.

Resolution: Through their relationship, Riddle learns that true justice comes not from strict adherence to law, but from considering the greater good and acting with compassion. Yuu helps him realize that mercy is as important as law.

Trey Clover – Eldest Son of Demeter (Goddess of the Harvest)

Reasoning: Trey Clover, the thoughtful, responsible, and nurturing member of Heartslabyul, fits well with Demeter, the goddess of agriculture, harvest, and the home. Trey is dependable, grounded, and often takes on the caretaker role within his dorm. Much like Demeter’s nurturing presence, Trey ensures others’ needs are met and provides stability. He also has a calm demeanor that makes him approachable and supportive—qualities that resonate with Demeter’s ability to protect and nurture those under her care.

Connection: Both Trey and Demeter represent stability, nurturing, and responsibility, offering support to those around them.

Conflict: Trey Clover embodies the nurturing and stabilizing influence of Demeter, the goddess of the harvest and the home. Trey is the responsible caretaker of the dorm, often stepping into the role of peacemaker and advisor. However, the divine chaos wrought by the prophecy forces him to question how much he can protect others from the encroaching disaster. Demeter’s loss of influence over the harvest in the world will affect Trey’s ability to care for others, and he may feel powerless to prevent the unraveling of the world around him.

Tension with Yuu: Trey is highly protective of Yuu, as they are a triggering force that may push Riddle over the teetering edge, but struggles with a deep sense of helplessness. Yuu is an uninvolved party to the gods’ warfare, and Trey’s connection to Demeter places them in a Persephone-esque position. Yuu’s inevitable involvement in the prophecy raises the question of whether even his powers to nurture can stop what’s coming. Yuu becomes a mirror for Trey to understand that change is inevitable, and that sometimes, allowing things to grow in a different form is necessary for survival.

Resolution: Trey will come to accept that nurturing isn’t always about protecting people from harm, but rather about guiding them through transitions and supporting them as they face their own challenges. Yuu's growth into their role will help Trey understand that not all things are meant to stay the same forever.

Cater Diamond – Son of Eros (God of Love)

Reasoning: Cater Diamond is a fun-loving, social, and self-aware character with a deep connection to social media and capturing the moment. His energetic, attention-grabbing personality aligns well with Eros, the god of love and desire, who often brings people together in unexpected ways. Eros also represents a playful, seductive force, much like Cater’s ability to charm and captivate those around him, while his social media savvy connects to Eros' symbolic role in the pursuit of connection and attraction.

Connection: The playful, charismatic, and communicative nature of both Cater and Eros makes them a fitting pair.

Conflict: Cater Diamond’s connection to Eros, the god of love and desire, makes him a natural at influencing relationships and connecting people. His charming, flirtatious demeanor is a reflection of Eros’ ability to manipulate and inspire love in others. However, the prophecy forces Cater to confront the darker side of love—the obsessive, destructive, and manipulative nature that Eros’ power can also wield. As the gods’ power wanes, Cater begins to question whether his relationships with others are genuine, or if they’re merely the result of his ability to manipulate emotions.

Tension with Yuu: At first, Cater views Yuu as a puzzle to solve, someone who doesn’t seem easily swayed by charm or emotional manipulation. Yuu’s sincerity and ability to build genuine relationships challenge Cater to rethink his approach to love. As the prophecy nears its fulfillment, Yuu will show Cater that love can’t be controlled—it must be earned, nurtured, and given freely.

Resolution: Cater learns to let go of his need for attention and approval, realizing that true love is built on honesty, trust, and vulnerability, not manipulation. Yuu’s example shows him the power of real connection.

Ace Trappola – Son of Hermes (God of Trickery, Travel, and Communication)

Reasoning: Hermes, the god of trickery, travel, and communication, is known for his mischievous and playful personality. Ace, with his witty, rebellious nature and tendency to bend the rules, fits perfectly with Hermes' persona. Ace’s love for teasing others, his knack for getting out of tricky situations, and his ability to charm those around him makes him a natural fit for the god who’s always up to something playful and clever. His impulsive behavior also echoes Hermes’ swift, often unpredictable actions.

Connection: Ace’s wit, humor, and trickster nature align closely with the god of mischief and communication, Hermes.

Conflict: Ace Trappola is the embodiment of Hermes, the god of trickery, communication, and mischief. Ace’s constant need for attention, his love of pranks, and his manipulative nature align with Hermes’ playful and unpredictable qualities. However, as the gods lose their influence over the mortal world, Ace becomes aware that his tricks and quick wit may not be enough to navigate the complexities of the prophecy and the divine conflict. He must confront his own immaturity and selfishness, realizing that his usual tricks can’t solve the problems at hand.

Tension with Yuu: Ace sees Yuu as a challenge—someone who isn’t easily fooled or controlled. Yuu's ability to act with intention and thoughtfulness challenges Ace's impulsive nature. Yuu’s steadiness and willingness to make the hard decisions will force Ace to realize that his cleverness doesn’t always get him what he wants. He must learn that sometimes, real communication is about honesty, not manipulation.

Resolution: Ace will eventually come to appreciate the value of genuine connection and purposeful action. Yuu will help him see that trickery can’t always be the solution—it’s the truth and action that hold power.

Deuce Spade – Youngest Son of Hephaestus (God of Craftsmanship and Fire)

Reasoning: Hephaestus, the god of craftsmanship, fire, and hard work, is known for his dedication and loyalty. Deuce Spade shares many of these traits with his strong sense of duty, determination, and earnestness. Deuce is not a naturally gifted student, but through effort and perseverance, he works hard to overcome his challenges. Much like Hephaestus, who labored tirelessly to create his masterpieces, Deuce is a character defined by his commitment to improvement and his willingness to push through struggles.

Connection: The hardworking, earnest, and somewhat awkward nature of Deuce mirrors Hephaestus' perseverance and determination in the face of adversity.

Conflict: Deuce Spade is a reflection of Hephaestus, the god of craftsmanship, fire, and hard work. Deuce is driven by an earnest desire to prove himself through his effort and dedication. He is a diligent student who values hard work over innate talent. However, the prophecy forces Deuce to question his own worth. The struggle for divine recognition, along with the looming sense that all their hard work might be in vain, challenges Deuce to confront his belief in the value of toil. Can hard work truly protect the world from the prophecy’s wrath, or will they need something more than mere craftsmanship?

Tension with Yuu: Deuce’s strong work ethic and determination to be the best often put him in direct opposition to Yuu, who may not have the same motivations or views on hard work. He sees them as a possible connection to better understand human-kind and learn socially acceptable mannerisms. Yet their nonchalant outlook on the school’s way of teaching demigods has him question the ‘right path’ – which Deuce finally thought he found.  Yuu might remind him that effort alone is not always enough to overcome challenges—sometimes, one must rely on intuition, teamwork, or emotional resilience to succeed.

Resolution: Deuce learns that true strength doesn’t just come from hard work, but from the ability to adapt, trust others, and remain flexible. Yuu teaches him that it’s okay to rely on others and embrace different strategies to solve problems. That there is a balance between good and bad – perfection and rebellion.

[mizgnomer]

Interviewer: [Because there's a Doctor Who reference in Good Omens], does that mean David Tennant, the actor, exists in the Good Omens universe?

David Tennant and Michael Sheen discuss Doctor Who in the Good Omens Universe (and good Doctors)

Source [ comicbook.com ]

[thimblings]

viago "fashion police" de riva

[thedaythatwas]

on nagito komaeda and love

I just think it’s sort of funny that for a character whose (arguably) most well-recognized CG is this: 

komaeda’s narrative so heavily centers love. and I don’t just say this because I’ve had komahina brainrot for years (though this is true!!). even if you don’t care about komahina, it’s tough to deny komaeda is a walking tragedy in large part because of the role that love plays in his life. his characterization is driven by the way his luck has denied him love, and how he seeks it out regardless. in that sense, I think that without understanding komahina as at least one-sided, you miss out on one of the juiciest, most miserable pieces of komaeda’s character development.

tldr; a love-centered reading of komaeda makes sense, recognizing komahina as “a thing” in DR2 (whether you ship it or not) is pretty important to understanding how komaeda operates, and I’ll try to prove it right here under this page break!!

Part 1: Komaeda’s Love Life (or, his life without love)

I think it’s safe to assume that if you clicked here, you know about komaeda’s absurdly miserable, tumultuous childhood, but I’ll do a quick recap just in case! meteor kills his parents on a plane, he inherits a ton of money. he’s kidnapped by a serial killer, he finds a winning lottery ticket in the garbage bag he’s thrown out in. he’s diagnosed with terminal cancer and dementia, he gets into hope’s peak.

in his free time events, komaeda *explicitly* frames his luck cycle as something that takes away the people he loves. it only “takes action” against him after his relatives have died (for the sake of this essay, let’s assume that komaeda loved his parents, or would have at least been hurt by their passing). by way of other close connections… well, his wording here implies that by the time of his diagnosis, he didn’t really have anybody in his life. 

either komaeda didn’t allow himself to get close to anyone after the meteor incident, or he did, and they were taken away by his luck. at some point during his childhood, komaeda learned he should view himself as a death sentence.

so, how does this loss of love shape the komaeda we know? I’ll talk about this in terms of four of his defining (and connected!) traits in DR2 canon – the ones that really make his actions make sense: his self-loathing, his hope-seeking, his learned helplessness, and his certainty that his existence poses a threat to those around him. komaeda’s experience with loss makes him view himself as a source of death, which in turn fuels these tenets of his character. ultimately, his loss and the complexes that arise from it give him good incentive to push people away.

his self-loathing

komaeda hates himself. he views himself as worthless outside of his potential to serve as a “stepping stone” for the hope of the ultimates. he claims that this is driven by his beliefs around talent, which are in turn linked to the way his worldview rests on viewing hope as “absolute good.” the talentless (himself included) are only good for advancing the hope of the talented. still, his self-loathing is a bit more personal than that. take what he says and dig just below the surface, and it’s a clean cut trauma response all the way down. which leads us directly to…

his hope-seeking

komaeda is willing to do literally anything to serve hope. on the island, this (in short) means dying. this is where I prod at komaeda’s reasoning a bit more: komaeda’s willingness to act the way he does in canon also stems from his belief that his dying would be a net good for the world. his existence kills the people around him. his illness will kill him anyway. he has less than no value, and hope is invaluable. to go out for the sake of hope would give his wretched life purpose; it’s his dream come true.

and it’s no mystery why komaeda cares so much about hope: again, it’s a coping mechanism! komaeda’s belief that all bad luck is a necessary precursor for good luck and that hope will always triumph over despair is (as he himself says!) the only reason he’s managed to stay alive. I’ll say it again because I really can’t emphasize it enough – komaeda thinks that just by existing, he kills the people he loves. ouch!

learned helplessness / his existence as a threat

komaeda has, essentially, learned to submit to his luck cycle. all bad luck is good luck in the end – isn’t that amazing?! almost paradoxically, he’s hyper-vigilant about the negative impact his luck has on those around him. this is a tricky one. I make sense of it this way: komaeda’s perception of how much his luck impacts the people close to him isn’t inflated, like, at all. the supernatural way the world bends around komaeda to screw him over really does pose a danger to himself and others, and he takes measures to minimize that danger. his stated acceptance of his luck cycle is… well, again, he’s coping. 

if komaeda really thought that all bad luck is ultimately good luck, he wouldn’t try to protect his classmates from his bad luck. but, as we see in island mode, he does!

but really, who could blame komaeda for lying to himself? I’ll restate the facts. komaeda thinks that luck is absolute power. he says that he’s powerless against it. his luck has taken his family, and it’s left him with nothing but money that he doesn’t want. he’s certain he’s a curse, and there’s no end to that in sight: so long as komaeda exists, he’ll keep on losing – murdering – everything he loves. 

in the face of all of that despair, what can you do but abandon your self-esteem and pray for something good to come out of all of it? how else could somebody possibly survive carrying that burden, truly believing that load will never be lightened?

tldr; komaeda thinks his existence is a threat, and a big chunk of his personality is a frankensteined way of surviving the pain that comes with that. still, we should question how much of his worldview komaeda has really internalized without inner conflict. 

Part 2: Enter Hajime Hinata

we get some answers on that front when we see that despite the clear and obvious danger it poses, nagito komaeda still finds himself falling hard for hajime hinata. that’s really, really loud.

I’ll preface this part by saying that you don’t need to actively ship komahina to understand what I’m trying to get at here. this said, I’ll be recapping an argument you’ve almost definitely seen before: komahina is definitely “a thing” – at the very least as a one-sided thing. to this, I’ll add the (perhaps bold?) claim that without recognizing that much as true, you’re missing out on a big part of what makes komaeda so interesting.

komaeda’s FTEs make it abundantly clear that komaeda has feelings for hinata. apart from his famed failed love confession, the fact that komaeda is willing to allow hinata to get close enough to learn about his views on hope and luck is telling. 

(the smoking gun here hinges on trusting that komaeda was telling the truth during the time you spent with him; in so many words, that he only lied about lying. so, for the sake of argument, let’s assume this is true! there’s good proof for it, anyway.)

if you read his final FTE as komaeda flashing his soul to hinata and making a decision at the very last second to retreat, turning to old coping mechanisms to protect hinata from his luck, it’s sort of a komahina bombshell. that capitulation spells out for us that komaeda understands sharing his life experiences with hinata to be one of the most intimate things he could possibly do.

he recognizes the exact moment he lets hinata get too close – when his life story is finally told – and he does what he’s learned he needs to do to get them both out of that situation safely: he tries to make hinata hate him, and tells himself (and hinata!) that he did it for the sake of hope.

(and yet, komaeda let hinata approach him every FTE, knowing damn well that they were both playing with fire… very interesting.)

now, let’s say you don’t consider the FTEs to be integral to canon. I mean, you can really easily miss out on all of komaeda’s content if you choose not to hang out with him in chapter 1! so, for the skeptic, in the unskippable main story, komaeda tells hinata this:

komaeda cares about hinata despite everything. and I really, truly mean despite everything. at this point in the story, the fact that he still cares about hinata calls into question basically every single one of his core beliefs. he’s read his final dead room prize – not only does hinata not have a talent, we can presume that komaeda also knows hinata became ultimate despair along with the rest of them. 

hinata has continually sought out komaeda’s company, even though komaeda knows himself to be worthless at best, lethal at worst. komaeda was willing to let him get closer, even though he knows how dangerous that is for hinata. he can’t help but let hinata try to know him. 

isn’t he awful? to want what he knows he can’t have, even though that wanting has never done anything but cause pain? he’s really the lowest of the low, to love someone who destroyed the world, who makes him question the views that will allow him to do the only good thing he’s ever been able to do for it: to die for hope. 

and yet, it’s a nod to how incredibly capable of love komaeda is that he’s still willing to reach out for it, no matter how many times it’s burned him in the past, and how much it hurts him in the present to want it. he understands more than anyone that his feelings can only result in disaster. reading komaeda as someone who can’t help but go on loving anyway makes his story hurt so much worse. 

but, you miss a whole lot of that without an eye for komahina. seeing hinata as the eye of komaeda’s emotional hurricane (and keeping tabs on their connection accordingly) allows us to glimpse past the cracks in komaeda’s front. we see that komaeda’s worldview is less stable than he presents it as – hinata is where komaeda’s coping mechanisms, for better or worse, run up against a wall. that tends to be uncomfortable for a guy who’s just barely coping in the first place. then again, growth is supposed to be uncomfortable, isn’t it?

Part 3: The Future He Chooses

so, all of this considered, I think one of the most interesting ways you can flesh komaeda out post-canon is by asking how he’d find himself willing to accept love. whether that love is from hinata or the ultimates, whether it’s platonic or romantic, love is the thing that komaeda wants AND fears in equal measure more than anything. it’s the source of his self-loathing and his obsession with hope. it’s the reason he’s lived the way that he has for so long – lonely, and afraid of being anything but.

getting into a relationship wouldn’t solve komaeda’s problems for him, and that’s a good thing. it would force him to confront old ones, and probably create dozens of new issues for him, too. writing him through that makes for great character study!

hinata (or anyone else, for that matter) can’t love komaeda into loving himself, but he can give him a shoulder to cry on while he works through 22 years of fear and sorts through the wreckage of a worldview that’s long since stopped serving him. I don’t think his progress would be linear. but, I think that he could do it. komaeda learning to accept care is what his healing looks like. 

(well. and physically recovering from cancer and dementia. but that’s neither here nor there!)

a post-canon komaeda learning to love narrative is also in line with the themes of DR2. hinata leads the survivors out of the neo world program because he makes the decision to choose his own future, creating a new version of “hope” for himself and his classmates. likewise, komaeda can make the decision to save himself. that is, if he trusts himself enough to actually touch and hold the thing that he’s never been able to stop reaching out for, anyway.

after all, hinata is lucky too. (and if it turns out he isn’t… y'all like angst fics, right?)

(shoutout to @cynopter for looking this over and confirming that I'm not spouting nonsense <33 thank you for reading my thesis of the week <33)

[give-grian-rights]

hands on the wall foaming at the mouth screaming and crying about how Surf's Up (2007) is the greatest movie ever . to think, i loved it as a kid, BUT WATCHING IT AT 19 YEARS OF AGE???? JESUS FUCKING CHRIST THE MOVIE IS SO GOOD i know JOY

[crtastrophe]

Kidpix commission for @facelessoldgargoyle! (character belongs to me)

[p1ctur3]

@octdl-lee

Random captive TDL au lore dump and some behind the scenes stuff since you asked so nicely :]

Dark in captivity

victim did use dark as a way to train and get the mercs and him used to the box

victim and agent (i would probably explore their dynamic in this au also, mitsi would haunt this narrative because yes)

some behind the scenes things

additional art