#question is tho.. which one is it?

[happyheidi]

Rabbits 🐇

By Harlans

[b4kuch1n]

hahaha wheee haha

[puppetmaster13u]

Prompt 255

You know what? Three-way crossover. Danny Phantom, DC, and Monster Hunter. 

Specifically something akin to Monster Hunter Wilds (Which isn’t out at this time) where there’s not much or any sort of settlements (from what we’ve seen) though there’s some signs of ancient ones. But several heroes might have erm, fallen through a portal or two and now they’re in some sort of… place full of unknown creatures and monsters. 

Dragons, for one, but that’s just the beginning of the proverbial iceberg. And they might be a bit… stuck. Just a little bit. 

On the other hand, the Eternal Quartet- that is Tucker, Danny, Sam & Valerie- have decided to go on a bit of vacation before college. You know, get some last bit of feral-ness out and alright maybe they just wanted to not have to deal with other people. 

And there’s a bunch of creatures here, and plenty of plants for Sam to get excited about too. And look, Valerie isn’t going to say no to a giant velociraptor sort of creature that she can ride. And- holy fuck Tucker do not harness the power of a storm to power your PDA- Actually stop summoning storms please- 

[fishyartist]

Oh yeah also this scrungly ass computer doodle from when I was trying (failed) to write shit today <3

[hellomayu]

if only we didn't pretend we were fine

[saphushia]

DEUCE TRIED TO BEAT ACE WITH A LARGE STICK WHEN THEY MET????????????????

oh my god i get to tell you this i'm so happy. this is going to get long because i just. adore how fucking cringefail deuce is at the start of the novel. the manga is great but it's so important to me how badly this man can fuck up within 10 minutes of meeting a stranger. his ass does NOT know how to keep his foot out of his mouth

going behind a read more bc long and spoiler filled (specifically heavy spoilers (essentially an abridged play-by-play of the first chapter) for Ace's Story book 1 and a little bit of the first chapter of the Episode A manga adaption)

if you don't want spoilers but are curious uhhhh basically deuce got a lil hangry ^-^ thats all ^-^

so, in the manga adaption, deuce pretty immediately warms up to ace, yeah?

yeah. deuce is pretty fuckin easy in the manga. meanwhile, in the novel, when ace immediately asks for help...

(if it's unclear, all first person is referring to deuce, the book is written from his POV)

in fact, deuce manages to fail basically every speech check in the first conversation they have together. i'm not kidding look at how fucking bad he is at this.

my man falls ass first into a rant to a guy he just met and manages to find himself saying 'wow why don't you go cry to your mom and leave me alone to be depressed' to a man who's mom literally died in childbirth. less than 5 minutes after meeting the guy. and the best part? HE KEEPS GOING.

he's gotta stop there, right? surely? surely even a man who's been stranded on an island alone for 3 days can tell when he's got his foot so wedged in his mouth he's practically deepthroating it? NOPE!

at this point, you'd think there's literally nothing worse that he can say. you would be so, so wrong.

MY MAN. MY GUY. i want to hammer in the fact that deuce managed to fuck up a conversation this badly with a man he's literally never met within like, 15 minutes at most. deuce then proceeds to recover from this utter failure at conversation by just. walking away into the woods and proceeding to continue slowly starving to death for several days whilst avoiding ace. he also eats ants on at least one occasion. this isn't really relevant to the hitting ace with a stick thing but it's important to me that you know that. he also despite all of this has this gayass moment

again, not relevant, but important to me that you know he saw ace failing to sail on the worst raft you've ever seen and still called him 'dashing'. now, at this point, deuce has been without food and with only minimal water for days- probably close to a week, though it's a bit ambiguous. and my guy, brilliantly, thinks to himself 'well. ace doesn't look like he's starving to death. what if he has food?' and sneaks behind ace, following him until he sees ace with a huge fruit (the mera mera no mi).

all of this... deuce sneaking up on ace planning to fight him for the fruit, kill him if he needs to, because he's the son of roger... and you know what ace fucking does??? you wanna know what this giant depressed puppy of a man fucking says to a guy who was abt to bash his brains out??

"nice stick!" and deuce just fucking. starts sobbing on the spot out of guilt while they argue both trying to get the other to eat the fruit. they are. so stupid and i love them so much.

so yeah. deuce's first ever interaction with ace is loudly announcing that he'd want to kill himself if he was the son of roger, and his SECOND interaction is him attempting to kill ace with a stick because he's hangry. i love him so much he's so fucking shit.

tldr you're not you when you're hungry and also you should all read the ace novels. because of this and also because ace and deuce get cockblocked on a gay ferris wheel ride by a marine just deciding to jump in the gondola with them and sit there menacingly until ace breaks the door and just jumps out to escape her monologuing abt her traumatic backstory

[batrachised]

inspired by the rubio quote on emily - I understand believing the LMM heroines leaving their ambitions behind is somewhat necessitated by the historical context, and I sympathize with those who would have preferred a different ending for Anne or Emily...but also (esp w Anne), I find it the line of thinking frustrating because (1) it's a false dichotomy that's (2) belied by the text imo and (3) somewhat dismissive of marriage as less than. Anne keeps writing after her marriage. She reads her poems aloud to her family and (iirc) inspires her children to do the same. Just because Emily is marrying Teddy doesn't mean she'll stop writing. The text gives us literally no reason to think that, and in fact explicitly states the opposite when Emily says that she has to write. No matter what, she has to write. If Anne, who doesn't demonstrate Emily's level of ambition, keeps writing, it's nearly laughable to think that Emily wouldn't.

What's especially frustrating is that repeatedly, LM Montgomery's stories focus on the importance of community and family in shaping, sourcing, and strengthening creativity. In Emily, it's explicitly stated that she couldn't have written her breakthrough novel if she had moved to New York and followed her ambitions as such. That's doesn't necessarily translate to romantic support, but romantic support is one form of that! Certainly, these heroines all have domestic endings; it's almost as if LM Montgomery's defining characteristic is finding beauty and power in domesticity, all while acknowledging domesticity doesn't exclude talent and ambition. Her thesis is that women can, and do, contain both. Anne can dream of handsome princes one day and publication the next because you know what--quite a lot of girls do! Emily can fiercely chase publication and long for companionship because you know what - that's the most human thing imaginable!

Acting as if marriage is an imprisonment or hindrance of some sort while LM Montgomery's heroes are marked by being supportive of their wives' talents and ambition (Gilbert is unthreatened by Anne's intelligence; Teddy understands Emily's ambition) ignores the major themes of the novels. It also fails to grapple with the historical barriers faced in a substantive or satisfying manner; it simply poo-poos the semi-requirement of marriage as the happy ending all while ignoring how radical the statements that first, women have ambitions and, second, their ideal partner would support those ambitions, were for the time.

The position also assumes that publication is the only legitimate form of success for writers, and similarly, "real" success requires recognition. It ignores the inherent value of creativity, inserts its own standards for success, all while ignoring what the heroines themselves state they want. Anne wanted marriage and babies; Emily is deeply lonely at the end of Emily's Quest and desires a companion who understands her. LM Montgomery actually directly addresses the idea that Gilbert stole Anne from her ambitions in TBAQ, and Anne laughs at the idea. For Emily, it's more understandable because she does value publication and is very ambitious, but that's where point number one comes in. Would the critics of her (admittedly rushed and slapdash) ending prefer that she stay alone surrounded by people who don't fully understand her? If anything, it's implied that Teddy will enhance Emily's creativity by providing the support she needs, and has in the past when he literally gives her the idea for her first novel, A Seller of Dreams.

I understand the cut and paste ending of "love husband marriage babies" can get to be tiring, especially when presented as the "right" path for women. I admit that the historical context - and pressure - here is impossible to ignore. After all, the examples I gave above are only legitimate to the extent LM Montgomery legitimized them; there could have easily have been a version of the story where Emily only succeeded because she moved to New York. Even LM Montgomery, as mentioned above, writes Gilbert explicitly saying that he regrets that he stole Anne's talent from the world. Sexism is definitely present in these novels. Still, the condescending tone when talking about these ending irks me. In the end, I guess I find the sainting of ambition as ridiculous as I find the sainting of marriage and babies as paths for women. One's as gross a simplification as the other.

At the end of the day as well, LM Montgomery writes slice of life novels based on the charm of rural PEI and local community. She focuses on the everyday purposefully. Complaining that she doesn't have heroines who move beyond domesticity (although really, she does with Sara Stanley) is like going to a pizza parlor and complaining when you get served pizza. Again, this only works to the extent that you agree with LM Montgomery's presentation - but there's something silly in complaining that her slice of life semi-romance novels from the late 1800s-early 1900s all end in marriage for the heroine.

[azaracyy]

one of my finished ych commissions. other finished artwork can be found here. the tailmon is based on the twitter meme / trend of tailmon with pikachu build

[swordheld]

how did u choose your username?

oh, this is a fun one!! i think i considered being swordtold at first, for that very ancient myth vibe of the sword being this narrative tool for adventure and structure and physical time, the parable being passed down through the centuries until it meddles into modern day rhetoric and ideology – a kind of fantastical tool, a spark of magic, of possibility.

i like the arc of the story of a place being physical / having it be held by time and hand alike, wearing with the years and having it become something different to each holder, each reader, each experience fantastical and individual.

having that kind of physicality to it; swordheld is the action of taking up and holding the sword yourself, choosing your own narrative, leading your own story. self-identity has always been something i struggle with (a novel concept i know, i know), so it felt right for this blog, since most of my older blogs before this one have been just me silently reblogging and never really posting anything myself, and i wanted this to be the change to that.

i've always had trouble wranging my social anxiety, esp. on the internet, and previously thought that keeping my words to myself helped keep the timeline cleaner, in a way, no messy thoughts for others to sort through, especially ones i believed no one would want to read anyway? but it never felt right, keeping myself apart from it all, esp. not in the way i so avidly enjoyed reading others' posts and additions, keeping their words close to my heart.

i wanted it to reflect that this was a space i was holding for myself? and i'm a little slow on the uptake sometimes, but this - this i think i got right. i love being here, on this blog, and the joy that it brings me. everyone else enjoying it too has been a wild ride that i never expected, and still surprises me, one that brings a little extra thrill to my heart whenever i think about it.

i had other urls that i liked, but i didn't want this blog to be tied directly to any of my fandom/story interests, since i wanted it to really just be a sort of archive of artistic inspiration and resource, like a little library or museum. i use them now as lil sideblogs of more niche interests now, which is rather lovely.

it hasn't always felt like it fit perfectly, the way that i'd like, but for some reason i can't think of really wanting to change it anytime soon. it feels mythic yet modern in a way that feels like puzzle pieces finally slotting into their place, something my own and inspirational to me, like a lantern i'm holding to make my way by. my own kind of light, if that makes sense – a star i know by name.

[zvaigzdelasas]

Which do you think will collapse first, Israel or the United Stabes?

Israel without a doubt, much less stable material basis for statehood.

[theworldisabrokenbonebutitishome]

Yeah, we know we shine, born out of a fire And we're burning through, through...

Oil & Water - Pvris

[synthshenanigans]

Okay so the words he mouthed in that one clip is "One day you're going to die" Which is a lyric to Memento Mori [another ww song]

Which first of all, means that Memento Mori is very likely one of the next songs in the power hour

And second, all the bits referenced in Nerd are fully there! Red being one he did in the past [or what he was doing at that moment with the Cage line] & Green being references to the next two power hours after it

But then like, whats the last power hour???? Cos there's no more lyrics that are referenced I don't think?

[Insane theory ramblings in the tags v]

[2ndalt]

I have too many fanfic ideas for The Thea Sisters

I'm facing a little bit of a writer's block because my brain can't settle down and focus on one thing at a time. Then I remembered that polls are a thing on this magical hellsite, so...

I'm letting you guys decide! Below are three fic ideas and a poll, and whichever one has the most votes will be the one I start to work on.

1: Flower Shop AU: Violet Chen, a college freshman, begins to work part time for Casper van Garten*, a famous tulip expert. She struggles to navigate herself between her college classes, her new job, and two incredibly attractive blondes who are constantly flustering her. (*See The Great Tulip Heist)

2: Meeting Creepella von Cacklefur: The Thea Sisters' excursion to Mysterious Valley goes awry when supernatural events begin to follow them everywhere they go. After reaching out to their mentor for help, Thea suggests that they should contact the nearby journalist/investigator, Creepella. Will the five friends get over Creepella's eccentricity to discover the truth of what's going on?

3: Werewolf AU: In this fantasy-eque setting, Nicky is a werewolf that owns a sheep ranch on the outskirts of town. Due to the local's fear of monsters, she tries her hardest to keep this fact hidden. However, her odd behaviours begin to arouse some suspicion in her friends... and now the only question is how well they will take the truth.

[dr3amofagame]

one random thing that ive always thought about relating to jmah au is that kneeling is kinda lame torture/punishment when done for a long period of time, because it has very rapidly diminishing pain returns. ten minutes in, your legs go numb, and then it doesn't hurt unless you make it worse by moving around. the worst part is getting up. sam making dream kneel and then leaving for ten hours straight is less painful than back to back thiry minute increments with standing in between.

mmhm mmhm -- mostly because well, the kneeling isn't meant to be a punishment. sam doesn't see it as such, and so he's not really thinking of it to optimize dream's pain or discomfort as much as he's just enamored with the image of dream on his knees for him whooo said that. like the kneeling is just a more subtle version of the bowing that he can therefore demand basically at all times without question.

this isn't to say that dream is uuuusually just left to kneel alone--stress positions are used that sam dtefinitely means more as punishment though he would never consider them torture, and oftentimes the kneeling is accompanied by the dispensers where he's expected to keep himself still, etc. when he leaves, dream isn't explicitly supposed to be kneeling the whole time without moving...but he's also not explicitly not supposed to, and dream comes to expect that sam kinda likes it when he's exactly in the same place in the cell every time sam comes back without moving.

but yeah--the kneeling is always more about obedience + uhmm submission to sam more than it's supposed to be outright painful for dream -- do what i say when i say it without question and whatever. so to answer your question, yeah it IS kinda lame but have you considered that sam weally wikes it 🥺👉👈

[spiritshaydra]

I think it’d be hysterical to do like,, a sparkling battle Royale bracket

like which shitty little gremlin is most likely to be shoved in a locker and which one is most likely to be the one shoving them into said locker

Just straight up channeling the wise words of Grunkle Stan “CHILDREN FIGHTING! I CAN SELL THIS.” Of course with no actual profit or anything of value being made because wtf even is this