Mikey & South's Parallels
@chaoticdelinqueerwithglitter, get your bingo card ready ;p
- They both had ill mother who couldn't raise/take care of them
-Absent father. We don't know where South's is and Mikey's dad is dead
- bc of that, raised by someone else
- Mikey has a Japanese mother and a not-completely Japanese dad | Not sure about South's parents but his mother has light hair so it is likely that she's Brazilian, at least partially and his father is Japanese (+ South's family name is Japanese so it's likely it is his father's)
-> (South was born in Japan it seems ("Minami was a foreign child", chapter 227), so perhaps he did know Japanese as a child (perhaps lost it with time tho) and we can only speculate about how and why he came to Brazil with his mom and why they ended up in a favela)
- Mikey is called that: Mikey. And Manjiro by only very few people - South is called South, and Minami by no one in canon -> both being English name
- After losing both of their parents (& Dino in South's case), they go live with their grandparent(s)
- can bond over and understand each other's dark impulse in a way nobody else can
- childish (they deserve to be)
- Mikey kept his old blanket from his childhood - South has dinosaur plushies (metaphorically having Dino keep an eye on him) (I promise they're dinosaurs. They must be. That's how I see them.)
- Both lost paternal figure at 12 y/o bc of the dark impulses (Dino died by South's own hands, I agree that the presence of the dark impulse here is debatable - Shinchiro died bc of the curse influencing Kazutora)
- Mikey was supposed to inherit BD - South took over Dino's gang
- Mikey got Shinichiro's bike & bedroom after his death - South took Dino's jewelry and got a tattoo similar to Dino's
- HYPNOTIC EYES. Mikey's abyssal eyes suck your soul in and South's are just... Well first, too many with his tattoos, and second they look like he has eyes inside of his eyes (and circles inside circles inside circles inside circles... are the most basic form of hypnotic image)
- Have their hair tied up in past-present time/the first time we meet them
- Mikey is the second smallest man character in TR (so close to first place!) - South is the tallest man character in TR (and just the tallest period)
- Their image color (red & green) are complementary colors
Dino and Shinichiro:
- The one taking on the responsibility to take care of the ill mother (the hospital calls Shinichiro and not grandpa Sano when Mama Sano's condition got worse)
- Showed the delinquent way to them (different way tho: Mikey has witnessed the funny & entertaining, playful and 'relaxed' side of it - South had the right to experience violence from the start)
+ Shinichiro showed it to Mikey because he had a great experience with it and wanted his baby brother to be as happy as he was - We can only speculate why Dino wanted South by his side
- Shinichiro is Mikey's brother but we don't know why Dino started to take care of South and his mom
- Death was karmic: literally for Shin since he died by the curse he himself created the same way he killed to get time leaper powers, and for Dino it's more bc he asked for it with how he raised South
- Shinichiro is the only one (from what we know) who keeps calling Mikey Manjiro no matter the years vs Dino was the one to change Minami's name to South
- Ruined Mikey's life by traumatizing him with the curse and its consequences (of course, didn't mean to) - Ruined South's life by traumatizing him with.. making him kill people and all
- Both wear a chain around their neck
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Positively bonkers for a spoiled brat, 20 something Bruce being booted to farmer Clark Kent to "make an honest boy" out of him
Luckily, Thomas' old college friend, John Kent, thinks his boy might help Brucie Wayne just fine. (He's totally not playing matchmaker, nossir
After those horrible rumours he spread about Local Saint (TM) and family friend Carmine Falcone, there was no way but down. " He's a crook, scheming, fake mobster trash and you KNOW that!"
" Bruce; It's one thing to be nasty. It's another to be nasty towards others." Thomas and Martha are at the end of their rope; Their baby is adorable, but they can't enable his behaviour more than they already have. " Now you're going to be nice and not DIFFICULT, so Alfred can stop chewing us out, okay?"
oh bruce is hot and fuming silently, but Thomas and Martha are long gone, their Corvette vanishing in Smallville's golden dust.
" Thanks for this." hissing like a disgruntled kitten, Bruce easily picks up his bags.
Clark hums, says he'll do good work around the stables with those arms after all, and Bruce raises an eyebrow. Snorts. " You're funny. It's good to know you're funny,"
and Clark IS smiling (and ofc the bastard has the prettiest most heart melting smile, too) but it inspires no humor.
"... You're serious."
" Like Mother's Day."
" Okay, this won't take long. So, how much? Papa didn't leave me enough, I only have like, a couple thousands on my card, but is that gonna buy your silence on me bailing out of here? I have a spa appointment in, -"
" I don't think the rats in the barn can do your nails, but we can try."
"...Rats?"
" You know, those things with long tails and big teeth?"
" Very funny," Bruce is DISTURBED. '' Well I can't go anywhere in half of what I brought. Shame."
Something about that glare tells him he should stop talking and Bruce isn't good at that, but he makes an effort.
He looks around; It's an adorable house really. Looks almost identical to one of those dollhouses he played with as a kid.
" Cute place. Really elegant for the budget. But where are you gonna stay?"
Clark is amused; Albeit a little, but amused none the less. " There's a nice shoe box around here. I'm sure I'll fit there if I'm stubborn enough."
" ... No way."
" Yes way."
" But - but, there's only ONE shower?! Only one bathroom? I can't live like this!"
Clark shrugs his ridiculously toned shoulders and points to the barn, " Your second option isn't looking too hot, darlin'. " Then leaves Bruce alone, a blushing mess of satin shirt and muddied shoes.
He screams, " I HATE YOU!" To the trail of tires that left him in that horrible place before driving off back to Gotham, to their sweet Rosé and designer clothes and his beloved Alfred. Only for a few minutes. " ... I didn't mean that!"
At least the ducklings are cute. He fails at most chores, but he plays with them and tries to sneak them into the house, " Because it IS cold for them, CLARK!"
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a 1.4k Strollonso ficlet in this trying time. some slightly tenderhorny introspection, really.
It’s in the way every living soul keeps patronizing him.
It’s in the way, when Sebastian says his heartfelt goodbyes at the end of the season party, he clasps Lance’s shoulder and bids him good luck for the year to come. It has nothing to do with him driving; it’s about who he’ll be driving with.
It’s in the way his father never gave him the talk but when Fernando Alonso gets signed to Aston Martin, Lawrence sits him down and they talk for an hour or two, touching on the entire history of the F1 that Lance knows already, for the love of god, and he’s pretty miserable by the time his dad sings praises to Fernando’s skills, underlining his holy like importance to the team.
It’s in the way he can’t fucking log on twitter in the off-season without being hit by a barrage of insanity and, frankly, poorly made memes created to feed a certain narrative while Lance hasn’t even met Fernando in the role of his new teammate, even though they’ve shared the grid for years.
Lance doesn’t really care; that is, basically, his whole brand and he lives the good life, untethered and unbothered, surrounded by wealth, love, a particular thrill.
And yet.
Fernando Alonso is a perpetual wildcard and Lance builds his attitude around this little image, prepared for some sort of psychological warfare but it never happens. Fernando is in his space every day — testing, meetings, strategy planning; once at a get-along dinner his father planned. Lance should be bored and bitching his way out but he’s stuck with this enigma of a man, sitting in front of him, sharing a meal and some wine while Lawrence explains the unexplainable things the team did to the car.
His mind wanders to the reasons he’ll be brushed off this season, just a young brat racing alongside a living legend again but then Fernando raises a toast and Lance’s name falls off his lips with that lilting accent and–
It’s the wine or something in the air or a shell inside his chest that cracks open to let a little light in, all while Fernando talks, spilling niceties and compliments, and that image Lance built somewhat falls apart.
Maybe it’s because Fernando hasn’t run him off the track yet or glared at him in a way some people that have been around long enough call a death stare; maybe Lance hasn’t spent enough time in his company to earn a reputation, to become a part of the feud that’ll go down in history. So many teams, he knows, have fallen by the wayside over less.
Oh, but it’s such a good play because Fernando has eyes only for him like the rest don’t exist, and Lance finds himself caught like a fly in a glue trap, an object of his sole undivided attention, and Esteban fucking warned him profusely, that’s how Fernando operates. Lures you into a manic little game only he can win.
And all those precautions are mushed together in Lance‘s brain, he knows, he knows but Fernando’s usual sharpness doesn’t cut him into bits and pieces, the lack of malice he was preparing to meet like an unwanted guest non-existent in the space between them, in the constant close proximity. It’s confusing and Lance is a shit actor. He can’t bring himself to feign ignorance or pretend to put on the face of someone he’s not.
The picture everyone paints of Fernando is skewed, so when Lance catches a glimpse of his true colors, all of his plans to stick it to the man burst at the seams, crumbling like a house of cards.
For all of Lance’s naivety, for how easily he follows down that narrow path, it’s a rush no money can buy. A touch here, a not-so-friendly pat there, a show of teeth in a smile that is lethal and Lance knows Fernando wants a taste, craves to do so much more, something unspeakable, something that could turn into the nastiest paddock gossip to this day but it’s exhilarating — knowing he does that to a man by simply existing. Knows that, maybe, he wants it, too.
And it doesn’t take them long to fall into the bed together or, rather, it’s Lance who falls, perhaps for some elaborate scheme Fernando is running on him because who is he if not a villain with a plan for mayhem.
And yet.
It’s in the way Fernando softly kisses both his wrists, carefully thumbs at the bandages, smoothing them with furrowed brow, and Lance feels like he might get shattered by that fondness reserved just for him.
It’s in the way he makes a face at another flock of reporters, forever annoyed by the implications they keep oh so implicit, but a private smile tugs at the corners of his lips the moment Fernando appears behind him, a palm splayed wide on the small of his back, his own smile shark-like when he says how great Lance is doing, how the team is proud of the work he puts in.
It’s in the way he feels more than an heir to the old money, more than his privilege and some character quirks that label him as spoiled when they are alone, Lance’s long legs pillowed in Fernando’s lap and the lights are dimmed with just a TV on. He makes a dumb joke, fighting a flutter in his chest, and Fernando laughs unabashedly, swatting his thigh while all the jostling causes his phone to slip between the couch cushions, the old race reruns playing out muted in the background.
And every time Fernando pushes into him unhurriedly, surrounded by the faceless hotel room walls, it washes away everything Lance is constantly bottling down inside; the little flame burns brighter with each languid thrust, with a hand between his shoulder blades, with a kiss placed at the back of his neck. Fernando holds him through it insanely close as Lance pants into the pristine white sheets, wet from stray tears and come, patches soaked through under his trembling knees.
And every time Fernando gets rough with him, hand coming down hard on his reddened ass because Lance had been in a mood, riling Fernando up, giving as good as he gets, to the point where he ends up bent in half, cock straining and weeping from each slap, each word reaching his ears seeped in unearthly lust. The breakneck speed of a racing car doesn’t quite match the adrenaline hit, doesn’t reduce Lance to whimpers and croaky moans, doesn’t push him to the edge of begging.
And every time Fernando spends what feels like hours cleaning him up and licking traces of his orgasm off Lance’s skin before plopping down next to him, sweaty and out of breath, sucking a mark into his neck, Lance feels like his floating, finally out of his head. Fernando teases him with a twinkle in his eyes, forever kind where he looks at him, and Lance playfully bites his shoulder in return, then smiles into the pillow before sleep claims him, a heavy arm thrown over his waist, grounding him.
And it’s Fernando, Fernando, Fernando — every time, all the time, and Lance finds himself suddenly caring, wanting, feeling like he doesn’t wish for it to end, ever. Like losing at this game they play is worth having a life inside a life; something real and fragile and raw encapsulated between who they both are to the outside world.
And yet.
It spins out of control like a car on a wet track, rules to the game Lance never bothered to learn forgotten and discarded, but he knows, among the sound of the engine running, the buzzing lamp in the meeting room, or the commotion just before a race. He knows, somewhere among all the sneaking around, stealing time together under the guise of team building, the false pretense got stripped away from Fernando’s actions. Lance knows, dares to look past the man behind a legacy, past a villainous haze.
It’s in the way Lance knows they’ve abandoned the chase, the thrill, or it left them without as much as a warning.
It’s in the way Lance seeks Fernando out with his eyes only to find him already staring at him, reading his features like an open book, his heart beating out of sync.
It’s in the way there is no turning back but Lance only looks forward and Fernando is holding his hand over the car console, squeezing his knee under the table at dinner while no one is looking, embracing him from behind with a kiss to his bare shoulder blade while the ribbons of morning light stream through the kitchen window.
It just leaves Lance wondering.
How can someone love so loud, so deafening, without a single word.
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