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#season 1 raps
mlobsters · 6 months
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true detective s1e1 the long bright dark
I think human consciousness was a tragic misstep in evolution.
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locitapurplepink · 2 months
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Taglist: @photogirl894 , @kanerallels , @bigfrozensix , @lucy-shining-star , @animationfan3000 , and anyone else who's a fan of this series.
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7grandmel · 5 months
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Todays rip: 13/05/2024
Stickerbrush Queen
Season 1 Featured on: SiIvaGunner's Highest Quality Rips: Volume L [Side A]
Ripped by toonlink
youtube
EIGHT. Years later. And we're still jammin'. I can't believe I missed the anniversary to such a historic part of the channel's legacy. I hope the world can forgive me for being a whole day late and that we can all recover from this scandal together.
Stickerbush Symphony is one of the most revered songs within VGM to a degree I don't think I can describe accurately. The original version from Donkey Kong Country 2 is still arguably David Wise's magnum opus and continues to touch hearts everywhere through its various YouTube reuploads, wheras the equally-beautiful remix in Super Smash Bros. Brawl has its hooks in an entire generation of Wii kids who are forever attached to the theme through its prominence in the Subspace Emissary campaign. It of course has a huge presence on SiIvaGunner too, one I've covered multiple times before, most notably in Sidelined Symphony. Yet the song's presence on SiIvaGunner has branched out into something entirely different, an outright franchise of bangers based on the already banging Brawl remix - all of which started with Stickerbrush Queen.
Yes, you'll have to forgive me for Toonlink-glazing once again...it's likely that not even this will be his final appearance on here, but it genuinely cannot be overemphasized just how much of Season 1's spirit was defined by his contributions. Rips like The Great Weed and Dr. Soulja are just quintessential SiIvaGunner to me, and were my go-to rips to share back in 2016, their comedic timing near unmatched, but Toonlink's versatility as a ripper extended to genuine bangers as well. Case and point - Stickerbrush Queen, the first-ever rip of Brawl's interpretation of Bramble Blast, and one that hit the nail on the head right away with an utmost brilliant idea - to use the track as the backing beat to a rap mashup. Whether or not you have attachment to Trap Queen or Fetty Wap before listening doesn't matter - the two halves of the rip lift each other up in such perfect harmony, that it starts to feel wrong to listen to them in isolation afterward.
In my eyes, a huge part of what makes the mashup work is that its playing to the traits of Trap Queen rather than lifting it into a completely different environment - its beat in the original version has a very similar bright, sparkly sound to Brawl's Bramble Blast, and the contrast between it and the vocals are likely part of how Trap Queen was envisioned. More drastic tone changes in rap mashups can certainly bang, I fucking love Sweatpants Select for that very reason, yet there's something just so elegant about how Stickerbrush Queen does it - it still FEELS different, the Bramble Blast instrumental is undeniably emotional, yet its able to balance itself out through the steady rhythm of Trap Queen's vocals. The break in the middle of the rip, at around a minute in, hits extra hard though - the instrumental additions to Trap Queen changing in turn make it such a memorable part of the whole and unify the two songs amazingly well.
Being uploaded so early into the channel's very first season, during the period of time in which EVERYONE's eyes were on this weird new music uploading channel, Stickerbrush Queen slowly garnered a sort of legendary reputation. Perhaps that was just my view of things, but it was one that got validated more and more as the channel went on. More Bramble Blast and Stickerbush Symphony rips were made over the months and years, ones like Stickerbrush State of Mind and more, that all felt like they were paying tribute to the very beginnings of it all. Eventually, those tributes would become direct - The premiere to Season 6 of the channel, Bramble Blast Collab, includes direct nods to this one rip, and its only one of several examples - most notably, a direct tribute to it on Season 7's RIP² album. This release, 7 YEARS LATER AND WE STILL JAMMIN', is of course also notable for referencing perhaps what the rip is most known for these days - the persistence of one sole commenter who returns to Stickerbrush Queen once a year on its anniversary to remind everyone that, yes, all these years later we ARE still jammin'.
Eight years, huh...that's nutty to think about - and yet even with its age, this one sole rip continues to be referenced all over the place on the channel. Stickerbush Symphony, Bramble Blast,whatever you want to call it (even StickerBRUSH Symphony if you're wrong), continues to live on, celebrated as the legendary piece of VGM it always has been - yet the contribution Toonlink made to its legacy all those years ago feels everpresent in a way that's really fun to see - almost EVERYONE following the channel has heard that one mashup at one point or another. Be it the aforementioned direct arrangement of it on RIP², or this fucking stupid tweet that blew up around the rip's fifth anniversary...its the kind of rip that just brings the community together any time we get to hear a trace of it. The definition of an enduring classic - and yes, we are STILL Jammin'.
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neemie101 · 2 years
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I made a thing! Some clips I collected from season 1 during my re-watch of TNG that convinced me Data has something going on emotionally. If you’re wondering where one of the more intimate scenes is I’m saving that for a different video ;)
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loveislandthegame · 7 months
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oh how i miss my boys 😩😩
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theartofsupafly · 6 months
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spiderziege · 2 years
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i think one day ill have to actually make a german mcyt history chart but i keep falling down rabbit holes
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gleesongtournament · 1 year
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Glee Song Tournament Round 1
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keungking · 10 months
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i'm 80% sure my url means "stretch the ginger" in thai (completely by chance), but i want everyone to know that actually it's a reference to this album and this song
and also i fucking love ginger if a dish has ginger in it i'll devour that shit. not to be super basic but if i go to a restaurant and they serve moo pad king? well
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queseraphita · 1 year
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I drag my feet to rewatch a show by myself but I'll jump right in 4 episodes deep if I'm showing someone new to it or watching together with someone
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gorillacampflow · 2 years
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LB x Flow | "CUTTIN UP/ FUCK EM" | Shot & Edited by @INFGANG
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shironezuninja · 2 years
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I like to go rogue too. But I have to be reminded that others may not appreciate my unleashed collage makings.
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givemegifs · 1 year
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7grandmel · 5 months
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Todays rip: 25/04/2024
Man, why does every Bleck actor gotta rap some
Season 4 Episode 1 Featured on: Now That's What I Call Quality! 2
Ripped by Half Pixel (@half-pixel)
youtube
Requested by Fezaki! (Request Form)
Been a while since I've covered something closer to a "meme medley", hasn't it? It's a bit of a conundrum really, the rips like Memey Hell, Rippin'! Mashin'! High Quality Grand Prix and A love letter to this wonderful community and my amazing friends are some of the most relistenable on the entire channel due to the sheer variety found within them, yet they're simultaneously very hard to write about for the purpose of this blog. I can approach these posts from a lot of different angles, be it the history of a ripper, history of a joke's presence on the channel, the unique sound of a game, a rip's relevance to the lore and goings-on of the channel at that time - all of which provide me with a lot to say, in contrast to simply saying that a rip is just a really good listen. But some of these meme medleys ARE just really good listens, ones that I recommend wholeheartedly of course, but ones that can be rather hard to turn into an interesting read. Still, Fezaki's enthusiasm for Man, why does every Bleck actor gotta rap some in the request form is one I absolutely share, so I'll try my best to do it justice in my coverage. After all, Half Pixel made my darling Everybody's Special Course as far back as Season 1 - he's almost bound to knock it out of the park no matter what!
Then again, I suppose it is wrong of me to present this rip as if it's just like those other meme medleys, it's pretty apparent right from the start that there's something quite special about it. I mean for one, there's the track its arranging: Super Paper Mario is a game that wears its weirdness on its sleeve in every aspect including its music, to where even though Champion of Destruction is actually still playing in 4/4ths time signature, it still sounds incredibly uneasy and chaotic - a lot like The Ultimate Show as heard over in The Ultimate Whip and Nae Nae. Yet with both tracks, through the noise and chaos, a strong melody prevails throughout, which is where Man, why does every Bleck actor gotta rap some makes its second distinction, in having the lead vocals of Childish Gambino's Bonfire be pitch-shifted to said melody. Bonfire is a classic in SiIva mashups, you can hear it as far back in Season 1 with the aforementioned Memey Hell, yet its rarely played with to the extent that it is in this rip. The song headlines the rip for about half of its playtime, with a few other rip sources complimenting it along the way: Space Jam's immediately identifiable drums, a quick Flintstones cue melodyswapped into the song's original backing instrumental, and so on, it's all incredibly seamless, yet all building up to the track's final ace up its sleeve. As the rip builds and builds, as Bonfire's vocals end and we're left with naught but the instrumental - you realize that The Ultimate Show has been playing about 20% slower than its supposed to.
Suddenly, things speed up: Chip tha Ripper's drums playing in the background start feeling louder, the vocals of Space Jam kick in for just a moment, bits of Gangnam Style and We Are Number One and MEGALOVANIA play one after another - It truly feels as if the rip begins spiraling, sort of like we saw back in my rip :) yet with far more buildup and cohesion present before things start to plummet. Yet there's a harmony to the back half's chaos althesame, much like the channel's other meme medleys - it IS an undisputed banger, just one that manages to hit far harder than it has any right to through an incredibly well done lead-in. I can't even call it a bait-and-switch, the transition between its two halves is so incredibly seamless and natural to where I cannot see the rip working nearly as well without the two parts together.
Being part of some of the first-ever rips we'd get to hear for Season 4 Episode 1, I have to wonder if the two-part structure of Man, why does every Bleck actor gotta rap some was a move Half Pixel made deliberately for the premiere. I mean, he's no stranger to making incredibly dense rips for the channel, even helping kick off the currently-ongoing Season 8 with Nucleear Pomeranian - but given that Season 4's stated goal was to surprise the audience far more than usual, it almost feels as if Man, why does every Bleck actor gotta rap some was Half Pixel's way to lean into that philosophy. Intentional or not, the end result is amazing, it's the kind of rip that just oozes above-and-beyond personality from every corner, and acts as confident reassurance that Half Pixel has STILL got it.
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tizeline · 5 months
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Gearing Up: Part 1 (Tiz Sep AU)
<- Follow up to Cell Talk I Next Part ->
Epic Rap Battles Of History!!! Leo wanting to do the right thing VS Leo's need for his dad's approval! FIGHT!!!!
UGH FINALLY despite being really excited to get to this part of the story, I've been having a really hard time getting enough motivation to actually work on this comic, so the workflow's been pretty slow. Hopefully things will get moving now that I've properly gotten started on it! (I'm mostly excited about getting to season 2 because then I can finally stop drawing Draxum with his stupid helmet he's SO much easier to draw when he's not wearing all of that armour hhhh)
Also please ignore that I keep changing the way I do the layout for my comics I was too lazy for a more complicated panel layout ○| ̄|_
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Ivan Campo - Dice Man 2011
Taken from the 2011 album 'What Went Wrong?', Dice Man is a song inspired by the 1970s book 'The Dice Man' by Luke Rhinehart. It tells the story of a man who decides to live his life and make decisions based on the roll of the dice.
Ivan Campo are a British indie-folk band that have been writing, recording, and performing music together for 20 years. In 2023 they released two singles: 'TIME' and 'Golden Hair' whilst they continue to record their next album - a collection of songs based on episodes of Rod Serling's 'The Twilight Zone'.
With their distinct sound of alternative folk, founding members, Adam Shaw, Ben Atha, and Will Rogers were introduced to a wider audience in 2010 when the television series 'Skins' used their song 'The Great Procrastinator' in Episode 1 / Season 4.
The group gathered more attention after Ben Atha was invited to go to Los Angeles in 2016 to play James Bond in the Epic Rap Battles of History YouTube series.
Their last album 'Season of the King' secured the band a 4th live session on BBC 6 Music, as well as a special appearance on prime time Spanish TV programme, Late Motiv, performing their Sherlock Holmes inspired song 'The Bloodhound and the Fox'.
"Dice Man" received a total of 65,7% yes votes!
Follow Ivan Campo here on tumblr! @ivancampomusic
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