#she lives just a few blocks from me

[isfjmel-phleg]

(

[faaun]

pls i need to provide updates

[spacemilkbag]

[digitaldiseas3]

i’m still kinda working on it but getting over my antisocial habits is literally improving my life so fucking much

[archaeren]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

[qqqqqqqqqqq0]

i present to you the most useless talent i possess

[sailorsleepymoon]

I’m playing cult of the lamb for the first time and the fact that I can only make one maid dress has me actually FUMING seething and sobbing I just beat the credits boss (I think I’ve played over 24 hours in less than 36…) and got them as a follower and the fact that I can’t make him and the other bosses walk around in maid dresses is fucking TEARING ME APARTTTTT

[inbabylontheywept]

i once accidentally dated someone for a few months. its very difficult to explain how this happened, but the gist is that i thought we were hanging out, and she thought we were on dates, and it was just a very painfully highschool thing.

she was a little bit confused that i hadnt tried to pull any moves, at all, even a little. like, didnt even try holding hands because, and i cannot emphasize this enough, i did not know we were dating.

so, halloween rolled around, and she thought, you know, why wait for destiny, when you can grab it? so she hit me with a clue by four.

babylon, she said. babylon. my mom's gonna be out of town on halloween, and im gonna have the house to myself, and it's going to be kind of lonely. would you like to come to my house and watch scary movies with me?

you know, kind of a netflix and chill thing. except, and i cannot emphasize this enough, i did not know we were dating. also autism. so i took it at face value and said: oh! yeah! thatd be fun! and she thought she got her point across, but she didnt and it was a mess.

skip forward to halloween: my family has a block party every year, right? and at that point i was too old to really trick or treat, but we still wore costumes for our role in the block party, which in my case, was handing out cotton candy. so i took the first shift, and my costume was this homemade abomination minion thing. i had full yellow body paint, and goggles, and a bald cap, and overalls. the kids who saw it were like, uh, hm. overly realistic minion. and adults were like, oh, some kind of hills have eyes hillbilly with jaundice. very scary.

(it was not my best costume.)

my little brother swapped me out for second shift, and i was getting ready to change out to head to her house when i was like: no, she'll get a real kick out of this. this is one of the worst things i have ever worn. so i kept it on and just brought a change of clothes thinking i could shower real quick and change at her place after she saw my nightmare getup.

so i left after that, got there, knocked on her door, and she said come on in. so i went in, and there was this very long hall with an abrupt right turn into her living room where the tv was, and i went down the hall, and i made the turn, and my field of view went from beige drywal to her, on the couch, naked. naked in the paint me like one of your french girls pose. super naked.

i panicked. this was my first time seeing a real person like, full on sex naked,which is a totally different beast from other kinds of naked. you see one kind of naked and you think yeah, im ready for all the kinds of naked, but you arent. i wasnt at least. i really wasn't.

so my brain crashed to BIOS. she also crashed to BIOS, but for different reasons. of all the ways this could have turned me, having me show up in yellow body paint and overalls was pretty pretty low down the list.

so we sat there a while, and you know, she wasn't getting any less naked, which really wasn't helping me get my brain sorted out. it really wasnt much of a surprise when she got her bearings first and started asking questions.

"babylon," she said. "babylon. what are you wearing?"

and i was like, kind of rebooted, but i was nowhere near full functionality, so symbolic language wasnt loaded in yet. i had nothing running but my trusty autism.exe, so i said

"overalls"

and she looked at me like i was the dumbest person in the entire world, and i looked at her like she was the first naked person i had seen in real life who got naked specifically for me, and my upper level cognitive process went: "listen man, we are not going to get our shit together as long as 80% of your brain power is devoted to not blinking. you gotta get out of here."

and if id communicated that, maybe things would have been less of a mess, but instead i just kind of turned around and walked back to my car. i figured i could drive a few loops around the block, get my brain in order, and figure out what the hell we were gonna do.

the only thing i had said to her since arriving was, again, overalls.

first loop around, i was like: oh god fucking damnit. oh shit. oh shit. shes gonna get like, an eating disorder from this. oh no.

second loop around i was like: oh NOOOOO oh WHAT THE FUCK oh SWEET JESUS PLEASE. i dont wanna go back man. i just wanna bury this and forget about it. please. please. let this bitter cup pass from my lips.

and after my third loop, i went and i knocked on her door again.

she answered it this time, and i counted my lucky stars that she'd changed into some pajamas. she was all teary eyed which was the saddest thing ever, and we sat down in her kitchen and talked. it was pretty bad - i figured out we'd been dating, and she figured out that trying to jump from home plate to 3rd base is considered ballsy in baseball, least of all dating. no real winners there. and i can remember after all that, we sat there a bit a bit longer, just steadying ourselves, and i was like "well, im actually really glad we figured that out. guess i'll see you at school tomorow' and she said "WAIT. wait."

"lets watch shrek 2."

so we did and it was horrible. we did not look at each other. we did not say a word. we just sat in stony silence, while shrek 2 played in the background, and when it was done we shook hands. i think we might have been able to salvage that as a friendship if it hadnt been for shrek. as it was she turned white as a sheet and ran away every time she even got a glimpse of me at school, and that summer she moved to a new state to live with her dad. all her friends said she moved just so she wouldn't have to go to school with me anymore, and i dont actually think they were lying.

every time i hear relationship counselors talk about how important communication is, and i'm tempted to roll my eyes, i look back and go, alright. alright. theres probably some poor bastard, somewhere in the world, who doesnt even know that hes married.

and god help him when he figures it out.

other bad dating story here.

[nexus-nebulae]

i think i may be a small bit of a spiders georg of abandoned locations bc im watching someone talk about teen wolf and she mentions the ridiculous amount of abandoned locations in the show and i was just "sounds like downtown to me"

[bunnyb34r]

So I saw Shrek 2 (20th anniversary 😵) in theaters and man there was a LOT I've missed in the 20 years of watching this movie that I finally finally caught (probably due to finally seeing it on a screen bigger than a 50in tv with clear pixels)

First off, the king and queen are the princess and the frog and that's why he gets turned to a frog (she's reversing the spell, which would have reversed the potion on shrek had it hit him. I thought the spell was JUST to turn whoever it hit into a frog 😭 I'm so stupid)

Speaking of! In their bedroom the color scheme is green and the tapestry has water lilies (I never saw that 🥺) AND they mention their first kiss was them walking around the lily pod ... how did it take me 20 years to get this 😭 agdgdgdg I've seen this movie a million times

Also finally paid attention to the downtown far far away area and the puns are hilarious now that I could see them clearly

Shrek looks at the Sir Justin poster pinned to the top of fiona's bed and THEN AT HER like 👀😬 sgdgdgdgdgd

AND THE POSTERS IN HER ROOM SGDGDGDG I never noticed them, they're fucking hilarious

Same with the before and after posters in the fairy godmothers factory (they don't even have dental 🙄)

Also finally after 20 years understood what the fuck she was saying in the fairy godmother song (have a bichon friese)

The signs in the poison apple 😭

All the little easter eggs/parodies to fairy tales (and "what in Grimm's name are you doing here?!")

OH and prince charming has stubble??

The employee of the month sign

Basically any signs, I could finally read them and they're hilarious

The funniest part I missed was when Mongo destroys the Starbucks (idr what it's called in universe) and the patrons run to the one ACROSS THE STREET finally get that joke sgdgdgdgdgdhdh

And last one but when they're deciding whether to stay human or not, an instrumental version of Hallelujah plays 🥺😭

Anyway I'm really glad I went to see it, and that it was still in theaters (I thought it was only last week and I missed my chance every day I could go)

Holding on for a hero hits even better in surround sound with a huge screen sgdgdgdg the way it was meant to be seen

[48787]

So, as it turns out, my capacity for tyranny is actually fuckin huge and I'm really fucking good at it

I have so many more things to put in my book now

Peace Through Tyranny will be real circa 2048 and it'll still be sued by fucking Hasbro

[thebuttsmcgee]

so. um. 👉👈

hi guysies.

Ig I should just say like. Hi

I haven't been posting here as much cause. Idk. Might be depression? I keep thinking its cause I've been so busy, which also wouldn't be not untrue, but these past, like, 3 weeks I think so far? I've had some free time but I haven't cause. I dunno, then again, I haven't been doing too much in general? I gues, besides very mandatory things, hell I've even been lacking in my regular skyrim hours of playing.

That, and as said, I get super melancholic when I remember just how sad and bittersweet it is that t0h is. Actually legit over. The show and experience, that is.

Oh all that and also becuz my headphones broke! Fuck! That's like number 2 in my bare necessities for when I post, do almost anything really! It's seriously been painful this past month going without headphones holy shit. Dude I've been scratching at the bit for some relief for headphones, I NEED music legitimately. Even right now, as I'm typing this on my phone, my music is on low levels.

But yerp. Its been. Rough. Really rough. I really do appreciate yall, everyone of yall. Have a sweet week everyone, ✌️!

[thrasherella]

Needy Werewolf Husband is going into his rut and is really, reaallllyyyyy trying to get his wife's attention away from the household chores she's insisting on finishing before he can have his way with her...

...

He followed her all around the kitchen as she tidied up, wrapping his arms around her from behind and groping her tits as she cleaned the few dishes in the sink, pinching and teasing her nipples as she sighed and moaned, grinding his hard cock into her soft ass, his breath hot and voice desperate against her ear as he begged her to let him fuck her already.

"Please let me put it in..." he whined, nipping at the shell of her ear lightly in frustration as his swollen, red cock throbbed against her, begging for more attention, for more friction, for more anything; he felt like he was starting to lose his mind.

She had told him to keep humping her ass like a horny little puppy if he couldn't wait, and he really couldn't. He continued fondling her breasts, palming and squeezing them in his massive hands, and she whimpered and mewled, rolling her hips back against his.

"See, you want it too..."

She continued to deny him as she finished wiping and organizing the kitchen counters, his cock dribbling all over her backside as he pumped against her, unable to stop himself. He needed to pin her down, needed to stuff her full of his cock; he could smell her arousal mounting as she ground that perfect little ass back against him, her honeyed scent driving him absolutely wild.

"Just a little longer love, you're being such a good boy," she cooed, scratching him gently under his chin as he made puppy dog eyes at her, eliciting from him a low, humming moan.

He humped her legs while she vacuumed the living room, whimpering and growling as she did her best to ignore him, slowly and methodically making her way across the room as he ground into her, dragging and rubbing his cock against her, staining her clothes with his sticky precum, nipping at the back of her neck and ears, demanding her attention.

"Please, need to fuck you now baby, need to fill you; need to empty my cock into your perfect little pussy and give you a litter of pups..."

"Be a good boy and wait until I'm done cleaning the bedroom, okay?" she had purred, and he whimpered a weak agreement in response.

When they got to the bedroom however, she was helpless against him as he shoved her face first down onto the mattress, ripping apart those pesky little shorts and panties that had been blocking his aching cock, confirming what he already knew from her overwhelming scent that her cunt was already drenched and waiting for him to stretch and fill her.

"I lied," he huffed, mounting her from behind and lining up his dripping cockhead with her pussy, parting her nether lips slowly around him, loving how she moaned into her pillow as he did. "I don't wanna be a good boy; and you were a bad girl, it's not nice to tease a rutting wolf...now you be good, and take my knot," he hilted into her in one hard thrust, feeling her pussy clenching around him; a low, rumbling growling escaping his throat, and a deliciously muffled scream coming from her as he knotted her, forcing every inch of himself into her tight cunt.

He was already so overstimulated, biting down into her shoulder as he came, painting her insides white as he filled her with his thick load, and she cried out as her own orgasm crashed over her, hips bucking and rolling against him, squirting her climax all over his dick and pooling on the bedsheets.

"That's a good girl," his breath was hot against her ear, pushing her hips up slightly to get one clawed hand between her and the mattress, flittering and rubbing his fingers against her swollen clit, loving how she writhed and squirmed beneath him helplessly. "No more chores, no where for you to go, sweet thing stuffed and stuck on my knot...just be a good girl and turn off your brain, and squirt on my dick again, and again, and again while I make you my cum-dumpster..."

She couldn't deny this was exactly what she wanted...she knew her husband better than anyone and knew that denying him was a sure fire way to make sure he took extra time to "punish" her for the time she had wasted keeping him waiting.

Oh no, what a tragedy that would be...

[dawnwriterimagines]

Innocents among you

Part Two to TRAITORS AMONG US

SIMON RILEY X FEM!READER TASK FORCE 141 X FEM!READER

Summary: Your torture is over, but is it really? There is only the torment in your mind now. The nightmares, the flashbacks, the flowers at your hospital bed and the tormentors awaiting the relief of your forgiveness.

Part 3!!

Part 4

If you liked this would you Buy me a Coffee?

---

You flatlined twice, almost as soon as you were handed off to the medics.

Committing themselves to doing CPR before bringing in the defibrillator for an electric charge to your sudden cardiac arrest. "Clear!" They restarted your heart just outside the hallway of your cell, Simon held back by Price as your heart stopped again within the same minute and panic ensued. Johnny and Kyle hearing the news, rushing up towards the hall, their footsteps probably the echo that you held onto as your heart rate picked back up.

Clearly, you lived.

You didn't have the luxury of going comatose immediately after. As you would've preferred.

You'd awoken hours after the medical team carried you off to the infirmary. Still on edge, still plagued by discomfort and cold, despite the lights of the recovery facility and the nurses that paraded around you.

Morphine wears off in about 6 hours, so you were up wailing in agony within the same time. Clearly no one expected you up so soon, but you hadn't slept in days, at least not more than an hour. Jerking up involuntarily, hands all over you to keep you down and steady, you could hear a familiar doctor's attempt to calm you down. But, the blistering pain that radiated from every pore in your body was ringing so loud, a present noise that blocked everything out.

So, at first, you'd been terrified, attempting to clutch onto the first thing you'd woken up to. But, you couldn't move, at least not voluntarily.

With the damage to your spine for countless hours, days, and what you had discovered to be two fucking weeks of endless torture, you'd undergone three difference corrective surgeries that would 'possibly' fix the nerve and circulatory damage done to you. It had left you nearly completely immobile since your admission into the infirmary. The doctors were quite astonished that you were even alive...

The nurses were patient enough with your panicked state to slowly ease you out of your stupor. But, at times it wasn't easy, especially when you didn't even know where you were at first. Since you couldn't see...

You were blind for about four days. Everything a tinted red for a few more after you'd regained your sight.

Fevers plagued you for the week, skin that was raw and inflamed from the severe cold and constant dousing from the pipes, you couldn't move if you wanted to.

The first thing you'd been graced to see were the multiple arrangements of flowers, lilies, white tulips, hydrangeas, roses...typical assortments of regret and remorse.

"Can someone throw these away?" had been your first words.

The nurse who had been checking over your vitals looks over at the flowers, the were all over the desk, even on the floor lining the windows, once they ran out of space to put them. It was beautiful. But, she knew why. Everyone knew why. You were quite famous here in the infirmary, as you were in special unit. "Of course."

They were out within the day. The room bare once more.

And then you saw them outside your infirmary window. Just a glimpse. Around the time you were still getting your sight back.

Seeing them for the first time since everything made bile build up in your throat, a screaming fear that created a pulsing headache.

Kyle, Johnny, Price and...you didn't see Simon.

Price was...a statue. Not moving an inch. His hand against his mouth, covering up the aching distress anyone could see on his face.

Kyle was pacing, back and forth and back and forth. Making an offhanded comment at one of them every few seconds.

But, Johnny was talking, pointing spitefully at someone out of your view.

He was there too then. Simon.

Turning away from the window, you couldn't look at them anymore.

"Don't let them in," you breathe out to your doctor as she sets down a trayed mug on your sliding table as she sits you up to drink a hot cup of tea, which you had requested. "Any of them. Please." You were still so cold, you couldn't imagine dealing with any type of cold weather for a while after dealing with this.

She's confused a moment, before turning to the doorway, where she recalled seeing the four men waiting outside in the hallway. She's seen them just sitting there for days now, they wouldn't beg or argue to come in, they'd just wait. It's not like you were cleared for visitors yet anyway.

Every morning she clocked in for the job, there they were. Sitting there like abandoned children, awaiting the moment the door would open to be welcomed inside.

It was like they never left.

Of course she knew who they were to you. Word spreads fast on the base. Especially for a Task Force as 'famous' as they were around here.

Squeezing your shoulder, comfortingly. Feeling protective, your doctor spoke, "Of course," she slides the mug forward a bit, taking the teaspoon to stir once and lift it to toward your lips to sip. "Blow," she guided.

You did. And sipped.

And it was warmer than any blanket they'd wrapped you in.

---

Prior to being able to trudge around on your own, with the help of a crutch you'd been given to go to the bathroom by yourself finally, the nurses had sponged you down in bed. Your spinal surgeries led to you being at risk if they made efforts to remove you from your bed for anything more than a medical emergency.

Mostly, because you're terrified of the showerhead....and it's pathetic, but no one judges you for it as you opt for a sponge bath every time instead. Even if you're shaking as the water slides down your skin even now. The last thing you needed on top of all this was to develop aquaphobia.

Today was the first day you could do it on you own, limping your way to the bathroom with your crutch. The smell of bleach is much stronger in here, it stings your nose.

You stared at the metal stool left tucked at the side, walking around it as if it would pounce up and attack you, you try not to look at it. You'd been doing well without panic attacks for a few days now, just hold it together.

Taking a breath, you reach out to the handle for the spout, glancing up at the showerhead, before back down. Swallowing thickly when you begin to turn it before pausing, hearing the water rush up the pipe to spill out. Turning it back up just as quickly, shutting off the pipe, you inhale deeply, trembling now, hand up to the chilled tile to steady yourself.

You'll try again, you had to.

Drip...

Drip...

Unable to help yourself, the sudden rush of paranoia that runs through you is terrible, a hoarse cry leaves you. You shove yourself away from the shower stall, back ramming into the doorframe, catching yourself, and away from the showerhead as the water drips, slowly from the faucet.

Drip...

Drip...

As panic tightened its grip around your chest, your breaths quickly turned to short, sharp gasps. The room spinning, colors blurring into a dizzying whirlwind. You turn swiftly, nearly knocking yourself off your feet as the thudding of your own heart startles you, you can hear it in your ears, in your hands, in your feet.

You press a trembling hand to your chest, clawing over the area, trying to slow the frantic pace of your breathing, but it only seemed to escalate. The small room narrowing to a black hole of fear and suffocation, every gasp began to disorient you, turning lightheaded.

As tears welled in your eyes, you collapse against the side wall, sliding down to the tiled floor. Slamming your palm against your chest, once, twice, as hot tears leave streaks down your bruised face, you beg your lungs to expand and wait for your breathing to regulate.

Beginning to sob uncontrollably as you hit yourself in the chest again and again and again, waiting for the moment you found yourself able to breathe.

Why did this have to happen?

You remember the violent swing of the baton against your face, the sting it leaves afterwards, the immediate spotting of bruises forming. The memory startles you, receding back into yourself, back to that day.

"It wasn't me..." you cried loudly, in the empty room. It echoes against the tiles.

Simon wrapping his hands around your neck, staring you down as he squeezed, maliciously. You couldn't breathe as your lover shook with the strength he uses to hold himself back from taking your life.

"I'm sorry," you hiccupped. "I'm--I'm sorry," you're not sure when you crawled yourself into the corner, the lights of the bathroom flickering off dimly from your lack of movement. As you're drowned in darkness, the water dripping from the spout, the cold tile against your skin, it's too much. You scramble upwards, running out of the bathroom.

The automatic lights flicker back on inside, but you're too in your head to notice.

Stumbling down to your knees as you feel the rip of a ruined stitching tearing along your side. "Ah!" comes your startled cry. Making it to the side of your hospital bed, you fist your hand through your sheets, unable to stand yourself up.

Taking pained breaths against the sterile sheets, you bury your head in them, cursing whatever luck you thought you had in this life.

They were your family...

All you had for so many years...

As your breathing slows to distraught, agonized huffs of air, sniffling to yourself as you catch sight of your face in the metal frame of your hospital bed. The dark purple bruises beneath your eyes as the swelling gradually went down, the still bloodshot left eye of yours, the twelve stitches on the left side of your face. So gruesome you knew it would scar you for life, a permanent reminder on your fucking face.

Anger bubbled up inside you at the sight of it. At the memory that would always follow when you'd look at it.

Anger that you hadn't been able to properly feel until now.

Anger that you feared to have until today.

"Are you alright?" the sound of his voice makes you visible tense.

Simon.

He's here.

You don't turn to face him, if you did, you'd revert back to the person you were cowering into moments ago. "The door was open...I just--" he pauses, swallowing thickly. "Lemme help you up."

Hearing his footsteps suddenly moving closer, you speak fast. "STAY THE FUCK AWAY FROM ME!" you scream over your shoulder, tucking yourself further away from him. "Do NOT move."

He stops in his tracks. You catch the sight of him in the metal framing of the bed, he's a blur in the metal, but you notice his mask is gone, he's Simon Riley now, not Ghost as he appeared to you in the interrogation cell.

"Don't you dare get any closer," you spat.

"I heard you," he spoke, carefully. Mouth opening and closing, before speaking again. "But, you don't have to be stubborn. If you stay there any longer you could tear your stitches."

"Whose fault is that?"

Simon shifts his stance on his feet, waits a second. "I know. And I can never begin to tell you how sorry I am for what I did. What we all did to you," he says, quietly. "The intel we discovered...or that was forged, it came from a source we've used a dozen times, (Y/n), we thought it was true. It had to be. We've never been misled before."

"So..." your nails bite into your skin, you make an amused sound, biting down on your lip for a moment, till it hurt. " That's what you came here to say, huh? What you waited days to--. Is this you justifying--"

"No, (y/n), that's not--"

"--why you tortured me, strangled me, stripped me, in that fucking cell, Simon?"

"We had to believe it, at the time..."

"Was I not a trusted source?" you argued. "Had I not proven more than a thousand times that you could trust me? I've fought next to you, laid in your bed, given you my love, my trust, I--" you shook with rage at the time and energy wasted on time family, this relationship, if the end goal was always meant to just be this.. "I thought that was at least half the reason you decided to marry me..." at the mention of your relationship, you could see the way Simon nearly lost his balance, hands coming up to run along his face. "You told me you would kill me in that room..."

"I was just talking, I wouldn't have--" his voice cracks as he whispers, trying to convince.

"When you left, I thought you'd come back to kill me any minute, or Price, to spare you. I waited to die for two days, terrified out of my mind. I wondered about heaven, not if I'd make it... but what it'd be like, what I'd be missing out on," you thought back to your time in that cell, a haunted expression Simon couldn't see. "While you all got a good nights rest, woke up for some bacon and eggs, and listened to the warden tell you that your prisoner was framed...for a crime you'd already punished her for..." you stuttered on your breathing, tears flowing silently.

Simon inhales deeply. "I could never expect you to forgive me. I-I had taken my hurt out on you, I thought you did it, I was so sure. I couldn't hear what you were saying, I just could see the evidence, and I--I'm sorry. I'm sorry, love. I'm truly--" he gets to his knees behind you.

"Get up."

"I can never tell you how sorry I am---"

"Simon."

"I never should've done this to you. If I could ever--" his voice rising with distressed breaths, you didn't have to look at him to see his face a mess of sorrow, tears that would mix into the stubble on his face.

"Simon!"

"--make it up to you. If you could ever find it in your to forgive me, (y/n). I'll spend the rest of my life--" he gets closer, reaching out.

Whipping around, stiffening completely as you feel the graze of his fingers across your skin, "DON'T TOUCH ME!" you shove your back against your bedding, your hand swinging and flying across his face. His head snapping to the side as he pauses, freezing up where he kneels, having completely forgotten your request to stay put. "What's the matter with you! Even now? Even now, you can't just listen to this one thing?!"

"I-I'm sorry..." He looks at you, finally seeing your face clearly and up close since it all happened. Finally he can see the bruises along your face, the blood that fills your eye, the dark bruise still around your neck.

Seeing him. He looks rough. Honestly, he looks terrible. His hair shaggy and falling over his eye. Dark circles with bags under them. Pale, and thinner than he should be.

His jaw clenches with guilt and he averts his eyes, you continue. "How could I forgive you for this?" you stare at him, "I could forgive you, if you hadn't let them chain me up like an animal. If you hadn't watched them drown me for hours, beat me black and blue and left me screaming for days. I could forgive you if you had just believed me even for a moment." you feign thoughtfulness. "How about you look at my face. My wrists. My legs! MY FUCKING SPINE, SIMON!"

"Nothing I can say or do, will ever make any of it ok, I know that. And I can't ask for you to ever forgive--"

"What could I possible owe you in this life, that makes you think I'd even think about forgiving any of you for the things you did to me?" you gritted out, angrily.

Simon's head drops, a slow, shuttering sigh leaves him. "I'll never stop trying to make this right. Never."

"...Get out, Simon."

"I'm sorry."

"Simon."

"I'm so sorry..." he reaches out again.

"Ghost."

He's silent this time, fingers tensing, out in mid air.

"I never wanna see you again."

"I love you, (Y/n)," he confessed, eyes feral and wide. Pulling at the ends of your slip.

"I don't want to hear that, Ghost," kicking away from him. "Stop it."

"I couldn't stop even as it happened--"

"Shut up. And get out," shaking as you sneered at his desperate attempts. "It's over, Ghost."

"And I took it on you. It hurt so much, I couldn't think," Simon's face twisted with agony and remorse. "I'm sorry!"

He was making you lose your goddamn mind, you broke. "GET THE FUCK OUT!" screaming at one another as overwhelming tears escaped your eyes.

---

It's quiet in your hospital room, it's empty now, the door closed this time.

The door knob turns and opens again a moment later. "Oh no, Ms. (L/n)!" luckily it was your assigned nurse, who takes your arm and fixes it around her shoulder before helping haul yourself up to your feet. "What're you doing on the floor? There's a call button for a reason," she scolds as you sit on the edge of your bed.

You're quiet.

Alarmingly so for your nurse, who notices the pulled stitching that creates a line of blood down your side. "If this is about what happened to you..." the nurse started, speaking carefully, pulling a lining of gauze from the side to press to your skin. You don't even wince at the pressure, even when she begins to clean and replace the broken stitch. "Don't let it break you. Not even further than this experience already has..." she says, while through the last stitch and prepping a bandage.

"I've been broken long before this," you whispered, looking towards the afternoon sun shining through your window. "This. This didn't break me, no," you admitted, before glancing up with glossy eyes, rage hidden beneath a profound look of sadness. "It destroyed me."

Her hand pauses at your side, your words startling, turning to see the tear that slips down your cheek. Knowing now how deep your scars were from this, before gently sliding the last of the bandage across your skin. "Do not think you are irreparable. That time can't heal your wounds."

"But, there's always reminders," touching the stitches on your cheek, "some things can't be forgiven."

"I never said to forgive..." the nurse interjected. "If you could, after all this, you're stronger than any woman that could be named."

You snicker at that, humming soundly. "That's an interesting thought. I guess I'm one of the weaker ones then."

"And yet, still the strongest I've ever met," she finishes. Pats your cheek, "click the button next time. Save us both the heart attack."

"Noted," you assured.

As she's prepping to leave for her rounds, you open your mouth, once, twice, before clearing it. "Is it possible, someone could help me out--the water..."

"Of course," the nurse says, quickly. "Don't worry, I understand. I'll get everything set for you."

As she walks away, you breathing out your appreciation, you take a long inhale, swallowing down the heaviness in your chest.

part 3 OUT NOW!!

Tag List:

@m3ntally-unstable @dreamsarenicer @ttsbaby01 @theweirdgeninistuff @shelbycillian @azxulaa @kthehoeforfictionalmen @amusling @v1x3n @nobodycanknoww @thesinsoflust @asexualbuthorny @poisonedsultana @blackhawkfanatic @character---obsessed @yunggoblin @teenagellamaangel @hanniebanggi @nym-phos @gastonlover9000 @lyssa-211 @doodle-cat16 @haven-1307 @kneelforloki @delphiakira @just-going-through-the-motions

[physalian]

How to make your writing sound less stiff

Just a few suggestions. You shouldn’t have to compromise your writing style and voice with any of these, and some situations and scenes might demand some stiff or jerky writing to better convey emotion and immersion. I am not the first to come up with these, just circulating them again.

1. Vary sentence structure.

This is an example paragraph. You might see this generated from AI. I can’t help but read this in a robotic voice. It’s very flat and undynamic. No matter what the words are, it will be boring. It’s boring because you don’t think in stiff sentences. Comedians don’t tell jokes in stiff sentences. We don’t tell campfire stories in stiff sentences. These often lack flow between points, too.

So funnily enough, I had to sit through 87k words of a “romance” written just like this. It was stiff, janky, and very unpoetic. Which is fine, the author didn’t tell me it was erotica. It just felt like an old lady narrator, like Old Rose from Titanic telling the audience decades after the fact instead of living it right in the moment. It was in first person pov, too, which just made it worse. To be able to write something so explicit and yet so un-titillating was a talent. Like, beginner fanfic smut writers at least do it with enthusiasm.

2. Vary dialogue tag placement

You got three options, pre-, mid-, and post-tags.

Leader said, “this is a pre-dialogue tag.”

“This,” Lancer said, “is a mid-dialogue tag.”

“This is a post-dialogue tag,” Heart said.

Pre and Post have about the same effect but mid-tags do a lot of heavy lifting.

They help break up long paragraphs of dialogue that are jank to look at

They give you pauses for ~dramatic effect~

They prompt you to provide some other action, introspection, or scene descriptor with the tag. *don't forget that if you're continuing the sentence as if the tag wasn't there, not to capitalize the first word after the tag. Capitalize if the tag breaks up two complete sentences, not if it interrupts a single sentence.

It also looks better along the lefthand margin when you don’t start every paragraph with either the same character name, the same pronouns, or the same “ as it reads more natural and organic.

3. When the scene demands, get dynamic

General rule of thumb is that action scenes demand quick exchanges, short paragraphs, and very lean descriptors. Action scenes are where you put your juicy verbs to use and cut as many adverbs as you can. But regardless of if you’re in first person, second person, or third person limited, you can let the mood of the narrator bleed out into their narration.

Like, in horror, you can use a lot of onomatopoeia.

Drip Drip Drip

Or let the narration become jerky and unfocused and less strict in punctuation and maybe even a couple run-on sentences as your character struggles to think or catch their breath and is getting very overwhelmed.

You can toss out some grammar rules, too and get more poetic.

Warm breath tickles the back of her neck. It rattles, a quiet, soggy, rasp. She shivers. If she doesn’t look, it’s not there. If she doesn’t look, it’s not there. Sweat beads at her temple. Her heart thunders in her chest. Ba-bump-ba-bump-ba-bump-ba- It moves on, leaving a void of cold behind. She uncurls her fists, fingers achy and palms stinging from her nails. It’s gone.

4. Remember to balance dialogue, monologue, introspection, action, and descriptors.

The amount of times I have been faced with giant blocks of dialogue with zero tags, zero emotions, just speech on a page like they’re notecards to be read on a stage is higher than I expected. Don’t forget that though you may know exactly how your dialogue sounds in your head, your readers don’t. They need dialogue tags to pick up on things like tone, specifically for sarcasm and sincerity, whether a character is joking or hurt or happy.

If you’ve written a block of text (usually exposition or backstory stuff) that’s longer than 50 words, figure out a way to trim it. No matter what, break it up into multiple sections and fill in those breaks with important narrative that reflects the narrator’s feelings on what they’re saying and whoever they’re speaking to’s reaction to the words being said. Otherwise it’s meaningless.

—

Hope this helps anyone struggling! Now get writing.

[myname-isnia]

Honestly this cold would be 5x more bearable if the way our mom used to treat colds when we were kids wasn’t so insanely traumatising