#she slayed so hard in this scene

[keepthebeanscool]

Wow……. I needed that

[potatounicoorn]

SHE IS THE DANGER EVERYBODY

[akai-anna]

[wikitpowers]

i want dru to be so MAIN CHARACTER it hurts.

i want her to be an absolute badass with emo and edgy clothing and for her rebellious nature to shine through every chapter, i want her forcing thais to watch horror movies with her and taking joy in watching her shit herself

i want her with different coloured highlights in every book, for her to be sent to the principles office almost daily at the academy bc she doesn't give a fuck, i want her to finally be included in the group and be taken seriously

(and i need ash to be so whipped for her, it hurts my eyes)

dru blackthorn DESERVES and needs her moment!

[chaotictomtom]

the monster wanting the child's brain...

[wlwgang]

TOM BLYTH WHITE BOY OF THE FUCKING YEAR

[star-spangled-man]

watching shiv completely helpless in a room full of men, bargaining with them, begging for her voice to be heard - even for a just second, only for her to be mocked and ridiculed and ignored ...i wish i never watched this godforsaken show

[themidnightarcher]

Camp Rock She's Really Good - Stan Twitter

[lord-shitbox]

entire ask game. send me asks too or ill bite you really ahrd

assuming you said this for the 'weirder asks' game. godbless

who is/are your comfort character(s)?

Gozu and mezu

lighter or matches?

I like lighters more but i only have a matchbox (the striking paper on it is shit anyways)

do you leave the window open at night?

ye

which cryptyd being do you believe in?

none

what color are your eyes?

brown

why did you do that?

do wot

hair-ties or scrunchies?

Hair ties

how many water bottles are in your room right now?

None. 2 glasses and a mason jar though 

which do you prefer, hot coffee or cold coffee?

Cold. on ice

would you slaughter the rich?

Idc about killing them i just want their wealth redistributed

favorite extracurricular activity?

Fucking around at the grocery store en masse

what kind of day is it?

Did not do a single piece of schoolwork but i did every other possible task

when was the last time you ate?

Within the hour. Had a bowl of rice on my desk

do you love the smell of earth after it rains?

ya

are you a parent? (all answers qualify)

no

can you drive?

no

are you farsighted or nearsighted?

nearsighted

what hair products do you use?

none

imagine we’re at a sleepover, would you paint my nails?

If you want me to ya

do you say soda or pop?

soda

something you’ve kept since childhood?

A lot of things. Stuffed animals, jewelry

what type of person are you?

chilling

how do you feel about chilly weather?

👍 but i prefer mild temperatures. The kind of just-barely cold that isnt really cold. I don’t like wearing lots of clothes

if we were together on a rooftop, what would we be doing?

Depends on who you are. for u specifically, probly not much

perfume/body spray or lotion?

Mmmm…i dont own any body spray but i have mixed feelings about the texture of lotion. It’s not actually that bad but i don’t like putting wet stuff on me (same genre of sensory dislike as wearing lots of clothing)

a scenario that you’ve replayed multiple times?

Uh.. like daydream? There’s one i used to have but its really really edgy and embarrassing 

about how many hours of sleep did you get?

Last night, 12. On weekdays its like 6

do you wear a mask?

No sorry

how do you like your shower water?

warm

is there dishes in your room?

Yes leave me alone

what type of music keeps you grounded?

Heavy stuff. Like fast and hard noises. Nothing slow

do you have a favorite towel?

yeah

the last adventure you’ve been on?

Went 2 bowser movie wth an extended group of people last night and afterwards we walked to winco and did funny things in shopping carts

is there a song you know every word to by heart?

Tbh…no. Im really good at remembering song lyrics in general but i dont think there are any in particular i memorize

what’s your timezone?

Doxx me why don’t you

how many times have you changed your url?

Never <3

someone in your life, other than a relative, you’ve known for 10+ years?

Uhh.. not really? Am not in much contact with childhood close friends (theres one ive seen a few times recently but we haven’t actually talked). I believe i’ve known tuna for upcoming 8yrs though

a soap bar that smells good?

I dont like bar soap i like the liquid kinds. Old spice

do you use lip balm?

During dry lip season (i forget when this is) my lips get dry as fuck 

did you have any snacks today?

ye

how do you take your coffee?

With ice and chocolate in it

an app you frequently use besides this godforsaken site?

Discord & instagram 

what’s your take on spicy foods?

yum (reasonable spice tolerance)

you get a free pass to kill anyone, who is it?

Nobody…i hate some people 2 death (i dont think about them so i forget who they are) but theyre not bothering me rn so idc

can you remember what happened yesterday?

Bowser moive

favorite holiday film?

Year without a santa claus (IM MR FREEZE MISER)

what was the last message you sent?

“so far i think the only red text thats restricted to origin is mhin's”

when did you first try an alcohol beverage?

Idk ive had sips in young youth. Parents would give me some so i could go “wow this tastes nasty” and not crave any ever (they were right for this)

can you skip rocks?

I may have done it successfully like twice in my life

can i tag you in random stuff?

Ya sure

[imissjensi]

the juline is squall reveal is my fave reveal of the series i don’t care that it’s not dramatic or super relevant but it is my favorite part of lodestar and so fun to reread.

[doobydoobydoowau]

bro i signed up for queer joy not queer anguish ✋😭😭

[helpallthenamesaretakenblog]

rating every 'you drool when you sleep'

BOOK:

the standard literally

Reading it later on you realise that annabeth isn't some cool nonchalant girlboss like how percy saw her, she was internally prolly just like

"ok how to boy?? How to communicate to pretty boy (OMG HE HAS PRETTY EYES) that I'm an intimidating queen who should not be messed around with?? ooh yes I'll tell him that he drools ah yes I'm so slay”

And she just skipped away with "her blonde hair bouncing behind her"

and percy fell for it he was like 😯 woah she’s playing hard to get wow i should watch my drooling from now on shes so cool

and ykw she's the legend the icon and the moment we love and stan her

peak twelve year old

also kickstarted one of the best ships

Infinity/10

MOVIE

Deleted scene smh

Its so weird coming out of an adult woman's mouth, not alexandra’s fault its the writers fault (probably why it was deleted), but her line delivery makes it sound like she’s reminding percy of an office meeting later on in the day

logan’s wtf face was funny tho ill give it that

3.5/10

MUSICAL

“IVE NEVER SEEN A FACE AS BEAUTIFUL AS—“ “you drool when you sleep”

I know kristen was way too old to play annabeth just as alexandra but her voice is so high pitched she plays it off well

Peak comedy

just percy singing a ballad about this pretty angel who he feels a very good weird way about while annabeth is there like 🤨 you drool when you sleep lol

and the fact that annabeth had a reprise of that saying that percy was cute in a good weird way and i-🥺 (ik its the deluxe version that wasnt in the main musical, but its official, so its musical canon shush)

10/10 (i changed my mind)

TV SHOW

OK BUT ANNABETH BEING A SLEEP PARALYSIS DEMON IS SO FUNNY

*hovering over percy as he slips in and out of consciousness in a dark room* you drool when you sleep😒

But tbh if i was a show only watcher i would be like “what is the point of this?”

But it really supports that aspect of annabeth’s character in the show that does not know any social skills so its kind of even more cuter???i guess??

9/10

[wulfhalls]

thoughts (incoherent. disjointed. deranged): two mins into the movie and im already on the floor knocked out by a two punch irulan scene/voiceover alia appearance. so much more irulan than I dared to hope for! and she has cunty outfits! paulalia giving like crazy already by god they are skyping thru mother!!!!!! she is guiding him!!!!!! she loves him!!!!!!!! 15 second anya cameo best time I've ever had in my life thats her!!!!!!!! st.alia of the knife!!!! aliajessica motherdaughter duo of all time they are communing thru the other memory they are combining their joint slay to cement pauls godhood. they understand him they did this to him they made him they want to save him they love him!!!!! timtom chalamet reluctant messiah who carries they ever growing weight of the world on his unwilling shoulders. and YET. he did this. it was forced onto him. he made the choice he never had any. the resignation the surrender the embrace of the inevitable. messiah speech scene rotating in my mind spinning at the speed of light. the command the self assurance the crushing weight of it. the direction they went with chani added sooooooooo much by god best creative decision ever. the tension of loving a prophet u don't believe in!!! despising everything he stands for but loving the person underneath!!!!!! being instrumental into bringing him into being and hating it!!!!!!! delicious!!!!!!!!!!!!!! throne room confrontation three way look throwery between paulirulanchani I have like 8k words of thoughts on this alone! austin butler was fine! one note but hitting that one HARD. implied unclefuckery!!! win for the sickos community! the sheer scale!!!! some of the most images I've ever seen!! jessica out outfitting her coloniser fit from part one effortlessly. everything pauljessica. I could go on for days. in conclusion movie of all time. timtom performance of all time as character of all time. i feel insane

[fuckyeahisawthat]

Furiosa thoughts

About 48 hours after watching, I think my take on Furiosa: A Mad Max Saga is coalescing into: I enjoyed it as a Mad Max movie but found it disappointing as a Fury Road prequel.

Any Mad Max movie made after Fury Road was always going to suffer the fate of being compared to Fury Road, which is the best action movie ever made. So like, compared to any other action movie you can think of, Furiosa: A Mad Max Saga (we'll call it FMMS going forward) is very very good! It just isn't Fury Road.

The rest is under the cut for spoilers:

The action sequences were compelling. (I was aware I was hunched forward in my seat in tension/anticipation almost the entire time.) Some of them were even brilliant. That long sequence where the Octoboss and the Mortiflyers (yes those are their names) are attacking the War Rig with all kinds of airborne contraptions? Phenomenal. I was like yes okay now we are in a Mad Max movie! Other than that one sequence, though, in which we see Furiosa and Praetorian Jack begin to trust each other, I thought they rarely achieved the kind of wordless advancement of character relationships through action beats that is the lifeblood of Fury Road. So the action was good, but it was just normal-good, not Fury Road transcendent.

I did miss John Seale's cinematography. While I thought the action choreography was great, the shot selection was just not as dynamic and interesting as in Fury Road. I also really did not vibe with so much of the musical themes being recycled from Fury Road. The Fury Road score is SO memorable and the music is such an integral part of the momentum and feeling of every scene in the movie; I can play that score and see every beat of the action unfolding in my brain now. I wanted new score that felt like it was a part of this new action that we were seeing.

I loved all the new worldbuilding details and finally getting to see inside Gastown and the Bullet Farm. Those locations and their unique features were utilized really well for the action that took place in them. Loved the new details we got about the Citadel. The grappling hooks just dipping down to yoink people's vehicles during battle? Fantastic. The hidden Citadel ledge with the little pool of water?? That was such a fanfic-ready location. Pretty sure I already wrote at least one fic set there back in like 2016.

The Green Place! Very different from what I imagined but so much worldbuilding in just a few shots.

In general I thought the new cast rose to the challenge. Alyla Browne who played little kid Furiosa I thought was phenomenal actually. That's a tough role, both emotionally and physically, for a child actor and she slayed it. Casting Indigenous model and actress Charlee Fraser to play Furiosa's mother certainly made the Stolen Generation parallels more obvious. I'll have a lot more to say about Dementus down below, but Chris Hemsworth brought a great combo of bonkers and menacing.

I never doubted that Anya Taylor-Joy could bring the emotional intensity needed to the role--she can do crazy eyes like nobody's business, and with the growl she put in her voice she really did sound like Charlize Theron a bit. I found her physicality convincing for a young Furiosa. But she is not Charlize, through no fault of her own. Charlize is tall and she has broad shoulders and she just takes up so much space when moving and fighting as Furiosa and I think it was always going to be hard to replicate that. As long as they didn't try too hard to bridge the gap between the characters I was fine with it. But that one scene at the end where she's bringing the Wives to the Rig I was very viscerally like that is NOT our Furiosa. (I almost wish they would've used Charlize's stunt double for that scene the way they popped Jacob Tomuri into Max's place.) They could have simply left a time gap--based on the "15 years" she says to Dementus and the 7,000+ days we hear about in Fury Road there should be at least a 4-year gap between the film timelines, although in terms of bridging the look of the two actors it feels like it should be more like 10 years.

If FMMS had been a self-contained movie about a character named Furiosa in the Mad Max universe, I think I would have found it very satisfying. But as a prequel to Fury Road there were a bunch of ways I thought it was lacking on a story level.

I think it's pretty clear that this is not the backstory, or at least not the complete backstory, that Charlize Theron was imagining while playing Furiosa. Which...there's nothing objectively wrong with that; word of God and what actors think about their characters doesn't supersede what's on film for determining what is canon. However, Fury Road positions Joe as Furiosa's main antagonist, and while we don't get the full story behind the incandescent rage she directs at him, we know that rage is there and is a big part of her motivation. In interviews at the time, Charlize talked about the idea that Furiosa had been stolen to be a Wife but then was discovered to be infertile and discarded, how she survived by hiding in the Citadel and eventually rose to a position of power, how she saw her actions not as saving the Wives but as stealing them, and that her motivation at least starts out as more about hurting Joe than helping these women.

We get only the tiniest suggestion of Furiosa's backstory in Fury Road ("I was taken as a child, stolen") and the rest we piece together by implication. She is a healthy full-life woman working for a man who keeps healthy full-life women as sex slaves, hoping one of them will produce a viable male heir for him. She is effectively a general in his army, projecting his power on the wasteland, a position no other woman seems to occupy. She tells Max she is seeking "redemption." Redemption for what? She doesn't say. But "whatever she has done to win a position of power within this misogynist death cult" seems like a pretty obvious answer.

And that's interesting! That's an interesting backstory that engages with some of the core themes and moral questions of the Mad Max universe. These movies deal a lot with the tension between self-preservation and human connection. Do you screw someone else over to protect yourself? Even if it means putting them in the terrible position that you yourself have clawed your way out of? Even if it means enforcing your own oppressor's power over them? Or do you take the risk of helping people and caring enough to connect with them, even though this carries an emotional and physical risk?

FMMS doesn't really engage with Furiosa's relationship to Joe like, at all. It's not like Joe comes off looking like a good guy. He's just hardly in the movie. I don't know if this would have been different if Hugh Keays-Byrne were still alive. I don't know if there was pressure from the studio to cast an A-list male lead actor alongside Anya Taylor-Joy (who's a hot commodity now but wasn't what I would call an A-lister when she was originally cast). I don't know if, once Chris Hemsworth was cast, that affected how central his character's role became, since he is certainly the biggest name attached to the film. I would have actually been fine with Chris Hemsworth or another actor of his ilk playing a younger Joe, and us getting to see some of the charisma that attracted followers to him.

But the end result is that we have Dementus, who is a perfectly fine Mad Max villain, and quite entertaining at times! But not the most compelling antagonist you could give Furiosa.

The four Mad Max movies that feature Max go through an interesting evolution. In the first two movies, the villains are people "outside" society--criminals and roving gangs--and the people Max is defending are "civilization." So we have Mad Max where Max is a very fucked-up cop, and Road Warrior where Max is the prototypical western gunslinger, riding in to town to protect the settlement from an outside threat, but ultimately unable to accept any of the comforts of civilization for himself.

Then in Thunderdome and Fury Road, the dynamic switches. Now the antagonists are warlords and dictators. They are civilization. And the people Max ends up helping are trying to escape them.

To me, Dementus feels much more like the earlier kind of Mad Max villain. If there's another Mad Max movie I can most compare FMMS to, it's the first one. Dementus is Furiosa's Toecutter. (Kills her family, gives her her signature disabling injury, movie ends with her seeking revenge on him but it doesn't feel heroic or triumphant.) The whole end of FMMS when Furiosa is implacably hunting down Dementus? Extremely Mad Max 1.

But violent revenge holds a different symbolic place in Furiosa's story than it does in Max's. The end of Mad Max is a tragedy because Max tells us it is. He explicitly states, early in the movie, that he needs to stop being a cop or he'll become no different than the violent criminals he's pursuing. So he leaves his job and goes on an extended weird vacation with his wife and child, trying to get away from the violence of a collapsing society. But that violence finds him anyway, and by the end of the movie, Max has become the exact thing he said he didn't want to be. It's a tragedy not because the people Max kills in revenge for killing his family don't deserve it, but because seeking violent sadistic revenge is damaging to Max. That is not what he needs in order to heal from the loss of his wife and child. What he needs is to take the risk of human connection again. This is what he starts groping toward in the following two movies and fully realizes in Fury Road.

But Furiosa doesn't have the same arc. Her story in Fury Road is about how a few people struggling against their oppressor can be the catalyst that brings down a whole regime. Furiosa getting to rip Joe's face off is fucking satisfying, and it's supposed to be! So it's a bit weird, then, to spend an entire movie giving her a backstory that not only is not about Joe at all, but implies that seeking and getting revenge against Dementus for killing her mother and Jack is what made her into the person we see in Fury Road.

Aside from questions of revenge, what I thought Furiosa's goal was going to be is set up in the beginning of the movie. "No matter what happens, find your way home." Very clear objective there. And then we see her try to get home like, 1.5 times. I thought we were well set up to follow the tried and true film story format of "simple goal, big obstacles, high stakes." I wanted to see her trying over and over again to get home, and being thwarted in different ways every time. I wanted to see grief and guilt over her mother's death turn her mother's last command into a mission for which she would sacrifice anything (and anyone) else. I wanted to see her justify working for Joe and accumulating power in the violent world of the Citadel as what she has to do in order to get home. I wanted to see "Have you done this before?" "Many times." But we didn't really get that either.

Ultimately, I think the least frustrating way to think about the film--which the film itself encourages--is as one of many possible Wasteland legends about a character called Furiosa. Maybe it happened this way. Maybe it didn't. Maybe this is the Furiosa we see in Fury Road. Maybe it isn't. It all depends on how much you believe of the History Man's tales.

[ohnoitstbskyen]

"Luffy... help me..."

It's often been said about One Piece that you should "read it until Arlong Park," but it's one very specific MOMENT in Arlong Park that's important here. If this resonates with you, you're a One Piece fan, and if it doesn't, well, maybe it's not for you.

Let me tell you about it.

TRANSCRIPT:

Which are the best panels in One Piece?

It's often said in the One Piece community that you should stick with it until Arlong Park, and if you're not into One Piece by that point, THAT's when you know it's not a series for you.

I think this is true, and the reason why is this scene. This scene is how you know.

Nami has spent eight years working on her own, since she was a child of only ten, lying, deceiving, stealing, fighting and scamming, all to gather the money that Arlong wants so she can save her village. And now with the goal in sight, Arlong uses the Navy (all Marines are bastards) to steal her money so he can keep exploiting her.

The villagers she has been protecting have had enough, and are going to throw themselves at the fishmen and die, and the beloved friends she made on the Straw Hat Crew keep refusing to leave even though she KNOWS that Arlong will kill them. Her every ray of hope and all of her attempts at keeping control have failed and now, reduced to incoherent rage and sorrow, she sits in the dirt stabbing a dagger into the tattoo on her shoulder, because hurting herself is the only thing she can do to spite Arlong.

And then Luffy comes along and stops her.

She yells at him, throws dirt at him, rejects him, tells him to f*** off basically, and when he doesn't… because she has nothing else left, because there's no plan, because everything is falling down around her, she finally lets down her walls, and says what's in her heart. "Luffy… help me." (p 200, first panel)

And Luffy takes off his hat, his treasure, and gives it to her, and walks forward, and with his characteristic cartoony ridiculousness screams as loud he possibly can "OF COURSE I WILL."

Luffy doesn't know why she needs him. He doesn't know why she lied, why she stole the ship, he doesn't know about Belle-Mère or Nojiko or Nami's deal with Arlong. And he doesn't need to know, because she's his friend and she's his crew, and he loves her, she doesn't need a tragic backstory to deserve his help, she deserves it because she needs it, she deserves it because she asked.

Luffy knows that every time Nami tried to push him away, every time she told him to fuck off and leave her, her heart wasn't in it. Just like he'll know it with Robin, just like he'll know it with Sanji. And he knows that when she asks him for help, she has never meant anything more deeply in her life.

For that, he will move mountains. For that, he will level fortresses, he will smite gods and he will slay dragons. For love does Luffy do these things.

People hype up the moment when the crew get together and go to Arlong Park as the best moment of this chapter, and I'm not gonna say that it isn't awesome. Badass as hell, absolutely certified.

But… this chapter belongs to Nami, and her moment right here, because this is the moment that a girl who has fought so hard and so alone for so long finally finds the strength and the courage that it takes to trust someone else to lift your burdens.

[pondering-gales-left-orb]

when people ask "why is Mystra bland and Shar and Vlaakith are MASSIVE AND SLAYING HARD?" i want to screem

Ugh if i see that post criticizing Mystra for looking average compared to Shar or vlaakith reblogged one more time Im gonna scream fchgcg do you guys not understand the difference ?

I didn't expect to wake up today and be a Mystra defense attorney but yall need your perspective to be ripped wide open

disclaimer: this only goes as deep as the game lore the actual lore the game is based on is much more expansive and goes into detail about everything im about to quickly explain so i recommend reading it.

So first off all lets redefine your understanding of what Mystra is ,

She is magic, she is the weave, the very fabric of the weave is Mystra, when gale reached out to the purple light and said he can feel her he was not kidding he was literally holding a tiny fraction of her in his hand

All of the scenes that include the astral sea? all the flashes of magic all the outer planes scenes ? All the colors and twinkling? the setting itself? all of it is Mystra

its not made by her it IS her

when my guy Gale said we stand in the palm of Mystra he wasn't being poetic he was being literal the very fabric of the illusion he conjures is Mystra not from her but is her

(on a side note Gale is pretty much very literal in his words and what he tells you but people always brush that off as some scholarly exaggeration for some reason which is another post tbh)

What did you guys think the meaning of magic dying with Mystra's death and her having be reborn 3 times to bring it back to stability?? Its not only because she controls it but because she *is* it.

When you look at Scene that have her or the weave do not only recognize Mystra as the face you see but include the background, the lights, the colors, the magic, everything, if its hard to visualize just imagine the weave and the weave plane as an extension of her dress all of it just the fabric of her dress going on and on and on making everything around her and Gale.

like notice how Mystra physically is not in these pics but she still is because every flash of purple is a thread of her being

here when you look at her you probably only see her "human form" but expand your understanding to see her as the weave behind her the sparkles, and stars, the weave rain around her, the very floor she is standing on, the sky she is floating around in

Now onto the second point:

Why do Shar and Vlaakith present as these all powerful terrifying massive beautiful entities when needing to converse with their followers and Mystra presents as a regular woman ?

There are alot of points i can touch on that will explain there are a 100 reasons

But the main ones are Shar and Vlaakith NEED to intimidate their followers into recognizing them (in other words put the fear of god and anime into the hearts of people that look to them) because without this fear that they inspire they have no influence, they need to convince anyone that lays eyes on them that they are powerful from the very first glance, their power and influence depend on how much people fear them into submission.along side looking ethereal and menacing Shar uses pain and Vlaakith uses false godhood and rewritten gith history to achieve that . that's why they are beautiful and fearsome and massive and their temples/creche's are massive and grand Vlaakith's being on the highest mountain in the tallest building and Shar's gauntlet and house of pain being the deepest underground Structure to exist to the point that its a bit unbelievable (to the point that i had to pan with my camera outside around the mountain to see if its even plausible fhdjd) all of this is supposed to inspire absolute fear and submission into anyone that walks in makes them feel small and dominated by the goddesses power in a single instant so they can instantly gain control over them.

What about Mystra? What do we see she has in comparison?

We see Mystra only has her alter where its used for communication because that's all she needs... She doesn't need to prove her power she doesn't need to make people fear her she doesn't need submission and domination she doesn't need to be recognized because any magic wielding entity can just look into themselves and feel her threads inside of them can look around and feel her presence that's all she needs. And when she communicates with her weave users (what would be considered as her followers but not really) she needs to present an equal footing to them not a dominant one because she needs to discuss things, to reason, to convince them, not only because they are smart and powerful with or without her but because she has no say in what they do with the weave (as long as it doesn't ruin the balance) she cannot stop them or take it from them but she can persuade them to go a certain direction that's the extent of it. And that's why her alignment is neutral instead of evil even though we know she doesn't have the best actions and methods but she doesn't need to hurt people to gain power she simply... Is... And that gives her her power. (another side note this is also gale cant simply stop believing in her or abandon her worship or take of his earnings etc its not that simple as she is in the air he breathes yk)