#so it's blatant

[bloodydeanwinchester]

DESTIEL IN EVERY EPISODE → 5x03 free to be you and me

dean being so disappointed when castiel doesn't realize he's flirting with him.

[blondie-drawings]

(Worf voice) SLAY

[frownyalfred]

hello. this is a PSA. ao3 is NOT releasing your browsing history, despite what you may have heard on tiktok.

if you’re signed into ao3, your history is viewable in the dashboard tab. it always has been, nothing is changing. please don’t believe everything you hear on tiktok.

no one is able to view your browsing history unless they are signed into your account.

[fruity-phrog]

Okay, I saw someone say that Nimona, while being good representation, “didn’t take the big step forward in queer rep that everyone says it did”.

That is wrong. So wrong, my dude.

Yes, an explicit and open queer relationship in children’s cartoons is not new, per ce. Hell, just this year, two popular kids’ cartoons had the main character in an open, adorable, plot-based queer romance. But this is different for a few reasons.

Reason number one, it isn’t left in suspense. Yes, they had that split for three odd weeks, but they started the film as a couple. One of the very first scenes is them together as a couple, Ambrosius saying he loves Ballister, them holding hands, Ballister leaning on Ambrosius’ shoulder. Ambrosius says he loves Ballister three times during the film, and none of them are any more than halfway in. It’s very clear, from their very first interaction, that they are an established relationship, which isn’t something I’ve seen...at all in other animation.

Secondly, they are the plot. Ambrosius not believing Ballister, Ambrosius cutting off Ballister’s arm, Ballister trying to get the video to Ambrosius - this is what drives the plot. In any other children’s animation with queer relationships, the relationship is not the main focus. Even The Owl House, which is so amazing with its constant representation, would still make sense if Luz and Amity never happened. But Nimona’s plot wouldn’t make sense without Ballister and Ambrosius’ relationship. It, quite simply, can’t be erased. It could work as a friendship, yes, but that’s the point. They could have just been two close friends that fell on opposite sides of a fight, but they weren’t. They were two lovers that fell on opposite sides of a fight. 

Thirdly, they aren’t sanitized for “family viewing”. An emerging trend in children’s animation is to only have mlm relationships as fathers to make them seem more “family friendly”. With the exception of Kipo, there really isn’t many tv shows or films that places light upon an mlm relationship. And if it does, it'll be a teen relationship because teenagers being queer tends to come across as less “dirty” and more “innocent”. But Goldenheart is none of these things. They are adults without the mollifying aspect of having a family. And on top of that, they fight. They wield swords and they get bloody and they shoot at things and get angry and yell. They aren’t “clean” and “innocent”.

As well as this, they are in a film. Films are far more accessible than tv shows. You have to watch twenty seven episodes before Lumity in toh is canon. Troy kisses Benson on the eleventh episode of Kipo. And there are two hundred and eighty three episodes of Adventure Time before Marceline and Bonnie kiss. But with a film, the queerness is much more forward - especially in Nimona, where it’s literally the second scene. Animated films hardly ever display queer relationships, but Nimona did.

Finally - they aren’t perfect. I don’t know about you, but three weeks of thinking your boyfriend/maybe ex is a murderer? Doesn’t sound like a healthy few weeks to me. I have only seen big relationship arguments portrayed in straight relationships in cartoons - think Star Vs The Forces Of Evil - whereas queer relationships either have the massive fight prior to being canonically gay - She Ra - or have conflict, not arguments, that are dealt with quickly - Dead End/The Owl House. But Goldenheart? Goldenheart suffers. Their relationship is pushed to such extreme boundaries as for them to be pretty much exes throughout most of the movie. And yet, they are clearly healthy, happy and very much in love at the end. 

TL;DR - Nimona is amazing with the queer representation, and it is a milestone for LGBTQ+ cartoons. Not only is the relationship romantic for the entire movie, the plot is driven by Ambrosius and Ballister’s sort-of-break-up. In short, they are treated the same way straight people are. They have flaws, they have massive arguments, they have plot importance, they have backstory. They are in love. And that’s what matters more than anything else. 

[am-i-the-asshole-official]

[schizopositivity]

A large part of the Internet: You can't make jokes about minority groups you are not a part of! Punching down is not just joking, it's bullying! Mental health matters! Mentally ill people deserve to be treated like anyone else!

A large part of the Internet also: *my friend disappearing when I take my schizophrenia pills memes* She's so delulu!! *memes designed to specifically trigger paranoia in people with a mental illness that includes paranoia* Lol schizo whips!!! *memes about lobotomies* Omg this murderer must be PSYCHOTIC!!

[bixels]

The idea that uni protesters are "elitist ivy-league rich kids larping as revolutionaries" on Twitter and Reddit and even here is so fucking funny to me if you actually know anything about the student bodies at these unis. Take it from someone who's going to one of the biggest private unis in the US, 80% of the peers I know are either from the suburbs or an apartment somewhere in America, children of immigrants, or here on a student visa. I've heard about one-percenter students, but I've never met one in person. Like, don't get me wrong, the institution as a whole is still very privileged and white. I've talked with friends and classmates about feeling weird or dissonant being here and coming from such a different background. But in my art program, I see BIPOC, disabled, queer, lower-income students and faculty trying to deconstruct and tear that down and make space every day. So to take a cursory glance at a crowd of student protesters in coalitions that are led by BIPOC & 1st/2nd-gen immigrant students and HQ'd in ethnic housings and student organizations and say, "ah. children of the elite." Get real.

[kaeyapilled]

when kaeya was a kid his most exacerbated reaction to getting hurt was a very pointed "ow" and one tear at most. meanwhile when diluc got hurt he would wail and sob and sniffle around all day afterwards. and yknow what i think that their essence hasn't changed now that they're adults. kaeya who says "this doesn't.. look good.." when he dies in game and diluc who says "my flame.....has been..extinguished....." like okay. we still know who's the most dramatic out of the two

[ruporas]

i’ll find you again in every universe. let us be a little more honest, let us have a little more time.

[unknownhyperial]

I made a poll on Friday asking people if they wanted to see Survival Isles Gangles first design pass and majority of you guys voted yes so here she is!

I honestly have no idea what I would change to improve upon this design because I absolutely adore it, but who knows! Shes a little hard to draw which is why I'm making sure to sketch her a lot to get her design fully down but imo the efforts worth it.

If you guys have any questions/comments about The Amazing Survival Isles or her in general feel free to inform me! I hope you guys like her as much as I do!

Heres a silly doodle I drew to try and get her design down better

[redysetdare]

A character looks straight into the camera and says "I'm not interested in romance" and people will still say "No, it's not confirmed they're aromantic!!!" "They could change their mind!!!" "it's a challenge for them to overcome!!!" "They'll have character development that makes them fall in love"

It's like they are given the most blatant answer to a character romantic orientation and they actively ignore it. all the while all it takes is subtext for people to speak as if it is fact for a character to be any other sexuality.

[science-lings]

I love that the most popular ace attorney mlm ships are all just some guy (Phoenix, Apollo, Ryunosuke) who is as close as these games get to normal (limit of one unique accessory) and the total heartthrob (Edgeworth, Klavier, Kazuma) who is absolutely head over heels smitten with him

[strrwbrrryjam]

when gamerbros get so pissy when you ship arthur and charles, and act as this ship came out of left field, its obvious to me that they haven't been paying attention to the game because like-

arthur compliments charles both so easily and constantly, charles is only ever talkative with arthur, sharing his thoughts and feelings on situations, these types of thoughts may be seen as disloyalty to the rest of the gang, but he shares them with arthur because charles knows he's safe and that arthur won't judge him.

charles talks about his past and shares his culture with arthur, he teaches arthur how to hunt with a bow and how to hunt bison, giving arthur the kill because he trusts arthur that much not to abuse it. arthur listens to charles thoroughly, taking in every word, he even shares his own past too, in hopes of making charles more comfortable.

charles can reprimand arthur and tell him off, and arthur, rightfully chastised, listens. he doesn't fight, he doesn't yell. he goes along with some (a lot of) grumbling, but he still follows charles and helps him save andreas.

charles tells arthur that he isn't as tough and dense as all that and that he doesn't believe in arthurs cruel and callous front, that he is more than that, more than what everyone else thinks arthur is. he sounds so confident about it too, as if he knows arthur better, and seems to know arthur m

charles saves arthurs life, and checks in with him after, seeing whether arthurs alright. arthur comes to charles and thanks him profusely and charles tell him that he'll do the same and he's right, arthur would.

every conversation they have in camp involves the two of them checking in with one another and arthur, again, constantly compliments him.

when going on a bank heist, charles refers to arthur as the "best man we've got," seeing arthur as someone he holds in high regard.

when arthur returns home from guarma, he hugs both abigail, and charles and the fact that he initiates it is so important, because arthur isn't one to initiate a lot of physical contact, preferring his space, so the fact that he initiates it is so significant.

when arthur asks charles whether he will ride with him, he doesn't answer with "yes," or "sure," he answers with "always," as he will always ride with arthur, no matter the time of day, if arthur asks, he'll go.

when things get bad in the gang, and survival becomes less and less certain, when going on a job, arthur tells charles to go on and get out of there if things were to get bad, valuing charles life and safety outside of his loyalty to the gang, a gang which arthur is still incredibly loyal to and is still protective of, yet he still tells charles to go on and get out of there.

and charles cuts him off, distressed with what arthur is proposing, as if the thought of abandoning arthur when a job goes wrong is simply not feasible for him.

arthur confides in charles, telling him that he's sick and dying, he's one of the few that arthur tells, he doesn't even tell dutch, being open and vulnerable with him, and charles listens and attempts to console him about his inevitable end.

even when he's actively dying, he, with some reluctant, still helps charles rescue eagle flies, he still wants to stay and help charles escort the wapiti tribe safely to canada, but charles tells arthur no, as there are still people arthur cares about in camp as if he knows that arthur would likely beat himself up if anything happens to them.

so they hug, and cling to one another, almost appearing as if they don't want to separate, as this is the last time the two of them will ever see each other alive... they separate, turning away from one another, both so clearly upset with the situation, charles sounding like he's holding back tears as he talks to the wapiti tribe.

and charles comes back, whether it be days, or weeks after. arthurs body in a state of decay, and yet he still works to find a spot he deems suitable for arthur, on top of that hill, facing the sunset- the place where arthur had always wanted to be buried so that he can reflect on all of the good times they've had. he painstakingly crafts a beautiful grave, taking great care to make sure that arthur is given a proper burial. he puts so obvious much care, and love into his burial, that just from this, you can clearly infer that these two shared an incredibly momentous relationship.

charles and arthur clearly care about each other so much, despite the short amount of time they've known each other (compared to the rest of the relationships). they hold each other in such high regard, both of them coming alive when the two of them are alone, obviously feeling more comfortable with one another than the other gang members.

viewing this connection as platonic is completely fine, but to act as if this ship came out of nowhere and that people shipping these two together are crazy for doing so is just, so downright stupid.

[mla0]

can't believe i'm saying this, but please don't let literal nazi shit slide in the slenderverse fandom. i just saw habit and firebrand drawn together with literal swastikas on it and i'm not gonna name names, but if you see that shit, please report it. you can't let antisemitism slide for even an inch, because if you do, you're sending the signal that nazism and antisemitism is welcome in your circles, and that jewish people are not. it's not a joke, it's not cute or ironic, and it's certainly not appropriate for ship art with a jewish guy. use your brain.

[schneiderenjoyer]

I like how in every official art featuring Schneider and Vertin, Schneider is always looking at Vertin no matter what. Like, girl, you're so obvious pls

[braisedhoney]

hey i don’t remember this bossfight