theyre putting this man in situations
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listen there really was just something about how in the book, snow’s 3-page descent from hesitant lover boy to deluded mfer happens entirely in his mind. lucy gray gives him no indication whatsoever that she suspects him, that she’s going to leave or betray him. he’s just sitting quietly in the cabin waiting for her to return when that seed of calculated suspicion, which he has needed to survive the capitol, takes a hold of him and chokes the life out of any goodness left inside him. it really drives home your terror as a reader that “oh my god did he kill her? did she escape? what happened to her? why would he even think that?” in a way that when the movie had to adjust for visualization it lost some of that holy shit this guy has lost it emphasis.
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big big big fan of found family relationships with shithead sibling dynamics
sure, yeah, they had no one in the world until they found each other, and they will fight tooth and nail for each other's safety, but they will also eat the last of the other's cereal and put the box back in the cabinet or tell the other's significant other every embarrassing story about them or greet each other by means of full body tackle and chokehold
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Today I would like to shout out that one random Twitter person who made up that JD Vance bragged about fucking a couch.
Imagine making a random shitpost and less than two months later your joke is being used by a major party nominee for Vice President on live television at his introduction rally, earning him thunderous applause.
That poster must be having quite the experience.
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De-Aged Danny, gesturing to a dazed Bruce inside Wayne Manor: And this is Bruce! Otherwise known as the Himbo!
Reporters: Hmm, yes, interesting...
Bruce: What the-
Danny: I'm not sure what that word means. I heard it from Dick, but no one will give me my answer, not even Jason, who is easily bribed.
Bruce: Why are there reporters in my house!?
Danny, innocent and childlike: They asked to come inside, Bruce! They seemed like really nice people, so I thought it'd be polite to give them a tour.
Bruce, filled with infinite patience: I really wish you had asked me before you did that, chum.
Danny: But why? We don't have anything to hide... do we, Bruce?
Or, in order to rise to the Ghost Throne, Danny has to complete a series of trials to prove he is capable of ruling (or any other reason, Danny just needs to do trials to prove himself).
The last trial, issued by Clockwork, is thus: discover the Wayne Family secret in two weeks without the use of any of his powers.
He has one shapeshift to pick a form that could endere him to the Waynes, but only one before he starts and he has to get close to the family by his own wits. Danny, after studying the family and reading of one sentence summary of each Wayne, picks the body of a six-year-old little boy that looked like a child Jason Todd.
Bruce: That child is up to something.
Dick, third favorite: I don't know, Bruce; he acts like a normal kid.
Jason, #1 favorite: I doubt the old man's ever met a normal kid.
Tim, least favorite: Bruce is right, but can you please not talk like the villains from Chicken Run.
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someone probably said this already but in spiderverse i think it's interesting how when pavitr was first introduced everyone thought something bad was gonna happen to him bc of how confident and optimistic he was. and then in the actual movie we see that something bad was supposed to happen to him (police chief dying!) but it doesn't! miles stops it! and miguel berates miles for this, says it's going to cause the universe to collapse or whatever.
there's this idea that tragedy is inherent to spidermans growth, and while it's true that some spiderpeople learn important lessons through loss, no one stops to ask, is it really necessary? yeah, maybe the chief was supposed to die. but why does spiderman have to be formed through tragedy? why do we (as heroes) have to let people die? pavitr didn't lose anyone, and he's still a good spiderman! maybe, if he doesn't suffer, he'll end up better off for it!
so while miguel is arguing for all this big picture stuff about saving the multiverse he's lost sight of what it really means to be a spiderman, he's not looking out for the real individual people. yeah it's just one person who would die, but that one person means something to someone. shrugging and saying "stuff just sucks sometimes, we can't do anything about it" is the opposite of what superheroes do. pretty obviously, miles arc is also a reflection of the struggles people face in real life, working within unequal systems, where it's easy to shrug and say "that's just the way it is" and not ask "but why does it need be this way? can't we do something about it?"
miguel is arguing that you can't have your cake and eat it too. presumably, miles and co. are going to find a way to get around that and change things for the better (and maybe that's why miles has that line about two cakes in the advisors office!)
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