i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.
He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.
And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.
And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.
Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.
Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."
There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.
It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.
Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.
At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.
"Do you like to do anything?"
Nothing. Just silence.
Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.
Danny says nothing the entire time, and is again the first to leave.
Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.
And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.
He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.
Danny is dull-eyed and blank faced the entire time; he looks miserable.
So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.
"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"
"Don't."
He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.
Bruce tilts his head, practiced puppy-like. "Pardon?"
"Don't." Danny says, strongly. "Don't make any deals with Vlad."
It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"
The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."
Bruce stares at him, thoughtful, before looking away. "Alright. I won't."
And they fall back into silence.
Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."
He's scampered away before Bruce can question him further.
(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)
At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.
Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.
("Tucker told me once--")
("Tucker?")
("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")
(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)
(They are ecstatic to hear from him.)
It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."
The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."
The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.
When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.
Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.
"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."
When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.
Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.
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lonely
[ID: A limited palette of green and pink, Vashwood comic. The first page serves as a prologue. The first panel shows Vash speaking to someone off screen while Wolfwood is lingering behind him. A black arrow is drawn pointing at him. In the second panel, Vash is buying donuts in the distance while Wolfwood is once again in view, lingering. and the black arrow is drawn pointing at him. In the third panel, Vash is leaving a cubicle and turning towards his right with a slightly peeved expression. He sees Wolfwood, leaning against the cubicle, waiting for him, and with the black arrow drawn, pointing at him, implicating the consistent hovering of Wolfwood’s presence during Vash’s everyday. At the bottom of the page, they’re drawn out of panel with Vash turning to Wolfwood and saying with an irritated expression, “You’re really following me everywhere, huh?” Wolfwood responds, “What, you got a problem?” Vash responds without hesitation, “Yeah, kinda...”
The second page starts with a new day. In the first panel, Vash is seen alone, weighing apples in his hands at a mart, with crowds passing behind him. In the second panel, he turns to his right and starts to say, “Hey, Wolfwood...” In the third panel, he’s startled from seeing a stranger, whom he’d accidentally called out to when he was expecting to see Wolfwood. He says, “Oh, you’re not him. Sorry!” In the fourth panel, the stranger walks off and Vash muses, “Right, he said he had something to do today...”
The third page begins with a close up of Vash's miffed expression, the continuation of Vash's thoughts, "Now that he's not here, this is just like how I used to be, but... It feels lonely somehow. Oh well, I'll see him again tonight, like always." In the second panel, it shows Vash walking through the marketplace crowd, alone. In the third panel, the door panel is a close up of the door opening with a peek of Vash's head. He says, "Wolfwood!" In the fourth panel, Vash is holding a bag of food with a bright smile and says, "Are you hungry? I got you something to eat today!"
The fourth page begins with a shot of the room, two beds being highlighted, one of them being made properly with the blanket draped over the bed and the other with the blanket folded and pillow sitting on top of it. There's no sign of Wolfwood. The second panel shows Vash with a disappointed look as he thinks, "He's still not here?" The third panel shows Vash putting the bag of food on the table. Stapled to the paper bag is the receipt with a written note "For Wolfwood." Vash's thoughts continue "He does like to stay out so, I guess there's no reason to worry..." The fourth panel shows Vash sitting his bed somberly with his thoughts continued, "It's not any of my business anyway..."
The fifth page starts with a close up his blank expression as he looks downwards, thinking, "Even if he left completely... That'd be understandable and better for him. I'll just travel alone again... like before... Huh?" The next panel shows Vash's composure break, tears welling up in his eyes suddenly, as he didn't expect to cry. He starts to sob, putting his hands to his face to quiet himself and wipe at his tears, as he says, "Ugh... Dammit... I miss h..." The last panel shows Vash leaning over into his hands, still crying, and in the back, the door swings wide open with a bam as Wolfwood walks through with the punisher swung behind him. He shouts, "SPIKEY! You in here?!"
The sixth page starts with Wolfwood confused, looking at Vash and Vash looks back, just as confused, with tears in his eyes and snot out of his nose. Wolfwood starts saying, "Ah? You..." No longer in panels, at the bottom of the page, Wolfwood takes the Punisher off of himself and starts to walk towards Vash, continuing with slight concern, "What's wrong with you? Did something happen?" Vash, hurriedly begins to wipe at his tears, denying immediately, "No! No, I'm fine! Nothing happened!"
The seventh page, Vash points towards the table, with a hand still wiping at his tears and he smiles as he says, "I uh got you food. On the table." Wolfwood looks towards to the table and responds, "Oh. I was getting hungry, thanks." He turns his head back to Vash immediately after with an uncertain expression, knowing the other wasn't responding to his concern, and says, "But, I know you're an idiot with this stuff, so I'm reminding you again. Don't brush it off if it's an issue, alright?"
The eight page, Vash's tears have dried and he looks to Wolfwood with a soft smile and responds, "Yeah. It's okay though..." A panel at the center shows a side view of Vash approaching Wolfwood. At the bottom of the page, with no panel, is a close up shot of Vash's hand, holding onto the edge of Wolfwood's jacket sleeve, as he says, "Because you're here now. Wolfwood."
The final page is a back shot of both of them standing next to each other, Wolfwood's head tilted slightly to the left, not fully believing Vash as he says, "That doesn't answer anything, Spikey." Vash responds, "There's no need to talk about it! You should enjoy your food. Let's have a drink too?" Wolfwood responds, "Tsk, tsk. Fine, yeah. I could use one." END ID]
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I am absolutely loving your Danyal Al Ghul au. While I have a soft spot for the whole plotline of Danny becoming his canon personality almost right after breaking away from the LOA all because of Jazz, I'm just as much for your take in which he goes through the same character development as Damian.
Now I'm curious. You already tackled his relationship with Dani, will you eventually take a stab at when he, Sam, and Tucker meet Gregor? Given that it's one of my hated episodes as I couldn't stand Sam's infuriatingly hypocritical attitude to Danny's suspicions of him, I'd kill to see your spin on it.
Aw, thank you! Danyal Al Ghul aus are what got me into DPDC first, so I have a major soft spot for them. That being said, uh, its exactly that soft spot that causes me to have Many Opinions about the trope you just mentioned. Like the trope is all fine and dandy, i don't blindly hate it, my main issue with it is that most aus i've seen treat his backstory as an ex-assassin more like a pretty cosmetic accessory rather than something that actually should have had an impact on him. Especially if he remembers being in the league.
Like i cannot stress enough the fact that being in an ecofascist assassin cult (regardless of his standing in it) should've left him, in some way or another, screwed up morally and psychologically because that's just how development works. Nature vs. Nurture is like a game of tug-o-war that never ends, where they are constantly fighting against each other and one side usually has the upper hand or greater influence. Children model the behaviors of the adults around them (ex: bobo the clown doll experiment), and what impacts them in childhood can stick with them permanently.
Like how my psychology professor put it: a baby's brain is like wet cement; if you slap your hand on it, it leaves an imprint, and the cement dries that way. The same rings true for small children.
I could go on, but I frankly have so many thoughts on that alone that I would end up completely derailing from the second half of your ask, and I don't want to be more critical than I already have. Especially since you just mentioned you have a soft spot for the trope.
[Okay, hold onto your hats because this is long. Naturally lmao.]
Gregor! Man, I'll admit I last watched the show back in middle school on a dodgy illegal website (it had surprisingly good audio and visual graphics, and full episodes. But really annoying porn ads.) but I only made it to like season 1 before my hyperfixation faded and I lost interest. So I never actually saw the Gregor episode.
But... it is relatively easy to find free websites that stream Danny Phantom :), so finding the episode took me like. Thirty seconds. Plus the Tv.Tropes recap page because my damn earbuds just died and im out in public as of rn.
I'm not sure if I'll write something for the gregor episode like I did with Dani, since Dani's a bit of a special case in that she's a clone and tends to be a reoccurring presence in DPDC, and I thought the new dynamic with Danyal would be interesting.
Plus, I'm not a big amethyst ocean shipper for the pure reason of I'm just not all that interested in it; its kinda bland to me. I'll admit I've entertained the thought in this au due to the whole balcony scene i wrote, but I would've entertained the thought anyways if it was Tucker in that position instead. Big multishipper, me.
But, if I had to make it official? Danyal is not interested romantically in Sam when the Gregor episode happens, regardless of his relationship with Valerie. Who, speaking of I'm trying to think about how that would go, and I'm torn between including him almost-dating Valerie or not.
Because on one hand it helps point out Sam's hypocrisy (and i love her but i am always happy to point out her flaws and address them in au) in this episode in terms of Danny spying on them, but on the other hand I'll want to include a lot of set up in order to make Gray Ghost work in this au and wow will that take a while.
Especially with the Flirting with Disaster episode because it happens due to Technus' meddling, and Danny is, well, the son of the Batman? A trained assassin? An ex-assassin nonetheless, but still an assassin? A prodigy child in this au? He might not have needed to use most of his skills in the last few years, but like... there's just a bunch of 'what if' and 'well technically...' and 'would he? he could, but would he?' things that is getting in the way of my thought process and making my head spin.
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Mmm. Okay. Flirting with Disaster occurs relatively the same as canon with a few exceptions; like Danyal noticing the strange coincidences, and he might take the idea into proper consideration because Sam has a point it is strange, especially out of nowhere.
However,,, he really enjoys Valerie's company, and he does really like her. He's been adjusting to civilian life for the last four years and while he's made a lot of progress, he's still. an ex-assassin child living like a wolf amongst sheep. This is normal, typical teenager stuff, and usually his friends like to encourage him doing normal teenager stuff.
So he's stubbornly holding out on the thought that this is normal, that ghost stuff isn't interfering here. He's a little hurt that his friends are discouraging this, he's not bothered by the fact that Valerie is a ghost hunter and he a ghost -- his mother is an assassin, and his father is Batman, and they still had a relationship. (Granted, he's not gonna tell them that)
If anything, being diametrically opposed to each other but still being in love is part of the family! Granted, usually both parties are aware of said opposition to each other, but he'll make a special exception this time around.
(And man now that i'm thinking about gray ghost, im now thinking about various like. scenes i could write between the two of them. maybe in a reblog.)
Anyways uhhh things relatively go the same as canon. Yeah. I think Sam still has a crush on Danny and still spies out of jealousy with Tucker.
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Now, the Gregor episode! With that out of the way; the TVTropes recap for this episode isn't the best because it doesn't go into detail about the entire episode like it does with Flirting With Disaster and Shades of Gray.
(which i looked at earlier because I made a section of this post talking briefly about what changes I'd make to the Shades of Gray episode to help set up Gray Ghost, but ended up deleting because it was kinda irrelevant for the matter at hand.)
So I'm taking in bits of the episode clips at a time, I'll try not to get too nitpicky about how each scene goes because then it's gonna take me a longer time to write this.
But! First thing's first; since Danny is not romantically interested in Sam, he is also not jealous of Gregor. He is however, a bit eyebrow-raisey at him in their first introduction, but that's because Gregor is coming off as obnoxious.
Danny thinks he's kinda annoying, and it doesn't take a genius to see that Gregor is trying to impress Sam. But since they've only known him for five minutes he takes the good faith assumption and assumes that Gregor is genuinely trying to show interest in Sam's interests too because he likes her, so he keeps mum. The fake hungarian accent is weird, but it's overall harmless, so he doesn't point it out.
He does do the spying thing when he starts suspecting that Gregor might be working for the GIW. The episode only has this happen twice, but for the au this happens a handful of more times over the course of the week, with Danyal's suspicion steadily rising more and more each time.
Hah, when he brings up wanting to spy on Sam and Gregor because of this reason, Tucker still does his "woah! you wanna spy on Sam?" thing.
Danny immediately turns to him, completely unimpressed, and crosses his arms. "Tucker," he says, deadpan, "you and Sam spied on me and Valerie."
He uses a combination of his ghost powers and his regular stealth ability to spy on them. He's hiding in a tree when they're skipping rocks, close enough that he can use his powers to hear them talk but far enough away that he has a good view of their surroundings.
He's invisible in the cinema, but doesn't accidentally get in front of the projector. He checks the inside of the room for the GIW, and then waits outside the actual room itself, keeping an eye on the area and occasionally flying in to watch the movie out of boredom. It reminds him of being back on a recon mission with the League, but it doesn't end with him orchestrating someone's death.
Then when they're at the mall he stays in human form, blending in with the crowd. He runs into the GIW there, but realizes that they're not there because of Gregor; they're just shopping. They didn't show up at either of the last two locations, and he follows them to make sure they're not also trying to blend in. But they're literally just there for shopping.
Danny is rather pleased with this turnout; so far Gregor isn't a spy, he's just annoying. The next day at lunch he asks Sam how her date with Gregor went, and that's how she figures out he spied on them, because well, she didn't tell him that.
"Have you been spying on me?"
Danny messes with his food a little bit, and Tucker is sinking into his seat with embarrassment. He frowns, "Only last night. Those incompetent government dodos--"
His lip curls up; he gets all 'Shakespeare-y' (as Sam and Tucker put it) when he's insulting someone, "--kept appearing whenever Gregor did. I followed you and him last night to make sure he wasn't a spy."
A roundabout way of saying, "I was worried".
Sam is, as canon, furious. Danny understands why, he knows generally speaking that people don't like being spied on. But he's confused on just how angry she is, and is a little irritated by it.
"Why would you do that!" She exclaims, "That's way out of line, Danny."
"How? You spied on me when I was going on dates with Valerie." He narrows his eyes, and points his fork at her, "I'm not blind, I noticed."
"That's different, we told you why we were suspicious. And we don't have ghost powers like you do."
"I don't need ghost powers to sneak around, Sam, you've seen this firsthand. And I just told you why I followed you, I thought he was working with the guys in white--"
"So you think someone can only be interested in me if they're after you?" (this is a paraphrased quote, folks ;D)
"No! If that was the case I would have voiced my concern the moment I thought it. I don't get why you're so angry, you spied too."
Iiits.... a mess. Sam storms off with Gregor, Tucker tags along because okay, yeah, maybe Gregor isn't with the GIW, or maybe last night was a fluke. Either way he ends up tagging along. Danny overhears that conversation between the GIW and Mr. Lancer, and maybe he's right, maybe he's wrong; but something is up.
I've gotten to that scene in the locker room where Gregor tells Danny that he knows he doesn't like him, and I've paused at Danny's reply to say this: Danyal doesn't even bother trying to deny it.
"I know you do not like me."
"You're right; I don't."
"Ah, let me finish. I know you do not like me because you want to protect your friend, Sam, and I respect that."
"...That's correct."
"Good! Because I am going to ask her out."
"I had a feeling you'd say that," he stands up, claps his hand tight on Gregor's shoulder, and leans close to him with a threatening smile, "so you understand me when i say; if you break my best friend's heart, you're as good as dead, right?"
"Ah,, yes. I am so glad we got that cleared out of the way, and now I hope after we can.. how you Americans put it, hang out?"
In the episode he hugs Danny and gives him a la bise (which is that french greeting where you kiss someone on the cheek two or more times) after they end their conversation. But here, when he goes to do that to Danyal, Danny leans away, points an accusatory finger at him, and says; "Absolutely not; we are not close."
The next scene after that is like, end of day. Sam, Tucker, and Gregor walking away. Sam looks over her shoulder to glare at Danny, then gets forlorn. Tucker looks back and just looks forlorn.
(When did I start narrating each scene?? Eh, I'm writing this in brief spurts of time throughout the day. Don't fix what's not broke)
After that there's this whole scene with the two GIW agents that have been chasing Phantom all episode. They're there because they have Tucker's PDA that Skulker took, and it's got the information of their purple backed gorilla assignment on it. They've been going around seeing who Tucker associates with in hopes of catching Phantom.
Uhh ahaha and that is where this gets a little interesting imo, and also allows me to mention that im retconning Danyal's (already) redesigned ghost form. Which I've wanted to retcon even before this moment bc it was just too busy. I'll get to that in a moment.
The GIW suspect Gregor for being the Phantom because of his white hair and green eyes, which is all fine and dandy until you remember: Danyal (and by extension Phantom) has that very noticeable, rather identifiable facial scar that goes across the middle of his fucking face. The GIW could easily suspect that Phantom hides his scar with makeup if he's in disguise, but if they meet a kid with a seemingly identical facial scar and similar disposition? Hoo boy.
Solution? I've got two: Gregor is canonically a kid from Michigan who faked everything to impress Sam. Considering he knows she's gothic and knows that she's ultra-recyclo vegetarian? He probably watched her from afar or got information on her somehow. His hair is dyed, his eyes might just naturally be green, but if he notices that she's got a crush on either Danyal or Phantom? A little sfx makeup could help him recreate a similar looking scar.
My second solution that's gonna happen anyways bc its that suit redesign; Danyal does hide his face as Phantom. Ghosts are emotional creatures and its a popular headcanon that their interests, ambitions, etc, influence the way they look as a ghost, not just their death. A big reoccurring theme of my au is that Danyal did not leave the League unscathed, and that being an assassin is an important part of his identity.
So i'm discarding the hazmat suit look entirely and leaning into the 'assassin' thing. But the general (stylized) feel is like, white ribbon/cloth vambraces that he has used as a garrote at some point, a hood, a gaiter scarf-type thing. I'm keeping the cape. I did a doodle a few days back that's not the official redesign, but a redesign for Phantom. I may reblog this post with that attached because it's got the general feel down. There's very little white involved, but the inside of his cape flares out and looks like the night sky.
Now, the hood and gaiter scarf gets rid of most of the problem, but Danny's hood doesn't stay on all the time, so the GIW have likely seen the upper half of the scar. :] Gregor's own drawn-on scar doesn't have to be 1:1, but it looks close enough, right? A small scar cutting through the edge of his brow and ends right below the corner of his eye. A 'cool, badass' one opposed to Danny's 'garish' scar.
But! Back to the episode scene. Canon Danny gets written off as being 'too prepubescent' to be Phantom, and honestly it'd be hilarious if Danyal was written off for the same reason (he's calling them idiots in his head if they do). But instead -- leaning into the GIW's incompetence here -- he gets written off as being too mature or too talkative. Or something equally as absurd.
Sam breaks up with Gregor for canon reasons, but when Gregor does his "i really like you, but, come on-!" and gestures to tucker, he adds on "and that scary friend of yours too, seriously!"
Things go relatively the same as canon after that. Danny does end up apologizing for spying, however. Sam does it first. Sorrows, prayers, all that.
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Things usually end up changed or different when I actually write it down, so I'd likely add more or adjust different scenes according to the flow of the oneshot. This is just like, a general vibe of how things would go, and where some of the more obvious changes would be if I did write this oneshot.
Hope you enjoyed! Thanks for the ask :]
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