#sorry for personal art posting so much

[dogcollarpunk]

ALSO had a print workshop today with stencil printing and uhhhhh it fucked

[kasterarts]

Moving Forward. (Spoilers for YTTD up through 3-1b)

[miutonium]

🏃‍♀️Hi hi I'm reopening my commission again since I am in the middle of my final year project and I needed funds to support my art project _(:'3」∠)_

*also if you see my previous commission post minutes ago, please disregard that I put the wrong info there ;w; Also appreciate if you guys delete my previous post too if you reblogged it 🥲

Please take note that since I am in the middle of my final year and I also have 3 pending commissions to go right now, I only be able to fully commit to this slot around the end of July!

SLOTS TAKEN: 2/5

*Taken slots will be updated from time to time!

‼️PLEASE READ MY TOS AND RULES BEFORE YOU DECIDE TO COMMISSION ME!!‼️

🔷️My TOS, art samples and additional rules/info can be read on my carrd here.

🔷️No rush orders will be accepted as I am currently in the middle of my final. If you need an estimate for commission turnarounds please refer to my Trello! I date stamp all of my progress from start to finish! Please commission me only if you don't mind waiting for me!!

I'm also posting my art samples (personal art) undercut!

And as always, reblogs are highly appreciated 🥰💕💕

🔷️Please DM me if you're interested or have any inquiries regarding my commission!

🔷️There’s no pressure at all if you don’t want to reblog/share but I greatly appreciate it very much if you do

🥺👉👈Reblogs are definitely very much appreciated 🥰💕💕

[lorephobic]

have i talked before about how crazy it drives me that in old bdubs videos he would super abashedly talk about his love for making things pretty? because. it drives me crazy.

at the beginning of mc4 when everyone was clearing out spawn so it was a lifeless flat plot of land to build on and bdubs took it personally and added grass and foliage once everything was built to make the whole landscape more lively and cohesive. and how hed get made fun of for thinking about little shit like that.

also when he got asked what hed be doing if he wasnt doing mc and he mentioned music (i think) and basically was super embarrassed to be like “i know its not very manly, but im super into artsy fartsy stuff”. as if that is a bad thing.

anyway im getting so emo thinking about how in hermitcraft, everyone knows and admires bdubs skill as a builder and its not ever something thats made fun of anymore. thinking about how bdubs never talks down about his own abilities anymore and instead of feeling weird about being a dude whose into artsy fartsy stuff, hes really embraced his career as a creator of beautiful things.

[doodle-with-alizard]

My current brain rot now

[lostxmelody]

au

[yel-low-life]

“Makula Spotted.”

[aioliravioli-69]

Detective Noir AU

Alright, this au has been sitting around, waiting for me to finish it but chances are, I never will :((

So instead, I'll just post what I have so far

This was inspired by that one comment on the au post the author made(at this point you could consider me a stalker for the amount of hours I've scrolled through her feed💀)

First things first, none other than our main character himself, Detective Hollow!

I made him the detective in this one mainly because I was basing it off of the theory that if there was no heroine the keyholder would simply become the hero instead(don't remember where I read this but I'm guessing it was the webtoon comment section).

I also my have just really wanted to draw him in an overcoat

gonna be honest, I did little to no research going into this AU, the thing I most tried to learn about was the femme fatale so I could get a good view on how to design Buddy

Speaking of the femme fatale:

Seems like someone got caught in the spotlight!

And before you ask, yes, those are pants. Weird ones, but pants nonetheless. I swear, I hate lighting when it's from the front. Frontal lighting can go fuck itself. Please ignore the little help lines I put in

Honestly, Buddy's outfit was probably the hardest part of this one. I wanted him to look slutty, but I didn't want to make it TOO slutty, but I feel like I may have added WAYY too many folds in his pantsuit and I kinda messed up on the overcoat lol. The diamond on his chest was inspired by the diamond on the villainess key more than anything and I tried to incorporate that into his gloves too.

Anyway, have some potential outfit sketches I made:

the two I thought might come off as too slutty and

the ultimate winner of the outfit ideas

As you can see the diamond chest window and fur coat were a mut in this outfit and I'm pretty happy with the end result

Y'all know how the femme fatale usually has to seduce the main character a.k.a. the detective?

Well, y'all know me so have an extra just for you <33

But I'm not done just yet!

Remember how I said that I made Chase the hero because of the lack of a heroine in the story? Well...

I did some more surface level research(and I mean very surface level) and decided to adapt the trope of the girl-next-door archetype for him!!

Don't think it suits him, since they usually just sit pretty and wait for the detective to notice them, but they do have badass roles once in a while and I live for those!!!

The one Chase has taken on doesn't though sadly :')

I decided to go with Charlie Hollow for this one because it sounded more like something the timid and 'pure'(yuck I know, but sadly film noir movies often prop up comparisons between the femme fatale and the girl-next-door, this being one of them) girl next door would have

Overall I tried to make this one as cutesy as possible because, why not lol

Lastly(I apologise, I made this in a rush because I was running out of motivation)

The distance between Buddy and the detective sure did close QUICK-

Originally I was planning on adding Deacon as a police officer and now that I think about it I could technically fit Prunella in here as well, but I just don't have any willpower left to keep this thing alive

My art blocks been acting up recently and I can't even pick up the pencil without immediately wanting to put it down :((

I wish I could have continued this and maybe I will someday, but until then this'll just stay in my drafts

[upsidedowngrass]

scentpack

[plulp]

yknow kylar isnt my favorite character but the owl plushie really raised the bar by like maybe 30%

[makabray]

some postal dude gender headcanons since someone was interested hehe (i'm mostly talking about p2 here, but these could apply to any of the dudes probably)

trans postal dude is really fascinating to me cause i think he'd be quite a different character from a lot of modern trans rep. like, dude is a (relatively) older guy from from rural arizona, who was likely raised in a fairly conservative and religious household, so i think it's safe to assume that he wouldn't have access to much of the resources or terminology that we have now. growing up, he might've known a little about queer people from word of mouth and the few magazine articles he could find on the topic, but for the most part it was a lot of figuring things out on his own.

his adolescent years were really messy and all over the place, he definitely did a lot of experimentation during that time. a lot of sneaking out of his parent's house after dark to hang out in the back alleys with the other weirdos like him. during this time he was still closeted and figuring things, i don't think he really started presenting and identifying as a guy until his mid 20s when he moved away from his parents, and even then he had to go stealth. though keep in mind that's he's a broke bastard living in the middle of nowhere, so he had to DIY a lot of shit.

surgery of any kind is not an option, so that meant he had to work with what little he had. fortunately for him, he's able to pass fairly well with a sports bra, some rolled up socks, and baggy clothes. it's why he almost never takes off that huge trench coat he's always wearing, aside from it just generally being a source of comfort and pride for him. he also started taking hormones when he moved away from his parents, which i like to think uncle dave helped him acquire (albeit through dubiously legal means).

so maybe dude wouldn't make for "good" trans rep, but he's alive and himself against all odds and that's what i love about this headcanon

for dude, transitioning has its ups and downs. on one hand it's incredibly liberating to dress and act and be the way you've always wanted to, but on the other hand it can be quite lonely and difficult too. dude already has to constantly keep his guard up, constantly be vigilant of the people around him and how he's being perceived, but being one of the few queer people in a small town compounds that even further. plus i imagine that he probably has a lot of complicated feelings about his gender and sexuality that he doesn't really know what to do with on account of being really repressed and all that.

[stafsar]

L. Lawliet is a gifted photographer who believes he has understood the light and its secrets. Light Yagami is a young, unstable and slightly crooked model. Together, they kill time.

I had a bookcover design assignment so obviously I chose @devilinthebox's literary masterpiece of a fanfic Our Bodies, Possessed by Light

[deoidesign]

Hello I stumbled across your profile and I just say I love your art style! I've gotta ask, how'd your develop it? And do you have any advice for someone who can't decide what they want their art to look like?

Thank you so much!

To be entirely honest, I don't feel like I truly "developed" my style. I feel a lot more like I finally let myself draw it! But I am incredibly deliberate with my work, and I do have clear tendencies and preferences... So I'll do my best to explain how I got to where I am now as an artist.

It's important to remember that "style" is something of a nebulous concept. It changes with you as you grow as a person, and most artists can work in and emulate many art styles! Art really is a form of communication with yourself, and your "style" is a reflection of the tendencies and preferences you have. My art does not look how it looked 5 years ago, and my art will look different 5 years from now too. I've changed, and my art reflects that!

(2012, 2018, 2023; two pieces I remember being incredibly proud of and considered my best work up til that point, and then my most recent piece)

What you need to do, as everyone will tell you, is study the fundamentals (anatomy, perspective, form and structure, lighting and shadow, color, and composition) so you have the proper tools to make the most informed decisions possible about your art, and so you can deliberately break or follow rules as you please for your desired effect. I know it sounds silly to learn rules if you're not gonna be following them anyways, but they help you be much more consistent and intentional! More knowledge is NEVER a bad thing to have!

However, I know it's a bit demoralizing to just be told to study fundamentals. Everyone knows you're supposed to do that, but it takes YEARS to learn, and people want their art to feel how they want it to now (which is very very very normal to want!)

So on that front, I have 2 follow up suggestions that I personally find helpful (of course, everyone is different, so it's not like this is the only way to learn! But, if it resonates with you, it might mean it will work for you too.)

1: Separate study from application

I believe this is beneficial for a few reasons:

If the goal of every piece is learning, it can become frustrating, overwhelming, and boring

It's harder to self critique when there are multiple variables to investigate. I like to study one fundamental at a time

Study (usually) works best with a large quantity of output, whereas application of knowledge (finished pieces) is often more satisfying and effective when you get to take your time

Deliberate practical application of what you've learned in a finished piece helps cement the learning in your mind, and also lets you get satisfying finished pieces with noticeable improvement after a good study session!

I've found that keeping these things separate helps me improve faster and more deliberately, and it takes a lot of the pressure off of both aspects! I'm not worried about my studies looking beautiful, they're just to learn! And I don't feel pressured to critique my finished pieces, cause they're just for fun and to make something pretty. I personally find this helps me have a much healthier relationship with my art.

When studying, copy! Copy things as best as you can, all the time. It gives you something to compare to for self critique (and of course, if you're copying someone else's work and you share the study, ALWAYS give credit, share the original, and say it was for study.) In application, don't copy: reference. Make it yours!

2: Let yourself do the things that feel "easy" or like "cheating"

This one is simpler: nothing in art is easy.

If something feels easy to you, most of the time it's not because it's actually any easier... It's because it's part of your natural tendencies and preferences! This took me forever to realize, but as long as you're actually doing some study, then you're learning. You don't need to learn All The Time. When you're doing the "application" portion, you should let yourself do whatever is actually the most fun and feels easiest! This is where your style will start to come through, and where you get to learn about yourself. Take the pressure off, and have fun!!!

The only cheating in art is theft. If you're not stealing, then it's allowed!

My whole life (and yes, still!) I'd get regular criticism about both my style and my subject matter. You will too. You'll see a thousand different styles, and a hundred different things to admire in each. Your heart will ache that you don't draw like others do.

But art is a form of communication with yourself. It's like your voice, or your accent; just something that's a part of you! It can be fun to mimic others', but when you sit to have a conversation you speak naturally. (I know some people want to and do change their voice, but this is a metaphor and metaphors aren't perfect)

Don't stress so much about what you want your art to look like, especially if you're not sure. There's a lot of value to be had in constant experimentation, I think it'd be rather boring to only draw one style the rest of my life. What I draw is what I want to see, right now, for who I am now! It's a part of me and comes naturally, if I let it!

I hope this helps!

[caluupin]

neuvi is meeting his peepaw rn

[zarvasace]

I've been doing my hair in full, tight ponytails more often thanks to a new-ish custodial job, and recently discovered that the practice broke some of my hair around my face into wispy pusedo-bangs. I resolved to do more braids instead and complained about it to my sister.

"Well," she said, "that's just a Long Hair Experience (TM)." (I'm paraphrasing, she doesn't speak like a meme.) At the time, I replied with "yeah, I guess" but after thinking about it, I think I would say something different.

I do a lot of things every day: fail to get out of bed on time, get dressed, figure out how to do my makeup for maximum impact and minimum fuss, make food, buy food, decide what to spend my time on... A lot. I don't call myself very busy, but I do fill my days with things I consider fairly important.

A message I hear over and over again is that what I do is "enough." As a visual artist, I recently got into a conversation with another artist about how I posted something they found very good and I'm not allowed to talk about how I don't think I'm very good anymore. I think there's truth in sentiments like that—what is "enough," anyway? You do need to be happy with your work. You need to enjoy what you do.

Still, that conversation left a bad taste in my mouth. I like what I make, but I want to be better. What I do might be fine. I can be satisfied with that, and not just in art, but I also... don't have to be.

I choose to be satisfied in a lot of things. I don't really work to improve my music skills because I can do what I want with what I have. I don't look up videos about how to be a better driver or a better cook. I don't worry about the zipper of my combat boots rubbing into my long socks, because I decided to not stress about it. I do consciously try to improve my art and writing skills, though, because I'm not satisfied with where they are.

In the same way, I'm always finding little things in my life to do more efficiently or with more precision. I changed my handwriting because I didn't like it. I decided to pronounce my Ss a little differently. I'm currently making an effort to wear more tights because I like them.

People often tell me that I (or my work or whatever) am enough, and I only disagree because "enough" is a flawed concept. In the spirit of the encouragement, I do agree. I can be happy where I am, with the skills and habits I have. But, like I said, I don't have to be. If I don't like something I do, I can change it. I don't have to settle for any reason.

I guess the point is: you can do just as much as you want. Happy with your stick figures? I'm glad! You go! Unhappy with them (as everyone tells me they are when they see a drawing of mine they're impressed with)? You can learn to do better, if you want to!

In my case, I don't like the little wispy bangs. Sure, it's a Long Hair Hazard, but I don't have to be satisfied with that. I don't like them, I can do something different. It doesn't have to be dramatic. I like my life overall—at least the things I can control—and I'm pretty sure it's because I've made a lot of little decisions to improve it in ways I care about. I think I've figured out that I can control a lot about my daily life, and I'm happier because of it. :) I'm going to keep doing more braids in my hair.

TL;DR: You get to decide how good you are at something. You can keep improving or stop where you are, and either is valid. You get to decide what's important to you. Don't listen to haters.

[quinn-pop]

im not sure what happened to me but suddenly i love queen ripple and she’s my new dress up doll

anyway, let’s talk about her!!

taking the fact that ribbon’s name is ribbon entirely too far (and going off their designs) i think it’d be cool if ripple star fashions leaned into frills, bows, and long or exaggerated silhouettes

since the planet is literally just a heart shape i imagine their aesthetics lean into that sort of romantic and elegant vibe. a lot of ivory, pinks, and reds

(ripple dresses up a little different to see her friends tho)

also flower and butterfly motifs. because they’re fairies of course <3

think it’d be a little ironic if butterflies were a symbol of beauty and all that…

also she’s friends with carol and dedede. they can go to pta meetings or something /j

(taranza can come sometimes too because he’s cool and it makes sense to me)

btw ripple star probably exports a lot of silks (because silkworms in a land of butterflies feels right) and luxury items whereas dreamland is more agriculture focused + maybe some livestock and furs

…yeah i’m saying these places reflect their rulers basically. ripple star can be a little more traditional and whatnot. that’s what makes ripple so endeared to her dreamland friends—they’re silly! and yeah, tragic princess angle, it’s my favorite trope—i think that would really pull at her heart

i won’t get into that right now, but i gotta imagine getting possessed gives you a lot to think about lol

…gah i have so many thoughts on this

there isn’t much to go off of in canon, sure, but i think there’s a lot of interesting directions something like that could go ^^