#south asian books

[some-weird-queer-writer]

South Asian setting fantasy books recs anyone?

Does anyone have any fantasy books that have settings heavily inspired by South Asia? I'm not sure where to look cause all I've found so far are books with Middle East, East, Southeast Asia inspired settings

Thanks! -Avi

[crunchycrystals]

this makes me want to cry

[torpublishinggroup]

Fetter was raised to kill, honed as a knife to cut down his sainted father. This gave him plenty to talk about in therapy.

WHAT’S IT ABOUT

As a child, Fetter walked among invisible powers: devils and anti-gods that mock the mortal form. He learned a lethal catechism, lost his shadow, and gained a habit for secrecy. After a blood-soaked childhood, Fetter escaped his rural hometown for the big city, and fell into a broader world where divine destinies are a dime a dozen.

Everything in Luriat is more than it seems. Group therapy is recruitment for a revolutionary cadre. Junk email hints at the arrival of a god. Every door is laden with potential, and once closed may never open again. The city is scattered with Bright Doors, looming portals through which a cold wind blows. In this unknowable metropolis, Fetter will discover what kind of man he is, and his discovery will rewrite the world.

The Saint of Bright Doors sets the high drama of divine revolutionaries and transcendent cults against the mundane struggles of modern life, resulting in a novel both revelatory and resonant.

[1eatboys]

I keep seeing the odd post here and there mentioning that Ballister Blackheart is white in the Nimona comic and it hurts my heart a little each time I see somebody say that bc he’s actually not! Ballister Blackheart is canonically Asian in the comic, he is East Asian and simply has light skin.

I just find it saddening and wrong (granted I’m white myself so maybe it’s not my place to have an opinion on) to erase a character who is canonically a poc just because they have light skin :/

This is not a diss to people who didn’t know or people that were mistaken, that’s sort of the reason I’m making this post, so more people can know the truth rather than be misinformed or assume incorrectly.

(Context of the photo attached is that it is from a QnA Nate did on the Nimona comic years ago)

Edit: added alt text of everything written in the photo

[archiveofrasa]

that one line about ramy's bangla being rudimentary made me absolutely sob (i'm bengali) and i wanna talk about why

there's so much to it both contextually with ramy's character as well as historically. contextually because ramy is fluent in 6 languages, an insane number of languages for one person but none of which are his mother tongue. he's described as a performer, one who knows he can't blend in so instead he stands out as a means to escape as much of the racism as he can. he gets lost in it that he almost forgets who he is; this is reflected in his language ability too – he gets so lost in his linguistic academics he just barely remembers the native language of his home place that he adores.

and honestly, you can't even really blame ramy for it at all when it was induced. it's the british who saw urdu, arabic and persian as more valuable than bangla, it's the british that make ramy put on this act so he can literally stay alive. and when you know the historical relevancies between urdu and bangla, it hurts so much that ramy was forced to forget bangla

very brief history context: after the partition, where british india was split into india, pakistan and east pakistan (now bangladesh) bangla was seen as inferior to urdu due to its hindu connections. bengalis experienced so much shit because of this (and bengali muslims are still dealing with the internalised cultural racism today honestly). pakistanis tried to make the official language urdu, even though literally everyone in east pakistan were bengali and spoke bangla, so bengalis fought back against it. we still celebrate that day today (feb 21)

so to have ramy be in this position in the 1830s where urdu was seen as superior to bangla, especially when ramy is a bengali muslim, is just extremely accurate?? and maybe it's bc we don't have much western literature where we talk about this but it's just so nice to have it acknowledged

the bangla language movement didn't happen until around the 1950s, over a century after babel's timeline, but the seeds are always there. while i do think it comes with both this islamic superiority tendency a lot of asians have (arabs i'm looking at you) and britian's imperialistic racism, i just love how it all makes sense

[nobrashfestivity]

Unknown, God Indra visits imprisoned Sita in the Ravana Palace Garden While the Guardian Demoness Sleep (detail), 1775

Opaque watercolor with gold

[kaladinkholins]

i know I've mentioned my interpretation of mizu's gender a million times on here but i don't think i ever fully elaborated on it.

so on that note i just wanna ramble about that for a bit. basically, it's my reading of the show that mizu is nonbinary, so let me dig into that.

putting the rest under the cut because it ended being pretty long lol. also here have a cute mizu pic of her being happy and most at ease with herself, symbolised by her letting her hair down. <3 ok let's proceed.

okay note that nonbinary is an umbrella term, and applies to a vast range of gender identities, but it's my personal preference to use it as is, simply because i'm not a fan of microlabels. more power to you if you are though, but anyway.

essentially when i refer to mizu as nonbinary it means that i interpret mizu as a woman, but not ONLY a woman. not strictly a woman. she is also a man. she is also neither of these things, she is something in between, while at the same time she is none of these at all. i've said as much many times, but i just don't want people to think that by nonbinary it inherently means a "third androgynous gender" that essentially turns the gender binary into a gender trinary. not only is that going against what the term nonbinary was crafted for (to go against rigid boxes and categorisation of gender identities), but also, not all nonbinary people fall under that category or definition, and that's definitely not the way i interpret mizu.

also, before anyone fights me on this, let me clarify further that gender means something different to everyone. it's not your biological sex or physical characteristics. but at the same time, gender is not mere presentation. you can be a trans woman and still present masculine—either because you're closeted and forced to, or because you just want to—and either way, that doesn't take away from your identity as a woman. same goes for trans men. if you're a trans man but you wear skirts and don't bind or don't get top surgery, that doesn't make you any less of a man. because gender non-conformity exists, and does not only apply to cis people! some lesbians are nonbinary and prefer using he/him pronouns while dressing masculinely, but that doesn't mean they're a man, or that they're any less of a lesbian. neither does this mean that they're a cis woman.

the thing about queer identities in general is that, like i said, they mean something different to everyone, because how you identify—regardless of your biological attributes and fashion or pronouns—is an extremely personal experience. so a nonbinary person and a gnc cis woman's experiences might have plenty of overlap, but what distinguishes between the two is up to the individual. there's no set requirements to distinguish you as one or the other, but it's up to you to decide what you identify as, based on what you feel. either way, by simply identifying yourself as anything under the LGBTQ+ umbrella, you are already communicating to the world that you are not what a conservative, cisheteronormative society wants you to be.

which is why i find all this queer infighting on labels to be so ridiculous. because we're all fighting the same fight; the common enemy is a societal structure that divides us into set roles and expectations purely based on our biological parts. that's why biological essentialism in the queer community is a fucking disease. because by arguing that women are inherently weak and fragile and soft and gentle and must be protected from evil ugly men, while men are inherently strong and angry and violent and exploitative of women, these people are advocating for the same fucked up system that marginalises and abuses women as well as effeminate and/or gay men.

anyway. i'm going on a tangent. this was meant to be a blue eye samurai post. so yeah back to that— the point i'm trying to make is that there's no one way to identify as anything, and everyone views gender in a specific way.

so with that being said, yes you can definitely interpret mizu as a gnc cis woman and that's a totally valid reading. however, interpreting her as nonbinary or transmasc also doesn't take away from her experiences with misogyny and female oppression, because nonbinary and transmasc folks also experience these things.

me, personally, i view her as nonbinary but not necessarily or always transmasc because i still believe femininity and womanhood is an inherent part of who mizu is. for example, from what we've seen, she does not like binding. it does not give her gender euphoria, but is instead very uncomfortable for her both physically and mentally, and represents her suppressing her true self. which is why when she "invites the whole" of herself, she stands completely bare in front of the fire, breasts unbound and hair untied. when she is on the ship heading to a new land in the ending scene, she is no longer hiding her neck and the lack of an adam's apple. we can thus infer that mizu does not have body dysmorphia. she is, in fact, comfortable in her body, and relies on it extremely, because her body is a weapon. instead, what mizu hates about herself is her face—her blue eyes. she hates herself for her hybridised identity, hates herself for being a racial Other. hates that she has no home in her homeland. these are not queer or feminist themes, but postcolonial ones.*

* and as a tiny aside on this subject, i really do wish more of the fandom discussion would talk about this more. it's just such an essential part to reading her character. like someone who's read homi k bhabha's location of culture and has watched this show, PLEASE talk to me so we can ramble all about how the show is all about home and alienation from community. please. okay anyway—

nevertheless, queer and feminist themes (which are not mutually exclusive by the way!) are still prevalent in her story, though they are not the main issue that she is struggling with. but she does struggle with it to some extent, and we see this especially during her marriage with mikio, where we see her struggle in women's domestic spaces.

on the other hand, though, she finds no trouble or discomfort in being a man or being around other men—even naked ones—and does not seem stifled by living as one, does not seem all that bothered or uncomfortable navigating through men's spaces. contrast this to something like disney's mulan (1998), where we do see mulan struggle in navigating through men's spaces, as she feels uncomfortable being around so many men, always feeling like she doesn't belong and that she's inherently different from them. mizu has no such experiences like this, as her very personality and approach to life is what can be categorised as typically "masculine". she is straightforward and blunt. her first meeting with mikio, she tells him straight to his face that he's old while frowning and raising a brow at him. she approaches problems with her muscles and fists (or swords), rather than with her words or mind. compare this with mulan, who, while well-trained by the end of the movie, still uses her sharp wits rather than brute strength. this is a typically "feminine" approach. it's also the approach akemi relies on throughout the show—through her intelligence and persuasive tongue, she navigates the brothel with ease. mizu, in contrast to someone like mulan and akemi, struggles with womanhood and femininity, and feels detached from it.

thus, in my opinion, mizu is not simply a man, nor is she simply a woman. she is both. man and woman. masculine and feminine. she has to accept both, rather than suppress one or the other. her name means water. fluid.

as a side note, while i do believe mizu is nonbinary, i also primarily use she/her pronouns but this is a personal preference. i find it's easier, plus it's what the creators use, and because, in general, being nonbinary simply doesn't necessitate the use of they/them pronouns. nonbinary is not just a third gender. it's about breaking the binary, in any which way, and that's exactly what mizu does.

also, i'd also like to mention that one of show's head of story even referred to her with the term "nonbinary", rather than simply "androgynous" (see pic below). and it's possible this could be a slip up on his part, in which he believes the terms are interchangeable (they're not btw), but regardless i find it a very interesting word choice, and one that supports my stance.

so anyway yeah that's my incredibly long rambling post.

TL;DR nonbinary mizu rights 👍🏻👍🏻👍🏻 congrats if you reached the end of this btw. also ily. unless you're a TERF in which case fuck off. ok i'm done.

[filtercoffeeonsteroids]

The fourth Secret to life is that a walk can really do wonders for your mood (s e r o t o n i n)

[riordanverse-craziness]

Greek Deities’ Fancast in Percy Jackson and the Olympians

Utkarsh Ambudkar as Pan

[newhistorybooks]

“Meticulous archival research combines with a strikingly imaginative evocation of the world inhabited by Mughal women in Ruby Lal’s writing. Whether set against the dust and grit of imperial caravans, salt-lashed sea voyages, or the manicured precision of Mughal gardens, her vagabond princess, Gulbadan, surprises us at every turn. A superb achievement.”

[ambisun]

✨✨✨They're here!! ✨✨✨

Take a preview at Tales and Oracle of Eleven! These are the samples for a brand new Oracle deck and South East Asian Folklore anthology that I've created with Sha Roose.

If it's your first time seeing this, Tales and Oracle of Eleven is an Oracle deck and Illustrated Anthology that highlights the folklore and legends from South East Asia. We were successfully funded on Kickstarter last year and soon we'll be ready to ship these out to our backers.

If you've missed out on the campaign, the deck and book are still available for pre-order on our website at a discounted rate. The pre-order ends on the 1st of March so be sure to get it now to secure a copy as limited quantities are available.

Shop here:

( Not available to EU countries for now )

[demigod-of-the-agni]

any cool desi books/media to recommend??

Okay to be fair I am not the biggest consumer of desi media HOWEVER. I have a few niche favourites (some of them come from my research for my Major Work in my final year in high school but here's a quick list):

The Namesake by Jhumpa Lahiri - god this entire book changed me fundamentally. It was like watching my own life play in fast-forward and getting hit in places I didn't want to be hit. if you are a first-generation desi in a western country, you will be on the ground sobbing

If You See Me, Don't Say Hi by Neel Patel - a collection of short stories that methodically break down some of the most subtle and pervasive stereotypes within desi cultures. I've only ever had time to read the first two stories but I'm hoping to get the full book someday

Unaccustomed Earth by Jhump Lahiri - an anthology I read for my senior year as well. Another one of this heart-wrenching pieces that just resonate with me like damn.

The Aru Shah series by Roshani Chokshi - it's Percy Jackson But Make It Desi and honestly such a fun read!! Reading about the Potatoes (this is what the reincarnated Pandavas call themselves not joking) is always bound to make my day

The Age of Kalki series by Vishwas Mudagal - I read this purely for inspiration on my own original novel, and it was fun to use for comparisons for research and my writing. Also, spy stuff and action and all that

The Spider-Man: India comics - hey, desi stuff is desi stuff, and I enjoy anything that has my boy Pavitr in it (I'll enjoy it even more when @/marvelentertainment hires me to write him a book)

The Ms. Marvel show and comics - in Iman Vellani we trust 🙏 also my girl has such a wonderful variety of comics like. she's so cool. i love her. hoping that Iman does a masterful job as she writes Kamala's newest comic

18 Days by Grant Morrison - listen. there is a 2015 graphic novel and there is a 2010 artbook for the 2015 book. They are both the same thing: a retelling of the Mahabharata but make it electronic/futuristic. Read the graphic novel for the story, but I HIGHLY HIGHLY recommend the 2010 artbook as well because my god the ART is just gorgeous. It obviously provides insight on the creation of Morrison's 2015 book but god it is just. so so sooooo good. Mukesh Singh is a beautiful artist I need to have his art tattooed on me

Any desi movies from the 90s-00s - my experience with tamil movies in that time period have always been good ones!! They're chill, they're funny, they're silly, they're romantic, they're thrilling. literally all of my favourite song come from this period (don't disregard movies from later periods either, I watched Brahmastra a few months back and it was lit as fuck).

English translations of popular desi stories - and these stories can be anything. from ye old prevailing Ramayana and Mahabharata to anything written by contemporary desi authors. They've got a lot to share

On a side note me complaining to my desi friends that I want good tamil representation in western media often led to me getting smacked in the face with Never Have I Ever (by my DESI friends! who say it is very good!!) and i just want to say no. don't watch that. as a tamil person living in a western country, i apologise for who Devi Vishwakumar is as a person. i will personally pay for your therapy (has only watched two episodes and was immediately turned off)

I'm giving y'all a whole day to ask me whatever

[teenageascetic]

"Due to Ajnana or ignorance, one imposes limits to Atma. When this Ajnana is destroyed, Atma can be visualised just as sun appears emerging when dark clouds are dispersed.

As the true nature of sun is hidden by a cloud, so the true nature of the eternal and self-luminous Atma is hidden by ignorance.

On account of this ignorance the all pervading Atma seems to be a physical a finite being.

Such ignorance is destroyed by means of contemplation and realisation of the truth contained in the vedic mahavakyas like Aham Brahmasmi ( I am Brahma) and Prainanam Brahma (Brahma is pure consciousness)."

-Adi Shankaracharya.

[fishyyyyy99]

Context: They were talking about how the truth can be different based on perspective.

[clonerightsagenda]

augerer said: most of my friends main critique of this is how you lose the time war was along the lines of “too much vibes, not enough substance” so that sounds good to me

Rakesfall is still definitely vibes-heavy (I read his debut The Saint of Bright Doors to compare and it's a more straightforward narrative) but Rakesfall directly takes on colonialism, capitalism, and ecological collapse in our world and potential future while Time War mostly gestures at it iirc. I think Time War is all in a nameless sci fi/fantasy world whereas Rakesfall sets a chunk of the story during the Sri Lankan civil war.

[literatureaesthetic]

reading babel and feeling accurately represented for the first time ever >>>