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alldancersaretalented · 3 months
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Studio Switch List 2024/25
(also includes late season switches)
Link to "How many studio switches so far?"
??
-> Elite Studio of Dance
Jordyn Hay
-> Gateway Dance Center (new studio!)
B. Bernard C. Butler M. Caryl L. Caver E. Defoe K. Heath I. Lewis C. Nielson A. Peterson S. Peterson A. White
-> Kinetic Dance
Mary Anne Serpas
-> Mather Dance Company
Sally Schulz
-> N10 Dance Studios
Juliette Birchard Jonah Guzman
-> Renner Dance Company
Connell Gocke
-> The Merge (new studio!)
Leila Pitcovich
-> The Moxie Movement (new studio!)
Beeta Barkhordar Harper Fish Bailee Hill Sky White
-> The Union (new studio!)
Veda and little sister Mia Weisz-Marin
-> Tribe Seven
Cate Block
3'N Motion Studio
-> BLA Dance Academy
Molly Weber Margaux Struble Chloe Todman
4th Street Dance Centre
-> Northern Force Dance Company
Hazel Brown Olena Brown
Adage Dance Center
-> K2 Studios
Dylan Kubo Aspen Walton
Adrenaline Dance Company
-> Prodigy Dance Studio
Bellarose Ramos
AE Dance Productions
-> The Company Space
Hazel Kinnick
All American Dance Factor
-> Evolve Dance Complex
Madison Virostek
Allegro Performing Arts Academy
-> Pave School of the Arts
Lily McFarland
AM Dance
-> Studio X
Brooklyn Abrams Alana Cato Asyah Lewis Baileigh McJimson Leiyah Nova
-> The K Project Dance Company
Aubrey Davis Jaden Gonzalez Rosalyn Gutierrez
Amirian Ballet Academy
-> Royal Danish Ballet School
Emma Crawford
Apples Dance Lab
-> Evolve Dance Complex
Payten Butler Sara Wren
Artistic Motion Dance
-> Abstraction Dance Company
Giselle Pilorin
-> Devotion The Movement
Sydney Duke Sunnie Pelant
-> Gateway Dance Center (new studio!)
Zoe Baker GG Mier Katie Rosa Piper Ryder Tatum Ryder
Art Of Technique
-> The Washington School Of Ballet
Kaitlyn Brandely
Augusta West Dance Studio
-> CCJ Conservatory
Zoe Lewis
Avanti Dance Company
-> CAP The Company
Natalie Jahn
-> Mather Dance Company
Hayden Goren Reese Goren
-> N10 Dance Studios
Saige Hibbard
-> West Coast School of the Arts
Eva Graziano
Bay Area Houston Ballet & Theatre
-> Boston Ballet II
Sophia Jones
Bayer Ballet Academy
-> John Cranko Schule
Amelia Chen
Big City Dance Center
-> MDC Bridge Into The Industry
Alex Cyncewicz
Brava Dance
-> Westchester Dance
Emily Pierog
Burbank Dance Academy
-> ABT Junior Co
Manuela De Souza
Cache Valley Civic Ballet
-> Creative Dance Academy
Kate Baldwin Sophia Baldwin
Camarillo Academy of Performing Arts
-> Bobbie's School of Performing Arts
Peyton Root Ryan Root
Canadian Dance Unit
-> Vlad's Dance Company
Quinn Powers
CanDance Studios
-> Club Dance Studio
Preslie Ball
-> Gateway Dance Center (new studio!)
Colette Stutzman
-> The Union (new studio!)
Crystalyn Chesko
Carlsbad Dance Centre
-> Pave San Diego (new studio!)
Ansel Mullick Camille Mullick Evelyn Mullick
Cary Dance Prudctions
-> Renner Dance Company
Marlee Thomas
CC & Co Dance Complex
-> Renner Dance Company
Connell Gocke Olivia Roberson
Centerstage Dance Academy
-> West Florida Dance Company
Ava Starr Rodriguez
Center Stage Dance Company
-> JBP Entertainment
Bianca Lewis
Center Stage Dance Gymnastics
-> The Fenyx Project
Arielle Miles
Center Stage Performing Arts Studio
-> The Moxie Movement (new studio!)
Halston Fisher Oakley Fisher Tatum Fisher
Charliz Balicao Dance Company
-> Larkin Dance Studio
Payton Mueller
Cincinnati Ballet Professional Training
-> Alabama Ballet
Caroline Love Jenna Renfield
City Ballet San Francisco
-> Boston Ballet II
Maddie Austin
CityDance Conservatory
-> Boston Ballet School II
Lucian DeBellis
CJ Dance Crew
-> Club Dance Studio
Madi Cole MaKinley Cole
Club Dance
-> ??
Ashton Wullbrandt
-> Dance Studio C
Gwyneth Woods
-> Elite Dance Pro
Madisyn Rose Amos Kennedy Cicerelli Abby Honstad Jaida Morin Payton Stowe
-> Gateway Dance Center (new studio!)
Tilly Allen Brinley Bennett Brynlee Bulbulian Lainey Bulbulian Makena Cameron Pallas Chiste Olivia Clouse Kensley Colman Charlotte Cook Sophia Dasalla Avery Dunwell Lena Funk Mia Funk Jaycee Grant Kalista Greer Kanon Greer Kaylan Greer Oakley Hill Goldie Hill Birdie Hill Alaina Igleski Kaydence Lawton Arianna Mendez Callie Mendez Harper O'Malley Dannika Ren'ee Quiroz Tatem Robinson Leslie Soto Nicole Soto Tatum Strauss Kate Valentine Aubrey Williams
-> Illusion Dance Company
Madyson Barney
-> Prodigy Dance PAC
Taeya Stosich Tinley Stosich
Complexity Dance Center
-> Vision Dance Alliance
Ava Dowling London Dowling
Concept Pavielle
-> Larkin Dance Studio
Siena Paradeau
Conservatory of Dance Arts
-> The Merge (new studio!)
Ella Andrews Sarah Blady Charlotte Dean Sophie Dean Calli Hollenbeck Lilly May Hartley Murla
Cypress Dance Project (closing!)
-> The Fenyx Project
Ahmya Tovar Jasleen Tovar
-> Tribe Seven
Avery Farris Gracelyn Harris Kyndle McCormick Frankie Miranda Mia Narvaez Tana Nickerson Evelin Peterson Lily Savarese Paislynn Schroeder Gabriella Slay Dalilah Soto Frankie Soto Kayla Tanea Abigail Wade Melody Thiel Rianna Weck Rosalie Wickman
Cypress Elite Dance Studio
-> The Fenyx Project
Charlie Mae
Dance Academy of State College
-> Evolve Dance Complex
Emma Girdany
Dance Arts Centre ATL
-> Dance Lab (new studio!)
Ryn Andersen Tarin Belizaire Izzy Bensinger Nina Kitchen Daniella Lerman Samantha Wilson
Dance Arts Centre
-> Summit Dance Shoppe
Beckett Eberhard Britta Eberhard
Dance Connection 2
-> Club Dance Studio
Claire Pistor
-> Gateway Dance Center (new studio!)
Jaxon Adamson Juliette Ridenour Scarlett Ridenour
Dance Connection Scottsdale
-> The Collective PHX
Madee Richardson
Dance Deluxe
-> Club Dance Studio
Dana Homes
-> Dance Connection 2
Kamryn Arnold
-> Elektro Dance Academy
Sunday Smith
Dance Dimensions PAC
-> The House Dance Complex
Sophia Hasson Victoria Safahi
Dance Enthusiasm
-> Murrieta Dance Project
Liciana Vun
-> Phunk Phenomenon Dance Studio
Landon Indeglia
Dance Exposure 2
-> The Vision Dance Alliance
Morgan Wendt
Dance FX
-> Pave San Diego (new studio!)
Aryanna Lafontaine Cooper
Dance Inc Company
-> MDC Bridge Into The Industry
Lauren Allan
Dance Lab OC
-> Dmitri Kulev Classical Ballet Academy
Maggie Till
Dancemark Studio
-> Pave San Diego (new studio!)
Katie Bishop
Dance Republic
-> Club Dance
Annabelle Greenamyer Scottie Greenamyer Abigail Patton
-> Gateway Dance Center (new studio!)
Kaia Roseland
Dance Studio C
-> Elite Dance Pro -> Dance Connection 2
Charlotte Rathjen
-> Impact Dance
Maizey Miller Savannah Miller
Dance University
-> Impact Dance Academy (new studio!)
Olivia Cherpak Stella Cherpak Chiara Siragusa Mila Steven
Dance Unlimited Miami
-> Stars Dance Studio
Mila Talab
The Dance Zone
Katelyn Miranda
-> The Living Dolls Dance Factory
Olivia Martinez
Dance Unlimited Colorado
-> Gateway Dance Center (new studio!)
Fiona McDonald
Dance Vision
-> Becky Nalevanko's Dance Studio
Aria Telander
DanceDynamicsLV
-> Academy of Nevada Ballet
Naya Fowler
-> The Rock
Brielle Bonas Parker June
Danceology
-> Club Dance
Kelsey Jackman Makayla Jackman
-> DC Dance Factory
Kendall Kolodge
-> Evoke Dance Movement
Vida Lemos
-> Hyphen Conservatory
Haley Bertino
-> North County Academy of Dance
Ella Nani Knight
-> Pave San Diego
Paisley Publico Polly Jo Publico
Dancers Edge
-> Club Dance
Emerson Van Houten
Dancers World Production
-> K2 Studios
Claire Zhang
Dance Vision
-> The Academy
Cece Nguyen
Dansations Competition Team
-> The Vision Dance Alliance
Brady Horne
DC Dance Factory
-> The Vision Dance Alliance
Harper Bowen
Dellos Dance Academy
-> The Academy
Kendall Krajewski
Diverse Elements
-> Dance Connection Scottsdale
Kenna Bonhote
-> Dance Connection 2
Peyton Whited
Divine Dance Center
-> MDC Bridge Into The Industry
Kallie Niday
DMdance Company
-> The Merge (new studio!)
Kinsley Gainer Taylor Jenkins Tyler Jenkins
Dmitri Kulev Classical Ballet Academy
-> ABT Junior Co
Clara Riggs
-> Boston Ballet II
Pavel Kulev
-> Elite Classical Coaching
Summer Lily
-> European School of Ballet
Annabel Kohn
-> San Francisco Ballet School
June Freeman
-> Westside Dance Project
Fiona Poth
DNA Dance Creatives
-> Prodigy Dance PAC
Jackson Ruekert
Drapers Center for Dance Education
-> Gateway Dance Center (new studio!)
Rhauri Samuels
-> The Rock School For Ballet
Samuel Gauss
Dynamic Dance Company
-> Stars Dance Studio
Victoria Crupi
Dynamic Dance Refinery
-> New Level Dance Company
Sophia Hernandez-Gonzalez
Elektro Dance Academy
-> Dance Deluxe
Alexis Gizzo
-> Eternal Dance Company
Madyson Koch
-> LA Dance
Kinsey Joan
-> The Collective PHX
Julianna Aispuro Tenley Anthony
Elevate Dance Academy
-> MDC Bridge Into The Industry
Sidney Sullivan
Elite Classical Coaching
-> Academie Princess Grace
Morgan Ligon
-> Royal Ballet School
Izzy Keesee
Elite Dance PAC
-> Hyphen Conservatory
Lillie Lanier
Elite Dance Pro
-> Club Dance
Peyton De La Cerda Mila Michael Lucia Piedrahita Sophia Schiano River Segerman
-> Rhythm Dance Complex
Gavin Schwarze
-> The Collective PHX
Alexa Schwarze
Elite Feet Artists Company
-> Stars Dance Studio
Norah Hurley
Elise Flagg Academy Of Dance
-> Central PA Youth Ballet
Ella Wilke
Ellison Ballet
-> ABT Junior Co
Victoria Papakalodouka
Encore Dance Arts
-> The Collective PHX
Laila Faith
Eternal Dance Company
-> CanDance Studios
Alaina Martinez
-> Gateway Dance Center
Juniper Wakefield
Evoke Dance Movement
-> Pave San Diego (new studio!)
Eleanor Bullock Lucia Jade Frazier Emmy Claire Khaiden Tayah Klimuck Dylan Schaffer Maya Steinman
Evolve 26
-> MDC Bridge Into The Industry
Blayklee Balthazar
Evolve Dance Complex
-> CCJ Conservatory
Cami Vorhees
-> Power Dance Company
Maya Rogers
Evolution Dance Center
-> North County Academy Of Dance
Presley McGraw
-> Pave San Diego (new studio!)
Casey Archibald Liv Barrelli Karisma Colyan Kirrana Colyan Ava Cucker Elyse Dueler Alli Esposito Avery Fumillari Sofia Galati Joya Garner Sofia Gorman Kendall Hensley Kaylie Koehnen Brianna Lee Isla Marshall Emma MacKay Everly McGraw Ellie Miles Avril Overlock Drew Overlock Danielle Smart Kirra Stradwiser Vivienne Tolentino Lyla Yuceit Brooke Zamoff Shayne Zell
Expressions Dance & Music
-> Tribe Seven
Francesca Casaretto Gabi Woods
Fearless Dance Company
-> K2 Studios
Marilyn Castaneda
Flashdance Studio
-> Houston Ballet Academy
Patricio Lopez
FLEX Dance and Fitness
-> The Southern Strutt
Grace Marvella
Freckled Frog Dance Studio
-> K2 Studios
Vallerina Athena
Fusion Dance Force
-> Blueprint Dance Project
Emily Deal Abigail Monahan Abby Rodriguez
Fusion Studios
-> Mather Dance Company
Brooke Kim Mariana Simoes
Gateway Dance Center (new studio!)
-> Dance Deluxe
Bradley Kawa Breckyn Kawa
Gotta Dance Company AZ
-> The Collective PHX
Avah Gonzalez Gabriella Gonzalez Valencia Gonzalez
Gotta Dance Company CA
-> Stars Dance Studio
Tristan Jones
Greenwich Conservatory of Classical Ballet
-> Dance Town
Cassie Coughlin
-> Mather Dance Company
Lydon Thach
-> The Academy
Lia Turrieta
Hart Academy of Dance
-> The Academy
Lia Turrieta
Hathaway Academy of Ballet
-> somewhere in the Netherlands
Kennedy Kahler
Heart & Sole Performing Arts
-> Gotta Dance Company
Leigha Jessee
Hollywood Ballet School
-> United Ballet Academy
Isobel Lehman
Houston Ballet Academy
-> Boston Ballet
Sam Stampleman
-> Boston Ballet II
Michael Dadlez Layla Porter
Hudson Dance Academy
-> Avanti Dance Company
Melody Garcia
Hyphen Conservatory
-> Mather Dance Company
Makaela McCosar
iBallet Studio
-> Elite Classical Coaching
Aviva Brock
Impact Dance
-> Club Dance Studio
Bostyn Thomas Holland Thomas Presley Thomas
In Motion Dance Project (closing)
-> ??
Mila Bonilla Anniston Clarke Adrienne Diaz Bella Flores Mia Flores Lily Holbrook Isabella Luciano Mali Photnetrakhom Madeline Terry Joey Webber
-> Dance Universe
Ellie ?
-> Marshall Ellis Dance School
Renee Forseth
-> New Dimensions Dance
Annalee Ramb
-> Starz Dance Company
Elissa Loryn Sadie Moore Isabella Peixoto
-> Orlando Ballet School
Sylvie Rock
-> Underground Movement
Lila Blood Kristyeliz Laureano Valerie Santana Izzy Warren
-> Xplosive Dance Academy
Levi Caicco Valeria Luciano Isabella Quartaro Olivia Rock Abigail Torres Adeline Vozza
Innovate Dance Studios
-> Avanti Dance Company
Pressly Loomis
Inspire Dance Complex
-> K2 Studios
Eliana Guzmán Isabela Guzmán Cali Rucker Arrow Yarbrough
Inspired Movement Dance
-> Innovate Dance Studios
Brooke Toro
Intensity Dance Academy
-> Evolve Dance Complex
Lydia Onder Bryn Onder
Intensity Dancer's Studio
-> Dance Town
Nicole Losada
In The Spotlight Dance Studio
-> Summit Dance Shoppe
Quinn Caroline
JBP Entertainment
-> BLA Dance Academy
Ashton Kinsleigh
JDI Dance Company
-> 4PM Dance
Addelyn Muesso
Jean Leigh Academy of Dance
-> Tari's School of Dance
Stella Vince
Joffrey Ballet School Texas
-> MDC Bridge Into The Industry
Ella Waitz
Jump Dance Company
-> Impact Dance Academy (new studio!)
Natalie Boone Reese Gilman Chloe Mullins Claire Sorensen Addison Weimann
Jun Lu Performing Arts
-> Bayer Ballet Academy
Athena Hu
Just off Broadway
-> Club Dance Studio
Kaia Erby
-> Elite Classical Coaching
Sadie Daniels
-> Stars Dance Studio
Zoe Swope
K2 Studios
-> ??
(Jessica Sutton) (Rebecca Sutton)
-> Studio X
Jeanne Garcia Zoey Garcia
-> The Academy
Kynzli Reece
Kaos Dance Elite
-> The Company Space
Taylor Smith
Kat & Co
-> Evolve Dance Complex
Anthony Labritz
Katies Dance Connection
-> Elite Danceworx
Taya Osso
Kick Dance Studio
-> The Vision Dance Alliance
Violet Kolb
Kinetic Dance
-> The Merge (new studio!)
Catherine Owen
Kozmic Edge
-> Q3 Dance Company
Angelina Mendez
LA Dance AZ
-> Dance Connection Scottsdale
Syvon Stokes
Larkin Dance Studio
-> Studio 4
Lola Boisen
-> Concept Pavielle
Grace Sullivan
-> Elite Classical Coaching
Savannah Manzel
Legacy Dance Productions
-> MDC Bridge Into The Industry
Mckenna Gerrits
Legacy Productions Miami
-> Stars Dance Studio
Emily Pina
Lovett Dance Center
-> Hyphen Conservatory
Logan Macy
Major Productions Studio of Dance
-> Impact Dance Academy (new studio!)
Hailey Schneider
Master Ballet Academy
-> Ballet West
Melanie McIntire
-> Club Dance Studio
Hazel Silverman (also continues training at MBA)
-> John Cranko Schule
Gracie Kirkwood Lillian Rossman
-> The Rock School For Ballet
Keagan Pickett
Mather Dance Company
-> OCPAA
Mia Santiago Savy Witeck
-> The Academy
Eliana Weiss
Mekka Dance Project
-> Tribe Seven
Ainsley Scott
Meta Fair Burns Dance
-> Kinetic Dance (new studio!)
Kylie Dalrymple
Miami City Ballet Pre-Pro
-> Boston Ballet II
Olivia Santos
Miami Dancity Studios
-> Stars Dance Studio
Sabrina Lorente
Michelle's Dance Xplosion
-> Nor Cal Dance Arts
Jaxon Albano
Michigan Dance Alliance
-> Artflux Dance Lab
Mattie Mair Millie Morante
Milele Academy, LLC
-> DC Dance Factory
Eisley Beer
MJ's House of Dance
-> Blueprint Dance Project
Kiley Holgerson Ava Azzaretto Caiden Boltz Cassidy Boltz
Monterey Peninsula Ballet Theatre
-> Bayer Ballet Academy
Harper Palmer
Move By Morrelli
-> Artistic Fusion Dance
Lilianna Hales
Murrieta Dance Project
-> K2 Studios
Jaedon Diaz Kloey Diaz
MVP Elite
-> 3'Motion Dance Studio
Mackenzie Mucha Madison Mucha
N10 Dance Studios
-> ??
Ariella Truong
-> 4PM
Jordan Eskenazi
-> Dance Star Academy of Performing Arts
Avery Margarita
-> Premier Youth Dance Academy
Clara Han
-> Project 21
Annie Hu Madison Ng
New Level
-> Stars
Kenny Braga Reese Braga
NJ Center of Dance
-> The Vision Dance Complex
Bella Baldino
No Limits Dance Company
-> CCJ Conservatory
Rylie Sickles
Northern Force Dance Company
-> Larkin Dance Studio
Aria Johnson Sloane Johnson
North Shore Dance Academy
-> Dance Enthusiasm
Juliana Desilets Ellie Fanning Sophie MacKenzie Callie Wilkins Molly Wilkins
OCPAA
-> ??
Sarah Kuy
-> K2 Studios
Amelia Faizi Ella Montano
-> Mather Dance Company
Mila Malone Sierra Yen
-> Nebraska Dance
Sophia SantaMaria
-> Project 21
Reese Arkin Valeria Ochoa
-> Studio X
Jordyn Rockett
On Pointe Dance Studio
-> K2 Studios
Giuliana Bressler
Orlando International School of Dance
-> Starz Dance Company
Layla Jordan
Palm Beach Academy of Dance Arts
-> Dance Universe
Hattie Selene
Panama City Dance Academy
-> Kinetic Dance (new studio!)
Maisie-Rose Burkey
Paula Carr Dance Academy
-> Elektro Dance Academy
Eliza Gee
Pave School of the Arts
-> Evoke Dance Movement
Addyson Paul
-> Innovate Dance Studios
Quinn Briscoe
-> Mather Dance Company
Alexa Rauth Ava Rauth
-> OCPAA
Kennedy Bush
-> Project 21
Stella Fisk Liv Matson
-> The Moxie Movement (new studio!)
Kenzie Arrendondo Talia Ayumi Gemma DeSola Kinsley Dunn Kassidy Dunn Ellie Iwamoto James Iwamoto Harper Fisk Marlowe Fisk Tatum Fisk Kirsten Jeslyn Kailey Longshore Kassidy Luong Sophia Monje Alexa Paul Goli Ranekouhi Rylee Stabeck Isaiah Wang Hadley York
-> South County Dance
Hayden Calder
Perception Dance
-> Premier Dance
Madison Smith
Perfect Pointe Dance
-> Studio X
Danya Chang
Pittsburgh Ballet Theatre School
-> Ballet West Academy
Carina Fulop
Platform Dance
-> Gateway Dance Center (new studio!)
Arielle Michalak
Precision Dance Conservatory
-> Dance Universe
Teagan Sanchez
Premier Youth Dance Company
-> Elite Classical Coaching
Greysen Fowler-Allen
Prestige Dance Institute
-> Renner Dance Company
Kensley Phillips
Profusion Talent
-> Studio X Dance Complex
Dallas Soffel
Project 21
-> ??
Ally Choi Airi Dela Cruz
-> CAP The Company
Dillon Barron
-> CA School of Classical Ballet
Aliya Yen
-> Stars Dance Studio
Leilani Lawlor
-> Westside Dance Project
Makeila Bartlett
Project Performer
-> Pave San Diego
Nora Aminlari
Renner Dance Company
-> Club Dance Studio
Ania Siri Olivia Siri
Republic Edge Dance Company
-> Tribe Seven
Adalynn Delaney Alayna Jeneva Cali Lynch Aubrey Warren
Revolution Dance
-> Dance Zone
Kaylin Gabosch
Rize All
-> Elite Studio of Dance
Carissa Chueng Roxanna Chueng
-> Natiomas Dance Method
Ayla Polendav
-> University Cheer Force
Addelyn Skube
Rockly Mountains Ballet Academy
-> San Francisco Ballet School
Shylee Sagle
Russian Masters Ballet
-> Dmitri Kulev Classical Ballet Academy
Sheridan Stone
San Clemente Dance
-> Variant Movement
Alana Ting
SFLA Dance Complex
-> Dance Enthusiasm
Addison Parker
Skyra Studios
-> Mather
Sienna Morris
Sol Studio SSD (closing!)
-> Pave San Diego (new studio!)
Phoebe Fatula Hayden Goebel Makenna McGrath Lily Parraga Riley Platenberg Gabby Reiss Tiffany Robinson Keira Segal
Soul Studio Dance
-> West Florida Dance Company
Callie Ludtke
South County Dance
-> K2 Studios
Paige Garrett Reese Garrett
-> Mather Dance Company
Gabby Campos
Southland Ballet Academy
-> ABT Junior Co
Alisa Xu
-> Pacific Dance
Natalie Chiang
South Tulsa Dance Co
-> Next Step Dance
Allyn Green
Stage One Dance Studio
-> MDC Bridge Into The Industry
Katie Kim
Starstruck Performing Arts Center
-> Perception Dance
Jacey Erwin Kinley Winn
Steps N Motion Dance
-> K2 Studios
Aspen Roberts
Studio 1 Dance Academy
-> Club Dance
Hadley Taylor
-> The House Dance Complex
Lyla Martin
Studio 4
-> Larkin
Elle Boudewyns Reese Ottney Leah Pribyl Vera Souvannavong
Studio 19 Dance Complex
-> Elite Dance By Damian
Alexis Crystal
-> Evolve Dance Complex
Carina Simone
-> MDC Bridge Into The Industry
Kaitlyn Allen
Studio 702
-> The Rock
Peyton Nowacki Addison Price Hailey Stuck Taylor Stuck
Studio Bleu Dance Center (closing!)
-> ??
Kristin Mitchell
-> Art of Technique
Abigail Daisy Olivia Rosiek Chloé Le Pettigrew Victoria Zhang
-> Cerdafied Dance Studios
Nick Shalin
-> CityDance Conservatory
Kennedy Thompson
-> Dance Academy of Loudoun
Madelyn Cuttin Addie She
-> Enchanted Stage
Lily Mendoza Ellie Myers Mina Oemler
-> Ignite The Light Performing Arts
Zion Landis
-> LM Premier Dance
Grace Wright
-> Mission Dance Project (new studio!)
Lily Carmello Ava Doell Aubrey Franklin Kayleigh Jo Ellie Myers Brianna Norgrove Emily Parinello Brooklyn Smith Stella Tullio Jessica Zhang
-> NOVA Elite Dance Alliance
Nicole Ocean
-> Rise Dance Center
Kennedy Mirabella Maddy Mirabella
-> TDC Dance
Ja Pelle Nayeli Wilder
-> The Dance Lab VA (new studio!)
Leilah Bell Lily Rae Bolno Audrina Brudner Bellatrix Castillo Isabella Plotczyk Ashlan Scheide Mina Terry Gina Zhang
Studio G Dance Company
-> Art In Motion Conservatory of Dance
Madilyn Rexrode
-> Artistic Edge
Devin Dalmolin
Summer's Danceworks
-> The Union (new studio!)
Cienna Fernow Ellah Perry
Summit Dance Shoppe
-> Concept Pavielle
Gabriella Maggitt Carrigan Paylor
-> Larkin Dance Studio
Lucy Mae Dunn
Synergy Academy Utah
-> Center Stage Performing Arts Studio
Corra Blake
Tapio School of Dance and Gymnastics
-> CCJ Conservatory
Landry Leon
TDA Prep
-> Exhibit 3 Dance
Avery Maycunich
Temecula Dance Company
-> K2 Studios
Bailey Dalton
Texas Academy of Dance Arts
-> Tribe Seven
Gatsby Lasala Quinlyn Lasala
The Academy
-> Evoke Dance Movement
Ella Carlson
-> K2 Studios
Laci Stoico
-> Mather Dance Company
Bella Puskar
-> The Next Big Thing Academy
Peyton Barron
-> The Platform Dance Studio
Malia Williams
-> YYC Dance
Kinsley Oykhman
The Art of Classical Ballet
-> Hollywood Ballet School
Kya Massimino
Theatre Arts
-> MDC Bridge Into The Industry
Hallee Francisco
The Ballet Clinic
-> Russian Ballet Academy
Sarina Rosenblum
The Center Stage Dance Studio
-> YLAB
Blakelyn Scifres
The Collective PHX
-> CanDance Studios
Sasha Landreaux
-> Club Dance Studio
Ellie Laird Zoie Laird
-> Elite Dance Pro
Alivya Alfonso
-> Gateway Dance Center (new studio!)
Breckyn Kawa -> Dance Deluxe Bradley Kawa -> Dance Deluxe
-> Russian Ballet Academy
Mila Hiatt
-> The Union (new studio!)
Addy Gaffney
TheCREW
-> Studio X
Kinley Cunningham
The Dance Academy of Puyallup
-> The Company Space
Isabella Scandale
The Dance Centre NJ
-> The Vision Dance Alliance
Savanna Grae
The Dance Complex
-> Larkin Dance Studio
Maddyn Bauermeister Henley Raak
The Dance Institute
-> Stars Dance Studio
Maribel Weishaar
The Dance Scene
-> Studio X
Desi Alcala
The Dance Space
-> Tribe Seven
Penelope Church
The Dance Spot
-> Danceology
Alessandra Escobar-Moeller
-> Mather Dance Company
Kennedy Molino
The Element Dance Center
-> The Academy
Sunnie Stanley
The Living Dolls Factory
-> Legacy Dance Studio
Lilliana Gonzalez
The Movement Complex
-> Stars Dance Studio
Victoria Reich
The NINE Dance Academy
-> Canadian Dance Company
Shaunaughsey Meagher
-> Vlad's Dance Company
Evelyn Rego Ivy Mae Rego
The Platform Dance Studio
-> CCJ Conservatory
Kaydence Mardis
-> Dance Connection 2
Jordyn Castle
-> Gateway Dance Center (new studio!)
Clara Lawless Lily Lawless Stella Lawless Arielle Michalak Charlotte Reese
The Rage Dance Complex
-> Studio 1 Dance Academy
Tennasyn Faith Giselle Miranda
The Rock Center For Dance
-> ABT Junior Co
Crystal Huang
The Southern Strutt
-> CCJ Consevatory
Annsley Huff
The Talent Factory
-> K2 Studios
Ileana Cruz Sienna Legitt Natalie Pan Quinn Pan
The Vision Dance Alliance
-> New Jersey Ballet Company
Kennedy Anderson
The Why Movement
-> Tribe Seven
Grace Gerszewski
Titanium Arts Lab
-> MDC Bridge Into The Industry
Julliana Gould
Trademark Dance Academy
-> The Vision Dance Alliance
Braelynn McKenna
Variant Movement
-> New Level Dance Company
Gabby Terschluse
Way 2 Move - Dance & Movement
-> Dance Town
Alexa Oviedo
West Coast Dance Complex
-> Pave San Diego (new studio!)
Emily Bach
West Coast School of the Arts
-> Hyphen Conservatory
Rebeca Gomez Garza
West Florida Dance Company
-> Stars Dance Studio
Ella Dobler
-> The Southern Strutt
Macey Strickland
WestMet Classical Training
-> Sarasota Ballet School
Madelyn Murphy
Westside Dance Project
-> ??
Diana Kouznetsova Isabella Kouznetsova
-> European School of Ballet
Annabel Kohn
-> Hyphen Conservatory
Esme Chou Olivia Marquez
-> San Francisco Ballet School
Izzy Howard
Woodbury Dance Center
-> Larkin Dance Studio
Kylie Roach
Xtreme Dance Studio
-> The Rock School
Blake Metcalf
YLAB
-> Project 21
Emma Walters (also continuing training at YLAB)
Your Haven Dance Company
-> West Florida Dance Co
Kylee Kay
Youth American Ballet Company
-> Boston Ballet II
Natalie Cardona
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Text
What is Numerology?
Numerology is a pretty old technique that uses numbers to assess the character and destiny of any given person. It can also be used to check the nature of a new pet, business, and anything else with a name and/or a start/birth date. This can also be paired with a simple form of astrology for more accurate predictions, or used on its own. A simple search on the Britannica website for ‘numerology’ will give you an extremely short article. But, I pulled the following quote from there: “The theory behind numerology is based on the Pythagorean idea that all things can be expressed in numerical terms because they are ultimately reducible to numbers.” 
However, numerology was practiced in Ancient India (in the Vedas) and China (in the I Ching) which were, coincidentally, before Pythagoras/the Pythagorean Brotherhood’s time. But, since the way Pythagoras taught his method of using numerology seemed to have truly stuck with most other cultures around the world, this way of numerology is the most accessible. The ancient Greeks, Romans, and Hebrews also used number systems based on the letters of their alphabet; but the numbers we have today came from the Arabs.
Let’s get to the fun part!
How do I use Numerology?
So, Numerology in my opinion, is the absolute easiest form of divination. Just remember to take notes as you go, and you’ll be fine! 
Or, you can reach out for help from someone you trust that knows numerology; or you can reach out to literally anyone on the internet willing to teach this, but be careful with that one… I believe knowledge should be free, but that’s not the case with a few other people, I’ve heard. So if they ask for a payment, make sure you’ve truly looked at their blog/page. If their vibe doesn’t sit right with you, don’t do it. Money can make good people funny. And not in a good way.
Okay! Let’s get back to this topic. How do I/you use numerology? Super easy. There are two SUPER common types of numbers, and they are usually the first thought in people’s head when they think about Numerology as a whole. They are the Destiny and Life Path numbers!
The difference between these numbers is that the Destiny number shows your life’s purpose and the pattern by which you’ll achieve that, and the Life’s Path number is usually used to make forecasts about one's future. 
I’ll make a separate post on what the numbers 1—9 mean, because that’s what we’re going to be working with for right now; but in the meantime, let me explain what you’ll need to figure out your numbers!!
Materials:
Your Full Name
Your Date of Birth
Pen/pencil
Paper
Calculator (optional)
It’s not a super complex mathematical formula that we’ll be using, just some basic addition!
Also!! If you are transgender, or nonbinary; or you’ve changed your name for any reason—PLEASE use the name YOU HAVE CHOSEN for yourself! If you’re comfortable with it too, you can also use the old/dead name to compare the potential outcomes of your life! If you’re not too comfortable with that, don’t sweat it!
Okay, so you’ve got your materials; cool beans, now what? You’re now going to assign the letters of the alphabet numbers!
Instructions: 
Write the numbers 1—9 across the width of the paper. So you’re going to write out:
1 2 3 4 5 6 7 8 9, making sure they’re spaced out enough to write in columns beneath them and not have things overlapping. For ease of reading!
Put the letters beneath the numbers in the order I have listed:
A,J,S under 1.
B,K,T under 2
C,L,U under 3
D,M,V under 4
E,N,V under 5
F,O,X under 6
G,P,Y under 7
H,Q,Z under 8
I,R under 9.
Now, spell out your FULL NAME!! 1st, middle (if you have it), last and anything after that! You’re now going to add up the numbers! I like to keep my number in three separate rows, so my first name has one, middle the second, and last the third line.. Just for the sake of keeping things readable/not too overwhelming.
My numbers, just because I don’t want to give my full name out on the internet; are:
24, 29, 29. But! We need one number between 1 and 9. If you do 24+29(2)=82, you can then simplify my numbers to: 8+2=10, 1+0=1.
What we did here was we found our Destiny number. Pretty neat right?
Let’s do our life path number as well.
Get your birthday written out, it doesn't matter if you use the UK, US, or any other style of writing out dates, because they will always add up to the same number!
Mine is: 12/20/2003. I’ve got it pretty easy, because there’s a bunch of 0’s in mine and I’m working with small numbers.
1+2+2+0+2+0+0+3=10, 1+0=1. And BOOM! We have our life path number as well. 
So, before this post gets crazy long; I hope you have a wonderful day, and I’ll be posting the meanings of the numbers 1—9 with three posts; because I have a lot to say! Bye!!
Further Reading/my Sources:
Britannica, The Editors of Encyclopaedia. "numerology". Encyclopedia Britannica, 25 May. 2023, https://www.britannica.com/topic/numerology. Accessed 1 October 2023.
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st4rvncr0wz · 1 year
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INTRO
DNI if under 14
murder of crows sys
native & white🪶18𖤐fren/eng
änä b/p, f4tphobic but pro recovery
ed obslov vent drug+
we have osdd
crow he/it, no emoji=me
⚡️D he/they
🎀Drac she/they
🧚🏻‍♀️Veda she/it
→ we also have bpd npd and more, physical disabilities n chronic illnesses, we don't tw this is your warning
stats: 5'1ft/155cm
sw: 93lbs
hw: 108lbs
gw: 75lbs
gw2: 73lbs
gw3: 70lbs
gw4/ugw1 : 65lbs
→ anti-religion !!
→ spiritualist
i own "absurd" things related to my cultural practices, tics cause us to double tap our keyboard, i try to fix it but there's double spaces n mistakes
→ we use we/i/us/our/my interchangeably
twt and insta have the same @ !!
↓future additions↓
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parkerbombshell · 3 months
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Addictions and Other Vices 936 – Colour Me Friday
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Addictions and Other Vices Fridays 3pm-6pm EST Repeats Saturday 3pm EST and Sunday 8am EST  bombshellradio.com #NowPlaying #indie #rock #alternative #Synthpop #indierock #community #radio #BombshellRadio #DJ #AddictionsPodcast #NewMusic #ColourMeFriday #Radio247 New Indie finds, previews of Just Another Menace Sunday artists coming up this weekend into next week ala Dennis The Menace, and Alex Green of Stereo Embers The Podcast and Sandy Kaye of A Breath of Fresh Air. Discoveries from our social media followers and a few more surprises. Thanks to all the artists, labels and PR companies that submitted tracks this week. Fix Mix 936 - 1. Didn't (feat. Cavetown) - illuminati hotties 2. Gary - Blossoms 3. Bus - Travis 4. I Can't Wait For Summer - sparkle*jets 5. First Day of My Life - Bright Eyes 6. Put Some Sugar on It - Half Japanese 7. Chopping Them Down - The Sea At Midnight 8. Adios MF - They 9. Baby Blue Movie - Cigarettes After Sex 10. Twist and Turn - Cardinals 11. Left My Keys - Cults 12. Look At All the Things - Neil Young, Crazy Horse 13. Tooth Fairy - Hippo Campus 14. You Don't Know Love - The Deep Drags 15. We Made It Look Easy - Bon Jovi 16. Springsteen - Marlin Beach 17. walk with you - The Sweet Pomelos 18. Walking in Between Raindrops - Daryl Hall 19. Other Side - MisterWives, Charlotte Sands 20. Just So You Know - Virtual Nobodies 21. Take Me Away - Jay Sprouse 22. You're So Impatient - Pixies 23. Brown Eyed Baby - Alexander 23 24. Mind Palace - The Speed of Sound 25. New Way Out - Poppy 26. Boom! - Kat Koan 27. Cold Treatment - Lime Cordiale 28. Sorry - Twin Atlantic 29. On My Own - Benton 30. Perfume - Pale Waves 31. Muse - Piper Connolly 32. 45 Degrees - LAUREL 33. Just A Dance - Alfie Templeman, Nile Rivers 34. Breaking Ice - Lyon Tide 35. Step Into Your Power - Ray Lamontagne 36. Meneke - Nilipek 37. Delight - Anacy 38. Water the Flowers, Pray for a Garden - Valley 39. Never See Me Down - Bess 40. Fading Embers - Ezra Veda 41. wish i was a robot - LØLØ 42. Everything's Gonna Be Alright - Church Of Trees 43. Exercise Class - Rodney Cromwell 44. No Fear - Ted Ahead 45. A Tear in Space (Airlock) - Glass Animals 46. missed Connection - Jessa V 47. Blow The Blue Away - Diya 48. Coming Home - beabadoobee 49. Lost - Soccer Mommy   INTERVIEWS THIS WEEK Friday June 14 Rainbow Country  w HR 1 My conversation with Sergeant #RobertChevalier The 2S-LGBTQ Liason Officer for #TorontoPoliceServices continues. On this episode we get his thoughts on the removal of #Toronto Police from Toronto's Pride Parade & MORE! Just Another Menace Sunday w/ Bright Eyes A Breath of Fresh Air  w / American singer-songwriter Bruce Sudano has a storied history in music. His unique journey began with a songwriting mentorship from Tommy James, co-founding Alive ‘N Kickin’ and Brooklyn Dreams, and seeing his work recorded by iconic artists like Dolly Parton, Reba McEntire, Michael & Jermaine Jackson. Sunday June 16 Stereo Embers The Podcast w /  Stereo Embers The Podcast: Jad Fair (Half Japanese) Just Another Menace Sunday w/ TBA Tuesday  June  18 A Breath of Fresh Air  w / TBA Wednesday June 19 Just Another Menace Sunday w/  TBA Thursday June 20 Stereo Embers The Podcast w /  TBA Read the full article
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h-earthwindfire · 7 months
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FIRE
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heat, inferno, devouring, flames, hearth, luminosity, pyre, warmth
c. 1200, furen, "arouse, inflame, excite" (a figurative use); literal sense of "set fire to" is attested from late 14c., from fire (n.). The Old English verb fyrian "to supply with fire" apparently did not survive into Middle English. Related: Fired; firing.
[[fireplace]] [[hearth]] [[heart]]
Meaning "expose to the effects of heat or fire" (of bricks, pottery, etc.) is from 1660s. Meaning "to discharge artillery or a firearm" (originally by application of fire) is from 1520s; extended sense of "to throw (as a missile)" is from 1580s. Fire away in the figurative sense of "go ahead" is from 1775.
[[crisis]] [[urgency]]
Calasso, Ka Stories of the Mind and Gods of India
You can eat as many of them as you want. They don't know the Vedas. But remember: Never kill a brahman. A brahman is fire, is a blade, is [[poison]]. Fnder no circumstances. even if seized by [[anger]], must you hurt a brahman." Garuda listened, ever more serious.
Calasso, Ardor
The pupil remained puzzled. He said: “I know that brahman is [[breath]]. But I do not know what are ka and kha.” The fires answered: “What is ka is kha, what is kha is ka.” The text adds: “They therefore explained to him breath and [[space]].” From linguistic commentaries (Brhaddevatd and Nirukta) we learn that Ka was also kdma, “[[desire]],” and sukha, “happiness.” But now kha, “space,” was also found in the same name.
[[life]] [[energy]]
Seneca, Complete Works
May I not ask what are the beginnings of all things, who moulded the universe, who took the confused and conglomerate mass of sluggish [[matter]], and separated it into its parts? May I not inquire who is the Master Builder of this universe, how the mighty bulk was brought under the control of law and order, who gathered together the scattered atoms, who separated the disordered elements and assigned an outward form to elements that lay in one vast shapelessness? Or whence came all the expanse of light? And whether is it fire, or even brighter than fire? 20. Am I not to ask these questions? hfust I be ignorant of the heights whence I have descended?
Serres, History of Scientific Thought
Yes, the world vibrates and returns, but this oscillation is the result of a history. Let us note once again, in passing, the obligatory association of science and history. We had forgotten that the Sun lies at the [[focus]], a word which signifies [[centre]], but also flame. Here is fire again. In the beginning, everything was burning. In the centre there is also the [[origin]]. Everything begins with a hot and volatile nebula, turning in a spiral, as if Descartes came before Newton, as if turbulence comes before [[attraction]].
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henryenrix · 2 years
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BIG BANG
THE BIG BANG THEORY
All of our modern science, and technology comes from THE WATCHERS OF THE UNIVERSE, AND THE NEPHILIM (the gods)!!! All that a human being knows, all the science of a man, all the knowledge of a mind stored in the memory, comes from one of two sources: 1. EMPIRICAL KNOWLEDGE (life experiences),2. DELEGATED KNOWLEDGE (science delivered by others). DO YOU BELIEVE THE BIG BANG THEORY WAS THOUGHT OF RECENTLY??? HOW ABOUT THE EVOLUTION THEORY? HOW ABOUT THE SPACE ALIEN SEED THEORY? HOW ABOUT COV&IT 19 BIOLOGICAL WEAPON? HOW ABOUT THE N$EW WO%RL*D O^RD)ER??? THINK AGAIN!!! In The Vedas: The Nasadiya Sukta say that our universe is about 155.52 trillion human years old, The Hymn of Creation in the Rigveda (10:129), mentions the world beginning from nothing through the power of heat. According to the Big Bang theory, the expansion of the observable universe began with the explosion of a single particle at a definite point in time, in the mind of Georges Lemaître, (1894-1966), Belgian cosmologist, Catholic priest, and father of the Big Bang theory, who presented this startling idea in scientific form in 1,931. The Nephilim had 120 years before their total destruction by the Great Universal Flood, to plan for the future: 1. The Origin of the Species, 2. The Black Ages, 3. The Emergence of Government Regimes, 4. The Confusion of Christianity, 5. The Universal Public Education System, 6. The New World Order, and 7. The Overthrow of God, and The Rise of Satan.
You have to understand that there's nothing new under the sun. Everything that we are living, it has already been lived, everything that we invent, it has already been invented. Our greatest reverse engineered UFO technologies, star gates, and nuclear weapons of mass destruction were give to the giant Nephilim by their parents in the year 1,536 since the creation of Adam. Today is the year 5,782 since the creation of Adam. Our life experiences are a repetition of the past. Since the souls of the Nephilim, called: DEMONS, are immortal, they surpass our intelligence, understanding, capabilities, and power. They took the Title of Ownership of the Earth after their parents: THE WATCHERS OF THE UNIVERSE took it away from Satan. They reigned over the entire earth in the GOLDEN AGE in physical form, and they rule today in spiritual form, possessing the bodies, souls and spirits of the leaders, rulers, judges, kings, presidents, ministers, and governors of our nations, making every decision, every law, every edict, and every governance in the most perverse, abhorrent, and abominable way in the eyes of God, and the eyes of men. The Nephilim are planning to come back in physical form, in the shape of mountains, and take over during the reign of the Antichrist over the earth. They will rebuild ancient Babylon through the Science of Divination, and make wonders, prodigies, and impossibilities with their super advanced science, and technology. THE NEPHILIM SHALT RULE WITH THE ANTICHRIST IN THE END TIMES!!! This is a verbatim, word-for-word, excerpt from a recent conversation BOB LARSON, THE REAL EXHORCIST had with one of the Nephilim demons possessing the soul of one of Bob's clients. The demon's name is Shiva: “We are the Nephilim demons, and we will rule the earth again. We nearly corrupted the entire human race in the past, and we haven't abandoned our goal. We are THE SONS OF GOD, and we will return. We are THE MASTER RACE, THE HEROES OF OLD, and through the Antichrist we will reign again. HOW DO YOU THINK THE PYRAMIDS WERE BUILT?How do you think that the architectural monuments of antiquity were possible without the help of modern implements? WE WERE THE CREATORS!!! It was easy for us! YOU HUMANS ARE COMPLETELY STUPID!!! You do not know what we are capable of, or even how we operate at the genetic level, and even at the molecular level in the code of life. We will rule the world! We will rebuild Great Babylon! YOU HUMANS THINK YOU'RE SO FAR ALONG TODAY?? The Kingdoms of Antiquity were not built by normal intelligence! We built them through the Science of Divination! And in the same way we will do it again. That prostitute Jezebel (The Catholic Church) will make it ALL POSSIBLE!!!
THE DESTRUCTION OF THE EARTH BY HENRY ENRIX: THE DESTRUCTION OF THE EARTH. THE END OF THE WORLD AS WE KNOW IT! : The New World Order, The Rise of Transhumanism & The Apocalypse War Bringing a Nuclear Dawn. Discover the Secrets of the Universe! - Kindle edition by Enrix, Henry. Religion & Spirituality Kindle eBooks @ Amazon.com.
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keanuvibe · 5 years
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Bodyguard (John Wick x Reader) Pt. 6
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A/N: Hi! I return with some good old fashion smut :) I love y’all, thank you so much for supporting this fic honestly.
Words: 4.5k
Warnings: swears, smut
The burning taste of alcohol scorched your throat as it went down. The buzz of an old box TV sat on a shelf near your seat, but it was drowned out by the bar life that hummed around. You didn't bother to take part in socializing; you weren't planning on staying too long, just enough to get drunk and then leave. You couldn't be too hungover anyways, as the gala is tomorrow evening. You only slipped out because you needed time to yourself before the possibility of being murdered by your cousin tomorrow. You didn't understand why your father couldn't just give Santino what he wants, and not put your life on the line. I mean, you did agree to the situation; they gave you the option to say ‘No’.
The past week has been interesting, to say the least. Firstly, you and John slept together. It was everything you’d hoped, and it definitely wasn't expected. Certainly not back when you first met; his handsome figure sitting so proper in the living room. Often, you find yourself thinking back to when you'd first met. He was so quiet, reserved, seemingly collected. Ruggedly handsome and such a mystery as well. That was back when you saw him in nothing but suits. You've fallen so incredibly hard for this man. Someone who you probably wouldn't have glanced at twice on the street. 
Next, the events leading to the gala had begun to cause you anxiety. The possibility of being killed isn't something you want to face. However, your parents are taking heavy precautions. Your mother had you fitted for a dress, tactical in case things went awry. 
Tuesday - 3:45 PM
“Look at you! So stunning.” Your mother cooed, spinning you around so she could see the dress you’d put on. The seamstress stood to the side, arms tucked behind her back and measuring tape around her neck. 
“And the fabric is-”
“Bulletproof up to close range, knife proof, and waterproof.” The seamstress spoke, cheerfully finishing off the sentence. You looked over to her, nodding quietly before looking back at your reflection. The dress fit well, it resembled a fit and flare with a heart shaped top and slit up to the top of your thigh. The design made it easier to move and access hidden weapons, while also looking classy and sexy. It did accentuate your breasts nicely, and the slit for your thigh showed a delicious amount of skin. The curve of the article gave you a nice hourglass shape as well.
“Aspetta che John ti veda in questo.” [‘Wait for John to see you in this.”] Your mother giggled, sitting back onto a small couch. You blushed a deep rouge, scoffing at her comment. 
“What? I know you like him, darling.” She responded to your attitude with a smile, sarcastically rolling her eyes. 
“Mom- I-” You began, but stopped yourself as the seamstress undid the zipper, allowing you to slip out of the article. The woman then took the dress into another room, leaving you and your mother alone. You quickly slipped back into your clothes before turning around to face your mom.
“What, baby?” She questioned, sipping a glass full of champagne. 
“I have something to tell you.” You murmured, sitting next to the woman. You looked up to your mother and she gazed back at you, blinking her long eyelashes. For as long as you could remember, your mother always had her makeup on. In fact, she's always been put together; even at five in the morning. 
“Go on, then.” She waved her hand, encouraging you to continue. Nerves fluttered about your stomach and you shifted in your seat. 
“I-” You stuttered, casting your eyes to your lap. “I think I have a crush on him.” Your mother's hand placed itself onto your shoulder as she scoot closer. 
“I know, la mia bellezza.” Your mother chuckled. “It was easy to tell after a few months.” [‘My beauty.’] She murmured, softly moving some strands of hair that had fallen in your face. The room was quiet, save for a small radio that played classical piano music. 
“I-I don't know what to do.” You paused, “Mom, what if this life isn't for me? I appreciate you let me have the store fronts, but I don’t want them anymore.” You spoke, looking towards the woman. Your mother pushed a glass of champagne into your hand and forced you to sip it. 
“I know you don’t want to be apart of this, really. We gave you those fronts to try to keep you around. The fact Santino dragged you further in… We’re sorry.” The woman murmured, looking down to her lap.
“I’m going to stay, and help you. But afterwards… I’m moving out. I found a place further down in the city. John helped me find it, actually.” You spoke, a little excitement added to your voice. Your mother looked back up, a small grin crossing her lips. She nodded, leaning in and kissing the top of your head softly. 
“I support you. Your father might be harder to convince, however.” The woman answered, setting her glass down.
--
Right. You nearly forgot you told your mom about liking John, and confessing the want to leave. You already put a deposit down anyways. With your father’s money, you can afford to live on your own. He'd put enough away in a savings account, starting when you were just a baby.
 John helped you find the place too, searching the old fashion way; through ads in the paper.
“This one has a lot of natural light.” John held these newspaper for you to see. You grabbed the sheet from his hand and studied the small black and white photos.
“How can you even see that?” You squint, prompting John to chuckle.
“It says it in the description, little one.” He humored, a cheeky grin crossing his face. You blushed, chuckling to play off your embarrassment. 
“There’s plenty of closet space. I could keep a few things there.” He spoke, standing up and adjusting his position to hover over your shoulder. You felt butterflies soar through your stomach at the comment and nodded furiously. 
“Yes, please do.” 
--
On top of all the other stuff, your father gifted you new weaponry;  A pistol set with an ankle strap, and a new set of knives. It felt nice that he cared, but you've never actually been apart of one of your fathers missions before. Sure, you've done some dirty work and left a few bodies behind; however, this mission is different. More dangerous, on top of being risky. 
 The scrape of a bar stool next to your own echoed throughout the space, but you didn't bother to glance at the person. The bartender was quick to take their order before the figure cleared their throat.
“This is the bar we were first introduced. Our fathers had a meeting here.” Santino’s voice chilled you to the bone and you froze, stuck staring into your drink. You heard the light of a match as he lit a cigarette and took a puff, smoke blowing directly into your face. 
“You remember, no?” He then asked. You finally looked up, greeting his smug expression. 
“I do.” You answered, taking a large swing of your whiskey. “Why are you here, Santino?” You finished. 
“May we not speak like civilized humans? We are famiglia after all.” ‘[Family.]’ He answered cooly, taking a puff from his cigarette. You rolled your eyes, gesturing to the bartender for another refill.
“You think no more of us than you do an ant on the street. We are not family; We are merely, devastatingly, blood related.” You spat, facing your cousin fully. He seemed a bit taken aback by your outburst, but quickly shook it off with a laugh and a sip of his own drink. You two fell into silence as you turned back towards your drink. You swirled the dark liquor around before gulping down the liquid. 
“Where's your boy, hm? No play toy tonight?” The man asked after a few moments. You knew he was talking about John. “Do your parents know about your activities?” Anger bubbled deeply in your chest. How did he know that in the first place? You two were very strict about no affection until behind closed doors. 
“I stepped out without him.” You tried to keep the rage under control, taking another hefty sip from your drink. Santino clicked his tongue at your answer. 
“Shame, I’d love to meet the guy whose been killing all my men.” Your cousin murmured. You furrowed your brows, confusion lacing your brain. 
“We've only had a few instances with your fools, what do you mean?” You asked, looking back towards the man. He looked at you, realization crossing his features. A short laugh escaped his mouth.
“You don't know?” He grinned mischievously.
“Tell me.” You demanded, your hand balling into a fist. The obvious amusement radiated off your cousin from your situation. What the hell could he be talking about, and why has John been ‘killing all his men’?
“Your… boyfriend, has been sneaking out at night, cousin. Into my warehouses, slaying the men in his way. I know he's seeking me. John Wick could never touch me.” Santino’s last comment was snarky, cold, and spoken with a deep seeded hatred. You felt shock cross your body upon learning new information. Why hadn't he told you?  He could've been killed and you would've never known. Drunk words were to be had when you get home. 
“Well. That sounds like a problem for you.” You responded. Though you were upset at John for keeping this a secret, you were grateful he'd put such a large dent into Santino’s resources. Your cousin scoffed, finishing off his drink and setting the glass back onto the bar. He threw a twenty dollar bill next to the cup before turning to face you. You watched carefully as he placed his ring-clad hand over your shoulder, leaning closer to your face. 
“See you tomorrow, (Y/N).” He spoke lowly. His hand pat your shoulder a few times before he removed it and exit the bar. Though you didn't look at his face when he’d spoken, the sinister feelings behind it stuck with you; even after he’d already left.
--
Stumbling through your bedroom door, your fingers searched the wall before finding the switch and flipping on the light. You groaned at the brightness, too drunk to be dealing with it. You felt a little dizzy from the dark liquor you'd drank, but managed to walk to your bed, sitting on the edge. With a little effort, you began tugging at the zipper on your dress in an attempt to remove the article. Going to bars used to be fun, you could carelessly get wasted and sleep with some random guy. Now you couldn't leave the house with fears of being killed. 
Stripping off the dress, you sighed, laying back onto your bed and shutting your eyes. A quiet knock on your door triggered a low groan to escape your lips as you sat up, wobbling your way over to the door and tugging it open. Your drunk eyes met the sight of John. He looked down at your figure and raised his brows as the scent of alcohol hit his nostrils.
“Sneaking off on me again?” He questioned, pushing your figure back into the bedroom and shutting the door behind himself. You stumbled back from his minimal force, and whined at him.
“Don't p-push me.” You drunkenly spoke, folding your arms in frustration. “You're the one in trouble h-here! Mr. I’ve Been Sneaking Out To Kill Santino’s Men.
“That's a long name.” John deadpanned. His eyes scanned down your body, causing you to remember you'd stripped off the clothing you had on. 
“Don't change the topic.” You walked past him to get to the bed, bumping his arm on your way. He quickly reached out, grasping your bicep and pulling you up to his chest. You tried your best to let the drunkenness fill you with courage as his dark eyes stared you down. You'd never seen John look at you like this before; angry. 
“I am protecting you.” He whispered lowly and through his teeth, “I’m doing what I have to, to keep you safe.” His eyes traveled down your nearly naked body; goosebumps covered your skin as he did so. You felt like prey to an animal, like a delicious looking gazelle to a lion; a ferocious, dark haired lion. 
“What're you staring at?” You slurred, furrowing your brows. The grip he had on your arm shifted pressures as his mouth collided with your own. The man let go, instead grabbing under your ass and picking you up. He swiftly turned around, tossing you onto the bed with force. You studied his face as he slowly approached your weakened figure, noting how dark his eyes had gotten. You'd made John so mad, he was no longer John. You'd caused John Wick to emerge. 
“Don't move.” He spoke deeply. The sound of his belt buckle echoed throughout the quiet room and John whipped the slim article from his pant loops with a Crack!. The man set the belt into your bed, grabbing your ankles afterwards and pulling your body to the edge of the bed roughly. A little whine escaped your throat as he grabbed your wrists, holding them together above your head before tying the belt around them. 
“You want to act bratty? Like you're the boss?” He questioned, raising his brow and spreading your thighs roughly, “Let me remind you who’s in charge.” John finished. He placed his thumb over your still clothed clit with a firm pressure, rubbing slowly. A moan left your lips and you squirmed your hips at the sensation. His free hand came down quickly, grasping your hip tightly and holding it down so you couldn't move.
“No moving.” He murmured, running his finger along your panty line. The feeling tickled, but you tried your best not to move in fear of his punishment. He hummed in appreciation, gently pushing your underwear to expose your core. He let out a soft groan at the sight, running his pointer finger up your slit, gathering the wetness up. You let out a pathetic whimper as he tapped your clit on the exit. 
“So gorgeous.” John praised, running his hand along the curve of your waist. You felt a blush crawl up your cheeks and turned your face to the side to hide it.
“Look at me.” He commanded, his fingers grasping your chin and moving your head. The man studied your expression. He saw the lust hazing your eyes, the alcohol too. There was another emotion hiding behind the other two; fear. It made him smirk knowing he was back in charge  and he stood straight again, beginning to loosen his tie. You watched as he took the item off and approached your figure. He leaned down, placing the tie over your eyes and quickly knotting it. 
“Can you see?” He asked. You could tell by his voice that he'd moved back to the end of the bed. You shook your head ‘No’ as a response. Johns footsteps padded faintly and you hear him shuffling around before his large hand grasped your ankle. It caused you to jump, not being able to tell when he was going to touch. 
“I won't hurt you.” He murmured, fingertips dragging up your leg. You shuddered at the sensation, your senses heightened at the loss of your sight. Johns fingers shocked you once again, hooking into the hem of your panties and pulling them down. The cool air hit your hot core and you shivered at the temperature shock. 
“I missed you.” He whispered, leaning down. His face sat close to your heat and he gently kissed the skin of your inner thigh. You felt his scratchy facial hair scrape the delicate skin near your pussy. The hotness of his breath coated your clit, and just as he was about to give you what you wanted-
“Please!” You blurted, squirming your hip. The silence was deafening, however John finally spoke up.
“I told you not to move.” You felt chills expose your skin at his comment. The man was swift to move away from your core. He grabbed you and flipped you over so you lay on your stomach instead of your back. His fingertips dragged along the length of your leg, starting at your achilles and ending at the curve of your ass. He gently grasped the flesh, squeezing it before a swift Slap! stang soft skin. You released a short cry at the sensation, whimpering afterwards as the man's hand gently massaged the skin he’d just assaulted. A second slap came down moments after, prompting you to cry out again. The overwhelming sting from the sharp slap tingled across your ass and you let out a defeated whimper. 
John’s large hands ran along your back, meeting the clasp for you bra. In a single swift movement the man had undone the article. The sensation of little kisses littered your back as he made a clear pattern down to your ass. His beard scraped the still raw skin, but the little pain it brought felt good. 
“Are you ready to behave?” He then asked. You nodded, vision still blocked by his tie. You could hear as he moved around again before he gently flipped you back over, pulling you to the edge. The quiet noise of his zipper echoed the quiet room, followed by the drop of an article of clothing. John’s calloused hands found themselves wrapping around your ankles, holding your legs up in the air. The gentle, yet excited, breaths that left his throat sounded throughout the room and you let out a quiet whine. 
“I know baby.” John answered to your plea. He reached his hand down, rubbing your exposed clit with a firm pressure. He gathered your wetness onto his fingers before giving himself a few pumps using the slick. An excited knot formed in your belly at the sensation of his rubbing, prompting you moan softly. His fingers left your clit but were replaced by the tip of his cock, caressing the bundle of nerves. Wishing you could see his face, you huffed from frustration. Your arms were still tied together above your head with the belt, and your vision still blocked by the tie. Seeing John’s pleasure only added to your own. 
In a single swift thrust, John had fully entered your heat. A cry left your throat at a loud volume, the satisfaction of finally being filled overwhelming your senses. The man started moving slowly, allowing you time to adjust to his large size. Pleasure coursed through your veins, and despite the man's rule, you began to move your hips with his. He removed his hands from around your ankles, resting your legs over his shoulders, before moving them down. He ripped your bra off, hand quick to grasp onto the flesh and fingers eagerly playing with your nipple. More waves of pleasure navigated your figure, the familiar warm feeling beginning to grow in your lower belly. 
Keeping his rhythm, John leaned forward and connected his lips with your breast, littering hickies across the soft, fleshy skin. Moans echoed the room, you being too drunk to care about keeping them under control. His thumb expertly rubbed your clit, only added to the fire within your belly. His mouth connected with your nipple, only doubling the pleasure you were feeling. John adjusted the position of his hips slightly, causing the head of his cock to rub against your g-spot. 
“Oh- Oh- I’m going to cum,” You breathed, the pit in your belly close to exploding. John took your words as a challenge thrusting harder. With a cry, your orgasm erupted throughout your body. Your finger and toe tips tingled as your muscles repeatedly flexed and relaxed. John let you ride out your orgasm, thrusting deeply before he too finished. His large body slumped onto your own, both of you breathing heavily. The man took a few moments before he lazily untied your hands and blindfold. 
“Whoa.” You spoke as soon as he took the fold off. He smirked, leaning on one elbow so he could face you.
“So, are you going to obey now?” He questioned, finger running up your body and between your breasts. You nodded swiftly, biting your lip. Although, once in a while you’ll have to misbehave. You two laid there quietly for about ten minutes before getting dressed in pajamas. Once clothed, you returned to your bed, both of you climbing in. Most of the time John stays until you are asleep. Then, not to raise suspicion, he returns to his bedroom across the hall. It was the only way you got away with ‘sleeping together’. John still didn’t know that your mom knows about some things. Thankfully, your father still doesn’t. You didn’t know when to break the news; speaking of bad news. Santino. The bar.
“John?” You questioned, turning to face him. He currently laid on his back, a book in hand. 
“Yes?” He answered, pausing his reading to look at you. He studied his handsome face, before speaking up.
“The bar I was at- Santino showed up. We- We spoke.” The words faintly floated from your lips. John sat up, his focus picking up on you. “You’ve been leaving at night, taking out certain camps with Santino’s men?” It was spoken like a statement, but lingered as a question. 
“Yes. I have.” He spoke, not breaking eye contact. Even though he was the one in trouble, his gaze made you feel like you were the scolded child. 
“W-Why didn’t you tell me?” You huffed, “I could’ve helped.”
“(Y/N), stop.” He spoke, but more commanded. You held your mouth open, but no words escaped. “I did it because I can’t see you getting hurt. You’re-” He paused, “You’re clumsy.”
Your cheeks flamed a hot pink at his words, embarrassment coursing through your veins. So, maybe you were a little… clumsy when it came to combat. You allowed yourself to get hurt by only two men in the alley- who you could’ve easily taken in your glory days. You’ve allowed your guard to lower, and so has your skills. You’d just stopped caring about it all; Up until John showed up. 
“Okay. I-I appreciate it.” Your voice floated out in a whisper after a few moments of silence. He nodded, returning to his previous position and continuing on with reading. You stared at him for a few more seconds, sighing before giving up and laying down. 
“What else did he say?” John questioned. You shrugged, your thoughts rummaging through your memories of the conversation. 
“Where's your boy, hm? No play toy tonight?”
“Your… boyfriend,”
“John Wick could never touch me.”
“He’s definitely threatened of you.” You spoke. It sounds like something a man trying to cover up his cowering confidence would say. John nodded; a little smirk growing on the corner of his lips. You got to admit, it was a little sexy to see him turned on by fear. But, there was also the fact Santino knew about your relationship with John; he could tell your father. 
——————
The next day came and flew by, the evening presenting itself faster than you would've liked. Now, here you stood in your bedroom, mother zipping up the gown from the seamstress’s shop. You studied yourself in the mirror; your hair had been styled in a low bun out of your face and perfect for combat. Your makeup was elegant however, you donned a smokey eye with black and brown shadows, as well as a dramatic set of false eyelashes. The dress your mother finished zipping made your breasts look perfect, and it showed off your body nicely; as well as the slit up to the thigh.
“You look stunning.” Your mother smiled. You just now noticed she’d been staring at you through the mirror too. You gave her a sad smile before turning your attention away and towards putting on shoes. Tonight was the gala... Tonight, there is a good chance you’re going to die. Anxiety hadn’t left your gut all day, however knowing John was to be at your side gave you a little security.
“Where is John?” You asked, turning around and looking at your mother. She blinked at your sudden question before answering. 
“He’s just outside the door, waiting. We’ve got to leave in five minutes.” She spoke, pushing your purse into your hands. You nodded, swiftly gathering the rest of the things you'd need. You made sure your weapons were secure in their strapped on spots. The ankle strap was hidden by the long length of the dress, and the thigh strap was hidden on the inside of the slit. Taking one last deep breath, you exhaled loudly and stepped towards the door, opening it with determination. John looked at you as you exit the room, a little smile he was trying to contain covering his face. 
“I’m ready.” You spoke, a hint of faux confidence covering the words. John nodded, leading you out of the home and towards the car. Your family would be taking separate cars to the event, for safety and get away reasons. It was just easier this way. John guided you into one of the vehicles, following in afterwards himself. He gestured for the driver to go, then hit the button to raise the divider. His other hand creeped onto your exposed thigh slit, and you bit your lip at the sensation of his calloused fingers gliding across smooth skin. 
“How are you feeling?” John asked quietly. You took the moment to admire how stunning he looked as well. He had gelled back his hair, and combed his beard. He also wore one of his all black three pieces. 
“Nervous.” You spoke, your eyes returning to his face. He nodded, leaning down and capturing your lips with his own. You sighed into the kiss, some nerves beginning to calm down. He broke the kiss first, the hand that had been resting on your thigh giving it a squeeze. 
“I’ll be beside you all night. I’m not going anywhere.” John’s words felt like a warm blanket, and you leaned into his side, wrapping your arms around his one. The man's head rest on top of your own, the two of you falling into a comfortable silence. The comfort didn’t last long however, as the car began to slow down, eventually coming to a stop. Your gaze moved to the window, noticing the large building that the gala was hosted in. Herds of people were standing outside, shuffling in and out of the building. Many reporters were also outside, taking pictures of famous people in attendance. John untangled your bodies and climbed out first, opening the door for you. You took a deep breath, gathering your purse and making sure your straps were secured before sliding out yourself. John held out his arm for you to wrap your own around; which you accepted. 
“Are you ready, baby?” He spoke softly. You nodded, letting your bodyguard take the lead.
---
Master List
182 notes · View notes
Text
The Ruined King, Happy Ending
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Pairing: Felix x Liz
Summary: Hawkeye is once again moving through Gedonelune, and it looks like their aim is on the heart of the Dragonkin Ruins. It looks like we’ll need the help of the three Reciters to solve this mystery!
Previous: Chapter 12
First: Chapter 1
Credit to @nitia95​ for the inspiration for the cgs this chapter!
And soon, we were back on campus, standing in the Headmaster's office.
"The trip to Veda was a success,” Felix reported, holding out the stone. “As you can see, we have obtained the gem of darkness.”
“While keeping the gem of light safe!” Lacan flashed his gem.
“And I have taken back the gem of fire,” I said.
"Unfortunately, Hawkeye still has their hands on the Earth Crystal," Willem said. "It's still unclear how we'd get it back."
“You've obtained three of the six gems,” Randolph said gently. “As long as they are kept safe, Hawkeye cannot awaken the Dragon of Time. Good work.”
Even with his gentle praise, I still felt nervous. 'This isn't over yet. Who knows what Hawkeye will try to do next?'
"In the coming weeks, there will be a grand ball at the royal palace," Schuyler said. "It might be a good chance to meet with the nobles and ask about the gems."
"A ball?" I had attended parties with Albert or with Klaus, but this would be completely different. But the image wouldn't leave my mind. Wearing a beautiful gown, descending a grand staircase, dancing with Felix at my side.. It wouldn't be so bad. "That sounds like it could be," I caught myself, "a good opportunity."
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"Ah," Zeus grinned as we left the Headmaster's office, "a mission success! I say that this calls for a party!"
Caesar laughed. "Sounds fun to me! Count me in!"
"What about you three?" Zeus asked.
"Not for me, thank you," Felix said. "I think I'd prefer a quiet night at home.”
Willem and Lacan agreed. “Maybe we can play some board games, like old times.”
Felix turned to me. “You can join us, if you like.”
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Willem and Felix had already cleared a space in the living room when we came in. We settled down around the board, and I felt a familiar presence at my side. "Do you mind if I sit with you?"
"N-no, not at all." He settled down right next to me, so close that I could feel his warmth next to me. But truth be told, it didn't feel.. bad.
'To think that I'd get to spend time with him like this now..' The thought made me want to giggle. 'Well, we did confess to each other.'
"So," Lacan said cheerfully as he got the pieces together, "who confessed first?"
"H-huh?" My face went red.
"Well, it's obvious that something happened between you, and well, Felix has been-" Felix gave him a look, "ah, if you don't want to.."
"Felix confessed to me, actually," I said. "When we were in the mines." Felix's arm wrapped around me. "Everything just kind of happened."
"Ah, congratulations! You make a lovely couple!" Lacan said cheerfully.
"You really do." I bowed my head, but I couldn't hide my smile.
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We played for a while, going over various games.
“Felix, there's something I should tell you,” Lacan said as he settled down. “When we were in the cloning facility, I didn't.. flee right away. There was something I had to check. Cordelia touched the machine, and I..”
“Lacan! You'd risk so much for that?”
“What? I don't understand, what about the machines?”
Felix sighed. “..The machines can only read human Dna,” he said. “Even a little non-human dna would throw off the machines and be unable to create a clone. Otherwise, my plans back then would have turned out versy different.”
Oh. “Then, you wanted to see if Cordelia was a Dragonkin?” Lacan nodded.
"So?" Felix fixed his gaze on Lacan. Even if he said he didn't care about it, I could sense hesitation in his voice.
"She's human," Lacan said. "Completely." Felix let out a sigh of relief. "But there was something else that I noticed when I was reading the machines-" He leaned over to whisper something in Felix's ear. "..You noticed it too, didn't you?"
"..I see."
"Hmm? What are you talking about?" And I remembered something. Back when we had been in the caverns, how many shadows had I seen? I had seen clones of Lucious and Caesar, Alfonse and Zeus, but there was one missing. "..Felix, do you think-"
"I'm not sure," he said, meeting my eyes. "But.. even if he is, I doubt that would be something that he wants to hear from me."
"There must be.. a thousand other reasons why it wouldn't be able to read his dna," I said at last. For all I knew, it could have fallen under complications of time traveling.
"I'm sure."
We played late into the night until I could barely keep my eyes open.
"I think that I should be getting home," I said, gathering my things.
"I'll walk you out," Felix said, following me out the door.
We lingered at the door. It would feel strange going back to my dorm. Even something as mundane as playing board games, I had had so much fun with him. I didn't want to leave.
"I had a wonderful time tonight," I said, turning to face him. "Thank you for having me over."
"Thank you for coming." He looked at me seriously. "Liz, there is.. someplace that I've been wanting to go. The next time you have a free day, will you come with me?"
"Of course. I have a free day tomorrow, actually, if you want." He nodded.
"Liz." I looked up, and he seemed.. unexpectedly bashful, shifting his feet. He placed a gentle kiss on my cheek. He pulled away with a sweet smile. "See you tomorrow."
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I felt like I was walking on air, back to the dorms, humming all the while. So much so that I almost missed a familiar presence behind me.
“You shouldn't feel complacent. This battle is far from done.”
I spun around. Sure enough, there he was. Vain. “I was wondering when you'd show yourself. Are you planning to fight Felix again?”
“I will not take him from you,” he said coolly. “Not while a new threat is on the rise.”
“Have you been chasing Hawkeye on your own?” I asked. “If you had told us, we could have worked together-”
“I do not need your help,” he said. “Hawkeye will use trickery to get what they desire; it's better not to be open with them.” That was right. They had tricked us into destroying the ruin- and then had attacked me to get the gem.
“Vain, you.. followed us into the Crystal Cavern, didn't you?” His expression was unreadable. “Were you the one who caused that rockslide?”
"It was by chance that you and Felix ended up on the opposite side of that wall. If my plan had worked, no one would have been able to access the gem. Human or Dragonkin.”
I stopped the question on my tongue. 'Your magic shouldn't have worked.' I knew that he wouldn't have answered me anyway. He never did.
"You must be careful. There are many more members of Hawkeye still lingering out there, lying in wait. They won't be stopped because you've stopped one of their number."
And just like that, he was gone, leaving me to wonder.
********
Two figures moved in the shadows, in a place that had once been a temple.
"You failed your mission. The gem of fire was right there, and it slipped through your fingers."
"I know. I'm sorry."
"You're lucky that I was there to rescue you from that rockslide, Dahlia," the other said. "But I won't give another chance. You better not fail me next time."
"I won't."
*******
Felix was already waiting for me by the time I arrived in the village, Shu in tow. He smiled as he saw me.
"I hope that you don't mind that I'm bringing Shu."
"Not at all." He reached out, scratching under the little dragon's chin. "I think he'd like it."
"So, where are we headed?"
He was quiet for a moment. "..I want to go back to the Castle in the Sky. I haven't visited since we awakened Lacan, and even then it was only briefly. But something's been telling me it's important that I go back; if it's all right with you, I'd like you to come with me."
Oh. Of course. I knew how many memories the castle had held for him. Once upon a time, it had been his home- and then it had served as his prison. But I knew that seeing it would be painful for him. "Of course I'll go with you."
He smiled, more nervous than he let on. "Thank you."
“Will you be able to transport the three of us by yourself?”
“I should be able to,” he said. “Besides, the gem of darkness has increased my magic some.” The magical circle glowed at his feet.
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And just like that, we were back, in the Castle in the Sky. Shu chirped happily, flapping his wings as he flew through the air.
Felix hesitated as he walked forward. "..It's different then what I remember." He looked up at the castle, seeing it again for the first time with fresh eyes, seeing the place that once been his home, looking deeply at the crumbling walls, at what was left of the garden. "Has.. it always been like this?"
"We can turn back, if you want. You don't have to do this."
"No. I want to." He gave a bitter smile as he took my hand. "It'll be just like exploring another ruin, won't it?"
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It was strange to be walking through the castle again, down the dark hallways. I half-expected to see a ghoul or a ghost jumping at me at every turn, but it was just me, Felix, and Shu walking down the halls.
Felix's eyes seemed to light up as we walked through the rooms, showing me each place within the halls.
He took me to a room with wide open arches; a long table stretched through the halls.  "Is this the dining hall? I thought that Dragonkin didn't need to eat."
"Some of them chose to indulge in it. But this is also where we'd feed the magical creatures," he said, smiling sweetly. "I used to prepare food for dragons in here." He walked into the kitchen. "I think that we've still got some treats for dragons in here." He stopped, looking bashful. "I doubt Shu would want them though, they're probably.. really old by now."
"And here is the training hall," he said. "This is where we'd train all the little Dragonkins." If I tried, I could picture them all lining up, bright-eyed and bushy-tailed.
He turned around, observing the room. "..You know, this is the place where I met Willem and Lacan." He walked through the room, his eyes distant. "All of us would gather in here for lessons, to learn about our magic. I was so eager to show off my magic, when it came to my turn. I created a huge blob of magic- and.. put it right through the wall."
He walked up to the wall; I could see scorch marks on it. "Just as I thought, they're still there. All back from where I was learning how to train my magic. I made quite a mess of it, back then."
I couldn't help but smile at the image. 'He must have been so adorable..'
"I can still remember. There were still stars swirling around my head when a young boy with silver hair ran up to me, a dark-haired child following him. 'Woah!' he said. 'That was the coolest thing I've ever seen! Can you show me how to do that?'" He laughed, sweet and clear as a bell.
'That sounds like a wonderful memory.'
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I wondered what else I would find if I continued down these halls. A thousand memories around every corner, years and years of lives lived within these walls.
He stopped short before a door, suddenly apprehensive. "Hmm? Is everything all right?"
"This room.. We should turn back.”
“What is it?”
“It's just.. this is my room."
Oh. Oh. Well, this was kind of awkward. And I blurted out, "Well, we could go in there if you want."
"Are you sure?" I nodded. He pushed open the door.
The room was small, painted in pale green. There was a small bed, a little chair, and a bookcase stuffed with books, their titles long since worn away. But the window caught my attention, big and open, facing the garden. A cool breeze filled the room.
"I would sit here and read and listen to the magical creatures outside," he said, walking  over to the window. "Sometimes they would come into the room and play with me."
"That sounds like so much fun!"
He gazed out the window, his back turned to me. "This castle used to be a place of such beauty," he said. "Gentle creatures that could be found nowhere else in the world. A place full of life and laughter. And then it.. became a living tomb.
“In my despair, I saw it as a weapon and destruction, something I could break apart and use against the humans who had wronged me. As angry as I was at Cordelia for destroying the ruins, I destroyed my own home, a place that had been so precious to us.
"And then hope became such a fragile thing, something that could be taken away from me in an instant. Even as I grew closer to you, I became afraid. Even someone so powerful could be taken from me in an instant.
"But now.. now I feel like I can see a new light. After so long of living in the dark, I feel like I can dream of a new future."
He turned to me, new determination in his eyes. "I've decided what I want now, Liz. One day, I want to revive the Dragonkin; I want to bring back the creatures that lived in this castle. Like with Lacan, I will find a peaceful way."
I wanted to stay by his side. I wanted to help him achieve his dream, no matter what. “I'll help you! I'll be there every step of the way!”
"Really? I mean, of course." But he smiled brilliantly. "Thank you."
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Warm light streamed into the room as I slowly cracked open my eyes. I saw Felix asleep on the pillow next to me.
'That's right.' We had stayed up all night, laughing and talking and sharing jokes, until we had both practically collapsed.
I gazed at his face; it was rare to see him sleeping, but he looked strangely.. peaceful, unburdened by all his worries. He looked sweet and innocent. I felt my heart racing at the sight.
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'It's still amazing to think I get to wake up to this. That I get to wake up to the man I love..'
"Hmm?" His eyes cracked open. He smiled and leaned in, giving me a gentle kiss. "Good morning."
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"Good morning."
He wrapped his arms around me. "I love you, Liz."
"I love you too."
I felt like I could stay in this moment forever, in the arms of the man that I loved.
And suddenly, I heard a beautiful voice, clear as crystal, from outside the window. "Do you hear that? It must be Shu singing.”
I slowly got up, peeking out the window. And my heart raced at the sight. "Felix, come look at this!"
"What is it?" His jaw dropped as he looked out the window.
Shu was standing in the garden, singing happily. But several small creatures were dancing around him, floating and giggling in the breeze.
"Wind cats!" Felix cried. "They're wind cats! I thought that they had gone extinct during the war, but they've come back to the castle!" He laughed sweetly. "I can't believe this!"
"I've never seen them before," I said, leaning out the window.
"Here, let's go see them! I'll tell you all about them!"
And the years would pass us by, working towards a new end, our new dream.
"And that is why a wind cat can fly on the breeze!"
The little children, Dragonkin and humans alike, gathered around me, staring in wonder at the windcats floating around my head.
"They're so pretty! Can I play with them?" The children danced around, chasing after the windcats.
"I see the lessons are going well." I looked over to see my beloved husband standing in the courtyard, smiling as we watched them. He wrapped his arms around me, giving me a peck on the lips.  I don't think I'd ever get used to it, even all these years later.
"How are Willem and Lacan?"
"They're setting up for their own classes, I think. More students than ever to train this year.”
“Well, I'm done for the day,” I said. “While they're teaching, we could go for a walk.”
We walked through the garden together, hand in hand, laughing and sharing memories. Beloved friends called out to us as we walked by.
"I never thought I'd be able to have this," he said as we walked. "Living so long in the dark- I thought I would stay there forever. But thanks to you, I can live in the sun once more. I can never thank you enough."
"Of course, my dear."
He kissed me, soft and sweet. "I love you, Liz. Forever and always."
And I heard a lovely voice singing, one that still enchanted me all of these years later. "Listen! Shu is singing!"
And far below, in the distance, I could hear a voice joining in harmony- the song of the Dragon of Time.
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everywherebut · 5 years
Text
1 year (Chandler Bing x reader)
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Author’s note: Basically where, in London, Chandler and Monica sleep together, and they instantly regret. Chandler extremely regrets it because he has a girlfriend of 6 months.
Warning- cheating and yelling? I also did a pretty bad job writing this. Angst.
REQUESTS ARE OPEN
Chandler Bing x reader ______________________________________________________________
“Let’s go everybody! Move! Move! Move!” Monica yelled as she ran in and out, again, of Chandler and Joey’s appartment.  
“Can you believe that we have to spend 6 hours on a plane with her?” Chandler said as he turned to me.
“Can you believe that we are spending our 6-month anniversary away from each other?” You asked. 
“Why aren’t you coming? Just imagine how amazing it would be if you came.” Chandler asked hugging you for the last time before he left. 
“Honey, I have this huge storyboard meeting that we have been planning for months! If this goes well this can change my career, just think about us. And when you get back, we can do everything as if it was our anniversary. But that doesn’t mean I’m not gonna miss you.” You said. Chandler kissed you softly on the lips, before pulling away and mumbling a ‘Me too.’
-------Time skip to right after the meeting--------
The meeting went extremely well, it seemed like everyone enjoyed your pitch for the new cartoon that you had in mind. You were packing up your things that you had presented in the meeting hall when a Japanese women went up to you.
“Hello, are Miss. (Y/l/n)?” She asked.
“Yes, but you can just call me (Y/n).” You said kindly, “is there something you need?”
“Yes,” the women said while giving you a business card, “my name is Veda Mori, from Toei Animations Studios, and we were wondering if you wanted to work for us.”
You looked at her questionably before saying, “I’m sorry what?”
“Oh I’m sorry, let me start from the beginning. We have been interested in your drawings and your pitches for a while, and we wanted you to come on board for us. If you do we are willing to pay for your apartment and-”
“Wait, apartment? Where is this place?”
“Japan. If you make this move it would only be a year before we would be able to transfer you back to New York and-”
“I’m sorry, but no.” You said as you continued to pack up your stuff.
“But why?” The women asked.
“This job may not give me enough opportunity as I want it to, but I have a boyfriend here and friends here. Maybe in the future, but not now.” You said apologetically.
“Well, if you change your mind, please call my number on the card.” the women said before walking away.
----ANOTHER TIME SKIP-----
You were setting up a dinner at Chandler’s so when he gets back from London, he can relax and eat the food that you prepared. You already had the food on the table, which was Mac and Cheese (his favorite food) and mozzarella sticks (his favorite appetizer). You were almost done lighting the candles when you heard the door open. You turned around to see Chandler, as soon as he saw you, he dropped his luggage and he mumbled an ‘oh, my god’. You smiled before running over to him and pulling him into a tight hug. Chandler quickly hugged back, but when you pulled away, he had a weird expression on his face.
“Are you okay?” You asked Chandler.
“Um yeah, yeah. Wow,” he said changing the topic, “did you make food?”
“Yeah, you know, for the 6-month anniversary thing.”
-tiny time skip- 
“wait, so Ross is married, but Emily won’t talk to him?” You asked as you continued to eat the food. You were glad that at the end of the day, you still got to talk with Chandler.
“Yes! I mean it’s just been crazy!”
“So, did anything happen to you?” You asked.
“Um yeah. I actually wanted to talk to you about that.” Chandler said getting up.
“Are you ok Chandler?” You asked. But instead of the panic look, he smiled. And at that moment, Chandler knew he couldn’t tell you what he did with Monica. He couldn’t lose you. He knew he could take the chance to lose the girl that he was after for so long.
“Yeah, do you want to go and get dessert?” Chandler asked while reaching out for her hand.
“Don’t you need to unpack first?”
“I would rather spend this time with you.” He said smiling.
-----Time skip to the next day------
Everyone (except for Rachael because hse was in Greece) was having breakfast. After breakfast, Phoebe had to go and get this pregnant hair product, weird but this is Phoebe, Chandler had to unpack, and Ross and Joey wanted to go and get some London beer that ‘changed their life’. It was just you and Monica. 
“Listen (Y/n), I just wanted to apologize for everything. I know Chandler already explained that this entire thing was a big mistake and we were drunk and it-”
“Mon, Mon, Mon, what on earth are you talking about?” You asked putting down your bagel.
“Me sleeping with Chandler.” She said. Your eyes widened at this point. Monica slept with your boyfriend. Monica slept with the person you were in love with. 
“You, You slept with my boyfriend?”
“He didn’t tell you?” You shook your head ‘no’ as you stared off into space. Your boyfriend cheated on you with your best friend. “Oh no no no no no. (Y/n) I am so sorry. It meant nothing we were both extremely drunk and we both immediately regretted it and-”
“JUST SHUT UP MONICA.” You yelled as you stood up. “I thought I could trust you. I thought that you were my friend.”
“(Y/n) I am your friend just please I’m sorry.”
“I just need to get out of here.” You said leaving. As Monica watched you walk out, she knew that she regretted telling you and that she messed up the relationship that could have been forever.
----Time Skip------
“You WHAT?” said the gang, after Chandler and Monica admitted what they had done.
“We were drunk, it meant nothing,” Chandler exclaimed.
“What about (Y/n)?” Rachael asked (yes she was back from Greece).
“I’m not telling her. How can I? I spent months and months just wishing I was with her, and I can’t ruin what I have with her.” Chandler said sitting down. At that moment, (Y/n) came into the apartment.
“Chandler, can I talk to you.” 
“Yeah,” Chandler replied nervously to her. He scrambled up out of Monica and Rachael’s and into his apartment. Once they both got inside, the gang went into the hallway to see if they could hear what is happening. They heard yelling and crying for a while, then silence. They stepped back at the perfect time for (Y/n) to walk out the door and mumble an ‘I’ll see you guys tomorrow’ before leaving. The door was open to Chandler’s apartment and they just saw him sitting there, staring off into nothingness.
“what happened?” Joey asked.
“We broke up.” 
-----ANOTHER TIME SKIP (sorry)------
A few days later, Joey was practicing his lines for this audition while everyone was down at the coffee house, but Chandler was at work trying to keep his mind off of everything. That was when (Y/n) decided to go to Joey’s apartment. “Hey, Joey.” You said. He looked up shocked before running over for a hug. Joey pulled back before asking if you were ok. “There’s something I need to talk about. Um, when you guys were in London. I was offered a job making animations for Japan. Yesterday, I took it.” He looked at you shocked.
“why?” Joey asked.
“I just can’t be here right now. I’m probably not gonna come back for at least a year.”
“A YEAR?” Joey yelled.
“Joey, please. I just want you to tell everyone that I just need time. I’ll be back, but this can be a big opportunity for me. I just wanted to tell you that before I go.”
“When are you leaving?” He asked in a panic-ee tone.
“Now, but listen, I will call and try to visit, but goodbye Joey.” That was the last Joey had seen from (Y/N) for a while. He tried calling Chandler to tell him before it was too late. But it was.
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srinithyananda · 4 years
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26 OCTOBER 2020, MONDAY (IST) 9:04 PM SCREEN OPENING. SHAKTI PADA AND SHAKTINI PADA WITH THE LIVE DARSHAN OF THE SUPREME PONTIFF OF HINDUISM, JAGATGURU MAHASANNIDHANAM, HIS DIVINE HOLINESS BHAGAVAN NITHYANANDA PARAMASHIVAM. FOLLOWING DARSHAN, NITHYANANDA SATSANGH (LIVE ADDRESS), TULABARAM AND PRATYAKSHA PADA PUJA COMMENCED. *10:00 PM - SATSANG STARTS *PARAMASHIVA’S MESSAGE DIRECTLY FROM KAILASA: *HUMAN DNA HAS RIPENED, GROWN. NOW, IT IS CAPABLE OF CREATING A WORMHOLE TO RECEIVE THE DIFFERENT REALITY AND EXISTENCE OF THE HIGHER, SUPERCONSCIOUS DIMENSIONS OF THE UNIVERSE; LIKE A PORTAL, RECEIVE THE KNOWLEDGE, POWERS AND SUPERCONSCIOUS ITSELF FROM THE HIGHER DIMENSION AND RADIATE, MANIFEST. *THESE FOUR MONTHS - CHATURMASYA - THE WORK THAT HAPPENED THROUGH THIS BODY IS DEVELOPING A POWERFUL SPIRITUAL TOOL, MECHANISM, SOFTWARE, ORGANISM (BEST WORD), FOR THE INITIATION TO HAPPEN TO ALL OF YOU WHO ARE READY TO RECEIVE. *SO NOW I AM READY WITH THE SPIRITUAL ORGANISM THROUGH WHICH YOUR DNA CAN OPEN AND CREATE A WORMHOLE, RECEIVE THE KNOWLEDGE, POWERS AND SUPERCONSCIOUSNESS FOR HIGHER REALITY - WHAT I CALL KAILASA, PARAMASHIVA. *YOU CAN NOW RECEIVE IT AND MANIFEST IT, RADIATE IT IN YOUR LIFE. *LAST FOUR MONTHS, CHATURMASYA, THIS IS THE WORK PARAMASHIVA DID, THE WORK WHICH WAS HAPPENING THROUGH THIS BODY. *NOW, THIS IS THE GREATEST GIFT FOR THE HUMANITY WHICH IS READY. IN A VERY SIMPLE, EASY, USER FRIENDLY WAY, THIS IS GOING TO BE SHARED WITH YOU ALL. *BY THE GRACE OF GANAPATI, PARAMASHIVA, PARASHAKTI AND ALL THE BEINGS OF KAILASA, MAHAKAILASA IS MANIFESTING HERE. *THE WHOLE ORGANISM HAS HAPPENED IN SUCH A WAY THAT JUST BY INITIATION, THE HUMAN DNA, CAN OPEN UP, CREATE A WORMHOLE AND RECEIVE THE STATE OF PARAMASHIVA, THE SPACE OF PARAMASHIVA, POWERS OF PARAMASHIVA, BEING OF PARAMASHIVA AND SUPERCONSCIOUSNESS OF PARAMASHIVA, MANIFEST KAILASA IN EVERY ONE OF YOU. *YOUR DNA WILL BECOME LITERALLY NOW A PORTAL FOR THE OTHER PLANE, HIGHER DIMENSION, THE SUPERCONSCIOUS SPACE, WHAT I CALL AS KAILASA. *CONSTANTLY, SOMETHING WAS HAPPENING IN THIS BODY TO BETTER AND BETTER AND BETTER THE WHOLE INITIATION ORGANISM. *BETTERING THE WORDS OF EXPRESSION, IS THE JOB OF A TEACHER. *BETTERING THE SCIENCE OF INITIATION, IS THE JOB OF THE GURU. *BETTERING THE ORGANISM OF OPENING YOUR DNA AND MAKING YOU MANIFEST EVERYTHING OF KAILASA, IS THE JOB OF PARAMASHIVA, AND HE IS DOING HIS JOB ABSOLUTELY BEAUTIFULLY, RIGHTLY, IN THE BESTEST POSSIBLE WAY! *THESE FOUR MONTHS HE HAS DONE IT IN SUCH AN AMAZING WAY. *I CAN SEE CLEARLY, THE GIFTS NOW THAT ARE GOING TO MANIFEST TO ALL OF YOU, TO THE WHOLE WORLD, TO MAKE YOU ALL EXPERIENCE THE STATE, SPACE, POWERS, BEING OF PARAMASHIVA AND MAKE YOUR DNA AS THE WORMHOLE TO RECEIVE THE BEST THINGS FROM KAILASA. *LITERALLY YOU WILL BECOME A PORTAL FOR THE OTHER PLANE, TO RECEIVE ALL THE BEST THINGS INTO THIS WORLD AND RADIATE, MANIFEST IT. *THIS WHOLE CHATURMASYA, PARAMASHIVA WAS PREPARING THIS SPIRITUAL ORGANISM SO BEAUTIFULLY - THE SYSTEM THROUGH WHICH INITIATION CAN BE DONE TO ALL OF YOU SO THAT THROUGH ALL OF YOU, HE CAN MANIFEST. *YOUR DNA CAN BECOME WORMHOLE TO RECEIVE THE HIGHER DIMENSION. *EVEN THE MODERN DAY SCIENTISTS ARE CONFIRMING THAT YOUR DNA HAS THE CAPACITY TO ACT AS A WORMHOLE FOR THE COSMOS TO LAND AND MANIFEST. *THIS CHATURMASYA, LAST FOUR MONTHS I FEEL SUCH DEEP JOB SATISFACTION THAT I HAVE DONE REALLY WHAT I NEED TO DO. *SO MUCH HAPPENED SUPERCONSCIOUSLY. THE RIGHT WORK, THE REAL WORK IS DONE. *THIS IS THE 40TH CHATURMASYA BY THE GRACE OF GANAPATI, PARAMASHIVA AND PARASHAKTI, SUCCESSFULLY WITH THE BLESSINGS AND GRACE OF GURU PARAMPARA I COMPLETED! *WTH THE GRACE OF PARAMASHIVA, 40 CHATURMASYAS ARE SUCCESSFULLY COMPLETED! *EVEN WHEN MY GURUS SENT ME TO POLYTECHNIC FOR REGULAR EDUCATION, THEY WOULD GET ME BACK FOR THIS CHATURMASYA TO TIRUVANNAMALAI AND MAKE ME OBSERVE THE CHATURMASYA. *IT IS SUCH A JOY TO LIVE THESE FOUR MONTHS EVERY YEAR, INTENSELY, FROM THE TIME I WAS INITIATED. *THE FIRST CHATURMASYA WAS MAYBE AROUND THE AGE OF 2 ½ YEARS WHEN THEY FIRST INITIATED ME AND DID THE CHATURMASYA AND VERY FORTUNATELY WE HAVE THE PHOTOGRAPHER WHO TOOK MY FIRST CHATURMASYA PHOTO. HE IS STILL ALIVE IN TIRUVANNAMALAI. FROM HIS DIRECT WITNESS STATEMENT WE GOT THE EXACT DATES MAPPED - WHEN THE FIRST CHATURMASYA DONE FOR ME BY MY GURUS. *THE FIRST CHATURMASYA, THEY MADE ME SIT ON THEIR LAP AND DID IT, HOLDING MY HAND, BECAUSE I WAS A KID. THEY DID IT ON BEHALF OF ME TILL THE AGE OF SIX. THEY TRAINED ME THROUGH THOSE FOUR MONTHS IN THE TRADITION OF SANYAS AND CHATURMASYA. *ONCE I GREW UP, I MYSELF STARTED DOING. YOU CAN SEE THE PHOTOGRAPH WHEN I WAS GIVEN SANYAS AND THE FIRST CHATURMASYA WAS OBSERVED! *17 JULY 1981 WAS THE DATE THE FIRST CHATURMASYA STARTED AFTER THE SANYAS INITIATION. THE PHOTOGRAPHER TRACKED THE EXACT DATE FROM HIS STUDIO. HE GAVE THE WITNESS STATEMENT WITH THE DATE, TIME AND RITUAL THAT HAPPENED AND WHOEVER HE COULD RECOLLECT AS WAS PRESENT DURING THE INITIATION. *THANKS TO THE AUTOBIOGRAPHY OF THE AVATAR TEAM DOING SINCERE HARD WORK, COLLECTING ALL THESE DETAILS FROM MY NATIVE PLACE - TIRUVANNAMALAI. *BY THE GRACE OF GANAPATI, GURU PARAMPARA, PARAMASHIVA HIMSELF, THE 40TH CHATURMASYA IS SUCCESSFULLY COMPLETED! *THE INTENSE MEMORIES OF THESE 40 YEARS OF CHATURMASYA WENT LIKE A FLASH IN MY INNER SPACE NOW! HOW EVERY CHATURMASYA WAS WONDERFUL… *THIS CHATURMASYA WAS THE MOST BEAUTIFUL BECAUSE I FEEL I AM HIGHLY PRODUCTIVE. THE BEST THING WHICH NEEDED TO HAPPEN HAPPENED THROUGH ME IN THESE LAST FOUR MONTHS. NOW I AM READY TO SHARE THIS GIFT WITH ALL OF YOU AND TO THE WHOLE WORLD. *WE HAVE MANY PROMINENT RELIGIOUS LEADERS, POLITICAL LEADERS FROM ALL RELIGIONS ALL OVER THE WORLD WHO HAVE GIVEN BEAUTIFUL PROCLAMATIONS AND ACKNOWLEDGEMENTS FOR THE SUCCESSFUL CONCLUSION OF THIS 40TH CHATURMASYA. *I WILL READ OUT THE LEADERS’ NAMES. I WILL UPLOAD THE WHOLE THING: *PROCLAMATION FROM THE CITY COUNCIL WHICH CITED HIS DIVINE HOLINESS’ CONTRIBUTION TO SUPERCONSCIOUS EVOLUTION OF HUMANITY BY REVIVING VEDA-AGAMIC TRADITION OF SANATANA HINDU DHARMA VIA THIRD EYE AWAKENING AND MANIFESTING SHAKTIS (EXTRAORDINARY POWERS) (18 OCTOBER 2017) *PROCLAMATION HONOURED BY THE REPRESENTATIVE OF THE HOUSE OF REPRESENTATIVES (PENNSYLVANIA, USA) - MARTYN FLYNN ON 28 AUGUST 2020 *A LETTER OF RECOGNITION HONOURED BY BISHOP OF INDEPENDENT OLD CATHOLIC CHURCH, USA - REV JOE GRIEBOSKI ON 8TH SEPTEMBER 2020 *A LETTER OF RECOGNITION HONOURED BY THE PRESIDENT OF THE DIETRICH BONHOEFFER INSTITUTE (WASHINGTON, USA) - REV. DR. ROB SCHENCK ON 9TH SEPTEMBER 2020 *A LETTER OF RECOGNITION HONOURED BY THE CHAPLIN FROM THE OFFICE OF THE CHAPLIN, US HOUSE OF REPRESENTATIVES (WASHINGTON, USA) - REV PATRICK J. CONROY, S. J. ON 16TH SEPTEMBER 2020 *A LETTER OF RECOGNITION HONOURED BY THE KAUMATUA (ELDER) OF THE NGATI HURUNGATERANGI INDIGENOUS COMMUNITY (ROTORA, NEW ZEALAND) - JACK MARINO ON 25TH SEPTEMBER 2020 *A LETTER OF RECOGNITION HONOURED BY THE KAUMATUA (ELDER) OF THE NGATI HINEMIHI TE HAPU INDIGENOUS COMMUNITY (ROTORA, NEW ZEALAND) - JACK MARINO ON 25TH SEPTEMBER 2020 *PROCLAMATION BY MP MS. SALMA ZAHID (SCARBOROUGH, ONTARIO, CANADA) *PROCLAMATION BY THE CHAPLAIN OF THE ROYAL HOUSE OF KAMAKAHELEI (HAWAII, USA) *A LETTER OF RECOGNITION HONOURED BY THE PRESIDENT OF THE NAACP NEW YORK STATE CONFERENCE (NEW YORK, USA) - HAZEL N. DUKES ON 24TH OCTOBER 2020 *PROCLAMATION HONOURED BY THE MAYOR OF CITY OF DELAWARE, OHIO, USA - CAROLYN KAY RIGGLE IN 2020. MORE INFORMATION IS AVAILABLE ON https://nithyanandapedia.org/wiki/HDH_Nithyananda_Paramashivam *I SINCERELY WANT TO THANK ALL THESE GLOBAL RELIGIOUS AND POLITICAL LEADERS FOR GIVING THIS PROCLAMATION, AND ALL THE PEOPLE WHO WORKED FOR MAKING THIS HAPPEN. THANK YOU ALL! *I HAVE WONDERFUL GIFTS TO ALL OF YOU WHICH WE WORKED FOR THE LAST FOUR MONTHS. THIS CHATURMASYA, WE CHURNED THE MILKY OCEAN AND GOT THE NECTAR, CLEANED ALL THE POISON AND GOT THE NECTAR AND WE ARE SHARING THE NECTAR WITH ALL OF YOU. *THESE ARE THE MOST BEAUTIFUL GIFTS FOR ALL OF YOU TO MANIFEST THE STATE, SPACE, POWERS, BEING, SUPERCONSCIOUSNESS OF KAILASA AND PARAMASHIVA. *FIRST: KAILASA LMS WHICH IS THE SOURCE FOR ALL THE PROGRAMS, SPIRITUAL TEACHINGS, CLASSES, SESSIONS, EVERYTHING I HAVE OFFERED FOR THE LAST 26 YEARS OF MY PUBLIC LIFE. IT IS AN EXTRAORDINARY JOB LED BY AKHIL KODALI. MOHANA’S AND RAMESH RAMANI’S TEAM HAVE DONE A WONDERFUL JOB MAKING THIS KAILASA’S LMS. I REALLY WANT TO THANK THE TEAM FOR MAKING IT HAPPEN. *I WELCOME THE WHOLE WORLD TO BECOME E-CITIZENS OF KAILASA BY LAUNCHING THIS KAILASA LMS. *KAILASA LMS IS A PLATFORM WHICH ORGANISES, MAKES ALL THE SERVICES AVAILABLE TO E-CITIZENS IN ONE PLATFORM. SO I AM THANKING THE WHOLE TEAM WHO MADE THIS E-CITIZENSHIP POSSIBLE FOR THE WHOLE WORLD. *THIS WILL BE LIKE A DOOR FOR KAILASA, “KAILASA DVARA”. *WITH THE GRACE OF GANAPATI, NANDI, PARAMASHIVA, PARASHAKTI AND ALL THE BEINGS OF KAILASA, I INVITE ALL OF YOU TO BE PART OF KAILASA BY BECOMING E-CITIZENS AS THE FIRST STEP. TO APPLY FOR FREE E-PASSPORT, PLEASE VISIT https://kailaasa.org/free-epassport IF YOU ARE ALREADY AN ECITIZEN OF KAILASA, PLEASE ENJOY THE ENLIGHTENMENT ECOSYSTEM OF KAILASA WITH KAILASA LMS AVAILABLE HERE https://join.kailaasa.org/ *NEXT I HAVE A GRAND GIFT TO ALL OF YOU FROM THE NITHYANANDA PEDIA TEAM LED BY MA MUKTHIKA. THIS TEAM HAS DONE AN EXTRAORDINARY JOB OF LITERALLY RECONSTRUCTING DIGITALLY MY LIFE AND CONTRIBUTION OF LAST 42 YEARS ON THE PLANET EARTH. *OF COURSE, STILL LOT MORE TO GO, BUT THEY HAVE DONE AN AMAZING JOB LAST FOUR MONTHS. I JUST WANT TO CONGRATULATE MA MUKTHIKA AND THE TEAM AND BLESS THEM AND I AM RELEASING IT ONCE AGAIN BECAUSE SO MUCH HAS BEEN ADDED TO IT. SO I AM OPENING TO THE WORLD, THE NITHYANANDAPEDIA UPDATED VERSION. VISIT https://nithyanandapedia.org/ *NEXT, WE HAVE THE GREATEST CONTRIBUTION TO HINDUISM. WHEN WE MADE THE RESERVE BANK OF KAILASA, WE TOOK THE RESPONSIBILITY OF LAKSHMI FOR THE WHOLE OF HINDUS. NOW, THROUGH THIS PROJECT WHICH I AM LAUNCHING NOW, WE ARE TAKING THE RESPONSIBILITY OF SARASWATI FOR THE WHOLE OF HINDUS. WITH THE GRACE OF SARASWATI, FOR THE WHOLE OF HINDUS, THE PROJECT IS CALLED HINDUISMPEDIA. *WIKI HINDUISMPEDIA IS UP AND ALIVE FOR ALL OF YOU TO ENJOY! *MY BLESSINGS TO AKHIL KODALI, AVIMUKTA, RAMANATHANANDA AND THE WHOLE HINDUISM PEDIA TEAM. THIS IS LITERALLY THE GRACE OF VYASA. THE DIGITAL VYASA WORK IS BEING DONE NOW THROUGH THIS HINDUISM PEDIA PROJECT. *HINDUISMPEDIA IS THE SIMPLE, HUMBLE, HARD WORK TO ORGANISE AND PRESENT ALL THE HINDU SCRIPTURES AVAILABLE ON THE PLANET EARTH DIGITALLY IN MULTIPLE LANGUAGES, WITH AUTHENTIC TRANSLATION AS IT IS WITHOUT ANY MANIPULATION OR INTERPRETATION. *ALL THE HINDU SCRIPTURES FROM VEDAS, AGAMAS, PURANAS, DHARMA SHASTRA, BOOKS BY ACHARYAS, COMMENTARIES, BHASHYAS, TIKAS, VARTIKAS, EVERYTHING AVAILABLE ON THE PLANET EARTH… SOURCE BOOKS OF HINDUISM, COMMENTARIES ON SOURCE BOOKS... EVERYTHING AVAILABLE ON PLANET EARTH AS OF NOW, WE ARE COLLECTING, ORGANISING, TIME CAPSULING, AND MAKING IT AVAILABLE TO THE WHOLE WORLD. *WITH THE GRACE OF GANAPATI, PARAMASHIVA, PARASHAKTI, MAHASARASWATI, VYASA AND GURU PARAMPARA, THE HINDUISM PEDIA IS AVAILABLE TO THE WHOLE WORLD. I AM OFFERING IT AT THE FEET OF PARAMASHIVA AND TO THE WHOLE WORLD. *ALL THE BLESSINGS MY GURUS SHOWERED ON ME, THE SINCERE HARD WORK THEY HAVE DONE ON ME, AND ALL THE SINCERE HARD WORK I HAVE DONE ON MY DISCIPLES, THE WHOLE THING PUT TOGETHER IS THIS GIFT, HINDUISM PEDIA TO ALL OF YOU. IT IS THE FRUIT OF ALL OF IT. IT IS THE GREATEST HAPPENING ON THE PLANET EARTH. *YOU WILL SEE IN THE NEXT TWO YEARS, HOW THIS HINDUISM PEDIA IS GOING TO INSPIRE AND INFLUENCE THE WHOLE WORLD THROUGH THE HINDU DIASPORA. BY INFLUENCING AND INSPIRING THE HINDU DIASPORA, IT WILL INSPIRE AND INFLUENCE THE WHOLE WORLD. THIS HINDUISM PEDIA IS GOING TO BE ONE OF MY MAJOR CONTRIBUTIONS TO THE WHOLE WORLD! VISIT HINDUISM PEDIA http://hinduismpedia.org/ *NEXT IS THE NEXT GREAT WORK - KAILASA PEDIA. THIS KAILASA PEDIA IS THE COMPILATION OF THE GLORY OF KAILASA - THE OLDEST, ANCIENT, ENLIGHTENED HINDU CIVILIZATION, AND HOW IT WAS MANIFESTING ON THE PLANET EARTH AND ABOUT THE MULTIPLE HINDU NATIONS, AND THE PERSECUTION WE FACED AND THEIR WHOLE REVIVAL HAPPENING NOW. *THE WHOLE THING IS BEAUTIFULLY GETTING COMPILED. BLESSINGS TO SRI SHIVAJNANA, SANJAY VERMA, MA MUKTIKA, HARIHARAN AND THE WHOLE KAILASAPEDIA TEAM. *IT IS SUCH A WONDERFUL THING HAPPENING. *I AM PRESENTING THE KAILASA PEDIA TO PARAMASHIVA´S FEET AND TO THE WHOLE WORLD AND HUMANITY TO ENJOY. VISIT KAILASA PEDIA https://kailasapedia.org/ *I AM ACTUALLY OVERWHELMED BY THE WORK DONE FOR THE LAST FOUR MONTHS OF CHATURMASYA BY THE TEAM OF PARAMASHIVA GANAS. *I WANT TO BLESS ALL OF YOU! SO MUCH HAS HAPPENED IN ME WITH THE SPIRITUAL TAPAS. I AM BLESSING YOU WITH ALL THE SPIRITUAL MERIT DIRECTLY FROM PARAMASHIVA. LET ALL THE AUSPICIOUS THINGS IN THE LIFE, BE SHOWERED BY PARAMASHIVA ON YOU. *NEXT: THE NITHYANANDA HINDU UNIVERSITY IS OFFERING THE SADASHIVOHAM COURSE, LED BY MA PRANAPRIYA , MA MAHAVIDYA AND THE WHOLE TEAM. BLESSINGS TO THE WHOLE TEAM. I AM OFFERING IT TO THE FEET OF PARAMASHIVA AND TO ALL OF YOU. TO REGISTER https://nithyanandahinduuniversity.exphosted.com/learningpage/198/ExpertusONE_1 *NEXT: THE GREAT OFFERING WE HAVE, IS FROM THE AUTOBIOGRAPHY OF THE AVATAR TEAM UNDER MA ACHALA - THE GURU GITA COMMENTARY COMPILED. THE FIRST VOLUME IS BEING RELEASED. I AM OFFERING THIS TO PARAMASHIVA´S FEET, WITH HIS BLESSINGS AND THE WHOLE GURU PARAMPARA’S BLESSINGS. *GURU GITA IS WHERE HE TALKS TO HER ABOUT HIM! THE GREAT GURU TATTVA DIRECTLY EXPLAINED BY THE ADI GURU, PARAMAGURU, BY PARAMASHIVA HIMSELF. THIS IS THE OFFERING TO THE WHOLE HUMANITY. TO READ AND AVAILABLE FOR FREE DOWNLOAD: https://nithyanandapedia.org/wiki/Guru_Gita_(Book) *NEXT: THE SPIRITUAL NAME SERVICES WEBSITE BY SRI AMRITANANDA AND THE TEAM. DROPPING THE OLD IDENTITIES, KARMAS, SINS AND PATTERNS, CUTTING THE ROOT OF DELUSION AND IGNORANCE AND GIVING A NEW SPIRITUAL IDENTITY TO YOURSELF IS THE RESPONSIBILITY OF THE GURU. BY GIVING A SPIRITUAL IDENTITY AND SPIRITUAL NAME, THE NEW SPIRITUAL MANIFESTATION IS INITIATED INTO YOUR LIFE. SO THIS SERVICE WILL BE OFFERED THROUGH THIS WEBSITE. BLESSINGS TO SRI AMRITA AND THE TEAM. I AM OFFERING THIS TO PARAMASHIVA AND TO THE WHOLE WORLD. BE AN EKAILASAVASI REGISTERING FOR EPASSPORT https://kailaasa.org/free-epassport , FOLLOWING THAT, REGISTER FOR SPIRITUAL NAME, http://tiny.cc/spiritual-name-signup *SO WONDERFUL TO PRESENT THIS TO ALL OF YOU WITH THE GRACE OF PARAMASHIVA! *THERE IS SO MUCH MORE TO OFFER, TO DO. *I HAVE SO MUCH MORE TO SPEAK, SHARE WITH ALL OF YOU. I WILL DO IT THROUGH FURTHER SATSANGS. *NOW IT IS TIME FOR CHANDI HOMA POORNAHUTI, THE VIJAYADASHAMI NAVARATRI CELEBRATIONS, THE 40TH CHATURMASYA RITUALISTIC COMPLETION AND THEN THE PADA PUJA. OFFERINGS FROM GLOBAL KAILASAS: 2953 NAIVEDHYAMS WERE OFFERED TO THE SUPREME PONTIFF OF HINDUISM, JAGATGURU MAHASANNIDHANAM, HIS DIVINE HOLINESS BHAGAVAN NITHYANANDA PARAMASHIVAM. THE CONSECRATED FOOD WAS THEN DISTRIBUTED AS PART OF SHRIKAILASA UNITING NATIONS FOR NUTRITIOUS FOOD AND HUNGER FREE WORLD. *I BLESS YOU ALL. Read the full post here: https://www.facebook.com/138595819561610/posts/4510644559023359/
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goodearths · 2 years
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Using a Dhuna For Worship and Incense Burning
Dhuna is one of the most sacred and symbolic objects in Hinduism. Traditionally, it is used for worship and incense burning. Known as the 'incense burner of the gods,' it is a beautiful piece of art that adds to the ambience of a space. Unlike other incense burners, dhunas can be placed anywhere you desire to create the perfect ambience. Powdered resin is used to fill the fumer of the dhuna and streaming fragrant smoke is released from it.
 Dhuna is a sacred divine being in Hinduism
In Hinduism, the Dhuna is a sacred divine person who possesses strength. Hindus believe that the Dhuna has the power to control and heal people. The Dhuna is the son of Shiva and Parvati and has a long neck and a strong head. Some Hindus worship only Shiva, and others worship the goddess Lakshmi, the goddess of wealth and prosperity.
 There are several holy books in Hinduism, including the Vedas. The Rig-Veda, the oldest and most influential sacred text in Hinduism, contains ten thousand hymns to the pantheon of gods. These hymns were memorized and passed down orally to this day. Other holy texts include the Sama-Veda (a manual on sacrifice) and Atharva-Veda, which contains magical spells. Some of the most popular Hindu books include the Ramayana and Mahabharta.
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 It is an incense burner
A dhuna is a traditional incense burner used for religious ceremonies. The flame from a dhuna can be used for meditation or to create a mood. Incense is often used to create the right ambience for a special occasion. The incense used in dhunas are scented resins and fragrant oils that are said to have medicinal or spiritual properties. You can also purchase specific oils and fragrances for the incense you burn, so you can create a customized experience.
 Incense burns heavenly fragrances into the air, and the scent is said to improve the power of meditation. Modern burners can be found on the market made from durable brass. However, the most authentic ones are found in religious and ashram settings. You can find some of the finest ones online. The Dhuna Chandan by Ganesha is a fine example of a traditional burning incense.
 It is a symbol of the gods
The letter N in the name Dhuna indicates confidence, and its two upright parts indicate that the person is willing to explore upwards and downwards. The person is equally calm and self-reliant. This ring symbolizes a desire for upward and downward recognition. A person with this ring is likely to have a sense of receptivity and compassion. The letter N is one of the most popular symbols of the gods, and can be considered a lucky omen.
 The owl is also a popular symbol of the god Athena, the goddess of wisdom. Owls have small brains - referred to as a birdbrain. These traits make them among the least intelligent animals. In addition to their small brains, owls also display a caring and broad-minded attitude. However, Dhuna is often considered a god name.
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 It is used in Hindu prayer
Dhuna is a ceremonial incense burner traditionally used in Indian households. The incense is scented and contains many essential oils that have healing and health benefits. You can buy various types of incense and customize the smell and feel. Dhunas can be found at Hindu temples, homes, and office buildings. Dhunas are made of cast iron or brass and are intended to hold charcoal and disperse the fragrant smoke. A good example of a dhuna is Good Earth's Chirag Dhuni, which is made from solid cast brass.
 Dhuna is a type of incense that is offered during Hindu prayer. It is also the name of the ritual incense used to offer in Hindu prayer. Its name derives from the Sanskrit word "dhuna" meaning "incense".
 It has a distinct aroma
Dhuna, a god in Hinduism, is a sacred divine being. Worship begins with offering him a fragrant incense or food. Traditional methods used to melt coconut husks or charcoal tablets to make dhuna samagri. The smoke from burning them is supposed to spread good tidings. Nowadays, you can buy Dhuna samagri, a special kind of incense that is used for various Hindu rituals. Dhunas are used with Indian Incense or a variety of other scents.
 The U in the name Dhuna means "work" or "break" (in Greek). This trait can lead to both success and trouble. Being impulsive can bring wealth and prosperity, but it can also cause a person to experience imaginary problems. Dhuna is a great influence for those seeking stability, but beware of its impulsive nature - it may be dangerous.
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 It is made of charcoal
Dhuna for worship is a simple and convenient object used for religious worship. It is made of charcoal and is typically lighted or shed for petitions. Traditionally, this object is made of wood or bamboo, and is scented with Indian Incense, but modern day production includes bamboo and organic materials as well. The smoke from burning Dhuna samagri is a popular scent associated with Hinduism. A modern day Dhuna monk is indispensable for Mahashivaratri fairs.
 Dhuna are also used for burning incense. Traditionally, a Dhuna was a large pot with a stem and an opening on the top. They were used during the Durga Puja ceremony and were worshiped during the Mahashivaratri celebration. The smoke of the Dhuna was believed to spread a divine scent throughout the entire space, bringing good luck to everyone who touched it.
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mschirpysession · 3 years
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Best spas in Chandigarh
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Did you know that the word spa is derived from the name of a place in Belgium called Spa? The word spa means to sprinkle. This refers to the healing properties of water when water was used to heal various ailments and diseases.
Let us take a look at some of the best spa resorts in Tricity:
Aura Thai Spa
Just calm your senses down and prepare yourself to book a session at Aura Thai Spa where The staff is experienced and provides excellent service. The spa rooms are absolutely clean and high-quality spa products are used inside the parlor. It is one of the best spas in Chandigarh where you are guaranteed to have a good time.
Red Orchid Spa 35
If you want to take your peaceful vibe up a notch, head to Red Orchid spa in Chandigarh this could be your one-stop destination if you are looking for a cure to an age-old illness or problem and require an entire system overlook.
Highland Spa
At Highland Spa you can experience a great rejuvenating session of body massage and various other treatment. Highland spa has been serving customers with professional services since the start . The outlet is well maintained and hygiene is of utmost concern. You can look forward to having a rejuvenating time here. Choose from a variety of spa of your liking; Swedish, Balinese, and Thai.
Samayan Spa
Samayan Spa is a pure bliss situated in the Heart of Chandigarh. They offer exclusive treatments for women and men in a zen-inspired environment. With the combination of natural woods, herbal products with water features, and zen pebbles the spa’s signature decor makes this a truly unique space to soothe the body and the soul.
Knuckout Salon N Spa
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Knockout Salon, a well-renowned name in the fashion industry for more than 5 years. They offer brilliant hair, skin, body, hand, and feet services that will help you to rejuvenate. Their team of determined, hard-working, excellent professionals combines a reputation of quality with the race of cutting-edge modernity. They have been awarded many times for unmatched customer service and satisfaction.
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numerologistmahima · 3 years
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Job of Horoscopes in Indian Astrology - Numerologist Mahima Sharmaa
From instruction to marriage, from vocation to travel, there is almost no that Indians don't settle based on their horoscopes; assuming not choose, the horoscopes and expectations dependent on it are a significant impact on individuals' activities. In this way, get what a horoscope is and how it is made. Likewise called birth graph or outline, it is a graph or a mysterious diagram addressing the situation of planets, sun, moon, and so forth at delicate minutes in an individual's life, for the most part birth. Albeit this is the specialized definition, in like manner speech it by and large alludes to the expectations made by a celestial prophet dependent on the said mysterious outline regarding the individual's future. It's an old wonder that discovers notice in not just the Atharva-Veda (which portrays the science behind this graph) yet as a piece of the story in a few sagas like the Mahabharata and the Ramayana. Such was the significant job of a horoscope in Vedic India that the agonizing wedded life and possible partition of Slam and Sita in Ramayana is clarified by the coordinating of each of the 36 weapons (the ideal number is somewhere close to 19 and 35 out of an aggregate of 36 of them), For example the base of the story is in the birth diagram. Numerology Lo shu Grid
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The inquiry actually remains if horoscopes are logical. Not all that a lot of present day research has gone into testing the veracity of the cases that soothsayers base on natal graphs. Most pundits and even specialists can't utter a word about the accuracy of the expectations and the presence of countless false specialists sabotage the validity of the set number of specialists that are really rehearsing this science with the right methodology. Tests directed in controlled conditions have neglected to concoct any relationship between's the situating of stars in existence and an individual's conduct. Likewise according to Barnum impact, it is feasible to build character depictions that are sufficiently nonexclusive to fit and fulfill a huge gathering simultaneously. This impact demonstrated by mental tests, further projects a sad remnant of uncertainty over the whole pseudoscience of horoscopes and prophetic expectations.
A great many people today struggle accommodating this chronicled significance of natal graphs with the shadow of uncertainty that the coming of present day science has projected on its authenticity. In spite of this, prescient workmanship makes for great business. Most Television stations run morning and informal breakfast shows where guests' concerns are addressed dependent on their outline. Segments with a comparative main concern are not difficult to come by in Papers and Magazines. World popular characters like Dr.Rupa Batra and K. N. Rao have arisen exclusively because of this prescient science.
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The significant constituents of a graph are:
1. Local: individual being referred to
2. Divine Circle: nonexistent projection circle of zodiac, planets and groups of stars
3. PLANE OF EQUATOR: Earth's equator projected into space
4. PLANE OF ECLIPTIC: circles of sun and earth, taken at 23.5 degrees tendency to the equator
5. PLANE OF Skyline: unrelated to the earth at where it is fixated on the local; this is to work on the math of the graph
These entanglements in development alone, make acquiring a mastery in mysterious expectations dependent on the diagram, an extremely challenging errand. What's more, as examined, the validity of the ability is likewise under question. Regardless, expectations dependent on horoscopes are setting down deep roots. With all the vulnerability that people face throughout everyday life, a brace of fairly realizing what's to come is required and what better than our own introduction to the world graphs to do as such!
Read More
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pigmentation21 · 3 years
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Biluma cream 2 vedas
Biluma cream 2
It is utilized to ease up or for depigmentation of the skin in instances of tanned skin. Rashes, tingling and consuming sensation are a portion of the less regularly seen incidental effects seen with Biluma cream, when applied in more than the endorsed sum. It ought to be completely stayed away from if there should be an occurrence of unfavorably susceptible responses and delicate skin.
Biluma Cream Composition: Kojic Acid Dipalmitate, Arbutin, Liquorice, Mulberry remove, Tetrahydrocurcumin, Artocarpus extricates.
Fabricated by: Galderma India Pvt Ltd
Remedy: Not needed as it is accessible as (Over the Counter) OTC medication.
Structure: Cream.
Value: Rs. 401.20 for 1 pack of 15 gm tube.
Expiry/Shelf Life: a long time from the date of assembling
Kind of Drug: Antipigmentation
Likewise read in Hindi with regards to Biluma Cream
Employments of Biluma Cream
Biluma Cream is utilized in the treatment of following conditions:
Hyperpigmentation: Used to deal with hyperpigmentation in cases like dull spots subsequent to mending of injuries.
Tan: Used in cases tanned skin by delayed openness of skin to the sun.
Dark circles: Used to treat or depigment the dark circles under the eyes.
Elbows/Knees: Used to deal with the obscured skin of elbows and knees.
Melasma: Used to forestall or treat melasma development (blue grayish spots on the skin of face, lower arms and neck).
Wounds: Used in cases after the injury has mended appropriately, to ease up the injury scars.
Skin inflammation scars: Used to treat instances of Acne scars.
Others: Used in other skin conditions like bubble, cuts and so on
Additionally Read: Cobadex Forte Uses | Colicaid Drops Uses
How does Biluma Cream work?
Biluma cream contains Kojic Acid Dipalmitate, Arbutin, Liquorice, Mulberry concentrate, Tetrahydrocurcumin and Artocarpus extricates as its fundamental fixing.
Biluma cream works by hindering the color development inside the skin and ensures the skin against the hurtful UV beams.
Biluma cream improves statement of skin brightening specialists inside the skin surface and prompts skin easing up.
It likewise forestalls hyper pigmentation of skin in instances of twisted mending as it diminishes the recuperating system.
Arbutin and Mulberry removes goes about as skin brightening and skin easing up specialist individually.
How to utilize Biluma Cream?
Biluma Cream is accessible in Cream structure.
Tenderly wash or clean the influenced region with a gentle chemical before application, wash and dry your hands appropriately previously, then after the fact applying Biluma Cream.
Apply a flimsy layer of the cream over the influenced region and back rub it tenderly till it gets ingested in the skin and left it alone there on the skin for quite a while to have wanted outcomes.
Biluma Cream ought not be applied in genital regions as the skin of genital region is additional touchy.
Try not to utilize the cream on the whole face except if prompted by the specialist.
Keep away from abundance of cream use as it might cause unfortunate impacts.
It is fitting for the patient to go through the pamphlet inside the bundle completely to have a superior comprehension of how to deal with the medication.
Normal Dosage for Biluma Cream
The dose of the medication is to be chosen by the specialist for each person according to the age, weight, mental status, unfavorably susceptible history of the patient.
The normal utilization of Biluma Cream is 1-2 times each day for a week or as expressed by the specialist.
It is prudent to talk with a dermatologist or pediatrician before utilization of Biluma Cream in kids.
Just a slight layer is to be applied on the influenced region.
1. What occurs on the off chance that I abuse Biluma Cream?
Abuse of Biluma Cream may not bring about early fix however it might prompt expanded possibilities of bothersome impacts. In this manner, Biluma Cream utilization ought to be followed stringently according to the medicine by the specialist and in abuse cases, quickly wash the region with cold water and look for clinical assistance to stay away from bothersome impacts.
2. What occurs on the off chance that I miss a utilization of Biluma Cream?
Use of Biluma Cream ought to consistently be as endorsed by the specialist and if there should arise an occurrence of missed application, consistently attempt to apply it when you recall. In any case, try not to abuse it.
3. What occurs on the off chance that I utilize lapsed Biluma Cream?
Lapsed Biluma Cream may not cause any bothersome impact yet it is prudent to try not to utilize terminated medication as it may not be sufficiently adequate to give the required outcomes and the specialist ought to be promptly counseled in the event of any unwanted manifestations in the wake of utilizing the terminated medication.
4. Beginning season of Biluma Cream?
Time taken by the medication to show its impact relies upon the condition being dealt with.
5. Till when does the impact of Biluma Cream stay?
The time taken by the medication to show its impact might fluctuate with each person.
Additionally Read: Crocin Advance Dosage | Cremaffin Dosage | Combiflam Dosage
When to Avoid Biluma Cream?
Try not to utilize Biluma Cream if:
Sensitivity/Hypersensitivity: In known instances of sensitivity or excessive touchiness to Biluma Cream or any of its fixings.
Insurances while utilizing Biluma Cream:
Unfavorably susceptible Reaction: Always look for clinical assistance quickly if there should arise an occurrence of any hypersensitive response, if happens subsequent to utilizing Biluma Cream.
Stay away from eye to eye connection: Always apply the medication on the external regions.
Stay away from Dose modification: Drug change ought to be stayed away from except if expressed by the specialist.
Age rules: It ought to be kept away from in youngsters without Pediatrician's recommendation.
Alerts When utilizing Biluma Cream
Associative skin utilization of some other medication ought to be postponed for atleast 5-10 minutes while utilizing Biluma Cream.
Use modification without clinical counsel isn't suggested.
Biluma Cream ought not be regulated in youngsters except if determined by the Pediatrician.
Influenced region ought not be covered with tight dressing or gauze subsequent to applying the Biluma cream.
Symptoms of Biluma Cream:
The incidental effects related with Biluma Cream are:
Rashes (more uncommon)
Consuming sensation or skin aggravation. (normal)
Redness of skin (more uncommon)
Skin stripping (uncommon)
Irritation of skin. (more uncommon)
Are There Any Reported Allergic Reactions to Biluma Cream?
Conceivable hypersensitive responses announced for Biluma Cream are:
Rashes (more uncommon)
Windedness (more uncommon)
Tingling (Common)
Additionally Read: Daflon Side Effects | Crocin Side Effects | Chymoral Forte Side Effects
Medication Interactions to be Careful About
It is consistently prudent to be cautious about a specific medication to medication or medication to food communications while burning-through Biluma Cream. Continuously know about the food things, different medications or lab tests while devouring Biluma Cream. We investigate these n subtleties beneath.
1. Food Interactions with Biluma Cream
No specific food thing to be stayed away from.
2. Prescriptions Interactions with Biluma Cream
Since Biluma Cream is a skin drug, no different medications have responses with it except if some other skin drug is being utilized in a similar space of utilization. It is consistently prudent that the patient should illuminate the doctor about of the multitude of medications/items you use. You should tell the specialist about the home grown items that you are at present utilizing. You ought to never adjust the medication routine without your primary care physician's endorsement.
3. Impacts of Biluma Cream on Lab Tests
Biluma Cream doesn't influence any research center test outcomes.
4. Biluma Cream's collaborations with Pre-existing Conditions/Diseases
Patients with hypersensitive responses.
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santmat · 7 years
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“Nada” - The Divine Melody
‘Nada’ (pronounced as - Naad): Literally, the sound, noise, chime; mystically, the eternal Sound or Melody; (the Holy Word; the Audible Life Stream) the Sound Current; used in the Upanishads and later texts for the Sound which created and maintains the entire universe. Saints and yogis have commonly spoken of the anahata Nada (un-struck Sound).
The primary characteristic of sound is vibration and movement. The physical senses are essentially organs which respond to movement and vibration of various kinds. The eyes respond to light or electromagnetic vibration. The sensation of sound results from the detection of vibrations in air or water. The response of the tongue and nose to different substances comes about through movement and activity at a molecular and atomic level. Touch is a response to the shape, consistency and density of things – characteristics of matter derived from the internal motion and interaction of atoms and molecules.
Everything at a physical level is the result of vibration and movement. What creatures consider to be the physical universe is actually no more than the input to their sense organs of vibrations of various kinds which are then experienced in their own minds. Even scientific studies of physical matter reveal that its fundamental reality is one of intense movement at subatomic and even deeper levels.
Existence and movement are thus inextricably intertwined. The one cannot exist without the other. And while scientists have been very astute at describing the characteristics of this motion and utilizing this study in the development of technology, they admit that the fundamental source of this amazing and continuous motion is unknown. The universe is seemingly in perpetual motion at both sub-microscopic as well as galactic levels, but the fundamental reason ‘why’, remains a mystery.
Some scientists and philosophers have come close to the descriptions of mystics when they have suggested that the fundamental reality of the universe is a Sound or a Motion that rings and flows through all things. But the idea is not a new one. Mystics have said that this Sound can be known as reality through direct, personal mystic experience. In the Vedas, among the oldest of the world's writings, this creative Sound is called the Nada, which means Sound, while other Indian mystics have called it the Shabd, which means Word or Sound. Many other similar names have also been used.
Mystics say that this creative Sound is God Himself in dynamic action. God is the centre of all existence. He is the One - at rest, motionless, undifferentiated, silent and pure. His act of creation is really an act of projection or emanation. He makes waves within Himself; and the primary wave or motion from which all other motion is derived, and by which it is actively sustained, is His Sound, also called His Word, His Cry, His Voice, His Call, His Name - and by many other names. Inayat Khan says:
Vibration was the first original aspect of Brahma, the creator. Every impulse, every action on any plane of existence has its origin in the one Source.
-lnayat Khan, Sufi Message, The Sufi Message of Hazrat Inayat Khan, vol.8 p.145
And:
The Vedanta speaks of Nada Brahman, Sound-God, meaning that the Word or Sound or Vibration was the creative aspect of God, which shows that the mystic does not differ much from the scientist who says that movement is the basis of the whole creation. When one finds this similarity between the conception of the scientists of today and that of the mystics, the teachers of ancient times, one begins to agree with Solomon that there is nothing new under the sun. The difference is that the mystics of ancient times did not make a limit called movement or vibration, but they traced its source in the divine Spirit.
-Inayat Khan, Sufi Message, The Sufi Message of Hazrat Inayat Khan, vol.2 p.185
Just as the mind, through the physical senses, can perceive some of this Vibration or Sound at the physical level, though without realizing what it is, so too do the mind and soul possess the faculty of hearing on the inner planes of creation. And there they can realize the source of what they hear. The mind and soul are also endowed with the faculty of inner sight, but – as in the physical realm - this sight is derived from the vibration of the 'substance' there. That is, inner sight is also derived from the primary Sound. All of creation, then, possesses its own Sound, and mystics point out that this Sound is experienced differently in different realms. In the absence of any adequate language to describe things which lie beyond this world, they have likened these sounds to the sounds of this world. Speaking of the sounds heard in the early stages of meditation, the Nada Bindu Upanishad says:
Sitting firmly in the cross-legged posture (siddhasana), the yogi should adopt the yogic pose of the devotee (vaishnavi mudra), and listen fixedly to the Sound (Nada) from within that comes from the right side. This practice of (listening to) the inner Sound (Nada) makes him deaf to external sounds. Overcoming all obstacles, he will enter turiya pada (super-consciousness) within fifteen days. In the beginning of the practice, many kinds of loud sound (nada) are heard. But as the practice progresses, they increase in pitch and are experienced with increasing subtlety. At first, there are sounds like those coming from the ocean, from the clouds, from a kettledrum and from waterfalls. In an intermediate stage, they are like those emanating from a mardala (small drum), a bell and a horn. Lastly, they are like those produced from tinkling bells, a flute, a vina and the humming of bees. Thus, many kinds of sound (nada) are heard possessing increasing subtlety. When he reaches that stage where the sound (nada) of the great kettledrum is heard, he should try to distinguish only the more increasingly subtle sounds (nadas). He may shift his concentration from the gross sound (nada) to the subtle, or from the subtle to the gross, but he should not allow his mind to be diverted from them towards others. The mind having at first concentrated on any one sound, fixes firmly to that, and is absorbed in it. The mind, becoming insensible to external impressions, becomes one with the sound (nada), as milk with water, rapidly becoming absorbed in chidakasha (sky of the body). Being indifferent towards all objects, the yogin, having controlled his passions, should by continual practice concentrate his attention upon the Sound (Nada) that destroys the mind. Having abandoned all thoughts and becoming freed from all actions, always focus attention on the Sound (Nada). The mind will then merge completely in the Sound (Nada).
-Nada Bindu Upanishad 31-41; Thirty Minor Upanishads by K N Aiyar, pp.196-197, 315-316; The Yoga Upanishads by Ayyangar & S’astri, pp.177-178
The author of the Hatha Yoga Pradipika, clearly aware of the Nada Bindu Upanishad, writes in a similar manner: The yogi ... should listen with collected mind to the Nada heard inside the right ear. Closing the ears, eyes, nose and mouth, a clear, distinct sound will be heard in the purified sushumna (central current of life energy) .... A feeling of bliss will be experienced in the void of the heart, and the unstruck Sound (Anahata), like the sound of tinkling ornaments, will be heard within the body.
-Hatha Yoga Pradipika 4:66-67, 69; Hatha Yoga Pradiptika, by Pancham Singh, pp.56-57
And:
In my opinion, contemplation on the space between the eyebrows (the actual cross/third eye) is the best for rapid attainment of the mindless (unmani) state. Even for those of lesser intellect, it is a suitable method for attaining perfection in Raja yoga. The Laya (absorption) attained through Nada gives immediate experience. The bliss in the hearts of yogishvars who remain in Samadhi (absorption) through attention to Nada is beyond description.... Closing the ears with his fingers, the muni (sage) should listen attentively to the inner Nada until the mind becomes fixed in it. Then the state of stillness is achieved. By sustained listening to the Nada, awareness of external sound diminishes. The yogi thereby feels great joy, overcoming mental distractions within fifteen days.
-Hatha Yoga Pradipika 4:79-82; Hatha Yoga Pradiptika, by Pancham Singh, pp.58-59
The writer continues, now following the Nada Bindu Upanishad quite closely, though adding to it: Just as the bee prinks nectar, caring not for the fragrance (of the flower), so does a mind which is always absorbed in the Sound (Nada) entertain no craving for sensory things. Bound to the sweetness of the Sound (Nada), it abandons its flitting nature.
With the sharp goad of anahata Nada, the mind, which is like a rogue elephant roaming in the garden of the senses, is controlled. When the mind is caught in the snare of Nada, it gives up its restlessness, and becomes calm like a bird with clipped wings. Those desirous of the kingdom of yoga should take up the practice of the un-struck Sound (anahata Nada) with a collected mind, free from all cares. The Nada is like a lure for catching a deer (mind). When caught like a deer, it can also be killed like a deer. The Nada is the bolt on the stable door, locking the horse (the mind) inside. A yogi must resolve to meditate regularly upon the Nada. As liquid mercury is solidified by sulphur, so is the mind bound by Nada, and freed from restlessness.... As a serpent is captivated (by music), forgetting everything else, so too does the mind cease from movement on hearing the Nada.
-Hatha Yoga Pradipika 4:89- 96; Hatha Yoga Pradiptika, by Pancham Singh, pp.59-60; Nada Bindu Upanishad 42, 44-45
The Hamsa Upanishad enumerates similar initial sounds heard after strenuous repetition of a mantra. It also adds that the tenth sound can be heard without hearing the first nine. "Chini" and "chinchini" are onomatopoeic words, like 'tweet':
Nada is heard after repeating this japa (mantra) ten million times. Nada is of, ten kinds: The first is 'chini'; the second is 'chinchini'; the third is the sound (nada) of a bell; the fourth, that of a conch (shankha); the fifth, of a lute (tantri); the sixth is the sound (nada) of cymbals (tala); the seventh of a flute (venu); the eighth of mridanga (double-ended drum); the ninth of bheri (a coarse wind instrument); the tenth of the clouds (thunder). He may experience the tenth without the first nine sounds.
-Hamsa Upanishad 16; Thirty Minor Upanishads by K N Aiyar, pp.163, 299
Echoing the Upanishads, and pointing out that these sounds emanate from sahans dal kanwal (thousand-petalled lotus), the central powerhouse of the astral realm, Charandas writes:
In the heavens is a thousand-petalled lotus, where recitation is performed a thousand times (countlessly), and where a powerful, radiant light is manifest. Seek this by means of yoga, and behold it with the eye of the soul. There, ten forms of the Anahad (Unstruck) resound, into which your being, merges.
-Charandas, in Mysticism: The Spiritual Path, by L R Puri, pp.89-90, http://www.scienceofthesoul.org/product_p/en-059-0.htm
More or less following the Hamsa Upanishad, he also enumerates the sounds:
There are ten forms of sound (nad): ... The first is like the chirping of chihn the second, like the sound of chihn chihn. The third is the tinkling of a small bell, the fourth, the sound of conch (shankh). The fifth sounds like a vina (bin, a stringed instrument), the sixth, like cymbals (tal). The seventh is like the sweet strains of a flute (muraliya), the eighth sounds like a pakhavaj (double-ended drum), the ninth, the sound of a nafiri (trumpet), and the tenth rises like the roaring of a lion. After leaving the nine and going towards the tenth, you will hear the unstruck Melody (Anhad) and merge into it. Then the soul will become as the unfathomable Brahm.
-Charandas, Bhakti Sagar, Ashtanga Yoga Varnan 58, p.64
According to those Saints who teach the higher Sound Current, all these sounds are preliminary. The Sound that confers salvation comes from the supreme Source. Referring, perhaps, to this higher Sound, the author of the Hatha Yoga Pradipika observes:
All bad karma is destroyed by the constant practise of Nada. The finite mind and prana dissolve into the supreme Spirit (Param-atman).
-Hatha Yoga Pradipika 4:104; Hatha Yoga Pradiptika, by Pancham Singh, pp.61-62
When speaking of this Sound, Indian Saints have commonly used such expressions as nirmal Naad (pure Sound), Naad bindu (seed Sound, primal Sound) and mul Nad (root Sound, essential Sound). It is called the immaculate or pure Sound to distinguish it from the lower sounds:
Obtaining divine comprehension from the true Guru, the mortal abides within the Lord's true home in the state of seedless trance. Nanak, within him resounds the immaculate Music (nirmal Naad, pure Sound) of the Name (Shabd Dhun, Melody of the Word), and he merges in the Lord's true Name (Naam).
-Guru Nanak, Adi Granth 1038
It is identified as the seed or primal Sound because it is the primal, creative, life-giving Vibration out of which all things grow, and in which all things are present as potential, just as a great tree grows from a small seed within which the blueprint and primal energy for the tree exist:
Only he who rejoices in the primal Sound (Naad bindu) can be called a devotee of the Lord.
-Saint Kabir, Shabdavali 1, Jhulna 6:3, Kabir Sahib ki Shabdavali, vol.1 p. 74, Belvedere Printing Works
-- Quoted in book “A Treasury of Mystic Terms, Part 1, Volume 3” @ http://www.scienceofthesoul.org/product_p/en-199-1.htm    
Labels: Adi Granth, audible life stream, Divine Power, guru nanak, kabir, nada, shabd, Word, उपनिषद, नाद, राग-ए-इल्लाही
https://spiritualdatabase.blogspot.com/search?q=charandas&updated-max=2016-08-26T20:24:00%2B05:30&max-results=20&start=9&by-date=false
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yesroyalrumble · 4 years
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🕉 🚩 🇮🇳 ⠀ ⠀ 1. Kedarnath⠀ 2. Kalahashti⠀ 3. Ekambaranatha- Kanchi⠀ 4. Thiruvanamalai⠀ 5. Thiruvanaikaval⠀ 6. Chidambaram Nataraja⠀ 7. Rameshwaram⠀ 8. Kaleshwaram N-India⠀ ⠀ Can you guess what is common between all these temples.⠀ If your answer is they all are Shiva temples, you are only partially correct.⠀ It is actually the longitude in which these temples are located.⠀ ⠀ They all are located in 79° longitudes. What is surprising is that how the architects of these temples many 💯 of kms apart came up with these precise locations without GPS or any tech⠀ ⠀ 1. Kedarnath 79.0669°⠀ 2. Kalahashti 79.7037°⠀ 3. Ekambaranatha- Kanchi 79.7036°⠀ 4. Thiruvanamalai 79.0747°⠀ 5. Thiruvanaikaval 78.7108⠀ 6. Chidambaram Nataraja 79.6954°⠀ 7. Rameshwaram 79.3129°⠀ 8. Kaleshwaram N-India 79.9067°⠀ ⠀ See the picture -- all are in a straight line.⠀ ⠀ You will be surprised to know that there are Shiva temples in 🇮🇳 built in a straight line from Kedarnath to Rameswaram. Wonder what science & tech we had with our ancestors, which we could not understand till today? The Kedarnath of Uttarakhand, the Kaleshwaram of Telangana, Kalahasti of Andhra Pradesh, Akhaseshwar of Tamil Nadu, Chidambaram and finally the Rameswaram temples have been built in the geographical straight line of or nearer to that of 79 ° E 41 ' 54 "Longitude.⠀ ⠀ All these temples represent the expression of gender in the 5 elements of nature, i.e. Earth, water, fire, air and space. These has released these five Shiva LINGAS on the basis of five elements. ⠀ ⠀ 1. Water is represented at Thiruvnanakwal Temple, ⠀ 2. The representation of the fire is in Thiruvannamalai, ⠀ 3. The air is represented in Kalahasti, ⠀ 4. The earth is represented in Kanchipuram and in the cold 5. The space or the sky is represented at Chidambaram Temple! These five temples represent the wonderful mating of Vastu-Vigyan-Veda.⠀ ⠀ The speciality is also found in these temples in a geographical manner. These five temples were built according to yoga Science, and have been placed in a certain geographical alignment with each other. There will certainly be science that will affect the human body.⠀ ⠀ ⠀ ⠀ Rest in comments. 👇⠀ ⠀ ⠀ (at India) https://www.instagram.com/p/CBGTvMRFef7/?igshid=k9cfdgwoupo5
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