not sounds on tiktok dragging me back into my klaroline obessesion 😩 the urge to rewatch/finish tvd and the originals is so strong because my god, I miss them but also just the memory of them and their chemistry and their overall vibe has me by the throat once again
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WHY ARE YOU SO EVIL!!! /POS. ATTACKING YOU.
Xemnas and Xigbar for 37 if that number hasn't been done? If it has, how about 74?
no puedo pedirle lo eterno a un simple mortal // ay, todo lo que he hecho por ti.
[ID: a mostly black and white drawing with a purple overlay of xigbar and xemnas shown from the hip up on the left side of the image. the background is black and has some diagonal lines with a bit of transparency on the right side. the shadows are harsh, with only a bit of light falling on their faces.
they stand before each other turned to the audience. xigbar, holds the handle and the middle of No Name before him, head tilted down as he looks to the audience. xemnas stands a full head taller behind xigbar, his left hand held some distance below the bladed tip of No Name, his left eye is covered by his fringe.
xemnas visible eye is painted ochre with a white pupil, while xigbar's eye is white and gold. The eyes on no name's handle and the gazing eye on the blade are a vibrant cyan. the caption reads the spanish lyrics "i can't ask a simple mortal for a forever" and "oh, everything i've done for you." /End ID.]
close-up under keep reading.
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i'm very interested what ppl find to be the harder shakespeare plays and which they found to be easier. bc i was googling out of curiosity and i found a sparknotes article (link if you're curious) that ranked ten of the most commonly-read plays on difficulty and it put king lear kinda down low whereas it put julius caesar pretty high because of the politics/complicated conflicts. that kind of baffled me because julius caesar was the first tragedy i read outside of the classroom and i found it very approachable; it's one i often recommend to people trying to get into shakespeare because the plot is already familiar to most ppl and you can just enjoy the poetry and how shakespeare chooses to characterize these figures. on the other hand i read king lear a few years later in my shakespeare journey, and to be honest i still kind of have a hard time with lear. maybe i just don't connect with it on some level; i'm not sure. it's not a very tightly-organized play where the action is as centered as in the other tragedies like hamlet or macbeth. that's certainly a me thing and maybe that'll change with age. but i'm always a little surprised when i find someone's experience with the plays so much different than mine.
anyway if you're reading this feel free to reblog and tag or comment which shakespeare plays you found yourself falling into most naturally and which worlds you felt like you had to force yourself into. i'm interested in what ppl feel on this subject
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As someone who hasn't considered the ship of ichigo and byakuya in more than a "oh that'd be an interesting ship", getting to the whole fullbringer arc really made me interested.
Like Tsukishima is able to place himself in memories and shit, which he does with the important people Ichigo has in his life. And all these people, Ichigo's family, his close friends, and the girl who loves him, instantly turn on him when Ichigo attacks Tsukishima.
The people who care the most about Ichigo and trust him with their lives are unable to break out of the ability or even question it. Orihime and Chad do try and fight it near the end but even they don't manage it before being removed from the situation entirely.
Tsukishima does this too with Byakuya and yet, out of all Ichigo's friends and family, it's Byakuya who actually goes against the enemies ability and cuts him down because anyone who dares to hurt Ichigo, even if they're a friend, must be cut down. And he does this almost instantaneously, without mulling it over unlike Chad and Orihime who only started to question things later.
That's just. . . Very interesting that out of everyone, it was Byakuya who would do such a thing, especially since, up to this point, we've not seen a lot between him and Ichigo.
Anyway I can see why my friend was a bit obsessed with these two when she was reading the manga. I can certainly see the potential even more now than I did and I certainly did earlier.
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rewatched arrival for the hundredth time. this movie never fails to gut punch me with its approach to determinism. louise embracing her future that she knows every moment of, despite the tremendous loss and pain it contains, with open arms. she doesn't hesitate, or ruminate on how she can try and change it. she accepts it all, the good and the bad, because what she gains is worth it, so many times over for her. she steels herself against a certain future and runs forward to meet it all, to love, learn, and lose, and trusts and leans on herself to live through it all. because that's what life is; it's the joy and the suffering. to try and isolate the joy alone is madness, futility in its purest definition.
comparing her line of thinking to a palindrome (how she named her daughter, hannah), the movie kept emphasizing, "it's the same backwards as it is forwards." it doesn't matter if you can see the end; life is the same whether you live it "forwards" (without knowledge of the future) or "backwards" (with foresight). it doesn't change the significance of your life experiences; to try and avoid certain future pain just because you have the knowledge of it is a zero sum game. you think you win because you avoided pain, but you also avoided the joy that preceded it. the metamorphosis. so you still lose if you try to win, and vice-versa.
all you can do is rush forward and take it all head-on. see this whole beautiful mess as your one most precious gift; this one life, this one chance, a laughably miniature blip on the colossus that is linear time, to experience all there is to feel before you return back to an eternity without perception. it's all worth it, because only in living a full-fledged life open to everything it has to offer does the experience of living turn out to be greater than the sum of its parts; it's in trying to beat the system (avoid pain) that we actually lose.
"if you could see your whole life from start to finish, would you change things?"
"maybe i'd say what i feel more often. i...i don't know."
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Things I did to prepare for Key:
brought my laptop to work
put on a movie for one of my classes so I could download the game
-movie was rated R, there were so many tits in my classroom, absolute fuckup
made another class watch a video on youtube and reflect on it, told them I was grading videos from seniors
-put in headphones and started playing the game while 'teaching'
continued playing the game while one of my classes was testing
-pretty sure someone cheated, did not have capacity to care - had already caught someone that morning, didn't want to go through the process again
-lied to them about grading senior papers too
breakfast for dinner
gave my next day's first, third, and fifth periods to a coworker (I didn't have 2nd or 3rd)
fell asleep at work today
(continued to let my class watch the rated R movie so I could actually grade the papers I was supposedly grading before)
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