#strong mind strong life

[tarendee92]

[ride-a-dromedary]

"Halsin shouldn't be that big or muscular or look middle aged because he's an elf and the lore sa-"

I actually think he should be bigger and look more middle aged, personally.

[shesnake]

Succession season 3 episode 3 "The Disruption" (2021) dir. Cathy Yan

[b0nelessdoodles]

fellas, is it gay to get flustered when your colleague wraps his magic around you to keep you out of trouble? 🤔

[fisheito]

I started reading beastars so now HE's reading beastars .wait

THEY'RE reading beastars

[nikkashidashipper]

it haunts me

[silverwhittlingknife]

good coping mechanisms [not pictured]

nightwing 116 & red robin 12

[zanukavat]

every Gordon has to lose something, huh?

[lunarharp]

shirahama-sensei reminded me she has a thing for the teacher from pokemon s/v so i randomly went off on an au where qifrey is the professor. etc

[andi-o-geyser]

“cody only has under an hour of screen time in all of star wars” maybe to you he does. to me he's the main character

[cerise-on-top]

Hiya! May I ask for a fluff alphabet for Price, if you haven't done that already. Since I saw in a recent post you only do 8-9 letters at a time now (which is okay!), may I specifically ask for: A, B, C, F, G, H, N, & Q? Thank you! 💗

Hey there! Sure you can! I've been in the mood to write something for Price anyway, so this came at a good time ^^

Fluff Alphabet for Price

A ctivities - What do they like to do with their s/o? How do they spend their free time with them?

On the one hand, he really loves going out to do something with you. Something along the lines of the occasional short hike, taking care of your shared garden or even just taking a stroll through the city, taking in all the sights and finding new ones you weren’t previously aware of. Those are things he likes to do when he’s been home for a while now. However, if he’s gotten home not too long ago then he’d much rather just stay in and sleep a little bit. Will want to cuddle you or just have you be his background noise. Don’t be mad at him if he dozes off while you’re watching a movie together, he’s just extremely tired and needs that rest.

B eauty - What do they admire about their s/o? What do they think is beautiful about them?

He admires how resilient you are. Price knows that life isn’t easy, that it always makes an effort to throw one impossible thing after another at you, but you never seem to give up. No matter how rough life gets, no matter how often it knocks you down, you always get up, dust yourself off and continue to smile. Even if it really took its toll on you, you strive to make your life better. Although it may get you down when you’ve had the worst day of your life, you still won’t stay down forever. You do what you can, and that’s what Price loves about you.

C omfort - How would they help their s/o when they feel down/have a panic attack etc.?

When you’re sad he’ll give you a hug, provided you’re okay with it. He’s a very good hugger, his hugs are very comforting and warm. Afterwards he’ll put on your favorite movie or series and watch it with you. If enough time has passed and you still feel down, then he’ll cook something you really like. Although he knows he can’t make the sadness go away forever, he’ll try to temporarily cheer you up. If you need to talk, if you need some advice, he’s also your man. If you have a panic attack then he’ll try to calm you down by taking you to a location with few people. Price can talk for a while if he needs to, so he’ll ask you to focus on his voice. Might also give you a rather simple task to take your mind off of things, such as counting backwards from 100.

F ight - Would they be easy to forgive their s/o? How are they fighting?

If it’s you, then he would forgive pretty easily, as long as it’s not something too big. If you accidentally knock down a mug he likes, then he might sigh and be annoyed, but he’ll forgive you. If you cheat on him, then he won’t. He’s usually calm and collected, even while fighting. Sure, he could be aggressive towards you and snap at you, but he loves you, so he tries not to. It’s sort of obvious when he is annoyed, his sentences become much shorter and he’ll actively try to get away from you. Won’t yell at you, won’t do any erratic movements either, but if he’s too angry then he’ll simply walk away from you until he’s calmed down.

G ratitude - How grateful are they in general? Are they aware of what their s/o is doing for them?

Yes, he is aware and he is very grateful. How could he not be? You have the patience of a saint when it comes to him. He knows it’s rough to be with someone who is part of the military, he’s away more often than not, but you still decided to stay with him. You cook for him when he’s tired, you draw him a bath when he’s sore, you reassure him when he feels like you deserve better than him. You’re so much more than what he deserves, he doesn’t feel like he could ever repay you for everything you’re doing for him. He tries, though, but it’s never enough. Price could give you the universe and it wouldn’t suffice.

H onesty - Do they have secrets they hide from their s/o? Or do they share everything?

Aside from the obvious, such as military intel, he doesn’t really hide anything from you. Price doesn’t see the point in keeping secrets from you. You’re together, aren’t you? You deserve to know just about anything about him. He might not tell you everything from the get go, but once you’re close enough you can ask him about anything. You wanna know about his time as a private? Sure. How he came to be a captain? Yeah, he can talk about it. Just ask and he’ll likely tell you. But in the same vein he hopes that you trust him enough to tell him just about anything as well.

N icknames - What do they call their s/o?

He doesn’t really use very many nicknames. Just the classic ones, such as “love”, “sweetheart” and “dear”. Sometimes he feels the urge to call you “sunshine”, but he usually represses that since that’s what he’s called his soldiers before. As much as it would fit you, he tries not to bring work home. He likes to call you by your name too, though. But aside from that there’s nothing he really calls you.

Q uirk - Some random ability they have that’s beneficial in a relationship.

He can keep calm in just about any situation, so he won’t lash out on you. He has an air of authority to him, so it’s not too often that someone is being a dick to him. And that extends to you as well. Price is a well respected man, so not very many people will come up to you and demand something from you. You, too, will be respected by most people, he’ll make sure of that. Regardless of whether you’re shy and timid or loud and boisterous, no one will bad mouth you. Price can fight, he will protect you. He will also fight for your honor if he needs to. He may have self restraint most of the time, but no one should ever talk badly about his partner.

[tarendee92]

[imthursdaysyme]

Stobin and their fall haircuts

[canarydarity]

(haha happy new year! Heres 6K words of DL ranchers fighting 🤩 [ao3]) dull&slow

There was no feeling like a respawn; it was like jumping off of a building with nothing below to catch you, only to discover you had in fact been fastened into a harness when the bungee cord snapped taut. Except, it also wasn’t like that at all, because the mechanics of respawning—regardless of permanence—did nothing to curb the feeling of death, the actual sensation of dying. All it really did was remove the relief that one might experience had death been final, for what is death but a merciful release from pain? 

Jimmy imagined that there were few things that could even begin to feel like what a respawn did—the simultaneous cracking of all your joints at once in a manner akin to a human glow stick; ice cream that had been left out on the counter to melt but was then shoved back into the freezer again after only making it to that indescribably viscous stage between solid and liquid; a jam in a paper shredder—the kind where half of the page is relieved and sticking out of the top, completely intact and fine, while the rest is in ribbons below, still warm to the touch at the recent dismemberment. 

And that was only the physical aspect—the violent draw of your subconscious from the brink of death to perfect health mid-panic was something else entirely. It never got any easier, no matter how many times he did it (and Jimmy did it a lot). 

This was their second respawn, but it was different in the way that it happened unlike it did the first time: together. It was new but not unexpected to shoot up in bed at the ranch, cows mooing to his left and moonlight peaking through the window to his right. Jimmy heaved some breaths in and out; logically, he knew he was fine, but his body remembered the vertigo of falling. 

Tango was next to him, still lying back in their small bed staring at the ceiling. 

For a few beats, they were quiet, they caught their breath. The buzz of the cicadas outside was heavy in a way, droning alongside the cacophony of cows and the muted clucks of chickens from below ground. 

When his eyes began to itch and dry out from staring at nothing and his heaving sounded more like huffing, Jimmy broke the silence first. 

“I was leanin’ over the edge…why was I leaning over the edge?” His words were incredulous and barely there, only formed enough to actually get them out of his mouth but not any further. Had Tango not been right next to him, he probably wouldn’t have heard. 

Tango sat up, “Jim, hey–hey!” One of Tango’s hands reached behind Jimmy and settled on his shoulder, the other moved across himself to settle on Jimmy’s arm. “It’s okay! It’s only our second life, it was bound to happen sooner or la—”

Jimmy blinked out of his daze to realize Tango was soothing him; It was not shocking in the way it hadn’t happened before—it had actually, in fact, happened quite often—but in the way it was happening now. the combination of noises pushing in all around the ranch, having just lived through dying, again, and Tango’s warmth that he would’ve appreciated any other time, made it all immediately too much. Tango was soothing him—Tango misunderstood. 

It was instinct to throw Tango’s arm off of him, to scatter, to stand and create distance, and had Jimmy been in the right state of mind he would’ve explained that and apologized, but Tango’s shocked offense was the last thing he was focusing on. 

“No, you—why was I leaning over the edge?” 

It was the only thought that had run through his head since he’d woken up and stopped feeling like an egg mid-scramble. Not worry about being on red life, not concern about having been the one to return the favor of killing Tango this time, not upset that things were shaping up like they always did. 

Tango wasn’t necessarily wrong to assume that that’s where Jimmy’s thoughts had gone, as that’s usually where they would have. But this was not Jimmy when he was anxious, when he was guilty; This was Jimmy when he was mad.

He was pacing, but he wasn’t aware when it had started. He was just—he couldn’t stop thinking about fish. Or—no, not fish, parasites; there was this parasite he’d heard about that matures in the eye of a fish but reproduces in the belly of a bird. Jimmy had heard this and thought what a stupid, impossible thing—and he’d thought he had shit luck.  

That was until he’d heard the rest. Under control of the parasite, infected fish swim closer and closer to the surface of the water, leading it to be spotted and picked up by a bird; the parasite ends up where it needed to be all along, and that damned stupid fish is what gets it there. It doesn’t know what it’s doing, it’s not choosing to swim near the surface—by that point, the parasite is choosing for it—but it’s still— 

It just—

The fish gets itself eaten, essentially. The scariest part, Jimmy thought, was that he wasn’t sure the fish even knew. Was it aware it had been infected? Or was it swimming up and up and up and thinking what the fuck am I doing? Was it resting precariously below the surface, watching in fear as the birds circle, knowing all it had to do to avoid being eaten was swim the fuck back down, but for some reason, it just couldn’t?

Jimmy just—why was he leaning over the edge? His hands were wrapped around his stomach, griping his sides, hard. His teeth were grinding together, or he was biting his lip, or he was mumbling nonsense that even he didn’t know what meant. 

The floorboards of the ranch creaked and groaned with his pacing, and Tango remained watching from the bed, his face still painted in confusion. 

A noise—something caught between a whine and a grumble—worked its way out of Jimmy's throat, and more words came with it.  

“I saw them with their bows and arrows out—Joel, Etho, Scott—and I—” He shook his head. “We’d have been fine if I just didn’t peak my head over!” 

Jimmy turned back to Tango and pointed at him; Tango blinked, but the accusation delivered wasn’t for him. “And they weren’t even shooting at Grian, at—why weren’t they shooting at anyone else?”

Tango shook his head a little, opened his mouth to reply, but Jimmy wasn’t done. “I don’t understand—I don’t—” he grabbed at his hair and pulled; he bit into his lip again, not stopping when it started to hurt even though he knew Tango must’ve felt the ghost of it too. Jimmy rocked in place, “I even thought it. I thought ‘what are you leaning over the edge for, idiot!’ And then!” 

Jimmy spun, but no form of movement could match the direction of his thoughts, the restlessness of his mind. He felt like he was malfunctioning, every action begun and then subsequently aborted in favor of another; as if he could stop it all if he could just get himself to feel physically how he felt mentally, equilibrium a sort of saving grace. 

Jimmy hit himself in the head once like he could knock things back into place, fix whatever was loose in there–get the paper to start shredding again; in pieces, maybe, things would be okay. There was a call behind him of stop that, hey, none of that! and the bed creaked as Tango finally made the move to stand. 

“I don’t understand,” Jimmy mumbled again. They were inside, but his hair still felt the wind ruffle through it as though he were at high altitude; his hands touched nothing, but he could grip the hardwood of the defense tower all the same, rough and splintering. Joel and Etho had stood so far below, looking up, each with a hand up to their eyes to shield them from the sun. Jimmy remembered every detail about that moment—Grian had been leaning over right next to him. “Stupid parasite and it—why weren’t they shooting at anyone else? All I had to do was not lean over…”

Jimmy startled when Tango spoke again, he’d forgotten for a moment he wasn’t alone. 

“I don’t follow—parasite? What pa—”

Right, he wasn’t alone. 

“Gosh, and I’ve killed you, too, we’re–we’re red!” Jimmy said, facing Tango again. “And we’re back to nothing, we’ve lost everything—the horns, they’d have taken them by now, surely.” The anger from before seeped back into his voice, and Tango kept his space; a part of Jimmy felt bad at that, but he mostly felt validated. The guilt would come later, his chest didn’t house the room to feel so many things at once. 

Though space didn’t mean Tango was willing to stay out of things completely. 

“Jimmy, just hold on, I can’t keep up.” Tango was clearly still thrown by the direction things had gone in—he’d been expecting to reassure, not pacify—but Jimmy didn’t have it in him to stop and explain. His hands out like he was corralling a feral animal, he said, “What are you even…? Slow down, alright.” 

And maybe that was the last straw—his soulmate, known for his rage, asking him to calm, to slow down; the stark contrast between the Tango standing in front of him—hands splayed, face confused but determined—and the Tango who’d needed to be restrained as the ranch smoldered behind them; the fact that it was Jimmy who was being looked at like a time bomb with not even 5 seconds left to spare. 

This time, the accusation was meant for Tango, and Jimmy watched him stumble a little in shock when he received it. He threw his hand out like he’d needed that extra strength to pull the question from him, like his throat wasn’t up for the challenge alone, like he had to prove this was something he wanted to start and start now.  

“Why aren’t you mad?”

Tango’s face wound up with disbelief. “What?” 

Jimmy’s voice wasn’t made to be raised, but he gave it his best effort. It hurt, in a way—his throat not used to the coarse delivery; it hurt more for the fact that he’d made Tango the object of its direction. 

“You’re sitting here, and you’re calm,” he spat. “And—and you’re telling ME to be calm! Me!” Jimmy huffed again at the ridiculousness of the entire situation. “Why aren’t you mad?”

This time as Jimmy spoke, Tango wound down; he visibly CTRL+ALT+DLT-ed, a total system shutdown reboot. His hands dropped back to his sides and he stood up straighter. His face reset until he was just blankly watching Jimmy sputter and steam. He was still in a way Tango rarely was.

Jimmy thought it was the most un-Tango-like thing he’d ever seen, and that just made things worse. 

“Because it was going to happen either way, I could’ve just as eas—” its delivery was flat, like Tango knew he was stepping off of a bear trap but onto a landmine; though he did it anyway, and in most circumstances, his dedication to the idea of if at first you don’t succeed! was something Jimmy found endearing. If it wasn’t clear enough already, this was not most circumstances. 

Jimmy made a noise of dissent. This wasn’t—

“No, not—that’s not what I meant.”

A few beats of silence. They argued with the awkward hesitation of two people who’d never fought before and therefore didn’t know the procedure; neither of them had had time to memorize their lines. Fight was something they didn’t do—partially because they hadn’t been together long enough to garner the need, and partially because they got along with a simplicity they hadn’t expected. There was a question in this lapse between one comment and the next, an are we really going to do this?  

Tango blinked at Jimmy. “You don’t mean why am I not mad at you?” 

It would’ve been an easy out if he had. A way to walk them back to familiar ground—the kind where Jimmy was apologetic and guilty and anxious and Tango was steady and reassuring and kind. 

He couldn’t lie and say that wasn’t part of it; he was a liability, and he would never be over Tango being his collateral damage. 

He looked away from Tango, “Well—”

“Jimmy…” Pity was such an ugly, regretful thing. 

“No! No—yes, that’s not what I mean.” And it really wasn’t—at least, not at first, not completely. That was the undertone that would drive all his decisions and thoughts and feelings, it’s true, but this was different. This was—they’d died, Jimmy killed them, and Tango wasn’t upset about it; moreover, Tango was docile, passive. He was—

“Then I don’t understand what you’re asking me.”

—resigned. 

Jimmy didn’t yet look back, because he knew it would be his turn to talk when he did. All that he had to explain lacked the rationale to be said aloud; simply put, he was mad because Tango wasn’t. 

“You’re gonna have to give me something to go off of here, Jim.”

Eyes still fixed resolutely on the wall, Jimmy repeated the only sentiment he really could express at the time. “You’re not mad…” He let the end trail off, embarrassed it was all he had to offer, knowing it was unfair to Tango, knowing a normal person would’ve been able to voice more; just another way Jimmy fell behind. 

“At?”

“At anything!” He was discovering that when he did yell, his voice got high, and he tended to cut off the ends of his words. They shortened, got sucked up into the emotion until they weren’t letters anymore but sounds. “You’re—I had to restrain you, practically, after Scar burned down the ranch! And I wasn’t there, but I heard about last life and I—”

He felt like his sentences were being recorded in takes; start and stop, start—stop, mark! He would sound so much better edited together. He needed a script, surely he’d be able to say the right words had someone else given them to him. He’d do it right then, he knew. Of course arguing, too, was something he wasn’t good at.

Jimmy gestured at Tango, “You’re not mad, at anything, you’re just standin’ here! We’re going to die and it’s like you don’t even…like you’re not upset.” The final clause came out dejected and unsure; it sounded like it belonged to a completely different conversation. If he were reading lines, he’d likely receive notes about consistency and remaining in character. It was hard to do that when he wasn’t sure who he was or was ever supposed to be.

Tango looked no less confused. “That’s how the game works, Jimmy—we’re all going to die at some point.”

“I know that, Tango, I know.” Jimmy bit his lip. “How are you just okay with it?”

Tango’s eyebrows raised in shock, the kind that spoke to his questioning the audacity of something. “Well, I’m not happy about it, bu—”

“You are, though.” 

Eyes narrow, frustration finally starting to seep in, Tango said: “No, I’m not.”

“You are!” This felt more tantrum than argument; more whining about not getting his way than making a point about having been wronged; he wasn’t really sure he had been wronged. At least, not by Tango. But he didn’t know how to rewind, he didn’t think there was a going back. 

“Damnit, Jimmy, I’m not. You think I want to lose this?” 

No, Jimmy didn’t—and that’s why he was so confused. 

“Then why aren’t you angry that’s what I don’t…” This line of questioning wasn’t going to work—he’d already discovered that again and again. He needed to figure out a different direction to head in. “Even now I’m yellin’ at you and you’re just there.”

“So now you’re mad because I’m not yelling at you?” Annoyance, frustration, irritation—they were close, but none of them were what Jimmy wanted. Or—not what he wanted but what he needed. People were mad at him far too often for him to crave it in this uncommon time when no one was, but he needed to know Tango was with him on this.

“No, Tango!” Jimmy whined.

“Well you’re not explaining anything, what am I supposed to think? That’s what it sounds like you’re saying to me!” His voice finally at an above-normal volume, Jimmy shrunk; reality wasn’t ever quite like expectation, was it? The simultaneous relief mixed with the guilt, and everything got worse; he thought maybe that’d been his goal all along, he could see it now that it had occurred. And yet, it wasn’t right; sure, Tango was mad—but he still didn’t get it. Tango kept rambling.

“You’re mad that I’m not mad, and you say it’s not about you, but then you’re also mad I’m not yelling at you—which I have yet to figure out, by the way, and—” 

Following Tango’s wild hand gestures, Jimmy’s eyes landed on their wall of chests, and he knew what he needed to do. He scooted past Tango, who turned to keep facing him, and started rooting around until he found what he was looking for. 

“Oh, and you’re ignoring me too, now, which is neat,” Tango said to his back.

He’d wrapped it in a bundle of spare wool hoping that bed made they wouldn’t need much else and Tango wouldn’t find it on accident, but he pulled it out now and turned back to face Tango gripping it in his hand.

His soulmate shut up immediately, his gaze first on Jimmy’s hand, and then up at his eyes. 

“Where did you get that.” The anger was finally there, but Jimmy didn’t immediately respond. “Why do you have that?”

The golden apple was cold in his hand, colder than he thought it should have been. It glowed slightly in the darkness of the ranch, a yellow hue that spread out in a dim radius; he had the bizarre thought that it would've made a good nightlight had it not been illegal. Jimmy had always been a bit scared of the dark (he’d been pleased, then, when the game had started and he found that his soulmate glowed just the same). He didn’t need the apple sitting on the lid of their chests to provide light—not so long as he had Tango; how ironic then that he only got both or none, that consuming—and therefore getting rid of—the apple would rid him of Tango, too. 

Jimmy didn’t want to be left alone in the dark, but that was sort of why he looked back at Tango and he said, “I think you should eat it.”

“No.” It was both a response and an expression of disbelief rolled into one; a no, this conversation is not happening, not now, and a no way in hell is that thing getting anywhere near my mouth. The stillness was back, but it was more dangerous this time; less resigned, more preparing to strike.

Jimmy repeated himself, lifting his arm and holding the apple between them as he did. “Tango, you should eat it.”

“No.” Tango shook his head. “Jimmy, I said no.” 

“Why not?”

“Why not?” A sardonic, humorless laugh made its way out of Tango, and Jimmy flinched at the sound; a broken echo of their usual selves. “This is a joke, right? There’s something here that I’m missing that makes this all super-happy-funny and we’ll laugh about it in 5 minutes.”

“I’m serious, Tango.”

His hands on his hips, Tango nodded at Jimmy as he said, “you are.” It was deceptively compliant, mockingly understanding. Jimmy was misled often enough in conversation to recognize when he was being set up, but he hadn’t quite yet learned the skill of letting things go; he walked again and again through a door labeled trap! which was how he knew he was doing it now. 

“Yes...” 

“Serious-serious, you’re seriously asking me why I don’t want to eat a golden apple.” Tango doubling down, Tango continuing to misunderstand, the fact that Jimmy couldn’t blame him for any of it, the feeling of everything at once, and the knowledge that all was out of his control; he felt his eyes well up with tears of frustration. 

“That’s what I just said...” Dejected, a clown waiting for the punchline—waiting for others to laugh at his expense; setting up joke after joke, forgetting what it was like to not provide the entertainment. 

“Well I just wanted to confirm before I informed you that that’s the stupidest question I’ve ever been asked in my entire life.” It was at this point that Jimmy let out a breath, and a tear fell with it. “Like, wow it’s almost an accomplishment how stupid that question is.”

“Tango…” He’d plead but he knew he didn’t have the right—not in this conversation of his own devising. It wouldn’t be a lie to say he didn’t know how they got here, but it wouldn’t be the truth either. 

“Really! I’d make you a ribbon to commemorate and everything if we had literally anything to our name at all.”

Catching the opportunity to jump back in, Jimmy took it. “Okay, that—that’s my point.” 

“That I haven't offered to make you a rib—” 

Jimmy cut Tango off again before he could stuff the conversation with more nonsense in defense. “That we have nothing—have had nothing since we started!” 

It was more than just luck—it was design. There came a point where chance ended, a place coincidence didn’t reach. Jimmy had dwelled long enough in the space between unlucky and doomed to know that one was cyclic, intermittent, while the other was ceaseless, fixed. Luck would come and go, but damnation? That kind of fate had been here since before all of them, and would remain long after. 

The subject was taboo, but there wasn’t a single person on this server who was unaware that Jimmy was ill-fated. They poked and prodded him about it, but any level of seriousness to the conversation was buried under veiled laughter and slightly glassy eyes; the kind of sheen to a stare that said even if they tried, they couldn’t know what it was they talked about. To everyone else, Jimmy’s “curse” was a bit they’d overindulged in; to Jimmy, it was a burden he wasn’t allowed to acknowledge. They didn’t let him. 

He’d thought maybe…Tango was being forced to share it; maybe something would click; maybe they’d let him have this for just a few weeks. 

Jimmy didn’t think he could get any more stupid. 

The sarcasm remained equipped, defenses high. “Well, I’m sorry that you think I’m not doing enough to provide for you, Jimmy, bu—”

Jimmy groaned again. “Tango can you be serious for 2 minutes! 2 minutes, please!” 

“No!” Tango was looking at him in a way he never did; a look that conveyed I cannot believe you, the underlying sentiment of dismissal that hurt more for it coming from the only person who’d ever really listened to him without reservation.“You know what, no, I cannot. If you’re going to start a ridiculous argument you’re going to get ridiculous responses—you don’t like it, too bad.”

Jimmy had been involved in a lot of ridiculous arguments before—it came with being a reactive person; he existed with defenses always already half-raised, on high alert for anything that might make him the center of negative attention. 

But this wasn’t one of them. The ranch, Tango, soulmates—they were easily the most valuable things he’d ever had—and that was why he couldn’t have them. He was going to lose it—he was already losing it; it never hurt so much when he was the only thing he had. “Gosh, dont you get it?! There’s nothing we can do—nothing! I’m gonna kill us, you understand?”

It felt good to say it out loud, to watch Tango blink in the face of such bluntness. Somehow his shock betrayed his lucidity, and proved to Jimmy what he’d feared all along: Tango felt it too. 

And that made him circle all the way back to the beginning of this stupid roundabout conversation. Maybe he didn’t know it in so many words, having less time to experience it than Jimmy did but Tango knew—their time was running out; running out in a way it didn’t for anyone else playing these games; running out in a way Jimmy had—until now—never before been allowed to acknowledge. Tango knew. 

And Tango wasn’t mad. 

“Ugh, this is—this is childish, is what it is! I don’t…I can’t believe this is happening. This is—it’s madness.” What did they bother going in circles for if they were just going to end up right where they’d started?

“You’re the one trying to force feed me a golden apple,” Tango grumbled, eyebrows raised and face mocking as he looked at the cows. A few of them were standing against the fence staring back, mooing insistently; a strange audience for a strange night. 

“Because I’m sick of it, Tango!” He was, once again, not the right recipient of this complaint, but what else was Jimmy to do? Seasons of grief built up in one desperate conversation, it was becoming more a list of grievances than a call to action. “Of all of it! Of the jokes, of losing, of—of not being in control of anything, of dying—and you—”

“Me?” Tango huffed, interrupting. “Wow, tell me how you really feel, Jim.”

Jimmy shook his head and looked down, a dismissal; his answer immediate and unhesitant. “No, that’s not what I—” 

Sick of Tango—it wasn’t possible, but he saw in his hands that he still clutched the golden apple, and he was reminded again of all the ways in which he was dangerous; of the ways in which he was the heavy rock tied around Tango’s ankle, sinking slowly despite all efforts. He closed his eyes, tight, hard enough to hurt, and swallowed the bile in his throat. “You know what, yeah. I am.”

He looked up again to look at Tango, forcing himself to look determined, sure. “Yes, I’m sick of you.”

“Jimmy…” There was a warning there, but following warnings was never Jimmy’s strong suit. 

“I am!” He didn’t think there was much of a chance Tango would believe him, but he loved Tango enough that he owed it to him to try. “I’m sick of you and how calm you’re being. We’re losing everything, again, always and you’re just standin’ around and I’m sick of it, Tango.” 

Tango refused to answer, and Jimmy knew to be any convincing at all, he had to commit. 

“I’m sick of this place,” he gestured around the ranch, rebuilt since the fire but still nowhere near as advanced as the other bases on the server; they could try and try and try but they’d never reach that level; they couldn’t be allowed to have an actual chance. “and—and how we built it from nothing and it still didn’t matter. We weren’t even doing that bad, and we’re still losing, and I’m sick of that, too!” 

Tango standing still, Tango with his hands on his hips, Tango refusing to rise to the bait in Jimmy’s words. “I don’t believe you.”

“You don’t believe me? Fine, I’ll just keep going then.” He shrugged, undeterred, glancing around as if he wasn’t bothered—and his eyes landed on the cows in the corner, still watching them as if simply their being awake meant they’d be getting fed. Jimmy raised the arm with the golden apple, using it to point at them. “These stupid cows mooing all the time—the chickens—might as well just kill ‘em all now, 'cause they’re not going to matter either, are they? I’m over this place, and—and everyone else treating us like a joke.”

He looked back at Tango when he’d finished. “And I know you’re sick of it too, you are.”

“I’m not.” This, finally, was familiar ground—Jimmy projecting, Tango reassuring—but for once, Jimmy wished his anxiety proven right, he wished Tango would give in and admit that this wasn’t what he wanted—that Jimmy wasn’t what he wanted; not if it meant the absence of a fair chance.  

“You are, you have to be.” And it was somewhat like begging. Jimmy’s never begged someone to be sick of him before—he was usually pleading for the opposite; how backward, how wrong, everything in him screaming what are you doing?! No one else had ever treated him like Tango did. 

He sniffed once—as he was still crying—and kept listing things; the sort of fears it would kill him if Tango validated, but he said them anyway. If there was any chance it’d get Tango to eat the apple and be safe. 

“You’re sick of having to cater to me, right? Of having to answer a million questions and reassure.” Tango began to shake his head, but Jimmy ignored it and kept going, stepping closer to his soulmate. 

“And I bet you’re sick of losing, too. You don’t want to lose, Tango, not again, right?” It was a low blow, but Tango didn’t look hurt so much as he looked sad; he accepted Jimmy’s meanness as a product of his fear, and he curbed his offense to make room for the heartbreak. 

Figures that Jimmy starts a needless argument insulting Tango endlessly and was still the most pitied in the room. He didn’t know if it was a product of his selfishness or Tango’s altruism, but the effect remained the same. 

Within arms reach at last, Tango raised a hand but stopped it midway between them, unsure if breaching this distance was yet allowed. When Jimmy didn’t do anything about it, Tango lowered his hand until it rested on the front-facing part of Jimmy’s shoulder, eyebrows furrowed, not trusting that this was over.

Jimmy mirrored Tango with his own hand, feeling the warmth of Tango’s vest and above-average temperature below—the heat that’d been keeping him warm at night when they couldn’t splurge on extra blankets or were sleeping in a half-burned-down building or just because. He only allowed himself to feel it for a second before he pushed—not hard, but enough to make Tango take a step back, more because he wasn’t expecting it than due to force. 

“Come on,” Jimmy pled. “Fight back. Get mad, hit me.”

“I’m not going to hit you, Jimmy.”

Jimmy stepped forward and pushed again, both hands; not harder but more firm. “Fight back, Tango, come on.”

“No.” Tango’s face was scrunched together in the most vehement disagreement he could give, and, out of options—out of energy—Jimmy made another noise somewhere between a whine and a groan and raised his hands again, only for Tango to catch them this time and drag Jimmy closer; dropping his hands the second he was within holding distance, one of Tagno’s arms wrapped around him and the other cradled the back of Jimmy’s head as he pulled it down towards his shoulder. Their height difference made it difficult at first, but they’d been practicing for weeks. 

Jimmy went without protest, arms at Tango’s waist, screwing his eyes shut tight enough that he could almost pretend he didn’t hear the I’ve got you’s that he didn’t deserve but Tango was nonetheless whispering to the side of his head. He wanted to protest—or, no, he wanted to want to protest; to keep trying until Tango understood, until Jimmy screwed up enough that Tango got fed up and left the way anyone else would’ve done weeks ago, possibly just upon finding out they were paired. 

“You’re okay—we’re okay,” Tango said. “I’ve got you. We’re going to be okay,” hand steady on the back of Jimmy’s head, holding fast when he tried to shake it and express his opposition. Jimmy didn’t think that ‘okay’ had a place here, not for them, not anymore. 

They were on their last life now, he could feel the effects of being red thrumming through him, though they weren’t as much to blame for the damage he’d caused as he wished; this disaster, like most, was entirely Jimmy’s own. 

Still murmuring and offering reassurance, fingers of one hand still scratching through Jimmy’s hair, Tango used his other to gently pry the golden apple from Jimmy—no longer putting up a fight—and toss it away without looking until it rolled on the wood flooring through the gate of the cow pen. Jimmy watched, head still on Tango’s shoulder, as the cows shuffled around for the lobbed apple, mooing increasingly louder until, after a crunch or two, it was assumed no longer there. 

He felt more so than heard Tango clear his throat, the motion vibrating through Jimmy like a warning. “I am mad,” Tango whispered, voice only half-formed at the low volume. “I am,” he repeated, “don’t think I’m not.” His tone the kind of calm that only gave way to true anger. “But what can we do?”

Jimmy closed his eyes. He didn’t know. 

~-~-~-~-~-~-~

They’re in bed after, facing each other in the dark; Tango watching Jimmy, Jimmy watching their clasped hands between them. Tango’s thumb ran along the ridges and valleys of his knuckles, waiting for something, though he didn’t know what. In his mind, Jimmy was running through all he had to offer—the things he should say, the things he couldn’t voice—but what he kept getting stuck on was:

“I didn’t mean it.”

“I know,” Tango said; not exasperated, not upset, just matter of fact. 

Jimmy raised his eyes to Tangos, shaking his head as much as he could while lying down, not willing to risk any more miscommunication, “I’m not sick of it here.” 

“I know, Jimmy.”

“I’m sorry.”

“Shhh,” Tango pulled their joined hands until Jimmy scooted forward, head under Tango’s chin, all not forgotten but, at the moment, behind them. They were on their red life, after all—there were other things to worry about. 

Jimmy knew that the fact that Tango loved him shouldn’t be one of them, but when it was more than he wanted to live, it was. There was nothing he could do about it now. They would wake up in bed tomorrow and, maybe if they were lucky, the day after that—but there wouldn't be another respawn. They were out of time, out of options—this was it. 

Tango loved him, Tango wasn’t going anywhere. He didn’t need to press his ear further into Tango’s chest to hear his heartbeat—not when it was an echo of his own—but he did it anyway and tried not to number the beats like a countdown, to assign them values and limitations. 

He squeezed Tango tighter, comfort disregarded; it was an offering where words had previously failed him, though there was no guarantee that his message would translate this way either. Physicality was another language Jimmy had never gained proficiency in—pretty much any method of communication verbal or non-verbal was—but he owed it to Tango to try. The trace of his fingers along Tango’s spine said I’m sorry, his breath on Tango’s chest whispered of how he’d spare Tango’s heart from his if he could; forehead to collarbone asked if things could still be normal tomorrow, since there was now a very real possibility that tomorrow was all they had. 

He didn’t bother interpreting the response, focus lost as Jimmy tried and failed not to drift away on the subliminal messaging of his own; that this was his loss, his failure, his fault. 

If he’d tried, maybe he’d have read the brush of Tango’s fingers through his hair as I don’t mind, the press of lips to the top of his head as reaffirming the deliberate choice being made—the decision to stay, to be a part of this. 

But he didn’t. Jimmy was stuck, and not at all like he had thought. Maybe he wasn’t the fish, maybe he was the parasite; the birds were circling and Jimmy could beg all he wanted, but Tango loved him. Tango wasn’t going to swim down. 

Tango wasn’t going anywhere.

[dazais-guardian-angel]

Okay, a good amount of time has passed, and after having seen this post by @weretiger-be-my-horse , I've been turning it over and over in my brain going absolutely feral over this concept. I need to expand upon my thoughts on this idea and all the evidence there is pointing towards it, whether that be actual tangible things, or purely strong vibes I have.

First of all, full disclaimer: I did not like the season 5 finale, and how it wrapped up the DoA arc. To say that I "disliked" it is putting it extremely lightly, in fact -- I absolutely hated it, and I am still, to a degree, in disbelief that I actually even watched those 24 minutes with my own two eyes, and that it somehow wasn't a complete fever dream. While I'm not going to go in long-winded detail into all the ways that I feel like the finale almost completely bastardized all of its featured characters and destroyed any and all buildup we've had going on in this arc for 50 some chapters now, because that's not the main point of this post, I will not make any attempt to hide the fact that the theory-crafting I'm about to pose here is partly influenced and prompted by how much I hated the finale, and how much I desperately hope that it will not end up being manga canon. Therefore, if you enjoyed the finale — and that's fine! — and don't want to read any negativity about it, then I would not recommend reading any further (I mean, you've probably already left by this point, which is fair lol), While obviously it's important that I be as objective and unbiased as possible when explaining my thoughts, some of my negative feelings about the writing will be a part of this analysis, even if this isn't going to be a full-blown rant. Just know that if you proceed.

With that out of the way, let me continue.

So. In the aforementioned post, the theory presented is that the anime may be operating on an alternate timeline, and that this will become evident once we read the upcoming October chapter, wherein things will go completely differently post-chapter 110 than they do in the final episode — probably for the worse, with the s5 finale intending to lull us into a false sense of security and make us assume that everything in the manga arc finale will wrap up as smoothly and consequence-freely(? lol) as it did in the anime one. It also suggests that the Fukuchi we see at the very end that sskk are fighting came from the manga timeline, where he won, and that he used the Book to jump to a timeline where he lost, the anime one, proven by the fact that this Fukuchi is wearing a mask with the same design on it as the mask Fukuchi is wearing on the chapter 110 DoA color spread/title page.

First of all, I want to note the fact that it's not just the mask design that's the same: the entire outfit is roughly more or less the same as well. It's not completely 1-to-1, because the anime can never fully match the intricacies of Harukawa's beautiful outfit designs, and the Fukuchi in this scene has the kimono half-off because of the... super saiyan mode he's in, but most all of the main pieces of clothing are there. Any small inaccuracies could also be attributed to the fact that Harukawa probably didn't have this finalized art ready back when this episode was being made, so the animators wouldn't have had the complete design to work off of. But in general, because it's all so similar, I think we can quite confidently say that the ending episode Fukuchi is meant to be the one from this manga art.

Also, people have pointed this out, but it's worth mentioning that the mask Asagiri wore at Anime Expo in July was referencing this Fukuchi. It's not a crucial detail, but it just proves more that Asagiri is a gigantic fucking troll, and that he clearly wanted to draw attention to this Fukuchi design. It's important. He describes the mask here as made in the motif of an ellipses inside a speech bubble... could that perhaps be referencing meta aspects, like the Book?

Next, I want to talk about the even bigger elephant in the room, which to me is the most damning and undeniable piece of evidence there is of the anime operating on a completely separate timeline from the manga:

This Fucking Hand™️

As we all know, in the anime, Fyodor injures his hand when the password input device blows up, and as we all know, this does not happen in the manga. In the last episode, Dazai claims that the final nail in the coffin of his impromptu plan to kill Fyodor relied on this hand injury: because Fyodor couldn't pilot his escape helicopter himself, he would ask one of his Meursault vampires to do it for him, unaware that Bram and thus this vampire was now on the ADA's side, and said vampire could kill him while his guard was down.

Ignoring how utterly stupid and contrived this plan is when you stop and think about it for more than two seconds, the fact of the matter is that something that initially seemed like nothing more than an odd but inconsequential anime original addition ended up snowballing into being the entire reason one of the big bads was brought down. If Fyodor hadn't hurt his hand, he wouldn't have needed another pilot, and so the traitor vampire wouldn't have had an opportunity to get near him and kill him without him expecting it even though said vampire was presumably with him as they were leaving Meursault, and was probably already a traitor by then, so there was plenty opportunity for him to still die. not to mention by Chuuya's hands at literally any time he wanted to, because Chuuya was coherent the whole time. Also there's absolutely no way Dazai could have known exactly what Ranpo would do, no matter how smart he is and how much he trusts him. idk it's fucking dumb, just roll with it. Therefore, putting aside all other variables for now, we can conclude that, on the most basic level, this signifies that no hand wound = no death.

And let me tell you, this hand wound bothers me. It really, really does. Because they focus on it a LOT — they go out of their way to draw attention to it MULTIPLE TIMES, from the moment it first happens to the end of the season. Fyodor even talks about it to himself, about Dazai being able to cause him tangible, visible, bodily harm, (something that, again, as far as we've seen, has never happened in the manga). Hell, even after Fyodor's death, they're still drawing attention to it, because his right arm is all of him that survives, and Dazai picks it up and gives it to Nikolai to do his hilarious sad little gay fondling of it played completely straight even though there's nothing straight going on here at all! It's like it's a big red flashing sign at all times going "you see this injured hand? This is important. Are you picking up that it's important? Are you taking note of it?" Why is that? Obviously, it serves to give us the lore crumbs about Fyodor and "that man", but that's hardly the main, much more glaring reason, as I've already mentioned.

Fyodor doesn't hurt his hand in the manga. Fyodor won't die here in the manga. I am so dead serious by this point about this, and it's not just simply the fact that this was absolutely not at all the time for him to die, or the fact that his hand is the reason for his death in the anime in and of itself, but how much EMPHASIS they place on this, and on the hand in general. What would be the point of adding something like this, if it's not meant to alert us to the fact that it has a major impact on how the story plays out? We all know Bones: they struggle to get right and include everything that's already there in the source material; they would never go out of their way to add something this noteworthy if there wasn't a very good reason for it, if it wasn't absolutely necessary. I've seen a few people bring up the fact that Fyodor gets shot in the shoulder by Sigma and that that could lead to the same outcome in the manga, but I disagree: although he has blood on his shoulder in the manga, it seems like the bullet just grazed the top of it, because his arm and hand appears completely functional afterwards (not hanging limp by his side or anything). But that doesn't even matter, because this isn't even about the semantics/logistics of how the hand wound caused Fyodor's death because again, it's a stupid outcome, or what could serve as a substitute in the manga — thematically, this is a textbook example of the butterfly effect. Countless parallel universes exist within this series, ones where even the most minute differences lead to a majorly different outcome: this just happens to be one of them. There's no reason to think it isn't, and there's no reason to not think that the anime wants us to clue into the fact that things only went as smoothly as they did on the Meursault side because of this wound; in other words, that things will go very differently in the manga thanks to the absence of said wound. They wouldn't have added it in the first place and put such clearly deliberate emphasis on it otherwise.

Things are going to happen very differently in the manga, at least when it comes to the Meursault crew (but then, if you assume that, you then naturally assume it all will be very different). This is the only conclusion one can come to with the presentation of this anime-only wound, combined with the fact that parallel universes are a very real thing in BSD.

I'm going to go on a bit of a tangent, so bear with me. I play a lot of visual novels, and although such concepts aren't really as original now as they were a while ago, some of my favorite and some of the very best VNs out there are the ones that break the fourth wall and make the visual novel branching route format directly intertwined with the story: you know, the ones where the characters go "if only I had done things differently, maybe everything would have turned out better...!" in a wink wink nudge nudge moment, and the ones where the characters are aware of the different timelines, even, or even have the ability to gain information from their selves in said alternate timelines to influence events in their current one (I'm intentionally not naming the games I'm thinking of for the sake of spoilers, but if you know, you know lmao). It gets very meta in this regard, and this is how I started viewing BSD through the lens of ever since I first learned about Beast: like a visual novel with many branching routes, and only a few routes that feel entirely "right".

When I first read Dazai's Entrance Exam, I was struck by how unnerving the ending sequence in the abandoned hospital felt. Obviously, Kunikida's internal struggle over Sasaki's actions and motives is him still desperately clinging to his ideal world that does not exist, but the specific type of phrases he uses — "who is wrong?" "[who is] the cause of all this?" "there has to be an ideal world" "there has to be something, I'm sure of it" "There must have been something we could have done!" — and the framing of the scene in general, is eerily reminiscent of a bad ending in a visual novel, to me. There's a haunting, looming, bleak sense that a different outcome could have been achieved, if different decisions had been made, or if things outside of anyone's control had been different... and we know that this is true, because in Beast alone, Kunikida never goes through the Azure Messenger incident, because Dazai doesn't have his entrance exam. Hell, you could even consider the anime's version of the Azure Messenger arc an alternate timeline in of itself, if you really wanted to, long before we even arrive at season 5.

When it comes to Beast, this timeline has almost the opposite feeling of what I described above, that I've also encountered in visual novels: the idea of a "good route" or "good ending" that still doesn't feel quite earned, or as perfect as one would expect. Beast is presented as the "ideal" timeline purely for one sole reason: Oda is alive. It is the only timeline where he's alive, and keeping Oda alive is the ultimate goal Dazai wants to achieve, the only reason this timeline exists; therefore, disregarding all else, Beast should be the best timeline, because Oda's death is the greatest devastation in the series to date. We all want him to live, so why wouldn't the timeline where he does be the best one? And yet... of course, it isn't. Dazai is alone, and steeped in darkness and loneliness without Oda, and dies by the end of the story for Oda's continued living. Atsushi has Kyouka still, but he's suffering and more traumatized, and unable to heal while stuck in the mafia, and neither can Kyouka. Akutagawa is living a much better life in the ADA... but without his sister, and without what he has from his bond with Atsushi in canon, that isn't replicated in Beast. And Oda... Oda is alive, and he has his children and his novel, but there is a feeling that he is aimless, that something in his life is missing. He has everything he ever wanted, but all that means nothing without what he truly needs: Dazai, and his time with Dazai and Ango at the bar. In this way, things going well and us getting what we want — in this case, Oda living — goes against how it's supposed to be, the natural order, which is why it feels so hollow. In the specific visual novel I'm thinking of here as a comparison (again, shoutout if you know), there's an alternate ending that involves you inputting information you gain at the end of the game very early on in the game, wherein the protagonist now has memories of the future and is able to bypass and prevent all of the events that take place normally. This means that people who die or are hurt somehow in general are saved from that fate, and nothing bad ever occurs; everything wraps up neatly and nicely... but again, there's an undeniable, unsettling feeling of emptiness, of a victory that rings hollow, because what's the point if everything is simply handed to you easily, where's the sense of accomplishment, without any struggles to achieve said victories, or any growth along the way? How can it feel earned if one doesn't have to, in Dazai's words, "scream within the storm of uncertainty, and run with flowing blood"?

You can probably already see where I'm going with this.

This finale feels weird. Really, really weird. It feels too cheap, too simple, too unsatisfying. So much so, in fact, that for almost the entire runtime, as I was bombarded with resolution upon resolution one after another, I kept thinking "There's no way this can be real. Where's the catch? When is the "gotcha!" moment gonna happen? The "it was all a dream" reveal?". And this isn't just because I hated the writing, and that it really did feel like a fever dream watching fanfic levels of bad (actually, that's an insult to fanfic writers, tbh; they could do better) — no, it genuinely feels so incredibly fake. Even upon rewatching it and already knowing what happens, my brain still naturally keeps expecting some kinda of "sike, you THOUGHT!" moment to suddenly appear. It just.... feels "too good to be true". Dazai and Chuuya come out unscathed, and it's revealed that they were never in any real danger to begin with. Fyodor, one of our biggest threats, is dealt with supposedly for good (I say "supposedly" only because of the Jesus line, but if anything imo, I think that's just a hint that this won't be the canon ending in the manga, so in a sense he's going to "come back to life"), and Nikolai seems somewhat at peace with his death. The other biggest threat, Fukuchi, is also dealt with, and he and Fukuzawa get their final moment together of closure. Yes, Sigma is left in Meursault don't even get me started on how angry this alone makes me, and Fukuzawa loses Fukuchi, but overall, everything is portrayed in a positive light, and any negatives or losses are quickly glossed over. Everything is tied up nicely, neatly, and smoothly. ...And that is exactly what makes it feel so wrong, and hard to trust in.

I'm not sure if this will make sense, but to me, the finale is so incredibly poorly written that it almost feels.... intentional. It's so bad to the point of feeling self-aware in how bad it is, how unrealistically happy and convenient an ending it is. It had to end this neatly in order to rush to wrap up this arc for the season finale and not leave the last episode on a cliffhanger — which imo is chiefly the main reason it turned out this way, and, if this whole theory is true, Asagiri just used it to his advantage — and I'm not saying this was probably an effect Bones had in mind intentionally, I'm sure they just threw shit at the wall and went with whatever stuck, maaaaybe with some suggestions/approval from Asagiri, but the result is that you have a conclusion that contradicts so much of what was set up before and goes against so many character arcs, making some characters so out of character and even regressing in their development Dazai. I'm talking about Dazai abandoning Sigma, because he would never; hashtag #NOTMYDAZAI. Also Nikolai, Nikolai for most of that is so ooc I can't even begin to describe it oh my god. Everyone is OOC to a degree though lmao, and opens so many plot holes, to the point that it's impossible not to watch all that and get the feeling that it is subtly saying to you "did you really think it could be this easy? It feels wrong, doesn't it? It doesn't feel satisfying. It feels unearned." I find it incredibly interesting and suspicious in particular that they confirmed multiple theories people had about soukoku in Meursault: that Chuuya slowed the elevator's fall so that Dazai wouldn't die from it, that Chuuya slowed down the bullet so that it only penetrated Dazai's skin and not his skull, and that the both of them used Fyodor's camera angle to their advantage because they knew he wouldn't be able to see certain things from his view. I'm not saying that Asagiri trawled BSD twitter and tumblr after those chapters dropped for the most popular theories before the final episode was made lmao, there was no time for that (imagine though lol—), but I do think it's highly likely that he already had in mind exactly what theories would be made about these parts (I mean, the evidence for the gun scene was all there), and that Dazai rattling them off in his long monologue to Fyodor at the end is essentially him speaking to the audience and going "yeah, that's what you would predict, right? Those are the clichés, after all", much like him suggesting earlier that he can maybe bring Chuuya back to himself with a few moving words and the power of friendship, and Fyodor using the split personalities trope to fool Sigma. We expect these tropes to be true. Of course we'd fall for them, as Fyodor tells Sigma, especially if the evidence is right there. But Asagiri himself has explicitly said that he likes doing the opposite of what people expect. And so just because people predicted correctly with the three things I mentioned in this timeline... doesn't mean they'll be true in the manga's. Things happened how we wanted and expected it to, and everything turned out happily. So we can relax now, right? Everything will work out just as easily in the manga, right? Or... is the reason most of this finale feels so fake and unsettling and unsatisfying because it's meant to lull us into a false sense of security before all our heroes lose in the manga? Because deep down, we don't want an ending that's this simple, because we'd rather have a conclusion where our characters have struggled more and grown more and come out the better for it, and we know it?

After rewatching the episode a lot, and watching some other videos, and doing a lot of thinking, I am pretty confident in suspecting that the only part of this finale that is actually from manga canon, aside from Aya jumping off the building of course, is Fyodor and Nikolai's exchange after Fyodor leaves Meursault — specifically, them talking about Fyodor leaving Sigma behind, and their "new game" and Nikolai being excited at the prospect of it. This little conversation actually feels in character for them, and it's easy to tell this when contrasting it with everything that happens immediately after, wherein Fyodor is fatally stabbed, and Nikolai, completely at odds with what he was just talking about, just... stands there and watches Fyodor die while Dazai monologues lmao. I'm not sure if the helicopter is still a factor, but I would bet good money on Fyolai getting out of Meursault being manga canon, and that Dazai and Chuuya getting out as well and killing Fyodor + everything with FukuFuku, is part of the anime original ending, in order to wrap up everything positively. It makes much more sense if you think about, in reality (aka in the manga), Dazai and Chuuya still being left behind in Meursault (where they can eventually try to get Sigma), because none of it was an act and things did not go according to plan, and Fukuchi having an entirely different goal that doesn't feel so stupid and contradictory to his character, and Fukuzawa possibly dying — everyone seemingly loses, with Aya still being the last hope, perhaps by awakening her ability like we all speculated.

There's a youtuber I watch who covers BSD in-depth, despite being an anime-only (she reads the respective manga content after each season, though). Going into this finale, she knew about the fact that the anime had overtaken the manga, though she didn't know where the cutoff point was; despite that, however, she made predictions about what was from the manga so far and what was anime original, and it was almost entirely spot-on, based mostly on what she basically described as "anime original dialogue." She talked about how you can always tell when dialogue is veering into the realm of anime-original, because the sentences are very short, choppy, and slightly out of character, but generic enough to not be TOO out of character, and so that anyone can easily write said lines, even if they're not extremely familiar with the character like the original author would be. And when I heard this explanation, everything clicked — because so much of this finale has dialogue like that. The Fyolai scenes just feel peppered with it, around the lines I mentioned earlier, the Dazai dialogue does too, and ESPECIALLY shit at the end like Fukuchi and Fukuzawa exchanging the cliche death lines to end all death lines: "Are you there? I'm a little tired." "Rest up." That just isn't Bungou Stray Dogs. That isn't Asagiri. BSD is cheesy at times, yes, but it isn't like this; it's smarter. The dialogue is smarter, the explanations/plot twists are smarter, Asagiri is smarter, and the aforementioned youtuber I watched agreed. She's a pretty casual fan of the series, so if even she could pick up on these things, I think it speaks volumes.

I mentioned this briefly earlier, but this theory makes sense if you consider that this situation probably came about because of Bones wanting two seasons back-to-back when they did, and this arc being as long as it is. Season 3 aired in 2019, and I imagine Bones would have wanted season 4 in 2020, and might have then been willing to wait a bit longer for season 5 in order for more of this arc's manga chapters to come out — but then covid happened. Because of that, season 4 was delayed to 2023, creating the longest gap we've had between seasons, and I wouldn't at all be surprised if the delay made them want season 5 right together with it, after getting so far "behind", so to speak. S4 was announced in November of 2021, and roughly around that time, Asagiri was finishing up writing the plot of the DoA arc. If Bones came to him sometime in late 2021 and said they wanted two seasons now (so basically, one giant two cour season), Asagiri would know that not only of course would this arc not be finished publishing in the manga for a very long time yet, but that roughly 20ish episodes would not be enough to cover it all to the end, with this arc being longer than any arc the anime has adapted to date. Because of all this, and the arc manga chapters being nowhere near fully drawn to completion, he'd have to make a decision about what to do, and what to give Bones. Without ending season 5 on a massive cliffhanger that wouldn't be resolved for years until an eventual season 6, the only other option would be to rush towards an anime-original ending for the DoA arc.... and for Asagiri to take advantage of that, and integrate it into BSD's lore. Thereby creating a truly unique cross-media experience that utilizes the different mediums to create multiple timelines, that could make both the anime and manga interact with each other and become part of a bigger picture (not that you'd need to see both to get the full experience, mind you, just that it'd provide a little bonus if you did).... and would without a doubt be Asagiri's biggest surprise yet.

...I feel like at this point I'm starting to ramble, and my evidence become more and more incoherent and less substantial lmao, so I should probably end this post. 💀 Thank you if you've read this far, and hopefully it made some semblance of sense, despite not being structured very well; I know I promised at the start to try to be as objective as possible and curb my negative feelings, but I'm not sure how well I succeeded in that regard. If it weren't for the Fukuchi thing and the Fyodor hand thing, I probably wouldn't take how wrong and strange and bad the finale feels to me as serious evidence about it being an alternate timeline, especially since I seem to be one of the only people who actually hates all of it.... but combined with everything else, I am just so convinced of this theory being true. It started off as pure copium, but as more time has gone on, I fully, 100% believe in my bones (ha) that there is no way that finale is the same Bungou Stray Dogs I know and love, for so many reasons. It just isn't. It can't be. I know BSD better than this, I know Asagiri better than this, and I know that it's absolutely in the realm of possibility for him to cook up this whole scheme to completely blindside us with in the upcoming chapters, because that's exactly the kind of shit Mr. "Please Be Surprised!" himself would pull. If I end up being completely wrong, I guess I'm wrong, and you can laugh at me all you want then.... but I just know that ages ago people were teasing the idea of the anime operating on a different timeline from the manga, and I truly do think that only now are we finally seeing that idea come to fruition, as a setup for Asagiri going full-bore insanity with the Book in the upcoming arc(s). if I and the OP of that theory end up right, this will be the wildest time in the BSD fandom's history.

Like. I cannot even emphasize how hard they are trolling us at this point. Something is going on. Something is being cooked over there, the likes of which we've never seen before... and I don't think any of us are ready for it.

Oh yeah, and one last thing of note: both Fyodor and Nikolai here have their right arms hidden from view. Is that alluding to anything? I'm not sure. I also think that since chapter 110 was so short, next chapter will likely be 110.5 instead of 111, and if that's the case, this title spread could still technically be associated with the next chapter... wherein we might see this Fukuchi, who ends up wreaking havoc, right before he jumps to the timeline in the anime, as we see him at the end of the s5 finale.

I guess we'll find out on Tuesday.

[onlinewealthcreater]

You will win the battle by not allowing your fear to overtake you.