#super close

[lauryn-order]

Cry on my cock while you think about your absent father.

Lmao yeah that doesn’t work on me.

[speakofthescooter]

COOLER ART UNDER!!!! CUT

click on . the photo so it isn’t as blurry btw idk why tumblr is mean

anywqy meet the goobers for my overpast au hopefully i add some more junk for it soon

the reason why i was struggling with the skeleton bros earlier

basically the au is set likeee. RIGHT after the monster vs humans world everyone here is OLD!!!! FROM THE OLDEN DAYS!!!!

they all end up alive guys do NOT look at the hearts in the next art they all survive guys trust guys tr

gay version idk

[frownyalfred]

“Bruce Wayne’s superpower is money” Bruce Wayne’s superpower is the ability to actively have a full-fledged panic attack and still look Superman himself dead in the eye without any of his vitals changing. Heart rate is a solid 60 BPM. You can’t even see him breathing. Put some respect on my man’s name.

[jasminebythebay]

Phoenix Wright, professional poker player 🃏

[lyrebirdreams]

match my awesome swag

[reallybadblackoutpoems]

secrets of farming (1863) - john w. large

"yeowch augh taking damage ough eurgh"

[whathehonestfuk]

Some guy Steve and rockstar Eddie

Steve sees Eddie out in public and partially recognizes him, no idea he's famous but in one of those I've definitely seen your face before but he can't get his concussion riddled brain to place where

Eddie meanwhile is bracing himself for either an over eager fan or based on how angry Steve's confused face is for him to start shouting about 'satan worship'

Imagine Eddie's surprise when Steve does finally approach him he simply asks 'do you know Dustin?'

[lgbtlunaverse]

One thing i've run up against when dealing with fandom and characters making less than ideal choices is that people seem to treat a character's decision being sympathetic, the decision being understandable, the decision being reasonable, and it being objectively the best solution for the situation, as synonymous. When those are 4 very different things.

[hibdazzle]

Such close cousins they are

You should draw percy just being like

Super down bad

ye ok

[genericpuff]

Tbh at this point you should just make your own webcomic app/website because it would probably be 100 times better than whatever going on with webtoon right now.

hahaha it wouldn't tho, sorry 💀

Here's the fundamental issue with webcomic platforms that a lot of people just don't realize (and why they're so difficult to run successfully):

Storage costs are incredibly expensive, it's why so many sites have limitations on file sizes / page sizes / etc. because all of those images and site info have to be stored somewhere, which costs $$$.

Maintenance costs are expensive and get more so as you grow, you need people who are capable of fixing bugs ASAP and managing the servers and site itself

Financially speaking, webcomics are in a state of high supply, low demand. Loads of artists are willing to create their passion projects, but getting people to read them and pay for them is a whole other issue. Demand is high in the general sense that once people get attached to a webtoon they'll demand more, but many people aren't actually willing to go looking for new stuff to read and depend more on what sites feed them (and what they already like). There are a lot of comics to go around and thus a lot of competition with a limited audience of people willing to actually pay for them.

Trying to build a new platform from the ground up is incredibly difficult and a majority of sites fail within their first year. Not only do you have to convince artists to take a chance on your platform, you have to convince readers to come. Readers won't come if there isn't work on the platform to read, but artists won't come if they don't think the site will be worth it due to low traffic numbers. This is why the artists with large followings who are willing to take chances on the smaller sites are crucial, but that's only if you can convince them to use the site in favor of (or alongside) whatever platform they're using already where the majority of their audience lies. For many creators it's just not worth the time, energy, or risk.

Even if you find short-term success, in the long-term there are always going to be profit margins to maintain. The more users you pull in, the more storage is used by incoming artists, the more you have to spend on storage and server maintenance costs, and that means either taking the risk at crowdfunding (ex. ComicFury) or having to resort to outsider investments (ex. Tapas). Look at SmackJeeves, it used to be a titan in the independent webcomic hosting community, until it folded over to a buyout by NHN and then was pretty much immediately shuttered due to NHN basically turning it into a manwha scanlation site and driving away its entire userbase. And if you don't get bought out and try your hand at crowdfunding, you may just wind up living on a lifeline that could cut out at any moment, like what happened to Inkblazers (fun fact, the death of Inkblazers was what kicked off the cultural shift in Tapas around 2015-16 when all of IB's users migrated over and brought their work with them which was more aimed towards the BL and romancee drama community, rather than the comedy / gag-a-day culture that Tapas had made itself known for... now you deadass can't tell Tapas apart from a lot of scanlation sites because it got bought out by Kakao and kept putting all of its eggs into the isekai/romance drama basket.)

Right now the mindset in which artists and readers are operating is that they're trying way, way too hard to find a "one size fits all" site. Readers want a place where they can find all their favorite webtoons without much effort, artists wants a place where they can post to an audience of thousands, and both sides want a community that will feel tight-knit. But the reality is that you can't really have all three of those things, not on one site. Something always winds up having to be sacrificed - if a site grows big enough, it'll have to start seeking more funding while also cutting costs which will result in features becoming paywall'd, intrusive ads, creators losing their freedom, and/or outsider support which often results in the platform losing its core identity and alienating its tight-knit community.

If I had to describe what I'm talking about in a "pick one" graphic, it would look something like this:

(*note: this is mostly based on my own observations from using all of these sites at some point or another, they're not necessarily entirely accurate to the statistical performance of each site, I can only glean so much from experience and traffic trackers LMAO that said I did ask some comic pals for input and they were very helpful in helping me adjust it with their own takes <3).

The homogenization of the Internet has really whipped people into submission for the "big sites" that offer "everything", but that's never been the Internet, it relies on being multi-faceted and offering different spaces for different purposes. And we're seeing that ideology falter through the enshittification of sites like Twitter, Facebook, Instagram, etc. where users are at odds with the platforms because the platforms are gutting features in an attempt to satisfy shareholders whom without the platforms would not exist. Like, most of us aren't paying money to use social media sites / comic platform sites, so where else are they gonna make the necessary funds to keep these sites running? Selling ad space and locking features behind paywalls.

And this is especially true for a lot of budding sites that don't have the audience to support them via crowdfunding but also don't have the leverage to ask for investments - so unless they get really REALLY lucky in EITHER of those departments, they're gonna be operating at a loss, and even once they do achieve either of those things there are gonna be issues in the site's longevity, whether it be dying from lack of growing crowdfunding support or dying from shareholder meddling.

So what can we do?

We can learn how to take our independence back. We don't have to stop using these big platforms altogether as they do have things to offer in their own way, particularly their large audience sizes and dipping into other demographics that might not be reachable from certain sites - but we gotta learn that no single site is going to satisfy every wish we have and we have to be willing to learn the skills necessary to running our own spaces again. Pick up HTML/CSS, get to know other people who know HTML/CSS if you can't grasp it (it's me, I can't grasp it LOL), be willing to take a chance on those "smaller sites" and don't write them off entirely as spaces that can be beneficial to you just because they don't have large numbers or because they don't offer rewards programs. And if you have a really polished piece of work in your hands, look into agencies and publishing houses that specialize in indie comics / graphic novels, don't settle for the first Originals contract that gets sent your way.

For the last decade corporations have been convincing us that our worth is tied to the eyes we can bring to them. Instead of serving ourselves, we've begun serving the big guys, insisting that it has to be worth something eventually and that it'll "payoff" simply by the virtue of gambler's fallacy. Ask yourself what site is right for you and your work rather than asking yourself if your work is good enough for them. Most of us are broke trying to make it work on these sites anyways, may as well be broke and fulfilled by posting in places that actually suit us and our work if we can. Don't define your success by what sites like Webtoons are enforcing - that definition only benefits them, not you.

[anbaisai]

Interesting Scarabia Duo Eye Detail

If you look closely at their eyes (specifically the lashes/makeup), Jamil’s rounded eyeliner doesn’t seem to behave the same as Kalim’s - Kalim's remains in the same position when he closes his eyes, whereas Jamil's ends up moving downward like this:

...Which implies that Jamil's isn't eyeliner, but in fact his own lashes 😭

And conveniently his loungewear card shows us how he looks without makeup, which also confirms that yes, he's... naturally like this, bro's just built different I suppose

[scribz-ag24]

pmd eos special episode 2 but it's mob pyscho 100

[will-of-dumpsterfire]

[furiouskettle]

playing touys with my friend @owldart (the batman rogues gallery is the touys and we are playing swap au)

[idliketobeatree]

The Best Frames We Know, frame #389 / #196 DBD Frames Project on Youtube | animation link + slowed down

[abd-illustrates]

Sorry to bother you. I wanted to ask if you were willing to give advice on how to avoid the 'Friends Who Never Hang' tropes? Because I'm hesitant to make more main characters because I'm not sure if I can make their bond close between all of them and you seem to have a grip on the Heartless gang's relationship. Thanks.

I had to google what that trope meant haha - but that's a rlly interesting question!

At least for me and my storytelling preferences, I think my stance would be that there's actually no need to worry about making a close bond between *all* of your main characters at all!

It's a bit hard to articulate, and I'm definitely thinking from more of a manga mindset so bear with me lol -- but trying to make sure that everyone on your main cast all get along with everyone else on the main cast, and feeling the need to give a 'proper' spotlight to every possible combination of characters to convince your audience that 'they really are all friends with a close bond, see how they all hang out!?' Can run the risk of looking like this:

and leave your story feeling bland/stagnant as you kinda slog through unnecessary scenes between characters just for the sake of proving that they do all interact an adequate amount.

Whereas - (again, at least in my experience) - building a group primarily around their ties to your Main-main character(s) like this:

is a method that leaves much more room for you as a writer to both focus on the character that's specifically meant to be at the forefront, while also making it easier to explore which other combos could then actually be fun to give more screen time to in order to *build up* those close bonds, rather than worrying about the end result and just trying to make everybody get along right from the get-go!

(Also! Don't feel like if you start out with a bunch of varied colorful connections that they all have to be turned into bright green friendly bonds by story's end! Making some characters a bit closer over time but still not besties is a-ok! They can unite for a common goal but still get on each others nerves forever! There are no rules! Be cringe, be free!)