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#swan studies
sugarmint-dreams · 8 months
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swan studies
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my shop
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swan-studies · 10 months
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Feeling a little sick and have an exam tomorrow. But we're going to make the best of it! Wish me luck 😅
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v3nusgf · 8 months
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v-chase-art · 10 months
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quick study of the princess curls I’m so obsessed with 👹
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vampiresinforks · 1 year
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Bella + her little hand movements in TWILIGHT
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angeldollstuff · 11 months
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Pink Academia
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pien-art · 2 years
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study of this Leyendecker painting but it’s swanqueen <33
prints available here !
(click images for optimal quality)
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yandere-wishes · 4 months
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♡⠀🦢⠀♡⠀♡⠀🦢⠀♡⠀♡⠀🦢⠀♡⠀♡⠀🦢 ♡⠀
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♡⠀🦢⠀♡⠀♡⠀🦢⠀♡⠀♡⠀🦢⠀♡⠀♡⠀🦢 ♡⠀
Hot Take: Swan Lake (But make it Yancore)
Act 1 Scene 1
But has anyone ever thought about the misery that lies concealed beneath the waves of Swan Lake? A love that's molded over tenfold, yet still continues to rot?
Has anyone ever thought about how in love Baron von Rothbart must have been? How desperate he was to gain Odette's adoration that he sentenced her to his own prison? None shall have her, should he be unable to possess her. It's a promise he makes in a kiss of smoke and stardust. 
Rothbart is a creature sewn of flames and feathers. Carved from abomination and power. Strong and weak all in the same breath. Yet ultimately a prisoner too, just like his dear Odette. Rothbart's bones are his glided cage, his own powers his jailer. He knows banishment and imprisonment as if they were his architects. He recognizes isolation like the kiss of a lost lover. He's lord of the swans, the owls, the crows, the birds, he's the lord of everything except Odette's heart. 
So he curses her. Not out of malice, never malice, but out of love, devotion. Maybe, just maybe if she could bear his burden. she too would come to understand. He curses her with his likeness. Curses her with a lore and a crown and everything he has always had. He turns her into something only he could love. 
And at the end of the day, it works too...
Act 1 Scene 2
Poor Odette, poor sweet Odette. Everyone knows of her tragedy, her curse, her death. Yet has anyone ever seen the sorrow that resides within her brittle bones? 
Half swan, Half human. Yet never belonging to either world.
No one's ever thought of how she's felt throughout these years. The way the feathers stick out of her flesh even when she's human again. The way her voice imitates the call of a swan, every second syllable emphasized.
Even the full moon can not fully return that which Rothbart stole. 
Oh, Rothbart. Even his name sends waves of hate throughout her body. 
There's resentment in her bones. Hate too deep and passionate for words
What is this called again? Obsession, abhorrence, loathing?
Yet even with this spirited hate, all she can do is wait, wither away until imposible love finds her. 
But when Siegfried finds her that's when the world really starts to fall apart. Because he's a prince, cold yet lovable. Soft like dandelions and as precious as the lilypads that infest the pond. 
He's everything she's ever wanted.
And yet...
There's this leap in logic whenever he's concerned. He can't understand the pain she's been through. He'll never truly comprehend the weight of the curse. How suffocating its invisible shackles are, how deteriorated her mind has become. 
Siegfried is a prince in every definition of the word... 
But Siegfried can't understand the horrors she bears in her heart. The nightmares that never seize and the burden of living between worlds.
So maybe, just maybe that's why she throws herself into Rothbart's arms one dreadful night. Because for all his countless flaws Rothbart can -at the very least- comprehend her anguish. Who better to understand the burden of a curse than its caster? Then the one born with the same spell in his veins. 
The curse is straightforward "a spell broken only once you are loved by someone who has never loved before." 
Has Rothbart ever truly loved someone? Should she try to gain his love? maybe she's had it this whole time...Maybe she's also loved him this whole time...
Or maybe she's grown addicted to the sting of his teeth along her jugular and his bruising grip on her hips when they pirouette. Maybe there's a form of deification in the burn marks his feathers leave across her skin. A silent "I Love You" too fragile to be spoken. 
There's something wrong with his kisses - they burn like a thousand hells and leave an aftertaste akin to poison- there's something wrong with the way her name falls from his lips. 
There's something wrong with him...
So why is she starting to want him?
Maybe it's the trauma he's spilled into her lungs. Or how easily he makes the nightmares go away. Maybe it's the palliative sensation as he caresses all her flaws, kissing them as if they were holy. Maybe it's because whether swan or human she knows he'll love her. He'll understand. 
How she wishes sweet Siegfried could do the same...
Act 2 scene 1 
Odile chokes on night air and stardust. Bursting at the seams to be seen. She can't remember a time when she's been anything but darkness. Anything but a second thought. 
She was born with feathers and a body meant to endure. Her mother, the dark arts. Her father, the lord of all who fly. She is more creature than human. A testament to the dark. 
So what if she grew up spoiled? With every luxury thrown at her feet. It all means very little when you've never known the touch of another soul. When isolation has been your sole companion from the moment you emerged from your egg. 
There's darkness within her that her father nourishes. Yet not even he can provide her with mitigation, camaraderie, happiness. 
So maybe, just maybe that's why when she sees the prince for the first time. The world illuminates. She's sent to seduce him. To claim another victory for her father. But she positively melts when she feels his warm hands on her skin. The smile aimed at her is brighter than every ray of the sun.
If it's merely a deceit, then why does her heart pound like a caged bird among her ribs? Why does her blood flow to her cheeks upon seeing his smile? Why oh why does she feel this way, this need? To make him hers.
The black swan falls for the prince even if it's only meant to be a ploy, a ruse, another cruel game orchestrated by the wicked baron. How painful it must be to love for the first time and know it can only end in woe. How painful it must be to rot in endless heartache. 
How she wishes to kiss him, just once. As he holds her hand and dances with her in front of a royal crowd. His eyes shine with an adoration she's never seen before. Is this love? Is this what she's been robbed of her whole life?
How she dies a thousand deaths when Siegfried utters Odette's name. 
What she wouldn't sacrifice to hear him call her name instead...
Act 2 Scene 2
Imagine the black swan and the white swan actually get a chance to meet away from preying eyes and endless expectations. Imagine they understand each other's pain like two dying stars. 
There's a lake in a forest where dreams go to die. A sparkling oasis where curses run ramped. In the glow of a lonely moon, Odette sits by the lake. Watching her fellow prisoners dance the night away. 
Her heartache is unbearable tonight, she'll deem it a miracle should she see sunrise. Odile collapses next to her, bathing in her loneliness. A shade of grey encompasses the two of them, 
They're too tired to hate. Too tired to fight. For tonight they are both just lost souls looking for the light.  
Imagine the white swan and the black swan actually understand each other. 
One cursed to be a swan. The other born into its likeness. 
"I want to die," Odette mutters her tone is all burdon and pain. 
"Death would be too easy, dear princess. We were both made to suffer" Odile replies, stating the only fact she's still sure of. 
Odette stands, a queen with no crown. Her eyes staring at her flock of swans. She outstretches her hand and beckons Odile for a dance. Just two birds trapped within the same aviary.
Odile's hand fits perfectly in Odette's. Fingers entwined as if slipping into each other's souls. Two juxtapositions, dancing as if they were one. Each step mirroring the other. 
Every jete, every arabesque, every graceful move, further entwines their fate. Guiding them to an answer, a clarification neither knew existed. 
The younger swans gather around them. Embracing them. Odette and Odile were created for this world. Both doomed by Rothbart and revered by Siegfried. Stronger together.
Two birds of a feather, who must die together... 
Final Act
Imagine the black swan and the white swan decide to die together. Standing at the edge of the lake. Hands crossed, holding each other. Legs moving in a thousand tiny Bourrees. Siegfried and Rothbart cry out, trying to reach them. It's futile, the two swans have made their choice. The waves below beckon. 
Odette and Odile, know that together no one will ever hurt them again. 
Imagine sacrificing love in its entirety to ensure the safety of the other swans, of each other. Imagine accepting the curse, believing that one must embrace it to be able to live a prosperous life. The two swans fall together, a double suicide, an act of devotion. 
Maybe just maybe the world will finally learn how devoted and mercurial a maiden's heart truly is. 
Before the Prince and Baron can shed their tears, a creature emerges from the lake. A single swan made up of halves. A testament to both princesses. A queen in its entirety. Two wings of black and white hang from her shoulder blades. A crown of white and black adorned her head. There is no longer an Odette, a cursed girl awaiting love. There is no longer an Odile a baroness of evil. There is only the swan queen. 
And she will make the world bow. 
tags: @average-yandere-enjoyer @vereya @coral-relevium @overthinkingit56
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mccallhero · 22 days
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luxlisbonbby · 2 months
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Stay on top
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boys4breakfest · 8 months
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𝐒𝐞𝐧𝐢𝐨𝐫 𝐘𝐞𝐚𝐫
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wonyoungismn1glowup · 4 months
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𝘀𝘁𝘂𝗱𝘆 𝘁𝗶𝗽𝘀! (credits: on pinterest!)
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ੈ✩‧₊˚༺☆༻ੈ✩‧₊˚
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swan-studies · 1 year
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Here we go again!
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v3nusgf · 8 months
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v-chase-art · 10 months
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and what did you come for?
innocent hands study 🤭
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didoofcarthage · 1 year
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Studies of the head of Leda for a lost painting of Leda and the Swan by Leonardo da Vinci
Italian, c. 1505-1506
pen and ink on paper; pen and ink over black chalk on paper
Royal Collection Trust x x
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