#tbh i love it as whole

[alpacahat67]

the idea of gay dads post-nimona movie ending is so funny to me because imagine you're ambrosius and you and your husband adopted this little shapeshifter that just found your husband one day and your child looks at you and tells you that she had a baby gay relationship with your great-great-great-great-great-etc-grandmother about a thousand years ago like id be so distraught /hj

[bigskyandthecoldgun]

steddie fake dating au that starts because robin’s mom keeps pushing for her and steve to get together and robin gets so fed up that she yells, “it’s not gonna happen because some people are gay, mom!”

and upon seeing the utter horror and fear on her face, steve swoops in and says he’s the one who’s gay. cue mr. and mrs. buckley, local hippies, attempting to show how supportive they are, and all the while steve gets eddie to agree to fake date to get the buckleys to prove they’re safe, so that robin will feel comfortable enough to come out to her parents.

[chloesimaginationthings]

When I’m in the “childhood trauma” competition and my opponent is Michael Afton 💀💀

[decaffeinatedpartymuggoop]

Jason Grace isn’t boring y’all were just to busy comparing him to Percy to notice.

[carrotkicks]

it got complicated really quickly

[aroaceleovaldez]

Nico and Percy's dynamic through the series is eternally funny to me, because it's just. like.

Percy's having a constant mental struggle between his fatal flaw of loyalty with a promise he made to Bianca to protect Nico, versus his Big 3 kid desire to maim other Big 3 kids / Poseidon descendant urge to totally maim Nico specifically. He hates Nico so so much. He thinks Nico's annoying and weird at best, and creepy/sketchy when he's older. The only positive thoughts Percy has towards Nico are "He's Bianca's brother and Bianca was my friend and I owe her/He's Hazel's brother and Hazel is my friend and would kill me if I was mean to him," "He's a powerful asset and useful ally (if questionable)," and "He's kinda pathetic and I feel maybe a little bad about it." Percy has multiple occasions throughout the series where he strongly considers - and on one occasionally actually goes through with - throttling Nico.

Meanwhile, Nico is following around Percy like a lost puppy. He explicitly can never bring himself to even dislike anything about Percy no matter how hard he tries. He has a whole bit in BoO where he's mentally going "UGH he's so stupid BUT IT'S ENDEARING HOW DARE HE." He's totally smitten. He's making deals with his dad for Percy. He's making convoluted plans to help Percy stand a chance against Kronos. During the entirety of BoTL it's like he's playing tsundere - "I'm helping NOT PERCY SPECIFICALLY with this quest! Me helping Percy would be SILLY because I DEFINITELY HATE HIM." Then he proceeds to show up to Percy's birthday party to basically ask him on a weird date and spend the entire next book scrambling around trying to help him or protect him or impress him. And Percy could not give less of a shit.

Just. That dynamic is so funny to me. Percy is the founder of the Nico Protection Club in that he's the one they're all protecting Nico from and meanwhile Nico is throwing himself at Percy to the point where the literal god of gay love calls him out on it.

[redysetdare]

I think i just need to express that the culture surrounding QPRs right now made me think that i couldn't have strong bonds with my friends. Society told me i cant have strong bonds with friends because that was only for romantic relationships. Then i went into aro spaces and this idea was reinforced using QPRs instead of romantic relationships. it was "You can still have strong bonds with people without romance! It can just be a QPR instead!" "QPRs are MORE than friendship so you can have STRONGER BONDS than you would with friends."

it made me think that the relationships i wanted with my friends HAD to be something other than friendship for it to be as strong as i wanted. If i wanted to be the first person in someones life i had to enter some sort of committed relationship. if I wanted someone to care about me as strongly as i did them then it would have to be a relationship that was "more" than friendship.

I thought I wanted a QPR because i was told the only way to get that care and security that I wanted was to enter into a relationship that was "more" than friendship. because friends didn't care that much. because friends didn't live together their entire lives. because friends were never the priority relationship wise. and it took me years to realize that i didn't want any partnership and i shouldn't have to be in one to want these things from a friend. these things CAN be something friends can do. but i found that out on my own. because the aro community kept saying "you want a QPR" when i just wanted a friend who finally saw me as a priority in their life.

[emistations]

An observation I made

[turtleblogatlast]

No but like every time I think about Splinter and what he had to go through just to keep the boys alive, my heart hurts for him so badly. Is he perfect? No not at all, but none of them are and by god does he love his sons.

The fact that all of them are alive, and grew to thrive despite the circumstances surrounding them is a testament of how much Splinter loves his boys. He raised four babies following the most traumatic time of his life, all alone with nothing but the sewers to house them (to hide them.) I feel like he’s not given the credit he deserves for all he’s done.

And I get that it’s easy to hold up his flaws and faults when it comes to parenting, I myself like looking into them because flawed characters are super interesting and said flaws make them more realistic and engaging, but he tries, and again, so many others would have given up on the boys or failed along the way but Splinter didn’t.

He’s their father, for all his faults he did his damndest to make sure they survived.

[evasive-anon]

And nothing can go wrong 🎶

OH NO! IT ALL WENT WRONG

[xshinina]

A sketchy fella

[sleepnoises]

the other day my dad texted me that his neighbor friend had a neighbor friend who was giving away a vintage sofa and did i want it? and it turns out that the second neighbor friend sometimes works as a contractor sourcing furniture for the winchester mystery house (though this sofa was in her regular mystery house, where a rabbit chewed on it a little bit)

most surprising fact of all: it is COMFY

that's all thanks for looking

[kiki-1109]

i wanted to draw what we should've had (genshin when will you make a real catboy)

[magnus-rhymes-with-swagness]

OKAY who wants to hear about why i think nimona challenges amatonormativity? you do! 🫵

one of the main ways this is accomplished is through ballister and ambrosius’s relationship. it’s arguable that it doesn’t necessarily fit the traditional model of romance - not only are they a queer interracial couple, and not only is their relationship ambiguous in the book, but there are certain instances, especially in the movie, that subvert traditional ideas of romance and friendship.

one instance that really stands out to me is when the director asks ambrosius what’s on his mind and he goes on his imagined rant about how arm-chopping isn’t a love language - you know the one. when he mentions ballister, he refers to him as “the man i love, my best friend.” and not just one or the other, but both! the man i love, and my best friend. he places equal emphasis on both the romantic and platonic aspects of the relationship, valuing ballister in both a romantic context and a platonic context without treating either one as more important than the other.

and even moments such as the first “i love you” and the kiss manage to subvert tradition. both of these things are generally seen as a pretty big deal, especially in fiction - if the characters are kissing or saying “i love you,” it’s usually a moment in which everything changes. a line is drawn, dividing the story into after and now. sometimes it’s dramatic and climactic, with fireworks and a swell of music, but even when it isn’t it’s still seen as a turning point of sorts. now it’s official, now it’s real. but this isn’t the case in nimona. both moments are certainly significant - they do a good job of showcasing the character development and where ballister and ambrosius are on their respective journeys, and are certainly important in terms of representation - but neither one follows the path that most fictional romance does.

another way in which nimona challenges amatonormativity would be the emphasis on friendship! in the tavern scene (in the movie) when ambrosius suggests killing nimona, ballister disagrees and says “she’s my friend.” ambrosius replies with “aren’t i more than that?”, implying he’s more important than a friend - thus upholding amatonormative ideas. ballister becomes angry at that and leaves - challenging this idea and prioritizing his platonic relationship with nimona over his romantic one with ambrosius, as nimona is the one he wants to defend.

additionally, a big part of this scene is the way ballister deliberately rejects institute values while ambrosius unintentionally upholds them. and because the story challenges homophobia and transphobia (and other forms of bigotry) through the lens of the institute, it would make sense for it to challenge amatonormativity too! it’s something that’s become incredibly normalized, to the point that lots of people don’t even know it exists, and this is reminiscent of the institute brainwashing, especially when it comes to ambrosius - he’s been manipulated his whole life and probably genuinely doesn’t understand the level to which he’s internalized institute beliefs.

ballister prioritizes nimona many times, actually. when he tells ambrosius she’s “smart, kind, and quite sophisticated,” when he’s overjoyed to see her again at the end, when he refuses to kill her and saves her instead. over and over, he proves how much he cares about her, even when this involves directly going against what ambrosius wants - which, of course, is really what the institute wants. a core tenant of amatonormativity is the false notion that romantic relationships are more important or valuable than other types of relationships, but ballister actively goes against this!

to conclude, as a story that at its core is about identity and challenging societal beliefs, nimona defies expectations and traditional ideas of what it should or shouldn’t be. it’s possible that amatonormativity wasn’t what the creators had in mind, but the story still manages to challenge it with grace and elegance. just like its main character, nimona refuses to conform to what others want it to be.

[bbaycon]

Gramps are catching up after 3600 yearish

[girlboyburger]

with my move around the corner and life feeling sort of real again, i'm having Regular Thoughts about hobbies i've been meaning to revisit...