#than just using the original singers

[teawithghosts]

AI generated content is fucking over the art community but it has absolutely ruined animatics.

[ripley-ryan]

tattoo that says i <3 making friends. if my chosen career path did not rely on my appearance i would so get it. because truly i heart making friends

[aroaceleovaldez]

very underutilized argo 2 crew & co dynamic:

Piper and Frank (and Thalia and Rachel) are from extremely rich families. Annabeth and Jason are also from extremely rich families but grew up at their respective camps. Percy and Leo grew up in relatively poor families. Reyna and Nico are in weird spots because a.) we aren’t entirely sure what economic status their families had (implied to be on the wealthier side but again, unclear) (and Nico grew up during WWII so, yknow) but regardless of that they both ended up running away while relatively young and Reyna spent two years on a magic island and Nico spent three years homeless living either underground or in the woods, presumably. Hazel’s also in a weird spot cause while we know her mom originally didn’t have a lot of money, after Hazel was born they had literal infinite money, it was just all Very Cursed. They could afford anything it just Literally Killed People. Will Solace we don’t know but his mom is implied to be an at least well-known singer if not outright famous so we can probably presume he’s decently wealthy as well.

the books gave us like absolutely zero acknowledgement of the types of dynamics to arise from this. give me Annabeth lamenting or something about her dad’s plane collection and an ensuing debate about if your parents owning a plane is normal or not. give me Percy physically cringing cause something cost more than 50 bucks. Give me Jason not quite understanding modern mortal currency cause he was raised using denarii. etc etc.

[iamred-iamyellow]

⋆ ˚｡⋆౨ৎ˚ Close To You

♥ masterlist

♥ pairing: oscar piastri x lily zneimer x f!singer!webber!reader

♥ synopsis: as the daughter of mark webber you got to know oscar piastri pretty quick and soon enough the two of you were dating. no one had known that you both were also dating lily, leading everyone to believe the leaked pictures of her and Oscar was evidence he was cheating on you. they couldn’t have been more wrong

♥ smau - fc: gracie abrams - none of the pictures are mine

♥ warnings: swearing and hate comments !!!

♥ a/n: my first poly fic! ty to bestie liz and cleo for hyping me up <3

liked by aussiegrit, oliviarodrigo, taylorswift and 656,305 more

y/n.webber channel that sad energy into a song queen

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user8 hope you're doing well 💛

user3 ilyy

user6 pls shes so unserious 😭

user5 that's so real

user9 wait so did her and her boyfriend break up?

user2 I'm pretty sure. everyone's been speculating it and they haven't been seen together in a long time

user1 is she making a new album ???

user10 liv and tay in the likess 🫶

user7 I still can't believe she's mark's daughter omggg

user12 those family genetics 😍

user2 we love you <3

✧˖ °. ݁₊ ⊹ . ݁˖ . ݁‧₊˚ . ݁₊ ⊹ . ݁˖ . ݁˖°✧

liked by oscarpiastri, oliviarodrigo, and 583,694 more

y/n.webber cut my hair in the way that i've wanted

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user9 change my number and bury my wallet !!!

user8 augusta <3

user12 LOVE

mclarenf1 we'll see you at the GP

y/n.webber <3

user10 shut up y/n is gonna be there?

user6 I thought she had a concert that day?

user1 @/user6 she has one the night before :)

user5 no bc how is she so pretty

user13 oscar in the likes 👀

user7 GORGEOUS

✧˖ °. ݁₊ ⊹ . ݁˖ . ݁‧₊˚ . ݁₊ ⊹ . ݁˖ . ݁˖°✧

liked by y/n.webber, user7, user12 and 502,669 more

f1gossip mark, y/n, and oscar are ready for the australian grand prix

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y/n.webber @/aussiegrit I'm starting to think you like Oscar more than me :(

oscarpiastri he does ❤️

yourusername 🖕

user8 now kiss

user14 enemies to lovers

user4 my favorite australian trio

user1 why'd he have to shave his beard 😔

user9 THE CAT

user2 oscar and mark pookie off

user10 everyone pray for an oscar home race podium

user3 🕯️oscar home race win 🕯️

✧˖ °. ݁₊ ⊹ . ݁˖ . ݁‧₊˚ . ݁₊ ⊹ . ݁˖ . ݁˖°✧

liked by oscarpiastri, aussiegrit, and 703,562 more

y/n.webber date night <3

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user7 I love how she doesn't even have to tell us she's dating oscar because we all just know

user9 THEM WATCHING TANGLED 😭🫶

user3 oscar getting her lilies :')

y/n.webber actually I got him lilies

oscarpiastri 🧡

*liked by original poster*

user4 this is the cutest shit I've ever seen

user1 mark in the likesss looks like oscar has the stamp of approval

✧˖ °. ݁₊ ⊹ . ݁˖ . ݁‧₊˚ . ݁₊ ⊹ . ݁˖ . ݁˖°✧

liked by y/n.webber, aussiegrit, and 750,683 more

oscarpiastri lando crashed our date

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landonorris I did not "crash" your date I just happened to be there.

oscarpiastri as if you didn't follow us

y/n.webber @/landonorris you LITERALLY crashed into the back of my kart

mclarenf1 lando we talked about your internet stalking problem.

user8 PLEASE 💀

user6 why'd they have to call him out like that 😭

user2 the admins are my favorite part of the f1 cinematic universe

-A Few Months Later-

liked by aarondessner, taylorswift, and 984,059 more

y/n.webber The Secret Of Us is out now! The songs on this album are a collection of my life these past few months and I’m so excited to share them with you all. Special thank you to @/aarondessner and @/taylorswift I love you both 💛

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user1 I hope she rips oscar to shreds

user7 y/n better than revenge era

user9 !!!

user3 girl you can do so much better than o***r

user12 I'm so ready to scream and cry to this

user2 I cannot believe he cheated on her

user16 out of all the guys on the grid OSCAR?!?!

user11 kitten I'll be honest I'm still not over good riddance 😔

user8 LMAO

user9 so true 😭

user15 hyped af for the taylor collab

user16 the fact that she's the daughter of mark, the man who supported him since day one and he STILL cheated on her is CRAZYY

✧˖ °. ݁₊ ⊹ . ݁˖ . ݁‧₊˚ . ݁₊ ⊹ . ݁˖ . ݁˖°✧

✧˖ °. ݁₊ ⊹ . ݁˖ . ݁‧₊˚ . ݁₊ ⊹ . ݁˖ . ݁˖°✧

liked by taylorswift, oliviarodrigo, and 985,750 more

y/n.webber throwback to my time at last year's era's tour. I'm so glad to be back 🩷

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taylorswift were so glad to have you <3

*liked by original poster*

oliviarodrigo miss youuu

yourusername I miss you too babes

user9 "and you knew my last love let me down" OSCARRRRAHHH

user7 AND I BET HES AT HER PLACE RIGHT NOW

user10 I'm so excited to see you

user16 he fumbled so hard

user4 we love you <3

✧˖ °. ݁₊ ⊹ . ݁˖ . ݁‧₊˚ . ݁₊ ⊹ . ݁˖ . ݁˖°✧

✧˖ °. ݁₊ ⊹ . ݁˖ . ݁‧₊˚ . ݁₊ ⊹ . ݁˖ . ݁˖°✧

liked by oscarpiastri, lilyzneimer, and 1,194,203 more

y/n.webber I understand that, without my agreement, @/f1gossip put out a post a week ago that said Oscar Piastri was cheating on me. This is wrong and I am in a happy relationship with both Oscar and Lily. He did not cheat on me. 

view comments

lilyzneimer I love you 🩷

y/n.webber I love you more

user7 😨

user1 I'm not even sure what to say

user12 I'm so sorry oscar we weren't familiar with your game 😭

user3 I-

user6 in true bi panic fashion

user4 FUCK 😭

user19 everyone say sorry Oscar

user2 sorry oscar

user5 we're sorry Oscar :(

user13 WE DIDN'T KNOW WE SWEAR

user10 sorry Oscar 😔

user21 💖💜💙

user23 the @ is such a boss bitch move

user8 saying sorry to Oscar online isn't enough I need to revoke my statements in a court of law

user7 same

liked by lilyzneimer, y/n.webber, alexandrasaintmleux and 884,472 more oscarpiastri flowers for my favs 💐

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y/n.webber my loves 🩷

lilyzneimer 👩‍❤️‍💋‍👩

user7 my favorite throuple

user23 as if you weren't hating on oscar yesterday

user7 and I am deeply ashamed

user12 we said we're sorry :(

user6 yea oscar x lily x y/n are cute but wheres mark x fernando x taylor

user9 as in swift? 😭

user6 yes.

alexandrasaintmleux you three are so cute

y/n.webber <3

[missydior]

cinnamon girl ౨ৎ (part ii)

♡: little hints that eventually reveal a long-flourished love.

part 1: here !

notes: charles leclerc/singer reader, secret relationship, releasing & soft (?) launching, engagement, all pictures are from pinterest & any due credits fall respectfully to artists on song, album names etc.

type: smau ・ face claim: madison beer <3

liked by franciscagomes, friendusername and 913,113 others

yourusername: i am so honoured that i get to share this album with you all, every single song comes straight from the heart and i hope you each adore it as much as i have come to since it was first truly born three years ago & has developed since <3 ‘lover’ out now !

11 comments

friendusername: since when did y/n enter her lover era? ;)

liked by original creator

user1: bless your heart, we love you angel 🫶🏼

comments are restricted.

user1: do y’all know what i’m thinking?

user2: charles leclerc !!

user3: no, that doesn’t make any sense because they only met in may and y/n said she’s been working on this album for years

user4: why don’t we concentrate on admiring and appreciating her musical work rather than asking for answers she might not want to give?

user5: idk but i’m IN LOVE with the album 🤍🤍🤍

yourusername shared on stories:

charlesleclerc on dm: je t’aime 🤍

user1: idk about charles leclerc but we need to know who the mystery, lovable man is.

user2: y/n’s recent update on instagram omg

liked by friendusername, charlesleclerc, 523,322 others

yourusername: quieter afternoons now that the tour has come to a close <3 i loved every single night and hour with you all, thank u and sending love.

9,135 comments

user1: is that an ENGAGEMENT RING?

user2: just fainted

user3: have you been hiding this from us the entire time omg?

friendusername: reminder that he asked me to help with ring choices too

yourusername: i literally asked for your help as well, but thank you ily

user3: y/n tell us who the mystery lover isss

user4: the lovers tarot, the engagement ring, i actually can’t

user5: charles you need to stop hiding in the likes

user4: i still think it’s him

liked by yourusername, pierregasly and 1,981,111 others

charlesleclerc: to ma belle fiancée, l'amour de ma vie, in loving you for three years and many more to come. je t’aime 🤍

mentioned yourusername

16 comments

pierregasly: finally, i was getting bored of you two pretending you didn’t know each other

franciscagomes: don’t lie, it was fun

yourusername: i love you 💗

comments are restricted.

♡ ✧ 。*・.

a/n: the ending feels very much rushed but i loveddd making this nonetheless and incorporating my fun, little aesthetic </3

© missydior

[surielstea]

Sneaking Away

Based off this request.

Pairing: Azriel x Vanserra!Reader

Summary: Reader sneaks from the forest house and goes to her mates for Starfall.

Warnings: Smut | 18+ only | p in v | cream pie | dirty talk | nipple play | wing play | slight bondage | exactly 2 uses of (Y/n)

A/N: so I kind of totally strayed from the original request but it was giving me writers block so I completely changed it— the element of sneaking out is still there, hope you guys still enjoy 💙

Starfall was just about to begin and I was horribly late to the party Rhysand had graciously invited me to.

My father had caught me in my most expensive dress and asked where I was going before I got the chance to sneak from the Forest house. I had to conjure up some lie he'd be happy to hear, which was harder than it seemed. I ended up telling him I was going out with a noble named Antony, a made-up male who wasn't Illyrian and definitely not one of the most dangerous men in Prythian, nowhere near someone like the Shadow Singer, who I was going to see in reality.

The High Lord of Autumn had practically demanded he met this male first but I managed to convince him that I was meeting him at a party that I was already late to.

Needless to say, it took me an hour to get out of the overbearing household, then another half hour to escape from my father's spies and maids constantly whispering in his ears.

Once I arrived at the House of Wind I felt the weight on my shoulders lift, and I was actually able to breathe. It was all so much simpler here, high in the sky with people who cared more about my wellbeing than how maidenly I was.

I had noticed the Shadow Singer across the room before he saw me, a rare occurrence that meant his mind was elsewhere. His back was turned to me but those wings were unmistakable. I approached him as silently as I could, my heels betraying me because as soon as I was only a yard away shadows curled around his ears and he whirled around, eyes immediately locking with mine.

I grinned wildly as he took in my appearance, my deep green dress with bedazzling emeralds cascading down the skirt, the fanned-out bottom of the gown morphing into a waterfall of jewels. The fit was tight around all the right places and the slit in the side revealed high up my bare thigh, his gaze not missing a fraction of the skin I exposed.

He didn't take a long time analyzing my dress before his gaze snapped back to my face, my smile, my eyes lined with kohl.

"You done staring?" I tease with a tilt of my head.

"No," He said and I giggled, closing the distance between us with a few strides and wrapping my arms around his torso, my head leaning against his chest as I hugged him tightly.

"I missed you," I murmur and he presses a gentle kiss to the top of my head.

"It's only been a few days," He reminds and I lift my head, looking up at him with a hurt expression. His smile turned soft. "I missed you too," He whispered and I leaned up, interlocking our lips for the first time in what felt like a year. My hold around him tightened and his hands came to my face, one on the nape of my neck and the other on my jaw, holding me so delicately like if he let me go I'd shatter.

"Y/n!" Cassian shouts from the distance and I pull away from Azriel, he's hesitant about letting me slip away but reluctantly he gives in and lets me turn to face the other Illyrian who was coming in from the deck with a bright grin on his face. "It's been years," He groans, approaching the two of us.

"It's been a month," I correct.

"Same thing," He grumbles, before wrapping his arms around my torso and hugging me tightly, I grin as he stands to his full height, my feet dangling off the ground as he squeezes me tight.

"Don't you look beautiful," He places me down and I do a small twirl, Azriel scowls at Cassian as if the male might steal me away, so silently I gravitate closer towards my mate and intertwine our hands.

"Why, thank you, my lord," I curtsy teasingly and he clicks his tongue, annoyed.

"You know I hate it when you call me that," He grumbles, crossing his arms over his chest and I only grin.

"Cass, come back—" A familiar voice shouts from outside and I perk up.

"Rhys!" I leave Azriel's side and rush towards the High Lord. His eyes lock on mine and a smile immediately comes across his features. I practically jump into his arms and he catches me with ease, spinning us around before placing me back down onto the ground. 

"I missed you so much," I tighten my hold around him. It's been fifty years since I've seen the male, fifty long tortuous years while he was stuck with that witch Under The Mountain.

"It's been too long," He sighs, hugging me back with the same tightness.

"When Az told me you were back I nearly grew a pair of wings and flew here myself," I confess and he chuckles, setting me down with a soft smile.

"You look ravishing, all this for me? I'm flattered" He smirks playfully and Azriel's hands come down onto my shoulders possessively.

"Fifty years really hasn't changed you," I sigh with a childlike smile.

"Careful Rhys, they're mated now. I already had a go at her and Az nearly bit my head off," Cassian intones from my side and Azriel all but growls at the red-siphoned male.

"Don't be ridiculous, she wouldn't come all the way from the Autumn Court for you, Cassian," A familiar voice chimes in and Morrigan appears at my other side. I squeal and wrap my arms around her shoulders as she hugs me back tightly. "I love this dress," She gasps as I back away, allowing her to take in my full outfit. "Mind if I take it off you later?" She winks and I flush.

"Gods, does everybody want you?" Azriel grumbled and I looked back at him with a sly smirk.

"Don't hate the player," I wink and he shakes his head in disbelief.

A giggle sounded and I had only just now realized there was someone I didn't recognize standing beside Rhys. My brows rose a fraction as I laid my eyes upon the female, she had light brown hair and eyes so blue they almost seemed lined with starlight. Her dress was gorgeous, and she was even prettier. But it wasn't her beauty that shocked me, it was the obvious thread between her and Rhysand, a golden tether intertwining their very souls. It seemed so clear they were mates, but the way she looked at him made it apparent she had no idea.

"You must be Feyre, Az mentioned a new female joining our male-centric group," I tease and the High Lord grumbles a curse beneath his breath, she smiles softly and takes my outstretched hand, shaking it. "I've heard plenty about you," I flash a polite smile and she returns it.

"Good things I hope," She says and my eyes flick to Rhys, then back to her.

"There's only good things to talk about," Morrigan intones and Feyre tosses her a grin.

"I'm Y/n, the High Lord of Autumn's daughter," I explain and her brows shoot up.

"You're Lucien's sister," She gasped and I nodded with a grin.

"You know Lu?" I tilt my head.

"He, he's my friend," She says her gaze flicking between me and Azriel, his hands on my shoulders, the invisible tether between us that I see between her and Rhysand.

"You guys are, connected," She murmurs and I chuckle.

"Mates, but yes," I correct and her eyes widened further.

"Azriel didn't mention anything," She mutters in apology and I wave her off.

"It's quite alright, he likes his secrets, and I'm technically not allowed to date outside of my court," I explain. "My father wants to keep the lineage, pristine," I huff and her brows twitch together, clearly concerned.

"But you're mates, isn't that an unbreakable bond?" She asked, the curiosity evident in her eyes.

"That's enough questions for now Feyre," Rhysand's hand tightens on her shoulder.

"But," She looked to me curiously then back to him.

"C'mon, Starfall's starting," He gestures her towards the balcony.

"It was nice meeting you," She gives me a small wave and I return it.

"You too," I grin.

Once she was gone I whirl around to face Azriel. "You didn't tell her about me?" I frown up at him. He shrugs.

"I figured the ring on my finger was enough to prove I'm yours," He said, leaning down and pecking my forehead. I melt into his touch, throwing my arms around his neck. "How long can you stay?" He murmurs and I sigh at the idea of leaving.

"Probably a few hours, Eris is covering for me until I get back," I explain and he scowls at the mention of my eldest brother.

"Tell him you're not coming back, just stay here forever," He groans into my shoulder and I smile at the idea, but my grin falters when I remember my mother and my brothers. They didn't deserve to suffer so greatly alone. When Amarantha had come to take over the Autumn Court, Azriel risked his life by showing up at the forest house and taking me to Velaris where she'd never find us. I hated myself for not thinking to warn Eris or at least my own mom. I felt as if I owed them for it because they endured tortures I could only imagine while I stayed safe with my mate for forty-nine long years.

"You know I can't," I sigh. "I love them, no matter how twisted my brothers are they're my family," I say, backing away and looking up at him.

"I'm your family too," He argues and a smirk graces my features.

"Whatever you say, Azriel Vanserra," I tease and his gaze hardens.

"If you call me that again I'm leaving you," He warns and I gasp dramatically before that expression of shock turns into a grin.

"You couldn't if you tried, connected for life remember?" I say, pulling at the bond between us and he groans as if it's a newfound sore on his heart. "I can't believe you fell in love with a Vanserra," I taunt, lifting up and pressing a kiss to his lips which he eagerly returns.

"You never shut up do you?" He grumbles. "You only have a few hours, do you want to watch the stars or find a better way to use that mouth of yours?" He asks and by the look in my eyes, he already knows the answer.

My dress falls to the ground with the clacking of jewels. I step out of the pool of silk now around my feet and look up at him with a smile. I watch as his throat bobs up and down with a thick swallow, his eyes taking in every bare inch of my skin that wasn't covered up by my lingerie the color of midnight. I rarely wore Night Court colors, so this, only for him to see, was a dream come true. "Like what you see?" I tease.

"Yes, I like it very much," He confesses in all seriousness, then, as if he can’t control himself any longer, he surges forward, crashing his lips onto mine. His lips were hungry, his hands coming to my jaw, his thumb pulling at my lower lip and forcing my mouth open for his tongue. I take everything he gives me greedily, my own tongue meeting his in a dance as his hands travel down my waist, my hips, all the way to the backs of my thighs where he finds purchase to hoist me up into his arms.

"You have no idea what you do to me," He confesses into my mouth while walking us towards his bed. I bring my hand down his chest to his hardened length straining against the fabric of his pants and I smile teasingly.

"I think I have some idea," I hum, rubbing down the budge and he grunts, I continue the movement, pressing harder each time until he got frustrated with how much I was teasing, practically throwing me down onto the bed and quickly mounting over me, his hand coming to the hem of my bra.

"As much as I love seeing you in this color, I need to rip it off you," He confesses and I smirk, looking up at him with wide innocent eyes. He mirrored it, then pressed his lips back to mine.

I was already unbuttoning his shirt while he settled between my open thighs. He had unclasped my bra and pulled it off, the lace being thrown onto the other side of the room. I free him from his button-up, pulling it off his muscular arms, his chest left bare.

I grin wildly into our kiss as rough, scarred hands stoke over every expanse of bare skin, my arms, my back, my waist, and finally my breasts. I sighed at the sensation, his callouses brushing over sensitive nipples. I moan as he rolls them between his fingers, flicking over them causing me to whimper into his mouth. He smiles at the discovery of my sensitivity and moves away from my lips and down my neck, my collarbone, then to my breast, taking it into his mouth while his other hand continues its work.

I arch into the intense pleasure as he swirls his tongue around the peaked bud, and when he lightly nips at it my breath hitches, arousal flooding my panties as he continues his sweet torture. "Az, it's too much," I murmur, my hands coming to his hair and attempting to pull him away but he only grabs my wrists and pins them above my head, rendering me tied down.

His tongue continues its wicked movements making me writhe beneath him pitifully, but he doesn't relent. "Az," I whimper, my words slowly turning into incoherent mumbles and moans. He softly bites at my nipple, pulling at it as he backs away and I'm forced to suppress a scream.

So slowly, he takes off my panties, pulling them down my thighs and off my ankles. I tug at my wrists but shadows cluster and tie them tight to the bed. He frees himself from his pants as well, wasting no time as he aligns his impressive member with my entrance.

"You're making such a mess baby." He swipes two fingers through my folds, gathering an embarrassing amount of arousal before smearing it down onto my clit, my breath hitching at the stimulation. A smirk curves his lips as he watches me lose myself after he's barely even touched me. He gathers more of my fluids and lathers his length with it, lubing his cock for an easy entrance. I clenched around nothing, the apex of my thighs pulsating with a need to be filled.

"Az, inside," I murmur, those are the only words I can manage, I was already too stimulated to form full sentences.

"Yeah? You want me to fill you up?" He asks and I nod helplessly.

"Please," I whine. His smirk turns predatory, his tip prodding at my entrance and my cunt twitched, aching to be driven into.

"This okay?" He looks down at me and I nod with a soft mumble. "Words, use your words," He encouraged but I was a mess of whines and tears.

"Yes, please, yes," I manage to get out and his eyes swap love with lust and suddenly he's pushing into me, stretching me out around him and hitting every spot, filling every crevice, pushing me to that edge.

"Az," I nearly scream, my nails digging hard into my palms as I arch, without the use of my hands, I'm left writhing and jolting like an injured animal, prey about to be consumed by its predator.

"Fuck you're so tight around my cock baby," He gritted out, going deeper and deeper while noises slip from my lips involuntarily the farther he goes.

"It's too much," I cry but he doesn't stop, no, he goes faster.

"You begged for this, remember?" He purrs into the shell of my ear. I release a lewd moan as he hits that familiar bundle of nerves that makes me feral. "There?" He hummed and I nodded eagerly. He took his chance and began to abuse that spot nestled so deep inside of me, his thrusts making my puffy, pink folds throb for more, craving that gratification.

He lifted one of my legs up, over his shoulder and met my silent wish, the new position creating an entirely new intense angle.

He continued to pound into my leaking pussy, fluids dripping down my thighs, transferring onto his cock, the wet slap of his balls against my ass making me mewl. "You're so, fuck, so big," I gripe and he smiles against my jaw, continuing his forceful injections as he says, "Poor girl, can only think about my cock, isn't that right?" His hand gropes at my breast before I can even reply, resulting in a guttural moan. He knocks into me deeper, father, harder and it felt so damned good, he was rewriting my definition of pleasure.

"Yeah? Just a mess for me aren’t you my good girl," He crooned, his lips so close to my ear I could feel his breath against it, his teeth lightly nipping at my earlobe.

His hand leaves my breast and travels the expanse of my stomach until eventually reaching my neglected clit, his thumb flicking over it and making gasps of both relief and pain. His thumb switched to tight, torturous circles and I lost all cognitive abilities, he left me defenseless.

"M'close," I warn with teary eyes, looking up at him with helpless devotion.

"Already?" He taunts as experienced hands continue their cruel work, my arousal drenching his fingers but he doesn't seem to care.

"Mhm," I nod with a pout.

"It's okay, come all over my cock," He impels and I was not going to disobey such an appealing demand. He leans down and his mouth returns to my breast, flicking his tongue over it in a similar way he's doing with my clit, creating an explosive feeling of passion.

I reach my climax with his name on my lips, white-hot ecstasy searing through me like a wave crashing, starting at my core and blooming through the rest of me with an unexplainable euphoria that ripped me into a haze of pleasure.

Once I came down from my high he didn't stop, he didn't even slow down. I bit into my lower lip at the intense pain, the overstimulation pushing me over my limit and he delighted in it, loved to see the way I squirmed beneath him. I pulsed around him, walls fluttering against his width as he moved past my perfect spot and bottomed out, his base pressing against mine. He groaned as I contracted around him, reveling in the way my tight cunt hugged his length like a perfect little sleeve.

"Fuck, love," He panted in a wolfish tone, losing himself in the pleasure of it all. "Touch my wings," He whispered and I regained a conscious at that, I had been wanting to forever but he never let me, always pinned down my wrists instead. Shadows slipped from my hands, showing he was serious.

I waste no time before brushing the back of my fingers against the thin membrane of his right wing, my other hand going into his hair. His cock twitches inside of me and his head falls onto my shoulder. I smile at my newfound power, trailing a feather-light touch over a long scar and he whimpers my name into my ear. I clench around him tightly at the sound, his thrusts turning slow and lazy as he approaches release.

I map my fingers closer to his back, finding a central vein that pulsed with life near where his wing began. I pressed my thumbpad to it and he groaned, his cock twitching. "Fuck, baby, let me come inside of you," He pleads.

"Please, fill me up Az," I whine and he meets my request quickly, his warm seed spurting into me, painting my walls white. He came for what felt like forever until he finally pulled out, laying down beside me with a huff. I curled into his side, clenching my legs together in order to keep his release inside of me, mixing with my own.

He turns on his side to look at me, gathering the blankets and throwing them over the both of us.

"I have to go soon," I whisper and he sadly smiles tiredly down at me.

“No, no let me live in denial until it’s time,” He pulls me closer to him, my chest pressing to his. I melt into him, leaning my head on his chest to hear his heart beating so softly against his ribs, a steady beat that oddly brought me comfort.

"I love you." His confession patches over whatever was broken before. I lean upward and press my lips to his, his arm slithering up my bare back and pushing me into him.

"I love you too, Az."

General Taglist: @fxckmiup @olive-main @iluvyewman-blog @gaymistakeboi @glitterypirateduck @amara-moonlight @impossibelle @fauxdette @going-through-shit @glam-targaryen @cauldronboilme27 @sarawritestories @tele86 @rogerbarnesxx @azriels-shadowsinger @stinkinstuffie @sandramalikstyles-blog @sassyangel16 @lilah-asteria @starsinyourseyes @inloveallthetime @melsunshine @nighttimemoonlover @ireallywannasleep127 @cumuluscranium @adharanotfound @azrielsmate3 @aelincaddel @hiddlestonspassionsackx @dee-writes-smut @secretlyhers @pit-and-the-pen @mybestfriendmademe @starswholistenanddreamsanswered @circe143 @bubybubsters @joshysloshy @username199945 @notsarareallynot @vixenshiftsvrs @pey2618 @loving-and-dreaming @mahealanipunea

Azriel Taglist: @coolepowersthings @lovely-giggles @quiettuba @ilovewarner45 @judig92 @tothestarsandwhateverend @je-suis-prest-rachel @call-me-a-fool @brieflyclassymortal @cherryjain17 @stqrgirlies-blog @chelsiemp @nyxbranwenn @dnfhascorruptedme @summerandsalt @annamariereads16 @thisiskaylin

Comment a “💙” to be added to the general taglist!

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[mclqren]

ALBUM RELEASE ★ LH44

PAIRING ✦ lewis hamilton x fem!singer!reader

SUMMARY ✦ you're reaching new heights with your new album, and your boyfriend is there to be your biggest fan [ SMAU ]

WARNINGS ✦ cursing

REQUESTED ✦ here!

NOTES ✦ my first lewis smau ahhh!! i've based this off of beyonce's new album, cowboy carter. reader is american. as per request, the fc i've used is beyoncé, but feel free to picture whoever you want! my requests are closed.

━━━━━━━━━━━━━━━━━━━━━━

liked by lewishamilton, roscoelovescoco, and 3,192,891 others

yourusername ★ 'COWBOY CARTER' out now ★

view all comments

user1 YESS TURN IT UP 🔊🔊

user2 I'VE BEEN WAITING FOR MOTHER TO MAKE HER RETURN

user3 im literally her biggest fan.

user4 y/n goes country hellooo??

user5 im kinda here for it.

lewishamilton so proud ❤️

yourusername love you!! 💗

user6 THEY'RE SO CUTE AW

user7 the way both of lewis' accounts liked the post he's so supportive of her 😭❤️

user8 I NEED A LOVE LIKE THEIRS

carmenmmundt LISTENING ON REPEAT ❤️

yourusername MY BABYYY I LOVE YOU!!

user9 their friendship is everything to me 🤞

liked by lewishamilton, charles_leclerc, and 2,899,222 others

yourusername feeling pretty in blue 💙

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user13 MISS Y/N L/N DOES IT AGAINNNN

user14 this outfit on youuuu 🔥🔥🔥

user15 she's fireeee!

user16 i needddd the outfit details fr!

user17 can lewis share pretty please

lewishamilton 😍😍

liked by yourusername

lewishamilton photography goes crazy 🔥

yourusername don't know how you got such good quality 🤣

user18 AWWW HER PERSONAL PHOTOGRAPHER

user19 feeling extra single right now.

heidiberger_ wow 😍

yourusername love you angel 💗

lewishamilton

( caption: @/yourusername 😍😍 )

yourusername

( caption one: 'COWBOY CARTER' is doing so well on spotify & apple music. thank you so much for all your love 💞 | caption two: bowling champ 💪💪 @/lewishamilton 💞 | caption three: stance goes crazyyyy @/georgerussell63 🤣🤣 )

liked by lewishamilton, lilymhe, and 3,001,212 others

tagged lewishamilton

yourusername japan with you 💗

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user23 sleeping on the highway tonight.

user24 GET MARRIED ALREADY BOOOO

user25 RIGHTTT

user26 okay miss y/n serving in japannn!!

user27 every time i see her in the paddock i get so happy

user28 no same

user29 leave lewis alone???

user30 fuck off???

lewishamilton the best time ❤️

yourusername especially when i beat you at mario ❤️

lewishamilton that was a fluke.

yourusername sure it was.

user31 WHEN THEY MATCH EACH OTHER'S ENERGY>>

lilymhe loved hanging out 🥺❤️

yourusername can't wait for shanghai 💗💗

user32 Y/N IN SHANGHAI WOOHOOOO

liked by lewishamilton, georgerussell63, and 2,922,039 others

tagged lewishamilton

yourusername happy five years, my love. here's to forever 🥂💗

view all comments

user34 my heart can't take it anymore.

user35 ITS ONLY BEEN FIVE YEARS WHATTT??

user36 five years of them dating and just under ten years of them being obsessed with each other 🤣

user37 guys i needddd their dating origin story

user38check out @/user33 on twitter!! trust me it's the cutest thing ever 🥺

user39 when is it my turn.

user40 im so attached to you guys its crazyyyy

carmenmmundt my cuties 🥺💞

yourusername my carm 💗💗

georgerussell63 first pic is crazy 🤣

lewishamilton ...

georgerussell63 all love lewis!!

lewishamilton no one else i'd rather spend the rest of my life with ❤️

yourusername love you lew 💗

liked by yourusername, georgerussell63, and 1,445,312 others

tagged yourusername

lewishamilton i know i post about y/n a lot, but she truly is a one of a kind person. you will never find someone as funny, as kind, or as talented as her. happy five year anniversary, love you more than anything. ❤️ (p.s. go listen to her new album if you haven't already. it'll blow your mind)

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user41 THE CAPTIONNNN AWWWW

user42 sir lewis is WHIPPED for his girlfriend (& as he should be!)

user43 such cutiessss

user44 she's the sweetestttt

user45 righttt??

user46 can someone pls give me a relationship like theirs

yourusername awww lew i love you so much 💗

liked by lewishamilton

yourusername these pics 🤣🤣

lewishamilton love you in all of them ❤️

yourusername my no.1 fan truly 💞

heidiberger_ my wife ❤️

yourusername love you heidi 💗

lewishamilton my girlfriend actually??

yourusername shhh baby ur interrupting our moment ❤️

━━━━━━━━━━━━━━━━━━━━━━

[alziel]

" Arranged Friendship "

: Male Reader

Summary: How would Luka react once he found out he had been set up with an arranged relationship with someone.

That said person was, You, who's almost as popular as Luka himself. Will he grow to like him in the future?

Warnings: Luka is a warning

himself,possessiveness,obsession, threat s, blackmail.

Requested/Not requested

At first he didn't like this idea at all, but once he realized that the fanbase will like the idea he decided to go with the plan. And so his owner scheduled a meet up with your owner along with you. The day came and you had met eachother.

Both of you already knew who you two were already because of your reputations in Alien Stage.

But he still decided to introduce himself anyways, putting up a smile and a demeanor that was welcoming but his aura said otherwise.

You didn't mind, greeting him with the same enthusiasm with no other malicious aura. The two aliens had a discussion with eachother about the arranged friendship. Luka's owner stated that this would make a huge impact towards the fanbase, bringing more popularity and secureness for the two of you.

I mean two well known singers having a collaboration and potential relationship with eachother? The fanbase will increase their likability towards the two. Luka the well known

"Prince" having a close relationship with you, specified to be a real life Siren because of how you enchant your opponents. It will surely bring alot of fans cheering and bring more support.

Both of their owners aareed with the plan andsigned a contract. They left the room to either talk more about the Collab while the two of you spend some times with each other. Once they fully left the room and closed the door, Luka resorted his face into the original calm and collected look.

"I only agreed to this so that my popularity will grow, we'll only be acquaintances nothing more." He stated sternly, obviously he did not want this arranged friendship to happen but it will help him big time. At first he expected a disappointed and an upset look from you, but you were still smiling.

"Of course! I expect nothing more than that, I won't force you to do stuff you don't wanna do.

But we still have to convince the public about our 'relationship. But I can tone it down to your comfortability!" You stated in your cheery voice, he was a bit taken back by your upbeat personality despite his strict and straightforward statement.

He looked away before humming in agreement.

You were an interesting little thing, as much as he hated to admit. He wanted to know more about you. Your reputation your status,and what his and your fans think of you. Perhaps he can find some dirt on you that he can use against if you ever step out of line.

He tried but couldn't find any dirt on you suprisingly. You were almost as popular as him and yet you barely had any haters or rumours about you. Sometimes he might even think your owner had payed someone to delete posts that would tarnish your reputation. Because he seriously could not find any.

The fans also took the announcement really well.

Some obsessive fans, mostly Luka's, did not take it well and gave death threats to you. Online only because they're scared jealous bitches.

You paid no attention to the negative reactions from.. those kind of fans--and focused on convincing the fanbase that the relationship was real.

Luka was not really a fan of people getting into his personal space. But he did like getting into people's personal space. In random moments when you're busy, he would randomly walk up to you, literally put his face close to yours to the point your noses are touching, just to say hello then walk away. leaving you there with a confused expression.

"This is [Name]! Name love his personal space."

"This is Luka! Luka also loves [Name]'s personal space."

During fan meet ups, the place is usually verycrowded. You always put a hand on his shoulder or waist just in case it gets too crowdy. The first time you did it, he flinched; but didn't exactly pulled or slapped hand away. For the entertainment you would often put your hand on his waist even though the place isn't crowded.

The fans love it.

During interviews, you would always hold his hand in which he finds odd. Whenever you answered a question in the interview you would play with his fingers. Or if he was the one answering, you could occasionally squeeze it for encouragement.

Throughout the "relationship" his owner mentioned how you were always the one engaging with physical affection. In order to convince the public, he'll need to initiate it too.

He just rolled his eyes and lazily agreed before walking away. The first time he initiated it was during one of your "dates" You were busy coming up a song to sing when he unexpectedly held your hand and leaned on you without saying anything.

You just squeeze his hand as anacknowledgement before continuing to come up with your song. After that interaction he started to become more and more affectionate.

Occasionally giving hugs, all kind of hugs really. Back hugs,side hugs, waist hugs whatever the variety. You would always return them two times the warmth. Sometimes he thinks your feelings were real or that youre maybe a good actor.

You guys know those ship edits on tiktok? The aliens would totally make them. You two would always watch it with amusement, sometimes amazed by some of their editing skills. You would always like each single edit.

Despite all the dates,affection,and loving interactions. At the end of the day he would always remind you that this was all for the public entertainment and to get more attention from the fans. On bad days, he would say rather hurtful things.

"Don't mistaken my affection to you as a real thing, none of it contain real feelings."

"Don't let it get to your head, this is nothing more than pure entertainment."

"This is just a key for more survival during Alien

Stage performance."

"We're just acquaintance, nothing more."

All what he said did hurt, a lot. But it was also true, he has to remind you that none of it was real. But at the same time you wished he didn't say those things to you, the least he could do is not remind you. You didn't sayanything, only nodding and agreeing to what he says despite the hurtful impact it had given you.

Haha, maybe you really are a masochist.

Currently you and Luka were doing a Collab performance forc-suggested by your owners for the fans. Luka as always, caught most of the fan's attention. You didn't really mind or find it upsetting, I mean he's much popular and talented than you so it was expected. You guys were down with the last line, the original plan was that the two of you were just gonna look at eachother in a loving way. But he had other plans..

While you two were singing the last line, he went even closer. You were unfazed by this, you had gotten used to him being so close to your face already. But what he did next caught you off guard..

He kissed you.

No not on the cheek or forehead. On the lips.

The cheers grew louder, the music had already stopped. But you were only focused on the feeling of his soft lips kissing yours. By then he had already pulled away, you can't help but linger more. stopped. He just smiled and looked at you with such fondness, but you already knew his kiss meant nothing to him.

After the performance you two went backstage, switching personalities. He always turned cold whenever you two weren't in public. His eyes held nothing but emptiness and disgust. You expected this but why does it still hurt? And as usual he always remind you in the end.

"The kiss meant nothing." He spat out, it made your heart ache. You hated to admit this but you grew feelings as the relationship went on. You couldn't control it really, Luka had always been a great actor. His charismatic and enthusiastic persona when he's in public, the way he's so affectionate with you and the way he talks so fondly as if he really were Inlove with you.

You couldn't help but hope he felt the same thing. It was starting to hurt so maybe letting this feeling go was for the best.

It was another start of a new season of alien stage. And it looks like your performance is the first, how lovely. You didn't really like joining Alien Stage, you never really liked seeing your opponents die. Why should someone die just because they weren't as good as their opponent. But you can't say anything about it, a sad reality.

So you always tried singing your best, constantly making your opponent feel comfortable and make them sing for fun instead of singing because they wanna live. You wanted their last moments to feel comfortable and fun rather than scared.

It's what gave you your well known title "The Siren". Many documents and news stated that you would often enchant your opponents by using your voice. Brainwashing them so that they'll lose. That was not the truth, you could tell that your past opponents enjoyed singing with you. Happy that they were able to sing with joy and not out of pressure. But you could careless about what the media thought of you. You had to practice for the performance.

Luka didn't know what to feel about you. He had already stated before that he did not have any feelings for you. You were nothing more than a mere acquaintance. But ever since this relationship had started, he started to feel more possessive about you. He always hated how you always smile to other people or aliens. The same smile you give to him, wasn't he supposed to be the only one receiving that smile?

He always hated when you give other fans affection too, whether it be a handshake or a pat on the head. He would always put his arm around yours and pull you away from them. Silently giving your fans a glare everytime they get too close. He always looked smug whenever you out your hand on his waist infront of your fans.

Throughout the relationship he started to take note of things your like,your favorites,and the type of music you like. Heck he might even know things about yourself you didn't even know off. He knows more about you. You would always try and point out the things he do but he always dismiss it by saying it could tarnish the view of the relationship.

Hm..now that he thinks of it he never really saw one of your performances with your opponents. He has heard alien's opinions and views about your performances but never really tried watching one. Maybe he should watch your performance tomorrow..

You were a bit shocked to see Luka sitting on one of the chairs in the backstage, as if he was waiting for you.

"Luka? What are you doing here, I thought you were gonna practice." You asked walking towards him, maintaining a distance from him. He silently took note of how further the distance than it normally is.

"Practicing would just bore me, I already know I'll win the round anyway." He responded lazily, you sweatdrop a bit but he wasn't exactly wrong. He can win matches without trying..

"I see but that doesn't exactly answer my question, what are you doing here?" You asked once more.

"I came to watch your performance. Is that a problem?" He asked, you quickly stummered ago dismiss that idea.

"N-no, not all!" You answered quickly "I just-this is just unexpecting since you never usually watch my performance.."

"Would it be so bad to watch my lover's performance?" He teased, getting closer to you. You subconsciously stepped back.

"Haha I appreciate what you're doing but you don't have to try so hard to convince the audience we're actual liver, I think we already fooled them.." You responded, he didn't exactly know what he felt just now but he did not like it. It felt like his heart disease had gotten worse when you said those words, but alas he was too prideful to say anything.

"I know, but can't hurt to be more cautious right?" He smiled sweetly but his aura gave off a malicious intention. You just nodded and looked away from him.

"Ah, I have to go. The performance will be in a few minutes." You quickly grabbed your mic and walked to the door "I'll see you after the performance."

He stood there silently, you were acting off than your usual self. Whenever he mentions about you two being lovers you would get flustered, covering your face in hopes it will hide your blush. It did but you didn't know that your ears turn red too, haha how cute. Either way the way you acted just now was weird. You looked awkward and stiff.

He just sighed and walked out of the door to the reserved VIP seats to watch your performance, he'd rather watch it in real life rather than those holograms.

Luka sat on his seat while waiting for the round to start. His owner had bought him a lightstick from your company's merchandise of you, saying he should use it to cheer you on. He didn't need that useless thing, he already knows you'll will this round effortlessly. He snapped out of his thoughts when the lights finally came on, the spotlight shining your opponent.

As always the opponent looks scared and pressured, their voice cracking a bit as they song. It seems like they know their fate in this round, that's good. But when it was your turn, the crowd went wild as the spotlight went to you. Ah..the poor opponent, they must feel so embarassed and inferior now.

But the next thing you did really made him almost break the lightstick in his hand due to how hard he gripped it. You decided to hold their hand and encouraged them to sing. Eventually they did, their voice wasn't cracking anymore,they weren't frowning and they looked like they were enjoying the performance.

You were dancing with them,you were smiling with them,you looked at them with fondness, as if they were your lover. The aliens around him silently moved away because of his malicious aura. They could've sworn they saw a deadly glint in his eyes just now.

The performance came to an end, the collar on the opponent's neck soon blew up, killing them. He felt satisfaction travel through his veins as he watched your opponents blood stain the stage. But he didn't exactly like how you looked sad as they died. Shouldn't you be happy? That you won and survived. Why are you feeling pity for a low life human that was lower than your status.

Soon you were led to the backstage by the robotic guards. He stood up suddenly, making the aliens flinch and back away. He paid no attention to them and focused on going to the backstage. He wanted to know what caused him to feel so angry by what happened.

He was expecting you at the backstage room but he saw you standing in the hallway, looking at something on your hand. He silently walked towards you and got on his tippy toes to whisper in your ear.

"Boo~" he whispered, you gripped the object in your hand and took a step back. You sighed knowing it was just Luka and not some crazy fan that got through security.

"Luka! It's just you, thank goodness.." You sighed in relief, hand still gripping the object. He looked at your fists and questioned you.

"What's in your hand?" He asked, you blinked before opening your hand to reveal a ring. What are you doing holding a ring? Was it for him? "Are you that eager to marry me already?"

Your face turned red at the suggestion "W-wait I didn't mean it like that?!" You rubbed your head by teasing nature "It was my opponent's ring, I accidentally pulled it when I was dancing with them."

His smile turned upside down when you explained, what are you doing with the ring of your opponent? He calmed down before taking the ring off your hands and looked at it. Hm, it looked quite expensive by the looks of it but easily affordable by him.

You looked at him with a confused expression, you never really saw take an interest in things like this. But you were shock when he decided to drop the ring to ground and stomped on it. You quickly yet gently pushed him away to do any more damaged. Unfortunately the ring was broken into pieces.

"Luka why did you do that?!" You looked at him with disbelief, he scoffed.

"Why are you so upset about it? It's just the opponent's ring, you have more things to worry about other than that useless thing." He spat out.

"That's still disrespectful! I can't believe you did that." You looked at him with disappointment. "What got you so worked up?! From the very you could care less about me, my interactions with my fans,and how I perform. You keep reminding me that this relationship, US, is just a contract. Why do you suddenly care about me no-.."

You stopped once you heard him sniff, you looked at him properly now. His face was turned away, his hair hiding his face but you could still see the tears that were about to fall from his eyes. He was trembling like he was out in the cold and his arms were tightened into a fist. You accidentally made him cry.

"Oh..oh I'm so sorry Luke--i didn't mean to yell at you like that." You gently hugged his body, his face burrying into your chest. Muffling the sound of his sniffing by how hard he's trying not to cry. "I'm sorry I'm just..just frustrated by this whole contract. I got attached and eventually fell for you but you kept reminding me that this was all a contract I just..couldn't control my emotions anymore.."

You confessed, he stayed quiet before weakly punching your chest. He pulled his face from your chest, his eyebrows were furrowed and his cheeks were red due to him crying. God you just wanted to scoop him up and kiss his face.

"I'm no better, I never had alot of chances to feel this kind of emotion. It was weird when I felt angry by how you treated your opponent, as if they were your own lover. I decided to take out my anger by making you angry.." He admitted, your eyes went wide by what he just stated.

"You were..jealous?" You muttered, he looked up to you with an embarassed expression.

"I was not!" He spat out.

"Are too, is that why you've been giving my fans glares all the time and pulled me away from them?" You laughed a bit, he pushed you away but your grip on him was tight.

"Okay now you're just teasing me." He scoffed

"But it's okay for you to tease me?..Luka..Luka don't ignore me please, Luke-" You sighed but smiled, alas your feelings are reciprocated. Although his possessive and obsessive issues are a tad bit scary..You already knew he has you wrapped around his finger. You fell for his trap.

[lovelyhan]

— 505 ⟢

i'd probably still adore you with your hands around my neck; or i did, last time i checked.

★ FEATURING; joshua x afab!reader

★ WORD COUNT; 3.4k words

★ TAGS; coworkers au, friends with benefits, typical gentleman in the streets sexual deviant in the sheets joshua, a hint of pining if you squint, slight angst?, smut (MINORS DNI)

★ NOTES; this specific picture of shua is years old but it incited the most visceral reaction out of me anyway so here we are with another short oneshot that sidetracked me from the monster that i'm SUPPOSED to be writing :| this also turned out a bit more emotional(?) than i originally intended, so heads up on that i guess

★ SMUT TAGS; unprotected sex, shower sex, oral (f receiving), choking, slight dumbification (i'm sorry, i normally have more dignity than this but i miss him so so dearly)

★ PERMANENT TAGLIST; @cheolhub - @pretty-trustme - @just-here-to-read-01 - @idkmelkro - @dejavernon - @venusrae - @jyiiscool - @jiniesclub - @junhui-recs - @bldelaine - @featmia - @fruitzcup - @hoeforhao - @candidupped - @billboard-singer - @caratochan - @novalpha - @dahliatopia - @0717luv - @shiveringgaze - @toruro - @mixling-blog - @minnie-mouser22 - @homerunhansol - @mirtaspace - @ti-red - @zzucculent - @woozarts - @rubyreduji - @mozellerra - @lllucere - @cheolzip - @jjjzzzz - @lissiesykes - @jeonride - @meowmeowminnie - @colored-confetti - @partiallyinfluencial - @speaknowlwt - @flwrshwa - @lilylikesthat - @aurorahongg - @whippedforjihoon - @todorokiskitten - @immabecreepin

★ JOSHUA TAGLIST; @yoonzinoooo - @scandal-in-bohemia - @lunaryoongie

Joshua arrives five minutes after the first clap of thunder and ten minutes after the rain started pouring outside.

You hear him before you see him. The automatic lock of the hotel room turns as he scans the spare keycard from outside — one that you made sure to leave with the receptionist in the lobby when he told you he'll be running a little late. When the door swings open, light spills from outside and he greets you with a smile that makes his eyes crinkle and your heart stutter.

It's the same look that makes your female coworkers swoon and giggle to themselves in the office pantry — talk about Joshua's adorable eye smile never straying too far from your ears.

If they knew what kind of person he was past the usual pleasantries, would they still engage in that kind of fanfare?

Joshua is soaked all over when he enters, having tracked rainwater all over the carpeted hallway and into the floor of Room 505. He doesn't seem all too fazed by it though — quickly shrugging off his coat before hanging it behind the flimsy plastic hooks screwed to the back of the door. He shuts it behind him with a kick, sighing through his teeth as he loosens the coil of a sushi-patterned necktie around his collar.

You got that one for him as an exchange gift for last year's Christmas party. Joshua uses it a lot more frequently than you expected him to. In fact, he always wears it during casual Fridays. You're not sure if he actually likes the stupid necktie or he's just trying to get a reaction out of you, but his choice to wear it isn't lost on you either way.

"Team dinners are really something else," Joshua chuckles as he tosses the flimsy material atop the complimentary dining table. He cards his fingers through his damp hair and you try not to think of how good he looks as he does it.

"You should've come with us. It's not often that you see Manager Yoon convince Jihoon to down a shot of soju. Oh, Seungkwan also got his ass handed to him at karaoke with the girls from sales. I had no idea Jihyo could hold her high notes like she means business."

You don't take a bite at his feeble attempt at small talk. He knows damn well why you don't show up to any of Jeonghan's team dinners, but you tell yourself that Joshua's just being polite — still thinking of the outcast of the marketing department despite the fact that you do not want anything to do with the people you work with.

...Although there are some exceptions here and there.

"Really? You're just going to give me the silent treatment all night?" Joshua sighs dramatically as he unbuttons his dress shirt — baring his rain-beaded chest to your unwitting gaze. "Well, if you need a bit more time, I'll go hop in the shower first. You're free to join me if you'd like."

He knows you won't, so you find it strange that he offers each and every time anyway.

You let your gaze wander to the full length mirror attached to the cabinets once the door to the bathroom clicks shut. There's nothing remotely special about your getup tonight. You're still donned in your work clothes — brick gray pencil skirt with a brick gray blazer to match. Apart from the heels sitting on the rack near the door, you're pretty much still in uniform.

You had half the mind to go home and change when Joshua said he's going to dinner and karaoke with your boss and some other colleagues, but that would mean you actually cared about what you looked like in front of him.

Which, for the record, you don't.

You can hear Joshua singing a familiar song in the bathroom — one that he always belts out in the most annoying way possible every time he showers. You wonder if he even knows any other song apart from that, but tell yourself you don't really have any business asking.

As the near-silence persists, however, your thoughts start to wander. Did he also sing this song when he was at karaoke earlier? Did he get to duet the high notes with Jihyo? You wouldn't put it past either of them to do so — being two of the company's renowned social butterflies.

That train of thought brings forth the same question you've been asking ever since the first night you shared this hotel room with Joshua and found him still lying beside you in the morning:

Why'd he choose you?

You're an in by nine and out by five unless there's paid overtime kind of employee. You never bothered establishing any worthwhile friendships in the workspace because you know better than to trust the backstabbing fiends in the corporate ladder. You're perfectly aware of what other people say about your individualistic behavior — how you're the worst team player in your department — but you never really cared.

Not until Joshua Hong inserted himself into your life.

To put it in the easiest way possible, he's the epitome of a perfect coworker. He's the guy that greets you every morning with an charming smile. The guy who drops by your cubicle to give you a coffee he made himself before saying you're doing a great job with that report you're putting together. The guy that everyone just adores simply because he's always been likable from the get-go.

That's the kind of person Joshua is — the exact opposite of you. Surely the jury won't condemn you for always questioning how you wound up spending your Friday nights fucking the man your entire department is basically in love with when you're so unlovable yourself.

Every time you try to recall how your transactional relationship with the company's unofficial sweetheart happened in the first place, your brain simply refuses to cooperate — memories muddled by a few pints of beer too many and an eye-crinkling smile that you're better off not rationalizing.

Besides, it's not like Joshua kisses and tells. Whatever happens in Room 505 stays in Room 505, and that's one of the many reasons why you haven't deigned to walk away from the setup altogether.

You meet up, he makes you feel good — makes you feel wanted — he cycles through whatever aftercare you might need, you fall a little more in love with him, then you both decide if you want to sleep in for a couple more hours or —

Wait.

Did you just admit you're in love with him?

"Hm? Didn't think you'd actually hop in with me today."

Joshua's voice is clearly laced with amusement as you shut the door to the bathroom — cheeks hot with both the steam billowing from the shower and the embarrassment cloying in your chest. You had the foresight to take off your uniform at least, leaving you in an unassuming set of cotton underwear that makes Joshua lick his lips with anticipation.

You make a show of stripping the rest of your clothing before him — nothing but the glass door to the shower separating the both of you. It's nothing sensual, nothing grandiose. You simply take off everything that's keeping your body hidden from your nighttime lover's hungry eyes.

When you step into the warm drizzle of the showerhead, Joshua hums before reaching for a bottle of shampoo — squeezing just the right amount into his palm as he lathers the product into your scalp.

The gentleness weighted into his actions startles you a little — not having expected him to do something so...domestic. You came in here with the full intention of getting fucked against the bathroom wall, but the way he massages your scalp so tenderly makes you reconsider your course of action.

But no matter how much of a gentleman he acts around you, not even Joshua can do anything about his own body's physiological reactions.

You feel the length of his cock nestled against your ass, hips rocking back and forth as he stimulates himself into full hardness. A soft moan tumbles out of your lips when he squeezes some of the hotel-provided body wash all over your chest — large hands lathering the soap across your body all while paying special attention to your tits.

"You finally snapped out of it, sweetheart?" Joshua sighs before latching his mouth onto the thrum of your pulse, biting down for only a moment to get your attention. "Ready to take my cock like a good girl?"

The way he murmurs those last few words along the column of your throat makes your legs feel like they'll disintegrate at any moment. Joshua continues to murmur sweet nothings into your ear, helping you clean up properly first before actually trying anything.

You're not sure if you should be pissed off or endeared by his stalling, but by the time he's finally rinsed out all the suds from your heated bodies, you're more or less ripe for the taking.

"Brace your palms against the wall, pretty girl. Yeah, just like that." Joshua chuckles softly as he presses a kiss to your nape, lips traveling down the length of your spine until he's eye-level with your sopping cunt.

"God, I'll never get tired of looking at this pretty pussy. Been thinking about sinking my cock into you all fucking week," he practically growls. "You really knew what you were doing with that cute maroon skirt you wore the other day, weren't you? The one that kept riding up your thighs when you reached for something from the high shelves? Little fucking minx."

You mewl helplessly when you feel Joshua's tongue prodding your soaked folds — forcing you to press your cheek against the cold tile as he massages your ass gingerly.

Joshua does his best to keep you anchored, making sure you won't accidentally slip as he laves at the slick between your thighs. He has no problem doing just that — driving you to near insanity with how his tongue sucks and slurps at your cunt like it's the first meal he's had in days.

"S-Shua," you whimper pathetically, pushing your ass out for more friction. "You're eating me so good..."

Had you not been so quickly drowned in this haze of arousal, you would've exercised more restraint. Joshua normally has a hard time getting you to be more vocal whenever he makes you feel good, but you suppose that there's just something in the air tonight that makes it so easy to just surrender yourself to him.

You can feel the vibrations of his laughter along the millions of nerve endings on your clit as he traces it with the tip of his tongue — further incapacitating you from coherent thought. When he slips in a finger into your awaiting heat, you all but gasp into the steamy air of the hotel bathroom.

"You're so cute when you start calling me that," he coos without halting his ministrations — that sinful tongue darting out to tease and lick and stimulate as he eases in another thick finger into your gummy walls. "Wanna eat you out underneath your desk someday... Would you act as cute as you're acting right now if I did that?"

The prospect of having sweet, gentlemanly Joshua Hong on his knees for you under your work desk makes you tighten conspicuously around his fingers. From the sordid chuckle that leaves his lips, you're fairly certain that he's noticed.

"You like that, huh? You like it when I put my mouth on you? Make you feel so good, you forget about everything else?" he chuckles darkly, rising back to his full height without taking his fingers out of your needy cunt. "But we both know this is hardly enough for you, right sweetheart?"

You hate how he knows you so well.

Joshua spends about one minute max towel drying both of your bodies before he quite literally sweeps you off your feet. You let out a surprised shriek as he princess-carries you onto the bed — gently laying you on the undisturbed sheets before crawling on top of you like a predator circling its next meal.

"Wanna tell me why you were so out of it earlier?" Joshua murmurs as he nips at your jaw, the words followed by a crackle of thunder in the distance. He chuckles when you jolt in surprise before peppering your face with a collection of kisses that ends at the tip of your nose. "It's not the weather, is it? I remember that I literally fucked you in the middle of a storm last month."

"Quit running your mouth and just fuck me," you mumble, lacing your fingers around his nape before grinding up against his leaking cock. "I've waited for you long enough."

"Ahhh," he drawls with resounding epiphany, as if he'd just figured out some ancient secret. "So you were sulking because I took too long to get here? Don't worry, sweet thing, it won't happen again."

When Joshua leans close to your ear, his hot breath fans against your flesh — making your toes curl with quiet anticipation.

"The next time we meet in this room, I'll have you mounted on my cock the moment you come through the door."

Joshua doesn't bother with foreplay or any sort of preamble. He simply guides his cock into the give of your entrance, sinking his length so deep, you can feel him in your stomach.

"Fuck," you whimper, fingernails seeking purchase across the rippling muscles of Joshua's back. He doesn't quite move yet — letting you get used to the stretch like he always does.

"Pretty pussy's so fucking tight around me," he groans. "Did you need me this badly? 'm sorry for making you wait so long, sweetheart. If I had known, I would've ditched karaoke and made you feel good as soon as I could."

Empty words uttered in the throes of passion — you're well aware that's all they are. Yet Joshua has no trouble making your heart flutter with the sentiment anyway.

"J-Joshua," you manage to gasp as you feel his girth throb inside you. "Please move... Need it. Need it so bad, please."

You're on the brink of tears with how desperate you are for mind-numbing release, but amidst your mounting delirium, Joshua sighs a little too endearingly before pressing a long, hard kiss on your lips.

"Anything for you, pretty girl."

He eases himself into you slowly at first — making sure you feel every ridge of his cock dragging along your tight walls. Joshua particularly feels smug when your eyes roll to the back of your head, addicted to the way his cock is splitting you open.

It's only when you start to loosen up that he picks up the pace, strong hands gripping your thighs as he pounds into you. The squelch of your arousal echoes within the walls secluding you from the rest of the world.

When Joshua hoists your hips higher before hooking the back of your knees across his shoulders, you knew it was all over for you.

Admittedly, you don't remember the first time you've had sex with him anymore. Or the second. Or the third. You've had each other so many times in so many ways that every instance kind of just blends into the next — painting a messy caricature of all the illicit meetings you've had with your nighttime lover.

But you don't care if it's messy. You don't care if it's strange. At the end of the day, you're comforted by the fact that all these experiences you shared with him are irrevocably yours.

Even if you can't really say the same for Joshua himself.

He stirs the pot of your arousal with practiced ease. Joshua stares at you like you're the most precious thing he's laid eyes on before letting one of your legs fall back on the mattress.

Your lover trades the depth of his thrusts for enough leeway to flatten his thick fingers across your throat — making you bleat with expectation as he presses down just enough to make you feel lightheaded. He hisses when he feels your velvet walls clamp tighter around his cock, further informing him that he's on the right track.

"Fuck, sweetheart," he laughs breathlessly — his gorgeous face the only thing you can see. "You'll let me do anything to you, won't you? All I gotta do is fuck you stupid and you'll take everything I give."

At this point, you're too far gone to even deny a word he says. "Mmmm... Your cock feels too good, Shua. 'M so close already. You'll finish inside me, won't you? Make both of us feel good?"

"Dumb little princess couldn't even answer my question," Joshua chuckles before making a particularly harsh thrust that jostles you further up the mattress. "Of course I'll finish inside this pretty pussy. It's all mine, isn't it?"

"Uh-huh," you mewl as Joshua's fingers tighten around your throat again, making your toes curl with unadulterated glee. "My pussy's all yours, Joshua. All fucking yours."

He chuckles again, fingers climbing up to your jaw until Joshua is able to prod his thumb against your bottom lip. You respond in earnest, suckling at the digit as he rails you into the mattress. There's no longer any room for intelligible thoughts — lost in the sea of pleasure that Joshua choose to drown you in every time you come together like this.

"Close, close, close," you practically sob, thighs winding around his hips as you bring him impossibly closer to you. "Shua, I'm gonna cum. Please, I need to cum. I need you—"

"You already have me, sweetheart," he laughs breathlessly yet full of intent that you're too fucked out to notice.

"You'll always have me."

That's what does you in. That's what always does you in — his sweet words, his tender gaze.

As much as the pleasure he gives with each drive of his cock into your battered cunt sends you to cloud nine, nothing makes you fall apart harder than the thought that maybe Joshua Hong is capable of loving you back.

Because how can he stare at you with so much adoration in his eyes if he doesn't actually love you at all? How can he keep meeting you like this in secret if there's no hidden agenda behind it?

But when all's said and done, you come back to your senses. Your rose-tinted gaze fades back into the darkness of Room 505.

Joshua is still beaming at you like you're the only person that matters to him on this entire earth. But you know damn well that he'd never smile at you the same way once you're out of the four corners of this room.

That's just the way things are.

As you pick off your clothes from the floor of the bedroom and the bathroom alike, Joshua stirs from where he momentarily passed out on the mattress — bleary eyes observing your every move as his brows furrow together.

"You're leaving?" he murmurs sleepily. "But it's raining outside. We should stay until it stops at least."

Hesitating for a moment, you stare at the bundle of rumpled clothes in your arms as Joshua practically tells you to go back to bed.

You know it's for the best if you don't lay back down beside him. The distance keeps you grounded — anchored to the truth that beyond these weekly trysts you share together, you and Joshua are nothing but civil colleagues at most.

He isn't your lover. He isn't even your friend.

But a stubborn part of you believes that maybe if he breaks you apart and puts you back together again, you'll be a different person. Someone who can keep up with his outgoing lifestyle. Someone he'll have no problem showing off to his friends and fellow coworkers.

But, really, when have things ever turned up daisies when it comes to you and Joshua Hong?

"Fine," you mumble, dropping your clothes in a heap next to the sushi necktie that looks more worn out now that you're seeing it up close.

You make a mental note to buy him a few more once the Christmas sales start coming around again.

"You coming to cuddle before we sleep or what?"

Joshua stares at you sleepily and expectantly from the bed, even patting the vacant space between him for added effect. If only those girls swooning at him in the office pantry could see him now...

Too bad what happens in Room 505 stays in Room 505.

⟢ end notes: finished this at 3:05 am with zero proofreading dedicated to it <3 if you spot any mistakes, they're not really mistakes since they're all crucial contenders in the creation process <333

[turnstileskyline]

The Oral History of Take This To Your Grave – transcription under the cut

The pages that are just photographs, I haven't included. This post is already long enough.

Things that happened in 2003: Arnold Schwarzenegger became governor of California. Teen Vogue published its first issue. The world lost Johnny Cash. Johnny Depp appeared as Captain Jack Sparrow for the first time. A third Lord of the Rings movie arrived. Patrick Stump, Pete Wentz, Joe Trohman, and Andy Hurley released Take This To Your Grave.

"About 21 years ago or so, as I was applying to colleges I would ultimately never go to, Fall Out Boy began as a little pop-punk side project of what we assumed was Pete's more serious band, Arma Angelus," Patrick wrote in a May 2023 social media post.

"We were sloppy and couldn't solidify a lineup, but the three of us (Pete, Joe, and I) were having way too much fun to give up on it."

"We were really rough around the edges. As an example of how rough, one of my favorite teachers pulled me aside after hearing the recording that would eventually become Evening Out With Your Girlfriend and tactfully said, 'What do you think your best instrument is, Patrick? Drums. It's drums. Probably not singing, Patrick.'"

"We went into Smart Studios with the Sean O'Keefe... So, there we were, 3/5 of a band with a singer who'd only been singing a year, no drummer, and one out of two guitarists. But we had the opportunity to record with Sean at Butch Vig's legendary studio.

"Eight or so months later, Fueled by Ramen would give us a contract to record the remaining songs. We'd sleep on floors, eat nothing but peanut butter and jelly, live in a van for the next three years, and somehow despite that, eventually play with Elton John and Taylor Swift and Jay-Z and for President Obama and the NFC championship, and all these other wildly unpredictable things. But none of that would ever come close to happening if Andy hadn't made it to the session and Joe hadn't dragged us kicking and screaming into being a band."

Two decades after its release, Take This To Your Grave sits comfortable in the Top 10 of Rolling Stone's 50 Greatest Pop-Punk Albums, edging out landmark records from Buzzcocks, Generation X, Green Day, The Offspring, Blink-182, and The Ramones.

It even ranked higher than Through Being Cool by Saves The Day and Jersey's Best Dancers from Lifetime, two records the guys in Fall Out Boy particularly revere.

Fall Out Boy's proper full-length debut on Fueled by Ramen is a deceptively smart, sugar-sweet, raw, energetic masterpiece owing as much to the bass player's pop culture passions, the singers deep love of R&B and soul, and their shared history in the hardcore scene as any pioneering punk band. Fall Out Boy's creative and commercial heights were still ahead, but Take This To Your Grave kicked it off, a harbinger for the enduring songwriting partnership between Patrick Stump and Pete Wentz, the eclectic contributions from Joe Trohman, and the propulsive powerhouse that is Andy Hurley.

The recordings document a special moment when Fall Out Boy was big in "the scene" but a "secret" from the mainstream. The band (and some of their friends) first sat down for an Oral History (which doubled as an Oral History of their origin story) with their old friend Ryan J. Downey, then Senior Editor for Alternative Press, upon the occasion of the album's 10th anniversary. What follows is an updated, sharper, and expanded version of that story, newly re-edited in 2023. As Patrick eloquently said: "Happy 20th birthday, Take This To Your Grave, you weird brilliant lightning strike accident of a record."

– Ryan J. Downey.

A Weird, Brilliant Lightning Strike Of A Record. The Oral History Of Fall Out Boy's Take This To Your Grave.

As told by:

Patrick Stump

Pete Wentz

Joe Trohman

Andy Hurley

Bob McLynn - Crush Music

Sean O'Keefe - Producer/Mixer

John Janick - Fueled By Ramen

Tim McIlrath - Rise Against

Mani Mostofi - Racetraitor

Chris Gutierrez - Arma Angelus

Mark Rose - Spitalfield

Sean Muttaqi - Uprising Records

Rory Felton - The Militia Group

Richard Reines - Drive-Thru Records

"To Feel No More Bitterness Forever" - From Hardcore to Softcore, 1998-2000

PETE WENTZ: When I got into hardcore, it was about discovering the world beyond yourself. There was a culture of trying to be a better person. That was part of what was so alluring about hardcore and punk for me. But for whatever reason, it shifted. Maybe this was just in Chicago, but it became less about the thought process behind it and more about moshing and breakdowns. There was a close-mindedness that felt very reactive.

TIM MCILRITH: I saw First Born many years ago, which was the first time I saw Pete and met him around then. This was '90s hardcore - p.c., vegan, activist kind of hardcore music. Pete was in many of those bands doing that kind of thing, and I was at many of those shows. The hardcore scene in Chicago was pretty small, so everyone kind of knew each other. I knew Andy Hurley as the drummer in Racetraitor. I was in a band called Baxter, so Pete always called me 'Baxter.' I was just 'Baxter' to a lot of those guys.

JOE TROHMAN: I was a young hardcore kid coming to the shows. The same way we all started doing bands. You're a shitty kid who goes to punk and hardcore shows, and you see the other bands playing, and you want to make friends with those guys because you want to play in bands too. Pete and I had a bit of a connection because we're from the same area. I was the youngest dude at most shows. I would see Extinction, Racetraitor, Burn It Down, and all the bands of that era.

WENTZ: My driver's license was suspended then, so Joe drove me everywhere. We listened to either Metalcore like Shai Hulud or pop-punk stuff like Screeching Weasel.

MCILRITH: I was in a band with Pete called Arma Angelus. I was like their fifth or sixth bass player. I wasn't doing anything musically when they hit me up to play bass, so I said, 'Of course.' I liked everyone in the band. We were rehearsing, playing a few shows here and there, with an ever-revolving cast of characters. We recorded a record together at the time. I even sing on that record, believe it or not, they gave me a vocal part. Around that same time, I began meeting with [bassist] Joe [Principe] about starting what would become Rise Against.

CHRIS GUTIERREZ: Wentz played me the Arma Angelus demo in the car. He said he wanted it to be a mix of Despair, Buried Alive, and Damnation A.D. He told me Tim was leaving to start another band - which ended up being Rise Against - and asked if I wanted to play bass.

TROHMAN: Pete asked me to fill in for a tour when I was 15. Pete had to call my dad to convince him to let me go. He did it, too. It was my first tour, in a shitty cargo van, with those dudes. They hazed the shit out of me. It was the best and worst experience. Best overall, worst at the time.

GUTIERREZ: Enthusiasm was starting to wane in Arma Angelus. Our drummer was really into cock-rock. It wasn't an ironic thing. He loved L.A. Guns, Whitesnake, and Hanoi Rocks. It drove Pete nuts because the scene was about Bleeding Through and Throwdown, not cock rock. He was frustrated that things weren't panning out for the band, and of course, there's a ceiling for how big a metalcore band can get, anyway.

MANI MOSTOFI: Pete had honed this tough guy persona, which I think was a defense mechanism. He had some volatile moments in his childhood. Underneath, he was a pretty sensitive and vulnerable person. After playing in every mosh-metal band in the Midwest and listening exclusively to Earth Crisis, Damnation A.D., Chokehold, and stuff like that for a long time, I think Pete wanted to do something fresh. He had gotten into Lifetime, Saves The Day, The Get Up Kids, and bands like that. Pete was at that moment where the softer side of him needed an outlet, and didn't want to hide behind mosh-machismo. I remember him telling me he wanted to start a band that more girls could listen to.

MCILRATH: Pete was talking about starting a pop-punk band. Bands like New Found Glory and Saves The Day were successful then. The whole pop-punk sound was accessible. Pete was just one of those guys destined for bigger things than screaming for mediocre hardcore bands in Chicago. He's a smart guy, a brilliant guy. All the endeavors he had taken on, even in the microcosm of the 1990s Chicago hardcore world, he put a lot of though into it. You could tell that if he were given a bigger receptacle to put that thought into, it could become something huge. He was always talented: lyrics, imagery, that whole thing. He was ahead of the curve. We were in this hardcore band from Chicago together, but we were both talking about endeavors beyond it.

TROHMAN: The drummer for Arma Angelus was moving. Pete and I talked about doing something different. It was just Pete and me at first. There was this thuggishness happening in the Chicago hardcore scene at that time that wasn't part of our vibe. It was cool, but it wasn't our thing.

MCILRITH: One day at Arma Angelus practice, Pete asked me, 'Are you going to do that thing with Joe?' I was like, 'Yeah, I think so.' He was like, 'You should do that, dude. Don't let this band hold you back. I'll be doing something else, too. We should be doing other things.' He was really ambitious. It was so amazing to me, too, because Pete was a guy who, at the time, was kind of learning how to play the bass. A guy who didn't really play an instrument will do down in history as one of the more brilliant musicians in Chicago. He had everything else in his corner. He knew how to do everything else. He needed to get some guys behind him because he had the rest covered. He had topics, themes, lyrics, artwork, this whole image he wanted to do, and he was uncompromising. He also tapped into something the rest of us were just waking up to: the advent of the internet. I mean, the internet wasn't new, but higher-speed internet was.

MOSTOFI: Joe was excited to be invited by Pete to do a band. Joe was the youngest in our crew by far, and Pete was the 'coolest' in a Fonzie sort of way. Joe deferred to Pete's judgement for years. But eventually, his whole life centered around bossy big-brother Pete. I think doing The Damned Things was for Joe what Fall Out Boy was for Pete, in a way. It was a way to find his own space within the group of friends. Unsurprisingly, Joe now plays a much more significant role in Fall Out Boy's music.

WENTZ: I wanted to do something easy and escapist. When Joe and I started the band, it was the worst band of all time. I feel like people said, 'Oh, yeah, you started Fall Out Boy to get big.' Dude, there was way more of a chance of every other band getting big in my head than Fall Out Boy. It was a side thing that was fun to do. Racetraitor and Extinction were big bands to me. We wanted to do pop-punk because it would be fun and hilarious. It was definitely on a lark. We weren't good. If it was an attempt at selling out, it was a very poor attempt.

MCILRITH: It was such a thing for people to move from hardcore bands to bands called 'emo' or pop-punk, as those bands were starting to get some radio play and signed to major labels. Everyone thought it was easy, but it's not as easy as that. Most guys we knew who tried it never did anything more successful than their hardcore bands. But Pete did it! And if anyone was going to, it was going to be him. He never did anything half-assed. He ended up playing bass in so many bands in Chicago, even though he could barely play the bass then, because simply putting him in your band meant you'd have a better show. He was just more into it. He knew more about dynamics, about getting a crowd to react to what you're doing than most people. Putting Pete in your band put you up a few notches.

"I'm Writing You A Chorus And Here Is Your Verse" - When Pete met Patrick, early 2001.

MARK ROSE: Patrick Stump played drums in this grindcore band called Grinding Process. They had put out a live split cassette tape.

PATRICK STUMP: My ambition always outweighed my ability or actual place in the world. I was a drummer and played in many bands and tried to finagle my way into better ones but never really managed. I was usually outgunned by the same two guys: this guy Rocky Senesce; I'm not sure if he's playing anymore, but he was amazing. And this other guy, De'Mar Hamilton, who is now in Plain White T's. We'd always go out for the same bands. I felt like I was pretty good, but then those guys just mopped the floor with me. I hadn't been playing music for a few months. I think my girlfriend dumped me. I was feeling down. I wasn't really into pop-punk or emo. I think at the time I was into Rhino Records box sets.

TROHMAN: I was at the Borders in Eden's Plaza in Wilmette, Illinois. My friend Arthur was asking me about Neurosis. Patrick just walked up and started talking to me.

STUMP: I was a bit arrogant and cocky, like a lot of young musicians. Joe was talking kind of loudly and I overheard him say something about Neurosis, and I think I came in kind of snotty, kind of correcting whatever they had said.

TROHMAN: We just started talking about music, and my buddy Arthur got shoved out of the conversation. I told him about the band we were starting. Pete was this local hardcore celebrity, which intrigued Patrick.

STUMP: I had similar conversations with any number of kids my age. This conversation didn't feel crazy special. That's one of the things that's real about [Joe and I meeting], and that's honest about it, that's it's not some 'love at first sight' thing where we started talking about music and 'Holy smokes, we're going to have the best band ever!' I had been in a lot of bands up until then. Hardcore was a couple of years away from me at that point. I was over it, but Pete was in real bands; that was interesting. Now I'm curious and I want to do this thing, or at least see what happens. Joe said they needed a drummer, guitar player, or singer, and I kind of bluffed and said I could do any one of those things for a pop-punk band. I'd had a lot of conversations about starting bands where I meet up with somebody and maybe try to figure out some songs and then we'd never see each other again. There were a lot of false starts and I assumed this would be just another one of those, but it would be fun for this one to be with the guy from Racetraitor and Extinction.

TROHMAN: He gave me the link to his MP3.com page. There were a few songs of him just playing acoustic and singing. He was awesome.

WENTZ: Joe told me we were going to this kid's house who would probably be our drummer but could also sing. He sent me a link to Patrick singing some acoustic thing, but the quality was so horrible it was hard to tell what it was. Patrick answered the door in some wild outfit. He looked like an emo kid but from the Endpoint era - dorky and cool. We went into the basement, and he was like, trying to set up his drums.

TROHMAN: Patrick has said many times that he intended to try out on drums. I was pushing for him to sing after hearing his demos. 'Hey! Sing for us!' I asked him to take out his acoustic guitar. He played songs from Saves The Day's Through Being Cool. I think he sang most of the record to us. We were thrilled. We had never been around someone who could sing like that.

WENTZ: I don't think Patrick thought we were cool at all. We were hanging out, and he started playing acoustic guitar. He started singing, and I realized he could sing any Saves The Day song. I was like, 'Wow, that's the way those bands sound! We should just have you sing.' It had to be serendipity because Patrick drumming and Joe singing is not the same band. I never thought about singing. It wasn't the type of thing I could sing. I knew I'd be playing bass. I didn't think it'd even go beyond a few practices. It didn't seem like the thing I was setting myself up to do for the next several years of my life in any way. I was going to college. It was just a fun getaway from the rest of life kind of thing to do.

STUMP: Andy was the first person we asked to play drums. Joe even brought him up in the Borders conversation. But Andy was too busy. He wasn't really interested, either, because we kind of sucked.

WENTZ: I wanted Hurley in the band, I was closest to him at the time, I had known him for a long time. I identified with him in the way that we were the younger dudes in our larger group. I tried to get him, but he was doing another band at the time, or multiple bands. He was Mani's go-to guy to play drums, always. I had asked him a few times. That should clue people into the fact that we weren't that good.

ANDY HURLEY: I knew Joe as 'Number One Fan.' We called him that because he was a huge fan of a band I was in, Kill The Slavemaster. When Fall Out Boy started, I was going to college full-time. I was in the band Project Rocket and I think The Kill Pill then, too.

MOSTOFI: After they got together the first or second time, Pete played me a recording and said, 'This is going to be big.' They had no songs, no name, no drummer. They could barely play their instruments. But Pete knew, and we believed him because we could see his drive and Patrick's potential. Patrick was prodigy. I imagine the first moment Pete heard him sing was probably like when I heard 15-year-old Andy Hurley play drums.

GUTIERREZ: One day at practice, Pete told me he had met some dudes with whom he was starting a pop-punk band. He said it would sound like a cross between New Found Glory and Lifetime. Then the more Fall Out Boy started to practice, the less active Arma Angelus became.

TROHMAN: We got hooked up with a friend named Ben Rose, who became our original drummer. We would practice in his parents' basement. We eventually wrote some pretty bad songs. I don't even have the demo. I have copies of Arma's demo, but I don't have that one.

MOSTOFI: We all knew that hardcore kids write better pop-punk songs than actual pop-punk kids. It had been proven. An experienced hardcore musician could bring a sense of aggression and urgency to the pop hooks in a way that a band like Yellowcard could never achieve. Pete and I had many conversations about this. He jokingly called it 'Softcore,' but that's precisely what it was. It's what he was going for. Take This To Your Grave sounds like Hot Topic, but it feels like CBGBs.

MCILRITH: Many hardcore guys who transitioned into pop-punk bands dumbed it down musically and lyrically. Fall Out Boy found a way to do it that wasn't dumbed down. They wrote music and lyrics that, if you listened closely, you could tell came from people who grew up into hardcore. Pete seemed to approach the song titles and lyrics the same way he attacked hardcore songs. You could see his signature on all of that.

STUMP: We all had very different ideas of what it should sound like. I signed up for Kid Dynamite, Strike Anywhere, or Dillinger Four. Pete was very into Lifetime and Saves The Day. I think both he and Joe were into New Found Glory and Blink-182. I still hadn't heard a lot of stuff. I was arrogant; I was a rock snob. I was over most pop-punk. But then I had this renaissance week where I was like, 'Man, you know what? I really do like The Descendents.' Like, the specific week I met Joe, it just happened to be that I was listening to a lot of Descendents. So, there was a part of me that was tickled by that idea. 'You know what? I'll try a pop-punk band. Why not?'

MOSTOFI: To be clear, they were trying to become a big band. But they did it by elevating radio-friendly pop punk, not debasing themselves for popularity. They were closely studying Drive-Thru Records bands like The Starting Line, who I couldn't stand. But they knew what they were doing. They extracted a few good elements from those bands and combined them with their other influences. Patrick never needed to be auto-tuned. He can sing. Pete never had to contrive this emotional depth. He always had it.

STUMP: The ideas for band names were obnoxious. At some point, Pete and I were arguing over it, and I think our first drummer, Ben Rose, who was in the hardcore band Strength In Numbers, suggested Fall Out Boy. Pete and I were like, 'Well, we don't hate that one. We'll keep it on the list.' But we never voted on a name.

"Fake It Like You Matter" - The Early Shows, 2001

The name Fall Out Boy made their shortlist, but their friends ultimately chose it for them. The line-up at the band's first show was Patrick Stump (sans guitar), Pete Wentz, Joe Trohman, drummer Ben Rose, and guitarist John Flamandan in his only FOB appearance.

STUMP: We didn't have a name at our two or three shows. We were basically booked as 'Pete's new band' as he was the most known of any of us. Pete and I were the artsy two.

TROHMAN: The rest of us had no idea what we were doing onstage.

STUMP: We took ourselves very seriously and completely different ideas on what was 'cool.' Pete at the time was somewhere between maybe Chuck Palahniuk and Charles Bukowski, and kind of New Romantic and Manchester stuff, so he had that in mind. The band names he suggested were long and verbose, somewhat tongue-in-cheek. I was pretty much only into Tom Waits, so I wanted everything to be a reference to Tom Waits. The first show was at DePaul [University] in some cafeteria. The room looked a lot nicer than punk rock shows are supposed to look, like a room where you couldn't jump off the walls. We played with a band called Stillwell. I want to say one of the other bands played Black Sabbath's Black Sabbath in its entirety. We were out of place. We were tossing a few different names around. The singer for Stillwell was in earshot of the conversation so I was like 'Hey, settle this for us,' and told him whatever name it was, which I can't remember. 'What do you think of this name?' He goes, 'It sucks.' And the way he said it, there was this element to it, like, 'You guys probably suck, too, so whatever.' That was our first show. We played first and only had three songs. That was John's only show with us, and I never saw him again. I was just singing without a guitar, and I had never just sung before; that was horrifying. We blazed through those songs.

ROSE: Patrick had this shoulder-length hair. Watching these guys who were known for heavier stuff play pop-punk was strange. Pete was hopping around with the X's on his hands. Spitalfield was similar; we were kids playing another style of music who heard Texas Is The Reason and Get Up Kids and said, 'We have to start a band like this.'

MOSTOFI: The first show was a lot of fun. The musical side wasn't there, but Pete and Patrick's humor and charisma were front and center.

TROHMAN: I remember having a conversation with Mani about stage presence. He was telling me how important it was. Coalesce and The Dillinger Escape Plan would throw mic stands and cabinets. We loved that visual excitement and appeal. Years later, Patrick sang a Fall Out Boy song with Taylor Swift at Giants Stadium. It was such a great show to watch that I was reminded of how wise Mani was to give me that advice back then. Mani was like a mentor for me, honestly. He would always guide me through stuff.

MOSTOFI: Those guys grew up in Chicago, either playing in or seeing Extinction, Racetraitor, Los Crudos, and other bands that liked to talk and talk between songs. Fall Out Boy did that, and it was amazing. Patrick was awkward in a knowing and hilarious way. He'd say something odd, and then Pete would zing him. Or Pete would try to say something too cool, and Patrick would remind him they were nerds. These are very personal memories for me. Millions of people have seen the well-oiled machine, but so few of us saw those guys when they were so carefree.

TROHMAN: We had this goofy, bad first show, but all I can tell you was that I was determined to make this band work, no matter what.

STUMP: I kind of assumed that was the end of that. 'Whatever, on with our lives.' But Joe was very determined. He was going to pick us up for practice and we were going to keep playing shows. He was going to make the band happen whether the rest of us wanted to or not. That's how we got past show number one. John left the band because we only had three songs and he wasn't very interested. In the interim, I filled in on guitar. I didn't consider myself a guitar player. Our second show was a college show in Southern Illinois or something.

MCILRITH: That show was with my other band, The Killing Tree.

STUMP: We showed up late and played before The Killing Tree. There was no one there besides the bands and our friends. I think we had voted on some names. Pete said 'Hey, we're whatever!'; probably something very long. And someone yells out, 'Fuck that, no, you're Fall Out Boy!' Then when The Killing Tree was playing, Tim said, 'I want to thank Fall Out Boy.' Everyone looked up to Tim, so when he forced the name on us, it was fine. I was a diehard Simpsons fan, without question. I go pretty deep on The Simpsons. Joe and I would just rattle off Simpsons quotes. I used to do a lot of Simpsons impressions. Ben was very into Simpsons; he had a whole closet full of Simpsons action figures.

"If Only You Knew I Was Terrified" - The Early Recordings, 2002-2003

Wentz's relationships in the hardcore scene led to Fall Out Boy's first official releases. A convoluted and rarely properly explained chain of events resulted in the Fall Out Boy/Project Rocket split EP and Fall Out Boy's Evening Out with Your Girlfriend. Both were issued by California's Uprising Records, whose discography included Racetraitor's first album and the debut EP by Burn It Down. The band traveled to Wisconsin to record their first proper demo with engineer Jared Logan, drummer for Uprising's 7 Angels 7 Plagues.

TROHMAN: This isn't to be confused with the demo we did in Ben's basement, which was like a tape demo. This was our first real demo.

STUMP: Between booking the demo and recording it, we lost Ben Rose. He was the greatest guy, but it wasn't working out musically. Pete and Joe decided I should play drums on the demo. But Jared is a sick drummer, so he just did it.

TROHMAN: We had gotten this great singer but went through a series of drummers that didn't work out. I had to be the one who kicked Ben out. Not long after, our friend Brett Bunting played with us. I don't think he really wanted to do it, which was a bummer.

STUMP: I showed up to record that demo, feeling pulled into it. I liked hanging out with the guys, but I was a rock snob who didn't really want to be making that type of music. The first few songs were really rough. We were sloppy. We barely practiced. Pete was in Arma Angelus. Joe was the guy determined to make it happen. We couldn't keep a drummer or guitar player, and I could barely play guitar. I didn't really want to be in Fall Out Boy. We had these crappy songs that kind of happened; it didn't feel like anything. Joe did the guitars. I go in to do the vocals, I put on the headphones, and it starts playing and was kind of not bad! It was pretty good, actually. I was shocked. That was the first time I was like, 'Maybe I am supposed to be in this band.' I enjoyed hearing it back.

SEAN MUTTAQI: Wentz and I were pretty tight. He sent me some demos, and while I didn't know it would get as big as it did, I knew it was special. Wentz had a clear vision. Of all the guys from that scene, he was the most singularly focused on taking things to the next level. He was ahead of the game with promotion and the early days of social media.

STUMP: Arma Angelus had been on Eulogy. We talked to them a bit and spoke to Uprising because they had put out Racetraitor. At some point, the demo got to Sean, and he decided to make it half of a split with Andy's band, Project Rocket. We were pretty happy with that.

HURLEY: It was kind of competitive for me at the time. Project Rocket and Fall Out Boy were both doing pop-punk/pop-rock, I met Patrick through the band. I didn't really know him before Fall Out Boy.

TROHMAN: We got this drummer, Mike Pareskuwicz, who had been in a hardcore band from Central Illinois called Subsist.

STUMP: Uprising wanted us to make an album. We thought that was cool, but we only had those three songs that were on the split. We were still figuring ourselves out. One of the times we were recording with Jared in the studio, for the split or the album, this guy T.J. Kunasch was there. He was like, 'Hey, do you guys need a guitarist?' And he joined.

MUTTAQI: I borrowed some money to get them back in the studio. The songwriting was cool on that record, but it was all rushed. The urgency to get something out led to the recording being subpar. Their new drummer looked the part but couldn't really play. They had already tracked the drums before they realized it didn't sound so hot.

STUMP: The recording experience was not fun. We had two days to do an entire album. Mike was an awesome dude, but he lived crazy far away, in Kanakee, Illinois, so the drive to Milwaukee wasn't easy for him. He had to work or something the next day. So, he did everything in one take and left. He played alone, without a click, so it was a ness to figure out. We had to guess where the guitar was supposed to go. None of us liked the songs because we had slapped them together. We thought it all sucked. But I thought, 'Well, at least it'll be cool to have something out.' Then a lot of time went by. Smaller labels were at the mercy of money, and it was crazy expensive to put out a record back then.

MUTTAQI: Our record was being rushed out to help generate some interest, but that interest was building before we could even get the record out. We were beholden to finances while changing distribution partners and dealing with other delays. The buck stops with me, yes, but I didn't have that much control over the scheduling.

WENTZ: It's not what I would consider the first Fall Out Boy record. Hurley isn't on it and he's an integral part of the Fall Out Boy sound. But it is part of the history, the legacy. NASA didn't go right to the moon. They did test flights in the desert. Those are our test flights in the desert. It's not something I'm ashamed of or have weird feelings about.

STUMP: It's kind of embarrassing to me. Evening Out... isn't representative of the band we became. I liked Sean a lot, so it's nothing against him. If anybody wants to check out the band in that era, I think the split EP is a lot cooler. Plus, Andy is on that one.

TROHMAN: T.J. was the guy who showed up to the show without a guitar. He was the guy that could never get it right, but he was in the band for a while because we wanted a second guitar player. He's a nice dude but wasn't great to be in a band with back then. One day he drove unprompted from Racine to Chicago to pick up some gear. I don't know how he got into my parents' house, but the next thing I knew, he was in my bedroom. I didn't like being woken up and kicked him out of the band from bed.

STUMP: Our friend Brian Bennance asked us to do a split 7" with 504 Plan, which was a big band to us. Brian offered to pay for us to record with Sean O'Keefe, which was also a big deal. Mike couldn't get the time off work to record with us. We asked Andy to play on the songs. He agreed to do it, but only if he could make it in time after recording an entire EP with his band, The Kill Pill, in Chicago, on the same day.

MOSTOFI: Andy and I started The Kill Pill shortly after Racetraitor split up, not long after Fall Out Boy had formed. We played a bunch of local shows together. The minute Andy finished tracking drums for our EP in Chicago, he raced to the other studio in Madison.

STUMP: I'm getting ready to record the drums myself, getting levels and checking the drums, pretty much ready to go. And then in walks Andy Hurley. I was a little bummed because I really wanted to play drums that day. But then Andy goes through it all in like two takes and fucking nailed the entire thing. He just knocked it out of the park. All of us were like, 'That's crazy!'

WENTZ: When Andy came in, It just felt different. It was one of those 'a-ha' moments.

STUMP: Sean leaned over to us and said, 'You need to get this guy in the band.'

SEAN O'KEEFE: We had a blast. We pumped It out. We did it fast and to analog tape. People believe it was very Pro Tools oriented, but it really was done to 24-track tape. Patrick sang his ass off.

STUMP: The songs we had were 'Dead On Arrival,' 'Saturday,' and 'Homesick at Space Camp. There are quite a few songs that ended up on Take This To You Grave where I wrote most of the lyrics but Pete titled them.

WENTZ: 'Space Camp' was a reference to the 1986 movie, SpaceCamp, and the idea of space camp. Space camp wasn't something anyone in my area went to. Maybe they did, but it was never an option for me. It seems like the little kid version of meeting Jay-Z. The idea was also: what if you, like Joaquin Phoenix in the movie, took off to outer space and wanted to get home? 'I made it to space and now I'm just homesick and want to hang out with my friends.' In the greater sense, it's about having it all, but it's still not enough. There's a pop culture reference in 'Saturday' that a lot of people miss. 'Pete and I attack the lost Astoria' was a reference to The Goonies, which was filmed in Astoria, Oregon.

HURLEY: I remember hearing those recordings, especially 'Dead on Arrival,' and Patrick's voice and how well written those songs were, especially relative to anything else I had done - I had a feeling that this could do something.

WENTZ: It seemed like it would stall out if we didn't get a solid drummer in the band soon. That was the link that we couldn't nail down. Patrick was always a big musical presence. He thinks and writes rhythmi-cally, and we couldn't get a drummer to do what he wanted or speak his language. Hurley was the first one that could. It's like hearing two drummers talk together when they really get it. It sounds like a foreign language because it's not something I'm keyed into. Patrick needed someone on a similar musical plane. I wasn't there. Joe was younger and was probably headed there.

HURLEY: When Patrick was doing harmonies, it was like Queen. He's such a brilliant dude. I was always in bands that did a record and then broke up. I felt like this was a band that could tour a lot like the hardcore bands we loved, even if we had to have day jobs, too.

"(Four) Tired Boys And A Broken Down Van" - The Early Tours, 2002-2003

STUMP: We booked a tour with Spitalfield, another Chicago band, who had records out, so they were a big deal to us. We replaced T.J. with a guy named Brandon Hamm. He was never officially in the band. He quit when we were practicing 'Saturday.' He goes, 'I don't like that. I don't want to do this anymore.' Pete talked with guitarist Chris Envy from Showoff, who had just broken up. Chris said, 'Yeah, I'll play in your band.' He came to two practices, then quit like two days before the tour. It was only a two-week tour, but Mike couldn't get the time off work from Best Buy, or maybe it was Blockbuster. We had to lose Mike, which was the hardest member change for me. It was unpleasant.

TROHMAN: We had been trying to get Andy to join the band for a while. Even back at that first Borders conversation, we talked about him, but he was too busy at the time.

STUMP: I borrowed one of Joe's guitars and jumped in the fire. We were in this legendarily shitty used van Pete had gotten. It belonged to some flower shop, so it had this ominously worn-out flower decal outside and no windows [except in the front]. Crappy brakes, no A/C, missing the rearview mirror, no seats in the back, only the driver's seat. About 10 minutes into the tour, we hit something. A tire exploded and slingshot into the passenger side mirror, sending glass flying into the van. We pulled over into some weird animal petting zoo. I remember thinking, 'This is a bad omen for this tour.' Spitalfield was awesome, and we became tight with them. Drew Brown, who was later in Weekend Nachos, was out with them, too. But most of the shows were canceled.

WENTZ: We'd end up in a town, and our show was canceled, or we'd have three days off. 'Let's just get on whatever show we can. Whatever, you can pay us in pizza.'

STUMP: We played in a pizza place. We basically blocked the line of people trying to order pizza, maybe a foot away from the shitty tables. Nobody is trying to watch a band. They're just there to eat pizza. And that was perhaps the biggest show we played on that tour. One of the best moments on the Spitalfied tour was in Lincoln, Nebraska. The local opener wasn't even there - they were at the bar across the street and showed up later with two people. Fall Out Boy played for Spitalfield, and Spitalfield played for Fall Out Boy. Even the sound guy had left. It was basically an empty room. It was miserable.

HURLEY: Even though we played a ton of shows in front of just the other bands, it was awesome. I've known Pete forever and always loved being in bands with him. After that tour, it was pretty much agreed that I would be in the band. I wanted to be in the band.

WENTZ: We would play literally any show in those days for free. We played Chain Reaction in Orange County with a bunch of metalcore bands. I want to say Underoath was one of them. I remember a lot of black shirts and crossed arms at those kinds of shows. STUMP: One thing that gets lost in the annals of history is Fall Out Boy, the discarded hardcore band. We played so many hardcore shows! The audiences were cool, but they were just like, 'This is OK, but we'd really rather be moshing right now.' Which was better than many of the receptions we got from pop-punk kids.

MOSTOFI: Pete made sure there was little division between the band and the audience. In hardcore, kids are encouraged to grab the mic. Pete was very conscious about making the crowd feel like friends. I saw them in Austin, Texas, in front of maybe ten kids. But it was very clear all ten of those kids felt like Pete's best friends. And they were, in a way.

MCILRITH: People started to get into social networking. That kind of thing was all new to us, and they were way ahead. They networked with their fans before any of us.

MOSTOFI: Pete shared a lot about his life online and was intimate as hell. It was a new type of scene. Pete extended the band's community as far as fiber optics let him.

ROSE: Pete was extremely driven. Looking back, I wish I had that killer instinct. During that tour; we played a show in Colorado. On the day of the show, we went to Kinko's to make flyers to hand out to college kids. Pete put ‘members of Saves The Day and Screeching Weasel’ on the flyer. He was just like, 'This will get people in.'

WENTZ: We booked a lot of our early shows through hardcore connections, and to some extent, that carries through to what Fall Out Boy shows are like today. If you come to see us play live, we're basically Slayer compared to everyone else when we play these pop radio shows. Some of that carries back to what you must do to avoid being heckled at hardcore shows. You may not like our music, but you will leave here respecting us. Not everyone is going to love you. Not everyone is going to give a shit. But you need to earn a crowd's respect. That was an important way for us to learn that.

MOSTOFI: All those dudes, except Andy, lived in this great apartment with our friend Brett Bunting, who was almost their drummer at one point. The proximity helped them gel.

STUMP: There were a lot of renegade last-minute shows where we'd just call and get added. We somehow ended up on a show with Head Automatica that way.

MCILRITH: At some point early on, they opened for Rise Against in a church basement in Downers Grove. We were doing well then; headlining that place was a big deal. Then Pete's band was coming up right behind us, and you could tell there was a lot of chatter about Fall Out Boy. I remember getting to the show, and there were many people there, many of whom I had never seen in the scene before. A lot of unfamiliar faces. A lot of people that wouldn't have normally found their way to the seedy Fireside Bowl in Chicago. These were young kids, and I was 21 then, so when I say young, I mean really young. Clearly, Fall Out Boy had tapped into something the rest of us had not. People were super excited to see them play and freaked out; there was a lot of enthusiasm at that show. After they finished, their fans bailed. They were dedicated. They wanted to see Fall Out Boy. They didn't necessarily want to see Rise Against play. That was my first clue that, 'Whoa, what Pete told me that day at Arma Angelus rehearsal is coming true. He was right.' Whatever he was doing was working.

"My Insides Are Copper, And I'd Like To Make Them Gold" - The Record Labels Come Calling, 2002

STUMP: The split EP was going to be a three-way split with 504 Plan, August Premier, and us at one point. But then the record just never happened. Brian backed out of putting it out. We asked him if we could do something else with the three songs and he didn't really seem to care. So, we started shopping the three songs as a demo. Pete ended up framing the rejection letters we got from a lot of pop-punk labels. But some were interested.

HURLEY: We wanted to be on Drive-Thru Records so bad. That was the label.

RICHARD REINES: After we started talking to them, I found the demo they had sent us in the office. I played it for my sister. We decided everything together. She liked them but wasn't as crazy about them as I was. We arranged with Pete to see them practice. We had started a new label called Rushmore. Fall Out Boy wasn't the best live band. We weren't thrilled [by the showcase]. But the songs were great. We both had to love a band to sign them, so my sister said, 'If you love them so much, let's sign them to Rushmore, not Drive Thru.'

HURLEY: We did a showcase for Richard and Stephanie Reines. They were just kind of like, 'Yeah, we have this side label thing. We'd be interested in having you on that.' I remember them saying they passed on Saves The Day and wished they would have put out Through Being Cool. But then they [basically] passed on us by offering to put us on Rushmore. We realized we could settle for that, but we knew it wasn't the right thing.

RORY FELTON: Kevin Knight had a website, TheScout, which always featured great new bands. I believe he shared the demo with us. I flew out to Chicago. Joe and Patrick picked me up at the airport. I saw them play at a VFW hall, Patrick drank an entire bottle of hot sauce on a dare at dinner, and then we all went to see the movie The Ring. I slept on the couch in their apartment, the one featured on the cover of Take This To Your Grave. Chad [Pearson], my partner, also flew out to meet with the band.

STUMP: It was a weird time to be a band because it was feast or famine. At first, no one wanted us. Then as soon as one label said, 'Maybe we'll give 'em a shot,' suddenly there's a frenzy of phone calls from record labels. We were getting our shirts printed by Victory Records. One day, we went to pick up shirts, and someone came downstairs and said, 'Um, guys? [Owner] Tony [Brummel] wants to see you.' We were like, 'Did we forget to pay an invoice?' He made us an offer on the spot. We said, 'That's awesome, but we need to think about it.' It was one of those 'now or never' kinds of things. I think we had even left the van running. It was that kind of sudden; we were overwhelmed by it.

HURLEY: They told me Tony said something like, 'You can be with the Nike of the record industry or the Keds of the record industry.'

STUMP: We'd get random calls at the apartment. 'Hey, I'm a manager with so-and-so.' I talked to some boy band manager who said, 'We think you'll be a good fit.'

TROHMAN: The idea of a manager was a ‘big-time' thing. I answered a call one day, and this guy is like, 'I'm the manager for the Butthole Surfers, and I'd really like to work with you guys.' I just said, Yeah, I really like the Butthole Surfers, but I'll have to call you back.' And I do love that band. But I just knew that wasn't the right thing.

STUMP: Not all the archetypes you always read about are true. The label guys aren't all out to get you. Some are total douchebags. But then there are a lot who are sweet and genuine. It's the same thing with managers. I really liked the Militia Group. They told us it was poor form to talk to us without a manager. They recommended Bob McLynn.

FELTON: We knew the guys at Crush from working with Acceptance and The Beautiful Mistake. We thought they'd be great for Fall Out Boy, so we sent the music to their team.

STUMP: They said Crush was their favorite management company and gave us their number. Crush's biggest band at the time was American Hi-Fi. Jonathan Daniels, the guy who started the company, sent a manager to see us. The guy was like, "This band sucks!' But Jonathan liked us and thought someone should do something with us. Bob was his youngest rookie manager. He had never managed anyone, and we had never been managed.

BOB MCLYNN: Someone else from my office who isn't with us anymore had seen them, but I hadn't seen them yet. At the time, we'd tried to manage Brand New; they went elsewhere, and I was bummed. Then we got the Fall Out Boy demo, and I was like, Wow. This sounds even better. This guy can really sing, and these songs are great.' I remember going at it hard after that whole thing. Fall Out Boy was my consolation prize. I don't know if they were talking to other managers or not, but Pete and I clicked.

TROHMAN: In addition to being really creative, Pete is really business savvy. We all have a bullshit detector these days, but Pete already had one back then. We met Bob, and we felt like this dude wouldn't fuck us over.

STUMP: We were the misfit toy that nobody else wanted. Bob really believed in us when nobody else did and when nobody believed in him. What's funny is that all the other managers at Crush were gone within a year. It was just Bob and Jonathan, and now they're partners. Bob was the weird New York Hardcore guy who scared me at the time.

TROHMAN: We felt safe with him. He's a big, hulking dude.

MCLYNN: We tried to make a deal with The Militia Group, but they wouldn't back off on a few things in the agreement. I told them those were deal breakers, opening the door to everyone else. I knew this band needed a shot to do bigger and better things.

TROHMAN: He told us not to sign with the label that recommended him to us. We thought there was something very honest about that.

MCLYNN: They paid all their dues. Those guys worked harder than any band I'd ever seen, and I was all about it. I had been in bands before and had just gotten out. I was getting out of the van just as these guys got into one. They busted their asses.

STUMP: A few labels basically said the same thing: they wanted to hear more. They weren't convinced we could write another song as good as 'Dead On Arrival.' I took that as a challenge. We returned to Sean a few months after those initial three songs, this time at Gravity Studios in Chicago. We recorded ‘Grenade Jumper' and 'Grand Theft Autumn/Where is Your Boy' in a night or two. 'Where is Your Boy' was my, 'Fine, you don't think I can write a fucking song? Here's your hit song, jerks!' But I must have pushed Pete pretty hard [arguing about the songs]. One night, as he and I drove with Joe, Pete said, 'Guys, I don't think I want to do this band anymore.' We talked about it for the rest of the ride home. I didn't want to be in the band in the first place! I was like, 'No! That's not fair! Don't leave me with this band! Don't make me kind of like this band, and then leave it! That's bullshit!' Pete didn't stay at the apartment that night. I called him at his parent's house. I told him I wasn't going to do the band without him. He was like, 'Don't break up your band over it.' I said, 'It's not my band. It's a band that you, Joe, and I started.' He was like, 'OK, I'll stick around.' And he came back with a vengeance.

WENTZ: It was maybe the first time we realized we could do these songs titles that didn't have much do with the song from the outside. Grand Theft Auto was such a big pop culture franchise. If you said the phrase back then, everyone recognized it. The play on words was about someone stealing your time in the fall. It was the earliest experimentation with that so it was a little simplistic compared to the stuff we did later. At the time, we'd tell someone the song title, and they'd say, 'You mean "Auto"'?

JOHN JANICK: I saw their name on fliers and thought it was strange. But I remembered it. Then I saw them on a flyer with one of our bands from Chicago, August Premier. I called them and asked about this band whose name I had seen on a few flyers now. They told me they were good and I should check it out. I heard an early version of a song online and instantly fell in love with it. Drive-Thru, The Militia Group, and a few majors tried to sign them. I was the odd man out. But I knew I wanted them right away.

HURLEY: Fueled By Ramen was co-owned by Vinnie [Fiorello] from Less Than Jake. It wasn't necessarily a band I grew up loving, but I had so much respect for them and what they had done and were doing.

JANICK: I randomly cold-called them at the apartment and spoke to Patrick. He told me I had to talk to Pete. I spoke to Pete later that day. We ended up talking on the phone for an hour. It was crazy. I never flew out there. I just got to know them over the phone.

MCLYNN: There were majors [interested], but I didn't want the band on a major right away. I knew they wouldn't understand the band. Rob Stevenson from Island Records knew all the indie labels were trying to sign Fall Out Boy. We did this first-ever incubator sort of deal. I also didn't want to stay on an indie forever; I felt we needed to develop and have a chance to do bigger and better things, but these indies didn't necessarily have radio staff. It was sort of the perfect scenario. Island gave us money to go on Fueled By Ramen, with whom we did a one-off. No one else would offer a one-off on an indie.

STUMP: They were the smallest of the labels involved, with the least 'gloss.' I said, 'I don't know about this, Pete.' Pete was the one who thought it was the smartest move. He pointed out that we could be a big fish in a small pond. So, we rolled the dice.

HURLEY: It was a one-record deal with Fueled By Ramen. We didn't necessarily get signed to Island, but they had the 'right of first refusal' [for the album following Take This To Your Grave]. It was an awesome deal. It was kind of unheard of, maybe, but there was a bunch of money coming from Island that we didn't have to recoup for promo type of things.

JANICK: The company was so focused on making sure we broke Fall Out Boy; any other label probably wouldn't have had that dedication. Pete and I talked for at least an hour every day. Pete and I became so close, so much so that we started Decaydance. It was his thing, but we ended up signing Panic! At The Disco, Gym Class Heroes, Cobra Starship.

GUTIERREZ: Who could predict Pete would A&R all those bands? There's no Panic! At The Disco or Gym Class Heroes without Wentz. He made them into celebrities.

"Turn This Up And I'll Tune You Out" - The Making of Take This To You Grave, 2003

The versions of "Dead on Arrival," "Saturday," and "Homesick at Space Camp" from the first sessions with Andy on drums are what appear on the album. "Grand Theft Autumn/Where is Your Boy" and "Grenade Jumper" are the demo versions recorded later in Chicago. O'Keefe recorded the music for the rest of the songs at Smart Studios once again. They knocked out the remaining songs in just nine days. Sean and Patrick snuck into Gravity Studios in the middle of the night to track vocals in the dead of winter. Patrick sang those seven songs from two to five in the morning in those sessions.

STUMP: John Janick basically said, ‘I'll buy those five songs and we'll make them part of the album, and here's some money to go record seven more.'

MCLYNN: It was a true indie deal with Fueled by Ramen. I think we got between $15,000 and $18,000 all-in to make the album. The band slept on the studio floor some nights.

STUMP: From a recording standpoint, it was amazing. It was very pro, we had Sean, all this gear, the fun studio accoutrements were there. It was competitive with anything we did afterward. But meanwhile, we're still four broke idiots.

WENTZ: We fibbed to our parents about what we were doing. I was supposed to be in school. I didn't have access to money or a credit card. I don't think any of us did.

STUMP: I don't think we slept anywhere we could shower, which was horrifying. There was a girl that Andy's girlfriend at the time went to school with who let us sleep on her floor, but we'd be there for maybe four hours at a time. It was crazy.

HURLEY: Once, Patrick thought it would be a good idea to spray this citrus bathroom spray under his arms like deodorant. It just destroyed him because it's not made for that. But it was all an awesome adventure.

WENTZ: We were so green we didn't really know how studios worked. Every day there was soda for the band. We asked, 'Could you take that soda money and buy us peanut butter, jelly, and bread?' which they did. I hear that stuff in some ways when I listen to that album.

HURLEY: Sean pushed us. He was such a perfectionist, which was awesome. I felt like, ‘This is what a real professional band does.' It was our first real studio experience.

WENTZ: Seeing the Nirvana Nevermind plaque on the wall was mind-blowing. They showed us the mic that had been used on that album.

HURLEY: The mic that Kurt Cobain used, that was pretty awesome, crazy, legendary, and cool. But we didn't get to use it.

WENTZ: They said only Shirley Manson] from Garbage could use it.

O'KEEFE: Those dudes were all straight edge at the time. It came up in conversation that I had smoked weed once a few months before. That started this joke that I was this huge stoner, which obviously I wasn't. They'd call me 'Scoobie Snacks O'Keefe' and all these things. When they turned in the art for the record, they thanked me with like ten different stoner nicknames - 'Dimebag O'Keefe' and stuff like that. The record company made Pete take like seven of them out because they said it was excessively ridiculous.

WENTZ: Sean was very helpful. He worked within the budget and took us more seriously than anyone else other than Patrick. There were no cameras around. There was no documentation. There was nothing to indicate this would be some ‘legendary' session. There are 12 songs on the album because those were all the songs we had. There was no pomp or circumstance or anything to suggest it would be an 'important’ record.

STUMP: Pete and I were starting to carve out our niches. When Pete [re-committed himself to the band], it felt like he had a list of things in his head he wanted to do right. Lyrics were on that list. He wasn't playing around anymore. I wrote the majority of the lyrics up to that point - ‘Saturday,' 'Dead on Arrival,' ‘Where's Your Boy?,’ ‘Grenade Jumper,' and ‘Homesick at Space Camp.' I was an artsy-fartsy dude who didn't want to be in a pop-punk band, so I was going really easy on the lyrics. I wasn't taking them seriously. When I look back on it, I did write some alright stuff. But I wasn't trying. Pete doesn't fuck around like that, and he does not take that kindly. When we returned to the studio, he started picking apart every word, every syllable. He started giving me [notes]. I got so exasperated at one point I was like, ‘You just write the fucking lyrics, dude. Just give me your lyrics, and I'll write around them.' Kind of angrily. So, he did. We hadn't quite figured out how to do it, though. I would write a song, scrap my lyrics, and try to fit his into where mine had been. It was exhausting. It was a rough process. It made both of us unhappy.

MCLYNN: I came from the post-hardcore scene in New York and wasn't a big fan of the pop-punk stuff happening. What struck me with these guys was the phenomenal lyrics and Patrick's insane voice. Many guys in these kinds of bands can sing alright, but Patrick was like a real singer. This guy had soul. He'd take these great lyrics Pete wrote and combine it with that soul, and that's what made their unique sound. They both put their hearts on their sleeves when they wrote together.

STUMP: We had a massive fight over 'Chicago is So Two Years Ago.' I didn't even want to record that song. I was being precious with things that were mine. Part of me thought the band wouldn't work out, and I'd go to college and do some music alone. I had a skeletal version of 'Chicago...'. I was playing it to myself in the lobby of the studio. I didn't know anyone was listening. Sean was walking by and wanted to [introduce it to the others]. I kind of lost my song. I was very precious about it. Pete didn't like some of the lyrics, so we fought. We argued over each word, one at a time. 'Tell That Mick...' was also a pretty big fight. Pete ended up throwing out all my words on that one. That was the first song where he wrote the entire set of lyrics. My only change was light that smoke' instead of ‘cigarette' because I didn't have enough syllables to say 'cigarette.' Everything else was verbatim what he handed to me. I realized I must really want to be in this band at this point if I'm willing to put up with this much fuss. The sound was always more important to me - the rhythm of the words, alliteration, syncopation - was all very exciting. Pete didn't care about any of that. He was all meaning. He didn't care how good the words sounded if they weren't amazing when you read them. Man, did we fight about that. We fought for nine days straight while not sleeping and smelling like shit. It was one long argument, but I think some of the best moments resulted from that.

WENTZ: In 'Calm Before the Storm,' Patrick wrote the line, 'There's a song on the radio that says, 'Let's Get This Party Started' which is a direct reference to Pink's 2001 song 'Get the Party Started.' 'Tell That Mick He Just Made My List of Things to Do Today' is a line from the movie Rushmore. I thought we'd catch a little more flack for that, but even when we played it in Ireland, there was none of that. It's embraced, more like a shoutout.

STUMP: Pete and I met up on a lot of the same pop culture. He was more into '80s stuff than I was. One of the first things we talked about were Wes Anderson movies.

WENTZ: Another thing driving that song title was the knowledge that our fanbase wouldn't necessarily be familiar with Wes Anderson. It could be something that not only inspired us but something fans could also go check out. People don't ask us about that song so much now, but in that era, we'd answer and tell them to go watch Rushmore. You gotta see this movie. This line is a hilarious part of it.' Hopefully some people did. I encountered Jason Schwartzman at a party once. We didn't get to talk about the movie, but he was the sweetest human, and I was just geeking out. He told me he was writing a film with Wes Anderson about a train trip in India. I wanted to know about the writing process. He was like, 'Well, he's in New York City, I'm in LA. It's crazy because I'm on the phone all the time and my ear gets really hot.' That's the anecdote I got, and I loved it.

O'KEEFE: They're totally different people who approach making music from entirely different angles. It's cool to see them work. Pete would want a certain lyric. Patrick was focused on the phrasing. Pete would say the words were stupid and hand Patrick a revision, and Patrick would say I can't sing those the way I need to sing this. They would go through ten revisions for one song. I thought I would lose my mind with both of them, but then they would find it, and it would be fantastic. When they work together, it lights up. It takes on a life of its own. It's not always happy. There's a lot of push and pull, and each is trying to get their thing. With Take This To Your Grave, we never let anything go until all three of us were happy. Those guys were made to do this together.

WENTZ: A lot of the little things weren't a big deal, but those were things that [felt like] major decisions. I didn't want 'Where Is Your Boy' on Take This To Your Grave.

JANICK: I freaked out. I called Bob and said, 'We must put this song on the album! It's one of the biggest songs.' He agreed. We called Pete and talked about it; he was cool about it and heard us out.

WENTZ: I thought many things were humongous, and they just weren't. They didn't matter one way or another.

"Our Lawyer Made Us Change The (Album Cover)" - That Photo On Take This To Your Grave, 2003

STUMP: The band was rooted in nostalgia from early on. The '80s references were very much Pete's aesthetic. He had an idea for the cover. It ended up being his girlfriend at the time, face down on the bed, exhausted, in his bedroom. That was his bedroom in our apartment. His room was full of toys, '80s cereals. If we ended up with the Abbey Road cover of pop-punk, that original one was Sgt. Pepper's. But we couldn't legally clear any of the stuff in the photo. Darth Vader, Count Chocula…

WENTZ: There's a bunch of junk in there: a Morrissey poster, I think a Cher poster, Edward Scissorhands. We submitted it to Fueled by Ramen, and they were like, 'We can't clear any of this stuff.’ The original album cover did eventually come out on the vinyl version.

STUMP: The photo that ended up being the cover was simply a promo photo for that album cycle. We had to scramble. I was pushing the Blue Note jazz records feel. That's why the CD looks a bit like vinyl and why our names are listed on the front. I wanted a live photo on the cover. Pete liked the Blue Note idea but didn't like the live photo idea. I also made the fateful decision to have my name listed as 'Stump' rather than Stumph.

WENTZ: What we used was initially supposed to be the back cover. I remember someone in the band being pissed about it forever. Not everyone was into having our names on the cover. It was a strange thing to do at the time. But had the original cover been used, it wouldn't have been as iconic as what we ended up with. It wouldn't have been a conversation piece. That stupid futon in our house was busted in the middle. We're sitting close to each other because the futon was broken. The exposed brick wall was because it was the worst apartment ever. It makes me wonder: How many of these are accidental moments? At the time, there was nothing iconic about it. If we had a bigger budget, we probably would have ended up with a goofier cover that no one would have cared about.

STUMP: One of the things I liked about the cover was that it went along with something Pete had always said. I'm sure people will find this ironic, but Pete had always wanted to create a culture with the band where it was about all four guys and not just one guy. He had the foresight to even think about things like that. I didn't think anyone would give a fuck about our band! At the time, it was The Pete Wentz Band to most people. With that album cover, he was trying to reject that and [demonstrate] that all four of us mattered. A lot of people still don't get that, but whatever. I liked that element of the cover. It felt like a team. It felt like Voltron. It wasn't what I like to call 'the flying V photo' where the singer is squarely in the center, the most important, and everyone else is nearest the camera in order of 'importance.' The drummer would be in the very back. Maybe the DJ guy who scratches records was behind the drummer.

"You Need Him. I Could Be Him. Where Is Your Boy Tonight?" - The Dynamics of Punk Pop's Fab 4, 2003

Patrick seemed like something of the anti-frontman, never hogging the spotlight and often shrinking underneath his baseball hat. Wentz was more talkative, more out front on stage and in interviews, in a way that felt unprecedented for a bass player who wasn't also singing. In some ways, Fall Out Boy operated as a two-headed dictatorship. Wentz and Stump are in the car's front seat while Joe and Andy ride in the back.

STUMP: There is a lot of truth to that. Somebody must be in the front seat, no question. But the analogy doesn't really work for us; were more like a Swiss Army knife. You've got all these different attachments, but they are all part of the same thing. When you need one specific tool, the rest go back into the handle. That was how the band functioned and still does in many ways. Pete didn't want anyone to get screwed. Some things we've done might not have been the best business decision but were the right human decision. That was very much Pete's thing. I was 19 and very reactionary. If someone pissed me off, I'd be like, 'Screw them forever!' But Pete was very tactful. He was the business guy. Joe was active on the internet. He wouldn't stop believing in this band. He was the promotions guy. Andy was an honest instrumentalist: ‘I'm a drummer, and I'm going to be the best fucking drummer I can be.' He is very disciplined. None of us were that way aside from him. I was the dictator in the studio. I didn't know what producing was at the time or how it worked, but in retrospect, I've produced a lot of records because I'm an asshole in the studio. I'm a nice guy, but I'm not the nicest guy in the studio. It's a lot easier to know what you don't want. We carved out those roles early. We were very dependent on each other.

MCLYNN: I remember sitting in Japan with those guys. None of them were drinking then, but I was drinking plenty. It was happening there, their first time over, and all the shows were sold out. I remember looking at Pete and Patrick and telling Pete, ‘You're the luckiest guy in the world because you found this guy.' Patrick laughed. Then I turned to Patrick and said the same thing to him. Because really, they're yin and yang. They fit together so perfectly. The fact that Patrick found this guy with this vision, Pete had everything for the band laid out in his mind. Patrick, how he can sing, and what he did with Pete's lyrics - no one else could have done that. We tried it, even with the Black Cards project in 2010. We'd find these vocalists. Pete would write lyrics, and they'd try to form them into songs, but they just couldn't do it the way Patrick could. Pete has notebooks full of stuff that Patrick turns into songs. Not only can he sing like that, but how he turns those into songs is an art unto itself. It's really the combination of those two guys that make Fall Out Boy what it is. They're fortunate they found each other.

"I Could Walk This Fine Line Between Elation And Success. We All Know Which Way I'm Going To Strike The Stake Between My Chest" - Fall Out Boy Hits the Mainstream, 2003

Released on May 6, 2003, Take This To Your Grave massively connected with fans. (Fall Out Boy's Evening Out with Your Girlfriend arrived in stores less than two months earlier.) While Take This To Your Grave didn't crack the Billboard 200 upon its release, it eventually spent 30 weeks on the charts. From Under the Cork Tree debuted in the Top 10 just two years later, largely on Grave's momentum. 2007's Infinity on High bowed at #1.

WENTZ: I remember noticing it was getting insane when we would do in-stores. We'd still play anywhere. That was our deal. We liked being able to sell our stuff in the stores, too. It would turn into a riot. We played a Hollister at the mall in Schaumburg, Illinois. A lot of these stores were pretty corporate with a lot of rules, but Hollister would let us rip. Our merch guy was wearing board shorts, took this surfboard off the wall, and started crowd-surfing with it during the last song. I remember thinking things had gotten insane right at that moment.

HURLEY: When we toured with Less Than Jake, there were these samplers with two of their songs and two of ours. Giving those out was a surreal moment. To have real promotion for a record... It wasn't just an ad in a 'zine or something. It was awesome.

MCLYNN: They toured with The Reunion Show, Knockout, and Punch-line. One of their first big tours as an opening act was with MEST. There would be sold-out shows with 1,000 kids, and they would be singing along to Fall Out Boy much louder than to MEST. It was like, 'What's going on here?' It was the same deal with Less Than Jake. It really started catching fire months into the album being out. You just knew something was happening. As a headliner, they went from 500-capacity clubs to 1500 - 2000 capacity venues.

WENTZ: We always wanted to play The Metro in Chicago. It got awkward when they started asking us to play after this band or that band. There were bands we grew up with that were now smaller than us. Headlining The Metro was just wild. My parents came.

MCLYNN: There was a week on Warped Tour, and there was some beel because these guys were up-and-comers, and some of the bands that were a little more established weren't too happy. They were getting a little shit on Warped Tour that week, sort of their initiation. They were on this little, shitty stage. So many kids showed up to watch them in Detroit, and the kids rushed the stage, and it collapsed. The PA failed after like three songs. They finished with an acapella, 'Where is Your Boy,’ and the whole crowd sang along.

WENTZ: That's when every show started ending in a riot because it couldn't be contained. We ended up getting banned from a lot of venues because the entire crowd would end up onstage. It was pure energy. We'd be billed on tour as the opening band, and the promoter would tell us we had to close the show or else everyone would leave after we played. We were a good band to have that happen to because there wasn't any ego. We were just like, "Oh, that's weird.' It was just bizarre. When my parents saw it was this wid thing, they said, 'OK, yeah, maybe take a year off from college.' That year is still going on.

MCLYNN: That Warped Tour was when the band's first big magazine cover, by far, hit the stands. I give a lot of credit to Norman Wonderly and Mike Shea at Alternative Press. They saw what was happening with Fall Out Boy and were like, 'We know it's early with you guys, but we want to give you a cover.' It was the biggest thing to happen to any of us. It really helped kick it to another level. It helped stoke the fires that were burning. This is back when bands like Green Day, Blink-182, and No Doubt still sold millions of records left and right. It was a leap of faith for AP to step out on Fall Out Boy the way they did.

STUMP: That was our first big cover. It was crazy. My parents flipped out. That wasn't a small zine. It was a magazine my mom could find in a bookstore and tell her friends. It was a shocking time. It's still like that. Once the surrealism starts, it never ends. I was onstage with Taylor Swift ten years later. That statement just sounds insane. It's fucking crazy. But when I was onstage, I just fell into it. I wasn't thinking about how crazy it was until afterward. It was the same thing with the AP cover. We were so busy that it was just another one of those things we were doing that day. When we left, I was like, 'Holy fuck! We're on the cover of a magazine! One that I read! I have a subscription to that!'

HURLEY: Getting an 'In The Studio' blurb was a big deal. I remember seeing bands 'in the studio' and thinking, Man, I would love to be in that and have people care that we're in the studio.' There were more minor things, but that was our first big cover.

STUMP: One thing I remember about the photo shoot is I was asked to take off my hat. I was forced to take it off and had been wearing that hat for a while. I never wanted to be the lead singer. I always hoped to be a second guitarist with a backup singer role. I lobbied to find someone else to be the proper singer. But here I was, being the lead singer, and I fucking hated it. When I was a drummer, I was always behind something. Somehow the hat thing started. Pete gave me a hat instead of throwing it away - I think it's the one I'm wearing on the cover of Take This To Your Grave. It became like my Linus blanket. I had my hat, and I could permanently hide. You couldn't see my eyes or much of me, and I was very comfortable that way. The AP cover shoot was the first time someone asked me to remove it. My mom has a poster of that cover in her house, and every time I see it, I see the fear on my face - just trying to maintain composure while filled with terror and insecurity. ‘Why is there a camera on me?'

JANICK: We pounded the pavement every week for two years. We believed early on that something great was going to happen. As we moved to 100,000 and 200,000 albums, there were points where everything was tipping. When they were on the cover of Alternative Press. When they did Warped for five days, and the stage collapsed. We went into Christmas with the band selling 2000 to 3000 a week and in the listening stations at Hot Topic. Fueled By Ramen had never had anything like that before.

MOSTOFI: Pete and I used to joke that if he weren't straight edge, he would have likely been sent to prison or worse at some point before Fall Out Boy. Pete has a predisposition to addictive behavior and chemical dependency. This is something we talked about a lot back in the day. Straight Edge helped him avoid some of the traps of adolescence.

WENTZ: I was straight edge at the time. I don't think our band would have been so successful without that. The bands we were touring with were partying like crazy. Straight Edge helped solidify the relationship between the four of us. We were playing for the love of music, not for partying or girls or stuff like that. We liked being little maniacs running around. Hurley and I were kind of the younger brothers of the hardcore kids we were in bands with. This was an attempt to get out of that shadow a little bit. Nobody is going to compare this band to Racetraitor. You know when you don't want to do exactly what your dad or older brother does? There was a little bit of that.

"Take This To Your Grave, And I'll Take It To Mine" - The Legacy of Take This To Your Grave, 2003-2023

Take This To Your Grave represents a time before the paparazzi followed Wentz to Starbucks, before marriages and children, Disney soundtracks, and all the highs and lows of an illustrious career. The album altered the course for everyone involved with its creation. Crush Music added Miley Cyrus, Green Day, and Weezer to their roster. Fueled By Ramen signed Twenty One Pilots, Paramore, A Day To Remember, and All Time Low.

STUMP: I'm so proud of Take This To Your Grave. I had no idea how much people were going to react to it. I didn't know Fall Out Boy was that good of a band. We were this shitty post-hardcore band that decided to do a bunch of pop-punk before I went to college, and Pete went back to opening for Hatebreed. That was the plan. Somehow this record happened. To explain to people now how beautiful and accidental that record was is difficult. It seems like it had to have been planned, but no, we were that shitty band that opened for 25 Ta Life.

HURLEY: We wanted to make a record as perfect as Saves The Day's Through Being Cool. A front-to-back perfect collection of songs. That was our obsession with Take This To Your Grave. We were just trying to make a record that could be compared in any way to that record. There's just something special about when the four of us came together.

WENTZ: It blows my mind when I hear people talking about Take This To Your Grave or see people including it on lists because it was just this tiny personal thing. It was very barebones. That was all we had, and we gave everything we had to it. Maybe that's how these big iconic bands feel about those records, too. Perhaps that's how James Hetfield feels when we talk about Kill 'Em All. That album was probably the last moment many people had of having us as their band that their little brother didn't know about. I have those feelings about certain bands, too. 'This band was mine. That was the last time I could talk about them at school without anyone knowing who the fuck I was talking about.' That was the case with Take This To Your Grave.

TROHMAN: Before Save Rock N' Roll, there was a rumor that we would come back with one new song and then do a Take This To Your Grave tenth-anniversary tour. But we weren't going to do what people thought we would do. We weren't going to [wear out] our old material by just returning from the hiatus with a Take This To Your Grave tour.

WENTZ: We've been asked why we haven't done a Take This To Your Grave tour. In some ways, it's more respectful not to do that. It would feel like we were taking advantage of where that record sits, what it means to people and us.

HURLEY: When Metallica released Death Magnetic, I loved the record, but I feel like Load and Reload were better in a way, because you knew that's what they wanted to do.

TROHMAN: Some people want us to make Grave again, but I'm not 17. It would be hard to do something like that without it being contrived. Were proud of those songs. We know that’s where we came from. We know the album is an important part of our history.

STUMP: There's always going to be a Take This To Your Grave purist fan who wants that forever: But no matter what we do, we cannot give you 2003. It'll never happen again. I know the feeling, because I've lived it with my favorite bands, too. But there's a whole other chunk of our fans who have grown with us and followed this journey we're on. We were this happy accident that somehow came together. It’s tempting to plagarize yourself. But it’s way more satisfying and exciting to surprise yourself.

MCILRITH: Fall Out Boy is an important band for so many reasons. I know people don't expect the singer of Rise Against to say that, but they really are. If nothing else, they created so much dialog and conversation within not just a scene but an international scene. They were smart. They got accused of being this kiddie pop punk band, but they did smart things with their success. I say that, especially as a guy who grew up playing in the same Chicago hardcore bands that would go on and confront be-ing a part of mainstream music. Mainstream music and the mainstream world are machines that can chew your band up if you don't have your head on straight when you get into it. It's a fast-moving river, and you need to know what direction you're going in before you get into it. If you don't and you hesitate, it'll take you for a ride. Knowing those guys, they went into it with a really good idea. That's something that the hardcore instilled in all of us. Knowing where you stand on those things, we cut our teeth on the hardcore scene, and it made us ready for anything that the world could throw at us, including the giant music industry.

[artyandink]

Five-Star

Summary: You’ve been dating Dean Winchester, which is nothing short of a fever dream. A brilliant fever dream. But when you decide to test him on how much he wants you, you don’t get the answer you expected to have.

A/N - Welcome to the Karak Chaii-verse! I had an idea to write Dean with an Indian POC, since I’m one myself. Creds to @zepskies and her brilliant Midnight Espresso-verse, and you should definitely check that out. This is a small drabble that I thought up.

Your family had moved to the US around a year after you were born. That’s because the monsters in India were far more dangerous than in America due to the origination of them from the depths of Indian mythology, such as a rakshasa or arunasura, but you found that here was far more escalated.

At least, you’d found out when you met the Winchesters.

You came from a long line of crazy good Indian hunters, so you were already a great one yourself. Back in India, your parents would pose as part of the CBI, but you had to resort to finding someone who could make you a believable FBI badge once you turned eighteen and got into hunting solo, which was around 1997. There you met Bobby Singer, who hooked you up with what he called the ‘All-American Hunting Kit’, which consisted of an array of fake IDs and a lore book. You were glad your training, done by your dad, was done by the intensity of monsters in India rather than here, otherwise it’d be harder to get by.

On a hunt for a vampire and wraith hybrid in Grant Pass, Oregon, you came across the Winchesters, the shorter of the two having dubbed the hybrid ‘Jefferson Starships’. That man was Dean, and you were taken by his charming, goofy attitude that switched to an attractive sort of intensity when faced with imminent danger. You just didn’t expect ‘imminent danger’ to be the mother of all monsters.

Once your parents had found out that you were hanging out with the Winchesters, who were at the centre of any and all supernatural trouble in America, they sent you a thousand calls telling you to get your ass out of there before you got killed. You being you, you didn’t listen. Not when you knew that you’d get withdrawal symptoms from not seeing the million dollar smile of Dean Winchester, which quickly won you over (and his lips too, which knew damn well what they were doing).

As for Sam, you quickly saw him as your little brother figure, who also helped you manage your unruly hair by recommending the right hair products that you now had stocked up. You’d both nerd over monsters, you’d tell him about all the ones you’d encountered in India while Sam told you stories about all that he and his brother had gone through.

Which was no less than a lot. And you thought India was a harder place to live, by what your parents told you. Here there’s the friggin’ Apocalypse.

Dean was obviously your favourite Winchester. He’d told you he really liked you about two years and a half after you met amid averting eyes and stammered words as he spewed compliment after compliment, standing there in the Bunker’s kitchen like a nervous melon in his grey robe, black shorts with hot dogs on them and black undershirt with fuzzy hair.

You’d cut his nervous ramblings off by pulling him in by the lapel of his robe, lips puckered in surprise as they met yours as the tangy taste of cherry and sweet, buttery pie crust flooded your taste buds and even more so when Dean quickly took control of the kiss, hands tangling in your hair and grabbing at soft curves like his life depended on it.

One thing Dean loved about you was your cooking. Your mom had taught you a wide array of Indian dishes that you could cook, and the moment the first bite of your rajma and rice graced Dean’s mouth, it was hook, line and sinker. You’d taught him how to eat chole bhature, roti and sabzi and which masala was which so he could know what the hell did you put to make him fall for you over and over again.

You were scrolling on your YouTube shorts one day when you came across a video of a woman asking her husband what his favourite snack was to see if he’d say her or not. You didn’t look like the definition of a snack right now, with your unwashed hair tied up in a bun that your mom taught you to do with no hair tie whatsoever in grey sweatpants, Dean’s undershirt and fuzzy mismatched socks, but you decided to try it out anyway as Dean came into the bunker’s living room, approaching you from behind with a delicate yet possessive cup of your chin and a kiss to your temple.

“Hey, sweetheart.” He greeted in that low voice of his that was effortlessly seductive even when he wasn’t trying, his hand sliding down to comfortingly rub over your chest and shoulder as he passed by. “Doin’ ok?” He sat down beside you, arm around your shoulder as his fingers began to play with your hair, warm green eyes trained on you.

You nodded, setting your phone aside. “Doing alright, yeah.” Then you decided to try out the question. “Dil, what’s your favourite snack?” You called Dean dil sometimes because it meant heart in Hindi, and he had yours.

The question got a chuckle out of him as he jerked his head to the right in amusement. “Awh, sweet girl, that’s hardly fair. I’d say beef jerky, but that new thing you, uh, introduced me to really raised the bar.” His brow furrowed in thought for a moment in contrast to the large grin on his face. “The aloo whatzitsname.”

“Aloo lachha.” You corrected with a giggle, barely holding back the urge to say what the answer was.

“Yeah, that. Or, uh, pie, but that’s a dessert and not a snack. Maybe that rajma stuff, but that’s a meal.” He continued rambling on any and all snacks he’d added to his palette since meeting you, until a bout of laughter from you slowed his roll. “What? What’s so funny, huh?”

“So… your favourite snack isn’t me.” You teased with a smirk, which got the cogs in his head turning. “You failed, sorry, honey.”

The words got a raise of his eyebrow and a slow and subtle roving of his eyes down your body and a bite of his lip. To him, you looked absolutely delicious. Like the best thing at a five star restaurant.

He stood up with a low grunt, facing you before grabbing you by your hips, hoisting you up so fast that you had to wrap your sweatpant-clad legs around his waist with a small shriek. “See, baby, that’s where you’re wrong.”

He leaned forward, capturing your lips in a bruising kiss that bordered on reverence and somehow the intention to devour at the same time, which had you moaning already. His tongue slipped into your mouth, briefly getting a taste and giving you the distinct flavour of the aloo chaat you had made for lunch mixed with beer before he pulled back and nipped your bottom lip, groaning at the feeling of your fingers now tugging at his hair.

“You…” Dean paused for a breath and a low chuckle, staring at you hungrily. “You are the whole damn buffet.”

TAGLIST:

@k-slla @hobby27 @supernatural-jackles

[hyperfixatedbastard]

do you write hypnosis stuff?? it's not specifically against the rules but idk it's kind of an iffy era for a lot of writers-

if it's okay with you, could you write some Vox x Singer!Reader who he uses his mind control on to sell their soul to him so they remain under the VoxTek label? (im sure remaining with him is an ulterior motive of his as well lol)

thanks :]

I can absolutely do that! I’m a little iffy about NSFW hypnosis, but I can do a SFW oneshot :)

siren songs

Obsessed!Vox x Singer!GN!Reader

Word Count: 1.4k

WARNINGS: Yandere-ish behavior, hypnosis, manipulation, toxic behavior, all that good stuff

A/N: I told y'all I'd be back with some toxic Vox!! I wasn't entirely sure how to end this one, but I've spent enough time rewriting it to stop caring. This one is only romantic in theory - nothing actually romantic happens between Vox and Reader, it's more mutual pining than anything else This is also my first time writing obsessive behavior, so I hope I did it well!

Dividers

You’ve been working with the Vees for years now. You were originally recruited by Velvette, who’s like a bloodhound for new talent. She saw some popular videos of your singing online, and she made you famous.

But you don’t work with her that much, oddly enough. Over time, you gradually started to see her less and less. Vox was the one to take her place. By the time you noticed, there wasn’t much you could do about it—you’re certainly not an equal to the Vees, so there wasn’t much you could do. Sure, you could’ve quit then and there, as you’d never signed a soul-binding contract, but you really liked your job. You were getting to do what you loved for a living! Who wouldn’t want that?

Well, you. You don’t want that anymore. You’re getting burnt out. You feel like you’re out of creativity for writing songs, and singing no longer has the same appeal it used to. It feels like a chore. Getting on stage doesn’t get you excited—it just fills you with dread.

Then you saw the videos of the annual clown pageant down in the Greed Ring. How Fizzarolli, Mammon’s favorite little jester, just…quit. Just like that. 

Can you do that?

You don’t have backup like Fizzarolli did. There’s no Prince of Hell to protect you if the Vees lash out in response to your resignation. But the Vees aren’t Mammon. They’re powerful Overlords, sure, but they wouldn’t kill off an easy cash grab like you. And they don’t have any leverage to use against you—you’re a fucking superstar, you learned to stop keeping secrets a long time ago.

Yeah, you can totally do this!

You spend the next week making a plan. You currently live in V Tower, so finding another living arrangement is a priority. Luckily, your standards are just as low as before you got famous, so snatching up an apartment doesn’t take long. You’ve been building up savings for some time now, just little bits here and there that wouldn’t look suspicious among your bank withdrawls, so you have enough money to last you a while. You’ve made a go-bag, but you’re not too worried about bringing anything with you, as you have enough cash to just buy new shit. By the time the end of the week comes around, you’ve got your escape plan ready to go. All that’s left is to actually quit.

You decide that directly speaking to Vox is your best option. Velvette and you don’t have the same rapport that you used to, and Valentino is just… no. During your time working with Vox, you like to think there’s some sort of friendship there. The two of you chat amicably, and he always makes sure you’re okay when it comes to creepy fans and the like. You feel like there could be something more than just friendship, but you don’t plan on staying long enough to find out. As much as you like Vox, you’re not willing to spend the rest of your afterlife hating every second of your job just for him.

You stand outside Vox’s lair, mentally preparing yourself for this conversation. You take a deep breath, and right before you can knock on the door, it opens.

Okay, here goes.

⋆⋅☆⋅⋆

You aren’t as sneaky as you seem to think you are.

A normal boss wouldn’t have noticed the small transactions in your bank account, or the little trips you’ve been taking to go look at apartments. But Vox isn’t a ‘normal boss’ by any means. And he noticed.

From the moment Vox set eyes on you, he knew he wanted you. You’re beautiful, and fuck, your voice—he just can’t get you out of his damn head, no matter how hard he tries. And he really fucking tried. But he couldn’t avoid you, thanks to VoxTek being such an integral part of your performances. And you’re like a damn siren with that voice of yours, even though he’s supposed to be the hypnotizing one here. Eventually, he just gave in and accepted that he was more than a little obsessed with you. That’s why he started drawing you closer to him, pushing away Velvette and taking control of your brand. He doesn’t like sharing.

Obsession isn’t a particularly new feeling for Vox. He certainly has… tendencies. But this isn’t like whatever the fuck he’s got going on with that deer-headed, old-timey bastard Alastor. It’s not a lust thing, either. You’re certainly attractive, and Vox most definitely would sleep with you, but that’s not the main factor at play here. This is a deeper obsession than any of that bullshit.

Vox knows that he doesn’t own your soul. He’s well aware that he can’t truly stop you from quitting. Even if he managed to trap you inside V Tower, he can’t force you to keep up the performances. If he had you under a proper soul-binding contract, though…

He would own you.

Now, he’s not Valentino. He doesn’t plan to take that kind of advantage over you. He doesn’t want to change a damn thing. He just wants you to stay.

And he will make you stay.

He knows when you approach his office, and he opens the doors with the touch of a button on his desk. He plasters that casually perfect smile on his screen and turns to face you as you enter. The doors shut behind you.

“I wasn’t expecting to see you today, my dear,” he lies easily, the charismatic mask fitting into place like it was never absent in the first place. “How can I help you?”

You hesitate, your anxiety starting to get to you. But you’re determined to do this. You clear your throat and step forward. “I’m resigning.”

Vox’s smile doesn’t falter, nor does his screen glitch. His demeanor is…unnerving, to say the least. You’ve known him to be temperamental, emotional. You expected some kind of reaction. But he’s just smirking at you like he always does.

“I don’t suppose there’s anything I can do to change your mind,” he replies smoothly, tilting his head to the side just slightly.

“No,” you confirm, trying to sound confident in your answer. You’re not sure if you succeed. “I’ve already made my decision.”

Vox sighs, though he doesn’t sound very defeated. His smirk hasn’t gone away, either. “Well, then. It’s been a pleasure working with you, darling.”

He holds his hand out for you to shake. The gesture immediately worries you, as it’s the well-known sign of a deal. But you reassure yourself that there’s no deal being made here. Hell may be chaotic, but there’s rules when it comes to these kinds of things. Neither of you have offered anything, therefore there’s no harm in shaking his hand. It’s just a respectful gesture of a boss wishing their employee farewell. It all feels too easy, but you’re too relieved to think too hard about it.

You go to take his hand, but as you lift your head up to meet his gaze, everything goes fuzzy.

Vox grabs you by your wrist before you can shake his hand. He’s not rough with you. He’s careful of his claws, ensuring they don’t put too much pressure on your skin. Not that you’d notice, either way—your mind is far gone at this point, thanks to those spirals in his eye.

“In exchange for your soul, you’ll remain under the VoxTek label and continue working for me. Your work will remain the same as before. You’ll forget about leaving. You will want to stay here. You will want to stay here with me.”

A golden scroll appears out of thin air, and it floats in front of you as it unfurls. “Sign it.”

Your body moves on its own. You sign your name on the line at the bottom of the page.

Vox releases your wrist, and takes your hand in his own as his eye reverts back to its normal state. When you come to just moments later, he’s shaking your hand with calm professionality.

“I’m glad we got that sorted out,” Vox remarks smoothly, his smirk looking almost proud now. “I look forward to your next performance, my dear.”

You blink a few times as you become more lucid and aware. “Uh, yeah. Can’t wait!”

You smile, and Vox releases your hand, seemingly satisfied with your answer. You don’t remember what exactly you came in here for, but you’re happy with the outcome.  “Perfect.”

[heyftinally]

Y'all are going to like this one.

SWIFTIES DON'T TOUCH THIS POST WITH A TEN FOOT POLE, I SWEAR TO FUCKING HELL-

So my friend sent me this article, and I'm going to tell you why I think it's complete bullshit.

1) wishing us a happy Pride month is the BARE MINIMUM. As someone with her presence in the media and social influence, she could - and should - be doing SO much more than just wishing us a happy pride four days in.

2) "the singer has been an advocate for the LGBTQ+ community" not a good one. She seems to only remember us when it's convenient or benefits her in some way. Case in point:

2018 - "When it comes to feelings and when it comes to love and searching for someone to spend your whole life with. It's all just really really delicate. You know?" Taylor then performed her song "Delicate."

2023 - It’s painful for everyone, every ally, every loved one, every person in these communities.

In the first example, the intentional song reference comes off as extremely tacky. This is people's LIVES you're talking about. People are MURDERED for who they are and who they love (or don't love). This isn't an appropriate time to pull out the "oh-so-quirky" act and be cutesy.

In the second, the fact that she can't even center queer people in their own experience is so, SO telling. I promise, however painful it is for allies, it's 1000x worse for us to LIVE it. Allies don't have to wonder "am I going to get hate crimed wearing this?" before they leave the house - we frequently do. To not acknowledge that shows me that everything she says is performative at best.

3) I wouldn't call what she does "advocacy". She mentions us every now and then when it's convenient for her, profits off of us when we fit her marketing plan, and I've yet to find where she actually apologized for the homophobia in the original version of Picture to Burn. Also, she's real good friends with Travis Kelce's dad, who is a raging transphobe (and I bet his kids are, too). You don't get to call yourself an ally if you willingly allow the people around you to be violent bigots.

4) "always" is a strong word for someone who seems to show her support situationally at best. The full quote was "The way for that to happen is for us to continue to keep pushing governments to put protections in place for members of the LGBTQ community. And I promise to always advocate for that." Yet she doesn't do that.

5) what she speaks out, I've noticed that it's nearly always in the states that primarily agree with her. We don't see a whole lot of her "inspiring ally" speeches in places like Texas or Florida. But I've seen plenty of them come out of already notoriously queer-friendly places. If you aren't willing to face the heat of the difficult places along with the comfort of the easy ones, you don't get to call yourself an ally. Allyship is not easy. Anyone remember when Lady Gaga advocated for us in Russia, under threat of arrest, and her response was "arrest me, Russia! I don't give a fuck!"? Yeah, I've never seen even half that level of true commitment from Taylor.

6) STOP. MAKING. STRAIGHT GIRL SONGS. "GAY ANTHEMS"!!!! FFS it's such a slap in the fucking face of REAL, ACTUALLY QUEER ARTISTS that y'all keep calling these piss pathetic straight girl over produced crap songs "anthems". Fucking stop it. If they aren't queer, they don't qualify to be a queer anthem or icon. Start supporting ACTUAL queer artists with ⅛ this energy, for the love of FUCK. This bullshit pisses me off. Do you need a list of queer artists? I'll make you one by hand if you promise to stop trying to label Raylor Swift's straight girl shit songs as "gay anthems".

7) rainbows and gender subversion are not exclusively nor inherently queer. If that's our bar for "gay anthems", the bar is so low Lucifer himself needs a damn Webb Telescope to just barely see it from hell.

[justsomeoneintoomanyfandoms]

hello!!! I saw that your requests were open and that you did Sahsr!! Could I request some headcanons with Caelus, Dan Heng, Welt, Jing Yuan, Blade and Adventurine, hearing the player singing for the first time?

They're singing Loser Baby from Hazbin Hotel to cheer up their friend or singing Addict from the Hazbin Hotel Pilot (including the sad verse) when feeling blue.

Thank youu!

Hi Anon! Thank you for your request! Sorry it took so long. I hope you like the headcanons!

Fandom: Honkai Star Rail

Characters: Caelus, Dan Heng, Welt Yang, Jing Yuan, Blade, Aventurine x gn! Reader

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

In a self-aware au, what do the characters think of you singing while you play? Also, bonus headcanons on which Hazbin Hotel song each of the characters like best.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Caelus was surprised when he first heard you sing but after a moment to appreciate it, he’s not going to be able to resist humming along, immediately blowing his cover.

He’s definitely going to join in when you’re singing songs he knows and likes, whether he’s a good singer or not. If he can make you smile or laugh by doing that, he’s achieved his mission.

But at the same time, he loves hearing your voice alone. He’s especially fond of quiet days where he can relax with you, listening to you sing whatever song comes to mind.

I think Caelus’ favourite Hazbin Hotel song would be “Respectless”. He’s certainly been that a few times on his travels and he loves the sass you put into your voice whenever you sing it.

Out of everyone, I think Dan Heng would be the only one not surprised to hear you sing. He’s got a lot of knowledge about a lot of things so I think he would be able to tell you’d have a nice singing voice from the way you talk.

However, that doesn’t mean he isn’t going to enjoy listening to you. Whether you notice him or not, he’ll encourage you to keep singing while he works.

Occasionally, he may hum along to a song, but he generally prefers hearing your voice without any other auditory distractions.

This may seem like a strange match at first, but I think Dan Heng would like “Ready for This”. He likes the music, sure, but he also really enjoys hearing how different characters change throughout the song.

This music lover has found his soulmate. He’s sure of it. Someone who can sing as well as you can is the perfect match for someone who likes listening to singing as much as he does.

If you’re singing to yourself, Welt will do his best to quiet so he doesn’t interrupt you. He wants to keep listening for as long as possible.

He really wants to request songs from time to time but for the most part, he’s happy with whatever you pick.

I can see his favourite Hazbin Hotel song being “More Than Anything” just for the slow loving vibes. He might not be much of a singer, but he would like to duet this song with you.

Oh, Jing Yuan’s going to be insufferable as soon as he finds out how well you can sing. He’ll always be humming, hinting at you to sing something.

Has fallen asleep listening to you more than once. Thankfully he wasn’t doing anything important at the time…

Jing Yuan definitely has a nice singing voice, so he’d enjoy joining you in your songs sometimes, especially if it’s a duet.

This man loves “Loser, Baby”. That’s all that needs to be said here. He likes how fun it is while still conveying a good message.

I feel like Blade might be initially indifferent to your singing abilities. They’re not useful in combat so what’s the point of them?

At the same time, he’s likely to sulk around until you feel like singing yourself. As soon as that happens, he’s back on his A-game.

Because even though he claims not to care, Blade loves listening to you sing. There have been few sleeps as good as the ones he’s had after falling asleep to your voice.

Blade’s favourite Hazbin Hotel song is “Hell is Forever”. He originally thought it was going to be edgy and instead ended up really liking it for what it is.

I haven’t really had a lot of experience with Aventurine either as a character or writing for him so hopefully this isn’t too out of character, but I think he’d love your singing if only because it’s better than the music that plays in game.

Whenever he walks into a building that normally has music playing, he’ll turn it off (somehow) so your voice takes over.

I can’t see him singing along but he might hum a few notes if you’ve been quiet for a while and he wants to hear you sing. He can’t blow his cover, so he’s got s drop subtle hints that he wants you to sing for him.

I think his favourite Hazbin Hotel song would be "Stayed Gone". It seems to match the vibe he’s got going on and I definitely see some similarities between Aventurine and Vox.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Hey, did you enjoy this? If you like my writing, please consider donating to my Ko-Fi page! This will allow me to make some money off my writing, something I enjoy doing.

ko-fi.com/justsomeoneintoomanyfandoms

Important Note: Please only donate if you are financially able to. If you are currently in a position where you can't donate, a like, comment or reblog will mean just as much.

[skamenglishsubs]

Subtext and Culture, Young Royals, Season 3, Episode 3

Episode 3 picks up the day after the camping trip, and Wilhelm calls his mom to check on her. She dumps a massive guilt trip on him, maybe unintentionally, and Wilhelm is feeling a little bit down.

Culture: These are Swedish studentmössor. They originated in the 1800's among Nordic university students and they wore them as a common marker. Later, they were adopted as graduation caps for high school students, signifying that they were now allowed to begin studying at a university.

Culture: Valborg, April 30th, is a traditional Swedish holiday where you celebrate the coming of spring with bonfires. It is also the start of graduation season for high school students, and graduates are allowed to start wearing their caps.

Cinematography: This season they started writing most on-screen social media commentary in English, despite those users being pretty obviously Swedish. I suspect it's because it saves them having to subtitle all of them, it makes it a bit easier for all the viewers to follow along.

Subtext: No, keeping up appearances is more important than mental health for the royal family, which is why this is new behaviour that Wilhelm has never seen before.

Subtext: As a reminder of the increased interest, here's a paparazzi intruding on school grounds. Also, where the hell is Malin? Isn't it her job to shoo away photographers?

Culture: Vintern Rasat is a classic Swedish song celebrating spring that's often performed by student singers at Valborg.

Subtext: Boris cleverly offers August individual therapy, something he sorely needs.

Subtext: It's of course a bit ironic that pretty much the entire fandom hates August and has decided that he can't be forgiven or redeemed. Yes, you, dear reader. But Boris lays out a way for August to start his redemption arc. Will it work? Tune in for next week's episode!

Culture: These usernames reek of white supremacy. Norse mythology references are very popular, and 88 means H*il H*tler, so that's the kind of people we're dealing with. The show is also foreshadowing what's gonna happen at the end of the episode.

Blink and you miss it: Linda made Pabellón, a Venezuelan dish. In season 1 we didn't know where Linda was from, but in season 2 she was canonically made as being from Venezuela, just like Omar is in real life.

Subtext: I think August actually cares, Kristina is family to him too, but Wilhelm refuses to treat him as family, so he lies about how she's doing. Not very convincingly, though.

Cinematography: This is an absolutely hilarious shot with a bunch of students anxiously peering out through the windows as the dreaded enemy arrives: Skolinspektionen! Dun-dun-dun!

Blink and you miss it: There's a rainbow flag on the board to the left.

Subtext: Vanessa totally knew she interrupted a makeout session between our boys. Oh, and there's a lot of purple in these two scenes, colour theory exploded with joy.

Subtext: Simon will be proven wrong, someone will be honest.

Subtext: It's also ironic that Simon joins the rest of the Forest Ridge boys pretending to have a great meal together that is totally not stiff and awkward at all, absolutely not.

Lost in translation: Simon Walter says that May 1st is a "röd dag" - a red day, which is how Sundays and public holidays are usually marked in a Swedish calendar. "Bank holiday" is the term used in the UK for public holidays. There are 13 public holidays in Sweden each year.

Culture: Första Maj is the name of the International Workers' Day in Sweden, because it always occurs on May 1st. In defence of Henry and Walter's shared braincell, most Swedes actually don't participate, but it's a bit weird to not even know what it is.

Subtext: This entire sequence shows how Felice's dad tried to stick up for himself, but quickly learned to keep his head down instead and conform and roll with it. And it wasn't just the other students who were racists, the staff was in on it too. This goes for all the shit the students are doing, the partying, the booze, the alcohol, the bullying: The staff is in on it. They know. They're complicit.

And despite all of this, Poppe's immediate answer when asked how his time at Hillerska was, is that it was the best time of his life. This is why schools like this stay the way they are, why they never change, because they're very good and very bad at the same time. Trauma-bonding works, the kids will all get friends for life, they'll forget the shit and remember the good times. They'll become like him.

But when Felice learns what the school did to her dad, she decides to help shut it down, to stop the cycle of abuse. The reason she goes in alone is because she now knows she can't trust her dad, he's gonna defend the school, and she also doesn't want him to know that she snitched.

Subtext: In official surveys, students from schools like this generally rate them very highly. Student satisfaction is very high. Maybe they're lying, maybe they're delusional, but they sure care more about their schools than public school students.

Blink and you miss it: REAL SUBTLE THERE, SHOW.

Subtext: Keeping with the school theme, this is how students defend the shit that goes on. Outsiders are kept in the dark, you don't tell them anything, because they "wouldn't understand", they're missing the "full context", etc. Oh, I don't know shit about fashion, but Fredrika's jacket smells very expensive.

Blink and you miss it: While Wilhelm pinned a polaroid of himself and Simon prominently on his wall, August keeps a similar polaroid of himself and Sara hidden.

Subtext: Micke's redemption arc is in full swing, so why not play a song that reinforces the idea that people can change?

Subtext: August's redemption arc is in full swing, so let's cut to him nervously waiting outside Micke's place for Sara to come home, while the same song is playing. Is he gonna be a villain forever?

Blink and you miss it: Micke introduces himself as Micke af Eriksson when August introduces himself as August Horn af Årnäs. The English subtitles for some weird reason went with "Micke Eriksson of Bjärstad", but that's actually not what he says.

Subtext: Sara is pretty realistic about her expectations of her dad because she's seen this before, but this also applies to her expectations of August, because she knows that he can also slide back into his normal shitty self. Also, she's wearing a purple sweater.

Subtext: In case you forgot, August's dad also struggled with addiction, and died from it, so he and Sara actually has that in common. Maybe there's hope for this redemption arc thing?

Cinematography: I don't fucking know why they included this baking scene. It serves no purpose, and I suspect quite a few people in the production have a serious hand fetish, because what is this? What is this? Also, why are Simon and Wilhelm joining what appears to be a Manor House thing with the rest of the girls? How? Why? This makes no sense! It's very cute, though!

Subtext: Oh ok, we got a social media pic that Sara could see and feel bad for her lost friendships. But man, those Hillerska aprons! On point!

Subtext: This is unfortunately a very common thing for people on any kind of psychoactive medication. How can you tell if you need medication if you feel good right now? Is it lasting or temporary? Can you trust your own brain? Either way, fantastic conversation between Micke and Sara, which starts her on her journey to reconcile with Felice at least.

🎵 I can change, I'm not the same, not forever. 🎵

Culture: The official hat-on-putting ceremony where all the third-year students put on their hats, set to another traditional Swedish spring celebration song: Vårvindar Friska.

Culture: It's Valborg, so Hillerska has their own little bonfire. We saw some students with torches pretending to light it, but it's actually floating in the middle of the fountain so, uh, how did they do that? Normally, your local bonfire or Majbrasa is just a huge heap of wood that you set on fire.

Cinematography: Man, this is a pretty show. Look at that shot. The fire, the sunset, the pool reflection. The end of April is over a month after the spring equinox, so the days are getting longer, and the sun now sets at about half past nine in the evenings.

Subtext: Ok, let's do one more on-the-nose lyrics thing for when August sees Sara back at school. Yes, yes, he needs her.

Culture: I had to post about it immediately after watching the episode, because setting a sex scene to Uti Vår Hage is hilarious. Everyone in Sweden knows it, most people have sung it at school, it's a cute little song about enjoying your garden, flowers, and giving your loved one a wreath of flowers. I can now never hear this song without thinking about this scene. Thanks a lot, show.

Blink and you miss it: Simon fucks Wilhelm. Yay! Versatile supremacy!

Subtext: Sara is still so suspicious of her dad's behaviour, she can't make herself trust that his current good period will last.

Subtext: Even though this dialogue is about how Simon and Sara are so different, it of course also applies to how Wilhelm and Erik were different, because Wilhelm struggles with not being able to handle his duty the same way Erik could.

Culture: Alright, it's time for the actual local Första Maj event in Bjärstad. The town is probably a bit small to have a proper demonstration parade, but there's people with banners and socialist slogans, and a bunch of local organisations have joined in, including Bjärstad BK, the football club Rosh plays in.

Culture: Meanwhile, the absolutely not socialist rich kids at Hillerska are nursing their hangovers and enjoying the day off, and they're doing some yoga and playing some padel instead. As you do.

Subtext: Drugs. He looks like he's selling drugs.

Culture: These apparently confused a bunch of viewers, but they're just raffle tickets. It's one hundred numbered, rolled up, paper tickets stuck on a metal ring. When you buy a ticket you just tear it off at the perforation, and when all tickets are sold you can just break the seal on the ring and pour all the stubs in a bag or whatever so you can draw winners.

Blink and you miss it: Cute kiddo has a pride pin on his jacket.

Lost in translation: The show waited a bit with showing what it says on the banner behind them in the photo, but if you can read Swedish you immediately saw that it says KROSSA ÖVERKLASSEN - CRUSH THE UPPER CLASSES. Oh no, Simon, what have you done?

Blink and you miss it: Like a pack of rabid wolves, the social-media starved Gen Z kids rush to their phones for an hour of glorious feeding on Instagram and TikTok.

Blink and you miss it: I love Vincent so much, he's terrible, but he's just so much fun! The little fist he makes as he says "kampen" just seals it.

Subtext: The show still hasn't revealed the banner text to the non-Swedish audience, but Wilhelm immediately sees it and knows how bad it is and why Farima tried calling him seven times. Also, Vincent is just on a roll here.

Cinematography: Man, this is a pretty show. Look at that shot. Look at how they perfectly aligned the hole in the window with Simon, the police car, and the entrance to their house, as he discovers that someone decided to vandalize it.

[81folklore]

older - CL16

pairings: charles leclerc x male!singer!reader (fc: luke hemmings)

summary: singer yn ln releases a love song with his boyfriend, and the public are not prepared for who it is about

authors note: this has been on my mind for SO LONG. i honestly dont like how many fics ive been doing on the same people (charles, lando etc) but whenever i go to start a new one on my list for someone else i think of something that i have to do😭 also in this reader is not a part of 5sos but close friends with the 3, wfttwtaf is readers album and older is exclusivly the readers song

authors note 2: i wanted to quickly clarify i am NOT speculating that charles or luke are gay/queer and this is not my intentions. luke obviously sings older and i find it easier to visualise it this way, while the reader in this is male, this could also be read as gn!reader. this is FICTION please do not tkae this as me speculating anything

authors note 3: i didnt really know what i was doing with this so its kind of all over the place and very rushed :/ but then again when arent my smau all over the place?? also can you tell i hate writing comments by the way i just dont😭

masterlist

yourusername

liked by pierregasly, ashtonirwin and 818,937 others

we started this song together back in 2020 and picked it back up at the end of 2022

'Older' was originally a voice memo of a 50’s-style love song that we wrote together, then forgot about. when thinking of concepts for my debut album i stumbled across the memo and fell in love with it all over again, but i put it aside yet again as to me, it deserved more than the album

the song has changed a lot from the original voice memo, but the meaning has stayed the same throughout. despite all the beauty, the ups and downs of a long-term relationship over many years, there’s inevitably going to be the worst moment of your love because one of you is going to lose each other

capturing those feelings in a song was tricky but ultimately we wrote from the heart and i think it shows in the song itself

this has always been a song between us, so having him play on this song was very importnt to me and im glad he said yes

older is now yours

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liked by landonorris, calumhood and 1,727,338 others

im very pleased to announce a very special one off show at the Royal Albert Hall in London this November 18th. I will be playing a bunch of tracks from my debut album and may be joined to play some others aswell! Tickets on sale this monday at 10 am BST. Lots of love always, yn x

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liked by 5sos, charles_leclerc and 2,719,936 others

thank you for an incredible night at the royal albert hall

looking back at the best night of my life, i need to thank each and every one of you who allowed this dream to come true, i will never be able to thank you guys enough

performing in my dream venue, with my favorite people in the world was something i never thought was possible and yet here i am, writing this still on my high from last night

thank you to my friends; michael, ashton and calum who took the time to come to london and perform their songs with me, thank you for always loving me and agreeing to my crazy ideas

to my team and everyone who worked to make this night as special as it could be, thank you. thank you for making my htoughts a reality and making this night as wonderful as possible

thank you to the staff who worked throughout the show to make sure everyone was safe, well and looked after. you truly do not get as much credit as you deserve and i apreciate the hard work you put in to keep everyone happy

thank you to those who joined me, i wish each and every one of you who wanted to could have been there. thank you for singing along and listening to me pour my heart and soul into my music

thank you for letting me do this x

view comments

user55: not the pcd hitting already☹️

user1: and im supposed to pretend i didnt see yn and 5sos perform os/co??

user89: CHARLES?? YN IS DATING CHARLES??

user91: AND HE CAME ON STAGE?? AND THEY PERFORMED OLDER??

user50: i cant believe i saw this all happen live

user47: THANK YOU TO WHOEVER WAS RUNING THE GRAINY LIVESTREAM I OWE YOU MY LIFE🧎🧎🏻‍♀️🧎🏻‍♀️

ashtonirwin: thank you for everything yn. youre a real life angel

user16: NO CHARLES MENTION??

user9: BESTIE HE HAS A WHOLE POST

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liked by charles_leclerc, pierregasly, michaelclifford and 3,619,273 others

after having time to process this show, I feel so overcome with gratefulness. my music means so much to me and seeing so many people resonate with it in a live space was so special for me.

charlie, my life would literally fall apart without you and this would have never happened without you giving me the confidence to do so, i hold so much love and admiration for you

thank you for joining me on such a special night and performing our song with me, thank you for sticking with me through it all and thank you for allowing me to share this part of my life with you

i sometimes wonder where i would be if i didnt find you, if i wasnt blessed with your love. i try to think about the times before you, before us, but both feel impossible to do after feeling your love

life with you is so special and i promise to always cherish and love you

merci de m'avoir laissé vieillir avec toi, merci de m'avoir laissé t'adorer, merci de m'avoir choisi (thank you for letting me get old with you, thank you for letting me adore you, thank you for choosing me)

yn x

tagged: charles_leclerc

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charles_leclerc: mon ange, je t'aimerai toujours (my angel, I will always love you)

charles_leclerc: je suis tellement privilégiée d'être celle que tu aimes🤍🤍 (I'm so privileged to be the one you love)

yourusername: vieillir avec toi ne semble pas si effrayant🖤🖤 (growing old with you doesn't seem so scary)