#that entire episode was a lot

[lukeskqwalker]

my feelings towards bj are absolutely wild because he really truely is Just Some Guy and also Genuinely Good on so many levels but every time he breaks it's in a way that implies he's masking at All Times. combine that with him lying often (and well) in canon as well as how he smiles when he's cruel and you just have a man that I'm frantically trying to uncover as I sniffle and wail over the agonies that occasionally and unwillingly bubble over

[captmuldoon]

“i wish we could see adaptations where sherlock holmes hates the rich and is allowed to be kind to those around him and uses his abilities to support society’s underdogs” elementary was doing this back in 2012. this was only episode 4.

[moonlightmagical]

the magnus protocol episode 3 - putting down roots:

[egophiliac]

Since book 7 part 5 (the part where we meet Meleanor/Maleanor 👀) is coming to EN this month, i would love to see your take on lilia’s proposal to meleanor! i mean they were like little kids right? it couldn’t have been that serious…i think the only reason she even brought it up again is because she could tell lilia still genuinely loved her…(even if he didn’t realize it himself?) but, oh well! Let’s think about silly childhood shenanigans to numb the pain! ^_^ (orz)

oh shit?! get ready for a doozy guys, it's comiiiiiing ᕕ( ᐛ )ᕗ

I chickened out of posting the whole thing (look, I get VERY carried away when it comes to these wacky kids and their Tragedy), but I do believe that it probably ended with Lilia getting embarrassed and just shoving the first thing he sees into his mouth to try and cover for it.

(we're just lucky it wasn't a frog this time)

[latin-dr-robotnik]

20 years ago, Sonic X gave us the definition of love. Happy anniversary, episode 52!

[marshmallowgoop]

no thoughts just Heiji Hattori (HD)

[sparrowlucero]

Even if a creator is a bad person it's still okay to like their work. People need to mind their own business.

Honestly it's not really that sort of situation. I'll actively defend Steven Moffat here.

There was a huge hate movement for him back in the early 2010s - which, in retrospect, formed largely because he was running 2 of the superwholock shows at once, one of which went through extremely long hiatuses* and the other of which was functionally an adaptation of an already well regarded show**, making him subject to a sort of double ire in the eyes of a lot of fandom people. Notably, his co-showrunner, Mark Gatiss, is rarely mentioned and much of his work is still attributed to Moffat (and yes, this includes that Hbomberguy video. Several of "Steven Moffat's bad writing choices" were not actually written by him, they were Gatiss.)

People caricatured the dude into a sort of malicious, arrogant figure who hated women and was deliberately mismanaging these shows to spite fans, to the point where people who never watched them believe this via cultural osmosis. It became very common to take quotes from him out of context to make them look bad***, to cite him as an example of a showrunner who hated his fans, someone who sabotaged his own work just to get at said fans, someone who was too arrogant to take criticism, despite all of this being basically a collective "headcanon" about the guy formed on tumblr. Some if it got especially terrible, like lying about sexual assault (I don't mean people accused him of sexual assault and I think they're making it up, I mean people would say things like "many of his actresses have accused him of sexual assault on set" when no such accusations exist in the first place. This gets passed around en masse and is, in my opinion, absolutely rancid.)

On top of that a ton of the criticism directed at the shows themselves is, personally, just terrible media criticism. So much of it came from assuming a very hostile intent from the writer and just refusing to engage with the text at all past that.

Like some really common threads you see with critique of this writer's work, especially in regards to Doctor Who since that's the one I'm most familiar with:

A general belief that his lead characters were meant to be ever perfect self inserts, and so therefore when they act shitty or arrogant or flawed in any way, that's both reflective of the author and something the show wants you to view as positive or aspirational.

An overarching thesis that his characters are "too important" in the narrative due to the writer's arrogance and self obsession (even though this is a very deliberate theme that's stated several times)

A lot of focus on the writer personally "attacking" the fans or making choices primarily out of spite.

A tendency to treat the show being different to what it's adapting as inherently bad and hostile towards the original.

Just generally very little consideration and engagement with the themes, intent, etc. of the shows

This one's a little more nebulous and doesn't apply to all critique but a lot of it, especially recently, is clearly by people who haven't seen the show in like 10 years and their opinion is largely formed secondhand through like, "discourse nostalgia". Which. you know. bad.

I think these are just weird and nonsensical ways to engage with a work of fiction. I also think it's really sad to see the show boiled down to this because that era of who is, in my opinion, very thematically rich and unique among similar shows, and I'm disappointed that it's often dismissed in such a paltry way.

This isn't to say people aren't allowed to critique Steven Moffat or anything, but the context in which he basically became The Devil™ to a large portion of fandom and is still remembered in a poor light is very tied to this perfect storm of fan culture and I just don't agree with a ton of it.

* I'm sure most people have seen the way long running shows and hiatuses will cause people to fall out with a show, with some former fans turning around and joining a sort of "anti fandom" for it while it's still airing. That happened with both these shows. ** Doctor Who will change it's entire writing staff, crew, and cast every few years, and with that comes a change in style, tone, theme - the old show basically ends and is replaced by a new show under the same title. As Steven Moffat's era was the first of these handovers for the majority of audiences, you can imagine this wasn't a well loved move for many fans. *** I know for a fact most people have not sought out the sources for a lot of these quotes to check that they read the same in context because 1) most of them were deleted years ago and are very difficult to find now and 2) many of them do actually make sense in the context of their respective interviews

[justaz]

merlin slipping up early on around arthur and trying to assuage his fears by assuring that the gods would look out for them and arthur pauses before asking “the gods?” and they have a awkward lil conversation where merlin is like “yeah i worship the gods of the old religion” and arthurs like “why?” and merlin goes “well why do you worship the god of the new religion? we just believe in them” and arthur takes in this new information and is eventually like “yeah. sure. i guess its not illegal in escetir is it?” anyways thats it. it doesnt get brought up again until later on

when arthur + the knights and merlin and in that shrine and the knights aren’t taking it seriously and merlin goes “in the time of the old religion, they built shrines like this to appease restless spirits. we shouldn’t be here” and the knights brush it off but arthur knows merlin truly believes in it all so he redirects the knights away and later on its him and merlin at the well and arthur is there to calm merlin after he sees the visions from the raid. merlin’s crying and pleading with arthur to leave, that they shouldn’t be here. arthur agrees and goes to leave when merlin calls out to him. arthur stops but doesn’t turn. merlin wraps his arms around his middle

“you were here”

arthur doesn’t say anything more and walks away

[poorly-drawn-mdzs]

I'm sorry I let down my guard.

[First] Prev <–-> Next

[xlillyle]

Why in my humble opinion the episode brings the Mersault arc to a satisfying end regarding Fyodor, Dazai, Chuuya and the message it has

So, there's a lot of energy buzzing around in the fandom with the latest episode and I felt like some things have not been pointed out enough, therefore I'm gonna share my thoughts on the parts of Mersault. This is a thread that focuses on the conclusion of the Mersault arc as presented in the most recent episode of the anime in season 5 and I will elaborate on what I think the message of the Mersault arc is, what Fyodor's role in this arc is, I will comment on why I think he was defeated and why it fits the message and I will also go into more detail of how Chuuya and Dazai play into all of this and what I think happened in Mersault.

I'd like to start with these panels from the manga, chapter 77:

Together with this one from chapter 105:

I think these panels convey the core message of the Mersault arc very well and its goal: Everyone is just human, no matter how smart. And humans are capable of amazing things and even moreso if they come together. This is the greatest difference between Fyodor and Dazai who have been countless of times painted and stated as each other's equals - yes, they are intellectually of a level most can only dream of, only rivaled by Ranpo, but unlike Fyodor, Dazai has learnt to trust humans and understands their bonds to each other.

Fyodor doesn't.

It's a message that is heavily implied and then outright stated by Dazai in the last episode:

The reason why Fyodor fails is that he doesn't trust in people and because he doesn't understand humans in that regard - he thinks that he is above this concept, thinks he can manipulate them and that they're just pawns. It's shown in the way he talks about Sigma, it's shown in the fact that he chose to use Chuuya who is Dazai's partner against Dazai to dangle him in front of Dazai and it's shown when he mocks Dazai for not being "able" to use a "gravity manipulator" and drops the famous line of them having a "shallow bond".

Fyodor is arrogant and very confident in his own abilities, including the one to control those around him. That's what makes him slacking though, he can't comprehend that a plan that relies on a bond and trust would be able to deceive and defeat him and the closer he gets to his goal, the less he cares. That's why he allows Dazai this last speech in 109 too, he doesn't think anything can defeat him. Dazai is at his wit's end, Fyodor is the winner. There's no way that Dazai has a backup plan, Fyodor is a genius and he already thought of everything that could possibly be, so there's no way, right?

Mersault always was about showing what humans are capable of and what they can achieve and that trusting in your allies, in your bonds with the people you love, makes you more capable and achieve higher goals. And it's exactly what happened.

Dazai states that he doesn't have control over all things, that he had a lot of uncertain cards. But he trusted in his allies and it pays off. He wins not because he has it all figured out from the start and a backup plan for the backup plan of the backup plan, he did his part of the plan and adjusted to the scene and left the rest in full trust with his allies.

This pilot stabbing Fyodor worked because Dazai trusted in the agency and Ranpo and them taking over control the vampires in time. And the rest of the Mersault story before all this?

That brings me to my next point, actually. We learn in the episode that it was all a SKK scheme:

Now, some people were unsatisfied that a plan that simple couldn't fool Fyodor, but I think that is exactly the point of it. Chuuya is a great actor (in Stormbringer he fools with grief and shock Albatross in thinking he saved the in two halves separated Doc for example) and the simplicity of this plan is what makes it so good against Fyodor - why would he assume that the great Dazai, his intellectual equal, another genius, would go through with such a plan?

And it's even better because it isn't actually Dazai's! Now, I have seen a lot of people talking about this and I admit that I assumed the opposite originally as well, that this was all Dazai's scheme, but thanks to a moot I took a closer look on the storytelling and I realized something:

Dazai describes here the moment he realized that Chuuya is on his side in my opinion. This wasn't a "Dazai orchestrated the whole thing and sent Chuuya a text to haul his ass over to Mersault" because it doesn't fit with the storyline. Especially the speech in chapter 101 stands out here - a lot of people are making jokes about how weird and gay of a plan the speech is, but I actually think, based on the situation and the voice acting from Mamoru Miyano, that this goodbye speech is a genuine one.

The speech in 101 seems very genuine down to the point of his fake goodbye in the end, meanwhile the tone of a similar speech in 109 has completely shifted.

And what happened between 101 and 109? Exactly. The elevator.

So, what I'm thinking is this: Dazai saw that Fyodor had Chuuya under control and he knows his partner, he can't quite believe that Chuuya would get himself captured, it's gotta be a plan, right? Soukoku isn't actually the brains-and-brawn duo even though everyone thinks that, but Dazai knows how capable and smart Chuuya is. He hid Arahabaki from him and figured out Rimbaud after all.

But still, there is this bit of doubt nurtured by fear - he trusts Chuuya, but what if this isn't his Chuuya? So his goodbye speech is both:

An attempt to snap Chuuya out of it, an attempt to communicate with him, the hope that carries him because this is his partner, right? Stupid Chuuya that always fights and always clings to life and knows to appreciate it a lot more than Dazai.

But also a genuine goodbye, just... in case. Because he could never forgive himself if he doesn't say goodbye to Chuuya, JUST IN CASE. He trusts and believes in Chuuya, but he can't not say goodbye to him, just in case that Fyodor really got Chuuya.

And then the elevator scene happens and Dazai realizes: He only has one way of surviving, but he will not drag Sigma into this, not if he can help it. And he made a promise to him, after all. So, Dazai pushes Sigma out, makes sure that Sigma is alive like he promised. Then he keeps falling.

The only one that can save him now is Chuuya and Dazai decides to trust him. If this is his Chuuya, Chuuya will save him. Because that is what they do: Soukoku come to each other's call, they trust each other with their life and in return get that life saved by the other.

And if this isn't his Chuuya? Well, then Dazai died for the sake of the agency and he probably thinks that this is a good way to die, too.

But he doesn't die. He gets saved by Chuuya of course, how could he have ever considered something else? Chuuya came to his help and he has a plan. So, now all Dazai has to do is play along, just like in old times.

I wanna talk about this specific part of 109 too - I saw people arguing that the fact that Chuuya has been acting all the time made the scenes less impactful for the plot or their bond, but I actually would argue the opposite. Like I just laid out, in my opinion he only learnt just before this that Chuuya is on his side. That means, they don't have an actual plan that they discussed before, but they're good, they're Soukoku - we have seen in Dead Apple during the Dragonhead's Conflict and in the Dragon fight 6 years later what they are capable of without much communication.

But this is not only a way to show off their flawless communication and synchronization again, it also shows us something that we always knew but that is now plainly laid out: Dazai trusts Chuuya with his life. He trusts Chuuya to shoot, but not kill him.

Truly, you could say:

"The core characterization of Dazai and Chuuya's partnership is based on pure trust where both of them are capable of leaving each other's life on the other's hand without a second thought or doubt." - from the Dead Apple guide book

Chuuya acting from the very beginning as vampire and Dazai finding out along with a leap of faith and them proving once again the close bond they share is exactly the way this arc was supposed to go and the fact that it was predictable in that sense doesn't make it bad writing. In contrary. Asagiri set up and delivered the message of the arc extremely well, the arc had a clear red string following through all of it.

And this is why, in my opinion, this arc was actually written very well and why Fyodor's defeat is actually a good break for his character arc (because I don't believe he is dead, but this here is already way too long and many others have pointed plenty why he probably isn't dead) and why I really like the message of the Mersault arc.

[kitamars]

enmi gintoki…………… orz

[superellysan]

Not me thinking the hole in the dragon’s stomach looked like pussy yesterday only to realize today that oh yeah that might have been the point

Falin is literally being reborn

10/10 framing I love this series so much and TRIGGER is killing it on the visuals

[deoidesign]

vampire and werewolf sitting in a tree

time trav e l i n g

first comes. trying to kill eachother then comes... learning you're his dead ex-lover then comes marriage!

(you can buy the book this scene is from for $15 it's really good. it's the fan favorite of the series!)

[vaggieslefteye]

Appreciating Hazbin Hotel's Cinematography ↳ ᴇxᴛᴇʀᴍɪɴᴀᴛɪᴏɴ ᴅᴀʏ from 1x08 - "The Show Must Go On" (1/5)

〈next〉

[saltpepperbeard]

What he says: Honestly, Ed? I don’t like who you are around this guy.

What he means: This entire scenario makes me uncomfortable because Jack’s banter is akin to the bullying I’ve dealt with my entire life. He reminds me of those who stoned me for picking flowers, or those who blatantly mocked me for being soft. I know he’s your friend, and I want to like him for you. But seeing you willingly engage in something that brings up bad memories is hard for me.

What he says: This is who I am, Stede. Do you see me now? You’re always going to realize what I am.

What he means: This is a part of me that I’ve never been able to escape. This is who I’ve masqueraded as for years and years. This is something I’m afraid I’ll always have to be. Jack feels like a representation of that persona, and you dislike him, so I don’t want you to dislike me. I don’t want you to see who I believe myself to be, and consequently hate me as well. So I’m leaving before you can. I’m leaving before it’s too late. I’m choosing to leave before I lose you.

[isalabells]

- And we pulled that stupid prank on you. - Wiener schnitzel and sauerkraut. - Yeah, we thought we were so clever. Eva von Braun, right? But you– you just set it aside, and you put your head down and got to work.

FOR ALL MANKIND 1.02 He Built the Saturn V || 3.03 All In