#that even if he were to be bare

[reginrokkr]

𝐂𝐗𝐗𝐗𝐕𝐈. A sign of deep trust is to allow someone to touch the spot over his heart— or what's more, to gently take their hand and guide it there. That is the spot where all the Ley Lines of his body congregate, and his heart is also what experimented changes the most as his blood flow changed into Ley Line ichor over the passing of centuries. As it happens in any other part of his body, he is particularly sensitive wherever Ley Lines are, thus suffice to say that the spot over his heart is sensitive the most. Although he knows he can't die, one's heart is the most important organ and in knowing that there is no danger to have his heart under someone else's palm he knows he's the safest in an otherwise dangerous world where one single mishap or moment of vulnerability where the Abyss and the Abyss Order can take him, he's done for. In moments of intimacy (platonic, romantic or beyond, it doesn't matter), it is also where he also likes the most to be touched so long as his physical pain isn't flaring up— be it by someone else's hand or letting them rest their head on his chest. Likewise and for similar reasons sans the Ley Lines, he also enjoys greatly the intimacy behind resting his head on someone else's chest and fall asleep to the sound of their heartbeat.

[petr1kov]

simon:

every character on fionna and cake: ugh simon, why are you so boring and sad now? i miss when you used to be the fun and happy and beloved ice king

ice king on the actual original show:

[to-be-a-dreamer]

Tango is actually SOOOOOO lucky his task was to follow around the one guy who was behaving so bizarrely everyone was so preoccupied with trying to figure out what was going on with him that they didn't even notice Tango mimicking his every move

[cemeterything]

my old roommate who i share a blunt with in the garden sometimes loves to test how much of a sicko i am it's his favorite thing. any time we're hanging out he's like oh Hey i found this really nasty thing online that i bet you'll be into. and then he watches my reaction like i'm a gross bug he's poking with a stick. people will say they want to study you but this guy is actually out there living the dream.

[tittyinfinity]

I just remembered that up until 5th grade, all of the sports teams I was in weren't separated by gender. I played basketball and baseball with boys. And we did just fine.

It wasn't until 6th grade when they segregated it by gender. It didn't make sense to me. I was now in softball because of baseball, because "softball is for girls" and "baseball is for boys" (which confused me bc my dad was on an adult softball team).

Now, my brother's all-male team didn't win a single game. My all-girls team won every single one.

They presented the boys' team with this HUGE trophy, and if you wanted replicas of it, they were $30 each.

My team was presented with a very small trophy. Extras were $5.

That's when I decided gender-segregated sports were bullshit.

[six-of-cringe]

Looking through Crooked Kingdom for reasons, and before Jesper goes to meet with his dad at the University, it says Wylan lent him a few Kruge to get some more student-ish clothes and I wondered where he got that money from. I now realize that this was shortly after Kaz gave Wylan the 5 kruge from Smeet and told him not to spend it all in one place. And then he proceeded to spend it on helping Jesper. Fungus in my brain

[hajihiko]

Trainwreck in double speed

[topnotchquark]

Nico saying that Lewis gives his daughters boxes of presents every Christmas just got caught in my mind.

Imagine you were a mixed race boy born in Hertfordshire, different from everyone else around you. Bullied in school, being raised by your father to compete in a sport where money is very much of essence and you and your family do not have a lot of it. And then you meet this other boy who comes from the kind of life you dream to live one day. You're friends and fierce competitors. You find solace in each other. You visit Monaco for the first time with your friend, dreaming up the life you will have when you make it, when you beat out of the mould that the world thought it could capture you in.

And then you two grow through the ranks and you're at the pinnacle of your sport and you have what it takes to win and the world recognises that you can win. And you win. You win with your friend and fiercest competitor by your side fighting with you for those wins, and this fighting ruins something something that was valuable to both of you when you were still innocent and unsullied by life.

But despite everything that went into the doing and undoing of this relationship, you still realise that this person you once called a friend has a life and family beyond your bitter dynamic. He has children, and children need love and affection and good memories. And you're a better man now so you understand that. So you make sure the kids get gifts on Christmas. And you make sure of it every year. Afterall, if you met someone you loved deeply when you were both kids, wouldn't you feel a pang of nostalgia when they had kids. Wouldn't you try to extend the warmth that you couldn't find for your friend to his children. Afterall, whatever happens during childhood basically remains with you forever.

[bandaidfingers]

House Atreides and House Harkonnen character design lineup >:)

something I’ve been wanting to do for years

[allforthe-gay]

it is completely one hundred percent baffling to me that any of the foxes would come away from witnessing neil and andrew's reunion in baltimore with the opinion that their relationship was just hate fucking . like my brother in christ are you blind

[kingofmyborrowedheart]

Thinking about how much Taylor probably wanted her partner to experience the show that she spent so much time creating and rehearsing, that included music they made together and he saw her write about their life and she was probably so excited for him to see it and then he just never went…And now she sings “and if you wanted me you really should’ve showed” every night and is now talking to someone that went to that show, has been gushing about it and her and it’s making me feel a lot of things.

[puppetmaster13u]

Meme Prompt 10

[deoidesign]

A frustrating development with the growing lack of reading comprehension I've personally noticed is an emerging fervor of insisting things aren't canon unless they are explicitly stated beyond all reasonable doubt.

I can not emphasize enough how harmful a mindset this is to have. Yes, it's wonderful to have characters outright say "I'm trans," but to deny a character's identity for not saying that is dangerous.

Plenty of real people prefer not to use specific labels. Historically, people didn't have our modern terms or modes of expression. Many modern cultures don't use these terms, either, and plenty of people within those that do can't safely openly identify.

If the only representation you accept as canon is within modern (and let's be honest, wealthy white able-bodied American) standards, then you are denying yourself and others a huge amount of representation and seriously limiting the media around you.

[doverstar]

was today years old when discovering that the eleventh doctor wears leather trousers. his trousers are made of black leather. Black leather with the ends rolled up and I. have no idea what to think-

[siflshonen]

“If Bakugo and Midoriya don’t end up together by the end I’m gonna be disappointed not because I want it but since the fanbase and show hyped them up so much,” says my husband, who only watches the anime

[galacticlamps]

ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--

But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.

And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.

That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.

Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.

And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"

So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.

Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.