#the 1 interesting reddit theory i read is that

[famousblueraincoatmp3]

i really hope yellowjackets doesnt go in the W/ndigo direction that would be so trashy. i hate how butchered and appropriated it has become. 

[pinksmonkey]

Posting my Ultimate Byler Evidence/Analysis List here directly because it probably makes it more convenient and I should have done this a while ago. XD

There is so much proof for Byler being endgame in S5 of Stranger Things. They are so cute together, and so much in the show has been building up to their relationship. I just wanted to share some of my favourite Byler analyses, because they are so cool, detailed, and in-depth. I love reading about all the hints, symbolism, and subtext for Byler, it's amazing how much thought must have been put into all these things. Why go through all the effort of adding these details if they aren't actually going anywhere with them? Mike is so queercoded, and they are truly in love with each other.

🫥 Just gonna leave some good Byler analyses here 🤐

Most of the links go to written Tumblr posts, and a couple of them are Reddit posts. So it's a lot of reading. If you prefer watching videos over reading, I highlighted my Byler YouTube playlist in green so it's easy to find.

And apologies for any of the links that aren't working, I know some of the posts have been deleted now sadly, but there's no way I'm re-numbering all these so I'm just leaving them in. My fellow Bylers, please stop deleting your amazing posts. ;-;

So anyway, here is the list of some of my favourite Byler evidence/analyses of all time (not in any particular order):

1. Mike's Season 4 Monologue To El

2. Camera Roll Byler Proof Part 3

3. Mike's Monologue and Milkvan

4. Mostly Byler Post Index

5. Dawson's Creek Parallel

6. "My Experience With Stranger Things"

7. What Ollie Learned From Film School

8. Byler Music Analysis

9. Why Don't The Duffers Discuss This?

10. ST Theories Masterpost

11. If Byler Isn't Endgame Then Someone Screwed Up

12. Byler Crumbs From The Cast and Crew

13. Favourite Combination of Endgame Byler Proof

14. I Doubt Byler Then I Remember This

15. The Fact That We Have This Interview

16. You Know Your Ship is Endgame When

17. Mostly Byler Post Index 2

18. Losing Hope Of Byler Endgame?

19. Why I Think Byler is Endgame

20. So Many Thoughts on This

21. Mike's Wall Art

22. Painting Miscommunication Leading to Mike's Monologue Coded

23. Yes, That Scene Did Foreshadow Mike's Monologue as Disingenuous

24. Mike's Monologue Didn't Sit Right With Me

25. Blue And Yellow Pen

26. That Tweet Is So Sweet

27. Heart Eyes, Literally

28. "My Process of Realizing Byler is Real"

29. Looking at Will, Not El

30. High School Musical Parallel

31. Said It Before and I'll Say It Again

32. Delusional Milkdud?

33. ST Writers Twitter Analysis 1

34. ST Writers Twitter Analysis 2

35. For When You Are Doubting Byler

36. Is Mike Bi or Gay?

37. Fully Convinced

38. The Ultimate Byler Playlist (my Byler YouTube playlist)

39. 100% Confident

40. Mike in S4 and S2

41. Mike Is Angry With Himself

42. It's Been A Year, Mike

43. Rink-O-Mania Remodel

44. The Development Of Will And Mike's Relationship

45. Mike's Lies

46. El Was Holding So Much In

47. Flickergate + Lettergate

48. Did Mike Ever Like El Romantically?

49. Mike Is Stupid

50. Byler Won't Write Itself

51. What's The Alternative Explanation?

52. Comparing Mileven and Byler

53. It Was Always About Them

54. Mike Is Not Ok

55. He Has A Love Interest

56. Will's Happy Ending

57. Trying To Be Normal

58. It's Not That Milevens Are Homophobic

59. Byler Is Reality

60. A Proper Look At El's Shrine To Mike

61. Mileven Through The Seasons

62. Suspicious

63. I Can't Doubt Byler

64. D&D Soulmates

65. Let's Talk Phones

66. Not Delusional

67. What Do They Want?

68. The Main Character

69. Mike's Mental Health

70. So Close

71. This Look Confirms Byler Isn't One Sided

72. Mileven Is Bones

73. They Don't Care About Mileven?

74. The Airport Hug Will Always Be Famous

75. The Monologue Mystery, Why Did They Lose?

76. The Cabin Scene

77. Why Couldn't Mike Say It For 2 Seasons?

78. He Was Trying To Find Will

79. Mike The Surfer Boy

80. Mike Definitely Shows Attraction To Girls

81. The Cast Knows

82. Mileven Loses On All Fronts

83. The Bouquet

84. 53 Minutes And 5 Seconds

85. Pink Panther

86. El And Choice

87. Will's Spotify Playlist

88. He'll Come Crawling Back To You, Begging For Forgiveness

89. Mike's Character Arc Prediction

90. It's The Same Look

91. Will's Truly Happy Ending

92. That's The Same Look, Right?

93. You're The Heart

94. Mike And El's Relationship In S4 Was Really Weird

95. Fireworks Parallel

96. Mileven Has Been Built Up For 4 Seasons

97. Not Stupid: The Fate of Mileven and Byler

98. This Suddenly Makes So Much Sense

99. Metaphors In Filmmaking

And unfortunately Tumblr will only let me add 100 links per post, so when I've posted part 2 of this list, I'll link it here: Part 2

[aarcanechaoss]

Theory time with Higuchi!

For anyone who wants a good read and some info on Ichiyo (Natsu) Higuchi this Reddit Post was really interesting

I first want to say I have zero evidence or reasoning behind most of this shit specifically the two abilities I’m pulling out of my ass (I do still love my Flowers at Dusk theory don’t get me wrong and a lot of the Growing Pains / Child’s Play theories are beautiful). Again these are for entertainment only I have no bets on these being real LOL

1. Draining / Absorbing

2. Her word is law

Now before I get into these (1,2) I want to bring up an interesting point seen in the Reddit Post I shared.

Specifically the Mori does not punish Higuchi part- and remembering the episodes in particular he really doesn’t. At most he is disappointed in her failure and asks if “she is suited for this job.”

Now this also made me realise (again the Reddit Post mentioned this too I found after reading further) the Command Unit is in direct line to Mori just after Executives.

Meaning she is high ranked overall in the Mafia not just amongst the Black Lizard.

She is Akutagawa’s equal - role wise in the mafia.

Why?

We know she is an ability user (not what the ability is) so is she simply well connected to Mori or is she a Secret Weapon? Or both.

Somehow she had to make it to Commander level even with the lack of respect she receives (until rescuing Akutagawa but even then they still don’t treat her like a leader).

I propose an option that also has no standing or reasoning.

She’s related to the previous boss.

Someone who didn’t have a choice to have anything but a mafioso lifestyle.

A granddaughter or a great niece etc. but let’s go with grandchild for this post- a favoured one at that- which I will get to.

Yes, this would technically mean she’s been in the mafia the longest compared to many characters (Dazai, Chuuya, Akutagawa etc).

I hear your “Wouldn’t Hirotsu know then?” It’s entirely possible if she is a favoured grandchild the Boss would have only wanted certain people to know about her when she was so young plus it’s not like every grandparent shares a last name with their grandchild (he could be her mother’s father).

It’s also possible if he knew the boss had a grandkid she would have been known as Natsu not Ichiyo at the time (since that is the authors real name).

And we all know I head-cannon that our girl is naturally brunette / raven haired so of course I'm adding in more plot with the name thing. Could be just for fun, maybe it was ordered, maybe it's so the people who did know about Natsu wouldn't point her out (Mori just hiding the nepotism).

In any case if this was how Mori knew her- after digging and of course killing him it’s entirely plausible that he’d 1. Look at it as an opportunity to fuck over the guy even when he’s dead 2. She’s a valuable asset because of it.

By that I mean her family name would hold power eg. she goes by Natsu (boss last name) when Mori needs something that only her family could get him.

Or she’s incredibly powerful and he’d be an idiot to not keep her. Perhaps she hates her power and he keeps that in check- she does what he says and then she doesn’t need to use it / she doesn’t have control - because less control over that means more control over her.

It’s not like she’d be his heir or anything (though that would be a funny fic idea- people trying to fight for the next in line and Mori is just like no I have a replacement it's Higuchi).

Anyway onto my not at all reasonable Ability theories.

1. Draining / Absorbing

This one was originally a "takes abilities" theory- which has absolutely no merit being a theory at all unless for whatever reason Asagiri decides that she and Dazai have been secretly related the whole time.

In the Reddit Post OP theorises that she could paralyse her opponents using her novella Takekurabe (Comparing Heights) with the English titles Growing Up and Child’s Play as the forefront. Though I’ve seen the use of the title Growing Pains instead of Up as well.

Using OP's word's, I don't think Higuchi will have a name-based ability (eg. Beast Beneath the Moonlight or Thou Shalt Not Die) and so for this crack theory I'm also using Growing Pains / Childs Play.

I suggest that she can drain or absorb abilities instead- leaving her opponents with a dull aching because a part of them is practically gone should she drain an ability to its dredges. She could probably kill someone if she wasn’t careful and took too much.

Think Rogue from X-Men.

That would make her a formidable enemy to have and an even better secret weapon.

It would also make her just another tool like Dazai was- instead of halting an ability she practically takes it away (which is plausible if we really dug into it, but this is more she takes the power or energy involved in using the ability).

Where did this idea even come from you ask?

Honestly no clue but I was trying really hard to figure out what possible ability she could have, and I have landed on it must be powerful and this would absolutely be an ability that she would hide until necessary. It would also be a play on the novella titles instead of simply going Child's play= dolls= voodoo doll ability for example (mostly because that's kind of Q's ability) but more a play on how for some people transitioning into adulthood is draining and not as fun as when the world was too big for us.

2. Her word is Law

Okay this is also a stretch just so we are clear BUT I think it's more plausible than draining / absorbing. I don't really know which title I'd give this one because I'm leaning again to a more a non-name-based ability (eg. No Longer Human or Plum Blossom in the Snow) so for the fun of it lets call this Flowers at Dusk (Yamizakura- yes, the one I usually use in Fics).

When I say her word is law I don't mean legally speaking- think Jessica / Paul Atreides or the Reverend Mother from Dune and how they use 'the voice'.

This ability came to mind since Ichiyo Higuchi is an important figure in Japan, though it wasn't like she would be able to sway politics or anything of the like. Her works are important, the words in the stories are significant. Key word, words.

This would be a valuable power worth keeping hidden and close to the chest, she would make her way up the ranks fast with such an ability and more than likely she'd be a great asset in regard to interrogations.

Mori would absolutely keep this ability a secret and keep her close because of it. Let's play into the idea that she hates or is afraid of her ability, a power that takes away others free will or control would be hard to deal with depending on your mental fortitude or upbringing.

If she said jump you would jump, if she said kill you would kill.

She'd be the perfect secret weapon with an ability like this especially if no one else knew and she got kidnapped- whoops they didn't put on ability suppressors ...oh hey where did she go?

I feel like this is a plausible option- only because we know nothing but that she is an ability user. It would make sense for her to be closer to Mori- he'd ensure she would never use the ability on him and considering people underestimate her already it would be an uppercut of a power to have and no one (but Dazai or those who are deaf I suppose) would be able to get away from it.

We'd really have to get into the meat of this ability and flesh out weaknesses par her voice box and No Longer Human. Is it the vibrations in her voice? Does she need a key word? Can she only use it on a certain number of people at a time? Could she pinpoint who isn't going to be affected if it were with a large group.

For example- The Black Lizard get cornered, and she needs to use her ability would her yelling STOP, MOVE BACK or FREEZE (any key words really) affect Gin, Hirotsu, Tachihara or Akutagawa?

Can you tell I like this idea for an ability lol.

Well, I think this post has been long enough. Let me know your thoughts as well, which one do you like better? Do you have any theories for what Higuchi's ability could be? Which book title do you think Asagiri will choose when we get to finally see what her ability is?

[emmitaaa4]

Addressing some fandom BS inconsistencies

Gwyn was shadow mommy, Az was shadow daddy, they were gonna have shadow babies with her extra super pliable bones.

I audibly chocked when I read this @nikethestatue (btw everything said in this post was on point). No but seriously this is how they sound, too many of them insisting that there is nothing wrong with basing the likelihood of a ship on who has the more suitable uterus to be with a man... cause supposedly they're just picking up on the hints SJM wrote for them? She likes babies for HEAs so ofc children are the end all be all of a relationship, plus there's absolutely no way that she could ever write an adoption plot SJM is literally adopted and has done it in other series. Selective reading strikes again.

A minimum amount of critical thinking would tell you that 1) the infamous *magical uterus change* scene was about nessian (& feysand), not about any ship; 2) if SJM had written Nesta changing Elain's uterus, it would have given too much away, not to mention 3) how disturbing/violating it would have been for Nesta to change her sister's reproductive anatomy WITHOUT HER CONSENT?! None of it makes sense narratively; my girl Nes would never, especially given the trauma they both suffered from having their bodily autonomy--and so much more--ripped away by the Cauldron.

This argument is so trivialized that I see it every other day on reddit/tiktok/*insert media app*, and yet elriels are the toxic side of the fandom? The ones whom people are allowed to insult, to ridicule for theories all made in good fun, the women that are villainized over a difference of opinion? Don't get me wrong, there's assholes on both sides and people keep calling one another variations of delulu (and the nastier personal attacks). But by painting this fandom-wide villain there is such a lack of accountability for the plethora of harmful talking points spread by other portions of the fandom. (I've been silently reading the anti-elain & anti-elriel tags for like a year, and I'm on tiktok. Yes, I have self-destructive tendencies).

Anyways.

I never understood either how people ever actually thought (or well still think) that gwynriel would happen BEFORE elucien?? It makes no sense logically, narratively, or in terms of characterization & the arc she's set up for Elain, Azriel, and Lucien. Yet it took one controversial bonus chapter for people to decenter Elain in her own story, that is make her choice of romantic partner--which SJM spent 3+ books setting up--Azriel's. It took one bonus chapter that soo many readers are still unaware of, to brush Elain off as a "sexual object" Az is using to distract himself until his therapist-extraordinaire Gwyn comes in and heals him all up. Because ofc she will: she's badass and not the "passive and weak and boring" Eplain (aka "Plant" or "brain dead gardener"), she fits the YA archetype of the spunky warrior-girl so she can handle his darkness, and SJM supposedly spent time fleshing her out because she wrote her as a LI for Azriel; she's made for him, she is what he needs to grow (I actually enjoyed Gwyn's character btw, just pointing out how silly it all sounds). “Next book is a love triangle between Elain/Az/Gwyn” “Elain will turn evil or is secretly evil”. So you're telling me that SJM would pit Elain & Gwyn against each other in a love triangle over a man... all because of a necklace that was not even mentioned once in the actual books? Please, let's be logical for a second.

All this because instead of reading the bonus chapter in the context of the books, some people are reading the books in the context of the bonus chapter. Which now that I think of it is probably why so many people mischaracterize Az the way they do--because yes we know enough of his character to know half of the stuff the fandom diagnoses him with is questionable. Azriel? Entitled incel x fuckboy hybrid (gotta be the first of his kind, minute slay ig)? Interesting tell me more. No joke I saw a semi-popular post on here where a gwynriel said they read the bonus WITHOUT HAVING READ ANY OF THE BOOKS. I'm sorry, ship wars are silly and believe it or not idc who ppl ship, but it makes it hard to take some of the things they say seriously.

All this to say that the fandom isn't even debating the right thing. If you consider everything SJM has said in her interviews:

(she's been planting seeds for Nesta & Elain's book since acomaf; she knows who she is writing the first 2 books about + is keeping things open for the 3rd one--with 5 different ship options--which automatically rules out "Elain will close the series"; she said she's doing research for Elain's book in the ACOFAS bonus & there's seeds for future bookS in acofas; all she said recently about her beloved *heroines* and the themes of fate/true love/choice she finds *very* interesting & wants to discuss)

and if you also consider all she's written in the actual books (elain's characterization + the overarching plot in general & how she fits into it), then it's pretty evident that Elain's book is next.

The question then would be who is the MMC / 2nd PoV in her book, aka would acotar 5 be an elucien or an elriel story? Because logically, gwynriel was always a consequence of elucien. I honestly do not understand how people don't see that.

Oh and they always think they're gagging elriels with the "obviously Azriel is the next MC" as if elriels aren't saying the same thing? And we're the ones twisting info and not making sense. It's just funny at this point.

---sidenote: I realize that this post generalizes some things, and I just wanted to say that I have interacted with lovely eluciens / people on either side of this headache of a ship war. My hard limit is Elain haters though... back off I say 🤺 BACK OFF 🤺

---sidenote 2: I would have written this as a reblog except im not entirely sure how tumblr works and I get no visibility from them rip.

[mumms-the-word]

Illithid Souls - Part 1

What’s up with mind flayers and souls anyway?

I know this deep dive has been done before like a hundred times, based on all the Reddit threads I’ve read, but I feel like a lot of the "evidence" has been scattered about in a lot of places (reddit, tumblr, other threads, other socials, etc). So I figured...why not gather a lot of it here in one place?

As with all my deep dives, this post is designed to equip you with some lore so you can build your own theories and ideas. I’ll offer theories that I find interesting or feasible, but lore is always a little hazy so I’m bound to be wrong or you’re bound to interpret things differently. Just have fun with the lore!

I’ll start by defining what D&D calls a soul, and then…well it unravels from there. In this part we're going to dive into the lore about souls, the afterlife, and where mind flayers differ, along with a bit of in-game context. In Part 2 we'll look at individual case studies (Tav/Durge, Orpheus, Karlach, and Gale).

Buckle up, folks, cause it's a long one!

As always, I’ll include images and image descriptors/text written out in case the pictures fail or are too small to read!

What is a soul?

The entire game of Baldur's Gate 3 is heavily invested in the idea of souls. Raphael wants to bargain with your soul. Mizora has Wyll's soul bound to a contract. Cazador plans to sacrifice 7007 souls. Vlaakith consumes the souls of her faithful. Karlach wants to collect (and use) soul coins. Every tadpoled follower of the Absolute is called a True Soul. This game is OBSESSED with souls.

But it never actually defines a soul, does it? So what do the official D&D rules say?

Well...they don't. Older editions used to split hairs about the difference between a soul and a spirit, but those older editions also used to say that elves, orcs, and half-orcs didn't have souls, so...we've moved on a bit from those days.

In the game, a book on soul coins defines souls as "the sum of personal and magical essence," which is both helpful and vague. The general player consensus is that a soul is the animating "force" that is made up of memories, personality, intelligence, and (possibly) morality, and that in some cases, such as the spell Speak with Dead, a soul differs from a spirit, which merely "animates" the body but does not actually possess the personality or the thinking capabilities of the deceased (though it may have access to memories).

Speak with Dead [...] Until the spell ends, you can ask the corpse up to five questions. The corpse knows only what it knew in life, including the languages it knew. [...] This spell doesn't return the creature's soul to its body, only its animating spirit. Thus, the corpse can't learn new information, doesn't comprehend anything that has happened since it died, and can't speculate about future events.

So there's a chance that while an entire soul is generally made up of personality, memories, and some element of active thinking/decision making/speculation (intelligence, for lack of a better term), the part of a soul that functions as an "animating spirit" is what houses memory. In other words, animating spirit (memories) + personality + intelligence = soul.

This idea of the animating spirit (memories) being housed within a soul, but also detachable from a soul, is important for later, so remember this in a bit.

Souls also have power, which is why the game is obsessed with everyone fighting over souls. Raphael, Mizora, and Cazador trade in souls in exchange for power. There are insinuations in the game that the gods want to stop the "scourge of soulless illithids" (Mystra's words) because souls are a kind of currency to them (though, trust me, trying to find a recent D&D source that clearly states that particular stance is a damn migraine of an endeavor). But Withers does say that souls imbue gods with power, so the game at least operates with that assumption in mind.

According to Withers…

We all know that Withers, aka Jergal, aka the Final Scribe, aka the former god of death, aka the expert on souls, has plenty to say when you ask him to elaborate on anything:

Well, okay, maybe he doesn't. But he does have a bit more to say about souls and mind flayers. For example, when he first brings up the topic of illithids and souls in Moonrise, this is some of the information he can give the player.

Withers: I shall ask yet again. Do illithids possess souls? Player: These abominations are soulless, surely. Withers: Correct. - Player: I'm not sure. Don't all living things? Withers: No. Nor canst thou count mind flayers among them. - Player: I admit I haven't thought about it. Withers: Thou shalt think about it now, and I shall give the answer. Mind flayers are soulless. Yet the Three amass an illithid army, void of apostolic souls that could imbue them with power.

A couple of things to note here. Jergal, the guy in charge of putting down the names of people who die and keeping track of where their souls go, is pretty clear that he thinks mind flayers don't have souls. But his last statement clarifies two things: one, that he is referring specifically to apostolic souls (more on that in a bit) and that souls imbue gods with power.

Souls give the gods a kind of strength. He brings this up when he criticizes the dumb plot the Dead Three came up with in his post-epilogue scene:

Thou sought to bolster thy strength by taking away the souls of mortals. But souls vanish when their hosts become mind flayers.

So we know that souls are a source of power for deities and gods because they imbue gods with power and strength. But gods only get the power of these souls after a mortal dies with their soul intact. If someone becomes a mind flayer...well, let's just say the natural order of things gets disrupted.

What happens when you die?

You see, normally, when someone dies in Faerûn (assuming they are humanoid), their soul travels to the Fugue Plane where it basically waits around until a deity picks them up or Kelemvor decides they're just going to be part of the Wall of the Faithless for forever. From the Sword Coast Adventurer's Guide (page 20 because I am, as youtuber Swoop says in her docs, a thorough bitch):

The Afterlife Most humans believe the souls of the recently deceased are spirited away to the Fugue Plane, where they wander the great City of Judgment, often unaware they are dead. The servants of the gods come to collect such souls and, if they are worthy, they are taken to their awaited afterlife in the deity's domain. Occasionally, the faithful are sent back to be reborn into the world to finish work that was left undone.

This is where the idea of apostolic souls comes in. Apostolic, in its most basic definition, means "having the characteristics of an apostle," or having the characteristics of someone who dedicates their entire lives to the teaching of a particular religious figure (in our context and reality, this mostly means the apostles of Christ, but in BG3 it would refer to any deity). I think here, the definition gets stretched a little thinner to mean any soul that is capable of devotion to a deity, rather than a soul that is already devoted. Apostolic souls can be Faithful, Faithless, or False (which is how souls are separated in the Fugue Plane).

In other words, an apostolic soul is a humanoid-specific soul that the deities recognize and can use as a source of power by inviting said soul into their domain. Mind flayers do not have apostolic souls. Emphasis on apostolic here, but we'll back to mind flayers in a minute. For now, let's look at the Faithless and False souls.

Souls that are unclaimed by the servants of the gods are judged by Kelemvor, who decides the fate of each one. Some are charged with serving as guides for other lost souls, while others are transformed into squirming larvae and cast into the dust. The truly false and faithless are mortared into the Wall of the Faithless, the great barrier that bounds the City of the Dead, where their souls slowly dissolve and begin to become part of the stuff of the Wall itself.

Depressing.

The distinction between a Faithless and a False soul is a little hazy, but according to the Forgotten Realms wiki, a Faithless soul is someone who never aligned themselves to the worship of a specific deity or who just didn't believe in the existence of the gods at all (think of Astarion, who outright rejects all gods). A False soul, in contrast, is someone who did believe but failed to serve their god or outright betrayed them (a fate that Gale feels he is faced with for being on Mystra's bad side). Allegedly all the Faithless end up becoming part of the Wall, whereas the False could get mitigated sentences, such as becoming guides for other souls.

Of course, there's nothing stopping deities from combing through Faithless or False souls to collect them into their domains. But it could take a while. Clearly, the more souls a god collects into their domains, the more powerful they become, but the gods are also not exactly fighting over the souls of Faithless or False people, because people can end up waiting hundreds of years before Kelemvor is finally like "guess you're part of the wall now." Your only option to get out of that is to sell your soul to a devil, which isn't a much better fate.

From The Sword Coast Adventurer's Guide, page 25, regarding servants of Asmodeus:

To those not so dedicated, priests of Asmodeus offer the prospect of a reprieve in the afterlife. All souls wait on the Fugue Plane for a deity's pleasure, which determines where a soul will spend the rest of eternity. Those who lived their lives most in keeping with a deity's outlook are taken first. Others, who have transgressed in the eyes of their favored god or have not followed any particular ethos, might wait centuries before Kelemvor judges where they go. People who fear such a fate can pray to Asmodeus, his priests say, and in return a devil will grant a waiting soul some comfort.

This makes me infer two things: first, that the gods are kind of picky about which souls they want to join their domain (regardless of what actually happens to that soul in a deity's domain, which is a topic for a different post entirely, because the results may vary) and therefore the gods aren't just going to go with any soul that ends up in the Fugue Plane. Second, that the gods aren't exactly in a hurry to choose among wandering souls, likely because the Material Plane just keeps producing and destroying mortals, resulting in a constant flow of souls.

We see a glimpse of a god's perspective on the influx of souls when Gale confronts Mystra in the Stormshore Tabernacle (in this case, when you play him as an Origin):

Gale: You're one to talk. How many innocents were you prepared to sacrifice if I detonated the orb? Mystra: Such eddies are unexpectional. Souls arrive and depart your plane with every tide, in circumstances just and unjust. The Weave cannot be lost because we are unwilling to cause a ripple. And that is what is at stake.

She then goes on to say "With each day that passes, the elder brain threatens to become a new kind of god, its worshippers a scourge of soulless illithids." This is what's at stake. The loss of souls on the Material Plane.

The Absolute plot threatens that cycle of birth and death, of souls arriving and departing. But how, exactly, is the mind flayer plot a threat?

Well, for one, if everyone with a tadpole turns into an illithid (which doesn't have an apostolic soul, Withers is adamant about this), and then all the illithids kill all the non-illithids...who is making new babies with apostolic souls? And if there are no new fresh souls, eventually the deities will just also die out, since no one will be left to believe in them and thus their powers will diminish and eventually fade. It might take a few hundred years, but it still spells death for everyone involved.

The irony here is that it means the Dead Three gambled and lost even if their plan to ascend a Netherbrain ends with a success, such as when Tav or Durge decides to dominate the world by controlling the Netherbrain. Either the brain is destroyed and they lose, or the Netherbrain successfully completes its Grand Design and they really lose, because the only winner here after a thousand years would be the Netherbrain. Thus we have Withers taunting them in the post-epilogue scene by asking if they really thought their ploy would succeed.

Okay...so we know that mind flayers killing everyone on the planet is a bad idea because it means that apostolic souls stop arriving in the Fugue Plane. But what about mind flayers? If they don't have apostolic souls, do they have ANY soul worth eternal currency?

Remember, the only way to create more mind flayers is to tadpole a humanoid creature. Without humanoids, mind flayers can't reproduce. But when humanoids turn into mind flayers, they allegedly lose their souls. Right?

Withers says souls "vanish" when the body turns into a mind flayer. But this is vague, and thus allows for a few different theories. Perhaps souls move on to the Fugue Plane while the person-turned-mind-flayer continues existing on the Material Plane. Perhaps the soul just becomes obscured and unrecognizable by the gods. Or perhaps the soul really does go poof and is replaced by something else entirely.

So which is it? Well...first of all, let's set the record straight on mind flayer souls.

Do mind flayers have souls?

The short answer is...yes. They just don't have apostolic souls.

According to Volo's Guide to Monsters (page 80 for those looking through their copies at home):

Illithids acknowledge the existence of divine entities, but it is unusual for any but a deviant mind flayer to actively worship such a power. Since they are capable of planar travel, illithids don't view the afterlife and the Outer Planes in the mythic way that most other races do. Illithids don't believe they possess souls whose eternal fate is governed by the gods. Instead, when a mind flayer's brain is returned to the elder brain to be consumed, the creature's intelligence lives on. Only if an illithid's brain isn't retrieved after death would its consciousness be cast into oblivion.

And on page 72:

An elder brain has a perfect recollection of its race's history. Consequently, it views itself as both a refugee and a victim, forced into hiding by barbaric monsters. An elder brain also sees itself as a savior of the mind flayer race and a living memorial that preserves the memories of the mind flayers' prey. By its twisted logic, humanoids whose brains are devoured by the colony are rendered immortal, their memories preserved forever in the elder brain's labyrinthine mind. When a mind flayer grows old, becomes infirm, or is previously injured, the elder brain absorbs it—another form of immortality, as the mind flayer's mind dwells within the hive mind forever after.

So essentially, mind flayers do have a soul, but because they are a) not humanoid but are aberrations from another plane, and b) not faithful to the deities of Faerûn, their souls are not recognized by the gods. The souls might not even journey to the Fugue Plane when they die. Instead, mind flayers give up their consciousness (their memories, especially) to an elder brain to become part of its eternal collective memory.

It's worth noting that Volo's Guide to Monsters puts emphasis on memory and intelligence here, but not necessarily personality. Mind flayers and elder brains do have a kind of personality, because they experience emotions (we'll look at some conversations with the Emperor in Part 2), but their emotional range seems to be a little limited. For example, regarding elder brains:

An elder brain is arrogant, scheming, and power hungry, yet quick to flee or beg for mercy in the face of a powerful foe. It has no conception of joy, sympathy, or charity, but is well acquainted with fear, anger, and curiosity. It is an intellect utterly incapable of empathy or concern for creatures other than itself.

These limited emotions suggest there might be some element of personality here, but it's not exactly the same as a humanoid personality, which would normally be capable of a wider scope of emotional range. We'll talk a lot more about personality and how transforming into a mind flayer alters that part of one's identity (if not their actual soul) more in Part 2, but for now, just know that a mind flayer technically has all the elements usually present in a soul: an animating spirit (memories), intelligence, and personality (emotion).

When mind flayers die, their memories and intelligence are usually consumed by an elder brain, but it's unclear if the personality is too, or if the personality is destroyed. However, if they're not enthralled to an elder brain or if they die and their brain isn't retrieved to give to an elder brain...then their soul is "cast into oblivion."

Being cast into oblivion could mean anything. It could mean that their soul simply wanders around wherever it died, untethered to anything but unable to move on. Or it could mean that their soul simply ceases to exist. No one really knows what happens to it because renegade mind flayers are extremely rare. BG3 has Omeluum and the Emperor, but other than those two, official D&D lore only lists a small handful of other renegades out of millions of mind flayers over time.

So now you're probably thinking, "Well, wait, but is a mind flayer's soul the same soul that a person had before they became a mind flayer?" And the answer to that is complicated.

Let's talk about ceremorphosis

Normally a mind flayer isn't supposed to remember much of its life prior to ceremorphosis. This is partly why mind flayers eat brains, so they can literally absorb the memories of other creatures and make those memories part of the hive mind. But initially, after ceremorphosis, it seems like the the usual animating spirit (memories) of a person gets destroyed or displaced.

The tadpole grows as it devours the humanoid's brain, attaching to the victim's brain stem and becoming its new brain. Over the course of a week, the humanoid body changes form, and a new mind flayer comes into being. The emergent mind flayer often retains a few dim memories from its previous form, but these vague recollections seldom have any bearing on its new life as a brain-eating monster.

So right off the bat, a typical mind flayer loses the memories (perhaps the animating spirit) of the original host, and it's likely that it loses a lot of the initial personality as well (since it seems likely to lose some of the emotional range). Its intelligence is likely altered too, since the tadpole is literally eating brain matter. So this could lead us to believe two things.

First, that ceremorphosis utterly destroys the host's body and the host's soul likely goes to the Fugue Plane because they have basically died. Their brain has been consumed and their body transformed, so in essence they can't be themselves anymore. Instead, a new soul has taken residence inside the mind flayer body, though where this soul comes from is unclear since tadpoles probably don't have souls. The original soul, however, is free to move to the Fugue Plane and beyond.

Or, alternatively, the host's soul is transformed, shedding memories and personality to become a non-apostolic soul that aligns with an elder brain's hive mind somehow. This means that the host's apostolic soul might be destroyed because it's been changed so drastically, but there are some parts of the original soul still left (the lingering memories, for example). This means the host's original soul didn't move on, but is tethered to the mind flayer body and has been changed into something unrecognizable. When the mind flayer dies, the former apostolic-soul-turned-illithid-soul is either consumed by an elder brain or cast into oblivion.

If the first theory is correct, it seems a little odd that the BG3 companions are so concerned about losing their own souls. If it would just be the same as dying, there would still be some desire to avoid the fate of ceremorphosis, but the companions seem incredibly concerned about losing their own autonomy, as if their consciousness will be trapped inside a mind flayer body and their souls forfeit and unable to move on to the Fugue Plane. After all, Withers is in the business of plucking souls out of the Fugue Plane when we inevitably die in the game.

Specifically, Withers can take a body that has been completely turned to ash and resurrect it with True Resurrection, a spell powerful enough to completely restore a body to its former state. However, there is some assumption here that he wouldn't be able to do this with a mind flayer body, thus the push in the game for a cure.

True Resurrection You touch a creature that has been dead for no longer than 200 years and that died for any reason except old age. If the creature's soul is free and willing, the creature is restored to life with all its hit points. This spell closes all wounds, neutralizes any poison, cures all diseases, and lifts any curses affecting the creature when it died. The spell replaces damaged or missing organs and limbs. If the creature was undead, it is restored to its non-undead form. The spell can even provide a new body if the original no longer exists, in which case you must speak the creature's name. The creature then appears in an unoccupied space you choose within 10 feet of you.

In other words, if theory one is correct, and a person simply dies when they become a mind flayer, Withers should technically be able to resurrect them by pulling their soul out of the Fugue Plane and giving them a new body. You'd have a weird mind flayer clone of you running around, but you wouldn't have to worry about ceremorphosis again.

(But then again, we know the game ignores the organ-regrowing properties of True Resurrection for Karlach, too, so the game intentionally limits the capabilities of True Resurrection.)

If theory two is correct, and the lore is extremely unclear about this process if this is the case, then the companions' reactions and dialogues make a bit more sense. They all talk as though turning into a mind flayer means their soul is somehow destroyed. Mind flayers having souls is likely not common knowledge in the universe (certainly no one in the game is arguing that they have souls), so if a person's soul is transformed beyond recognition it could certainly seem like the host's soul got destroyed. Additionally, this would result in a person's consciousness being trapped inside a mind flayer body, so the loss of autonomy would be a terrifying possibility here.

Plus, we know that when a mind flayer dies, the soul they have (whether a brand new soul or an apostolic soul that has been altered) is consumed or thrown into oblivion. So if theory two is correct, there will be no eternal consciousness for you, allegedly (though there's some debate as to how much eternal consciousness you have in the Fugue Plane or the Outer Planes too...)

We don't know which of these theories is correct, and the game sort of slides between these two theories (as we'll see in Part 2). But, and I cannot stress this enough, this lore only applies to normal mind flayers.

BG3 has altered the usual mind flayer tadpoles with Netherese magic such that things get a little wonky. And beyond that, the ultimate tadpole that changes you (or Karlach, or Orpheus) into a mind flayer capable of wielding the Netherstones is a Supreme Tadpole that has been further altered by the Emperor:

The Emperor: I took this one from the nautiloid. I have been nurturing it ever since - priming it for your use. It is not dissimilar to the experience you already had with the previous one. Only this one is much more potent. All you have to do is open your mind to it. Its latent potential will do the rest.

We don't know how the Emperor has been priming this tadpole, but if it came from the nautiloid, then it is imbued with the same Netherese magic as all the other tadpoles. It's not the same as the Astral-touched tadpole (from Act 2), which has been in the Astral Prism for millennia, but it is somehow more powerful, or at least more effective in transforming you into a new kind of mind flayer, one that can think independently of the elder brain.

So now you (or Orpheus, or Karlach) are a new special kind of mind flayer. Does that change anything?

Yes. In fact, it seems to change quite a lot. But this post is already super long, so you'll have to check out Part 2 to see what I mean.

~*~*~

You made it to the end! Gold stars!!!

✨⭐️🌟⭐️✨

I'll link part 2 soon~

Tagging those who wanted an update! @galesdevoteewife @stuffforthestash

[cr-pisacs-evil-brother]

Pathologic Bachelor ARG Megapost

This post is a culmination of months of (mostly my own) research into the Bachelor ARG. For far too many days and far too many hours, I’ve been doing my best to solve this, with the help of a few other people. I looked very deep into most Fyodor Vitin posts, played through The Marble Nest several times, looked extensively through the Pathologic wiki, and read/analyzed countless outside sources for this post, and I will link as many of them as I can. (If there are links that you think would help the ARG that you’d like included in here with credit please let me know.) For any people that are credited, an “@” before their name implies that it’s a Tumblr username, while a “u/” proceeding their name implies it’s a Reddit username. I have discovered and analyzed dozens of leads, some of which are more likely to be important or intentional on the part of IPL than others. The primary purpose of this post is to give all of you Pathologic fans new leads and theories to analyze in pursuit of solving the mystery behind this ARG, so many of the things within this post should be looked into further! With this post, I will lay out my findings in a series of sections, all of them having several connections to each other. This post is more than 10,000 words and is not meant to be read all at once, so feel free to read sections, take breaks, re-read sections, or skip around if you'd like. “Observations, Research, Analysis” is a vast majority of this post and consists of observations made about the ARG material, as well as any research I did into those findings that bore fruit, and analysis/connections to other things. The additional notes section consists of some of the conclusions I’ve reached after putting all of my evidence together, as well as some connections I didn't really make in the previous section, but keep in mind they’re still just theories so they could obviously be wrong. I would like to emphasize that I am not a native Russian speaker, but I did have many native Russian speakers helping me along the way, and in particular, I’d like to thank @kurury-chan for her massive help with this. She transcribed the newspaper for me, provided tons of consulting, translated many other Russian sources, and actually went out of the way to go on an irl tour of a certain ARG-related location to see if my theories about it could hold any ground! Because I'm not a native Russian speaker, the sections where I'm required to analyze Russian text (notably the newspaper section) will probably be the least interesting and I'll probably end up making a lot of points that aren't valid. Additionally, I’d like to thank @cryingsyren (who also happens to be my bf) and @ded-not-ded for their help. As for formatting, since Tumblr doesn't have tiered lists for some fucking reason, all main points will be written as bullet points, and any sub-points within that bullet will then have numbered points afterward. For example like this:

The first main point about a topic

Sub-point of the first point

Second sub-point

The second main point about a topic

I'll either do that or I'll do it like this:

First main point

First sub-point First sub-sub-point

Second sub-point

Second main point

Edit 1: I've had to revert much of the Chat text (the font I used for the sub-points above) to regular text because of a formatting glitch that irreversibly changed most of the Chat text to bold, which was very confusing.

Depending on which looks better in the context of the points. Because that formatting is so awkward and clunky I'll try to minimize the use of tiered lists as I convert this from the Google Docs format to the Tumblr Format. Most of the time that I use tiered lists here it's to deal with the character limit Tumblr has on single blocks of text within a post. With that out of the way, let's just get into the post.

Observations, Research, Analysis:

"The Accident" Fyodor Vitin post

The first thing I noticed about the newspaper when I took a good look at it was the use of bolding with certain letters. If you look at the Newspaper you’ll also see ink splattered on the page in several areas, which could be a clue toward noticing the bolded letters, or it could be something else I’ve yet to discover. I knew I wouldn’t be able to transcribe the entire newspaper by myself, not being a Russian speaker (although I’ve just started learning!) so I enlisted the help of @kurury-chan, a native Russian speaker, and she transcribed the entire newspaper for me in Cyrillic. After getting this transcription I went through and spent a couple of days looking for which letters were bolded, writing them down, and coming up with possible translations/meanings. I’ve come up with lots of possible meanings for these, but for many of them I couldn’t figure anything out, and I’d love help if anyone has any idea what they could mean! To me many of them seem like word fragments that are simply missing one or two letters, and so in the document where I list all of the bolded letters I put some words/phrases that are very close to the seemingly fragmented words. Once again keep in mind that, while I’m trying to learn Russian, my understanding of the language is still rather weak, so I may have mistranslated some of these. Another small detail to mention is that there’s a prominent crease on the left side of the paper that runs through a decent portion of the bolded words. First, I’ll start with the bolded letters on the left side of the page. I may have missed a couple, and I may have written some of them down as bolded when maybe they aren’t supposed to be seen as such.

Here is a link to a list of all the letters I think are bolded on the left side, which lines they’re on, and possible meanings, many of which I’ll be discussing here. I will not go individually through what I believe all the bolded letters mean, but I will go through and explain the ones I think are most meaningful and important, as well as some connections I’ve made with them. And here is a link to the original Russian transcription and my best attempt at an English translation.

It’s possible that the crease that runs through the left side of the paper and notably runs through many bolded words somehow denotes that those particular bolded words are special, or perhaps that they should be seen as separate from the other bolded words.

Line 15 has a rather interesting bolded phrase, because it actually appears to make a somewhat coherent 3-word phrase, but one of the words seems to be a surname, “Pepe.” Additionally, the crease on the left side of the page starts right above the word “ПЕПЕЛИЩЕ” in the title, and splits it so that “ПЕПЕ” is separate from the rest of the word. (ПЕПЕ is Pepe in Cyrillic.) If you want to know what the non-Pepe words say, skip to the next bullet point, because the rest of this one is my analysis of the ПЕПЕ part. So, of course, I looked into the name a bit, looking through all notable historical figures with the last name, and found one that I think is of special interest: Guglielmo Pepe. Born in the small ancient town of Squillace, Pepe entered the army at a very young age, and was an Italian commander during the early 1800s, but his military career was fraught with trouble, as he also had rather revolutionary politics, which angered both the government he was serving and many of his peers, and he was exiled on several occasions. Upon Pepe’s return to Italy at the age of 30, he was given the rank of general. After this, the most notable events in his life would largely consist of his attempts at going rogue in revolutionary attempts to change the existing power structure, for which he was usually punished. (It’s also perhaps worth mentioning that his brother was part of the attempted French invasion of Russia.) All of this is to say, Pepe obviously shares some striking similarities to General Block, perhaps the most striking of which is his status as a 30-year-old general, which is an aspect of Block’s character that is highlighted several times. So, of course, I looked into Block’s character a bit more, and discovered that in the Russian version of the game he is called “General Ash” instead of “General Ashes.” “Strange,” I thought, until I saw that in Russian, Ash is “Пепел” which is pronounced as “Pepel” for anyone that isn’t familiar with Cyrillic. If we look into it, we do see that the letter after the Пепе is л, but it is notably not bold. This is, if you're counting, two separate times in this paper where the plural for ash, пепелище, is split up so that only the пепе is emphasized. As for other connections between Pepe and Block, we could look at them both harboring some revolutionary tendencies and being punished for it, both by The Powers That Be and his peers. General Block also tells Artemy that he was born in a town not too dissimilar to the Town on Gorkhon; this is interesting because there are some connections to be drawn between Squillace and Gorkhon, primarily that both of them preserve the beauties of ancient times that have all but been lost to most people. Related to this, it should also be noted that I believe the plot of The Marble Nest was heavily based on the plot of The Seventh Seal, which is the same movie that inspired the character Alexander Block.

The rest of line 15 is also interesting, but I’m not sure exactly what it’s supposed to mean yet. It translates to “Heaven on Pepe” basically. I consider the “Pepe” part to probably be the most important, since there’s a large crease that runs through it, which I think probably denotes a level of importance? The line’s meaning might be related to the fact that “heaven” is sort of a synonym for “utopia,” or the character that Block is based on is the protagonist of a movie that revolves around the ideas of heaven and Christianity, which is something we saw very briefly with Block in Pathologic 1. If you have any ideas please post about them and tag me, or simply comment/reblog this with your ideas!

Line 1 and line 18’s bolded letters both start out with “ов”, and for my English speakers out there it is pronounced sorta like “ove.” ов is interesting because if you translate it as о-в it actually is the shortened form of “island” in Russian. Line 1’s bolded letters read as “ов попо”, and for people not familiar with Cyrillic попо is basically “popo.” There are, apparently, many Popo islands in the world, and I couldn’t find one that I think directly connects to the ARG or Pathologic, but maybe someone else out there will, or perhaps that line has a different meaning to it. As for line 18, it says “ов испустивших” and according to Russian wiktionary, the second word is one letter off from the word “Emitted.” I looked a bit deeper, though, because that didn’t satisfy me (why would they use the incorrect spelling of a word after all?) and I didn’t see much, but I did find two things that used the exact word “испустивших” that interested me: A Saudi Arabian newspaper that has been translated into Russian, as well as a Russian poem from 1777 celebrating the birth of Grand Duke Alexander Pavlovich, also known as Alexander I of Russia. The latter is more interesting to me for numerous reasons, the first one being that it might serve my theory about the connection between line 1 and 15, as line 1’s bolded letters end with попо and line 15’s end with пепе. The connection is weak, too weak for me to make it a separate bullet point, but strong enough for me to want to explain. So, as we know, there is a connection between line 1 and 18, it’s what this whole bullet point is about, and this theory (using the term “theory” loosely) relies on us seeing them as very closely connected. Basically, Alexander I was the ruler of Russia during the French invasion, which is interesting because, if you’ll remember, Guglielmo Pepe’s brother, Florestano Pepe, took part in the French invasion. This, to me, is an interesting connection, but I do admit it’s definitely a reach.

That’s where I’ll stop talking about the bolded letters on the left side of the paper. If you’d like to see what other bolded letters there are, what they could possibly mean, and try to decipher the meaning for yourself please go to my linked Google Doc(s).

As for the right side of the Newspaper, there are some bolded letters, but I can't seem to make much sense out of them, and by this point in my research I was starting to pursue more promising ARG leads, so this section is rather incomplete. Just as a reminder, the right side of the newspaper is an advertisement for a lantern/kerosene shop. I personally think the right side is more interesting than the left for a couple reasons, but most of them are either self-evident or will be discussed later.

The lantern on the right side of the paper is the same model that’s used throughout the Haruspex’s route, but most notably it’s used a ton during The Marble Nest as set dressing. And when I say "a ton" I really mean it.

I also remembered vaguely an unused lantern item found in the game files of Pathologic 2, so I went to the Pathologic wiki to look for it, and surely enough the exact lantern used by Artemy, the one that appears so many times in The Marble Nest, is also an unused item present in the game files. When using console commands to give yourself the item, you’re able to click on it and select the “touch” option, upon which you’ll see the number 6192355001378070 where the name of the item should be, and 6192355001378072 where the touch text should be. I’m not sure exactly what these numbers are supposed to mean; my first thought was that they seemed long enough to be coordinates, so I put them into google maps and it does lead to a location in Russia! Nonetheless, the numbers are a little bit too long to make sense as cohesive coordinates. Still, it might be something worth investigating. You'll see later in this post just how significant numbers and number patterns are in this ARG.

The word used to describe one of the victims of this inferno, “academician,” has sorta interesting connotations in countries that were once part of or heavily influenced by the USSR. This person is referred to as “Mr. F.L.” in the article. This guy is also said to be a historian and a “бытооописателя,” which as you can probably tell by the fact that I’m not using the translated English version is a weird word. Perhaps the strangest thing about this word is the fact that it clearly has 3 o’s where there should only be one. The actual meaning of this word is odd, as it’s very rarely used, and according to all sources I could find (including native Russian speaker and linguistics enthusiast @kurury-chan) it is either an archaic term for a historian or a term meaning “writer of everyday life.” I’m honestly not sure what that means, and at first, I thought it meant something like a blogger. The most complete and coherent definition I could find describes it as “author of works describing everyday life.” A different translation I found seems to say it means something like "chronicler," which I suppose makes some sense.

In the bottom right part of the paper, you will notice what at first appears to be a signature. Admittedly I had almost no hand in this part of the investigation, except for the isolation and upscaling of the text. Most of the work here was done by @cryingsyren with some help from @kurury-chan and @ded-not-ded. Here is the image that I got for them of the text, and here is our current interpretation of it: It at first seemed to be Russian cursive (and it probably is supposed to be), which complicates things quite a bit, and @cryingsyren spent a couple days trying to figure out exactly what it says, (with some help from @kurury-chan) and as far as we can tell it’s four letters, which are separated into either two or three sections. I think we have a decent grasp on what they’re supposed to be in Cyrillic, but the interesting thing is that they do look a lot like both Russian and Latin cursive. I’ll describe them now using what Latin character they look like in quotes followed by what Cyrillic character they look like in parenthesis. The first section is an “M” (М) and a “K” (К), which are very clearly connected. The next section is either an “H” (Н) or an “H” and an “n/u”. We’re not exactly sure whether the H and the n/u are supposed to be connected, but the n/u being lowercase seems to imply it is. The interesting thing about the n/u is that, while it looks like it could be a Latin n or u, it also looks like it could be a Cyrillic и, which is the italicized version of the Russian letter и. It seems all too coincidental that all of the letters they used have almost exact visual counterparts in the Latin alphabet. At the moment our working theory is that it could be initials, and this is where I come in, because for days I knew I recognized the "MK" part of the signature, but I couldn't remember exactly where from until today. For anyone that has played too much Pathologic Classic HD like me, you may recognize the "MK" signature from the center of the loading screen in that game, scrawled in a way that most people wouldn't pay attention to it, and certainly that most people wouldn't have it committed to memory like me. During the roughly 170 hours I've spent playing the game I've probably looked at that MK more than I've looked at my youngest brother. This presents the question, who is MK? Well at first I thought it could be Mr. Katzman, as referenced in the "Mask" post, but that didn't seem right to me. This is when the fact that so much of my brain is Pathologic lore facts came to help again, when I remembered state inquisitor Mark Karminsky, who you may remember as being one of the men people thought would come to the town before Aglaya Lilich showed up. As for the rest of the writing, I'll leave that up to you guys to figure out.

Something to note for later on: We know there to be 19 inquisitors when Pathologic takes place, and in this ARG the number 19 becomes very important with later clues.

"Mask" Fyodor Vitin post

Arguably this is the Fyodor Vitin post I’ve done the most research into, and it eventually led me to develop a very deep and passionate interest in the Buryat peoples that has so far caused me to read several books and around a dozen academic papers about them. I haven’t only done research into the Buryats for this post, though, because although the Buryats are the primary inspiration for The Kin, they’re not the only inspiration. Despite all of this research work, this section will be rather short because I’ve already been through and exhausted most possible leads I’ve found, and this is what remains. Since the post is in English, and I think everyone that follows me presumably knows English (если вы не говорите по-английски, я хвалю вас за то, что вы зашли так далеко) I won’t summarize it, so I’d recommend reading the Vitin post and then coming back.

We see in the post the mask of “Muu Shubuun,” which we’ll immediately notice is almost the exact same mask as is used by the Executors in the game. Actually, in the Marble Nest, you can acquire the Executor mask, and its touch text reads, “The mask of Muu Shubuun, ‘the wicked bird.’ Part of the Reaper costume from the local theatre.” I have found several different sources that lead me to believe this is based on actual Buryat folklore, however, I’ve heard several conflicting accounts on whether Muu Shubuun is an evil spirit that tricks people by taking the shape of a beautiful woman, or if it’s closer to what we see in the game/ARG, but both seem to be documented as existing within sources on the Buryats. I think this confusion between the two likely means the stories and connotations associated with Muu Shubuun vary based on different groups of Buryats. An alternate spelling I’ve seen used is “Mu Shuvuu.” Possibly related to this is the character “Shar Shuvuu” (which means “eagle owl”), who appears in The Marble Nest during the “marriage” scene in the steppe camp behind the cathedral. In fact, a surprisingly high number of NPC characters in this DLC are named after birds.

The phrase used in the post to describe a seasonal festival, “dosoo ba beshē tēēhēē” is where I’ve devoted much of my research, with most of that research being from about a month ago. Only the third word in this phrase, beshē, appears as a kin word in the games as far as I know. However, we can use a method here that people in the Pathologic community have been using for years to figure out the meaning of kin words: Most of the steppe language in the game is based on one of many languages: Buryat mostly, Mongolian sometimes, Tibetan sometimes, and some parts of it also take inspiration from other languages of similar origin to these. A majority of the language seems to be based on Buryat, and many Kin words come straight from the language. A few words in the game seem to be made up entirely by Ice-Pick Lodge, and many are based on words from the aforementioned real languages but tweaked slightly, as if to indicate that the steppe language spawned from those languages but has some distinctive elements. To determine what this phrase means, I tried my best to dig into the languages and find parallels:

“Dosö” in Buryat means “inside”

In Mongolian “dooshoo” means “down”

In Mongolian “ba” means either “and,” “we,” or “sorcery”

In Tibetan, “ba” means “cow”

“Beshē” in the game’s steppe language means either “not” or “other”

The prefix “të-” in Buryat means “to transport”

In Mongolian the prefix “te'e-” also means “to transport”

As for the “-hee” part of the word, I have not found a single source that could tell me what it means. I’ve found several Buryat words that end in “he,” but I can’t seem to find a connection between them strong enough to suggest what it denotes.

Upon first seeing this festival mentioned, I believe I commented somewhere on the Pathologic subreddit that it might be the same one we see in the Kin’s camp behind the cathedral in The Marble Nest. While I’m not 100% convinced still, I also don’t doubt it that much. One interesting thing to note for any people that might wanna investigate this in the future is that I’m pretty sure what we see in the Marble Nest is the same thing that Nara and the Haruspex perform in the abattoir, as they both seem to happen on day 10, and if you look close you can see that Nara is the one that is cut open in The Marble Nest. Seemingly with the Haruspex gone, there is no one that knows the lines and so the ritual doesn’t go as smoothly as it could.

“Messages” Fyodor Vitin Post:

This particular Fyodor Vitin post is the third one, which if you know Ice-Pick Lodge certainly has some importance to it. The post is a series of letters and images, one depicting an Executor and one depicting Voronika Kroy, who's a minor character in Pathologic 2 and the main character in the Pathologic Feverish Feelings ARG. The letters detail how the recipient’s reports about Voronika Kroy have been seen and have started an investigation by the Federal Bureau. What’s most interesting to me are two things: the jumble of (Latin alphabet) letters in the bottom left, and the number used within the letters (the post-card letters in this case).

The number in question is “196-17-1” which is apparently the case number used for the Voronika Kroy investigation. This number will be more important later in relation to other clues. One interesting thing I've found is that the RGB value for 196-17-1 is a deep red.

The jumble of letters at the bottom of the picture is “eiamrucdvrturxoevecid”. It is 21 letters and can be divided up into chunks of 3 or 7 letters. 3 and 7 of course being Ice-Pick Lodge’s favorite numbers. Up until this point, it has been assumed that this is an anagram, and I have no reason to doubt that. It has already been pointed out in the Pathologic subreddit that the words “Executor” and “Corvid” can be found in the anagram, as well as the Latin words “Cura”, “Curare”, “Curari”, “Medici”, and “Vivam.” Credit for finding the Latin words goes to u/apostforisaac who is apparently studying Latin at university! Additionally, u/Own_Sympathy_9814 deduced a possible meaning by unscrambling the anagram and finding “MAVRUD + VERIDIC + EXECUTOR”, which they believe hints toward the answers lying in the Marble Nest (I wrote the entire Marble Nest section of this post before finding their post about that, so I do feel pretty validated by it). Many people have been approaching this anagram, like many other parts of the ARG, as if they have one right answer, and frankly, I just don’t think that’s in the style of Ice-Pick Lodge. I’ll quickly list out some words/phrases I found in the anagram and what they mean/how they could relate. I will also include words that have already been discussed, and they’ll be marked with a “*” so you don’t think I found them. Most of the ones marked with a * I won’t be discussing, as most have already been discussed extensively. I also won’t be discussing the ones that I think probably don’t have much meaning, but I’m including them because it still could be something later on down the road.

I am You don’t actually even have to unscramble the letters to get this one, as the second, third, and fourth letters of the jumble simply spell it out. What's interesting is that the 7 "I am" discourses are a crucial part of the Christian Gospel according to John. The Gospel according to John was an important clue during the Feverish Feelings ARG, which revolved around Voronika Kroy and her Inquisitor father, Peter Kroy. If we're speaking of the four canonical gospels, we must also address the Gospel according to Mark, which coincidentally is the name of an inquisitor that has popped up elsewhere in this ARG. Following this theme, there is actually a non-canonical Gospel According to Peter, which seems too cool to be a coincidence.

Eve This is one you don’t have to unscramble also. Interestingly, Daniil is often compared to a snake, even being called a snake-man in Marble Nest by Shaazgai, a man belonging to the Kin. In the biblical story of Adam and Eve, it is a snake, often thought to be the devil, that convinces Eve to eat the forbidden fruit from the tree of the knowledge of good and evil.

Retroviridae The scientific name for a retrovirus. If I was more knowledgeable about biology I would say more, but this seems important.

Rex Iudaeorum Translating in Latin to “King of the Jews,” this was the inscription that allegedly was put on the cross that held Jesus of Nazareth, as detailed by 19:19 in the book of John. Very interesting as Daniil does compare himself to Jesus at least once in the Haruspex route, on the night before Aglaya comes. The Gospels, as discussed before, all detail the life and crucifixion of Jesus Christ. The "19" connection is also interesting because of the inquisitor detail, and I'll talk about more of the connections to 19 later in the post.

Cardio Commonly used medically as a prefix for heart conditions, “cardio” is a Latinized version of the Greek “kardia,” which simply means heart. Heart imagery is very common and significant to the Bachelor.

Eva This is similar to the Russian version of Eve.

Corvid*

Cura*

Curare*

Curari*

Medici*

Vivam*

Mavrud*

Veridic*

Executor*

Order Could relate to the committee in The Marble Nest and the fact that after they’re replaced by tragedians the absurd order begins getting sent out to the orderlies.

Carex ericetorum This is a plant that would almost definitely be present in/around the Town on GorkhonThis is a plant that would almost definitely be present in/around the Town on Gorkhon

Creature

Marble Nest:

The Marble Nest, as we know, is very concise, only really lasting half a day in-game. Because of this, the dialogue does tend to feel a lot more intentional, as though the named characters are not necessarily speaking only to The Bachelor but also trying to convey a message to the player. This, of course, is because The Marble Nest takes place inside Dankovsky’s head. If this ARG will be revolving partly around The Bachelor, as it seems to be, then there’s no better place to start than digging into his head, which is why I’ve played so much of the Marble Nest for this.

There are several specific stories/myths/historical figures that are mentioned through Marble Nest. First, we’ll go through some of these.

There is a very interesting conversation that The Bachelor has with Georgiy Kain, where he is trying to justify his decision to lift the quarantine restrictions to The Bachelor, who is rather upset obviously. I’ll cut down and paraphrase most of the dialogue, since if I didn’t this would be much longer, but basically the conversation goes as:

[Georgiy introduces himself, and says he decided to let The Bachelor sleep so that he would have the strength to face the upcoming trial] [Daniil asks if Georgiy lifted the restrictions and let the plague into The Stone Yard] Georgiy: “Quite so. It's plain to me that you are on the verge of shredding me into pieces. But still your wrath. As a great Athenian once said, ‘Strike, if you will, but hear.’” Daniil: “Themistocles, I know. He met a rather gruesome end, by the way. Died of plague.” Georgiy: “No, it was Pericles. You are a learned man, but history is not your strong suit. Which is why you should listen to me. Perhaps it will help you see something that you missed in your previous studies.” [Georgiy then goes on to explain a bunch of other stuff about the plague, which as far as I’m concerned isn’t all that useful to the task at hand.]

I find this so interesting because The Bachelor, in his own head, poses a question to himself, gets it wrong, and then has another separate figment of his imagination correct him, and then proceeds to tell The Bachelor that he’s not great at history and should listen to Georgiy more. What’s even more interesting is that, as far as I can tell, Georgiy and Daniil are both wrong, it was actually Themistocles that said “Strike, if you will, but hear,” and it was Pericles that died of plague. I found this interesting enough to look into who Themistocles and Pericles were, and here’s what I found:

Themistocles was a politician and general that broke the mold by being non-aristocratic and populist, which gave him the support of the people but put him at odds with the nobles and some of his peers. He turned 30 in 494 BC, which qualified him to run for the position of Archon, which he did, and won the position the following year. He had a prominent rivalry with another politician named Aristides. Whereas Themistocles was populist, Aristides primarily fought for the upper class. Themistocles eventually 20the rivalry after Aristides was exiled. Years later, though, Themistocles himself was exiled, and while he was gone his enemies took the opportunity to charge him with treasonous activities, knowing he could not defend himself. Because of this, Themistocles could never return to Athens, and so found employment and a home among the people that he once fought against while serving Athens. Given military command once more, he was actually Themistocles who said “Strike, if you will, but hear,” and it was Pericles who died of plague. I found this interesting enough to look into who Themistocles and Pericles were, and here’s what I found: Pericles, to me, has less interesting things about him in relation to Pathologic, with the main two being that he rehabilitated the image of Themistocles and he died of a plague. What could be interesting is the fact that General Block and Captain Longin are in both Pathologic 1 and 2 often compared to Achilles and Patroclus, two Greek soldiers from ancient folktales, primarily known for being two of the most important characters in The Iliad. To me, drawing a connection between Achilles and Block, as well as Pericles and Longin, isn’t that absurd. What could also be interesting to note is that Pericles was the main character in a play written in part by William Shakespeare. While Themistocles' life almost exactly fits the character arc of General Block, down to the weird connection between him dying of the plague in The Marble Nest and Themistocles drinking bull blood (as well as Dankovsky thinking Themistocles died of the plague), I think how Pericles fits in could lie in the Shakespearean play, as we all know how important theater is to Pathologic. You see by now at least partially what I think this alludes to, but I’ll talk more about it in the additional notes section.

Next, I’ll discuss a mythical story brought up in the Marble Nest: The Tower of Babel. This is brought up by the clerks sitting directly outside Georgiy Kain’s house. I think most people would talk to these guys right before talking to Georgiy, but I have more to say about it so it’s written second. When talking to one of the clerks during their argument about the plague, one man mentions that he thinks The Polyhedron is at fault, and no matter how Dankovsky replies (he has 3 options), the man then says “History already knows an example of people trying to erect an impossible tower. It ended in tragedy.” I could go on explaining why I believe this guy is talking specifically about the Tower of Babel, this post is already long enough so just trust my reasoning here, please. Notable to the point I’m trying to make, one of the other clerks brings up that he thinks the plague was started because of the irreconcilable differences between The Kin and the town, and the fact that the Kin have been forcibly mashed into the town. When Dankovsky asks the man if something is holding the Kin in the town, preventing them from leaving and returning to the earth, the man says “Someone is… our rulers. They have embedded the steppe people into this town, carved them into its warm flesh. This isn't a town, it's an honest-to-God minotaur. A chimera. And chimeras have remarkably short lifespans and bad health. Can you breed a snake and a crane? You can, yes. But the progeny won't live long.” This dialogue is interesting for a few reasons, one related to the tower of Babel and two related to other possible ARG clues. The first interesting thing is that what he’s describing, drawing a connection between the Tower of Babel and the Polyhedron, actually makes a lot of sense. To him, the Polyhedron is not only an affront to God, but its accentuation of human hubris coincides with a beating down of nature and the earth, represented in part by most of the Polyhedron’s mass being concentrated far above the earth while also piercing the earth’s heart. The story of the mythical tower, to oversimplify it, is essentially a tale of people from many different walks of life all coming together to construct a giant, seemingly impossibly tall tower in order to avoid the possibility of a second biblical flood destroying most of humanity. God sees this attempt as an affront to both him and the natural order, and so before the men are able to finish the tower he divides them all by making them speak different languages, making it impossible for them to understand each other. So, in this second clerk’s interpretation, the plague is a result of the town both rebelling against/abusing nature and also taking the Kin into itself. Unlike the first man, who believes the tower itself is at fault, this second one believes it’s all because of the town making itself into a “chimera,” which he believes cannot live long. What’s clear to me, though, is that although these men believe they disagree, their explanations complement each other very well, which brings us to our third man, who has a rather simple but somewhat confusing explanation. This clerk believes that this plague occurred in the town because men should not be “remodeled or altered,” and when asked what that has to do with the epidemic he replies “I don’t know… It wasn't we who designed the world like this. I believe in men, Doctor; in superhumans, I do not. This earthly life wouldn't fit them. Immortals have no place in the world of the living. This is just how it works. Take from it what you will.” This man seems to be implying that Simon Kain, the immortal man, is the reason why this plague appeared in the town. This is when it all started to come together for me: these men's stories do really all complement each other, because here they are posing the Polyhedron, chimera, and Simon as all the same. This will further be explained in the additional notes section. Three parts of one whole if you will.

Now, the mention of the Tower of Babel is interesting for two other reasons, one of which will be discussed in the additional notes section and one of which I’ll discuss here. In the Fyodor Vitin “One can work here” post there are numerous items displayed in the room pictured, but perhaps most interesting to me is the golden bull statue that sits at the front and center of the photo. My first thought when seeing that image was “Oh! This reminds me of the biblical story of the golden calf statue, which I bet is what they’re referencing.” For those who aren’t familiar, I’ll be oversimplifying another biblical story now. While trekking from Egypt to the holy land, Moses leaves his people behind to climb to the top of a mountain and commune with God. Moses is gone for forty days, upon which the people are fearful that he will not return, and so they molded a calf statue out of gold to worship. God, upon seeing this, sends Moses down to the base of the mountain to punish his people for their sins. Moses burns the golden calf in a fire, ground it to powder and water, and forced his people to drink it. He then killed all of them basically. My thought process was related to the fact that The Bachelor is punished severely by The Powers That Be for his own affront to God, the pursuit of immortality. Now, after that previous discussion about the Tower of Babel, I am noticing some very interesting things in this picture, and primarily that there are two other related statues. Now that we have the previous context about The Tower of Babel and the clerks in our mind, we can see new meaning in these statues: a black statue of a centaur, and a white bust of a man. The interesting thing about the centaur should be obvious, it is another chimera. The bust of the man, which seems to be made of marble, reminded me somewhat of ancient Greek statues that are chiseled to glorify certain leaders and make them seem somewhat perfect while also immortalizing them in stone. You can probably see the connection I’m making here, and so I will leave the rest of the explanation for the additional notes section.

Another thing that's interesting to note is the aforementioned three men, unlike most characters in Pathologic 2 and the Marble Nest, do not stop moving when you pause the game; their animations continue to play even after you bring up the pause menu. If you’re unaware, there is actually a small detail in Pathologic 2 where pretty much everything nature-based or that is a natural force of the world, as well as everything that’s supposed to be seen in a meta-narrative sense, does not stop moving when you pause the game. This includes rain, leaves falling, the particle effects that come off the clocks, fire, executors (not orderlies), plague particles, etc. Once I noticed this (while trying to get a screenshot of some things to analyze) I tested out some other NPCs in The Marble Nest, and all of the other people I tested seemed to freeze when the game was paused. However, this is not to say that no other characters in the Marble Nest move when the game is paused. I only tested about 4 guys besides the primary trio we're discussing, mostly just to make sure it's not a thing that all Marble Nest characters do. If one of you people reading this would like to go through and see which characters in The Marble Nest also possess this trait, it could prove fascinating.

Finally, I’ll talk about two somewhat modern (at least modern compared to the previous two) stories that are brought up in The Marble Nest, although not directly: The Time Machine by H.G. Wells and The Masque of the Red Death by Edgar Allan Poe. Admittedly, I have not read either of these stories (it’s possible I read the EAP story 5-6 years ago and just don’t remember it), but I do actually know quite a bit about the stories and their themes from a couple of literary studies on specific genres I’ve done over the years. Additionally, for this section, I have done some more research on the plots and themes of these stories which yielded fascinating results.

The Time Machine is brought up when The Bachelor visits The Cathedral and speaks to a Tragedian standing within. The Tragedian talks about how the building is not a temple, but a machine. Daniil asks what kind of machine, and The Tragedian responds “This is a time machine. Time works differently on the inside and on the outside. It's frozen now. I think something's broken.” To which Dankovsky can say “A time machine? Are you saying it can transport me to the past or to the future? Like in that Englishman's book, what's his name…” For this, I did some research into what book he could be referring to, and almost instantly Time Machine stood out to me for a number of reasons. I think there might be something interesting to be said about how this relates to the ARG, but I’m not going to be the one to say it, because I’m honestly not sure how or if it does. I will describe how it connects to Pathologic though, in case that sparks anyones mind. The work is apparently seen as popularizing the idea of time travel and the time machine, which relates to what IPL has said about The Bachelor’s route I suppose. As for the plot, it’s about a Victorian man using a time machine to travel to the year of A.D. 802,701. He meets two races of people, one descended from the oppressed working class and one descended from the pampered owning class. Over hundreds of thousands of years of this lifestyle, the two races have started to diverge, with the owning class becoming child-like and basically useless, while the working class has been forced into a life of toil and hardship which has shaped them into a race of underground-dwelling animalistic race of people. Essentially the novel is a depiction of class struggle and the class contradictions inherent within capitalism, but with a bit of a metaphorical twist. The toiling of the working class underground is what allows the upper class to live in abundance without the need for work. There is very interesting commentary here to be made on the worms/odonghs in the game, as well as the eternal youth that is present in some elements of the stone yard, but this isn’t a Pathologic essay, it’s a Pathologic ARG essay.

The Masque of the Red Death is alluded to by The Bachelor in a dialogue with a wandering citizen, who opens up the conversation by saying “A masquerade ball will be held in the main square this evening. People want to celebrate our victory over the sand pest. You don't mind…?” To which The Bachelor has 3 possible replies, one of them being “I seem to vaguely remember a rather famous story about a masquerade held to celebrate a victory over a plague. Remember how it ended?” To summarize, The Masque of the Red Death is about a group of noblemen taking refuge in an abbey to hide from a plague (the plague is known as the Red Death). The plague’s symptoms are gruesome, and all people who contract it apparently die within a half hour. The main character, Prince Prospero, and his fellow noblemen believe themselves to be entirely safe, though, as they have welded shut all the doors and isolated themselves in the abbey. To entertain the guests, the prince holds a masquerade ball that takes place in seven of the rooms of his abbey, each colored differently. The first six rooms are blue, purple, green, orange, white, and violet, with the last being black and illuminated by a red window. No guests venture into the seventh room, as they are all scared to enter it. Every hour a clock in that room chimes, upon which the guests freeze and go silent momentarily, before resuming normal activity once the chiming stops, only to do the same thing after an hour. Once midnight comes, a person appears in robes covered in blood and resembling a funeral shroud, wearing a mask that depicts a person clearly infected with the Red Death. This figure walks through six of the chambers before the prince starts chasing them with a dagger. Confronting them in the seventh room, the prince immediately falls dead upon seeing this person’s face. The other party-goers all charge the figure, stripping them of their clothes and mask, only to find that there is no one underneath. The conclusion of the story states that the figure was not a person, but rather an embodiment of the Red Death. The Red Death also appears as a reference in the novel The Phantom of the Opera, as well as several film and musical adaptations. The titular phantom dresses up as The Red Death, and in many adaptations wears a skull mask as part of the costume.

I believe Hamlet is also brought up at some point in The Marble Nest, but I can’t seem to find the dialogue so I’m unsure if that’s true.

Next, I'll talk about another random Marble Nest clue

The Bachelor’s hover text for the beetle item says “I used to collect these as a kid. Left the collection with my father.” @pseudoquiddity found that a paper on the top of “The Beginning” Fyodor Vitin post spells out Mechnikov, which is almost definitely referencing Ilya Ilyich Mechnikov, who was a Russian zoologist and immunologist who achieved incredible scientific discovery during his life, and notably for us he was largely focused on the issue of aging and extending human life. Mechnikov was actually brought up in an IPL teletype post as one of the Bachelor’s main influences scientifically, alongside Albert Einstein and Max Planck. The relevant thing about Mechnikov here is that, as a zoologist, he did many notable studies on insects throughout his career to see how their bodies reacted to things compared to how ours did. One thing that’s interesting to me is that the type of beetles we see in the game, I believe, are based on Trypocopris Vernalis, commonly known as the spring dumbledor or spring dor beetle, which is not known to inhibit the region that the Town on Gorkhon would reside in. Another thing I find interesting is the touch text from the Alpha version of the game, which reads “Some fifteen years ago, the Soul-and-a-Halves, the gang of children who are defined by sharing special bonds with their pets, actually considered to allow flower chafers as their "Halves" due to the beetles ‘looking as though they knew something’. The idea was quickly abandoned as ridiculous.” Maybe I’m just 8.6 thousand words into this post and have finally gone insane, but I think the beetles “looking as though they know something”, combined with their close connection to Dankovsky, it seems too intentional.

In the “Feverish Feelings” ARG, the Beatles (the band) were brought up indirectly and used by the players as a clue to get more information. This also related to the clue relating to the Gospel according to John. Additionally, speaking of Mechnikov, u/Fantastic_Advice5593 theorized that the numbers on Daniil’s train ticket from one of the original ARG notes could be hinting toward the date May 15th, or 5/15 (15/5 if you use the non-American dating system I believe), which is Mechnikov Day, and is commonly recognized as Mechnikov’s date of birth. Proving this connection further, the “Messages” Fyodor Vitin post was posted on May 15th. Another interesting thing is that if we convert the time that the “Messages” image was posted to the time scheme used in Pathologic (that is, a 24-hour clock), it comes out to 19:35 (Using GMT+3 time zone, as that’s where Moscow is located.) This is interesting because “Messages” was also posted 19 days after the previous post, and I know for a fact that 19 is an important number in this ARG: The newspaper from the “The Accident” post was labeled as issue number 19, the bible passage that we saw referenced in the anagram from the “Messages” post is John 19:19, the jumble of letters that we found in the touch text for the unused lantern item includes “19,” and so does the 196-17-1 number from Messages. In a way, the number 19 is sort of a self-checking method to substantiate some of the clues we’ve found thus far.

Griffins’ Tower

Many of the details in this section wouldn’t be possible without @kurury-chan who, upon my inquiry about the tower and its accompanying pharmacy, actually visited it, got tons of cool pictures, and translated a ton of the history for me! I literally cannot thank her enough for her help with many elements of this post, but especially in this section. In the original Pathologic ARG, “Feverish Feelings,” the Griffins’ Tower is brought up a couple of times throughout, and was part of an intensive fandom discussion because many elements of it paralleled many themes and plot points of Pathologic. The following connections/possibly related facts are a combination of fandom discussion from the time and my own research:

The tower is connected to a pharmacy that has existed since the 18th century. Both were once owned by the Poehl family, who were a rather eccentric yet somewhat mysterious rich family. Rumors from the time (The 18th/19th century) speculate that members of the family engaged in “…alchemy and witchcraft, and in the basements of the house he turned mercury into gold and bred griffins. Since ancient times, it was believed that griffins, mythical creatures with the body of a lion and the head of an eagle, were the guardians to secret sacred knowledge and treasures.”

In 1994, the artist Alexey Kostroma, together with the society "Here and There" (Tut i tam), organized a demonstration/art-piece to advocate for the preservation of the tower and the revitalization of the city, which they believed was falling apart before their very eyes. During this demonstration, they hoisted a large egg (approximately 1.5 meters) onto the top of the tower, and they painted (I’m not sure what was used to put the numbers on the tower, but I assume it was paint) numbers on almost every brick of the tower. While the purposes for the those two additions rarely get brought up in conversations surrounding it, the egg and the numbers are now some of the most well-known parts of the tower, despite the fact that neither of the two are there anymore. The Polyhedron, as we know, is a tower that at the top houses children and is made from its own complex blueprints. Additionally, in the Marble Nest, but also throughout Pathologic as a whole, there is a common piece of imagery that connects eggs and the Utopians. In the opening of The Marble Nest, the item that’s used on the loading screen is an egg. If you look at the egg sprite in P2, you’ll see a crack in it that heavily resembles the Polyhedron. Daniil Dankovsky commonly uses the Latin phrase “ab ovo,” which means “from the beginning” but when literally translated means “from the egg,” and his touch text for the egg in Marble Nest reads “To understand anything, start ab ovo — ‘from the egg.’”

While playing through The Marble Nest several times for this ARG, I noticed something that gave me more confidence in The Griffins’ Tower playing a role in it. If you guys have played Pathologic as much as I have you’ll know there’s a tower in between the Stone Yard and the steppe that you can’t enter and is barely ever really explained. If I’m picking apart my brain correctly for Pathologic 1 knowledge, I believe it is implied to be a Focus of some sort. If you’ve only played Pathologic 2, or you haven’t played through The Bachelor’s route in P1 enough, or you haven’t read through the Pathologic “Corpus” entries, you probably have an incomplete idea of what a “focus” is and all that it entails. I won’t go too deep into it now, but it’s said in one of the Corpus entries that, on top of the Polyhedron, Cathedral, Stillwater, Crucible, etc., there were a number of experimental Focuses that were built for Simon Kain to test the limits of what buildings could capture the human soul and memories. It’s a building you can’t ever enter, but it does have a visible door, which is very similar to the way that Simon’s focus is described by Victor Kain. I’d like to draw your attention to the visual similarities between that tower and the Griffin Tower. I’d also like to draw your attention to the fact that, in the original design concepts of Pathologic 1 every character is associated with a specific animal, and Simon Kain’s is a griffin. What is a griffin? Well, it’s a fusion between two drastically different creatures, a lion and an eagle; a griffin is a chimera.

Interestingly, in 2005 (the year Pathologic came out) the pharmacy connected to The Griffins Tower was closed for a while because it became flooded with water while trying to extinguish a fire.

There is a photo in the pharmacy connected to the tower (which has now been converted into a museum about the history of the place and pharmacies in general) that depicts, during the early 1900s, the pharmacy sitting next to a theater called “Simpatiya” (Sympathy).

While @kurury-chan was on a tour of the pharmacy/museum she found an interesting marmite that was on display. It was created by Samuel Clarke and it’s called “Pyramid,” and the marmite has an accompanying poem: Когда ночи темные, подумайте о Кларке, который попал точно в цель. Его ночные огни создают светлые ночи, в которых вы прекрасно видите. (When the nights are dark, think of Clark hitting the mark. His night lights create bright nights in which you can see perfectly) This is interesting largely because the poem reminds me somewhat of the body text for the lantern ad found in the newspaper post.

In the original email mentioning the Griffin’s Tower, Voronika Kroy appends the message by saying “P.S. I feel like I’ll need this memory later.”

Seventh Seal

I watched this movie after discovering all of the allusions to General Block we’ve seen thus far, but being unsure what to do with any of them. For those that don’t know, the movie The Seventh Seal’s protagonist Octavius Block has been listed as one of the main inspirations for Alexander Block, and since IPL seems intent on leading us to analyze certain works of literature/film/theater for this, I decided to look into it. What I found is incredibly interesting I think, because it seems that one of the main inspirations for The Marble Nest is The Seventh Seal.

The title is based on a bible verse (from the Book of Revelations) that reads “And when the Lamb had opened the seventh seal, there was silence in heaven about the space of half an hour.” This verse appears both at the very beginning of the movie and then again toward the end. This thirty minutes/half-an-hour element appears prominently in both this story and The Masque of the Red Death. One other place it appears is on the pocket watch in the first Fyodor Vitin post, where the time on it is 2:30. I am very confident that it also appears in The Marble Nest once or twice, but despite looking I was unable to find it. If anyone else knows where it might be, either comment on this post or message me, and I will put it in this section and credit you.

The movie's plot revolves around Antonius Block, a disillusioned medieval knight returning from the Crusades. Block is struggling throughout the movie with his inability to believe in God and his realization that his whole life has been wasted. He wishes more than anything to do one last deed before his death to give his life meaning. The movie is set during the Black Death, with prominent elements of the story revolving around the plague. The movie largely focuses on how Block takes in several poor and out-of-luck folks fleeing the plague, inviting them to stay at his castle and escorting them along the way.

Toward the beginning of the movie, Death comes to take Block, but he convinces Death to play him in a game of chess for his life. This game of chess continues throughout the movie, with Death allowing Block to take several breaks in order to find clarity about his life and death. Toward the end of the movie, he allows Death to take his queen, effectively ensuring he would lose the game in the next turn, so that his companions could get away without Death noticing. After returning to his castle, everyone has a nice meal before Death arrives and takes everyone, excluding the people that Block helped get away by tricking Death.

Many things from Pathologic seem to take inspiration from this movie; most notable being the storyline of The Marble Nest (Dankovsky’s “People” screen categorizes people as chess pieces, essentially implying that his struggle against death is a sort of chess match), but there are also some smaller things. For example, there is a scene where the characters encounter someone afflicted with the plague who cries out for help, and one of the women tries to get closer to give the man water, but another person stops her, as giving water to a plague victim is futile and dangerous; almost immediately after this, a personification of Death appears. This heavily reminds me of the intro/tutorial of Pathologic 2, where a similar scene occurs.

While watching the movie, it’s very easy to see how Block was directly inspired by the main character, but it’s hard to convey exactly how without describing many scenes in detail, so I will simply describe one of them. After leaving a church confessional where he admits to his faith faltering and wanting to perform one meaningful deed before he dies, Block encounters a young woman who’s about to be burned at the stake for allegedly having ties to the devil. He takes pity on this woman, seeing something special in her, and believes she can tell him about life after death. This, to me, seems very reminiscent of Block’s storyline with the Changeling in P1.

Another small lead before this part of the post is finished: This lead, I will admit, I stumbled across completely at random, and will not talk about much because there’s not much I can say about it that isn’t obvious. It might be worth looking into the Russian philosopher Nikolai Fyodorovich Fyodorov, and perhaps thinking about if Fyodor Vitin was based partially on him, since we know Vitin works closely with Daniil.

Additional Notes/Comments:

In the newspaper clipping, it is said that a man with the initials “F.L.” had been one of the apparent two victims of the fire that burned down several buildings. This man (who I’ll simply refer to as “F” from now on) is an academician, historian, and writer of everyday life, which obviously fits well with the man that we know as Fyodor Vitin, and it has been assumed up until this point that he was the victim of this fire. I think there are three possibilities here: Fyodor Vitin was not the victim of this fire somehow, Fyodor Vitin is not his real name, or the newspaper is lying to us. In connection to the light/lantern emphasis in the newspaper, it might be worth it to note that the word “vitin” in Faroese means something like “the lighthouse”/“the beacon”, while in old Swedish it means something like “to know.” What’s more interesting is that Vitin in old Swedish is a second-person plural present indicative, and for people that got a useful education, that means it’s a verb that’s used to factually describe the current actions of the people that the speaker is saying it to. If Vitin isn’t his real surname, his username could mean “Fyodor beacon”, or “Fyodor (that you all) know”.

As discussed extensively in the section on the Tower of Babel, there is a direct connection drawn between the Polyhedron, Simon, and chimeras. We elaborated a bit on this connection in the section on the Griffins’ Tower. What’s especially interesting then is the fact that, in The Marble Nest, the Polyhedron is labeled as “focus,” implying that Simon’s essence is infused in the Polyhedron, as is what happens in the first game. This, I believe, confirms our theory about the connection even further. What then makes this even more related to the ARG is the fact that in the “One can work here” post by Fyodor Vitin, we see the three statues depicting the golden bull, the centaur, and the marble bust of a man. It is then worth noting that this bust of a man made of marble could be a reference to The Marble Nest, perhaps trying to get us to look there for clues. I believe, if the golden bull is meant to represent the Polyhedron (or at least the Polyhedron argument in The Marble Nest), and the centaur is meant to represent the chimera, then the marble bust of the man is meant to represent Simon (or, once again, represent the Simon/immortal man argument from the Marble Nest). This is supported by my point about the marble busts both immortalizing men and also making them more into concepts than men (as the statue can only depict a small part of a man’s life, usually depicting him in battle, leading a governmental position, etc). In the original game, and as can slightly be seen in hints of the second game, Simon is sometimes seen as more of a concept than a man; he is the ideology of the utopians incarnate, the perfect man that represents everything humanity could be. As a chimera is vital to Burakh’s quest, so too is it vital for Dankovsky’s (and it’s interesting to note that Burakh has the chimera revelation while in conversation with Dankovsky.) If the Marble Nest is used to represent the stone yard, or the “town” in its purest form, then Simon Kain is the marble man. It then becomes important to figure out where the “One can work here” picture is supposed to be depicting. I believe, if the statues there are supposed to represent all that we’ve said so far, the location should be representative of Dankovsky’s fight against death, and therefore I say it probably has to be Thanatica.

Now, as for all the connections with General Block, there are obviously many of them, from the Guglielmo Pepe hypothesis to the mention of Aristides/Pericles to The Seventh Seal to the whole “ash” thing, it seems far too much to be a series of coincidences. I don’t think it’s too crazy to connect the prominent appearance of the number 30 in the Block/Pepe/Aristides context to the prominent appearance of the number 30 (as in half an hour) in The Seventh Seal, which makes the appearance of the number 30 in that first Fyodor Vitin post even more interesting. It’s long been theorized that, from what we see in the Haruspex’s route and what we’ve seen in Pathologic 1, the Bachelor’s new route will probably feature General Block much more prominently. Perhaps, as the first ARG was so focused on the inquisitors, we’ll also get to learn more about the army in this one. Maybe General Ashes even had something to do with the building that was reduced to ashes?

The topic of religion, and specifically Christianity, comes up a lot in The Marble Nest. I think all the connections I’ve made in this post to Christianity have convinced you that it’s seemingly an important part of this ARG. In the first ARG, there were certain biblical passages that acted as clues, specifically from the Gospel according to John, which we talked about in the section on the “Messages” post. As is also mentioned in that section, the connection to Inquisitors Peter Kroy and Mark Karminsky seems to be driving us toward looking into The Gospel according to Peter and The Gospel according to Mark. It’s also talked about in that section how these both relate to Daniil. Mark Karminsky specifically also seems to have had something to do with the "Accident" mentioned in the newspaper, and so perhaps combining numbers from the newspaper within the Gospel of Mark could lead to some clues.

Still, as much as I’ve said in this post, there is more I wish to analyze but have not yet. This post has been in the works for a while, though, and I don’t want people to be waiting any longer, so I’ll have to save that other stuff for another day.

If anyone can somehow get into the game files of the Marble Nest and retrieve the texture/model for any of the letters or books (like the two linked images), that will end up being very helpful.

Other screenshots from Pathologic 2/The Marble Nest that could be of interest:

Grigory Gorky (Pathologic 2) Grigory Gorky (The Marble Nest) Mikhail Goba (The Marble Nest) Daniil Death Certificate (The Marble Nest) Rug (The Marble Nest) Book (The Marble Nest) Familiar Bloody Handprint (The Marble Nest) Tipped Over Lantern (The Marble Nest) Staff Sergeant Plover (The Marble Nest) Avrely Gubar (The Marble Nest) Odd use of Roman Numerals (The Marble Nest) Cathedral Letter (The Marble Nest) Plant that I found several times in the Cathedral (The Marble Nest)

[inkblackorchid]

What the hell happened with Crow: an autopsy (Part 3)

Trying my absolute damnedest to finish this one and part four sooner now that I've finally covered the Pearson backstory. *Ehem* Hello again! I hope you're ready for more yelling about a certain spiky-haired Blackbird aficionado, because I sure am.

To get some things out of the way first, though, here come the usual disclaimers:

This is part three of a series of posts about hpw Crow's character was handled during 5Ds' whole run. You can find part one here and part two here. Reading them technically isn't required, but things sure will make a whole lot more sense if you do. (Bring snacks, they're long.)

This post isn't meant as a Crow hate post, nor is it meant to convince people who didn't vibe with his character to change their mind. This is my very long winded-attempt to analyse the writing decisions surrounding his character as best I can, without too much bias. That said, full disclosure, I do personally like Crow, so there's a good chance that will shine through whether I want it to or not. But also, I'm trying to have fun here, so please cut me some slack.

In case you haven't read my previous Crow posts (no shade there) and/or still believe the many, many production rumours that have been haunting the 5Ds fandom since the show's original run, please let me burst your bubble(s) with some insanely comprehensive research by someone over on Reddit (thanks again to @mbg159, who's also here on tumblr): No, Crow was not meant to be a dark signer, or the final boss of season 1, and his spike in screentime has nothing to do with his cards. And also, No, Aki didn't get less presence in the narrative because her VA got pregnant. What if you don't have the time to read either of those long posts? In that case, please take away this simple, very easy rebuttal of why the above theories are bullshit: Their would-be "key points" don't line up with the 5Ds production timeline. At all. Not even vaguely. So please, ditch them, let them die, seeing them still talked about makes me feel like I'm gonna break out in hives. And for the love of god, don't use this post or in fact anything else I post to pit Aki and Crow against each other. Both characters have their strengths and their reasons to love them. I am not the least bit interested in starting any character discourse. So please, spare my sanity. Ok? Thank you.

And now, we can get to the good part at last. In my previous post in this series, I stopped my analysis at episode 95, a.k.a. part two of the Pearson backstory. In this post, I will thus be picking up right after, at the very start of the WRGP—with the Team Unicorn match. The goal for this post is to analyse Crow's part in this particular arc, then provide some food for thought/ideas on how things that rubbed some people the wrong way could have been improved.

More below the readmore, and I give you not just my usual warning, but an extra warning, too: The universe will not let me write short things, so tread with caution, stay hydrated, and expect a veritable dissertation below, because this post feels long even to me, who has long since lost her sense of length when it comes to text. (But I'm well aware this is the result of me refusing to split the WRGP part into two separate posts, so I take full responsibility for that.)

Since we left off right after I chewed through all the issues with Crow's rather belated backstory and especially Black-Winged Dragon last time, we jump right into the thick of things now, with episodes 96 and 97, which serve as the preamble to Team 5Ds' first WRGP duel against Team Unicorn. Crow only gets two major things to do during this short stretch of episodes, the first being that he's Team Unicorn's gateway into roping Yusei into a duel during practice, which helps them set up a ruse that baits the 5Ds gang into sending Jack as their first wheeler because they think Jack's deck is best suited to countering Andre's—which, as it later turns out, it is not.

(Arguably the screenshot where Crow gives off the strongest Youngest Sibling Vibes during the entire show. Look at him, all chastised.)

Crow's second role is an odd one that I argue only he out of the main three guys could fulfill at this point: He's the one to get injured right before the Team Unicorn match, rendering him unable to compete, which leads to Aki offering to take his place for that particular match.

(Pictured: Bird Boy regretting all his life choices up until that point simultaneously.)

Here's the first moment I have to talk about in greater detail. See, the thing is, I don't know what the fandom consensus on Crow getting injured here is, but I argue that this moment was a (rare) strategic decision made by the writers at this point. Crow's injury accomplished several things: 1. It sets up the mystery of why his back wheel locked up out of nowhere, which is later paid off through Team Catastrophe's shenanigans. 2. It organically allows Aki to take his spot without introducing any argument about which of them is "worthier" of having that third spot. 3. Through this, it also allows him to actually bounce off Aki for once (a point I will come back to below, during the Team Catastrophe section). And 4. It allows the show to (TECHNICALLY) pay off the setup they did in letting Aki get her turbo duelling license and train with the boys. (Generally, Crow's and Aki's character writing intersects a bit during the pre-Diablo incident WRGP section, something I'll touch on below.)

Moreover, I think this is also the only match where they could have done something like this, and the reason for it is very simple: Team Unicorn are one-off opponents whose presence in the narrative is only relevant as far as it concerns the WRGP, and they are also one of the first teams the 5Ds gang faces. If we think about the opponents Team 5Ds has after this, it becomes very obvious why Crow could only be injured during this duel: If they had tried pulling this stunt later, it would have forced the writers to pull Aki centre stage during a much more plot-relevant duel than this one (which they were apparently allergic to, but let's not go there), not to speak of the fact that it would have forced them to sideline someone they were definitely trying to sell as the third portion of their protagonist trifecta, which would have probably been awkward. (If not for the fact that they literally did this to Crow later in the show, but I'll get there. Yes, I know there's a lot already that I'll still be "getting to".)

The thing is, whether or not it feels like an awkward writing choice to make so early in the big tournament of this arc (you be the judge of that), Crow's injury finally allows him to have a few interesting character moments for once. For one, there is his immediate disappointment about being forced to stay on the sidelines. Aside from the fact that this is a human and relatable reaction to his injury, it stings even more for the character than it does for us as the audience, because Crow got a moment where the Satellite orphans he previously took care of cheer him on for the tournament literally within the same two Team Unicorn preamble episodes.

(Say what you will, this is just stupid cute.)

So when Aki eventually offers to take his place during the match, he's understandably apprehensive—and again, this is human. It may seem mean in the moment, but from a character writing standpoint, it's a natural response. Plus, it's certainly more interesting to watch the group have a bit of conflict among themselves, rather than everyone immediately jumping straight to acceptance. It introduces tension, and, for however brief a moment, raises the question of whether Crow might refuse to let Aki take his spot. This is also the point where Aki and Crow's character writing officially intertwines, at least for the stretch of episodes between the Team Unicorn duel and the Team Catastrophe duel. And you know what? Say what you will, but I think it does a world of good for both of them. The 5Ds cast, as lovely as it is, doesn't get a lot of room to bounce off one another where it concerns personal matters anymore, once the WRGP starts. Arguably, they get little time to bounce off one another outside of plot-related discussions at all once this portion of the show comes around. The characters are treated as "fully developed", and thus, the writing largely doesn't take the time to show us how the group naturally interacts with one another anymore, especially not with how many side characters (chiefly Bruno and Sherry), antagonists, and duels the show now has to juggle. So Aki and Crow getting even a smidgen of personal conflict here is honestly a breath of fresh air. The interaction kicked off by Crow's injury isn't completely plot-irrelevant, like most character interactions during the pre-WRGP were, but it's not something that feels like it's only there to explain the machinations of the antagonists to the audience, either.

Let me go through this in a little more detail to illustrate my point.

So, episode 97. Crow storms off after Aki offers to take his spot, while Aki heads out to prepare her runner, intent on helping her team. The personal motivations here are already very nice and reflective of these characters as we've gotten to know them up until this point: Crow's angry and disappointed (mostly at himself, which is noteworthy!) because he can't compete. And specifically, he's angry because not being able to compete in the first match means he can't show the kids his duelling like he wanted to. Then there's Aki, whose offer to take Crow's place is every bit as much of a strategic suggestion as it is a bid for acceptance from her. Acceptance, which is the thing she's been all about ever since she was introduced, basically. So she pleads with her friends to accept her, see her as an equal, and allow her to duel for the team, which they do. And Crow initially throws a fit, but then...

(Listen. You have no idea how much Crow and Aki getting to actually be friends means to me.)

He comes around to the idea and not only gives Aki his express permission to take his spot, he even coaches her a bit right before the match. Moreover, as his text states above, he literally entrusts her with the kids' hopes, as well as his own. This quickly brings both of them full circle: Crow, who already has a theme of legacy attached to him, passes the torch to Aki for this match, and in so doing, offers her the acceptance she asked her teammates for. (Frankly, stuff like this makes me wonder why on earth people were so eager to pit these two against each other, when their shared moments are actually some of the best-written during the often rocky WRGP arc.) So, though this injury pulls Crow out of the duel, it, funnily enough, ties him better into the story and to the other characters.

From there, we then dive into the Team Unicorn match proper. And well, being injured as he is, Crow doesn't exactly get a whole lot to do there. However, since we're in the portion where his and Aki's writing overlaps a bit, I do need to go on a quick tangent about what Aki's portion of this duel means for Crow.

(Sigh. Okay, buckle up for a quick and rough detour.)

First, something I need to get out of the way and off my chest: I have made no secret out of the fact that I hate Aki's portion of this duel, save for the moment where she summons Stardust. Hell, this duel segment is pretty much universally hated by anone who has even a smidgen of sympathy for Aki. It's regarded by many as the very moment the writers axed Aki's character, and for good reason: After all the buildup surrounding her getting her turbo duelling license, the supposed "payoff" of it all is that she gets to duel against Andre for a depressing four turns before being defeated immediately, which leads into Yusei's frustrating portion of this duel, which, to my knowledge, isn't regarded any more kindly by fans than Aki's segment. It's a massive let-down, simply put. But the thing is, it's not just a let-down for Aki. After all, the brief character conflict she had with Crow about taking his spot here can and should be regarded as part of the setup for this moment, and as such, it can also be considered to be wasted the second Aki leaves the track after barely making an impact whatsoever.

However, I do need to mention that I have a theory on why this segment was handled the way it was, mostly because I feel like Crow's later interaction with Aki, shortly after she's out of the duel, underlines it (mind that this is just my personal theory, though, after having watched the show perhaps more times than can be considered sane): I think there is a cultural aspect to this duel. See, the word ganbaru, which anime subtitles often like to translate with "do your best" or something along the lines, has a greater significance than the translation implies. Though it's not inaccurate per se, there's more than just the idea of doing your best behind ganbaru, because it's something like an umbrella term not just for doing your best and succeeding, it's also the idea that you have to keep trying, even if you don't succeed. It's related to tenacity, to persistence, even in the face of terrible odds. And make no mistake, I don't mean the Japanese equivalent of "if at first you don't succeed, try again" here. I genuinely do mean "you have to keep trying, even if you fail". There is no guarantee of success here. And for that reason, the idea behind ganbaru is also that it's not simply the success that has value, but the effort made in the attempt to attain it, regardless of the result. (Side note: I tried to scrounge up a resource I could link to that nicely explains this concept, but unfortunately, all the promising articles were paywalled and the ones I learned it from require institutional access to lecture materials.) And this is where I will posit the tentative theory that this is exactly what the 5Ds writers were going for with Aki's segment of the duel—it was very much meant to be the payoff for her turbo duelling license setup and her plea to take Crow's place, but it wasn't so much her success that was meant to be valued, as the effort she (and by extension, Crow) made for and during this duel. And this is where Crow's little pep-talk with Aki after she's out of the duel comes in, because it feels like it supports exactly this interpretation:

(This is essentially the whole sequence. Note how Crow, despite so fervently entrusting Aki with his and his kids' hopes prior, doesn't admonish her for making a bad showing in the slightest.)

I don't think it gets any clearer than it is here. During this sequence, Aki is painfully aware of how poor her performance was against Andre, especially after she was so insistent on duelling at first, and despite having been entrusted with Stardust by Yusei, to boot. Yet, Crow doesn't have a single word of criticism to offer her. Instead, he even tells her she did well and that nobody's perfect. It very much reads as valuing Aki's effort over the result she achieved to me, and thus seems perfectly in line with the idea behind ganbaru.

However, if we assume I'm correct about the intentions behind this writing choice, we come back to why Aki's segment of the duel is so hotly debated and why it may have arguably been a disservice not just to her, but to Crow, too, character-wise. Because the majority of non-Japanese watchers of the show culturally don't have a 1:1 applicable concept like ganbaru, this writing choice was more likely to fall flat for them, because to someone who wasn't raised to understand the idea behind it, Aki's portion of the duel doesn't register as a payoff; it registers as a massive disappointment, because it feels like the writers, who had so much setup already done for her, let her fail on purpose, just to later let Yusei attain his arguably dumbest victory of the entire show. Thus, they also essentially waste the conflict she had with Crow about whether she would be allowed to take his spot in the first place, because with how little she achieved during the duel, she may as well not have gotten on the track. (Figuratively speaking. Please Do Not take this to mean I would prefer a version where Aki hadn't duelled at all. That would be worse. It would be infinitely worse.)

(Also, side note: If this post reaches anyone who's actually Japanese and still remembers this duel, I would genuinely love your input on whether my interpretation is feasible or just wishful thinking. Did you interpret Aki's part of the duel the way I did here? Or did it fall flat for you, too? If what I'm saying here feels like an absolute reach, please tell me. I'm honestly just trying my best to make things make sense here and remembered this concept from some classes I took in Japanese studies at uni.)

With all that in mind, it doesn't come as a surprise that some people were just as frustrated with the way Crow was barred from duelling here as they were with Aki's segment or Yusei's later victory. But it is what it is—the Unicorn duel concludes the way we all know it to, and with that, the show begins setting up the following duel with Team Catastrophe.

The only other, non duel-related, noteworthy thing that happens between the Unicorn and the Catastrophe match is a brief appearance at the Poppo Time by Sherry, who admonishes the signers for celebrating their victory early and warns them about Iliaster. Why do I bring this up? Because it's one of less than five times that Crow is in the same room with Sherry. Remember, Sherry. The girl he later, during the finale, talks out of working for the big bad evil guy because he suddenly seems to have such a deep understanding of her motivations and character that he can accurately deduce what argument will make her understand that working with Z-ONE won't give her what she's looking for. So, does Crow get a meaningful interaction with her during this scene, then? Nope. Not even in the slightest. Crow says exactly one sentence that is aimed at Sherry during her appearance, and that sentence is this:

(What a meaningful conversation!)

And yes, I will come back to Crow and Sherry's dynamic in particular. But we'll save that for the Ark Cradle arc post. For now, just keep it in mind as we move along to the other WRGP duels.

So. Team Catasrophe.

During the duel against this team, which was previously only hinted at ominously, the writing for Crow and Aki overlaps again, and this starts with the writers essentially doing a complete switcheroo of what came before: Instead of Crow getting injured and being unable to compete, it's Aki who crashes, ends up in the hospital, and is thus forced to give up her spot during the duel. (This also goes hand in hand with her suddenly losing her powers, which we are given absolutely zero explanation for, but let's not talk about that clusterfuck here. If you're interested in my opinions about that particular trainwreck, I have a rant for you.) Additionally, it's during this stretch of episodes (103-105, which is a whopping four episodes less than Team Unicorn got) that we find out that not only Aki's crash, but Crow's previous one, too, were both sabotage, caused by the rather unscrupulous Team Catastrophe by way of a special card that can cause real damage even when there is no psychic duellist present. (A card we also find out was given to them by Placido/Primo, but this is irrelevant for both Aki and Crow.) Crow's reaction to this piece of information, particularly once Aki gets injured due to the same thing, is where things get interesting for him again, because he gets pissed, to say the least.

(A moment I imagine firebirdshippers must have been positively delighted about.)

Here, I have to reiterate an earlier point: Think what you will of Team Catastrophe, of Aki's crash, and of the sequence where her powers suddenly don't work, but this moment here, where Crow gets angry on her behalf and swears to duel Team Catastrophe into submission—not because he wants his kids to cheer for him, or because he wants to prove himself, but as revenge for his friend—is one of sadly only a handful of moments the writers use to show the strengthened relationships between the individual members of Team 5Ds after the dark signers arc. It's one of the precious few scenes that actually shows, rather than tells us or lets us search for scraps in the subtext, that the signers, and the members of Team 5Ds as a whole, care for each other outside of revolving around Yusei like planets around the sun. Even if it's laughably small, it's at least a hint that there are individual friendships between the other signers, too, that they all stick around one another for reasons beyond gravitating towards Yusei for one reason or another. And for that alone, I'm grateful that they put this here, even if Team Catastrophe was otherwise so ridiculous and made such a bad showing at their actual match that they could barely be taken seriously as antagonists at all.

Speaking of which. The actual meat of the matter. The Team Catastrophe match. What does Crow do here? Well, he duels! Even though he wasn't supposed to, for injury-related reasons. What both his participation as well as the actual duel accomplish, though, are that they not only showcase previously established character traits of Crow's again, but they also make a (possibly unintended) callback to a previous, major duel Crow took part in: His dark signer duel against Bommer/Greiger. Where and how? Let's see.

Firstly, Crow's participation. The reactions of the other characters to this make it very evident that Team 5Ds did not plan for this, with Yusei and Jack even going as far as to say they "had no choice" but to let Crow duel, because he insisted. This is perfectly in line with the stubbornness we already know from him at this point—a stubbornness that was also a major reason for why he took Bommer on and later continued his duel with said man, despite Yusei showing up and telling him he shouldn't be duelling a dark signer.

Secondly, there's the manoeuvring thing, and here's where I can call attention to a fun tidbit: The WRGP isn't what introduces the concept of manual mode during turbo duels to the audience. It's Crow. During his duel with Bommer. Being crafty and a bit shrewd as he is, Crow, during said duel in the DS arc, purposefully switches to manual mode when he duels Bommer, because he figures that attacks that can deal real damage can probably be evaded if you actually have control over your runner and aren't stuck in autopilot.

(Don't believe me? Here it is. And frankly, it is somewhat hilarious, yet also very fitting that Crow is the only one who thinks to do this during a duel with a dark signer.)

The reason this particular bit is relevant during the Team Catastrophe duel is because Crow essentially repeats this trick here. Of course, it's a bit less impactful now, given that manual mode is standard for WRGP duels, but still: Due to Hook, the Hidden Knight, Crow is forced to pay attention to the track and manually evade the monster's attempts to make his back wheel lock up during the duel, mirroring how he thought to manually evade Bommer's attacks during the DS arc.

Thirdly, there's the revenge angle, and this one is a particularly juicy callback. Remember, Crow's major reason for taking on Team Catastrophe, despite being injured, is that he wants to get revenge for Aki. This directly parallels how his major reason for duelling Bommer during the DS arc was that he wanted revenge for his kids, whom he believed to be dead at that point in time. (It also, interestingly, establishes a bit of a connection to his deck, which boasts a fair amount of revenge effects, but I'll not get into that here, seeing as I've talked about Crow's cards a bit before.)

Keep in mind, despite all the things listed above that this duel accomplishes, it's also by far the shortest WRGP duel. It lasts a whole six turns, total, which is ludicrous compared to the likes of 27-turn Team Unicorn, 26-turn Team Taiyou, or 25-turn Team Ragnarok. And I don't think it's controversial to say that the Catastrophe guys are probably the most forgettable WRGP Team, too. Yet, somehow, despite all its shortcomings in terms of memorable antagonists and plot relevance, this is one of the best duels of the WRGP where Crow's character writing is concerned. Now, I'll be perfectly candid: Coming into this post, I did not expect the Team Catastrophe duel, of all things, to end up being as good at actually showcasing Crow's character and his ties to other characters (who aren't Yusei) as it was, but here we are. And we had better hold on to the good the Team Unicorn - Catastrophe segment did for Crow, because the next thing that's coming up is a harsh break from the WRGP, starting with the sudden appearance of Placido's home-engineered army of killer duel robots. And what does Crow get to do during this part?

Uh. Well.

(Pictured: Bird Boy being demoted to benchwarmer while the city's being ransacked by murder duel robots.)

Nothing. A whole lot of nothing, is what.

During the duel robot invasion, we only ever flash back to Crow to ascertain that he is, in fact, useless during this part of the show, something he shares in common with Ruka, Rua, and Aki here, because all of them get pretty much nothing to do while Yusei finally gets the hang of accel synchro. Granted, Aki gets to save a little girl at the hospital, but in comparison to Yusei's lengthy, plot-heavy duel with Placido, this feels like a consolation prize. And for once, Jack is only marginally better off, too, because sure, he gets to beat up a couple of robots, but that's it, really.

Where Crow is concerned, his plot relevance doesn't actually resume once the Placido duel finishes, though. (And neither does Rua's, Ruka's, or Aki's, while we're at it.) Because wouldn't you know it, the next big thing directly after the duel robot invasion are the Red Nova episodes, where three out of five signers (Crow, Aki, and Ruka, unsurprisingly) are removed from the screen almost in their entirety again while Jack gets his much-needed dragon upgrade so he can keep up with Yusei, in order to uphold his status as a classic, almost-evenly-matched yugioh rival.

Speaking of upgrades and dragons, let's make a quick detour while our protag and rival duo take their express vacation to the Nazca plains. It is, of course, no secret that no signer outside of Yusei and Jack ever got a dragon upgrade within the anime. (No, I'm not forgetting about Life Stream Dragon. But that one, unlike Shooting Star Dragon and Red Nova Dragon, was a.) teased all the way back in the DS arc and b.) didn't have a unique summoning method or some other gimmick that made it an "elevated" synchro. So I'm discounting Life Stream as a "proper" dragon upgrade on purpose.) Is this the point where I start arguing that Crow should have gotten one, then? Well, not quite. Not with the writing the show canonically gave us, at least—after all, with how late Black-Winged Dragon was introduced, it would have been bonkers to upgrade him here already, if even at all. However, I do argue that the way the show hands only Yusei and Jack upgrades seems a bit... off. Now, I know why only those two get upgrades, or at least I think I do. After all, they're the central protag/rival duo, and within the framework of the character archetypes the larger yugioh canon has created for itself, this would have always made them the first, if not the only candidates for dragon upgrades. What feels a bit off to me, though, is that specifically the 5Ds cast feels like it... chafes a bit against those character archetypes, for lack of a better word. The problem is this: The signers, as far as the first two arcs are concerned, are sold to us as equals who all have very powerful ace monsters. Yes, Jack and Yusei are still undoubtedly the best duellists among them, but not on account of having uber-powerful extra special monsters that were acquired through supernatural means that are categorically inaccessible to the other signers. However, with the appearance of Shooting Star and Red Nova, this changes. While Yusei and Jack were previously and would have always been the two guys who had a Special dynamic with a capital "S" on account of their character archetypes, their acquisition of the dragon upgrades—and even more so, the lack of upgrades their fellow signers receive—now decidedly puts them in a different power bracket and skews the balance between previous, supposedly "equal" characters. (Which, unfortunately, is yet another thing that makes everyone else easier to sideline.)

Why do I bring all this up in a post dedicated to Crow? Because this new power imbalance arguably impacts him more than the other signers—because he's Team 5Ds' second wheeler and doesn't miss another WRGP match from here on out. Thus, that power imbalance is felt in the upcoming duels, where Yusei and Jack bust out Shooting Star and Red Nova like it's nothing, while Crow is left manoeuvring with the somewhat underpowered Black-Winged Dragon and whatever else he can come up with. This is also why I claimed that the show did sideline Crow in some aspects further above. Because while some parts of his writing go to great pains to establish him as part of a protagonist trifecta that is now supposed to take centre stage before the other characters, he also permanently lives in Jack and Yusei's shadow, ultimately barred not just from reaching equal status as a signer (due to his late and rocky introduction and dragon acquisition), but also barred from becoming the equal of his foster brothers as a duellist. Frankly, I'm surprised the show didn't make this a plot point, because the first thing my mind jumps to when I think about this is whether Crow felt left behind after his brothers acquired such immensely powerful, special cards. But more on my personal writing ideas later. For now, let's just put a pin in the power-imbalance thing.

So, when is Crow back on screen in any meaningful role, then? (Note that I mean this as literally as possible. As per my discussion about "screentime" and my gripes about it in part two, I gloss over the parts where Crow is on screen, but could be traded for any other signer or even a lamppost without affecting the scene at all.)

Well, the next thing Crow gets to do isn't exactly glorious, but it sure is funny.

(I want you all to remember that he has to wear this costume and play this part in Team 5Ds' absurd plan to capture Yaeger/Lazar because he lost at rock-paper-scissors. This will never not be funny to me.)

Ignoring the hilarious outfit and Crow playing the bait at a fabricated cup ramen promo event meant to lure Yaeger in, bird boy does actually get something that's not just for funsies to do during the two episodes where Team 5Ds is trying to get more information about Iliaster: He gets to have a duel revanche against Yaeger, who, if we remember the DS arc, ditched him the last time they squared off. Much like the Team Catastrophe duel, this one, too, calls back to previous duels Crow has had: For one, it's the obvious conclusion to his unfinished, first duel with Yaeger. And for two, Crow repeats a "trick" (for lack of a better term) here that is also unique to him: losing on purpose, which we remember from his duel with Lyndon.

(Identical-looking clown family jumpscare be upon ye.)

And again, much like getting injured for the Team Unicorn duel, I argue that this story beat here is something that could also only have been accomplished with Crow. Because he's the only one who has previously duelled Yaeger, firstly, because not wanting to make a child cry by beating their dad in a duel makes sense for him as a character due to him being a family-oriented person who loves children, secondly, and because losing on purpose in this scenario is a tactic that would seem out of character from anyone else, thirdly. (We recall, the only times Jack and Yusei, respectively, ever consider/offer to lose on purpose is when the lives of people close to them are on the line, in the shape of Carly/Rally. As for the others, aside from not being present, Aki, Rua, and Ruka are so heavily sidelined at this point that they would have never been an option for this. And if his writing is anything to go by, Bruno is mostly purposefully forbidden from accomplishing Plot Things, especially through duels, while he's Bruno.) But hey, due to the way this episode is set up, losing on purpose works out for Crow, because it convinces Yaeger to stop hiding and actually share his knowledge about Iliaster. This, by the way, is the second scene where Crow gets to be in a room with Sherry for a longer stretch of time. And look, him joking that Sherry might kill Yaeger if he doesn't spill the beans about Iliaster soon is fun and all, but in light of the Ark Cradle duel later, I have to point out that he, again, doesn't get to have so much as a shred of a meaningful conversation with Sherry here. Again. But moving on. The scene with Yaeger at the Poppo Time then leads us first to the small sequence in the arcade where the gang has to win a simulated duel to get Yaeger's encoded intel, then to episode 116—the Moment Express episode, where, due to this being a Yusei, Sherry, and Bruno-focussed episode, Crow gets nothing to do again. (And also doesn't get to interact with Sherry again.)

Congrats! We've survived the WRGP break. This leaves us with three more WRGP duels before shit hits the fan and the Ark Cradle arc commences. And full disclosure, I'll be doing a bit of a quick-fire round of those three duels. Why? Because despite them all having their merits in their own rights (they're the better liked duels of the WRGP for a reason), there honestly isn't that much focus on Crow during them. He duels, yes, and I've seen people point this out over and over again as the supposed smoking gun that shows how Crow had so much more relevance and screentime than Aki and yadda, yadda. We've been there. And it's not that I can't see where this argument is coming from—I'll be the first to tell you that it's a travesty that Aki never got to duel in the WRGP again outside of the Unicorn match. But I want to use the final three matches to dig into how the way these matches—and especially the opponents to go with them—were set up made it nearly impossible for Aki to replace Crow again during any point of the WRGP finals.

First, episode 118. This is the only preamble episode we get for the first two WRGP finals teams, and here, our group is split in two: Yusei, Bruno, and Rua introduce us to Team Taiyou, while Jack, Aki, and Crow introduce us to Team Ragnarok. There isn't much to say here, because the only thing this episode does for Crow is a shallow repeat of what the Team Catastrophe duel did: By putting him in a group with Aki and Jack, and letting them decide among themselves, independently, to check out the exhibition match, it implies that he voluntarily spends time with signers who aren't Yusei. Thumbs up. Gold star. You made an effort (I guess). Then, the real fun starts.

Round one. Team Taiyou.

(Pictured: The sweetest country bumpkins to ever grace this earth. Yes, I'm biased.)

So here's the deal with Team Taiyou, from a narrative standpoint, as best as I can grasp it: They are a callback to Team 5Ds' roots. Specifically, to the boys' Satellite roots. The Taiyou boys come from humble origins, have only one, mostly home-engineered duel runner, and play using old cards that are widely considered shitty, as 5Ds canon tells us. They are essentially the non-signer, countryside version of what Jack, Crow, and Yusei once were, which is why this is the first duel where the duellist constellation on Team 5Ds' end couldn't possibly have been altered. Team Taiyou is there to remind us where our boys started, so it has to be our boys duelling them. This also goes for Crow, even though this duel otherwise doesn't accomplish much for him, character-wise. Instead, it's more of a narrative wink at the audience, as well as providing a breather between otherwise extremely tense, plot-focussed duels. But yeah, Crow's part in this match isn't much to write home about; he doesn't get any verbal interactions that are very meaningful to his character, can't get so much as a scratch in on Zushin, even with Black-Winged Dragon, and is defeated so Yusei can take out the legendary giant.

Round two. Team Ragnarok.

(Behold the pizzazz of at least two contenders for Haircuts With The Most Spikes in the show.)

Though this duel is framed as being even more so aimed towards bolstering Jack's character writing than Crow's, given the inclusion of Dragan's personal history with Jack, Team Ragnarok gets significantly more interesting for Crow again than Team Taiyou did. This is, of course, mainly because of Brave/Broder. Where Team Taiyou were a callback to the 5Ds boys' roots, Team Ragnarok are their narrative foils. Dragan is the duellist who lost his pride to contrast Jack, who's brimming with pride at all times, and Harald/Halldor is essentially the rich, "destiny isn't bullshit, actually" version of Yusei. Meanwhile, unlike the first two, who highlight our 5Ds boys' characteristics by contrasting them, Brave acts as Crow's mirror. Through Team Ragnarok's flashbacks, we see that he gets almost exactly the same, lovable-rogue-type backstory that Crow did during the DS arc, just in a different setting. The only, major difference between them is that while Crow is more down-to-earth, Brave likes to be pretty flashy.

(Keep in mind that he's doing this on a runner. Is there such a thing as courses on how to do acrobatics on your runner? Like there are courses for vaulting on horseback irl? I'm overthinking this again.)

Unsurprisingly, the duel thus ends up addressing the similarities between Crow and Brave, mostly through two things: One, the duel essentially becomes a contest of who can out-trickster who, culminating in the famous, ridiculous-in-the-good-way sequence where Crow activates a trap from his graveyard, to the shock of pretty much everyone present. And two, despite being on opposite sides, the two bond over their concern for the children they took care of and their concern for children in general, which is expressed most clearly in the scene where Crow's kids, in an attempt to hold the poster they made for him higher, very nearly fall over the barricade in the WRGP stands. Despite the hefty length of the full duel, these are pretty much the only things actually related to Crow's character that come up, though. They're good, don't get me wrong, but in a duel that is otherwise this dense with plot, Aesir shenanigans, and Iliaster foreshadowing, it's no surprise that the duel doesn't add that much to Crow's character, outside of giving him someone he can bounce off very well and relate to. Again, though, we are faced with the same situation as with Team Taiyou: Due to the way the members of Team Ragnarok are written, meant to contrast/parallel one male duellist each from Team 5Ds, nobody other than Crow could have taken the third spot here, either. It would have felt awkward from a narrative standpoint (as much as I would have loved to see Aki duel more).

Now, finally. Round three. Team New World.

(Welp. Here come the robots.)

I had to check to make sure I wasn't misremembering this, but due to the way this duel was set up so José/Jakob could bust out Meklord Emperor Granel with a ridiculous amount of attack points, Crow gets a resounding four turns total in this duel. (Gee, I wonder which other character got this treatment during a WRGP duel.) During those four turns, there are only two things he accomplishes: One, leaving behind two combo pieces Yusei later uses, and two, showcasing the shrewd tactics that earned him the label of "trickster" during the Ragnarok duel by bringing out a non-synchro monster that can take advantage of a synchro monster's attack points and effects—Aurora the Northern Lights. And arguably, this is a very smart play, moreover, it's the only time anyone in the show has the bright idea to not use synchro monsters against the known and feared synchro-killer Meklords. Unfortunately, as smart as it is, the narrative doesn't reward Crow for this play—José all but shrugs what could have been a turning point in the duel off, then proceeds to steamroll Crow the next turn, leaving Yusei to score the win, as usual. To get back to the "Crow got so much more screentime than Aki during the WRGP" thing for a second, of all the duels in the WRGP finals, this is arguably the one where Aki could still most easily have taken Crow's spot again, because here, it doesn't matter whether it's him or someone else, as this duel isn't tied to his character in any way. Unfortunately, due to the Granel-steamroller-strategy, this is also the duel where letting Aki take his spot again would have been the biggest shot in the foot, because unless they had changed Team New World's strategy, Aki would have gotten brutally guillotined here, same as Crow—something I can't imagine anyone, not even people who hate Crow, being happy about.

With that, though, we've finally made it through the WRGP. So, what's the bottom line here? Frankly, speaking from my own interpretation, Crow occupies an... odd spot during this tournament, to say the least. Though he does get to duel the majority of the time, few of the duels actually cater to his character in any way. Moreover, he only gets to be the star of the show in a WRGP duel once, during the by far most forgettable match against Team Catastrophe. And mind that I use the term "star of the show" very loosely here, because the problem the WRGP arc as a whole has, in my opinion, is that the rather lame Team Catastrophe duel is the only one in the whole tournament that isn't won by Yusei, which categorically means that any of the other character's big moments are usually undermined by the fact that they ultimately still need him to save the day. Thus, moments like Aki summoning Stardust Dragon and Crow using an anti-synchro-killer strategy that for once actually forgoes synchros are somewhat cheapened by the fact that they're not actually the turning-point moments they're initially painted as, because ultimately, Yusei always has to be the one to save the day. What's worse is that this almost feels like a bit of a non-issue that could have easily been fixed—given that the show tells us that teams can shuffle around their line-up for a match any time. But unfortunately, the writing never interacts with this as a possible strategic element, nor does it ever seem to consider letting Yusei lose, or forcing him to give up his spot for a match. I feel the need to say that I don't put the blame at Yusei's feet here, though: This strongly feels like an oversight by the writers, and perhaps a disproportionate need to have a nigh-infallible protagonist (on the duelling side of things) that their audience would never run the risk of calling "lame". For Crow, though, this chiefly means one thing: In any duel other than the Catastrophe one, it was always clear that even if he partook, he would never finish the match. And yes, this is technically an issue Jack has, too. But this is where the character writing outside of the duels comes into play, too.

Unlike Jack, who actually gets to do something during the Diablo invasion (albeit very little), who gets his very own dragon upgrade and who gets a very personal, pre-duel plot with Dragan, the show's writing doesn't bother giving Crow a lot of plot- or character-relevant things to do, once the WRGP starts. This is also why I was so surprised at how much the Unicorn and Catastrophe duels embrace his interactions with Aki—compared to the later duels in the finals, this portion still makes Crow feel genuinely relevant and interwoven with the other characters. Meanwhile, out of the three final duels, only the Ragnarok one actually tries to establish a connection to his characterisation, through Brave. The Taiyou duel only sets itself up in such a way that Aki partaking instead of him would have been awkward. Meanwhile, the New World duel just has him being treated like a floormat in a sad parallel to Aki during the Unicorn duel, seeing as they both get a nice moment where it looks like they might turn the duel around (Aki summoning Stardust Dragon and Black Rose Dragon onto the field at the same time; Crow summoning Aurora the Northern Lights, which couldn't be absorbed by the Meklords), only to have their hopes dashed as they're mercilessly cleared off the track. Outside of the duels, many scenes sadly give the impression that they may as well not have included Crow, though—he often gets so little to contribute to a moment or even to say at all that substituting him with a cardboard box seems like it would not have impacted the scene in any way. And that's without addressing his non-existent connection to Sherry, which feels extra glaring, given his later interactions with her on the Ark Cradle.

All in all, the WRGP feels like a very mixed bag, where Crow's character writing is concerned. His belated backstory, which I talked about in part two, is front-loaded and asks as many questions as it answers. Then the tournament commences, gives him some actually decent character interplay with Aki for once (at the cost of letting her succeed in the tournament, it seems), only for him to be basically irrelevant during the WRGP pause again. And once the whole thing resumes, it becomes this hot-and-cold thing where some duel aspects seem tailored to him, while others treat him as completely expendable. The end result is an arc where I'm left wondering why exactly the writers felt the need to make it seem like Crow made up one portion of a protagonist trifecta, if they never actually bothered treating him as equal to the other two. (The answer, I believe, lies somewhere between the fumbled setup they did for him during the Fortune Cup and DS arc, and the way yugioh in general treats its character archetypes. But that's just speculation on my part.) The one, saving grace the WRGP (outside of the Pearson backstory) has for Crow is that it at least doesn't introduce any new character- and/or timeline inconsistencies. In fact, his character stays remarkably true to form once the tournament begins.

Okay, onto the final bit, then. As I've done in both previous posts, let me delve into completely subjective territory and offer some ideas on how this arc could have been handled to make it seem a little less all over the place with Crow. And since his writing here canonically intersects with Aki's several times, let me try to do it while offering the best of both worlds to both characters, if I can.

As far as Crow's backstory is concerned, I've already offered my solutions to that in part two. Now, to stay consistent with my own suggestions, I'll try to branch off what I wrote in the last post. This means that, as per my previous two analyses, we're dealing with two scenarios again: One, Crow stays a signer and we try to touch canon as little as possible. Two, Crow isn't a signer and we adjust canon in whatever way we need to to make him feel interesting and necessary despite/because of that.

First, though, let's get two adjustments I personally would have made in both versions out of the way:

The way the WRGP is structured puts every character that isn't Yusei at a massive disadvantage, where character moments in duels are concerned. Thus, I propose an overhaul. Among the changes I think could have benefitted the characters (yes, all of them) are: One - Aki actually getting to accomplish something during the Unicorn duel (she can and should still have her moments with Crow, but maybe let her portion of the duel end in her thanking him for coaching her, creating a more upbeat scene that strengthens their friendship, which could double as good setup for their later double-duel against Sherry). Two - letting the Team Catastrophe duel actually play out properly (as in, they become more meaningful as opponents by having a better strategy, for example, and Crow could stick it out longer against them, in order to make this more so his win than Jack's. Also, why not let Aki actually see him get back at Team Catastrophe for her?). Three - giving Crow an actual character moment during the Taiyou duel (what if one of the country boys had played a card or two of the ones he learned to read from? It could have helped drive the parallel between the two teams home.) Four - letting Crow's anti-Meklord strategy get at least a little payoff, if only for two turns (show us at least proof of concept, damn it!). Yes, the Ragnarok duel is the only one I wouldn't rewrite (unless special circumstances are introduced, see below). Additionally, let Team 5Ds alter their line-up more than once, damn it. Let them actually strategise about the duels, let them take into consideration who should go first when and whose deck might be better suited to which scenario. Also, remove Yusei from at least one duel. Doesn't matter how, just let him not partake once. Perfect setup to let Aki duel again, and would also allow for spicy character interactions. (Arguably the best duels where this could have been done would have been any of the final duels, though it would have also required rewriting the antagonists somewhat in any case.)

For the love of god, give Sherry and Crow some setup. Let them actually interact, let them introduce their philosophies to one another, just do something, anything to make Crow understanding and talking sense into her during the finale seem earned. A few chance meetings, or maybe even a tiny side-plot could have done so much here. And if you can't let them interact outright, at least let Aki and Crow talk about Sherry! Double whammy! The two characters who end up duelling against her are made to seem even more like a team, and Crow actually gets to find out what Sherry's deal is on-screen. Just. Set. it. up. I beg you.

There we go. Now, onto the two branches.

Option A: Crow stays a signer and obtained Black-Winged Dragon.

Seeing as Crow's signer status, funnily enough, isn't all that relevant during the tournament itself (save for two notable exceptions), there aren't that many fixes to be made here. Crow can still get injured, miss out on the Unicorn duel and be the star of the Catastrophe duel. But giving him something to do during the duel robot invasion that isn't standing around and hoping Yusei will fix everything would also be nice. It's fine if he can't drive out there and duel, but why not let him do something else? He's a crafty guy, why not let him find, say, a way to fry the Diablos' runners, taking a few of them out even from a semi-stationary position without duelling them? He could at least get as much of a consolation prize scene as Aki got with her saving that child. Then there's Team Taiyou, which, save for what I proposed above, is a duel that doesn't feel like it needs changes. Crow does his thing here. That's it. The same goes for Team Ragnarok, especially given that they're specifically written to oppose an all-signers Team 5Ds. Finally, there's Team New World, which, if I'm being completely candid, I would personally overhaul to change the cyborgs' strategy entirely in order to actually let all three members of Team 5Ds shine. But this is the version where I touch canon as little as possible, so... Aside from what I wrote above, no changes needed. Just make Crow seem a little more relevant, make his strategy have at least a little payoff, even if Granel's back out and menacing literally two turns later.

Option B: Crow, as per my previous posts, isn't a signer and doesn't have Black-Winged Dragon.

This is the version that would categorically require heavier changes, though they honestly don't arrive until the break in the tournament. Unicorn and Catastrophe stay the same, I would still propose that Crow gets to be a little more useful during the Diablo invasion. But! In this version, seeing as he never acquired BWD, the break in the WRGP would be an excellent spot to let Crow acquire an upgrade for his beefy Blackwing ace monster of choice. Give him a little side-plot, too, something to do, something where he proves himself. Maybe let him run into Iliaster here, or maybe call back to Pearson again and introduce the new Blackwing upgrade as a treasure Pearson stashed away before he died (maybe this could have even been the card Bolger was actually after; the world is our oyster here). Then he's beefed up, too, and actually feels a little more on the same level as Jack and Yusei. The tournament recommences and again, the Taiyou duel could stay mostly the same, I think. Ragnarok and New World are where it gets really interesting, though. The way I see it, Ragnarok could go two ways with Crow not being a signer: Either he partakes as he did in canon and his non-signer status is called out as a peculiarity by our Swedish boys who happen to be obsessed with fate (which would make his performance against Brave seem all the more impressive), or, due to this being a duel all about destiny and celestial pissing contests, Crow's spot is given to Aki again for this duel due to her signer status (this would, obviously, require rewriting Brave, perhaps even switching him out for a Ragnarok lady instead). As for Team New World, this duel would honestly be a lot more juicy with a non-signer Crow, because much like he was for the dark signers, a non-signer Crow would essentially be an unknown in their plan for the cyborgs. He would be the guy who's Not Supposed To Be Here. Granted, he would still be beaten, but he could still get an excellent moment where his out-of-left-field anti-Meklord strategy genuinely seems to turn the tables for a bit, angering José and providing even stronger setup for Yusei to win later.

Aaaaand that's that. Somehow, I get the feeling the WRGP had the least things that needed fixing because it also had the least actual character writing. But that might just be me. It's late and I have been writing for A While. But hey, I got out part three faster than part two! I consider that an achievement.

Now, while I get my talking points in order for part four, I hope you'll have fun chewing on this one. See you in the grand finale to my Bird Boy dissertation.

[wesleysniperking]

Usopp and Conqueror’s Haki | part 1 (TL;DR)

Read this if have you any doubts. True Usopp fans only.

This is probably one of my MOST favorite topics to just think about and mull over. For the past couple of days, I’ve just been spouting streams of consciousness it seems, but I’m really wanting to showcase what there is to like and truly appreciate about Usopp.

So, this whole discussion on him having Conqueror’s haki just gets my neurons goin’ baby. Meaning it makes me really happy and theoretical and the like.

As long as I’ve been in this fandom I’ve come across all these theories and speculations surrounding Usopp. And guess what? They never stop. And they don’t seem to be slowing down anytime soon. The Final Saga is here and OP fans are getting anxious and bold. Behind all the scrutiny and petty hate, the real question everyone is asking is, “What will Usopp do next?”

Anywho, every time the convo gets to Conqueror’s haki Usopp gets name-dropped. I never entertained what people would consider bullsh*t. But every time I’d look into Usopp theories and speculation, Conqueror’s Haki was at the forefront. But then when I started frequenting websites such as Worstgen, Reddit, YouTube, etc. Conqueror’s haki kept being brought up and Usopp was in that same sentence. Even the haters with all their doubts think Usopp shows the most potential when compared to other characters people speculate on (no shade to them at all, whatsoever). So, after that sh*t started being shoved in my face, I decided to look into all these theories and speculation arising when it came to Usopp and Conqueror’s Haki, AND despite being skeptical and straddling the fence, I mean, the guy has potential.

First, I’m just gonna say this, when people start talking about how he’s gonna use it and when he’s gonna use it, they come up with all these scenarios that got me thinking they are cooking up something quite tasty.

Like, a multitude of a multi-page thesis.

One scenario that stands out to me is that there will be a moment where Usopp finds himself amid battle and unfortunately he once (again) gets the overpowered baddie whom the monster trio can’t defeat. So per usual, Usopp runs, hides, lies, makes a few seemingly tactless shots with Kabuto, and grovels (maybe), and then he starts getting beaten to a pulp. Like he starts getting the sh*t beat out of him. Then the baddie leaves him or more clearly the baddie starts walking off while giving a diatribe about Usopp being a worthless piece of sh*t and deadweight, throwing Usopp’s insecurities back into his face. So, Usopp gets back up and tries again (bleeding and tired), and some way and somehow (due to desperation and sheer will) he unleashes conqueror’s haki and it’s game over for the big baddie. But it depends if the true fight gets started then (Usopp’s Kabuto raised and ready) or the baddie just ends up on the ground, stomped. The end. This also clarifies that when people imagine Usopp with Conqueror's Haki, this isn't something he's trained for; so it's very sloppy and new to him. He won't know he's used it. It's a one-time, big moment thing, and then whatever else happens from there we run with.

But let’s get back to the ground. That’s daydream-ville. I gotta come back to earth. Needless to say, there are some supposed and still growing/adding conqueror’s haki traits that are/include:

The ability to force their will onto others/a strong will

This one is very complex, somewhat, when it comes to Usopp. But it’s also where it’s the most interesting. From the jump, the Going Merry crosses my mind. Ship developed a Klabautermann because of Usopp’s wholehearted care. That was one of the MAJOR (if not only) reasons why she came to save the Straw Hats during the buster call. So, he was basically the captain of the GOING MERRY (not the SHs, he lets Luffy have that with no qualms—and never did have any).

Then let’s not forget Usopp’s iconic speech when Luffy needed to get his a** up and finish Lucci off. Many people claim that—when discussing how far the crew could’ve gone without Usopp—this is where the deal-breaker comes in. If Usopp hadn’t been there to give Luffy that speech, Luffy would’ve been cat food.

Then there’s Usopp lies coming true. Call it a coincidence or irrelevant, there is indeed proof. If you’re an Usopp fan, you know you know.

Heck, he’s even lied about having conqueror’s two times (was it two or three?), and everyone knows that his lies come true. Even haters (to a point) or non-fans actually can consider this. Like, bro lies about having conqueror’s haki two times and it’s bound to come true.

continue here

Usopp fan club (feel free to join)

[thedevilsinferno]

Carmilla Carmine, Sera, and Emily connection.

I found this theory on reddit that explains that Carmilla Carmine might be a fallen angel. Link here for anyone that wants to read it: (1) "Carmilla Carmine is a Fallen Angel", Or My Ever-Expanding Academic Thesis on the Nature of Helliverse's Angels and Demons : HazbinHotel (reddit.com)

And the further I looked into it not only did I A. think it made a lot of sense I took it a step further and discovered something interesting. Carmilla has a lot of similarities to Sera and Emily. Starting with physical similarities Sera and Carmilla have a similar build and she and Emily have a similar skin tone. Sera and Carmilla also have a similar eye marking? Around their eyes.

Both of them have a feature on their eyes that looks like feathers behind their eyes. In fact, Carmilla's eyes are an inversion of Emily's and Sera's eyes. With Carmilla's having red sclera and Emily and Sera having a bluish grey sclera. While their eye color is all the same being white with a black pupil.

Their makeup is also very similar to each other. Carmilla wears black lipstick and has her nails painted black. While Emily and Sera have black lipstick, and their nails are painted white.

Their faces also look very similar when turned to the side.

In some concept art Sera's hands actually look more similar to Carmilla's hands. That may be not how it ended up in the show it's still interesting to point out.

Another thing I want to point out is the personality similarities between Sera and Carmilla. Carmilla is very orderly, strict, commands respect, and she hides things to protect her family. Sera has shown to have all of these traits as well. They also have the mentality it's okay to do terrible actions for the greater good. They also will o to great lengths to protect their family.

So, looking at all these similarities in personalities and physical I think Carmilla might be Sera and Emily's mother. I think it would add an interesting layer to why she wanted to stop heaven and hell from going to war. It also kinda explains why she would want to protect her daughters so badly. If she is really a fallen angel, then she lost her children once and doesn't want to lose them again.

[deadmountaindaughter]

Ok! The promised theory post! Shorter than I thought it would be because the document I thought would have had all my notes did not have those notes, so i'm reconstructing this based off messages to a friend who also read pnat, along with a reddit post i made ages ago. Without further ado, twenty theories:

1. the large subterranean insect spirit is Sandman's real form. First off, here's the insect's leg:

And here's Sandman's "head":

these are CLEARLY the same shape. I think the "sandman" we saw was just a chunk of the real thing. Bonus proof:

yeah.

2.One interesting thing I noticed is that throughout the entire time we see Peekaboo, it never shows any spectral energy. We could assume it's orange, like dimitri, but it's weird that out of all the partner spirits we see, every single other one of them has their energy show up at least once. Except...

we never see the Shadow's energy either. additionally, take a look at those drippy bits coming out of the hole on the right side, and compare:

So here's my theory, illustrated incredibly poorly:

given the reveal of davy's locker spirit, which makes the SAME NOISES when he uses it as peekaboo does(the wrrrwrrrwrrr thing), and that cody describes as "squashing and stretching" space- exactly how dimitri explains peekaboo's powers- i think that spirit is another chunk in here. maybe the missing eye on the left?

3. on page 8-49, cody mentions a time he was "caught sleepwalking after a curfew [davy] commanded" and saw these scars, which he thinks are from shrike:

we've seen shrike's hands in werewolf mode. those hands did NOT make those scars. if davy had been hit by those claws, he would have half his chest missing, not just a few big cuts. but what interests me is HOW Cody found out- he was sleepwalking after curfew on a night that just happened to be a full moon. but every other time we see him talking about davy's commands, it's like they're physically impossible for him to break under any circumstances, and i highly doubt sleepwalking would be able to break that effect.

but werewolves and vampires are apparently mortal enemies and opposites, so maybe a werewolf curse could nullify a vampire command. and cody's hands are pretty small in human form...

4. i think eightfold is in a very important book. take a look:

this is what the book looks like in its spirit realm. davy's symbol is pretty clear there, along with the author (a. beaumont or something) and the title: on the birth of gods. if you ask me, that sounds like the name of a manual for making a wight.

5.

i think lisa is a Witch. in fact, I think Witch is not necessarily a name, or a title, but a descriptor of WHAT someone is. we have fauxbia the fear witch, but what if lisa is the...i don't know, the weirdness witch? someone smarter than me can figure that part out. as for what Witch means:

I think in the same way medium means the host to a spirit, Witch means host to one of these parasites. as for lisa, suzy has confirmed this:

it would be SO zack morrison if that line was literal.

6. ok im not going looking for it but sockpuppy's intro card describes them as not a spirit but an "anomalous spectral lifeform". apparently they were created by mina, who also defeated the witch years ago-did she make them out of a scrap of the witch that was left behind? they do share the same aesthetic.

7. razor rex is weirdly childish in a lot of ways, and apparently sometimes asks for video games as tribute. a lot of her cultists are also teachers, so i'm wondering if her hideout when she's not being a goddess is mayview middle. that's not much on its own, but look at this prophecy:

going off theory 5, this could also refer to Lisa as the Witch in the prophecy. But we see from the second line that occasionally the sphinx of truth switches l's to w's, and i guarantee that zack morrison would not have done that without it being plot relevant somehow. we see from "wiffin" that sometimes other parts of the spelling of a word are also changed... so what if it wasn't meant to say witch(fauxbia or lisa) but instead Lich(razor rex)?

8. doorman mentions that "fearsay" was defeated by the activity club. fearsay. fear + hearsay(something not true). fauxbia. phobia(fear) plus faux(something not real). i dont know what this means but i think it's important.

9. so pj is totally davy's son. he died and thats why davy wants to be such a good dad to cody, and why he's so protective. what if pj died BECAUSE OF davy? he says it had to be a meteorite, but he doesnt know for certain- could it have been the blast from killing a wight? and adding on to that, according to zack ghosts can only do one thing with their spectral energy, and it relates to how they died. it would be incredibly zack if pj's power is some absurdly powerful blast that puts him at the top of the power scale. just. imagine that.

10. when angel is talking to cherub, there are several instances where it seems like she's manipulating his emotions to make him trust her. the way it's described seems oddly similar to another emotion-manipulating spirit in the comic. and we haven't seen ventrilobite since the flashback...

11. this one is the hill i will die on even if it gets confirmed false: we know ghosts can kind of stretch themselves into weird shapes(see the faculty ghost from way back in the beginning) so it stands to reason that given enough time dead, their appearance can change radically(has anyone here read everlost? yeah like that).

we also know that ghosts do not have legs, ever. just spectral energy. we see from crush that they CAN make legs out of that energy if they want, but it's still just energy. spirits, on the other hand, ALWAYS have legs. except for one.

he's described as a spirit, but that may not technically be false- after all, ghosts are a subtype of spirit.

conclusion: king c is an aztec/mayan era furry who decided to become really cool in the afterlife, and honestly he was so right. he probably got struck by lightning- the lightning he makes is the same color as his energy, so what we think is a spirit power may just be the spectral energy ability his death gave him.

12. just... this entire page: https://www.paranatural.net/comic/chapter-5-page-228

is so suspicious to me. she doesnt turn around until the end, and when she does- INHUMANLY fast- her eyes are a blur with a single white line- almost like she's trying to hide the glow of spirit trance by closing them almost all the way. i think everything isabel said there was right, just not in the way she thought it was.

(also- on this page, isabel asks to talk and the principal says "I'm afraid not, child. important meeting to attend. Come by during office hours and-" the VERY NEXT PAGE, lucifer demands to talk with hiSpender, who says "S-sorry, let's talk later. I'm busy right now and-" the parallel here is INCREDIBLY interesting.)

(also why is she so small? it could just be a comic thing...or it could be a medium thing.)

13. The Shadow's power seems to be based on perspective: when the shadow looks like an umbrella, it can become one, and a dark shadow that Mr. Spender sees as a bottomless pit becomes that too. The Shadow is a shard of the Doctors Burger's prisoner, and Dr. Burger tells Spender to "leave Clayview and its darkness far behind". Clayview. Clay-view. Clay(molding, shaping, sculpture) View(perspective). Was the prisoner-the spirit named Clayview- originally able to mold reality based on its perspective, sort of like Superliminal to the extreme? "Its darkness", therefore, would have that only in regard to shadows, and also implies Dr. Burger knows what Spender did.

14. why does zarei have yellow eyes? i don't think she's been confirmed as a medium but that's really weird.

15. Moving in spirit trance is apparently really hard, but Ed just…does full workouts in it without noticing? And runs all the way down the hall without breaking trance? How???

16. More a question than a theory, but how was Polaris captured in the staff without killing the disciples? We know wisped wights absorb everything around instead of tooling up, but Angel somehow got around that.

17. Why was the barrier created? It contains spectrals and spirits, but not ghosts or tools/non-spectral mediums. Theory: it was made to kill a wight twice. If a wight was inside the barrier and killed once, its absorption effect might have been contained by the barrier(while another barrier protects whoever was doing the killing), and if that was still enough to heal it, then there wouldn't be any energy left for it to absorb if it was killed again. Was that how they beat the Great Sphinx, or was it the plan for handling the Doctors Burger's prisoner, except something went wrong?

18. Completely insane theory: Shred Eagle, after leaving his surfing job for TV and leaving that due to the "accident", returns to his hometown and becomes a teacher. Mr. Garcia. I have zero basis for this outside of the "messily dismembered and devoured" thing and their vaguely similar appearances.

19. Flipflop swaps positions. Switchswatch makes me think of color swatches, so maybe swapping energy colors? Hiphop…I don't know, but I feel like they each have one aspect of Polaris's powers.

20. doorman also mentions that "facade" was eaten by the witch. and now we come to the thing that i am 100% certain of and incredibly mad at zack morrison for:

facade sounds like the name of a spirit dealing with disguises. just a wild guess, but what if its power was to make a really bad disguise work as well as a good one?

...

THEY LITERALLY SAW A NORMAL KID. THIS WAS NOT A BIT. SHE WAS USING THE POWER SHE STOLE FROM FACADE TO MAKE A COMEDICALLY BAD DISGUISE ACTUALLY WORK. AND BECAUSE THIS IS A COMEDY WEBCOMIC WE COULDNT TELL. ZACK I AM SCREAMING

i probably have more but these are all for now.

[eldritch-elrics]

what IS your thesis about? from the list of items im kinda imagining it's something about different communication styles relating to conveying information? (something something gaylor theory and TJLC as conspiracy vs a more authoritative but absurd documentary style with pannenkoek vs fanfiction making fans confuse canon with fanon vs reddit memes as some kind of "you're normal for thinking this"?) like that is an absurdly wide range of Things. what is he cooking ‼️

hehehe omg i did not expect to get multiple asks about this! paging @scatteredcloud and @the-rad-paramecium , who also asked about it.

my thesis is about the 2022 "nier church incident" wherein a user on the nier automata subreddit started posting extremely-credible videos claiming he'd found a new secret area in the game that no one had discovered before, and the fanbase went absolutely insane. i argue that the incident provides an interesting window into a possible religious studies framework for looking at video game secret seeking as a quasi-religious act of communal orientation and meaning-making

it's very fun to read your speculations about how all the stuff i mentioned could fit into it! unfortunately, most of that stuff is just mentioned in 1-2 sentences; the meat of the fun stuff is mostly related to nier automata, shadow of the colossus, or The Bible.

but, as requested, here is how all the silly things fit:

i use pannenkoek's video as an example of fans pushing the boundaries of games to create new mysteries that weren't intended by the developers. this is specifically in my section about how/why video game mysteries affect people emotionally!

gaylor theory & the johnlock conspiracy are both examples of (non-game) fanbases doing theorycrafting. fnaf/matpat is an example of video game fandom theorycrafting. all of these get like, a sentence each in the project

"hollow knight fanfiction" is because i use the hk fic "stag beetles and broken legs" as an example of fans writing fanfic based on fanfic (in the section where i talk about canon-building)

"kirby lore controversies" is also from the part where i talk about canon-building. specifically, i have a whole paragraph about how hard it often is to tell what video game "canon" is, and use kirby as an example of that

sorry there's actually only one reddit meme! the other one is a twitter meme. anyway, the reddit meme is this:

finally, random other fact: probably the funniest social media post ive had to cite is this one

like, it's extremely funny to have a bibliography that sometimes looks like this:

(please ignore the weird capitalization idk why zotero does that)

[richtearex]

Young Royals Season 3

✨Details✨ E1 & E2

Specific random details that my brain liked for reasons unknown.

(Episode 1; 08:56) The hippopotamus(?) by the window.

(Episode 1; 14:03) Reverse three of wands and reverse four of wands (credits to hightea3 on reddit).

(Episode 1; 22:38) True confessions by Jon Winokur next to Simon's head.

(Episode 1; 30:10) The Karin Boye poem.

(Episode 1; 30:14) The book of the left of his desk is Tålamod och längtan by Joel Halldorf and Kris by Karin Boye is on top of the pile of books under his headphones.

(Episode 2; 13:04) What appears to be children's arts and crafts projects on the wall behind Micke.

(Episode 2; 17:37) The book in August's room behind the raquet is Caminando 4, fourth edition (it looks like a textbook to learn Spanish).

(Episode 2; 17:42) The book Patterns of Democracy by Arned Lijphart.

(Episode 2; 21:12) Sara studying for her driving theory test.

(Episode 2; 22:22) THE GARFIELD PENCIL CASE

(Episode 2; 24:52) The green frog with a purple crown drawing.

(Episode 2; 25:11) Simon's address with oranges in the background.

(Episode 2; 26:17) The book at the back is Frank Blå Naturkunskap 1a1. (I googled it and apparently 'The final part deals with sex, consent and relationships, and the norms often attached to sexuality' in case anyone else was interested.)

(Episode 2; 30:32) The glass has hearts on.

(Some of the books are actually really interesting to relate to the narrative. I'm really bad a summaries and haven't actually read any of the books, only looked them up, so I haven't included any of it here.)

[sirenjose]

Your thoughts on the Identity Switch

Thanks to you…. I now really like Norton. I used to hate him because I have a vendetta against people taller than my 4’11 self but now I love him.

on another note, what are your thoughts on the Identity switch system? Looking more into Norton’s background specifically makes me wonder why Norton gets a hunter form. What does this represent? I know that there’s a lot of drugs involved but I always interpreted it as them unlocking a new personality or smth, one more attune to following the manor’s games and supervising it (hunter) and like the other just trying to leave (survivor). I’ve been so interested in Norton’s lore lately that now I’m in an existential rabbit hole in how survivors get hunter forms, why that is, and if it’s like some sort of curse or punishment. Why are these survivors getting hunter forms?

soooo many questions, IK. But like reading your theories and analysis at 3Am is my serotonin. As a new player purely interested in the game for its lore I am just excited to know more but can’t wrap my head around all these weird concepts cause, again, I’m new. Also if I spend the next hour reading more of your analysis I will not sleep so therefore I need to preface my curiosity with a timed endeavor. My question probably do3snt make sense but like uhhh yeaaaaa. You should totally make something on your thoughts on identity switch (especially for the survivors gone hunters) cause I am too far in deep into the Norton-Campbell-Fool’s-Gold-Alternate-personality rabbit hole.

I’ve never done the questioning thingy before so sorry if this is not how it works. G’day!

Ah, it makes me happy to think a nobody like me can turn your thinking around on someone. Especially Norton since he was 1 of the main reasons I got started with the lore at all. I'm someone who usually plays a game based on how interesting the story or characters are, so I was interested in learning about idv's lore soon after I joined (had to take quite awhile to figure out the basics of the game and what all the various buttons were, then take some more time to get used to it before I could even get started with the lore). Was the main reason why I went looking to join places like Discord or Reddit, just so I could find people talking about the story.

Started by just understanding what I could about what people said, but then I eventually moved on to trying to understand at least the basics of everyone's backstories (once again, took me awhile to do that ^_^; Especially as I joined before we were getting all that much story at all). While I was doin this, I heard a lot of people saying bad stuff about some character named Norton. Have to admit I didn't know who he was for quite awhile. Wasn't in my radar. Can't even say I cared much for him. But I eventually got to the point where I basically decided I wanted to see if I could determine if Norton really was that bad or not (maybe as a challenge to myself, maybe because I wanted to find out myself rather than just hearing other's opinions, or maybe because I failed to find anything really in-depth about him).

That analysis took a ridiculous amount of time. In part because I ask too many questions, because I'm a perfectionist and wanted to look at every bit of info on him and detail on him, but also somewhat because I ended up writing this like a persuasion piece, and felt the only way to do that was by going through everything to back up my conclusion (whatever my research turned up). Which was also why I analyzed every single essence he had a skin in, as well as any skins not in an essence, his accessories, emotes, etc... It was during that process I actually got attached to Norton. Probably because of how long I spent going through him (no one needs to know how long it took... only the immense joy and desire to collapse I had when I finally finished).

Since then, I've rewritten his analysis... 3 times now I think? Counting after hunter norton's release? Though I've taken down that 1st version due to issues, and haven't reposted my essence analyses as they're old (they were pretty much the 1st analyses I wrote, and I'd like to think I've improved since then) as well as because they're based on the 1st version of my norton analysis... and because they're probably a bit needlessly long and thus embarrassing... Maybe I'll repost them once I get around to rewriting them. I definitely will eventually at least for Soul Catcher's and Magic Item Keeper's essence because I have to say they took longer than almost any other part of that original (complete) norton analysis (i can never forget the trouble they caused me over how long it took to understand them).

ANYWAYS! Ignoring my stupid rambling because who cares about any of that.

I was going to include my answer to your question about Identity Switches but it’s starting to become a little silly in length ^_^; (seriously, for those who know me well enough, I have a bad habit of writing more than I initially intended to once I get started) so I’ll make that a separate post for you, and you can let me know if it answers your questions (once I post it). If not, feel free to ask any more of your questions.

Honestly, the lore is confusing even to those who aren’t new players, so don’t be too hard on yourself if you can’t wrap your head around a lot of this ^_^;

It’s hard for me to imagine my stuff is so good people are willing to read it, much less re-read it. Especially as I know people tend to prefer… shorter things, but I have tendency to be lengthy. I can’t help it though ;’) But thank you so much for the compliment.

And please, I’m still pretty new to Tumblr, so I’m still figuring all this out myself.

Anyways, don’t feel nervous talking to me or asking me any questions you have. I enjoy being helpful! So please, ask whatever you like. Or even if you don’t have a question, that’s ok too. I enjoy rambling about a subject I get started on, as long as the other person can bear with me ;’)

 It’s always nice to know people besides me, myself, and I are reading this stuff.

(Apologies for any errors or nonsense in this post, as I decided to write it without double checking it for errors cuz I felt like being lazy, and I'm still busy writing out my thoughts about Identity Switches for you)

[userparamore]

I feel like talking so, you're gonna get it.

This Is Why is Paramore's best album (and I am an after laughter truther), I was skeptical bc of CCC and the length of it but tbh, the album as a whole is so cohesive and flows nicely together. It's the perfect length for a drive, a shower, even doing the dishes. Some of their best lyrics (Crave & Thick Skull) to date... I wish I knew more about music theory so I could dissect it, but even the sound has matured. I truly think this is the beginning of their actual true sound..

Forgive me, I spend too much time on Reddit but people who hold on to brand new eyes and riot as their best are just wrong lol! I wish I could feel casual about this, but I've followed this band since 2007 when I was 12... and to really grow up with Hayley has been an incredible experience. She has inspired me in so many ways, I relate to her personal solo music and I just think she / paramore are one of the most authentic musicians of our time!!!

Anyways, Crave... all time song of our existence... truly their best song. Thanks for reading, love your blog! I submitted for the zine and can't wait to see everyone's work for this fantastic album!!!!

oh i welcome this ask with open arms! <3 if you're interested in music theory, stereogum did a piece on ROOT that was extremely interesting to read.

i don't know if paramore will ever develope a true sound? i think they're artists that are always on the search for new ways to express themselves through music. i think describing what makes paramore, paramore, is difficult as it's almost more of a feeling? does that make sense? i used to think it was hayley's voice, but then again i think no friend is such a paramore sounding song.

the people who think riot is their best album doesn't know paramore's discography and are just stuck in time. it's okay to love the sound of the record, and now years later it's a defining album for that particular sound in the 00s. but paramore then and paramore now are just so detatched to me. it's not the same band anymore. i agree that bne is one of their strongest albums but then you have AL and tiw who i think are both much stronger bodies of works.

i'm a little too young to have been here from the beginning, but they've been such a monumental (<- pun intended 😎) band to me throughout my pre-teen/teenage years and now young adulthood- just like you <3 every album have defined my life in different ways and i'm so happy to be a small part of the fandom here on tumblr.

and AH!! it makes me so happy to hear that you submitted something for the zine!!! <3 can't wait for it to be posted tomorrow (well technically today for me) so we can share all the great art and writing we've gotten! @ignorancelive have been working their ass off to put it together <333

here's to 1 year of this is why <3

[callmegaith]

just a curious question. As someone who has been in the fanbase for a long time, do you feel like the fanbase has changed over the years? If yes, then for better or worse? And also do you feel like you've popularized Jackalope among the fanbase in your time making art for it?

Thank you for what I'm sure will be an insightful answer

Oooh interesting ask!

Long read ahead!!

Well, I've been with the fanbase for what's gonna be my 6th year now. I would say at the start I mostly kept to myself so I didn't engage a lot with others. I got into the games after playing Hotel and took my time learning all the lore. After that, I mostly just talked about RL with my close friend and bestie. After a while we both started making fanart which really wasn't anything significant on my end. I was a nobody and still kept mostly to myself. I have made friends in the fanbase tho, some who I'm still friends with today. The fanbase was small but dedicated. (Obviously smaller than now)

Then my friend and I created our own community for Rusty Lake that we managed and were mods on and kept it going and growing for 2 years, which allowed me to meet more people. Everyone mostly liked sharing their art and theories, and that's when I started getting a better view at the fanbase as a whole. They were SERIOUS about their lore and theories. Lots of people didn't accept other people's headcanons and fought back and forth on it, everything had to be lore correct yada yada yada. Also shipping was a HUGE NO NO. People fuckin hated shipping RL characters.

And then Paradox happened and idk why but something in the fanbase shifted after Paradox. It was a volcano erupting and then going back to sleep. It got bad before it became good, but I wasn't there a lot during this period as I decided to take a hiatus when things got to their boiling point.

Through the entirety of 2020 I was gone, and then I came back for a while to draw my silly son and check on the games, since there was nothing interesting ( FOR ME ) at the time, I left again. Same thing in 2022. And then 2023 the brainrot returned HARD and though there was still nothing interesting going on with the current games (again, FOR ME) I still played them all and went back to reclaim my throne as David Eilander's # 1 fan. By that time, I've really bettered my art skills and I was way more confident in sharing my art openly to other platforms like Reddit, where it was a great success. It also allowed me to meet with the fanbase again and BY GOD IT CHANGED. Everyone is a lot nicer now for SURE. Everyone is way more respectful and discuss their lore and theories in a civil manner. No more gatekeeping. It was BEAUTIFUL. And I guess that's what made me stay this time around.

So yea, fanbase was bad, now is good.

As for Jackalope, I feel like it's more popular outside of Rusty Lake than inside the fanbase. Most of the people who like my Jackalope art don't even know what Rusty Lake is. While in the fanbase I think it feels big simply because I keep it contained within my community, and since it's just a group of familiar people sharing their work about one topic, it feels big. But in the larger scope of the fanbase? I don't think so, no. I think Jackalope is just enjoyed by a few of us who bounce ideas off one another. I make art that inspires someone to write a song or a story, and then I see their work based on my work and get inspired and make something based of what they made, so on and so forth.

And this time around I also tried to introduce my dynamic for Dale and David very differently than the times before. I approached the fanbase with a slow burn idea and a comic to make it interesting. And people were surprisingly open to the idea of them, not necessarily as a ship, but just that they deserve to meet again and make amends.

Jackalope is a small ship, but it's a ship that inspired a lot of amazing things and honestly? Got a lot of people in my community interested in the game.

Hope you enjoy this long text, anon xD and I hope it was as insightful as you hoped

[atla-recluse]

I recently saw these two theories on Reddit, which got posted by two separate people four years ago, and I really wanted to share them. (I cropped out the names because I didn’t want to risk bringing unwanted attention to the users.) I think the first one about Stan and especially Ford having undiagnosed ADHD and ASD respectively, are basically fanon at this point. However, some may still disagree, even now.

The second theory though? That one really piqued my interest, seeing as I’ve never seen such a theory about the show put forward either. If nothing else, it would most likely be a very controversial one if it ever became popular. 

Like the one who came up with that one said, the theory definitely falls apart once you’ve actually finished the show. What about before that though? Does that person have a point then? Based on what I know/what I’ve read on the subject, the writers most likely just hadn’t finalized their conception of Ford yet and/or weren’t allowed to make his existence too obvious (even though a lot of people during/after season 1′s airing already guessed that Stan had a secret twin anyway).

Even so, the idea that Ford may have originally been meant to be a part of Stan’s imagination is so wildly intriguing to me and I have thoughts on how it is that could have been playing out all along, before they neared the end of the series and instead ‘solidified’ Ford’s existence in the world. But it’d be pretty hard to try and find obvious proof for. Probably.

What are others’ thoughts though? Anyone have any?