Kristina Tonteri-Young for TIMID (Dec 2022)
“I knew that it [her portrayal of Beatrice] would probably have an impact,” she says, “but no, I didn't expect such a large scale and positive response. Not that I expected a negative response at all, but no, I didn't really have any idea of how it would go. I think also because it was, at that time, my first job. So I had no idea how it would feel to receive any kind of reception from fans. So I mean, I was definitely positively surprised and very grateful for the opportunity to be the face of that kind of representation, which is so important. But yeah, it still surprises me to this day. I get messages all the time that are so heartfelt and just the ability to have, you know, the outreach and the platform to be able to reach people in such a way that actually can help them in their lives is very humbling.”
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I've seen a couple of takes about Disco Elysium being copaganda going around recently, and beyond the fact that DE is relentlessly critical of the police force in general and makes explicit reference to the failures of the system that allow the officers in game to abuse their power, I also think it's important to note that there very literally is an in-world version of copaganda that the writers of the game use to parody that romanticised view of the brutality of policing. The RCM at their inception were structurally inspired by in-world copaganda- their culture, their "fashions, even weapon preferences, borrow heavily from classic Vespertine cop shows." Every investigation is it's own little drama, every officer imagining themselves to be the bad-ass hero of their own crime serial. Detectives name their cases like they're naming episodes of a TV series in a "robust but literary system"; a title that "draws inspiration from snoop fiction and Vespertine cop show staples". They give themselves nicknames to sound like cool, suave fictional officers- Ace, Dick Mullen, etc.- from the cool, suave world of copaganda.
The legend of the RCM's inception, the "point of contention" over its uncertain origins, is even an extention of that; the whole organisation is shrouded in this self-fictionalising mythos that allows for distance that in turn obfuscates much of its violence to the officers that participate in it. They get to convince themselves that they're not abusing their power; they're the hero of the story! The dichotomy of "good guy" taking out the "baddies," a manifestation of the libertarian fantasy of the "good guy with a gun" who does what it takes, just like in Annette's detective novels, and at the same time who rails against oversight bodies like Internal Affairs/'the rat squad' because due process slows down the immediate satisfaction of Swift Justice, despite Internal Affairs existing to protect the citizens from overreach on behalf of the police. "Wanton brutality" from police in their real world is a cold bitter reality but Dick Mullen was "made to crack skulls," "bend the rules and solve cases no one else can," and which version of that story is more comforting to the overworked, underfunded officers of the RCM?
The level of fantasy and detachment required for the cops to still see themselves as the good guys after everything that they do in the line of duty mimics The Pigs and her breakdown too; she parallels Harry so clearly. Both "did right by the kids" in the past, hoping for a better future- Marianne (The Pigs) by looking out for Titus and the Hardy boys when they were young, Harry in his role as a gym teacher. Both abandoned and left behind by the system that the RCM uphold- a brutal capitalist landscape with no safety nets. Both turning the source of their trauma into a costume, a performance, a shield, shaped by "radio waves and cop shows." The Pigs uses RCM items scavenged from the Esperance where they'd been thrown away, while Harry uses the Dick Mullen hat that Annette gives him but both are essentially in costume.
Harry identifies himself with the fictional detective as a kind of wish fulfilment; Dick Mullen is "wicked smart." He doesn't fuck up his cases and when he's sad it's not pathetic; it's effortlessly cool brooding and everyone sympathises. Everyone loves him. His violence- "skull crack[ing]"- is justified because he's a "good guy" enacting that violence against the victims of police brutality sorry "bad guys". He doesn't ever face repercussions; "Dick Mullen won't be sent to the clink for the sake of some legal niceties!" So if Harry is Dick Mullen then his failures, his breakdown, they're all just a part of being a "bad-ass, on-the-edge disco cop." He's not wrong, he's a hero! This idealised fictionalised idea of the police force, this "new, sadly better, reality" that both Harry and The Pigs cling to is "escapist stuff," "receed[ing] into a ludicrous fantasy world," so far removed from the brutal material reality that they're in.
My point is, idk. Disco Elysium is so far from being copaganda. It is a multi-million word long dissection of it, of the purpose of policing, of state sanctioned violence and its interaction with capital and the fallout experienced within the wider community as well as the trauma cycle created for individual officers. A dissection of how copaganda interacts with RCM culture and perception, and by extension how we interact with irl perceptions of police through that lens.
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everyone who’s ever said anything bad about riverdale should die. go watch euphoria.
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Hey hey hey. Do you wanna know a fact that makes me cry. Okay so timber rattlesnakes will guard their babies for a week after birth, but new research has shown that parental care still continues after the fact:
Babies under a year old will follow their mom's scent trail to the overwintering dens that the family uses, and will often den with their moms, siblings, and pregnant female relatives to survive the winter. They will almost always follow their mom's scent, but they will also sometimes follow the scent of another female closely related to them. It's not known if the female is deliberately laying down the scent trail, but its highly likely that she is. They also seem to recognize their littermates and will vastly prefer to congregate with them over non-kin individuals
Not only that, many rattlesnakes will also return to the same birthing dens and overwintering dens year after year, or will use sites close by if the original is no longer accessable. Moms guarding their babies also often be far more defensive than they normally are outside of breeding season, and will sometimes intercept their babies if they're moving towards danger, nudging them to the safety of their dens. There's also been many instances of rattlesnakes giving birth next to other rattlesnakes or pit vipers and raising their young peacefully in a communal 'nursery den', though studies into this behavior don't seem to have been done.
They have families, y'all
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