#the colours got me like <3<3

[honeybeegfx]

🐝 — 𝐏𝐎𝐑𝐓𝐅𝐎𝐋𝐈𝐎 :⠀⠀ example of a paid commission !! ⠀ thank you kindly for working with me & i hope we'll be able to work again in the future. ⸜(｡˃ ᵕ ˂ )⸝♡

[golyadkin]

it's because i wouldn't let you kill the bounty hunter isn't it

[hinamie]

"I'll show you every day that choosing to live was worth it"

some of my favourite scenes from @hijinks-n-lowjinks' fic things i would miss from the other side . this fic tore my heart out fr but like in a good way and i wanted to pay it homage the only way i know how <3

[obsob]

oooooooooough i love you i love you i love you!!!! hand in loving hand !!!!!!

[welcometogrouchland]

♫ I do what I want/Crying in the bleachers and I said it was fun/I don't need anything from anyone ♫

(ID in Alt) you guys ever think about your own posts and get upset?? Anyway Damian Wayne I love you I'm so sorry your life is like that

[cuddlytogas]

So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

[mugwot]

someone

[becca-e-barnes]

I need more of needy Bucky who loses control from the feeling of being inside your pussy. I need him to fuck me like a rag doll and to carry me over his shoulder around the house like his personal flesh light.

Fuck, this has always been one of my very favourites to write. I really like to imagine that he struggles to last but he can keep going after he finishes 🙈 it's my lil filthy fantasy

But imagine spending the morning in bed with him. You both wake up around 6am and you spend the first little while just touching and chatting before a couple of hours of sex. Now it's maybe around 11am and after lying there together for a while, you're both in the mood for something to eat.

You pull a robe around you and that's just about as much as you manage before Bucky's scooped you up, carrying you to the kitchen.

"You don't need to carry me everywhere!" You tease, remembering that he'd carried you up the stairs to bed last night too.

"I know. But. Carrying you means. I. Can put you. Exactly. Where. I want you." He peppers kisses over your face and neck, tenderly capturing your bottom lip between his before he sets you up on the kitchen countertop.

There's no point arguing with him so you sit there quite happily. He makes up a quick pancake mix, washes some berries from the fridge, preps the coffee machine and sets the little dining table for the two of you.

Somewhere in between, you got a little distracted, perched on the counter scrolling on your phone. You hadn't noticed the way he's looking at you.

He's so caught up in the little things; the way the light hits your shoulder, the curve of your hips, the way the silhouette of your nipples are visible against the satin robe.

"Look at you, sitting there all sweet like your cunt isn't so fucking full of me."

That's got your attention.

You squirm a little, your body fluttering at how shamelessly vulgar he's being but nothing's stopping you from doing the same.

You spread your legs, exposing the slick mess coating your inner thighs. It's a mixture of your own arousal and Bucky's cum, dripping out of your sensitive cunt.

Your fingertips trail lazily over your exposed sex, your skin glistening in the natural light before you bring your fingers to your own lips, sucking them clean, giving him a little bit of a show.

"Tastes amazing, sweetheart." You groan, noticing the growing bulge in his thin pyjama bottoms. "But I lost track of how many times you came inside me this morning. You came so deep, most of your cum won't have dripped out yet. Bet I'm still totally stuffed full."

He sinks to his knees in no time, settling his head between your thighs, breathing in the faint smell of your arousal. His tongue presses flat to your sex, trailing from your hole to your clit and back, gathering as much of your combined release as possible.

He groans, low and pathetic, allowing his tongue to dip inside you as deep as he can bury it. He savours every drop of cum he earns back from your body.

When his tongue alone isn't enough, he slips a finger into you, followed quickly by a second, curling them against your sensitive inner wall.

"Bucky baby, please don't make me cum again." You groan, your fingers tangled in his dark hair but you know he's not giving you that choice. Not when his free hand is furiously stroking his own cock, desperate to ensure that when he's finished licking his cum out of you, he can flood your cunt with another load.

[ilonacho]

ALL! Grown Up!

[tywvin]

— @paletmblr event xxxiv: usernames

When your enemies defy you, you must serve them steel and fire. When they go to their knees, however, you must help them back to their feet. Elsewise no man will ever bend the knee to you. And any man who must say 'I am the king' is no true king at all. Aerys never understood that, but you will. When I've won your war for you, we will restore the king's peace and the king's justice.

[gen4grl]

my johto timeskip designs + bios/teams below!

i think about this group ALOT!!! if i had any confidence in writing i would easily share the whole hgss rewrite i have in my head but alas… just take my drawings instead! i like to give characters more “realistic” outfits… not really a modern au? i love to imagine the pokemon world with all our worlds pop culture which inspires my designs! long post but enjoy!!! ( ˘ ³˘)♥︎

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lyra + 20. champion ranked trainer

♡ Raised by her single mother, aunt and older cousin Kris in the small New Bark home. Her father died when she was 6 in a mining incident involving Team Rocket. Bubbles, her ace Azumarill, was gifted to Lyra by her father on her 5th birthday - being her final gift from him.

♡ Extremely outgoing, sweetly optimistic and immensely empathic. Absolutley loves making friends and talking to every kind of person. However, is extremely competitive & stubbon and gets frustrated easily - resulting in her giving up quickly but is also extremely quick to be re-motivated. Often feels the emotions of others intensely. Very country girl with an extremely strong Johtoian accent and lisp. Loves 'girly' things like makeup + fashion, period dramas and collecting nick-nacks but also loves spending her days outdoors, espcially in the National Park with Ethan watching the bug-catching contests or the Safari Zone.

♡ Struggled with her battle confidence as a young trainer which resulted in her having to re-battle Falkner and Bugsy several times. Over her journey grew an appreciation for pokemon perceived to be 'weak' & cute and built her team around showing the powers of these types of pokemon. Despite being a Champion Ranked trainer, Lyra opted to work with Ethans grandparents at the daycare center where she specialises in pokemon breeding and training weaker pokemon + their trainers.

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silver + 23. champion ranked trainer

♡ Only child of Rocket Boss, Giovanni. Was born and raised on Island 5 of the Sevii Islands by multiple admins, most commonly Archer before running away to Johto. Has a deep rooted and consistent fear that he’ll never amount to anything but “Giovanni's kid”. Was extremely tight lipped about his upbringing to the trio, especially after learning of his loose connection to Lyras father’s passing. Finally told them the truth of his family after the defeat and final disbandment of Team Rocket.

♡ Originally extremely standoffish, condescending and at times, aggressive. As an adult is still quite serious and independent, but genuinely enjoys the time he spends with his friends and is surprisingly protective of them - especially Lyra and Kris. As time passed, his anger towards his father evolved more into guilt, however, over the years has become more patient, gentle and forgiving with not only others but himself. He still can come off quite intimidating to strangers, but these changes are noticeably visible to those close to him. While usually a quiet person, has a very dry and witty sense of humour that takes most people by surprise.

♡ Mentored by Lance, and later Blue, and spends a large amount of time training in the Dragons Den. While unsure of what direction he wants his life to go into, Lance is adamant he would make a fantastic gym leader or elite four member. Always accompanies Lyra to the yearly Champion Balls and Alola trips. Currently lives in a small beachside bungalow with Lyra in Cherrygrove where he enjoys spending his free time reading and teaching himself guitar.

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ethan + 21

♡ The childhood friend of Lyra, Ethan was raised by his father and grandparents in New Bark. Extremely courteous, friend & family oriented and easy to talk to. A natural comic and can make even the straightest face people crack a slight smile - Red being his proudest achievement. Lax and slightly ditsy but can adapt to any situation and group of people like a flick of a switch. Not the best at articulating himself but always puts 110% into making sure people feel comfortable through his actions.

♡ Completed the 8 Johto gyms but never challenged the Elite Four & Lance in favour for persuing his true passions. Currently works at the Goldenrod Radio Tower where he co-hosts a program consisting of interviewing gym leaders, elite four, champions and other prolific battlers. At nights, does standup in the clubs in the Goldenrod Tunnel. Due to his easy-going nature and career, tends to knows everyone’s buisness + gossip and has crazy experiences with nearly any person imaginable.

♡ Currently lives in a small loft in Goldenrod. Spends his free time watching anime + cartoons or in the National Park either watching the Bug Contests, skating or talking to the old folks. Enjoys the nightlife of Goldenrod where he usually pulls Silver out to bar hop or spend hours playing Voltorb Flip.

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kris + 25

♡ Oldest and mother figure of the group. Was born and grew up in New Bark town with her mother before her cousin Lyra + aunt moved in with them when she was 11. The two shared the large upstairs bedroom growing up where Kris introduced Lyra to contests and the annual Champion & Wallace cups.

♡ Mature, soft spoken and extremely intellegent - both academically and socially. Because of this, can offer solutions on any issue on both a practical and emotional level, no matter the person and situation. Has unique relationships with all three kids but in general sees them as her younger siblings and takes the role as the 'older sister' very seriously. Has a warm and comforting presence, making those even to the likes of Silver feel comfortable confinding in her.

♡ Quite reserved and struggled with her purpose and sexuality growing up, espcially in rural Johto. After the death of her uncle and seeing her daughter’s interests in the Wallace Cups and contests, her mother moved the two to the Hoenn region, settling in Lilycove City when Kris was 13. While starting her gym challenge in the new region, Kris fell in love with Hoenn's unique weather patterns and ecosystems. Eventually she quit the gym challenge to peruse a career as a meteorologist where she now works at the weather institute. When not working, she enjoys attending contests, museums and scuba diving. Finally feeling settled in life, she came out to her family + the trio when she was 20.

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[kaeya-senpai]

„A million clues, yet i still can’t find you“

[hinamie]

u should think of tiny megu. To keep the stress at bay. You should draw him actually. Ooooo you wanna draw tiny megu getting the love he deserves so bad /j

he's with his 2 best friends

[obsob]

once more around the sun!! :3

[askyofexplodingstars]

team snakemouth but a little more blursed than usual

[persistent-wallflower]

Just a little blue