#the lighting of this scene wanted to kill me

[gods-perfect-idiots]

Okay bear with me folks, I have some ~thoughts~ about the Vanessa/Wade relationship (or frankly lack thereof) in Deadpool & Wolverine. I should start by saying that I am analyzing this with the (likely erroneous) assumption that everything on screen is 100% intentional and mindfully written to deepen the characters and inform their arcs. For the record, I don't necessarily believe that's true - there is certainly room for mistakes, lazy writing, confusing plot elements, or in this case, sidelining a potentially strong and important character for nebulous reasons (I'm guessing scheduling conflicts + run time concerns + actor's strike complications but idk for sure). (Also thanks to @gossippool and @kendyroy for encouraging me to post my thoughts instead of just rambling in the tags in the first place, y'all are the realest)

Long rambly post below the cut fyi

Now, granted, it has been a while since I watched the original Deadpool so I am not as well-versed in their early relationship as I am in the handful of scenes Morena Baccarin has in dp3, but I do think it is pretty canon that Wade generally struggles to express his deeper worries and feelings (without filtering it heavily through crude humor, sex, and pop culture references of course), especially after the events of dp1 and the physical and mental damage he sustains, and Vanessa is frankly no exception despite how much he cares for her. The entire first movie hinges on the fact that he doesn't really believe she could love him in his post-Francis mangled state, which is pretty contrived imo given that the film has established already how bonded they are, and she doesn't strike me as being written to be so shallow as to reject him based on a physical deformity. I mean iirc she wanted to stick around through chemo despite him being literally riddled with inoperable cancer, so she clearly is in it for the long haul (at least in dp1), messiness and all.

Now, in dp2, obviously she is shot and killed early in the film, and Wade spends much of the rest of the film wallowing in his very profound grief, trauma, and guilt over losing her due directly to his violent lifestyle. He goes to prison, he basically gives up on life and seems very resigned to dying once he has the power suppressant collar on, even excited to do so so he can be reunited with her. She is mostly sidelined as a Fuzzy Dead Wife trope basically, but the important thing here is that he spends weeks if not months in the throes of despair over losing the love of his life just as they were trying to start a family, and trying to reach across the boundaries of death to be with her.

Now, my first couple times watching dp3 I was frustrated by the trite narrative presented in the interview scene towards the beginning - specifically Wade's whole "my girl is getting tired of my shtick and I need to show her I matter". It felt contrived and disingenuous, and I just brushed it off as iffy writing, a means to an end, but the more I reflect upon it the more I think it is based in an emotional reality that is just handled with a very light touch by the film in favor of fanservice and Poolverine content (NOT that I'm complaining in the slightest - I think this movie is a masterpiece in many ways, albeit a flawed one but that's beside the point here), which for the record I am not against because I think it lends it an air of realism. This is Wade's story after all, Vanessa is a part of it but it is ultimately about him and his journey.

Basically, I think the combination of what happened to him in dp1 (the brain damage, the trauma, the awareness of the fourth wall, etc) followed by the events of dp2 (Vanessa's death, his grief and the associated guilt and trauma of being the direct cause of her death) led to an unbridgeable emotional gap between the two of them that ultimately leads to their breakup.

It's important to note that I don't think Vanessa has any recollection of her own death, given that Wade goes back and saves her before she can take the bullet, and so of course she can never fully fathom what Wade went through grieving her and their life together and their potential family, for however long he spent between her death and bringing her back with Cable's device. She can try (and she clearly does in the one scene I'll talk about next) but I fear she accepts, maybe even in that scene, that she can never succeed. He is beyond her reach by this point, and vice versa, his experiences having fundamentally changed him.

The one scene we really see from their relationship between dp2 and dp3 is the one where Cassandra mind-gropes Wade in the Void and we see Vanessa struggling to reach Wade across this aforementioned gap - she wants him to open up, she wants him to share what he's going through, she wants him to be the person she initially fell in love with (not even selfishly - to her nothing has changed really, because to her no time has passed). But not only does he not understand what she's really asking for but he responds in such a way that makes me think he has unprocessed issues that are only tangentially related to what she's saying - ie the stuff about mattering, about asking her if she even wants to be with him, etc. And he's not the Wade Wilson she met back in dp1 anymore. He watched her die and grieved her and brought her back, believing it would make everything go back to normal and they could resume their life together as if nothing had changed, but he has been fundamentally changed in a way that she can't grasp, even if he WAS good at externally processing his trauma openly without the artifice of wry jokes. She didn't "come back wrong" - instead, she came back exactly the same as before, but HE'S different now. Not wrong, per se. But changed.

It's an interesting scene because it's obviously a memory, and a crucial one at that, but you can see how Wade is misunderstanding what she's saying, viewing it through the prism of his own lack of self-worth and his own hopelessness - he takes away that she thinks he doesn't matter (even though like he says she didn't actually say that, but I don't think Cassandra invented that wholecloth - I think she pulled it out of his psyche because that's what he believes deep down, hence why his fixation on mattering even though she never said those words exactly), he takes away that she doesn't want to be with him, that she thinks he's nothing. Which would be frustrating as an audience member to witness as a pretty simple misunderstanding which could potentially be solved with one conversation, but it feels believable to me that these two people who have shared a great love would be fundamentally separated by unimaginable, cosmic trauma, and the on conversation they would need to have to rectify the misunderstanding is one that is impossible for Wade to verbalize and equally impossible for Vanessa to conceive of. It was one thing when they had shared trauma like violence and SA in dp1, but what Wade has gone through in dp1 and dp2, humor aside, is unfathomably traumatic, brain-breakingly so even, and that's not even factoring in the possible mental illnesses he now struggles with (I've seen folks suggest schizophrenia, DID, depression, etc. but I won't get into armchair diagnosing a fictional character here - suffice it to say he is canonically unwell as a result of what has happened to him, and yes it manifests as quirky fourth wall breaks and cheeky one-liners, but within the universe of the movies he is undeniably profoundly mentally ill, and that includes this humorous alter ego he created to cope with his trauma).

I think off-screen Vanessa probably really tried to reach him, maybe for years (the six year gap implies to me that they didn't break up immediately, that they tried for a while to stay together), trying to get her Wade back, but that Wade is gone. He struggled to express that to her until eventually he started to feel rejected because he couldn't express his trauma or how much he has changed, because even he can't fully conceive of the gulf that has formed between them. The truth is, he WANTS to be that Wade again, for her and for himself, but that Wade died when she died. Or maybe he had already started dying when Francis got a hold of him in dp1.

Anyway, all this is to say, I think Morena Baccarin WAS criminally underutilized in dp2 and dp3, but I think there is a strong argument to be made for the believability of their breakup regardless. I think even relationships built on enormous love can crumble due to trauma, and what Wade suffers over these movies is mind-bogglingly enormous trauma. It's especially heartbreaking that he blames himself for their relationship ending, talks like she just got tired of him, thought he didn't matter, whatever. But it is a credit to him that he never seems to feel anger towards her about it. He doesn't seem to feel entitled to her, though he longs for her and what they had and what she represented (hope, love, a future, a family), but ultimately she becomes more of a symbol of what he lost when he gained his powers, because let's be super fr right now - even if they had succeeded in having a baby, not only would they have lived in fear of her or the kid getting killed, but ultimately Wade would likely outlive both of them even if they managed to die natural deaths. The moment he gained his powers he was already destined to lose her, which is heartbreaking because she was the only reason he opted for the treatment in the first place - so he could stay with her.

I think a big part of Deadpool & Wolverine is watching Wade continue to process his own motivations (vis-a-vis Vanessa but also his other friends) and how he does eventually let go of the idea of "mattering" in favor of just saving the people he cares about (*cough* and being saved right back *cough* by Wolvie, as the final line and shot implies). And in the process he finds someone new who cares about him, who thinks he matters, who tries to sacrifice himself for him and his friends after mere days of knowing him, who comes home with him at the end of the story, who breaks his own centuries-old patterns, who has also experienced unimaginable grief and trauma, who has struggled with wanting to die and being unable to, who not only matches his crazy but matches his FREAK and also not only won't die on him but CAN'T die on him - and more importantly cannot be randomly killed by a stray bullet.

Idk if any of this makes much sense but I do think if you read between the lines and consider the potency of trauma and grief, guilt and emotional damage at play here, Vanessa and Wade's off-screen breakup is actually pretty realistic, and really heart-breaking to boot.

You can tell she still cares about him in so many ways - she shows up for his birthday party, she shows up to his welcome home party at the end, she finds excuses for physical contact multiple times, her eyes get soft when she looks at him, but there is a distance there that Morena Baccarin does an incredible job of portraying. She cares about him deeply, she has mourned the loss of their potential life together, she has let him go and accepted that the Wade she fell in love with is gone, but she wants him in her life even though she's moving on because she realizes he's gone somewhere she can't follow (literally and figuratively). And she wants him to be happy which is why I fully believe she would immediately clock the Poolverine of it all and not-so-subtly encourage them to make it official.

Anyway. Poolverine forever. Nothing against Vanessa at all - I think she delivers a nuanced and beautiful performance, I think their relationship is sweet and heart-wrenching in large part due to her acting chops, especially given how little she is given to work with - but I think their relationship was sadly doomed from almost the very start, because Wade becomes this traumatized superhuman and Vanessa would always be at risk in his orbit, but also would always on the outside of his multiverse superhero experiences. I think it's weirdly beautiful, even if I am filling in a lot of gaps and giving the writers maybe undue credit.

Anyway... thoughts? Please DM me or write in the tags, I am feral about this movie and just want to talk about it with anyone haha. If you have further insight into these characters too I'd love to hear it - I am by no means an expert in these movies or characters!

[ilyrafe]

𝒉𝒊𝒕𝒎𝒂𝒏 ✧ 𝒓. 𝒄. | 𝒑𝒂𝒓𝒕 𝒐𝒏𝒆

pairing: hitman!rafe cameron x f!reader

warnings: domestic violence, murder

word count: 1k

a/n: this is loosely based on the movie hit man (actually based on a scene lol)

taglist: @starkeyvhs

unpretentiously, rafe enters the diner and sits at a table, facing the entrance, just so he can see who comes and goes. the young waitress takes his order - a cheeseburger with fries and a soda - and he waits.

strangely, he couldn’t find any pictures of y/n, the woman who contacted him. all he knew about her was her name, really. she only said the clothes she would be wearing - a pair of jeans and a large gray sweater, but anyone could be wearing that. she didn’t inform him about her physicality, and he couldn’t find anything about her online, which intrigued him a lot more.

she isn’t his first female client, but it’s still rare for him to have women wanting his services. 

his order comes and he keeps watching the entrance of the diner. all kinds of people come and go, young and older men, children, teenagers, and even some women, but none of them approach him.

when he’s taking the last sip of his soda, he sees a young looking woman walking towards him. she looks around, clearly nervous. she sits in front of him and rafe realizes it’s her.

“i contacted you yesterday.” she says, almost whispering.

she is visibly tense, probably her first time talking to a hitman.

“how can i help you, y/n?”

she sighs, contrasting with his own posture. she looks tired, the bags under her eyes are quite dark. her hair is lifeless, quite messy, as if she didn’t really have time to brush it or didn’t care to do it. her clothes aren’t new, and he notices a tiny stain that could be blood, but he’s not sure.

before she can say anything, she reaches for her bag and takes out a dark yellow package and slides it to him.

the cash.

“i need you to kill my husband.”

he could be wrong, but rafe is pretty sure there are tiny tears forming in her eyes. they look scared, devoid of any light or hope. to be honest, this woman is just existing.

“why?”

that seems to catch her by surprise. he doesn’t like the way she’s doing everything she can to look invisible. literally no one has noticed her presence there. the waitress hasn’t even come here to take her order.

“he… he’s awful.” she admits. “i don’t know what else to do. he won’t let me leave him. he… he gets drunk and then he…” she trails off, wiping away a few tears. “anything can set him off and i’m scared for my life. the police won’t do anything…”

the friction between the sleeve and the table causes the skin on her wrist to be exposed and he sees purple marks. if her wrist is that bad, he can’t even imagine the rest of her body.

rafe takes the cash in his hands and after two seconds of thought, he gives it back to her.

“do you have children?” she shakes her head. “then take this money and don’t go back home. go away and don’t look back. start over somewhere far away from here.”

“no, he’ll find me!”

the panic in her voice pains him so much.

“don’t worry about it. i’ll take care of him, but i need you to do what i say.”

“i don’t understand…”

“i don’t want your money. just give me a picture of him and his home address.”

after a few long seconds, she nods and takes a piece of torn photo, a piece of paper, and a pen from her purse. she writes down her home address and hands it over along with the picture of her husband.

she takes back the money and put it back in her purse. it’s all her life savings. the money she had to hide from her husband, so he wouldn’t spend on alcohol and drugs. rafe puts the items in his pocket and watches her leave the diner, hoping to god she listens to him and goes away. 

(...)

in his car, rafe watches the movement on the street outside your house.

ever since he left the diner, he has been monitoring your husband’s steps, and since then, he has not seen you coming home. hopefully you really did leave this place for good. 

rafe doesn’t know what possessed him to help you, he has never worked for free, and money is perhaps the most important thing in his life, but after seeing you, and understanding that hiring a hitman may have been your last option, he just wanted to do a good deed, since his job is only to kill people in exchange for money.

it is already dawn, two in the morning to be exact. all the neighbors seem to be asleep. when he is sure that he can act, rafe gets out of the car properly dressed for the killing - gloves, mask and a gun.

upon reaching the back door of the house, rafe notices that the door is unlocked, as are the windows.

strange.

prepared for any kind of situation, he enters the house silently. it is dark, so he turns on the kitchen light, and finds himself in a simple but messy kitchen, with food scraps in the sink. there are empty bottles of whiskey and beer everywhere, trash all over the place. just ahead, in the living room, lying on the floor, there is joshua, your husband, apparently passed out.

this will be easier than expected.

before doing anything to joshua, rafe searches your bedroom and sees that the closet is open and empty. well, there are just a few men’s clothes. all of your clothes are gone. you really are gone. you did go back home, but you're gone, and that’s what really matters.

a sense of relief washes over rafe, and it’s inexplicable. it’s like he really feels like he saved a life.

thinking about faking a suicide, he searches for a gun, and luckily finds one in the bathroom. after checking for ammo, he carefully places the gun in joshua’s hand and brings it to his temple. with his finger, he pulls the trigger.

let me know your thoughts & if you want to be tagged :)))

[maxwell-grant]

The Penguin: Episode 1 Breakdown

Thank you Lauren LeFranc, Mike Marino, Colin Farrell and Matt Reeves, we owe you the world for this, good God. It's finally here everyone and I've decided I'm gonna give each episode it's own post/breakdown of thoughts, because hahaha holy shit you guys this is beyond what I even dreamed of, and we're gonna be covering this for a while I think. I've worked out enough madness about this out of my system by talking with friends and I can't seem to be able to work on anything else till I get this done, so let's do it.

Bottom line: This isn't even just a must-watch if you like the Penguin or if you like The Batman, this is something I'd recommend to just about anyone in a heartbeat, something I can point to when people ask "why do you like The Penguin so much" and, instead of the elaborate nerd ramble that usually turns them off, I can just tell them to watch this. A friend of mine (who already loves Batman and digs the Penguin quite a bit) even told me as much, that he's starting to get why I love the character so much, and truly, is there a better feeling than this? Well, there is, and it's watching the show. Let's dig into this first episode:

Right upfront I'm gonna say that this doesn't really seem to be the Sopranos rip-off that people have been calling it before release, although there are definitely Sopranos comparisons to make here. I've spent the past months finally watching The Sopranos in order to get the comparison and definitely want to talk about those comparisons after I finish it (and this show ends). This thing aims to stand on it's own legs as a crime show and it's smashing out of the gate with an extremely promising first episode.

So this just casually opens with the reveal that all along, there was a second rich Gotham the whole time that was completely unaffected by everything we saw in the movie, already throwing a great twist on the events of that movie, and further reinforcing how fucking full of shit The Riddler was. All we saw Batman and the others deal with in the movie was just affecting the poorer parts of the city. All Eddie did was drown rats, and make life worse for the people already in the bottom, while never even getting close to targeting the systemic rot that ruined his life. He retains ideological worshippers in subways obsessed with the corruption of the city without doing anything to actually improve it, and because of him, the streets of Gotham are waterlogged shitholes while the rich Falcone suburbs are doing just fine, peachy even.

I said a while back that, in spite of having about 6 scenes/10 minutes of Penguin runtime, The Batman managed to squeeze impeccably controlled Penguin Trademark Scenes, and this show opens with the last one they didn't get to then: Penguin killing someone for making fun of him. In the movie, he tries doing that with Falcone and is beaten to the punch, so here he gets to actually do it to disastrous consequences.

Fucking adore that the inciting incident of the show is based on the fallout of Oswald killing someone for making fun of him. He pours his heart about the dream he lives his life for, his new boss makes fun of him for being an embarassment to their profession and then he does the most typical Penguin thing by killing him for it and laughing afterwards. And then he realizes how badly he fucked up, and then we get a fucking perfect titledrop with his musical theme, the exact moment we finish The Batman and enter The Penguin.

God it is so fucking cool how the make-up/lighting, the scar across his face, makes it look like he's got a genuine beak from certain angles, how they're able to achieve that effect without giving him a more literal beak for a nose. Everytime they talk about the character, Reeves and Farrell always emphasize how integral the make-up was to them figuring out what to do with Oz, how little they knew what to make of his six scenes until Marino created their monster and suddenly everything fell into place. Mike Marino fully deserves co-credit for the creation of Oz.

Pretty amusing that Victor, as designed to be Penguin's Robin, has exactly the same origin as Jason Todd, a poor street kid trying to steal the hubcaps off the Penguinmobile (I'm sure this bodes very well for his odds at survival), as is the way in which Oz goes on about his recruitment. He press-gangs this kid at gunpoint to help him bury a body arguing with himself and eventually the kid why shouldn't he just kill him to be safe, while trying to impress the kid with his car and air freshener and later that bullshit about "What, you think I hire any schmuck off the street?". From the tile drop onwards, he's doing everything on the fly while also spinning long-term plans set in motion as soon as he's on screen, he's taking this kid in out of sympathy and because he enjoys a power dynamic over someone weaker than him and because he very much needs someone to help him get stuff done. I'm extremely interested in exploring Penguin having a mentorship dynamic and I'm beyond curious as to what happens with Victor from this point onwards, but that poor kid is in for a terrible fucking time.

Found it very funny how much he half-asses the murder threat to Victor. Like it's his first time actually doing it and he's trying to be serious, but not too scary because he's already seeing himself in the poor kid with a stutter and wants the kid to think he's also a cool guy like he wants everyone to think he's a cool guy. I also think having Victor as the POV helps to sell moments like these, because it's still terrifying to him. Even as we follow their stories, these power players of Gotham are still big scary monsters to people caught in the dregs and Victor helps to reinforce that.

I enjoy Oz being friends with sex workers and drag queens off the street as much as I enjoy Oz being depicted as the kind of guy who deludes himself into thinking the prostitute he's with actually likes him, Lauren and Farrell launched into a bit about in on the podcast and I'm curious to see what's going on with him and Eve here.

Lots of perfect funny little character moments across the whole thing. Oz insulted by the idea of taking extra pickles off a poor kid's dirty mouth, but with zero hesitation whatsoever for picking jewelry off his boss' corpse. Dude is governed by principles even as he actively has to break them to survive.

"Technically it's plum." "He is the - or was the - new kingpin", "He's got nurse-like qualities." The show is not overtly trying to get you to find Penguin likeable as much as it wants you to find him engaging - making you think he's likeable is Colin Farrell's job and he's masterful at it, definitely a lot more matured within the character compared to the movie.

If there's anything in particular I'm thankful for regarding Gotham (well okay Gotham led directly to Telltale Penguin which was the basis for this one, so really I do have a lot more to be thankful with Gotham), it's the decision to give him a legit waddle via the broken foot, but the way they incorporate it here with the club foot does so much for him, so much as a modern day reinvention of The Penguin. Adds so much to why he's never been a serious candidate for mob leadership, why he kinda had to spend all his time in the Lounge, why he actually needs someone to help him run affairs, why he has such a gaping ego wound and is so murderously angry at people making fun of him / calling him a goddamn penguin, adds so much validation and so much darkness and nuance to Oswald's overwhelming anger and bitterness over how the world treats him (and so much power should he opt to reclaim it, in turn). It's the kind of thing that frankly feels like it should have always been part of the character, like what all the previous versions were itching closer to or trying to get at. Of course this is a guy gets called a penguin and he hates it badly enough to murder people over it, of course.

This gets to really highlight how differently Oz acts depending on who he's with. Traditionally, one of my favorite things about The Penguin, and one of the things that puts him above the other villains, is that, due to his position, he has to interact with a lot more people than the other Bat-villains. He has to manage a lot more relationships and dynamics, he has to play peacekeeper and puppetmaster. he's the only one in the United Underworld who's regularly interacting with and recruiting other villains to do business with. He's the guy who you pin stuff on like the Gangland Guardians, Team Penguin, doing betting pools with the Rogues taking cover in his Lounge while Joker War is happening, having to rig games to keep good standing with Maxie Zeus and Frenchy Blake in Batman Audio Adventures, and so on. So I greatly enjoy this beat here of him talking about how makes himself smaller before the Falcones, and that moment of him adjusting his outfit and practicing expressions in the mirror before meeting with them. How he contorts himself is present in all of his relationships, and retroactively adds to the way he carries himself in The Batman.

It seems that Oz is functionally regarded as the Paulie Walnuts of the Falcones: useful muscle, loyal for the most part and amusing to keep around, but largely an unstable self-serving dumb asskisser kept where he belongs, a liability if not kept on a short leash. I think the show does a good job of highlighting all the reasons why Oz has never been seriously regarded as a viable option for a boss, even putting aside his disability. He is a fundamentally embarassing person for these serious respectable criminals to be around and of course, the joke is ultimately on them..

Of course, there is only two people in the show who actually know what he's capable of, Francis Cobb and Sofia Falcone, said to be the central relationships defining the show moving forward. Both of them also a defining commonality with Oswald, being people who are looked down on and dehumanized, and characters who are underestimated until it's time to bear their fangs.

Extremely invested in where they're going with Sofia Falcone, Cristine Milioti's been killing it, and will in fact not stop killing it. What a perfect villain for Penguin they've set up with her, someone who has his Kryptonite: she does not underestimate him. Although we know in advance that Oz is going to live and be in the next movie, the question here isn't even so much who's going to win the gang war, and rather how much damage these two freaks will do to the city until Batman gets back. In many ways, Sofia represents the shape of things to come just as much as he does.

She is this embodiment of both the pristine unfathomable wealth and privilege and power that he both detests and strives for, as well as this brutal new breed of madness and violence attacking the streets that he has to survive against and make deals with (and is himself very much a part of, however he denies it). She is Falcone's legacy in every way that matters, both a Kingpin of Gotham whose existence creates the oppressive conditions under which a Batman or a Riddler are created, as well as the Arkham Rogue, the larger-than-life sadist with a tragic origin and a signature torture-murder method and an embarassing name for the papers.

Even the fact that she is The Hangman, and Carmine was defined around his penchant for brutally strangling women - regardless of whether or not she did the crimes that got her in Arkham, she's become this larger-than-life themed expression of a violent obsession in a way that sets her up as every bit the Batman villain that The Penguin is. The two champions of the two Gothams, duking it out in this new world The Batman and The Riddler made, The Penguin vs The Hangman.

I am so glad Lauren LeFranc made the call for binning Alberto in the first five minutes so the rest of the show can focus on Sofia and make a real character out of her in a way nobody's ever really done before, every step of the way so far LeFranc has been perfectly on the ball about where to take these characters and their conflict. And speaking of those,

I feel very confident in saying that this is the first time anyone's ever really had something worth doing with Oswald's mother as a character in her own right and not just a source of anguish for Penguin (Gotham was almost onto something with Gertrude, but not nearly enough). When it comes to Penguin origin stories, my favorite's always been the Pre-Crisis one, where he's poor and bullied but happy with his mom and birds until she dies and the government seizes everything he has, which doesn't necessarily involve her much. But here? Francine Cobb is a real character in what little time we get to know her, and what a character she is. We quickly understand the role she's playing in Oz's life, not just as his mom and person he loves and strives to protect, but the person who's sculpting him into the man he's going to become.

She is vulnerable and she does need meds and she's not quite all there, and Penguin's need to care for her is visible in other actions of his. But then they turn it around by showing how strong and demanding she is, how she is fiercely ambitious and pushing him to be something he would otherwise not be, how much she loves him and sees greatness in him. She knows he's a people pleaser, she knows how to push his buttons, and she wants him to be more, so of course he's going to be more, because he lives to please his mom.

Related to this is this absolute bullseye of a summation of The Penguin, that Lauren LeFranc delivered in the podcast: "Perhaps his greatest fear is that love is transactional. And that yet, everything he does, every decision he makes, is as if that's true. As if "love is transactional" is a truth he abides by". Oswald's conception of power is being loved and revered like Rex Calabrese, and the love he wants most in all the world is the one from his mother. So in turn this, and all extensions of it, drive him to greater and darker lengths.

He doesn't have that ambition quite down yet, it's his mom that does. She who's pushing him to take over the city and not just be a guy scraping by for survival. He's smart and ambitious and extremely good at slipping out of trouble, but she's pushing him to be the guy who will be taking the city by the horns because that's what he has to be for their sake. Her legacy to her son is nurturing him having that dog in him that will make him the supervillain who picks fights with Vengeance. She is the force that's turning Oswald into The Goddamn Penguin and I can't wait to see how she's developed.

Of course he reprimands Victor in that scene for lacking ambition, who do you think he gets it from?

Really love what they've done with Sal Maroni in here so far. I like adaptations that take these throwaway Batman backstory gangsters and make something out of them, in this case, with Clancy Brown lending his power and voice and reputation as The Grand Boss of Villainy to play the last Respectable Gangster of Gotham, this intimidating principled old tiger who's inversely proportional to how much of a petty and scummy piece of shit Carmine Falcone was. Extremely a guy I'd want to see playing a hand in the creation of Two-Face. Just as crucial is the fact that he is the one who gets the most effortlessly outplayed by Oz here, because this is The Penguin Show: no room for traditional or respectable gangsters anymore, their purpose is to be crapped all over by our wacko birdman.

There's a lot about this that re-contextualizes his behavior in The Batman and the one I'm gonna point out is: even though he can't be sure his plan didn't completely go to shit, he is still keeping his wits and not being terribly scared about being beaten up and tortured and staring down the scariest Falcone with a gun shoved in his throat. But he craps his pants at the sight of the Batmobile. He gets pain, he gets indignity, but he doesn't get Vengeance, what kind of sick freak would come up with the stuff that guy does. A gun in his mouth and Falcone torture is just Tuesday, but a car that wants to eat his soul is some psycho shit he's just not ready to deal with.

It is the delicious tasty fucking irony that Oswald thinks Vengeance is this weird freak who doesn't play or bend to any rules and is here to fuck up everything, just like the madman who flooded the city, and thinks of himself in turn as a justifiable guy standing for the respectable old-fashioned empathetic way of doing things, instead of the exact same thing that Riddler and Batman are. Only Sofia gets what he really is, the same thing as her, and that's why she is the arch-enemy / the biggest thing he's gotta defeat in life for now.

God, how fucking PERFECT it is that he gets caught and tortured because he, after stabbing out a man's eye and causing him to get run over by a schoolbus, stops to wave at the kids in that schoolbus while covered in blood. Just the Rex Calabrese of it all, the self-image, this guy who's both a mean nasty son of a bitch and also a real bleeding heart softie and in ways that ruin his life and allow him to slip and wriggle his way out of shit he has no right to, as demonstrated by the finale.

Thinking about Sofia chastizing Oz saying he thinks she is a toy to play with, while rattling off the ways in which she owns him and everything he has, all the ridiculous little accessories her daddy let him play him, and he in turn is a ridiculous little accessory for the family she is twisting until it breaks. Perfect fucking villain for him. Can't wait to see how badly these two are gonna burn Gotham.

I knew deep in my heart that all I wanted out of a Penguin show, the thing that I simply needed to have in it, was Penguin pulling a heist set-up in advance, and it fucking delivered. He doesn't even complain at Victor for being late, because if anything, getting captured and tortured while the car crashed was even better for him. No, he complains at Victor for not being sufficiently gruesome with the body. See, unlike other cowardly anti-hero reinventions of Bat-villains, the show never wants you to forget that Oz is a weird freak and a disgusting piece of shit, even if he is a very likeable and even aspirational one. Only by the most random stroke of fate it wasn't Victor that he fed to the wolves at that moment, that he sees himself in the kid isn't exactly ensuring that he's gonna make out of this in one piece.

Mr. Vengeance gets Nirvana, and Mr. Boniface gets Dolly Parton, perfect credits.

In conclusion: Out of everything they could have done following the thunderous success of The Batman and it's ensuing influence over the DCU, out of all the offers Reeves must have gotten to helm their new universe after delivering a megahit reinvention of their breadwinner blockbuster character, Matt Reeves went "Nah, I listened to my crew, and what we really want to do is 8 hours of television about the waddling freak who's in my movie for 10 minutes", and he and his crew deserve the world for that. I dreamed as a kid of getting to make a big Penguin story or show, a wild impossible idea that would never actually happen, and now it's here and it's better than anything I'd ever imagined.

I'm fit to burst with joy and riding a high of no longer having to hunt for scraps and washing away decades of put-downs for the character and enjoying a Penguin renaissance like one I never imagined happening. I am extremely not an unbiased reviewer here, this show rules and I've waited for it since I was a kid and it's here, drink it the fuck in cause it's only the beginning.

[littlemissmentallyunstable]

title: the hawthorne with the green eyes part 2

pairing: jameson hawthorne x (first person) reader

synopsis: a night full of fun and games with jameson hawthorne isn’t what you’d intended after going for a little midnight wander but you didn’t regret it

parts: part 1

warnings: none :)

a/n: thanks for the req 🤍🤍 hope you enjoy

tag list: @bewitchingkisses @whatsamongus @wish-i-were-heather @inmyheaddd @never-enough-novels @sweetlikeanangel @midiosaamor @sweetreveriee @emelia07 @f4iry-bell @zaraaaabear @thoughtdaughter3 @benny1989fredd @elysianwayy77 @maybxlle @sheisntyou @anintellectualintellectual @aleatorio1234 @adalia-jaycee @off-to-the-r4ces @lyra-kane @reminiscentreader @lyrakanefanatic @imaseabear @elizaa31 @loveinalocket

Strip bowling was exactly what the name said. A game of bowling where you remove an item of clothing if you failed to knock down any pins. It wasn’t difficult to get the hang of, it was difficult for me however to hang on to my clothes. I’d only bowled a few times in my life and on the occasions I had, I was pathetic at the game, but it was for fun then. Now it felt like it was for my dignity.

“Earrings one hundred percent count!” I exclaimed, shoeless, sockless and jumperless. I didn’t know I could be so bad at rolling a semi-weighted ball down an alley.

“No they don’t!” Jameson quipped, wagging his finger at me.

“I’m wearing earrings, like I’m wearing clothes, they count,” I replied stubbornly, unprepared to lose my top or trousers.

“No they don’t,” he shook his head sharply with a dangerous grin on his face.

“You just want me to take my top off,” I snapped, attempting to throw him off.

Colour touched his cheeks, “I want no such thing!”

“Liar,” I smiled mischievously.

“Maybe I am,” he shrugged, our roles reversing. Colour in my cheeks and a smile on his lips. My heart raced as I processed what he said. “But don’t lie,” he continued, “you’ve been trying to throw my game off the whole time so I take mine off.”

“I did no such thing!” I mirrored him, with a face of synthetic shock.

“Liar,” he smirked, his voice so dark I wanted to melt.

I laughed lightly.

“Do that again,” he murmured, gazing into my eyes.

“What?” I blurted out, confusion written all over my face.

“That thing, where you laugh and smile and your eyes light up,” he explained smoothly.

I felt a rising warmth in my face and it wasn’t a fever spiking, “why?”

“Because I like it,” he said, his voice so light, so airy there was almost no sound at all.

I took a step towards him and tilted my head up, our eyes glued together and I was unable to pull away. I could sense his hand nearing my waist and I didn’t tell him to stop. It was only then that I realised how badly I wanted this.

“Jameson I-“

“Hey guys!” Xander’s cheery voice is quick to snap me out of my lovelorn trance, “ooo it’s the new girl.”

“It is,” I coughed, wiping my hand awkwardly on my trousers as I stepped away from Jameson, “nice to see you again,”

“Are you playing strip bowling?” he continued, analysing his surroundings, before turning to Jameson with a rueful expression on his face, “without me? Again! Why am I even here anymore?”

“Sorry Xander,” he shrugged, composed as of two moments before nothing had happened at all between us, “I’ll catch you next time.”

“That’s what you said last time and now look,” he protested, “I mean would it kill you to ask me to play?”

“I said sorry,” Jameson defended arms in the air, as if he’s being arrested.

“It’s like that one scene in Frozen,” Xander sighed, “when baby Elsa shuts baby Anna out, you know the whole ‘do you wanna build a snowman’ sequence.”’

“Jameson how could you!” I gasped.

“Right!” Xander said, looking at me, “I knew I liked you.”

“I’m quite likeable I suppose,” I grinned.

“Tomorrow, three am strip bowling,” Jameson said to Xander, “my treat?”

“Throw in snacks and drink and you’re on,” he grinned, nodding.

“Done,” Jameson nodded, “hey Xand, on the topic of strip bowling, I do have a question for you.”

“Shoot,” he said, with

“Do earrings count in strip bowling?” he asked, shooting a sly smile my way.

I scrunched my nose up at him which only widened his pathetic smile.

“Yes,” Xander responded. My eyes widened and my face lit up. I was unable to form any competent words.

“Ha!” I exclaimed, pointing at Jameson.

“What?” Jameson protested loudly, his face flattened, his smile no more, “since when?”

“Don’t you remember when you pierced your left ear when you were thirteen because you thought it would make you look edgy?” Xander replied, “you wore an earring for 6 months and always insisted it counted in strip bowling!”

“You did what?” I gaped, trying so hard to suppress my giggles.

“Oh shut up,” he snapped at me and rolled his eyes, “thanks Xand.”

“You’re welcome,” he smiled.

“Embarrassing me through childhood stories is Nash’s thing though,” he replied.

“He let me trade for an hour,” Xander shrugged.

“So what’s he doing,” I asked.

“Creating a machine with odd qualities whilst simultaneously consuming several blueberry scones,” he said, “…obviously.”

“I should’ve seen that one coming,” Jameson sighed.

“You should’ve, do you even know your own brothers?” he replied in mock offence.

“Sometimes I don’t know,” he shrugged, “honestly you surprise when even when I think you can’t anymore.”

“Well I’ll see you two lobsters later, my eyebrows growing back to much, I need to singe it off again with something explosive!”

He rushed off before I could even respond. This house was mental, but in the best way possible.

I turned to Jameson confused, “Lobsters?”

“That’s what you’re asking about?” he almost laughed.

“Why lobsters?”

“I don’t know,” he replied, hands crammed into his pockets, green eyes making me hallucinate being in his arms even more.

I waited. I waited for him to pick up where we left off, for his hand to actually grip my waist, for our lips to tingle with each others taste but there was nothing. He did nothing. The silence is the loudest force in the room and it made my heartache.

“You used to wear an earring,” I grinned, changing to subject to heal my sinking heart.

“Let’s revisit the lobster debate,” he replied, turning rosy. It was cute.

“Oh no no no, you are not getting out of this one,” I said with a giggle.

“Where there’s a will there’s a way,” he countered, with a nonchalant shrug.

“So what kind of earring was it, diamond?” I continued, with a smile I knew would probably be annoying him.

“I’m not answering you,” he replied bluntly.

“That’s okay, I’ll just ask Xander, or Nash when they’ve switched back,” I mused.

“They won’t give up that kind of information to a practical stranger,” he scoffed.

“Don’t be so sure, I thought they surprised you every day,” I countered, quoting him.

“You’re annoying,” he scrunched up his nose.

“One of my many many talents,” I shrugged softly.

“Don’t get too cocky,” he warned, with the kind of Hawthorne smirk that was to die for.

I raised my eyebrows, “says the king of cockiness.”

“You’ve known me less than a day,” he deadpanned.

“My inference skills are also incredible,” I winked.

He laughed a little, “what should we do now then?”

“I don’t know, find something else to do?” I said.

“You don’t want to carry on with strip bowling?” he replied

“There won’t be much to strip in a minute,” I scoffed, gesturing to my limited clothing.

“That’s part of the game,” he replied, shooting me a lopsided grin.

“You’ve known me for less than a day,” I mocked.

Jameson glared at me playfully, “don’t quote me.”

“But it’s fun,” I whined, pouting slightly.

“You’re annoying,” he replied, messing up my hair.

“Another one of my many perks!” I responded, ducking under his arm whilst slapping him away.

“How about a game of poker?” he asked, the subject changing so fast I nearly got whiplash.

I’d never been that good at poker. I’d been taught when I was younger, I knew the basic rules but I hadn’t played in years. I was rusty. I remembered the last time I’d played, in a bar at fourteen. I’d snagged myself one hundred dollars. I was praying for the miracle to reensue.

“Are you a betting man Hawthorne?” I raised a challenging eyebrow, one he couldn’t ignore. Avery mentioned that he couldn’t turn down a challenge.

“All Hawthornes are betting men,” he said coolly.

“That sounds risky,” I grinned.

“Not if you don’t mind taking the risk,” he cocked his head to the side.

“Where are your playing cards?” I asked.

He picked up his jacket and shook the sleeve gently, a packet of cards falling into his open hand. I suppressed my shock.

“They’re up your sleeve,” I said dryly, “how original.”

“I think you mean impressive,” he replied.

“If it helps you sleep at night, then sure impressive,” I responded.

“You wound me,” he faked a wince, holding onto his heart.

“Blood goes well with your eyes,” I shrugged.

“Better make a deeper wound then,” he murmured, our faces dangerously close.

“Okay,” I bit my bottom lip, “…I beat you at chess a few hours ago.”

“Too deep princess,” he replied.

“Princess?” I questioned, my eyebrows knotting together.

“What’s wrong with it?” he shrugged.

“It’s not my name,” I said bluntly.

“My apologies Princess y/n,” he grinned, taking a step back to bow before me.

I smacked the back of his head, “you’re not as funny as you think you are.”

“I think you’ve already used that line,” he countered, standing up, tentatively touching the back of his head.

“Thought I’d reinforce it,” I said.

“Remind me to teach you how to slap,” he replied, trying to get under my skin, “that was pathetic.”

“I know it hurt you,” I smiled, “don’t be stubborn.”

“Poker,” he sing-songed waving the cards at me as we sat on the floor.

I crossed my legs and watched as he shuffled the cards. He’d probably done it thousands of times, seen as the motions were so fluid, so captivating. Like an illusion. He cracked one of his signature grins my way and then he dealt.

“This isn’t hawthorne poker is it?” I asked, as he finished up.

“No it’s just regular poker,” he replied, “for now.”

His smirk made my insides tingle and my head go a little fuzzy. We picked up our card and he analysed his set sharply. He was on it, he was ready. Unlike when he was playing chess, he was tense. His focus was harder, his intensity was stronger. He was like a raging fire containing in a bottle coated in kerosine.

It was time to play.

***

There was a flash. My head whipped around to look at the window and I dropped all my cards. Thumped rumbled in the distance and I approached the window to see if it was raining. A second flash.

“Lightning,” Jameson mused from behind me, making me jump.

“There’s a storm coming,” I whispered.

“That’s ominous,” he chuckles, his breath is so hot on the back of my neck that it makes me shiver.

“Let’s hope it isn’t our author’s use of pathetic fallacy,” I turned my head so our faces are close.

“Our author?” he furrowed his brows.

“Whoever writes the stories we’re living,” I replied.

“So that’s how you think of things?” he asked, sounding somewhere between amused and curious.

“The things we do, the people we meet, the places we see, it’s all meant to be, someone wrote it for us,” I smiled, “it’s prettier to think that it was in the stars but even if it’s not, it’s all written somewhere.”

“That must be on hell of a book,” he grinned, then said, “you dropped your cards.”

I turned to face him, “I know.”

“You had a straight flush,” he replied. It was true. I had done better than I’d ever done at poker, apparently the miracle workers were on my side today.

“I know,” I nodded.

“And I couldn’t tell,” he said slowly.

“I know,” I repeat, eyebrows raised.

“You were going to beat me,” he stated, “…again.”

First at chess, now at poker, he was getting sensitive.

“I-“

“Don’t say I know again,” he said quickly.

“Okay,” I replied.

“No one has ever beaten me at poker before,” he said.

“I must be extra special then,” I joked.

“I think you’re more than that,” he smiled.

My lips parted, “what?l

“I think you’re beautiful,” he murmured, the green of his eyes too addicting to turn away from.

I was caught off guard. Was this some sort of fantasy? Beautiful. He had just called me beautiful. My heart raced all of a sudden and fireworks went off in my brain. I was too tongue tied in shock and joy to reply.

“Thank you?” I managed to say after a few beats.

No. No. No. No. I cursed myself. I didn’t mean to say that, like that. That wasn’t how it was meant to sound. If there had been a table near by I would’ve whacked my head on it a good few times.

“Tell me you feel it to,” Jameson pleaded, his void a low hum, “whatever the hell this is between us.”

“Oh I can feel it,” I replied, my voice quiet, seductive.

“That makes this difficult,” he exhaled slowly.

“Why?”

“Because I can’t trust myself with you,” he admitted, looking into my eyes, his expression so pained it made me ache.

“Then trust me,” I insisted, taking his hands into mine.

“You’re driving me crazy,” he chuckled lightly, “in the best possible way. I can’t stop thinking about you.”

“Funny you seem to be doing the same with me,” I giggled.

His face suddenly grew solemn, a look I hadn’t seen a lot of his face, “you don’t want this with me, I promise you I’m dangerous.”

“I like dangerous,” I shrugged.

“Target on my back, run into fire for fun, love too hard kind of dangerous,” he clarified, studying my face for any sign of me changing my mind.

“I’ll reevaluate that statement then,” I said, pausing.

He waited, so still, so quiet that I questioned whether he was breathing.

“I love dangerous,” I whispered, my eyes lighting up.

He only smiled at me then leaned down, cupping my face in his palms. His scent washed over me, delicate and alluring. His lips neared mine and I closed my eyes. The first kiss was gentle and sweet, it was the soft kind of kiss that every girl dreams her first kiss would be. But after that first few sweetened kisses, I got hungrier, I wanted not just to taste him but to indulge in him.

I kissed him harder with a new added passion and he realised I wasn’t messing around, that I wasn’t afraid. He delivered back, not worried to be rougher with his kisses. We moved with the emotion and the intensity of the moment. A fiery feeling ignited my heart. Love. My back hit the wall and his hands found their way to my waist. Pinned by a frenzy of kisses, I suddenly remembered I needed to breathe. It seemed Jameson did to. We pulled away, chests both heaving, hearts both racing.

“Lobsters,” I murmured breathlessly.

“What?” he asked, the most adorable confusion plastered across his soft features.

“Lobsters,” I smiled like an idiot, “they mate for life.”

a/n: people who actually know how to play poker, don’t come at me, I know I need to learn!!

warning you guys now there will be no part 3 😊😊 sorry

thank you for reading 🤍🤍

THE JAMESON CARD BETTER BE HERE SOON 👹👹 IM MANIFESTING IT WITH THIS FIC

TIG masterlist

[noobsoconfusing]

‘pothead? more like pot no head!’ hamzahthefantastic

summary: hamzah and you get high together very often, however this time is different, as you both take too much and end up greening out in different ways.

warnings: awkwardness, inexperienced hamzah and reader, cum, cringe.

>_<

“holy shit! holy f-fuck!” hamzah rubbed his heavy eyes, staring half lidded at your limp body passed out on his lap.

damn, he felt so overstimulated. his senses failing on him, per usual.

the smoke surrounding the living room –and yourselves– felt thick, almost like he could munch on it if he wanted to, and each time he breathed in he felt even more zooted.

and ow, fuck! you looked so beautiful. the light freckles, almost invisible, surrounding specific areas of your face, and then some imperfections that hamzah considered perfect on you –the same he considered ugly on him– you had dark circles under your eyes, and messy hair that covered your face almost entirely, but still he was able to peek at your flushed cheeks.

‘no! hamzah, stop! she could be fucking dead!’ –he thought to himself, regaining an ounce of consciousness through the warm haze that filled his brain and body.

“hey…” he shook your body, trying to keep his eyes off of your torso, though it was almost impossible for him. hamzah’s eyes drifted down, sheepishly admiring how the oversized shirt you were wearing –that yeah, in fact was his– rode up..

but as he kept shaking your body with his bigger hands, he realised you were far gone. that, of course, scared him shitless.

“oh my god..!” hamzah considered calling martin, but it was roughly 4 am, he wouldn’t be awake.

hamzah felt like he was losing the ability to breathe properly. his heart was beating so fast and blood going to every single direction inside of his body.

literally every single direction. fuck. oh no.

“y/n, are you… are you awake?” hamzah saw double lines, so fucking high. “oh god she’s dead, she’s fucking dead…” he felt like crying he was so fucking panicked.

and the scene was quite funny, tense even. how was he going to tell the police that you guys got super high that you probably had a heart attack? even worse! how was he going to explain the stupid fucking hard-on he had been resisting to beat since the fucking weed settled on him?

crying with a stupid hard-on was pathetic. crying stoned out of his damn head, with his possibly dead roomie laying next to him was dumb.

everything was dumb! nothing made sense to him at that moment, ugh, so confusing!

crying next to the girl he yearned for, the girl he liked since he first saw in that roommate application was beyond pathetic. and you were both high.

“oh god, please!” he yelled so fucking loud, which made you scramble out of your slumber. “i know you hate me! doesn’t matter cause you’re uh, like, you’re dead, but oh god! i like you.. so much and.. man i just…wanted to smoke with you… maybe make out… maybe even dip it! but y/n please don’t, uh, don’t kill me in my sleep too! oh my fucking god!” he rambled as he slurred his words from how high he was.

hamzah had this problem. one of many. where he would overthink and panick and talk his brain off as if his body had no power over him, only his thoughts. that maximised when he was zooted.

due to his extreme yapping, you found yourself awake on the couch, but you couldn’t move or speak. your limbs felt floaty and numb and your body felt so lightweight that you wondered if you were human still.

but hamzah’s greened out voice was getting on your stoned nerves

“mmm…” you slowly opened your eyes, red as fuck. “hamzah, a-are you tweaking?” your voice groggy after smoking only turned him on even more, and he felt so bad for thinking lewd stuff about you.

his eyes blew up wide, like two round red leds. he threw himself into your smaller frame, engulfing you in a big hug. he groaned out of satisfaction.

groaned again when he felt your body so close to his. so warm. so soft.

“holy fuck! you’re not dead! oh shit, y/n i fucking love you, i love you i love you, god i was scared shitless..” as high as he was, he meant it, he had been wanting to admit that for such a long time but sober he didn’t have the balls to.

you gave into the embrace and snuggled closer to his warmth. his words vague, though you cherished them and how sincere he sounded, it was almost impossible to concentrate in that state of mind. all you could do was enjoy the proximity.

so comfortable, so nice, and..

“im sorry im hard..!” hamzah pulled away from the hug to look down at his almost unbearable boner. his eyes wide and glossy like marbles looked at you like a kicked dog asking for help.

you see, in his right mind he wouldn’t even mention it, he wouldn’t even look at its direction. but he was definitely not in his right mind, right?

he surely knew how to silence a room.

“huh?” you stared at him confused and rubbing your right eye, pouting. looking like a fucking goddess. so cute. so beautiful it made hamzah wanna just explode.

here comes the world vomit. high trait of his.

“im sorry i have a boner. like, okay, it’s so painfully hard that i feel sorry because weed, well, weed makes me super fucking horny and on top of that you’re here and i think you’re so pretty and i love you so oddly much… im sorry i got a boner,” he swallowed the knot inside his throat. “i am sorry, so sorry. i love you though? is that weird? do you think it’s weird?..”

seconds that felt like hours passed and you would just switch stares between hamzah’s reddened face and the notorious bulge inside his grey sweats.

he felt like dying. and you were just sitting there, looking fuckable and so pretty, and he was just melting there waiting for a reaction from you, trying not to burst like a teen.

hamzah almost felt as if the high was gone from how nervous he got, but feeling sober was way worse.

you got closer, but it was like you were being pushed by an invisible force. like a magnet attracting you to hamzah’s shivering body.

your hands trembled badly.

no, you did not know what possessed you to crawl over him and caress his face, he was sweating cold, and his eyes far gone intoxicated.

“w-what are you…?” you laughed at how he pronounced the sentence, your giggles almost like a whisper.

tension so dense it could be cut with a knife

the eye contact was stupidly intense, both of your gazes drowsy and tired, eyes heavy and itchy from the smoke around you.

when your hand moved south, hamzah’s eyebrows knitted together and his mouth fell open wide, choking a whine. it was extremely weird how a little touch could make him feel so excited, and got him even harder, if it was even possible…

“dude, you’re bricked…” you said, feeling him up through the grey sweats.

he subconsciously thrusted his hips upwards to your hand, which you quickly moved away, earning a pathetic moan from him.

“nooo, owww!” he pouted, eyes teary.

it was funny.

“no! hey!..” he pleaded, grabbing your hand and trying to place it over his boner again, but you giggled at his impatience and swatted his bigger palm away. “y/n! p-please, h-hey, you can’t just..” he shrieked desperately. “please?”

hamzah was willing to jerk off right then and there, not minding your presence. even better for him, he would cum to your image, to your feel, to your sight.

that would totally cross the roommate line, wouldn’t it?

neither of you were experienced though, and as fucked up as you were, you also didn’t wanna ruin it, ruin whatever was going on between you two.

you got too nervous. nervous at the sight of him so fucked out over nothing. you never had a guy like that, never so desperate for you. or a guy at all. hamzah made you feel so stupid, so weird inside. so warm.

oh, so nervous…

“uh, do you want another hit?” suddenly, you got up looking for the rest of the blunt. too lightheaded to function. too nervous to continue. a good excuse.

hamzah stared at you in disbelief. then down at his pants. then at you again. he smiled, but it was such a hot smile. he looked so good, so fucked up.

“we are pretty cooked though, don’t you think?”

you shrugged. “whats the worst that could happen?”

so you grabbed the special blunt on the night table, and the lighter too. slid it into your mouth and lighted the pre rolled, you inhaled and swallowed the smoke in, turning over to hamzah and then blowing out the smoke on his face.

he stared at you with his mouth wide open, trying to take some of you in. so drunk on you.

and so, the worst thing that could happen, happened.

hamzah felt like he lost balance, his eyes rolled back into his skull and tried to reach for your hand to hold while a gutural moan erupted from the back of his throat, just as he emptied himself in his sweats..

came untouched. just at the sight of you blowing smoke out on his face.

“f-fuck, im so so so sorry, i didn’t… i- i just, i don’t know… you’re so pretty and…” he started rambling yet again and you felt so silly.

your gaze softened on him, and hamzah felt less embarrassed when he realised you weren’t angry or grossed out. your soft eyes felt gentle and he knew you weren’t judging him.

“it’s fine… i guess.” you avoided staring at the wet puddle forming inside his pants, and he giggled nervously too.

time passed by, maybe not really. you felt as time flew by too slowly, and found yourself lost in hamzah’s big eyes again. both of you staring at each other while sitting on the couch, the blunt consuming itself far forgotten but still creating smoke.

hamzah cleared his throat. “i feel sticky.”

“i bet you do.” you replied.

“have you ever…” he started but you quickly interrupted him.

“no head, hamzah!”

>_<

yay first small fanfic here ^_^ unbelievably cringe though, might have to kms.

[raevnq]

I've been seeing people shame mxtx for writing sex scenes in her own books. They say things like "it's so unnecessary" or "she's fetishizing them" but I don't think so. In fact if you analyze her books you understand it actually helps develop/expand more on their relationships and the characters themselves.

I'll go down the line starting with svsss

This was her first book published. The first time luo binghe and Shen qingqiu get.... Intimate it's because Shen qingqiu wants to help binghe. We already know Shen qingqiu holds him in high regard though some doubt he actually is in love with binghe. To me the scene shows his devotion and love for binghe. Luo binghe when the scene first begins isn't himself. Shen yuan knows this as well. Throughout the whole story he had been in some sort of denial. Saying things like he himself is straight or luo binghe is destined for a harem. Leading up to the scene we read Shen yuan kinda realizing/acknowledging he has feelings for binghe. While it's not spelled out plain as day it is there.

Svsss has the most backlash when read. From people saying the main couple has no chemistry to the papapa scenes. This scene and another (🍾 if ya know ya know🫡) get the MOST criticism. Now I'm not gonna lie and say I got why she wrote these scenes right as I read them. I'm also not saying people aren't allowed to have opinions. I am just tired of mxtx being painted as a weird person for writing these scenes cause some people don't like to analyze things.....

Anyway sorry I got off track😅 the scene between binghe and Shen yuan develops Shen yuans relationships and character. It's the final interaction between them that makes it click to Shen yuan that binghe is a real person who struggles and not just the character in his favorite(most hated) novel. He sees binghe as a person and wants to help. People say the scene was very non-consensual but Shen yuan is the one to initiate. He starts kissing binghe to distract him and when it starts becoming more than kissing he's okay with it. When binghe snaps out of his trance-like state he's HORRIFIED by what he did. Luo binghe would never harm Shen yuan. He asks why Shen yuan didn't push him away or kill him(🙁) and they have a heartfelt scene where Shen yuan tells luo binghe he matters and is loved.

Svsss is a tragedy written as a comedy. Most scenes are overlooked because Shen yuan's way of coping is humor. We only see things from his pov and he also likes to overlook or push past things when they get serious. This scene gets the most criticism because even he can't joke his way through it. He can't be light hearted because it's like a flip is switched and he realizes this is real, these people are real, and I care for them. Not to say he didn't know there were times he was like "oh, this is my life now" but subconsciously he's not taking things seriously. This scene cements this for him. Which is why the scene is so heartbreaking. It's not just "oh we had sex and saved the world" it's him seeing things as not a game clearly. Even if he jokes about it later you can see the change in his mindset. He loves and cares for these people and now they don't just feel like NPCs to him. They are not just a means to an end. They are REAL and that scene helps it finally click for him.

I was gonna do all of them but I'm actually starting to get mad soooo the next two will be later 😅

[idyat]

MADNESS COMBAT 12 SPOILERS

I need to talk about it so bad I need

Can we talk about how the AAHW popped OFF in this episode? Obviously the half-MAGs are fucking awesome and it makes me wonder about what could a full MAG could do if the smaller versions are already this brutal and dangerous and determined

-Side note: THE WAY THEY COMMUNICATED WITH EACHOTHER ABOUT BREAKING SANFORD IN HALF IS ZHXZ8YG9ZII Z THAT WAS THE BEEEST-

But like, the absolute FEELINGS in the 1337 agents?! On of them was SCARED, RAN AWAY AND SLOPPILY THREW HIS WEAPON AND ANOTHER WRITHED IN PAIN IT'S SO COOL THAT WE ARE SEEING EMOTIONS FROM THEM (plus the HELP written on the ground can count). And the combat prowess of the soldats??? The NOISES made by the engineer in the beginning GOD I hope we get more of those noises (sadly we don't get much of the engineers but shoutout for being the number one display of a half-MAGs violence and lack of care for their coworker)

I'm also curious on why the Auditor went after Sanford instead of taking care of Hank directly? It seems like Hank has died, and he seemed pretty angry at Sanford, so maybe he wanted to make him stop meddling himself. Or, theorizing off of what Doc's screen said, Hank is currently somewhere not even the Auditor could reach.

Either way, I'm excited to see a stand off between Audi and 2B

"Gamer: Off"

Sanford facial expressions

Sanford facial expressions

SANFORD FACIAL EXPRESSIONS

My boy is wild even when blinded he makes me question if he actually went blind because he's that good at fighting and at raging DID YOU SEE THE SLOW-MO ON IF KILLING AND RIPPING IN TWO (heh, ironic) THE HALF-MAG GOOOODNESS

I already talked about the car scene but my hype was at its fucking HIGHEST when I saw that pinky light up. Good job Krinkels, you know how to make your viewers go insane

PLEASE THE PANIC IN DEIMOS' MOVEMENTS THE WAY HE WAS SO FAST IN RETRIEVING THE WATCHAMACALLITS THE WAY HE LOOKED BACK

[cocktailjjrs]

So......

Since I've been suffering with these angsty thoughts... i though i would invite you all suffer with me...

It's about Chuuya...

I was doing some research for my fic (mainly going through bsd novels, blogs, tags and all) and came across this one Insta post in passing (sorry, i don't remember the name).

It was about BSD's cycles.

First, cycle of abuse, going from Mori-Dazai-Aku-Kyouka

and Second of rescue, going from Natsume-Oda-Dazai-Atsushi-Kyouka.

And then they highlighted a third category, the one's who are not saved - including Chuuya, Aku and Q.

At that point i didn't think much about it, just another post while scrolling Insta.

But now it's keeps bothering me, a constant reminder, whenever i read something BSD.

And It's so heart wrenching.

It also hit me, Q and Aku can still be saved.

Q, while we don't exactly know where they are right now, there is a chance of them getting their own arc, backstory and then being saved.

Aku, while still in Mafia, his partnership with Atsushi is his saving grace already. He is making an effort to not kill, just for their deal/bet. By the end of it all, he will be in a better place than he is now.

But Chuuya. (Spoiler's for light novel's if you haven't read them)

I remember very clearly, when in Stormbringer (don't ask me why i remember this byheart), when Murase dies Chuuya says, "Hey Detective, Weren’t you gonna arrest me?! Weren’t you gonna bring me into the world of light"

Don't get me wrong, I still believe Chuuya belongs to Port Mafia, the darkness suits him better than light.

But that does not mean he never wanted to get out of that darkness. This one instance in SB was proof enough. Makes me wonder, if things had gone even slightly differently, would he be in a better place than he is now? Is there still a chance?

What's even more tragic is that after the whole SB thing, no one seemed stick around enough to help him fight his own demons.

And he definitely has MASSIVE DEMONS.

His whole life seems to be one catastrophe after another! Don't believe me?

His first group, whom he called friends, betrayed him. Classic stabbed by poisonous knife in the back.

Hardly a year later, his second friends group, Flags, was killed by an emotionally unstable man-child seeking validation, insisting on calling him brother.

He went through a horrid ordeal, having to learn he was a lab experiment, seeing your clone vaporise to nothing but bones in your own arms, having to fight those same bones. And as if this was not enough, then fighting the monstrosity of a singularity and in process loosing the only chance to determine your humanity. (Actually whole of SB is dreadful, i don't think it'll ever get worse than that - i really hope it doesn't)

Then, given by the timeline, another year later, his third group of friends was killed by Shibusawa.

And again a year later - his partner, who brought him in all this madness, just fucking leaves without a word. This is the least tragic thing that has happened to the boy, i swear.

And I'm sure it didn't end there.

There must have been so many things going on behind the scenes in those missing years, hell even after the series began, Chuuya has been out of scene because something or the other was going on.

Now you have Fyodor fucking shit up for no apparent reason. With this shitshow, many mafia men, some of whom Chuuya might have developed a relation, are definitely dead. Not to mention the mental gymnastics going to trying to at least be on the same fucking chapter as the two geniuses.

AND ALL OF THIS IS JUST IN THE CURRENT TIMELINE. Don't get me started on BEAST VERSE!!! (That's a can of worms I'm really not ready to open at this point)

The thing with Mentally strong individuals is, they have abnormally high emotional intelligence, they are unnaturally resilient, they can compartmentalize their grief, they empathise with great deal of people, think rationally at any given point and think of ways to make things better.

What many people fail to understand is that no one is born Mentally strong, it's the circumstances that make them as such.

It can happen even through small things.

No one being there for you to express your deepest fears. No one just listening to you, even if they have a solution to your problem. Or having seen other's nightmares come to reality and feeling your own are much smaller, or having made to fell that way.

It creates the mentality of never sharing your fears, your insecurities, your discomfort - because at the back of the mind you keep telling yourself - oh, this person has gone through so much more than i have, my fear is nothing compared to it. I can handle it on my own, they have their own problems to handle. Everyone is busy, i don't think they have time to listen to the same problem I've been facing for years now. I've manages so far, i think I can manager just fine.

You start to undervalue your own feelings and start to fell like you'll burden them. Start to feel like you NEED to handle it on your own.

Now, i don't want to go into a spiral of mental health, but when you look at Chuuya, you can't help but marvel at that kids Mental resolution.

His first action after being stabbed in back was to make a deal with a demon to make sure he doesn't harm them, because they are just kids.

His first reaction to being provoked into revenge was to say Fuck off to his manipulator, not falling for the temptation and doing what he felt right.

He even forgave the killer of his friends (And also the one who tried to kill him) for gods sake! Understanding what he was going through.

He even walked away after knowing his parents are alive (oh the irony) not wanting to put a target on them. (I'm actually on fence with this, the chances of it being a manipulation tactic from Mori is just as high as it being the truth)

He had tremendous mental fortitude.

But you still see the cracks in his emotional state,

He was desperate to know if he was human or not, inclining towards the later.

He didn't know, that your friends can do some nice things without expecting anything in return. They can go above and beyond your regular stuff just because they are your friends, there doesn't need to be of anything at stake in friendship.

Hell, there was a point he believed having a Heart was too sophisticated for him, that he can't be that human!

I can go hours and hours about this.

What i can say for sure is, he has demons in all sizes, shapes and forms, something that he has stuffed in his closet only to deal with them himself, not letting them see the light of the day.

i just don't see anyone actually being there for him long enough for him to trust them fully with his demons.

No, not even Dazai. Dazai himself was a walking cry for help, like hell Chuuya is adding to that pile. He may have found a constant in Dazai in three years, seeing as all other's met their end in one. I believe in those three years, somewhere Soukoku began to feel like his safe place, somewhere he didn't had to think about his demons only by the virtue of dealing with one made of flesh and bones. But then even Dazai left.

I don't think even Kouyou was there for most part. And considering her obsession with a flowers of dark with Kyouka, i think it pulled Chuuya more in her own tragedy. Afterall, she also was never saved.

Mori is there, but Mori is a Demon in his own rights. What we've seen is their interactions have been those of a boss and his close confidents, nothing personal or emotional. Which also makes sense when you think of Mori's theory of running an organization. Chuuya, all things considered, the most powerful member of PM and he is treated as such.

The other significant members of PM, the guerrilla squad, black lizards or Kajji - all of them may know him better than most, but he is still their executive. If a 15 and younger kid took the title of being a protector of his rag-tag group seriously, being a responsible and dependable executive comes with higher stakes. He will carry out his role as one, even if it's the last thing he does.

.

.

.

That was me rambling.

My point is, i wanna give Chuuya a big hug, tell him it's okay to fell tried sometimes. To let himself be vulnerable. That his fears are not invalid. That he is not invalid. That he isn't the problem, never was.

That he will still be valued and wanted, even if he one day looses his ability or he is no longer the strongest.

Can someone please save his boy?

[lonelyzarquon]

[elvisqueso]

Pocahontas (1995)

[averlym]

" just...come here. just sit here with me" (...that one scene from princess momonoke, click for better resolution)

[scorpiusmalfoylovesoscarwilde]

I need a good drastoria fic I'm actually going to die I'm being starved of them I want to consume them so bad but there's NOTHING THERE plz if any of you have found anything give it to me right now I'm gnawing at the bars of my enclosure this is literally me without drastoria

[what-is-it-to-be-pk-esque]

My partner finally finished BG3 but has no idea that his ending was actually bad cause he was a pro-Vlaakith githyanki who rode off with Lae'zel but got NO EPILOGUE where Withers points out y'all died im 😭😭😭

they have no idea what happened with Gale or anyone else (who was still alive) after flying away 🙃🙃🙃

[sysig]

Getting up to trouble is his speciality (Patreon)

[sheathnknife]

the vampire diaries 8.16 // louise gluck, crossroads

“and damon, like the voiceover tell us, he was worried he would never see stefan again. it was just elena assuring him that there would be peace. that we’ve dealt with this other side of darkness for several seasons, but there’s also light out there and there’s peace, and damon will find it. if you search for it, you will find it. and we wanted to get that last moment to see that [...] damon found it too, and it looked just like his brother.” — kevin williamson

[killjoy-prince]

Look I get Raphael is the literal devil but thats not gonna stop me from thinking his voice is hot